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Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck'd cherries,
Melons and raspberries,
Bloom-down-cheek'd peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;--
All ripe together
In summer weather,--
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.-"

               Evening by evening
Among the brookside rushes,
Laura bow'd her head to hear,
Lizzie veil'd her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
"Lie close,-" Laura said,
Pricking up her golden head:
"We must not look at goblin men,
Who knows upon what soil they fed
Their hungry thirsty roots?-"
"Come buy,-" call the goblins
Hobbling down the glen.

"Oh,-" cried Lizzie, "Laura, Laura,
You should not peep at goblin men.-"
Lizzie cover'd up her eyes,
Cover'd close lest they should look;
Laura rear'd her glossy head,
And whisper'd like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.-"
"No,-" said Lizzie, "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.-"
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One whisk'd a tail,
One *****'d at a rat's pace,
One crawl'd like a snail,
One like a wombat prowl'd obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

               Laura stretch'd her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
When its last restraint is gone.

               Backwards up the mossy glen
Turn'd and troop'd the goblin men,
With their shrill repeated cry,
"Come buy, come buy.-"
When they reach'd where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav'd the golden weight
Of dish and fruit to offer her:
"Come buy, come buy,-" was still their cry.
Laura stared but did not stir,
Long'd but had no money:
The whisk-tail'd merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
Cried "Pretty Goblin-" still for "Pretty Polly;-"--
One whistled like a bird.

               But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.-"
"You have much gold upon your head,-"
They answer'd all together:
"Buy from us with a golden curl.-"
She clipp'd a precious golden lock,
She dropp'd a tear more rare than pearl,
Then ****'d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow'd that juice;
She never tasted such before,
How should it cloy with length of use?
She ****'d and ****'d and ****'d the more
Fruits which that unknown orchard bore;
She ****'d until her lips were sore;
Then flung the emptied rinds away
But gather'd up one kernel stone,
And knew not was it night or day
As she turn'd home alone.

               Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck'd from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.-"
"Nay, hush,-" said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;-" and kiss'd her:
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.-"

               Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtain'd bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipp'd with gold for awful kings.
Moon and stars gaz'd in at them,
Wind sang to them lullaby,
Not a bat flapp'd to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock'd together in one nest.

               Early in the morning
When the first **** crow'd his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch'd in honey, milk'd the cows,
Air'd and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn'd butter, whipp'd up cream,
Fed their poultry, sat and sew'd;
Talk'd as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

               At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck'd purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.-"
But Laura loiter'd still among the rushes
And said the bank was steep.

               And said the hour was early still
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,-"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

               Till Lizzie urged, "O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?-"

               Laura turn'd cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy.-"
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop'd from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudg'd home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash'd her teeth for baulk'd desire, and wept
As if her heart would break.

               Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy;-"--
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax'd bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

               One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew'd it with tears, hoped for a root,
Watch'd for a waxing shoot,
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream'd of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown'd trees,
And burns the thirstier in the sandful breeze.

               She no more swept the house,
Tended the fowls or cows,
Fetch'd honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook

               Tender Lizzie could not bear
To watch her sister's cankerous care
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy;-"--
Beside the brook, along the glen,
She heard the ***** of goblin men,
The yoke and stir
Poor Laura could not hear;
Long'd to buy fruit to comfort her,
But fear'd to pay too dear.
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

               Till Laura dwindling
Seem'd knocking at Death's door:
Then Lizzie weigh'd no more
Better and worse;
But put a silver penny in her purse,
Kiss'd Laura, cross'd the heath with clumps of furze.
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

               Laugh'd every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,--
Hugg'd her and kiss'd her:
Squeez'd and caress'd her:
Stretch'd up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs.-"--

               "Good folk,-" said Lizzie,
Mindful of Jeanie:
"Give me much and many: --
Held out her apron,
Toss'd them her penny.
"Nay, take a seat with us,
Honour and eat with us,-"
They answer'd grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.-"--
"Thank you,-" said Lizzie: "But one waits
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss'd you for a fee.-"--
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call'd her proud,
Cross-grain'd, uncivil;
Their tones wax'd loud,
Their looks were evil.
Lashing their tails
Elbow'd and jostled her,
Claw'd with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil'd her stocking,
Twitch'd her hair out by the roots,
Stamp'd upon her tender feet,
Held her hands and squeez'd their fruits
Against her mouth to make her eat.

               White and golden Lizzie stood,
Like a lily in a flood,--
Like a rock of blue-vein'd stone
Lash'd by tides obstreperously,--
In a hoary roaring sea,
Sending up a golden fire,--
Like a fruit-crown'd orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,--
Like a royal ****** town
Topp'd with gilded dome and spire
Close beleaguer'd by a fleet
Mad to tug her standard down.

               One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff'd and caught her,
Bullied and besought her,
Scratch'd her, pinch'd her black as ink,
Kick'd and knock'd her,
Maul'd and mock'd her,
Lizzie utter'd not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh'd in heart to feel the drip
Of juice that syrupp'd all her face,
And lodg'd in dimples of her chin,
And streak'd her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick'd their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh'd into the ground,
Some ***'d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish'd in the distance.

               In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse,--
Its bounce was music to her ear.
She ran and ran
As if she fear'd some goblin man
Dogg'd her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she *****'d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

               She cried, "Laura,-" up the garden,
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeez'd from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.-"

               Laura started from her chair,
Flung her arms up in the air,
Clutch'd her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin'd in my ruin,
Thirsty, canker'd, goblin-ridden?-"--
She clung about her sister,
Kiss'd and kiss'd and kiss'd her:
Tears once again
Refresh'd her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss'd and kiss'd her with a hungry mouth.

     &nb
Polar Feb 2016
Goblin Market
by Christina Rossetti

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries; -
All ripe together
In summer weather, -
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
"We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"Oh," cried Lizzie, "Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes,
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie: "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.'
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry scurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
'Come buy, come buy.'
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money.
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered all together:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then ****** their fruit globes fair or red.
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She ****** and ****** and ****** the more
Fruits which that unknown orchard bore;
She ****** until her lips were sore;
Then flung the emptied rinds away
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.

Lizzie met her at the gate
Full of wise upbraidings:
'Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still:
Tomorrow night I will
Buy more;' and kissed her:
"Have done with sorrow;
I'll bring you plums tomorrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forebore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one rest.

Early in the morning
When the first **** crowed his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep.
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.'
But Laura loitered still among the rushes,
And said the bank was steep.

And said the hour was early still,
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling -
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come;
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache:
But peering thro' the dimness, nought discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry,
"Come buy, come buy"; -
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none.
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy:" -
Beside the brook, along the glen,
She heard the ***** of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time,
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seemed knocking at Death's door.
Then Lizzie weighed no more
Better and worse;
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
Hugged her and kissed her:
Squeezed and caressed her:
Stretched up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs." -

"Good folk," said Lizzie,
Mindful of Jeanie:
"Give me much and many:" -
Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honour and eat with us,"
They answered grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us." -
"Thank you," said Lizzie: "But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee." -
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood, -
Like a rock of blue-veined stone
Lashed by tides obstreperously, -
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -
Like a royal ****** town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writhed into the ground,
Some dived into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanished in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse, -
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, "Laura," up the garden.
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin,
Thirsty, cankered, goblin-ridden?" -
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins,
knocked at her heart
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
ok it's long but in my opinion it will always be one of the most awesome poems ever!
TigerEyes Dec 2015
The station wagon bounced down a dusty road toward the farm house, and Phoebe, who had just turned fifteen  felt the pit of her stomach coil, and tighten with dread. Gazing out the window she locked eyes on a bored looking cow slowly chewing a mangled knot of grass. Phoebe wondered in that moment if even the cows were more depressed in Bismarck.

Her step-father, “The Glenner”, had been too cheap to fly her back home to Oregon from a summer camp in Minnesota, and had arranged for their local minister, Cru Hayward, to pick her up along with his daughter, Lizzie. Phoebe’s sun burned skin ached as she pealed it off the sticky back seat. The air conditioner had broken down in Fargo, and the eight of them were all squeezed in like a pack of cranky sardines.  

Phoebe was going to be spending the rest of her hellish summer with complete strangers in Bismarck, North Dakota on a wheat farm complete with cows, chickens, and one grey mare along with Lizzie’s six cousins.

The car door swung open, and a large man wearing blood stained overalls with extremely bushy eye brows lunged toward them, “Why I wrecken’ it’s been goin’ on five years, Cru! Bout’ time you come home with the kids to work the farm.” He took an oily handkerchief out of his back pocket, and wiped the dripping sweat from his brows; appearing out of breath at the same time. Phoebe took note of how “Bushy Brows” had replaced the word “work” instead of “visit”, and suddenly felt as though a chicken feather was caught in the back of her throat. Cru Hayward looked stiff, and managed to put out his hand to shake Vern’s, but instead was pulled in tightly, and given a bear hug smudging the wet chicken blood on Vern’s overalls directly onto his brothers white Oxford shirt.

As Phoebe entered the farm-house a variety of scents wafted through the steamy air. Lizzie’s Aunt Doodie was nervously leaning over the kitchen sink peeling a large stack of potatoes so high they were beginning to topple off the counter one after another. An extremely obese cat  sat by her feet pushing them across the floor with as little energy possible.  Standing on a small foot stool in front of an old-fashioned *** belly stove stood, Trina, a small child around the age of five who was busy feeding a dog the size of a small pony. She appeared to be in her own unsupervised world; busily shoving strips of steaming barbecued  chicken from a platter into its wet slobbery mouth, and then licking her fingers.

Phoebe glanced into the nearby living room, and noticed the walls were decorated with handmade plaques quoting scriptures from the Bible along with various cheap prints of Jesus; like the kind you’d buy at a church fair. Small miniature figurines decorated the home throughout. An open bible lay on the arm chair of a tattered recliner.  Feeling self-conscious, and out of place, Phoebe tried to hide in one corner as she watched Lizzie hugging her Aunt Doodie’s belly wearing  a hand-made sweat shirt with “Elvis” on the front. Gospel music was playing loudly from the living room. Phoebe mumbled under her breath,  "Where's the donation jar?” Aunt Doodie’s eyes narrowed when she looked at Phoebe, “Did you say something, Dear? What’s your name?” Phoebe managed to croak out her name, and say she was just talking to herself.” Aunt Doodie gave her a wry smile, “Why you’ll have plenty of time to talk to yourself tomorrow in the wheat fields when we get you up to work at 4 a.m., Missy.” Her snarled lips faded, and she continued talking to Lizzie smiling big, “Now where were we, Lizzie darling?”

Phoebe already hated it there. It had been less than five minutes since she arrived. She began to think if she had a money left in her suit cases to take a bus home. She frantically dug in her front jeans pocket, and pulled out a piece of lint, and a dime.  

Lizzie’s cousin’s all stumbled into the kitchen wearing clothing that looked as though it had passed through several millenniums of “Goodwill Store’s” in the 1970’s. Their straw hats hung low over their  eyes, and  Lizzie could tell they were ******.  Lizzie’s cousins had all been stamped out by the same cookie cutter mold like twins. Their ages ranged from seventeen to thirteen, to age five. Trina the youngest being no doubt an accident.  Marty, the oldest at seventeen, wearing a ripped Metallica shirt was the first to speak, “Lizzie look at you! Why you all but growed up on us. I bet you’s the most popular girl in school with that pretty face of yours”. Marty was handsome in a Emelio Estevez actor kind of  way. Phoebe couldn’t help but lick his beautifully sculpted arms, and chest with her eyes; but when he caught her staring she quickly looked down at her shoes. She felt her face burning with embarrassment.

Aunt Doodie turned around swiftly on her bare heal with a large milk pail in her hands. "I'll be back girls. I'm out to the barn to milk the cow for supper. Don't break anything."
  
Twila was sixteen with black eye liner under her eyes, and red lipstick. She suddenly leapt onto Lizzie from behind, and covered her eyes while wrapping her large chicken fried steak fed legs around her. Her hair was curly, and extremely frizzy like it had not seen a comb in it for several years.  Twila whispered, “Hey Lizzie, who’s your dweebie friend? Don’t look like she can smile much. Maybe our cat got her tongue. She looks like one of those uptight city girls!” Lizzie couldn’t hold onto Twila any longer, and tried to drop her down gently. A loud “thud” bounced the floors as she fell. The inside of a nearby china closet rattled as she hit the floor forcing a glass plate to fall, and break. “Ahh  ****! That’s mama’s favorite platter.” Twila looked straight into Phoebe’s eyes, “We’ll just have to blame it on you, Phoebe. You just keep your mouth shut about it!” Ignoring that Twila had just accused her of breaking a platter Phoebe heard Lizzie mumble, “Oh, this here is my friend from home. We both went to summer camp in Minnesota together, and we’re her ride back home to Oregon.” Phoebe at this point was already imagining a large pig shaped nose on Twila's face; and not the kind that was cute. Twila glared, “Looks like you in lots of trouble now city girl”, and walked away with her cousins leaving her to stand alone in the decorated gospel room near the kitchen.

Phoebe wondered if she landed in some kind of Twilight Zone episode that had not been written yet. She decided to go for a walk all alone on the wheat farm until someone called after her for supper. Phoebe was lonely but she was lonely at home with her mom, and step-father too. They always left her to fend for herself, and her mother rarely spoke to her.  Phoebe felt as though it was like living with two ghosts you can hear; but can't see.  Besides, she had decided that this summer would be spent working on her writing. She had always wanted to be an author, after all, she had always noticed everything.
Her thought was broken when she heard someone say, “That sister Twila of mine is mean as a snake. Don’t pay no attention to her. To this day I feel like I must have been adopted. Hi, my name’s Shawna.” Shawna had a beautiful face, and was tall for her age. She stood about 5’8 with long blond hair making her look almost like a mermaid with her fair complexion. “My twin sister, Shaylynn, went into town to rent a movie for us all to watch tonight. We ain’t got internet. I think she said “Back To The Future” was finally available, or maybe it was “Jurassic Park”. Have you met Joel yet? He’s about your age. He’s always hanging around the bowling alley with them local boys. Don't know what they even have to say to one n' other. It's not like anything ever happens in this town.” Shawna seemed like the nicest out of all of Lizzie’s cousins as she reached out to give her a hug. Phoebe smiled politely saying, "If you don't mind I think I'm going to go for a walk. I think I need some air" while waving a quick goodbye.

When she returned from her walk she opened her journal to page one, and this is when it all began to get very interesting.

My Summer In Bismarck & Other Quirky Observations

by, Phoebe Snow

August 7th, 2015

The horizon seems to encircle this entire small farm as if someone drew with an orange crayon around it like a child would on paper, or perhaps with white chalk on the sidewalk. Everywhere I look it seems flat; and at night the moon hangs so low in the sky with the brightest stars next to it than I think I've ever seen in my fifteen years of life. Lizzie's Aunt, and Uncle, and all her cousins talk funny too. It's like they stretch out their "o's" when they speak. Kind of like hearing a bike tire that's going flat with a pin hole in it. It seems forever for it to finally run out of air; and sometimes you just want it over with as fast as possible. That's how they talk. I'm always finishing their sentences in my head ten minutes ago. These people seem so foreign, and yet I know them like a story.

Journal entry: August 16th, 2015

Marty has come into my room. He is standing in the doorway with  his chest pushed out. He is seventeen, and I am fifteen. I know what he wants by the gleam in his eyes. I won't give it to him.

I got up from my bed, and closed the door on his feet. Silently. I left the scent of coconut oil on my body drift toward him. An invitation; but not yet.
This story is copyrighted and stored in author base. All material subject to Copyright Infringement laws
Section 512(c)(3) of the U.S. Copyright
WGA - copyright 2015
Act, 17 U.S.C. S512(c)(3), Krisselle S. Cosgrove November 27th, 2015

This is the start of a novel. Thank goodness for starts.
~
February 2025
HP Poet: Lizzie Bevis
Age: 40
Country: UK


Question 1: A warm welcome to the HP Spotlight, Lizzie. Please tell us about your background?

Lizzie Bevis: "Hello Carlo, So, my actual name is Elizabeth, but I have always been known as Lizzie since I was a little girl. Elizabeth quickly became my naughty name if I got up to mischief! I was born in Lincolnshire, England a month early in November 1984, I was meant to be a Christmas baby, but I did not want to wait! That was a smart move on my part. I have 2 brothers and a younger sister. I am the second oldest of the brood. I also celebrated my 40th Birthday last year quietly with family and friends.

I also love unicorns. My best friend Samantha often tells me that I should have been one because I am just too nice. Oh boy, I am going to try my best to condense this down as much as I can because I can write for England, Carlo! I have not always lived in Lincolnshire, I lived in Yorkshire from the age of 1 until I was 8. I was sad to leave my friends behind when we moved back to Lincolnshire to be close to my grandma who I adored. My lovely mum is sadly not a particularly good cook, so when I was 10, I told my grandma that my mum overcooked pasta to mush again, so my grandma discreetly taught me how to cook and bake on weekends. I quickly became the family cook, and I think that everyone was relieved!

I was independent in my teenage years, I got myself a paper round at the age of 14 and got my first proper job at the age of 17 in a shop and started saving up my wages. I was also quite sporty growing up, I enjoyed playing football with the boys, and I eventually became an FA-qualified football referee. I also discovered archery, and I became a Grand National Archery Association Archery Instructor. I also wanted to climb mountains, so I did. My first mountain climb was Mount Snowdon in Wales, I then went to Aviemore, Scotland to take on the Cairngorms and fell in love with the outdoors all over again, I remember seeing the Northern lights for the first time and they were breathtaking.

At the age of 19, my adventures took me all over Europe, and I visited Italy, The Netherlands, France, and Spain. My travels eventually took me to America where visited the Rocky Mountains in Colorado and I climbed up Pikes Peak; I then changed direction and toured New England. I enjoyed New England so much that applied for a 3-month work visa, and I became a head archery counsellor at a Summer Camp in Rhode Island, what a fun experience that was!

Going back to my childhood, my mum’s family hail from Yorkshire so living there meant that I could visit my aunts, uncles, cousins, and my grandpa. My grandpa used to work in the coal mines so naturally his lungs were in a bad way, and he was in and out of hospital most of the time. This was a life-altering moment and at the age of 4, I decided that I was going to become a nurse when I grew up. I would visit my Grandad at the hospital dressed up in my nurse's costume and help the nurses on the ward do the little tasks like filling up and distributing patients' water jugs and chatting with the patients. Grandpa would always give me his strawberry ice cream, he said that he didn't like it, but I could never understand why?! I have many fond memories of those days.

Ironically, I learnt that some things are not meant to be. I enrolled in university to study Adult General Nursing in 2015 but made national media instead for all of the wrong reasons; In July of that very same year, I had a cardiac arrest when my mum's little dog Daisy was put to sleep at the veterinary surgery. After surviving my brush with death, I spent 3 long weeks in hospital, and I was diagnosed with Long QT Syndrome. I also learnt that stress kills and that Adult Nursing was probably not the best career choice for me! I am now Employed as an Adult Care and Wellbeing Advisor and love every minute of it."



Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Lizzie Bevis: "I have been writing poetry since I was 11 years old, I was inspired when studying my English Language & Literature GCSEs at Secondary School. I remember the first poem that I ever wrote, it was called My Dog Sam.

My Dog Sam

He is as fast as the wind
Running through fields of green,
He is the smartest dog that I have ever seen.
He is black and white, an epic sight,
With eyes so keen and a mind so bright.
My Border Collie, my good boy Sam,
My loyal friend who understands
Every whistle and all commands.

By Lizzie aged 11.

At the age of 12, I had my first poem published in the National Poetry Anthology and I have had many other poems published since. Writing poetry has become a refreshing pastime, and I am often writing about something daily. I have been writing new material and adding my poems to Hello Poetry since September last year."



Question 3: What inspires you? (In other words, how does poetry happen for you).

Lizzie Bevis: "Inspiration for me can be as simple as an experience or emotion, it can come from a joyous occasion with family, feeling sad, being in love or from something far less complex; such as when reading a book, looking out of my bedroom window in the morning or walking through the churchyard. One of my poems ‘Epitaph’ was inspired by walking past a worn gravestone when I was visiting my grandma to lay flowers on her grave. I am fortunate to live in the Lincolnshire Wolds and be surrounded by history, rolling hills, farmland, and picturesque countryside."


Question 4: What does poetry mean to you?

Lizzie Bevis: "Poetry, personally for me is an outlet for creative expression. It is healing and it is cathartic. I find that I can write about anything on my mind and feel like a weight has lifted afterwards. I can convey my feelings and emotions freely. Poetry can be emotive, startling, inspiring and thought-provoking. I feel like I am giving my readers a little sneak peek inside my very vulnerable soul. I also like to experiment with humour, it makes a nice change to try something different sometimes and I enjoy making people smile."


Question 5: Who are your favorite poets?

Lizzie Bevis: "The first poem that inspired me to begin writing was a poem called 'I Am Very Bothered' by Simon Armitage. Being from Lincolnshire and living a hop and skip away from the birthplace of Alfred Lord Tennyson, it would be rude not to include his wonderful poem - 'The Splendor Falls.' I have enjoyed reading and have been inspired by many of Maya Angelou’s works in the past, I recall reading this poem to my daughter when she was 5 years old – 'Life Doesn’t Frighten Me.'  Alice in Wonderland was one of my favourite books to read growing up, here is another one of Lewis Carroll's splendid pieces of work - Dreamland. I was also a science geek at school and was fascinated by Physics, Chemistry and Biology. I love the work of Sarah Howe, and this is especially one of my favourite poems - 'Relativity.'"


Question 6: What other interests do you have?

Lizzie Bevis: "I am a woman of simple pleasures, I enjoy spending time with my family, and games night is always a blast! When I am at home and not working, I often listen to music or watch a good documentary on TV. I adore my cats Timmy and Sooty, Sooty is a sleepy old boy now, but Timmy is such a rascal and there is never a dull moment at home, he has recently learnt how to open drawers! I also like to pass the time sitting in my armchair (usually with a cat on my lap) next to my log burner to work on the occasional embroidery task, and I do of course, enjoy cooking and baking lots of delicious treats, which I usually share with my family, friends and neighbours. I love being outdoors, I often go on long walks, breathing in the fresh air, and clearing my thoughts."


Carlo C. Gomez: “Thank you so much Lizzie, we really appreciate you giving us the opportunity to get to know the person behind the poet! It is our pleasure to include you in this Spotlight series!”

Lizzie Bevis: "Thank you Carlo for taking the time to plunge me into the February Spotlight! I would also like to thank everyone who has ever shown me kindness, support, and encouragement on Hello Poetry. You are all a wonderful bunch of poets, and I feel truly blessed to be amongst you. Keep writing and keep your visions alive because, without our creativity, the world would be a very dull place indeed."




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Lizzie a little bit better. We certainly did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #25 in March!

~
Johnny Noiπ Oct 2018
Medusa and Lizzie stood at the edge of the tumbling tidal plunge.
“I guess I’ll be making me amends.” said Lizzie dolefully.
“Whatever do you mean?”
“I was a scoundrel to you and your bunch. I deserve a good flogging.”
“Oh? Why didn’t you say so!”
Going to the ship and clambering up and inside Medusa returned wearing a short black leather cape and mask, carrying the twenty-foot twelve plait magical Leather Bullwhip.
“I say, ******,” said Perry sitting up on the grassy knoll. “What do you think is going on here?”
Hat over eyes, ****** mumbled something, not seeing Medusa taking Lizzie roughly by the arm and dragging her to the open clearing before them. ****** was snoring, fingers over his belly, Perry watching with rapt interest as Medusa pushed the woman to her scuffed knees and lashed her wrists. Lizzie lowering her head of long frizzy blonde hair bending forward to make her gritty sweat drenched back muscles the more pronounced under the precipitous waterfall’s crystal spray.
The cowboy heard the first crack of rawhide on splitting flesh but stayed asleep dreaming it was Medusa getting the beating when in reality it was Medusa lacerating the robust pirate who’d requested the treatment as proper discipline in accordance with the code of the high seas. Lizzie didn’t shriek at first; bearing up to the brutal lashing but as Medusa showed no sign of abating, the woman threw her head back howling and screaming in insensible agony. Her body numb with a feverish pain; Lizzie shook from head to foot and turned the color of blood even where she weren’t bleeding. At last collapsing on her face barely conscious, tears and perspiration clouding her reddened eyes.
“Up, *****,” ordered the Mistress. “Have you had enough?”
“No, ma’am” came the growling whimper. “I let meself be captured by those scurvy knaves. For thet I deserve at least three hundred more lashes.”
“So be it!”
“Mistress Medusa! Stop!” shouted Perry unable to take the sight any longer. Blood from Lizzie’s taut muscles had sprayed everywhere attracting crawling colonies of insects to the sweet nectar. “I can’t sit watching you beat a woman to death.”
“What have you been doing ‘til now?” scolded Medusa.
“I wanted to see how far you’d, oh, I should have known.”
“Relax, Periwinkle. She’s going to need a good cleaning up before she has any supper. Why don’t you take her over by the waterfall. Dawn will give you something to make the leathery old broad smell like a ton of roses.”
Confused by it all, Periwinkle helped Lizzie stagger to her feet leading her by the waist to the flowing waters there she sat up on a rock trying to stretch her limbs but they were shredded.
Dawn brought Perry a bottle of cooling salve. “Here you are, Mister Perry.”
“Thank you, Dawn. This will ease the pain I’m sure,” he said patting a *** of the wet cream into his hand stepping to the brawny pirate’s defined back to begin smoothing it over her rough skin.
“Perry,” she said, “Let’s get this sweat off me ‘fore ya go a-wastin’ that thar fine perfume what ya got there. Leave it be, lad, it’ll be there when we need it. Whyna join me under the spray an’ have a bit of it. I’m for the taking as is.”
Perry feeling the twitch in his ***** tore out of his vest and collar. “Get it all off, man, we’s not doing laundry.”
“Oh, right,” he said, tugging off sox and braces.
Naked as man and very large woman they dipped under the chilly waves. He was luxuriating at the sandy shoal enjoying the flowery wind blowing over the verdant mountainside.  “This is paradise,” said Perry laying in the rippling currents.
****** awoke to the smell of Dawn’s bubbling cauldron. He sat up hungry and ready to eat.
“Mister ******, you cannot eat ‘til you have bathed,” said the witchy gypsy.
“Bathed?”
Yes,” she said. “We cannot eat my mother’s grass soup until we have cleansed our inner light.”
“I don’t know,” he said catching himself mid sentence.
Leaving the boiling ***, her body well rounded and dusky olive Dawn trundled to the flowing mist her limbs bristling. Medusa scaly and filthy giving him a look he could never live down he pulled off his rumpled blue outfit.
“You look a whole lot different when you drop all that cowboy gear, you know that?”
“Uh, I reckon so. I don’t ‘member the last time I walked around buck naked like this. I’m sure liking this heat.” ****** without his chaps and hat and other duds was a surprise. He looked like something natural to the rainforest. Maybe an ancient panther god. Medusa meanwhile was shedding scales all over the place in the Amazonian heat. She was starting to turn so dark a shade of green she appeared brown, and her vipers, in her ultimately relaxed state of mind appeared to have transformed into long black curls that lay wryly down to the hollow above her ***. Taking his fingers like a child they walked hand in hand into the breaking waves.
After they’d eaten Medusa felt relaxed, like her bones had turned to water. The sound of the big river flowing nearby made her thighs vibrate and she opened her eyes to search out the man. He wasn’t far. This was new. It still felt like a surreal dream, everything since the huge sacrificial ceremony all those potions and powders and juices still made her head spin. The jungle heat made her center of gravity tilt so Southward she could barely walk upright. She was throbbing with a need she thought she had banished a thousand years ago. “**** this play-cowpoke, he got to me,” she thought, “Curse that white bandana, and his perfect ***. I gotta get over this,” she lectured herself; but not this second. She laughed out loud and tapped his shoulder as they sat by the fire. He jumped a little, but then granted her a new thing. A slowly sweet smile. And she rolled into his arms in a heated abandon of simply wanting to be held to his flesh, kissed, to feel his hips grating on hers, and then to sleep, nothing more.
This was a whole new world.
Perry and Lizzie taking a flaming torch and winding further up the mountainous path, stopped on a steep plateau where planting the flame, she playfully tackled him, pinning him to the ground. He was prepared as ever. Her groaning moans were pleasure mixed with pain from the severe beating Medusa had given her, not that Lizzie Quick, Queen of pirates hadn’t had worse at the hands of the Royal Navy. The chattering women were hairy and hunched; the naked ringleader of the bunch coming forward with her shaman husband.
“Remy!” cried Perry. “What are you doing here like this? What’s happening?”
“Arrgg me hearty. You be my prisoners now and me wife’s gotta thing about heads. She likes ‘em real small an’ yours is too big, Periwinkle.”
“Have you gone mad, man? You can’t shrink our heads!”
“Oh sure they can. They’ve got it down to a science. I even helped ‘em make a few improvements. Take ‘em away, grrrls!”
from The Ridiculum
Johnny Noiπ Oct 2018
All Anne had left to wear was the frilly gown Charlotte had made for her. Not exactly her style but she remembered with some fondness what ****** had said about presenting herself as a lady.
The Kid arrived in the dining room hungrier than he’d ever been in his life. The big woman had ****** out everything he had in him, in a good way, but he felt like he’d lost a few pounds.
“What’s for supper, Mabel?” he asked his voice somewhat unsteady.
“They’s mermaid soup, mermaid cutlets, mermaid fricassee, mermaid casserole, mermaid steak and grilled mermaid fritters.”
“Ain’t there nothing to eat besides mermaid?” he groaned.
“Seaweed,” she said curtly.
“Gadurnit. We’ve been eatin’ mermaids and weeds for days. How about an old fashioned T-bone?”
“You get the cow and I’ll cook it up.”
****** came in looking not at all amused, “Say, Kid we need you up on deck.”
“Yes’m, Mister ******,” said the kid following the cowboy to the aft where ****** pointed over the water.
“We’re being followed. Fritz said there’s a school of mermaids out there. They followed from the island so they can’t be friendly. Think you can pick ‘em off?”
The Kid took his hat off and wiped his fingers through his sweaty hair. “Shoot, Mister ******, that’ll be like shootin’ fish in a barrel, ‘cept it’s the ocean and the fish are mermaids, an’...”
“Just get to it. As soon as you spot one blow it’s ******* brains out. That’s the only way we’re gonna get rid of them. You’ve been with Anne Bonny have ya.”
“How can ya tell?”
“You’ve got her scent all over you. There’s only one ***** onboard smells like she’s been rolling in a soggy mud patch.”
“Gee, ya think Mabel noticed?”
“That gal lost her sense of smell a long time ago. Take care of that business and Mabel’ll be all over ya like always.”
“I reckon you’re right. Let’s shoot us some mermaids.”
“Now you’re talking, Kid. Let’s do it.”
Sinking far below the waves, the evil swimmers kept their telltale fins out of sight, gliding along with the ship’s shadow as it sailed beneath the bright waves. The Kid and ****** scanning the water eyeing only dolphin and shark. “They’re smarter than they look, Kid. I’d bet they put these varmints up to swimming around the boat so they could cook up a scheme. They may taste like fish but they think like women.”
“Gosh, Mister ******, ain’t that the best of both worlds?”
“I guess that depends on which end you get ‘em by.”
Soon after, sailing smoothly out of the Caribbean waters piloted by the old mariner Popeye and navigated by the allwise general, the Green Belle ran afoul of no other nemeses as it made its way down along the east coast of South America. With no real roles on the ship, ****** and Medusa found themselves spending more and more time with each other.
“Why don’t you do something with yourself,” she scolded.
“What?” he said on edge from her relentless rasping nagging.
“All you do is pace. Why don’t you make yourself useful. Fetch me a mint julep” she ordered haughtily; staying in the covers and bedclothes she’d been in for a week.
“Fetch? Fetch! What do I look like?” he growled meanly.
“I’ve been trying to figure that out,” she said snippily.
His eyes flaming he stormed from the room, Medusa paying his tantrum no mind.
Finding Perry with Charlotte in the study, ****** had finally had enough with the uppity Gorgon. “Perry, I need to borrow that contraption.”
Perry, startled making out with the handmaid behind a brocade curtain was just as surprised to hear ******’s request. “Are you sure, Mister ******? You told me you never wanted to see the temporal distorter again.”
“Not that. I’m not gonna mess with that. There are more things going on than you’ve dreamed up in your philosophy. I mean the ship, the Leaping Lizzie. I’m going to take her out and scout ahead. I just need to get off this ****** boat. Get a change of scenery.”
“That’s sounds like a splendid idea, Mister ******. Let’s go discuss it with Fritz. He has maps of the terrain. Depending on what you see we can make any necessary corrections.”
“You’re a right smart feller, Periwinkle. I’ll go scare up Fritz.”
“I’ll go prepare the ship. I’ll meet you up on deck.”
As soon as ****** had left, Medusa grew bored. She found him with Perry on deck standing before the crabship. “What’s going on?” she asked observing the mechanical tentacles at rest.
“Mister ****** is going off to do some exploring,” said Perry. “The Leaping Lizzie II is perfect to find out what’s ahead.”
“Oh!” she said gaily. “I’m going with you!”
“You are?” said ******.
“Let me get Dawn.”
“Dawn?” he said.
****** and Perry looked at one another incredulously.
“I wanted some time alone,” said the cowboy pensively.
“Fiddle-dee-dee! We won’t be any bother at all,” she said fluttering down the hold.
“******. Will I never be rid of that infernal woman,” ****** snarled.
“Now, now, Mister ******. Miss Medusa is only looking out for you. After all you’re only flesh and blood.”
“And she’s a primordial cosmic force. I get it.”
Momentarily the green goddess and her faithful Lady of the Bedchamber were hauling strapped leather cases and hat boxes on deck. “What the hell is all this?” he hollered.
Her eyes met his meltingly. “Why, Mister ******, you don’t expect a lady to go around in the same old dress all the time. We’re going on an adventure. Think about it; the unexplored Amazon! Who knows what kind of beasties we’ll run into!”
“And you want to be dressed for the occasion.”
Smiling she began directing Dawn in loading the ship.
Fritz came up with a rolled map and handed it to ******. “Here you are, ******. The Amazon is due southwest. How do we stay in touch with you?”
“I’ve installed a ticker,” said Perry. “The same kind we used to communicate with Mistress Medusa when she was off conquering the moon.”
******’s eyes flared hopefully. “Yeh. Say Medusa you be in charge of communications. It’ll be your job to stay in contact with Perry and Fritz. Think you can do that?”
“Why, sure, Mister ******,” she said politely, “Um, would you help a lady aboard?”
“Sure,” he said taking her small waist and heaving her up to the hatch, her petticoats billowing in his face.
In another time and place not that far away, Remy Clarke Savage found his life with renewed purpose. Esmeralda and their now several children resting in the shaded grove while he completed yet another monumental life’s work; a machine that would far outstrip the crude Leaping Lizzie in speed and capabilities, outfitting this new vessel with several cannons of Greek fire and exploding shells.
Captain Quick, Lance and Lizzie bonding as family were wary of the zombie hordes all around them. Vampyr mermaids dancing in the inland lake while the rotting crew sang haunted shanties, hoisting steins of ghostly ale. “Ay I’ll be glad to be off this deadman’s reef,” muttered Quick. “Can’t you hurry it along, Remy? I’m wondering if we’ll live through another sunset.”
The dead pirate who’d become liaison to the mortals was Lizzie’s second maid-in-waiting; a woman with two long blonde braids that steadily grew the longer she was dead. Her brain intact and her looks not completely gone. “Ay Captain, my mateys be starving and you bunch are the only meat left on the island.”
His fears confirmed, Quick replied sharply, “I thought your bunch was living off them mermaids.”
“They’ve all turned. Not a one of them is alive or breathing. They’s all vamps and we’z all zombies. Like I was saying you bunch be the only real meals left.”
“Meals?” gulped Remy.
“Is that reason enough to hurry it along, man?” called Quick drawing his broadsword.
Lizzie and Lance drew theirs getting to either side of the Captain.
“You won’t be eating no brood of my *****, missy,” snapped Lizzie.
“Ay that we be lest you can get us raw meat and some brains.”
“Remy!” hollered the Captain as the engineer made the final adjustments.
“She’s all set to go. Hop in.”
“We appreciate your stalling, lassie, but we’s be taking our leave.”
“Aargh!” shouted the pirate woman drawing her sword. The others clambering to groggy feet, weapons in hand. Mermaids snapping sharp teeth from the water’s edge. Esmeralda carrying an armload of children scrambled inside the vessel first, followed by Remy and Lizzie.
“Com on mateys!” he cried as Quick and Lance clashed steel with the lunging pirates. Lance getting inside followed by Quick, Remy quickly shutting the hatch. The behemoth raising up on articulated legs. The dead pirates swords were no match for Greek fire as Remy unloaded a volley onto the beach setting everything ablaze.
Feeling themselves being cooked in the shell Remy manipulated his creation to walk into the water continuing on to the open sea where he propelled it away from the irreparably devastated reef crashing in under its own sodden weight. “Ay there be me home for many a yarn,” he mused. “Now it’s gone.”
“Ay the ****** place was haunted; infested with the undead. That be no home for a living man,” said Lizzie putting an arm over his shoulder. “I be liking your firepower, Remy. How long can that hold out?”
“Indefinitely. Greek fire is inexhaustible.”
“Inexhaustible you say? What say we catch up to that Green Belle and give ‘er what’s her comeuppance?”
“Ay man they’ve got the key to a treasure that’ll be rightly ours,” added Quick.
by Johnny Noir & MEdusa
Nigel Morgan Dec 2012
He said I’m the wrong shape. I could do with putting on a few pounds and, almost as an after thought he said, you’ll have to cut your hair – yourself.  I know she was an artist, and a mother, and a gardener. I had to admit to him I didn’t know any painters. My cousin Julie’s a sculptor – same thing he said – but I had to tell him I hadn’t yet looked at her painting, only what he showed us in his presentation.  He then told me exactly where in the National Museum of Wales I could see one of her paintings – Gallery 14 – and its from this period, a Parisiene picture. He suggested I might go to Cambridge and spend a day at a place called Kettles Yard. There are more Winifreds there than anywhere else in the UK, and many pictures by her close friend Christopher Wood.
 
Oh dear. This is difficult. The only thing going for me seems I’m about the right age and I’ve have children, though mine are older than hers in the production. I was so surprised to get this part, but as Michael said over the phone, your profile fits. Except for the weight and the hair, and I know nothing about painting. Why should I? Jeff told me, the composer Morton Feldman once said if you haven’t got a friend whose a painter, you’re in trouble. I’m in trouble. But he has very kind eyes and when he touched me gently on the shoulder after Lizzie and I sung that shells duet I had to look away.
 
Reaching down arm-deep into bright water
I gathered on white sand under waves
Shells, drifted up on beaches where I alone
Inhabit a finite world of years and days.
I reached my arm down a myriad years
To gather treasure from the yester-millennial sea-floor,
Held in my fingers forms shaped on the day of creation….
 
They sleep on the ocean floor like humming-tops
Whose music is the mother-of-pearl octave of the rainbow,
Harmonious shells that whisper for ever in our ears,
‘The world that you inhabit has not yet been created’

 
Mind you, I don’t envy Lizzie being Kathleen Raine. Now that is a difficult part, even though she’s only in Act 2. Raine was definitely odd. He says I have to understand their friendship, because there was something about it that made them both more than they were. I don’t understand that.
 
Jane and the children are amazing already. Martin (my ‘other’ half Ben Nicholson) said they’d been rehearsing with Robert because his wife (Robert’s wife Debbie) is at WNO and they were scared about this one. I’ll say this for him he knows exactly how children interrupt, constantly. It’s clever the way he uses the interruptions to change direction of the dialogue. Conversations are often left unfinished. The bit when that ***** Barbara visits the apartment unexpectedly is brilliant. She’s completely demolished by these kids of her lover.
 
But those letters . . . he said, can you imagine your husband writing to you over a period of 40 years? Quite a thought that. David wrote to me a few times when I was in Madrid for Cosi just after we’d met, but it was all telephone calls after that. Why waste paper, time and a stamp. But I take his point – their letters are so beautiful – and they were separated for God’s sake. He’d gone off with another woman, and even brought her to Paris. And you could not have two totally different women – she ,slight, chain-smoking, work-a-holic, sharp-tongued with that Yorkshire edge, and me with ‘a quiet voice, trying always to be gentle and kind ‘– W would be called an earth-mother these days. She was a kind of hippie, only she had money – mind you most of those hippies of the 60s had money otherwise they couldn’t have done drugs (heard that on Radio 4 last week in a programme about Richard Brautigan). But they wrote to each other almost every day.
 
Dear Ben,.
            Do you know there are several kinds of happiness, and there is one sort which I have found. It is the sort that is within oneself, enjoying fresh promise, and taking all the experiences of life that one has been through, so-called sad ones and so-called happy ones, to make up understanding that is further on than joy or sorrow. I have been extremely lucky – I have had ten years of companionship with an ‘all-time’ painter, working in the medium of classic eternity and that has been better than a lifetime with any second-class person – isn’t it - I have found it so…
 
Best love Winifred

 
What’s clever about the letter sequences is the way the two-way correspondence is handled as a duet and right in the middle of it you’ll get a flashback – like Winifred suddenly remembering her first meeting with Ben.
 
I heard this voice
In the room next door
I couldn’t breath, I couldn’t move
I knew, I knew for certain
This was the man I would marry.
And when we were introduced
He seemed to know this too.

 
We gaily call this an opera, but it’s not. It’s something else. It simply doesn’t do what you think it’s going to do. Even when you do something for a second time the accompaniment doesn’t do what you expect and remembered. It’s this open-form business. Something else I know nothing about. He mentioned Umberto Eco – now I’ve read Name of the Rose. When Braque or Mondrian or Jan Eps visit unannounced I have no idea which one it’s going to be – these guys just used to turn up. Sometimes two at once. W didn’t invite them. They came for her English hospitality (home baking I think) and her beautiful apartment come studio – beautiful, because she made it so. Her French was appalling, and this is difficult because I speak quite well, and now I have to speak like an idiot. Bridget  (playing Cissy the Cumbrian nanny) having her French lesson is a hoot, and with the children correcting her all the time, it’s lovely.
 
He was very sweet when we broke for lunch. Sara, he said, as I collapsed into an auditorium seat to find my bag and mobile, Sara, we’ve got to find you a painter to spend a day with . . . so you’ll know how to stand in front of an easel.  I phoned Sarah Jane Brown who has a studio in Cardiff and she’d love to meet you. Here’s her number. She paints flowers and landscapes – as well as the abstract stuff - just like Winifred. Her tutor at the RCA actually knew Winifred. And with that he disappeared to a dark corner of the theatre and unwrapped his sandwiches. You can tell he’s not into break discussions with Julian or Michael. I think he’s terribly shy. He’s interested in the cast and so he picks them off one by one. Julian I know doesn’t like this. I think everything needs to go through me, he said at the end of yesterday’s rehearsal. Who does he think he is?! Lizzie reminded Julian he was the composer and what he doesn’t know about this whole period and its characters isn’t knowledge. Liz thinks he’s a sweetie – and she’s sung his Raine settings at Branwyn Hall last year – with Robert who was his MD with BBCNOW. Liz knows Julian hasn’t done his usual homework because he’s got this production in Birmingham on the boil. Unknown Colour is a distraction he can do without.
 
This afternoon it’s back to the mayhem of those ensemble scenes in Act 1. They’re quite crazy, but I’m already beginning to feel I can start to be someone other than me. Did you know I have this lovely song? It’s quite Sondheim . . .
 
*I like to have a picture in my room.
Without one, my room feels bare
however much furniture is there;
Pictures play so many roles.
My room has too much going on in it
for something extravagant.
In the morning it is a sanctuary,
in the daytime a factory,
in the evening a place of festivity,
and through the night a place of rest.
 
I want a window in it,  
And a focal point, something alive and silent.
A bunch of flowers on the window sill?
Yes, but they will wither.
A cat curled up on the hearth?
Yes, but it will go away and prowl upon the rooftops.
 
A picture will always be there.
It will make no sound. It will wait.
If it is true I shall never grow tired of it.
I shall see something fresh in it
when I glance at it tomorrow.
It will always be my friend.
Carl D'Souza Jul 2019
Jim, Clara, Lizzie, and Tim
are sitting comfortably
around a work meeting table
drinking delicious coffee and
eating delectable sandwiches
which their manager provided for free;
these employees love their manager.

Jim, Clara, Lizzie and Tim
area engaged in a ‘Quality-Circle’:
A group of employees
who meet regularly
to consider ways of improving
their workplace.

Jim, Clara, Lizzie and Tim
conceptualise themself
as not slaves but cooperators
with their manager
to improve
the functioning of their workplace
for the benefit of the employees,
and the benefit
of the shareholders, customers, suppliers
management and
their whole society.

Jim, Clara, Lizzie and Tim
are exercising joyful creativity
to identify problems
and discover solutions
which they will diligently implement
to improve their workplace,
to increase their joy and happiness
in their workplace:
by increasing ease of their work,
by increasing efficiency of their work,
by improving quality of their work,
by increasing productivity,
by increasing customer satisfaction,
by improving environmental impacts,
by increasing profits.

Jim, Clara, Lizzie and Tim
realise that a continuously-improving
well-functioning workplace
provides them secure and enjoyable employment;
so, participating in the joyful creativity
of a quality-circle
striving to continuously improve their workplace
makes them feel
joyful and happy.
Anais Vionet Sep 6
Quick break-up Senryus.
Pick one to quickly, cut that
relationship cord:

I'm sorry, What'd you say?
I can't hear you (confused look)
- we’re breaking up.

You’re the guy that
every girl at our school wants
- it's their lucky day.

It's time that we took
our relationship to the
previous level.

I still cherish the
initial misconceptions
I had about you.
.
.
Songs for this:
Love on the Rocks by Lizzie Mintz
Lovefool by The Cardigans
Nothing Can Stop Us by Saint Etienne
Forever by X-Cetra
jenny linsel Jan 2017
Each and every day, Lizzie opens up a can,
Of tasty Salmon cat food for her beloved tabby Dan,
She's lived alone since Harry died, a victim of world war two,
Neighbours live at either side, but she's no idea who,

She remembers in the olden days, when people cared for one another,
Her many years, devoted carer for her father then her mother,
Her memory is not the same, a symptom of old age,
Each day in her past is just another page,

Everyday she takes her pills, the doctor says they'll cure her ills,
Red are for her heart and blood thinners they are green,
Complicated names but who knows what they mean?
Balsam for her chest, pink cream for her itch,
If someone made a pill for loneliness, they would be very rich,

A shadow on the window, a knock upon the door,
Dan's curled up on Lizzie's knee, but jumps down to the floor,
Cautiously she peeks out through the yellowed lace curtain,
She thinks she spies a relative, but she cannot be certain,
The chain is on the door, the door it is ajar,
Maybe it's a nephew visiting from afar?

“Hello there, can we come in to talk about your faith”?
She tells them “I’m an atheist” then slams the door with haste
Lizzie is alone in a world where no-one cares,
She's clutching several bottles as she makes her way upstairs
She walks into the bedroom, Dan is curled up on her bed,
Then lines up all her pills and gently shakes her head

She looks down at her wrinkled hands, and remembers them as in her youth,
Each line on her face tells a story, only she can see the truth,
As she looks in her full-length mirror, she's dismayed that her figure has gone,
Once an English rose, Oh where has the time gone?

She hears a sudden noise and Dan jumps down and hides
“Harry is waiting for you”, a soothing voice confides,
Lizzie feels at peace and she begins to smile
She brushes through her silver locks in their old familiar style

She reclines upon the bed ,all she can do is wait
She thinks of her true love Harry as he waits at Heaven's Gate
Will he still be debonair with sparkling eyes of blue?
The only man she'd ever loved, to whom she'd never said “I do”,

The wait was short and there he was, St Peter at his side,
Lizzie felt at peace and very gently sighed
Harry took her hand and through the gates they went
Lizzie was now free of a life of discontent

Her story has a moral, time is not ours to waste
Live life to the full because time can never be retraced.
Judi Romaine May 2012
I see Lizzie everywhere –
in the neighbor’s yard,
on my front porch,
even in my bedroom, sitting there
waiting for her food.

I go to the front door ten times a day
And peer out, expecting to see her there.
I listen for her meow outside,
Worried she will feel abandoned if I don’t go quick

But Lizzie was never mine.
She was a wild pretty little thing
Who seemed to belong to no one.
She came and went as she pleased
And sometimes lay on my bed as if to comfort me.

So long Lizzie.
See ya.
After six months and two weeks, Lizzy showed up at my door the night of the 2012 election! Tiny and thin, but clean, I wish she'd had a camera on her so I'd know what adventures she had.  But she spent the winter with me and now, come spring, she's out and about for most of the day and night. Will she stay with me when I move out of my house in three weeks? Or will she be off again, like a female highwayman, on some new adventure?
Àŧùl Jan 2016
To thank each one of you,
Today, I take the opportunity,
By taking names for your support.

For being the source,
First of all, I thank Life,
For the inspiration she was.

She guided me to Hello Poetry,
Introduced me to new friends,
Broke up ultimately however.

Then I thank Timothy Salter,
For his own and his family's,
Articulate poetry helped me.

Madam Hilda writes as amazing,
And as amazing is their daughter,
It is hard to tell if Marian wrote it.

It's helping me learn more,
Respecting it has taught me,
Had to be paid to earn more.

Not forgetting Gitacharya Vedala,
For he elaborates on every detail,
Thereby helping me experiment.

Same is for Pradip Chattopadhyay,
Hinting of Rabindranath Tagore,
He's the poet clad in sombrero.

Their pure physics at soul poetry,
Helped me learn experimenting,
With sheer hollow truthfulness

I then engage in remembering,
Elsa Angelica for inspiring me,
Her own poetry is developing.

She inspired me to improve,
My strengths & weaknesses,
She taught me being lucid.

Then of course I thank Sukeerti,
She taught me being beautiful,
Without being too explaining.

She encouraged my writing,
Always was their as a friend,
Giving me her positive inputs.

Madam Elizabeth 'Lizzie' Squires,
Aptly mature her poetry is always,
Very much to learn always exists.

Her persona is respectable,
Definitely motherly her aura,
Making her a poet so reputable.

Several other poets fascinate me,
Equally instead of less or more,
They all teach me the lessons.

Madam Sally A Bayan is there,
Her sweet mature bits of advice,
Best complemented by her poetry.

Shayana Shrikanthalingam,
Seeing all her polished poetry,
Not such a difficult name for me.

Ever inseparable they are,
Brandon & Earl Jane Nagley,
They are the immortal lovers.

And I recognize the beauty,
An Indian model here on H.P.,
Poetry surely as cute as herself.

She is the most elegant girl,
On Hello Poetry and in reality,
Bhumika Fulwani I refer to here.

Finally, I express my gratitude to her,
In my life she's the ultimate one,
Now I needn't anyone else.

She is my Pooja Shah,
She is exclusively mine,
She is here forever to stay.
I have a very poor memory.
I might have missed some names.
So please forgive me if I have forgotten you.

But I assure you that I have full respect for you.

My HP Poem #992
©Atul Kaushal
Joe Wilson Sep 2014
Walking along on the shingle spit
At Keyhaven near to Milford on Sea
You can almost touch the Isle of Wight
Less than a mile away o'er the lea.

Crab-fishing next at Mudeford Quay
With Lizzie and Sam on the nets
When off flies my hat which then lands in the sea
Chase is given but I’m taking no bets.

Later, me new-hatted, we sit by a pub
Enjoying our lunch and a chat
And we laugh at the turn of events in the day
Particularly at the flight of my hat.

Wearily later to our lodgings we go
Chicken Cacciatore for dinner, by me
We then all collapse and nod off to sleep
This just always will happen by the sea.

©Joe Wilson – A Windy Day by the Sea…2014
Johnny Noiπ Sep 2018
The steamship was caught in hellish breakers and about to ground ashore. The storm not noticed until it enveloped the craft in tossing gales of ripping rains and tearing lighting. The pirates had been stranded so long Lizzie had given birth. It wasn’t Quick’s, as the twins had red hair and the lone redhead among the crew was first mate Lance; no one paying any mind, she and Lance openly cuckolding the irascible Captain, who had other matters on his mind. He’d lost Bonny whom he’d paid good money for. In his mind the ***** was a runaway slave and that would only up the price. A feisty strong-willed slave was well worth the pursuit. The missionaries making it ashore on a raft of lifeboats genteelly disembarked at the shore’s edge. Captain Quick getting to his feet raising his pistol and forewarning the others.
“Ay! Looks like we’ve got company, laddies,” he said. “Pilgrims.”
Esmeralda had also given birth; to Remy’s child, the mad genius coming from his much expanded hovel; he and the pirates making a culture for themselves using shells for currency and as ornaments. “Ay what is it, Quick?”
The silent pilgrims drew closer. Quick held his pistol to ready. “They be ghosts I say.”
The tallest vampyr approached them. His lips dry and white speaking without moving. “We seek the Oracle.”
“I’ve got your oracle,” snapped Quick and fired.
The male pilgrims drawing pistols fired on the pirates who jumped to their feet pistol and sword at the go. Ball shot and blood broke out across the beach. Remy at the mercy of the Nosferatu's claws until Quick put a bullet through the vampyr’s head. Remy dashing back into his hovel turned a mushroom cap that emitted sympathetic mists of spores from the overhanging tendrils; microscopic creatures eating into the vampyr’s sandy flesh. The pirates continuing to flail on the withering pilgrims, firing useless ***** until the Nosferatu men were collectively defeated leaving only the female undead standing.
“Alright, you lassies, line up over here,” commanded Captain Quick, “And get those clothes off! Remy! Ya got those irons made of claws?”
“Yes, I have them right here,” said the genius coming from his home carrying an armful of unbreakable restraints.
“Fasten ‘em together. These wenches’ll be fetchin’ a good price. Dare say they ain’t virgins. Godforsaken Puritans they be,” said Quick and spit. “I said get them black rags off!” he raged but the women didn’t move their stiff arms from at their sides. “Okay, boys, have at ‘em!” he shouted and all at once the pirates pounced.
Tearing the austere garments off the backs of the demuring pilgrim women the pirates groped and fondled the wan figures with brusque brutality, pushing them to ground and forcibly parting their rigid limbs. Taking turns ****** every woman old, young and in between, the pirates found themselves growing sick, their skins blanching green and purple.
The blonde child much older than her appearance took one bearded scurv and bit deep into his jugular slurping up the profuse red liquid. Each woman never making a sound taking firm hold of the seafaring hoodlum atop of them, writhing in serpentine gyrations the pirates mistook for arousal, grinding the brittle hips and ******* the pus laden lips; the women’s bones breaking apart due to decomposition all the same sinking their fangs into the lustful wild men; blood spewing in every direction over the white sand.
Now it was the pirates that were vampyrs with only Quick, Remy, Lance, Lizzie and Esmeralda and their three children mortal. Quick, seeing the advantages of an undead crew set about thinking how best to use them.
for Medusa
Lilly frost Jun 2015
Lizzie burden took an ax
Gave her mother forty whacks
When she saw what she had done
She gave her father forty-one
Such anger
You're in danger
Run away
You can not stay
Serial killer
That's what we call 'er
Ax stained with blood
Her shoes caked with mud
In court innocent as can be
Everyone but the jury can see
Lizzie burden who took an ax
Gave her mother forty whacks
Who when she saw what she had done
Gave her father forty-one
Was set free
Because all but the jury could see
The first four lines are from the actual rhyme about Lizzie burden.
Johnny Noiπ Oct 2018
Glancing out the rear port Perry could see the rainforest smouldering under the violent rainstorm. “We just missed that storm,” he said.
“Is that all we missed? Medusa, Dawn how are you two doing?”
“Why, Mister ******, I didn’t know you cared about my well being.” said Medusa most cattily.
“What’s that supposed to mean?”
Taking the airship farther downriver ****** scanned the horizon for an outlet to the wide stretch of rapid water along its winding tributary branches. “Perry, in that ticker tell ‘em there’s no way out this end. They’d best stay heading south along the Main.”
“Alright,” said Periwinkle again squeezing past Lizzie who didn’t budge as he wedged beside her.
“We’re getting a ticker tape from the Leaping Lizzie” shouted the professor. “It’s Perry,” he said reading it aloud. “No outlet at Amazon’s end..keep heading due south..along the Spanish Main…”
“Why if we stay due south we’ve go over the edge of the world. The south pole is entirely unexplored.”
Fritz was made excited by the prospect of sailing off the world. Bob not so much.
“You gentlemen can certainly sail into the wide unknown but I have no intention of doing so. Ting A Ling is homesick and I for one would like to get off the water. It’s all I can do to keep my catch down.
Tennessee chimed in, “I’m with Mister Bobcat. I sure would like to sink my teeth into something ‘sides week old mermaid.”
“Here, here, my boy,” rooted Bob. “Why don’t you gather your chattel and come along. We’ll disembark in Tierra Firme.”
“Gather my what?”
“Your woman, boy, get your woman.”
“Oh, you mean Mabel! Sure ‘nuf.”
Clearing a space in the rear of the Leaping Lizzie, ****** and Perry went over the map. Medusa piloting the ship and showing Dawn how to manage to controls in her absence.
Philo at the ticking machine kept abreast of Perry’s ongoing reports.
“It seems we’ve avoided a great deal of trouble. Man-eating monsters and cannibals, and he says the forest is on fire.”
The settlements along the coast of Terra Firma were a mixture of Spanish provincial and the remnants of older palaces and fortresses built long ago by the ancestors of the native people, the Green Belle steering into the outlying coastal town of Portobelo. The Kid and Mabel having no baggage, Bob hired a carriage to bring them to a fancy hotel. The sour-faced woman running the establishment looked at the couples suspiciously. She didn’t trust cats although these two were dripping with jewelry and stinking of big money. The lanky gunslinger and former hostess just stank. But Mabel, brassy and outgoing, soon had the gal charmed with her idle nattering.
The Kid wanted to pay for his and Mabel’s rooms but Bob giving his imprimatur covered all their expenses.
“Why, thank you, Mr. Bobcat.”
“Don’t sweat it, boy. Those six-guns of your have been a blessing so far. We’ve been through some scrapes haven’t we?”
“That’s for **** sure."
“Let’s go get a drink and toast our good fortune. Come, ladies,” said Bob, ushering the party along.
Lizzie Bevis Jan 3
Moonbeams dance from up high,
While stars their secrets keep,
And the heavens slumber in a velvet sky
As gentle dreams run deep.

Please close your eyes and drift away
On wings of peaceful rest,
Until the morning light breaks soft and new
And wakes you at your best.

©️Lizzie Bevis
Lizzie Bevis Nov 2024
You read my poetry,
then turned away,  
as if the words
had nothing to say.  
Each line was a pulse,
it was a part of me,  
yet you drift on past,
too blind to see  
that my verses ache,
hoping to be heard,  
yet silence lingers,
louder than each word.  
The ink may fade,
but my feelings remain,  
as I laid my heart bare,
was it all in vain?

©️Lizzie Bevis
Naomie Mar 2015
Lovely crazy fox man
Swinging through the forest
I have a special spot for you
By the Hanging Tree

Lovely little Lizzie
Sit right beside me
I have a special seat for you
By the Hanging Tree

Crazy little fox man
I know you love her
There is no else above her
So do this special deed

Pretty little Lizzie
Do you know he loves you ?
There is no one else above you
He'll love you till he bleeds

Crazy ol' fox man
They're about to lynch me
**** everybody
Then you'll have her heart

Lovely little Lizzie
Chop your mommy and daddy
**** everybody
Then you'll have his heart

Lovely crazy fox man
Pretty little Lizzie
They love each other
In sweet insanity
ηfornachos Feb 2014
Lizzie's glasses
The colours of
   pink
    purple
     and green
They're round
Made of glass
She sees better
    in
     them
For my student with special educational needs.
Lizzie Bevis Jan 4
Some doors are meant to stay unopened,
Some questions left silent in the air,
Some chapters end without conclusion,
Some paths often lead to nowhere.

Not every story needs an ending,
Not every wound needs words to heal,
Not every heart requires mending,
Not every truth needs a big reveal.

There's wisdom in quietly leaving,
There’s grace in letting mysteries be,
There’s peace in simply believing
That what must flow will find the sea.

So loosen your grip on expectations,
Release the need to understand,
Accept the silent explanations,
Because it is not a part of your plan.

©️Lizzie Bevis
Lizzie Bevis Mar 15
No,
not every poem
needs to bloom
with romance
to make a heart grow
full and wise;
There is poetry
found in survival,
in unhappy endings
and goodbyes.
Not every poem
must woo the reader,
or make their yearning soar,
some poems taste
like bitter coffee grounds
and nothing much like love.

©️Lizzie Bevis
Alice Curtis Aug 2012
I can't wait until I see you again Lizzie.
Only one night and I miss you.
Morning isn't the same,
without waking up to you kissing me on the nose.
You nuzzle up next to me, all warm and cozy under the blanket,
I don't want to get up, just lay there all day.
But when your not here, I wake up and I need to get moving.
Doing different activities, and playing games, until the day is over.
But, at night I miss you again.
I can't wait to lie in the hammock with you,
And sip lemonade,
As you lick some from your cup,
With a happy smile,
And then you give me a kiss,
Leaving a sugary residue.
I love you Lizzie,
I hope you aren't getting into too much trouble,
And I can't wait to see you again,
When I get home, we can bark at the bird,
And chase squirrels, and sneak snacks between meals,
And best of all, snuggle under the blanket,
I'll see you soon my number one friend.
Lizzie Bevis Mar 13
Between steady breaths,
I float away in peaceful sleep
although, I am not quite here
and I am not quite gone.
My slumber becomes a nightly rehearsal
for when the final curtain falls
only without strings attached,
as I flirt with oblivion
and keep my options open.

Each night I ghost the otherworld,
leaving my body wrapped in a duvet
as I run away with my dreams
and return before dawn breaks.
I have become death's friend
as I surrender to the darkness
without agreeing to forever,
as I experience my temporary death
with daily resurrection rights.

We share in the nothingness,
as my consciousness is on pause.
Tonight I'll die again,
and tomorrow I'll return.
It is the perfect arrangement
with death who waits patiently, understanding that I'm not quite ready
for anything so permanent yet.

©️Lizzie Bevis
Chantelle Iles Aug 2018
Why weren't we enough for you?
That's the question I used to ask
I didn't understand how you'd pick that over us two
to me it was not a hard task
but then I saw you and I understood
no one else could have survived the way you could
you'd go to any lengths to function like me
without the headache and anxiety
you'd watch your friends die and wait for your end
today or tomorrow; you can no longer depend
everyday is a struggle
and tonight you will smuggle
the last your body can manage
if you had stopped last week or even yesterday
you might have repaired that damage.
Rest in Paradise Lizzie x
Hannah Wild Jul 2011
My Room has orange peels
from last week. Clothing
is piled on my chair.
The cupcake pan from
Lizzie’s birthday is balancing
between my makeup bag
and almost empty shower
supplies. Shirts are piled
atop my book shelf. There
simply isn’t room in the
drawers. The walls are
covered with posters,
pictures, and letters. Scarves
hang on the door and
my computer plays Van
Morrison. I sit in my
turquoise bed in an old
t-shirt and purple *******
writing poems.

— The End —