Some fools are born, conditioned by fate,
And they, like all, still procreate.
All useful knowledge flee their minds;
Ignorance fulfill these swine.
And while they swing and cheat for joys,
The watchful eyes of their little boys
Take a glance at what they see,
And what they see is “a bigger me.”
Their little girls, in company of dolls,
On occasion foresee what befall
On them, too, as they soon explore --
An impending battle of love and war.
But then, there exists that little kid
Whose *** and gender shall remain amid
A cloud of quantum mystery;
Their wisdom calls more urgently.
And as this kid sees life unravel
Along Lacanian stages of travel,
Concerned are they with all fuss and mess,
To which most adults do not confess.
As one parent lacks all the care,
The other lives a life unfair.
In times of chaos and audacious cuss
Dear, vengeful killer, Oedipus
Consumes all facets of the mind
Of the little kid who must confine
All pain, and hatred, and all rage,
Enough to place one in a cage,
While free the bird whose wings to fly
Have been broken off, now left to die;
In part, by diabolical norms
That invade a home in all shapes and forms.
But the kid looks up at the two,
Then whispers quietly, “I’m neither of you;
Not the blinded one, on flight to reign,
Nor the indebted one, too tied to pain."
Nor does the kid ever dare to be
A product passed politically:
Ingrained in mind, in heart, and soul
A subordinate being in a bowl
That churns, and churns, and churns, and churns
While glutenous ******* more they yearn.
This ceaseless cycle leaves little choice
For the ill-fated screaming voice,
As a true language for them not made
Because demonic beings must place a shade
Over the stronger ones deprived
Appraisal for their stronger minds.
The kid, all this, can’t take to be
As what they see they wish not to see.
In this unbalanced Yin and Yang,
The kid’s perception hits a bang:
“The power lies within the one
Who mostly governs with a gun.
But, how can a human hurt their double,
When love and passion are lesser trouble?"
A fitting *** the kid cannot choose,
As in every win each *** will lose.
But slowly, as they come to be,
The kid, society directs to see
That to the right *** they must belong
As "genitalia proves feelings wrong."
This funny theory most credits Freud.
But by collective viewpoints the kid’s annoyed:
'No good is said, no good is done
For those who are all, but yet are none.'
Great gender points makes Butler, Judith,
While blind opponents seek to disprove her;
They ink 'she is wrong within her stance!'
That female unity will give rise to chance
To an inclusion of the female word,
And one that’s First...not second or third.
The opposite, still out to bend
The rules and laws, all to pretend
That the other *** does not exist
Because swollen egos must persist
In rule, in art, in build, and biz:
'Fields where opposites lack all wiz.'
The kid, in this silly world of theirs,
Looks at all these foolish heirs
Who bounce and shoot this gendered ball,
While the kid stands back and laughs at all.

mi alma is made of pineapple fabric,
bartered in the palengkes of San José,
nothing like the silk of Manileño prep-school boys,
in their country clubs and villages with gates,
classmates whom I envied for their patrician ways,
whose diphthongs I eventually learned to emulate
as I dyed my pineapple-fabric soul with neon desires,
neon as bright as New York City lights,
and put on an invisible muzzle on my face.
but what was harder to wash away from my soul of piña
was the stench of garlicky stews we ate in San José,
so foul that even aswangs kept their distance,
'stead of ******* me out of my mother’s womb and taking me away,
throw me up deformed somewhere in the UK,
deformed like the glorified mongrels that are my cousins,
those UCL-educated mestizos, or was it LSE?
oh, maybe my life wouldn’t have been so ******* mierda,
in a corporate attire with a three-thousand pound pay!
but unfortunately, I wear my alma of pineapple fabric
masticated by the teeth of unsolicited advice,
fragrant with cathedral incense, heavy with the guilt
of having been cummed on by ersatz lovers, ‘straight’ best-friends
whom I’ve cut out of my life like overgrown fingernails,
for tripping over loose threads and undoing my soul,
oh, yes, I get lonely without my BFFs, but at least
I still have mi alma de piña, my greatest source of pride,
fragile pride as fragile fabric must be dry-cleaned monthly
at Au Beau Blanc, Gallardo Street, Makati City,
elegant but indeed makati (which is Tagalog for really really itchy)
remember: don’t you ever dare to wash me in the Machine!
or as I like to call it the Lacanian Other clothed in moreno skin,
castrative, repressive, myopic Manilense society, nope!
I will not go to spinning class with synthetic souls ever again
cannot chismis anymore about Manila scandals over brunch,
because my soul is made of pineapple fabric
and pineapple easily tears apart at the seams,
shedding its fibers behind in faraway places,
foster cities and countries with their irrevocable stains,
like those of chimichurri and malbec in Buenos Aires,
Debería haber nacido en Buenos Aires, I always like to say
‘cause it would be more chic to drown myself in Rio de Plata
than the ****** waters of ******* Manila Bay.
Pues, thank God, I didn’t, because now estoy en Spain
and of vermut ***** con aceitunas I am always inebria—
ted, waxing nostalgic for a time when these white men
would’ve scoffed to see an Indies dress,
would’ve asked my pineapple fabric soul to untuck,
scared to be stabbed by some concealed, mystical kris,
but no! don’t get me wrong! I love Mother Spain!
but I don’t think I belong here either,
nor in Buenos Aires or the United States,
nor will I belong again in any one of those seven thousand isles,
which my fingers fidget with like the rosaries I pray
to call out to the god of overseas workers,
the patron saint of the unmoored, the new cosmopolitan
oh, please help me conquer, for the sake of mi alma en pena
hecha de piña, now ruined, stinky, sullied, stained,
help me find a street, an enclave, a hamlet, or a shore
just somewhere—a corner to feel not so out of place.