I must report the passing of a dear old friend today
I'm not sure when it happened, but I felt I had to say
That the Vegas that's in movies, books, and on TV
Is not the one that you will find, it's not the one you'll see
I know your expectations are of glitter and of lights
Of singers in the lounges that play into the night
The lounges now are empty of the singers and the bands
Instead they're full of djs, and bad magicians badly tanned,
The song that was Las Vegas is not one thats in your head
The one you know with Elvis, is now gone, you see it's dead
The old hotels are gone now, It's not like it was before
The new buzzword in Vegas is now just, MORE, MORE, MORE
It's now a culture aimed at being bigger than the rest
For now it seems that bigger, means you're now known as the best
There's hotels full of bedbugs and the service is the *****
But, the casino doesn't care if there are people in the pits
The strip is nearly two miles long, and almost half is blank
It's like the desert opened up and ten casinos sank
At one end is the Stratosphere, it's got a real cool view
But, because of it's location it's not easy to get to
The Sahara was next closest, but now the Lady's gone
And to walk from this tram stop at night, well I cannot say it's fun
It's dingy and it's ***** and it's not a place to be
I wouldn't recommend this part, it's not a place to see
Freemont Street, The Old Vegas is off the beaten path
It's an hour ride upon the bus, and a taxi...do the math
It's just a place to go to once, there's no reason to return
And if you ever visit here, I think that's what you'll learn
The middle part of the strip is glitzy and spread out
It's kind of close to what Las Vegas is about
It's not all geared to people who have childeren all in tow
These ultra cool casinos is where you might just want to go
The other end is busy, but it's full of gloom and doom
And on every single corner, you can get girls to your room
There's people handing out small cards with women with a price
Who'll come up to your room and well....let's say they don't play dice
On every bridge across the strip, there's beggars and there's hawkers
They're selling everything from cds to bottled dollar water
It's tourist town, a fast food mess, it's Disneyland on crack
There's lots of things to do down here, but you must always watch your back
Did The Mirage **** it?, when Steve Wynn said let's go really huge
Hotels like this were ten times larger than the Moulin Rouge
It wasn't when Hughes came to town and bought the Desert Inn
You know the land that's now the new home of the casino known as Wynn?
It didn't die when Elvis left, it sill was full of life
But at someime since the town has died, it has fallen on the knife
The strip itself is two miles long, but you know that that's not all
In the years since Elvis left, it's become a big strip mall
There's stores here selling plastic , and the people shop in streams
I'm not sure, but to me NIKE is not the Vegas in my dreams
Rolling in their graves, I bet the stars who made this town
Are sitting in heaven or hell, saying when did it go down
There's more shows now of tribute acts and hypnotists galore
And you can find a Circus from Quebec through nearly every hotel door
At some point rigor mortis set into this old girl
I wish they could revive her, at least give it a whirl
There's buffets selling fried foods, obesity....my lord
And if you don't go out to Denny's, the restaurants you can't afford
My mind has got an image of Vegas that is cool
It involves going out late and spending daytime at the pool
You dress to go to dinner, maybe dancing and a show
And the concierge at the hotel is someone you should know
But now, you go out shopping to the outlet in the day
The casinos are all empty, since there's no one left to play
Getting dressed to go to dinner, means you switch from shorts to jeans
And the ways some people act now, well it's borders on obscene.
So, today I'd like to ask you all, for you may know more than I
But, can anybody tell me, just when did Vegas die?

on Valentine’s Day he is working on black painting hears knocking at door with rag brushes in hand he asks “who is it?” “it’s Reiko! come on mr. birdfishdog open up” he has grown afraid of her nervously shuffles brushes rag in hand guardedly opens door there stands Reiko Lee Furshe shoulders pulled back arms akimbo black leather jacket black tight jeans black pointed toe boots hair cut extremely short looks like handsome young boy grinning “hi aren’t you going to invite me in? want to **** and ****?” Reiko’s altered appearance suddenness alarm Odysseus "why did you cut your hair Reiko Lee?" she says "it’s my hair and I can do what I want with it i shaved my legs armpits and ***** too want to have a look?" he replies "no no way why? why did you cut your hair?" she says "because i felt like it and because i know how much you love my hairiness Odys i wanted to displease you i’m female again!" she defiantly glares at him he looks away slowly closes door hears her holler “*******!” listens as footsteps race down stairs out building he drops paintbrushes rag rushes to front window looks out watches her saunter away down street until she is gone writes Reiko Valentine poem he will never send

love listens when you speak understands what you think love watches while you sleep love holds back as you leap love lounges while you run frantic love picks your pocket puts you in checkmate love builds nest hatches egg love rips open your chest plucks heart away love is racehorse love is rattlesnake love pretends not to notice while you ******* love swings on gate love visits your grave love impersonates a poet love slits your throat love devours everything leaves crumbs for hate

he receives Valentine card in mail from Mom wonders if ultimately his fate is somehow sorely connected to her what if Mom stands in way of every woman? what if stars lead away from recognition as painter instead steer straight back to Mom? what if each is trial to other as if their souls are entangled in insolvable riddle ancient curse? he drinks himself to sleep

Laius and Jocasta are king and queen of Thebes in ancient Greece they have baby boy oracle prophesies boy will grow up **** father marry mother to nullify prophecy Laius Jocasta decide to **** their son back then it is common to abandon unwanted or damaged baby on mountain for vultures child survives grows to be man he travels gets into fight on road kills stranger who unaware to him is his father King Laius traveler Oedipus goes to Thebes solves Riddle of Sphinx saves city he is made king unknowingly marries his own mother King Laius's widow Queen Jocasta Oedipus rules wisely he and Jocasta have four children eventually Oedipus and Jocasta realize what ******* Oedipus is Jocasta commits suicide Oedipus pokes out his own eyes becomes wandering beggar assisted by daughter Antigone at time of their marriage Oedipus is young naive but Jocasta is middle-aged woman maybe deep down Jocasta knows she is marrying her handsome son it is thrill to sleep with him maybe it is only after Oedipus realizes truth in disgust confronts Jocasta that she is driven to suicide Jocasta cannot live with herself because she has known truth all along and now she is found out Oedipus can live with himself yet he plucks out eyes because he never wants to see truth again

Odysseus continues to work on black painting many weeks pass slowly snowdrifts begin to melt on occasion sun appears in sky Penelope calls to catch up with him says she is in hurry has met really cool guy is falling in love again their conversation is brief he hangs up receiver considers how resilient Penelope’s heart is she seems so much more capable of getting over heartbreaks

Months of stale, cigarette smoke
and spilt **** water pleasantly
offset the stench of cheap cologne
and ratty, abused furniture.
    
Fictitious stories occupy this tiny, dim
apartment, birthed on the lips of
rebellious juveniles whose tongues
pierce the ears of our elders.

In a forsaken corner, Jeremy lounges
awkwardly on a grubby-plaid sofa that
suitably complements his button-down shirt.  
I join him.

Behind his right ear rests a lonely cigarette, while
another sits snug between his lips, set ablaze
by the 1968 Slim Model Zippo he inherited from
his beloved grandfather.

His transparent sense of self-worth emanates
from his grubby, grease-stained hands, scuffed boots,
blotchy-checkered flannels, and faded blue jeans
that are completely obliterated with holes.

I look into his pale blue eyes, the depth of which
often goes unrecognized.  Jeremy is a soft-hearted,
pudgy youngster with the kind of chunky cheeks
that all grandparents love to torture.  

But his marred, acne-ridden face betrays the transition
that has been forced upon him.  Slowly, his trademark
grin appears across his face – subtle, mischievous, and
typically without reason.  But this time it appears justified.

Jeremy takes a moment’s break from his cigarette to drop two
hits of acid.  A new drug for him, he hopes to find relief from
his seething anxiety, evidenced now by the wide expansion of his
chest as he takes another, more lengthy and powerful pull from his cigarette.

The mundane chatter that fills the room continues, a seeming
necessity to offset any potential awkward silence. I feel as if
this noise is closing in around us.  But just as suddenly as I
feel overwhelmed by this sensation, the noise stops.

I look around, noticing everyone’s eyes staring in my
direction.  Jeremy is still next to me, now giggling
like a little school girl.
I begin to feel sick.

Jeremy swiftly leans forward, giving his
cigarette a premature but honorable
death, eliminating its glow as he smashes
the cherry into tiny bits against the ashtray.

As he sits back against the couch, I can see that
his eyes are now indifferent. Foreign.  With a perplexed
and fascinated stare, he watches the pearly-white smoke
slowly slither upwards towards the ceiling.

There’s no question in my mind that his
soul has fled. Jeremy sinks further into the
couch, turning his vacant eyes in my direction.
I want to *****.

His high-pitched giggle has now subsided into a
low whimper.  Gradually extending his left arm into
the air, he tilts it from side-to-side, examining it as if
an infant discovering his genitals for the first time.  

Bike wheels appear in the corners of the room.
Entertained, his eyes rapidly zigzag from the
corners of the walls to his hands. He asks me
if I can see the wheels. I don’t respond.

Intervals of psychotic emotion begin to cycle. Jeremy’s eyes
fill with tears as he tries to understand the hallucinations
engulfing him.  The expression on his face betrays the reality that
he has stepped onto the never-ending theme-park ride from hell.  

Together we leave and walk to the bus station, Jeremy
walking slowly and whimsically. The bus arrives,
and I hand him a few crumpled, single-dollar
bills as I attempt to instruct him where to get off.  

All I can envision is his mother’s first reaction to her son’s arrival.  
Would she collapse at her son’s knees, crying like a mother whose boy
has come home from war?  Would he forever be an awkward guest
at the dinner table? Would she disown him?  Would he become a feral child?






I no longer know what day it is. I am surrounded by lockers
and students, trapped in a tunnel of shadowy walls.  As I stand
alone, I find myself entranced by the blinding, January sunlight
that floods through the double doors a mile away.

My vision is unexpectedly blocked by a figure
standing in front of me. Clothed in little but jeans
and a bright, white t-shirt, Jeremy stares at me, his eyes
mirroring the emptiness I now feel.  

“Do you have a lighter?”  My hands pointlessly search my pockets for
what I already know is not there. “No, man. Sorry.” A look of confusion
spreads over his face, and I suddenly cannot help but notice the sick irony
of the scene in front of me - Jeremy flooded in light as if born again.  

My thoughts linger here too long, and just as swiftly as Jeremy
appeared, he is a mile away sauntering out through those double
doors. Estranged, I continue to stand here, hoping with
futility that this isn’t the last time I have looked upon him.

If it form the one landscape that we, the inconstant ones,
Are consistently homesick for, this is chiefly
Because it dissolves in water. Mark these rounded slopes
With their surface fragrance of thyme and, beneath,
A secret system of caves and conduits; hear the springs
That spurt out everywhere with a chuckle,
Each filling a private pool for its fish and carving
Its own little ravine whose cliffs entertain
The butterfly and the lizard; examine this region
Of short distances and definite places:
What could be more like Mother or a fitter background
For her son, the flirtatious male who lounges
Against a rock in the sunlight, never doubting
That for all his faults he is loved; whose works are but
Extensions of his power to charm? From weathered outcrop
To hill-top temple, from appearing waters to
Conspicuous fountains, from a wild to a formal vineyard,
Are ingenious but short steps that a child's wish
To receive more attention than his brothers, whether
By pleasing or teasing, can easily take.

Watch, then, the band of rivals as they climb up and down
Their steep stone gennels in twos and threes, at times
Arm in arm, but never, thank God, in step; or engaged
On the shady side of a square at midday in
Voluble discourse, knowing each other too well to think
There are any important secrets, unable
To conceive a god whose temper-tantrums are moral
And not to be pacified by a clever line
Or a good lay: for accustomed to a stone that responds,
They have never had to veil their faces in awe
Of a crater whose blazing fury could not be fixed;
Adjusted to the local needs of valleys
Where everything can be touched or reached by walking,
Their eyes have never looked into infinite space
Through the lattice-work of a nomad's comb; born lucky,
Their legs have never encountered the fungi
And insects of the jungle, the monstrous forms and lives
With which we have nothing, we like to hope, in common.
So, when one of them goes to the bad, the way his mind works
Remains incomprehensible: to become a ****
Or deal in fake jewellery or ruin a fine tenor voice
For effects that bring down the house, could happen to all
But the best and the worst of us...
That is why, I suppose,
The best and worst never stayed here long but sought
Immoderate soils where the beauty was not so external,
The light less public and the meaning of life
Something more than a mad camp. 'Come!' cried the granite wastes,
"How evasive is your humour, how accidental
Your kindest kiss, how permanent is death." (Saints-to-be
Slipped away sighing.) "Come!" purred the clays and gravels,
"On our plains there is room for armies to drill; rivers
Wait to be tamed and slaves to construct you a tomb
In the grand manner: soft as the earth is mankind and both
Need to be altered." (Intendant Caesars rose and
Left, slamming the door.) But the really reckless were fetched
By an older colder voice, the oceanic whisper:
"I am the solitude that asks and promises nothing;
That is how I shall set you free. There is no love;
There are only the various envies, all of them sad."

They were right, my dear, all those voices were right
And still are; this land is not the sweet home that it looks,
Nor its peace the historical calm of a site
Where something was settled once and for all: A back ward
And dilapidated province, connected
To the big busy world by a tunnel, with a certain
Seedy appeal, is that all it is now? Not quite:
It has a worldy duty which in spite of itself
It does not neglect, but calls into question
All the Great Powers assume; it disturbs our rights. The poet,
Admired for his earnest habit of calling
The sun the sun, his mind Puzzle, is made uneasy
By these marble statues which so obviously doubt
His antimythological myth; and these gamins,
Pursuing the scientist down the tiled colonnade
With such lively offers, rebuke his concern for Nature's
Remotest aspects: I, too, am reproached, for what
And how much you know. Not to lose time, not to get caught,
Not to be left behind, not, please! to resemble
The beasts who repeat themselves, or a thing like water
Or stone whose conduct can be predicted, these
Are our common prayer, whose greatest comfort is music
Which can be made anywhere, is invisible,
And does not smell. In so far as we have to look forward
To death as a fact, no doubt we are right: But if
Sins can be forgiven, if bodies rise from the dead,
These modifications of matter into
Innocent athletes and gesticulating fountains,
Made solely for pleasure, make a further point:
The blessed will not care what angle they are regarded from,
Having nothing to hide. Dear, I know nothing of
Either, but when I try to imagine a faultless love
Or the life to come, what I hear is the murmur
Of underground streams, what I see is a limestone landscape.

In my backyard, the deep sauce
of sun-gold air swivels lazily,
stirred by the occasional bumblebee.
I’m entertained by the idea of anything beyond this.
No continents, no glitter-splashed ocean.
The softened world settles into itself,
transforming from its usual busyness.
Squash lounges in the garden and
preschool train operators maneuver Thomas
through his wooden kingdom.
They move trees and buildings around their set and we,
still fascinated with the cucumber in the garden,
don’t look up from skimming our fingers through grass,
changing our own soil kingdoms with the sweep of a hand.

we play with a retired professional but
none of the other kids mind—
his alcoholism has gotten the better of his muscle
memory and god doesn’t he look bad

the ball is an old piece of garbage made from
a kind of industry plastic
half-flayed alive by loving kicks
that expose the moldy gray rubber inner-
sphere like some soft eyeball

and, behind one of the goals, the
boy who plays goalkeeper only on Wednesdays
lounges like a pimply Greek sculpture—
unable to move as an epileptic fit lazily
puppeteers his body while the players pass the ball into his gut
and I step aside, too—
my stomach aches so badly for the crispy joy
of cold cereal I can’t play—

some days are like that—shed of their seriousness
because it’s more fun to play without a defense
even though we’re always losing **** it I just scored
a goal!

I'd like to believe
that it will be better
than the past,
but as the they
used to say
in the teachers'
lounges
when I taught
high school:

There Is No Bottom.

mce

What happened to the beautiful boisterous screaming queens of the 80's full of Gloria Gaynor dancing on bars & pianos & teasing & strutting & grabbing life by the *****?
Every time I go to the Op Shop & see a pair of size 11 patent leather red pumps I think of you & put them on & walk around the shop just to remind me of the fabulous times.
Are you making lounges in the shape of Cadillacs or corsets or sculpting **** - tail glasses delicately gold leafed - centre table?
Back up x 30 in the Botanical Gardens at Mardi Gras & remember the good times, the sad times, the Carmen Miranda, feather boer, wig, **** & lipstick times my friends........
smooth jazz grand piano

.......

It’s a cool, Georgia, Wednesday afternoon - not quite 80°f. The sky is clear, and the sun is dazzling against the cadet blue sky. Its reflection is multiplied a thousand small times, creating glittering, broken mirror glares that ripple, relentlessly, across the water’s blue surface.

On the lake, if you’re not wearing polarized sunglasses, then you’re going to suffer - no worries though, we have drawers full of them. We’re on my parents' Tiara-43 ski boat, at anchor in the sheltered-cove of an uninhabited island. It’s windy, Leong and I, bikinied and fresh from the water, race shivering for our giant, Turkish-linen beach-towels.

Charles, a large, redheaded, retired, NYC cop, (who’s been my full-time driver and escort since I was 9), is our boat-captain (I am not allowed to dock the boat). Charles, a chef of steaks nonpareil, is working the grill and unconsciously swaying to the music. The aroma is mouthwatering, and my tummy is growling with anticipation.

Ashe’s “Another man’s jeans” is bumpin’ from the stereo, and I can’t help but feel this somehow beats going to class. As we wrap up and settle in our lounges, a green and white ski boat careens into view, about a quarter mile from the cove entrance.

The sight of it makes me smile. It’s going so fast that it seems to hover over the surface of the lake, only jerking slightly as the boat lightly touches-off the water. It zeros in on us like a missile, its approach flat out - perhaps 60mph (52 knots).

I knew who it was instantly - Kimmy - of course. I look at my watch - 3:30pm - she got out of school at 2:15 and must have made a hot bee-line for us using “find my friends” GPS telemetry to uncover our hidden cove location.

As the boat edges the cove lip, Kim cuts power - the boat heaves as it settles into the water and quickly decelerates. Charles, anticipating the approaching wake, secures things (spices and utensils) in the galley area. When the boat’s closer, I can see that Bili’s onboard too.

Kim and Bili are my two homie BFFs. They’ll graduate high school in 2 weeks. Kim is a small, pretty Asian American bound for Brown University, to study public policy in the fall. Bili is a tall, gorgeous, chocolate-brown Nubian princess who’ll attend the University of California, at Berkeley to study “financial engineering” - whatever that is.

When Kim’s boat is about 80 feet from us, Kim and Bili jump on deck, water-ready in bathing suits. Each girl, used to the boating-life, tosses an anchor - one to port, one starboard, and not bothering to look back, dive off the bow and begin swimming toward us.

Kim’s boat, which briefly seemed intent on catching them, jerks to a stop, like a wild thing suddenly restrained, as anchor lines catch.

When Kim and Bili draw along aside, they reach up with clasped hands which Charles uses, like a handle, to smoothly hoist them one-handed, as if they were weightless, in turn, from the water with long mastered ease - presenting them to me for squealing embrace.

As I excitedly introduce them to Leong - summer has officially begun.

Take my hand to continents only known in the books,
the blue maps on tiny tables sat in stacks
ready for the lesson on Mexico, or thereabouts- third this week because
the timetable is weak, poorly thought through and cobbled
together out of half-dressed evenings in the lounges of
teachers; ones once loved by the master and mistresses, leaders
of the well dressed and caretakers.

Take my feet and walk with them, balancing
on borders separating language and currency,
the gymnast's beam looking out over the forestry,
its taller trees than you and me standing upon toes tipping
down towards the urgent ground, urgently warning to stay
upright and stick around, with her holding your hand.

we were alone in the dark behind those pitch black curtains and I silently watch you play the piano.
even though it was dim and I could hardly make your face, I could see you beaming with a smile, surprised because you still remember the recital your teacher taught you six years ago.

you're just a boy who spends most of his weekends in lounges and bars, playing pool and shooting endless smoke rings from your mouth like a thousand secrets.
tossing bottles of cheap alcohol, causing it to spill out like unspoken words pouring out of your tired mouth.

but when I'm sitting beside you, watching you pound away on the piano, I don't see you as the guy who picked a fight with a tattooed guy in the club.
instead, I let the notes of the piano capture my emotions and I can't help but wonder if you play the guitar or maybe the drums, too.

I so badly want to talk to you, but I prefer to stay as strangers.
I like it better when I don't know you, some things are just better left unknown and I prefer to stay curious and interested.

I'd rather watch you giggle to yourself as your fingers slipped in between a recital.
I'd rather exchange shy smiles and glances in the hallway.
now don't get me wrong,  I so badly want to talk to you, but I can't articulate my thoughts when those playful fingers are tracing secrets into my thighs.

That I'm cute
Beautiful
Pretty

And I tell them that
It's okay that I'm not
Because I know I'm not
But I don't like being lied to

I know I'm not
Because I can't let tears
Drip down my cheeks
As they shimmer in the dim light
Of the movie credits

I sob until
My face is red and damp and puffy
And I'm clinging to your sleeve
And just crying so uncontrollably
That people sitting next to us
In the dark theater
Might glimpse over to see if maybe
I have a reason to cry so hard.

Does shehave cancer?
Is she missing a leg?
Did her crack-addict mother die when she was an infant?
Why is this bratty straight white blonde girl crying while watching Selma/Dallas Buyer's Club/The Help?

I have to brush my hair
Instantly
When I get out of the pool
In the summer
(Hopping from foot to foot of course
Because the sun has baked the concrete)
Because if I don't
It becomes a half-curly knotted mess.

And if I don't braid it directly after that
Then it dries
In resemblance to a Yield Sign
In a somewhat triangular form

And I'm chubby.
Not fat. It would be better if I were fat.
If I were fat then things would be
Proportionalish
But instead I'm just
A 5'2 and 3/4" girl
With DDs that no one wants
Because "***** don't count when you're chubby"
And baby fat that lounges on my stomach
No matter how many kilometers I row.

My fingers are too small for my hands.
My glasses make my eyes look huge.
My lips are forever chapped.
My cheeks are overly red.
My eyes are too dark to be pretty
And I know it.
I know all of it.

I've lived in my body for longer than you have.
So don't lie to me.
Don't tell me that I'm cute
Beautiful
Or god forbid pretty
Because I really
Really
Hate being lied to.

Once when we were kids
Mum had fun throwing a dinner party.

I could tell because
there were stains on the tablecloth
but no one was crying,
and the food upgraded from sausage rolls to Sushi and Olives.

I want one-
-You can't, Mum  said they're for adults-
I want a Olives-
     said the back of my 4 year old sister as she went to try the
New Thing.

The Olive was carefully chosen and examined with 4 years of culinary expertise,
swirled around a gummy mouth and
promptly returned to its post.

It was yuck -
she informed me and her breathless twin from the safety of the veranda
after weaving her way through the adult legs strewn around the Good Lounge without even so much as a
'woe betide you child if you're in here again.'

So we sat and thought about parties and Good Lounges and woe betides
drinking juice,  
and watched our Uncle fill his plate with sushi and olives,
singing tonelessly to ABBA
before spilling his beer on the floor .

Huff, puff, smooth bravado,
This instrument that I play,
Whisks me away into smokey,
Desolate lounges,
Filled with women in black and red dresses,
Who would otherwise look away,
If not for my silky, suave vibrato.

Ooh, how I can carry a tune,
My fingers dance on the keys,
Like raindrops on a windowsill,
The neon lights at the door,
Buzzing outside in the cold.

The only thing warming up,
This cold little soul,
Is a finger of rye,
Adjacent to the ashtray,
That holds my neglected cigarette.

She watches, She listens,
My face turns purple,
As I pour my heart out on stage,
Out in the open in this vacant place,
With only the few of us around.

My lounges burn.
My body shakes.
My eyes are
                        F
                            A
       ­                           L
                                    ­   L                  
                                            I
                  ­                              N
                                 ­                      G.

**But no longers do my eyes sting from salty tears.
Say goodbye to trembling from neverending nightmares.
Sweet dreams. Sleep tight. Don't let the bedbugs bite.

It looks like a house.
It has four walls and a roof,
windows dressed in brightly
colored curtains and
an American Flag
blowing out front

but the tarnished cement on
the walkway, the chipped paint
on the front door,
the broken screen,
the overgrown garden
and the lonely lawn chairs
warn that this is not a house.

Mountains of memories plague
every opening-
obstruct any attempt
to walk from room to room.

A two hundred dollar telescope
sits cold and unused
in the dining room buried
in the middle of papers and
bills never paid.

The shower stands naked- pipes
showing beneath a clumsily placed
plastic bag. Tiles peel and hope
to be uprooted away from
cat litter thrown from untidy pets.

Closets shelter coats long
out of fashion and toddler
toys unfit for a now
12 year old boy.

He comes home
from school,
sits down
and sighs.

He does his homework
on the floor- his desk
buried beneath old children's
books and computer paper.

There is a couch that sits
bare in the living room with
cushions stained and
sunken in- holding
place for a heavy body that
lounges with eyes shut.

My mother dances around it all,
feet feeling for holes
to fit into from kitchen
to bathroom to bed.

Her path is formed like
footprints in snow.

She sleeps surrounded by
discarded perfume bottles
and dresses three
sizes too small.

A small black urn
sits sadly beneath
a battered TV-
if only he could
watch her from beneath
the debris.

The washer and dryer still clean
her clothes and the bathroom still
washes away sweat from busy days-

But she knows this is not a house.

No more dinner parties
with familiar faces.

No more meals
served on the kitchen table-
now a holding place for boxes
and unopened presents
from holidays past.

No more sleep over parties
in the basement- comfy couches
now corroded by seven years
of mold and wreckage
from a small flood.

No more Christmas tree
dimly lighting
the living room since
a Best Buy box
now occupies its space-
broken down
and filled with forgotten pogs
and Pokemon videos.


The house holds it all
up with accepting planks
and brick- it is stronger
than she is.

Secretly she wishes the
house would fall down.
Secretly she wishes
she would be inside it.

Sometimes I want
to bring flowers to lay
in front of this messy grave,

But my family still breathes
inside the tomb
that they’ve made.

The sun seemed to rise slowly, almost hesitantly, this morning - a yellow syrup pouring into a deep, dark blue sky. The air is hot and thick, like a low viscosity liquid. We’re going out on the boat this morning and when you have 9 passengers and crew, everyone’s toting something.

Kim and Bili have towels and a shoulder bag of sunscreen lotions and repellents, Charles has a cooler with everything needed to make breakfast omelets on the grill (the eggs have been pre-beaten, the veggies pre-chopped, the cheese grated, the meat diced).

Anna and Lisa are toting a cooler of sodas buried in ice. Leong has the “dry box” with phones, Nintendo switches, kindle readers and iPads. Leong’s rolling a luggage rack of textbooks, Sunny has a large coffee thermos, and Sophy has a bag with dry clothes for everyone.

The girls are practically running over each other in their eagerness to be last onboard because the first two get to towel the night’s condensation off everything.

I carried the lunch cooler full of Chick-fil-a sandwiches, but my main job is to check the indicators and disconnect the dockside water, drainage and electrical feeds as Charles takes the helm and begins his “preflight” before he fires up the Mercury 500-hp engines. I know we’re a “go” when he turns on the underwater lights - that’s my signal to cast off.

The engines roar to life and then purr as we slowly pull away from the dock, we girls greasing ourselves up with sunblock. The air conditioning begins to help but picking up speed is what finally breaks the hold of the oppressive heat.

As we exit the marina Charles opens-up on the throttle and that’s always a thrill. We usually ski first, before the lake gets crowded, and lounge later.

Sunny, Leong and Anna like to sit in the bow, refreshed by occasional lake spray and the wind-whipped cool. Leong likes to sit in the cabin, like Charles’ copilot while the rest of us recline on lounges facing rearward to watch the skiers.

Our summer mornings have passed like this, launching around 6 am, skiing, then swimming, studying and getting off the lake before the noontime “heat advisories” and afternoon thunderstorms.

Later, I’m relaxing in the shade, having just gotten out of the lake, and I’m on my iPad.

“What are you writing?” Anna asks.

“Oh, I write poetry and stories - mostly stories these days but there is some occasional poetic recidivism.” I say.

“You write poetry?” She repeats, as if shocked, “I didn’t think there were any poets left.”

“Well,” I say, “Most poets died, in the early flames of science, trying to prove the pen was mightier than the sword, but there are still poets around - they live in cities where they’ll try and wash your windshield if you stop at a traffic light, and they’re frequently mistaken for the homeless - or they may actually be homeless.”

“Can I read some of your writing?” She asks, after waiting through my long joke.

“Absolutely NOT.” I answer.

for Katie



martini of elderflower in a dimly
lit room. 40s tune plays with feminine
harmonies lifting a room. green
tiles and floor lamps, a yellow glow.

alcoves of lounges, retro chairs
contain saturday groups on long
weekend splurges. V glasses, colourful
concoctions, buzz of the mix

in several quiet corners. chatting with
Katie, a beacon in darkness with
infectious regard for pictures and
words. talking planets and spaceships,

a fictional odyssey, silicon storm in
ridiculous glasses. rosemary’s baby, a
theme cocktail infused with thought.
film screen and text gets

the message across. early alarm means
an 8pm ending from hours of
wander and lovely therapy. parting hug
warms a deep fried heart,

plans to disco inferno at a melbourne haunt
in the midst of sydney. donna left,
everyone remembered. amy goes
back to black. records spin. i feel loved

he always calls me by my given name
whenever he finds himself back in town;
mariela on the dotted line,
mari in the moonlight.
ella if he's feeling smug,
bunny when he's looking for God.
he knows my history is shaded with blue,
marred by narrowly-won home-front wars.
everything about me reminds him
of Heaven and sweet, honeyed beaches.
sandy cheeks from moonbathing, ****,
by clyde's stagecoach motel on the coast.
barefoot and manic, he tastes like sugar
and complements the *** on my tongue.
green-eyed with envy, but he's sweet
enough to make my mind grow hazy
with the lust of a woman gone mad from her fears.
he rolls through on the tail-end of a storm
and dizzies me until the dream ends
and i find he's left me only morning dew.
he tells me i'm an angel, lazily smoking
cigarettes while he lounges, gloomy, by the pool.
sunshine bikini singing sailor songs softly,
cool in my gold hoops dancing between
his open thighs, signaling gamine doom.
he's larger than life, starry-eyed,
reading me poetry against his olive chest.
i could die here, i know this, listening
to the gentle tune of his heartbeat.
he tells me he'll love me only until tomorrow,
but i'm not so sure that's the truth.
when the playdate ends,
when the sun dies slow,
when my love goes home
i'll awaken,

but not just yet.

How many times and on how many screens has JFK been assassinated? she asks a few minutes into the commute.

Someone has said that to me before, I say.

And I notice, now for the first time, even she is a rerun or a ghost
or an unfortunate reminder of the one who came before her,
from the artfully mismatched polish on her toenails to the way her wrists wrap around each other as she talks her quiet talk, her fingertips balancing her iPhone, which streams Jackie Then Kennedy scrambling toward the back of the Cadillac. Its the Zapruder footage in slow motion and somehow in HD, and she touches the thumbs up icon when the footage comes to a close.

Across from me sits a dead man. I'm sure of it—his death. He lounges in himself, his belly fat imperialistic in its expanse, moving beyond beltline and claiming a space all its own on the torn, blue cushioned seat. The dead man looks a bit like Marlon Brando, post-Tango in Paris, when the depression set in and with it the weight, but like Brando, there's still a cool magic in the deep lines of the dead man's forehead, something forlorn and knowing in the drag of his eyelids.

It's here that I remember I'm a writer. And moments like these, I'm supposed to render in belabored yet fragmented ways.

That's ego, she says, not looking up from her phone.

What's that? I say.

The way you pigeonhole me. Rerun, ghost, et cetera, she says. Maybe I've made love to a sad man like you before. Maybe you're a trigger for me. Maybe I know everyone you're going to be, everything you're going to say.  Like I was going to tell you these pants, these pants are lenin pants and I got them from Bali. And I didn't say it because I already knew your response.

Are they ethically made? we say smugly and simultaneously.

And the subway car does that screeching sound you hear in movies and the tunnels outside do that motion blur you see in movies and I try to kiss her but she says that uh-uh cowboy line you know from movies.

Brando had affairs, I say.

Kennedy had affairs, she says.

Have you ever had an affair?

It was exhausting, she says, the performance required. All the effort in your vocal affectations, those terrible 3 p.m. lunches, the pet names, your obligatory passion and one-liners, the secrecy for the sake of secrecy, the purchase and disposal of lingerie. If I could get the time back—

I'd spend it alone with a glass of red wine and a good book, we say.