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I’m indebted to the Oxford Dictionary of Quotations, 4th Edition 1996

Ab Imo Pectore

A
b imo pectore,
Blandae mendacia linguae,
Cadit quaestio,
Desunt cetera.
Est modus in rebus.
Faber est quisque fortunae suae,
Gigni de nihilo nihilum, in nihilum nil posse reverti.
Hic finis fandi,
Interdum stultus bene loquitur?
Jacta interdum est alea,
Labuntur et imputantur.
Magni nominis umbra,
Nec scire fas est omnia,
Omne crede diem tibi diluxisse supremun,
Pallida mors aequo pulsat pauperum tabernas regumque turres;
Quid rides, mutato nominee de te fibula narrator,
Res ipsa loquitur.
Solvitur ambulando…
Tempora mutantur, nos et matamur in illis.
Urbi et orbi,
Vestigia nulla retrorsum.



From The Bottom Of The Heart

From the bottom of the heart,  the falsehoods of a smooth tongue,
The question drops, the rest is wanting.
There is a balance in all things, every man is the creator of his own fate.
From nothing, nothing can come, into nothing, nothing can return.
Let there be an end to talking, for who can tell when a fool speaks the truth?
The die is sometimes already cast,
A moment comes and goes, and is laid to our account.
From the smallest shadow to the mightiest name,
No one can claim to know all things,
I believe that every day that dawns may be my last,
Pale death knocks impartially at both poor and rich men’s houses;
Don’t laugh, change the name and the story is yours,
It’s so obvious, it speaks for itself.
As the concept of motion is proven by walking…
So in time all things change, as we must, in time, all change.
And to all the world,
There’s no turning back.

Ab Imo Pectore / From The Bottom Of The Heart

Ab imo pectore,
From the bottom of the heart,
Blandae mendacia linguae,  
The falsehoods of a smooth tongue,
Cadit quaestio,
The question drops,
Desunt cetera.
The rest is found wanting.
Est modus in rebus,
There is a balance in all things,
Faber est quisque fortunae suae.
Every man is the creator of his own fate.
Gigni de nihilo nihilum, in nihilum nil posse reverti.
From nothing, nothing can come, into nothing, nothing can return.  
Hic finis fandi,
Let there be an end to talking,
Interdum stultus bene loquitur?
For who can tell when a fool speaks the truth?
Jacta interdum est alea.
The die is sometimes already cast,
Labuntur et imputantur.
A moment comes and goes, and is laid to our account.
Magni nominis umbra,
From the smallest shadow to the mightiest name,
Nec scire fas est omnia,
No one can claim to know all things,
Omne crede diem tibi diluxisse supremun,
I believe that every day that dawns may be my last,
Pallida  mors aequo pulsat pauperum tabernas regumque turres;
Pale death knocks impartially at both poor man and rich men’s houses;
Quid rides, mutato nominee de te fibula narrator,
Don’t laugh, change the name and the story is yours,
Res ipsa loquitur.
It’s so obvious, that it speaks for itself.
Solvitur ambulando…
As the concept of motion is proven by walking…
Tempora mutantur, nos et matamur in illis.
So in time all things change, as we must, in time, all change.
Urbi et orbi,
And to all the world,
Vestigia nulla retrorsum.
There’s no turning back.


r10.1
I didn’t write a ******* line of this, it’s all cribbed from a dictionary. But I’ll take the credit for its conception and, as good Systems Poetry should do, meaning and beauty appears spontaneously from the random juxtaposition of disparate lines of prose; like frogs from rotting wood…
LOQUITUR: En Bertans de Born.
Dante Alighieri put this man in hell for that he was a stirrer up of strife.
Eccovi!
Judge ye!
Have I dug him up again?
The scene is at his castle, Altaforte. “Papiols” is his jongleur.
“The Leopard,” the device of Richard Coeur de Lion.

I

**** it all! all this our South stinks peace.
You whoreson dog, Papiols, come!  Let’s to music!
I have no life save when the swords clash.
But ah! when I see the standards gold, vair, purple, opposing
And the broad fields beneath them turn crimson,
Then howl I my heart nigh mad with rejoicing.

II

In hot summer I have great rejoicing
When the tempests **** the earth’s foul peace,
And the lightning from black heav’n flash crimson,
And the fierce thunders roar me their music
And the winds shriek through the clouds mad, opposing,
And through all the riven skies God’s swords clash.

III

Hell grant soon we hear again the swords clash!
And the shrill neighs of destriers in battle rejoicing,
Spiked breast to spiked breat opposing!
Better one hour’s stour than a year’s peace
With fat boards, bawds, wine and frail music!
Bah! there’s no wine like the blood’s crimson!

IV

And I love to see the sun rise blood-crimson.
And I watch his spears through the dark clash
And it fills all my heart with rejoicing
And pries wide my mouth with fast music
When I see him so scorn and defy peace,
His long might ‘gainst all darkness opposing.

V

The man who fears war and squats opposing
My words for stour, hath no blood of crimson
But is fit only to rot in womanish peace
Far from where worth’s won and the swords clash
For the death of such ***** I go rejoicing;
Yea, I fill all the air with my music.

VI

Papiols, Papiols, to the music!
There’s no sound like to swords swords opposing,
No cry like the battle’s rejoicing
When our elbows and swords drip the crimson
And our charges ‘gainst “The Leopard’s” rush clash.
May ******* for ever all who cry “Peace!”

VII

And let the music of the swords make them crimson!
Hell grant soon we hear again the swords clash!
Hell blot black for always the thought “Peace!”
Simon Monahan Feb 2018
Sister, I tremble in the shade
Of your impending absence feared
Its shadow looming ominous
Sister, does anything ever die?

Brother, this place that we have made
Our garden mutually beloved
And all things must pass to dust
Brother, is permanence a lie?

Sister, if the leaves are golden now
We may be sure they’re soon to fall
We are not immortal evergreen
Sister, you won’t forget to pray?

Brother, though I know not how
I’m sure souls needn’t finally part
But did the poet weigh his words
Brother, can nothing gold e’er stay?

Sister, gold is too precious for rust
But listen to the call, ahead
We cannot neglect our course
Sister, are you glad you came?

Brother, although part we must
And suffer heart-strings joined to cut
Love, still whole, knows no regret
Brother, you won’t forget my name?

Sister, though the country’s breadth
Brings doleful separation on
Love’s memory scorns the divide
Sister, is it not true?

Brother, O, it feels like death
When love bridges the awful gap
It splinters, weeping, grieves the loss
Brother, what can I do?

Sister, dear, look to the Bread
The cup divine, I am outpoured
Souls mingle in the Victim’s blood
Sister, shan’t we run this race?

Brother, I see now in the Head
His every member blessed and joined,
And so unbound by space or time
Brother, there we shall embrace.
Written in concert with a dear friend
Larry Potter May 2013
Why do I find myself so
Weak in your arms?
Why do I fall my knees
To the pit of your charms?
Why do I betray my thoughts
For your wicked lies?
Why do I lend my ears
To your mournful cries?
Why do I lean my
Shoulders when you weep?
Why do I stay awake
Just to watch you sleep?
Why do I feel alone
If you're not around?
Why do my feet dance
When you make a sound?
Why do I catch my breathe
While you walk my way?
Why do I see heavens
When I watch you pray?
Why do I hate myself hating love?
When you're a transcedent from up above?
Louise Feb 20
Lemme start with the letter L for
Ley/Lex

A for Actus reus;
Alibi, Alter ego,
AND my favorite; Ad nauseam

Nemo debet esse judex in propria causa or
Nemo judex in causa sua or
Nemo judex in sua causa

Contra,
consensus,
𝗖𝗿𝗶𝗺𝗲𝗻 𝗼𝗺𝗻𝗶𝗮 𝗲𝘅 𝘀𝗲 𝗻𝗮𝘁𝗮 𝘃𝗶𝘁𝗶𝗮𝘁.

E for Ex post facto.
Estoppel!
Ex gratia...

Quid pro quo, thanks for the comedy gold.
Amicus curiae, you have no friend to spare.
Res ipsa loquitur, go run and hide
like the ***** that you are...

***** de jure...

— The End —