Submit your work, meet writers and drop the ads. Become a member
Waffles Jul 2018
I can write for you
Or I can write for me

I can recieve the instant gratific8tion
Or I can release my feels

The rawness and jaggedness and ugl8ness of something unrefined that runs too long and lacks or
Der

If I am to be a collector of confirmation and praise, only one category is permitted:
My own.
I want to 0ractice not eating the marshmallow.
Fiona Sep 13
Every day the voice grows louder, a low tide moving over the edges of my life until there is almost nothing left but the hush it leaves behind. It does not shout; it never needs to. It leans close in the quiet hours — when the city exhales, when the kettle has gone cold on the stove — and speaks with the steady softness of someone who knows every fracture inside me. Its words are not cruel. They are velvet-soft invitations, the kind that makes you forget the jaggedness, of the world for a moment and imagine only the ease of surrender.

There is a warmth to it, and that is the strangest part. I find myself startled by how gentle it feels, like a hand at the small of my back guiding me towards something that will end the ache without explanation. Around other people I have known harshness that didn’t pretend it was anything else. With them there were arguments and doors slammed and the brittle noise of disappointment. This is different; this is a quiet that hums a lullaby and calls me by a name I used to like. In another life — or in another dream — it is not Death at all but a lover waiting in a doorway with a coat in their hand, patient, familiar, and impossibly kind.

I want to lean into it as you would into a familiar shoulder. I imagine running my palms along its calmness and finding there the kind of rest I have tried to find in strangers’ eyes. There’s a softness in the idea of being held so completely that the need to fight for air fades, and when the thought comes it does not arrive with accusations but with an understanding so thorough it almost feels like mercy. In my mind it becomes a room with low light and no questions; it becomes the end of the long, useless performance of holding myself together for people who never learned how to hold me back.

And still, even as the comfort seeps into my bones, there is a tremor, a recognition of the impossibility of it all. To let myself lean fully is to cross a line I have been warned about, to step into a hush that is both a promise and a disappearance. Yet I imagine the embrace anyway: the quiet ripple of its presence threading through my chest, a tide that lifts me free from all the jagged edges I carry and all the expectations I have stitched onto my skin. It is not violent, not demanding, not impatient — it is a patience that knows I will come, eventually, in my own time.

I think of all the nights I have spent alone, staring at walls that could not listen, and I understand that this is the voice that has been waiting. Its gentleness is a kind of violence against my loneliness, dismantling it piece by piece until the walls fall away, and I am left with nothing but the hush — nothing but the undeniable clarity that somewhere, in the softest corner of the world, I am seen, I am known, I am held. And for a moment, that is enough.

The more I listen, the more I remember — not faces or names, not places exactly, but sensations, brief moments I thought I had forgotten. The smell of rain on asphalt, the warmth of a stranger’s hand in a city that never stops moving, the echo of music I can no longer place. Each memory trembles when Death speaks, and in its voice I feel the fragile thread that connects them all: the ache of being alive, the wonder of having survived it. It is both cruel and merciful, the way it uncovers the tenderest parts of me and holds them without comment.

Sometimes I imagine speaking back. I imagine asking Death if it has known what it is like to carry a body through years that never learned gentleness, to hold a heart so bruised it forgets it can beat at all. I imagine its reply, soft and knowing: that it has known, that it has always known, and that it is here now, waiting, patient, unwavering. I picture the quiet room stretching around us like a cathedral of a hush, each breath a candle flame, each heartbeat a soft echo of something I almost dared to hope for.

There is a strange courage in this imagining, a boldness in feeling the pull without needing to act. I do not have to move; I do not have to surrender. I only have to let the voice settle around me like smoke, let it fill the corners of my mind that have been empty for too long, and notice what happens when the world finally stops insisting that I am not enough. And in noticing, I feel something like grace: the sharp edges of existence dull, the questions fall silent, and the ache softens into a kind of recognition. I exist. I am here. I am known.

And sometimes, just sometimes, I reach toward it — not fully, not yet — and the hush leans closer, and I am home.
Kerry Peterson Mar 2013
Plain little jewels of the sea
Resting easy in my hand,
Your velvety roundness
Breathes tranquility in me.

Funny this should be,
For you were born in the fires of this sphere,
Ejected rudely with sudden blast
Chipped from wholeness,
Pressed and wave tossed.
Upheaval transformed you from igneous grit
To this polished state.

You do not sparkle or shine
With color bright,
But your creamy grain
Soothes, beautifies your loud world
Where surf and sand collide.

Placed in my palm,
You help me pause,
Remember that time and stormy seas
Might just knock the jaggedness off me.
Tyler Smiley Oct 2018
You left me with open ended letters
and hand written promises.
Your words were always too fine,
too far and few between.
You were a genre of your own kind.
An enigma of words, always
tattered and smeared.
Coffee rings and cigarette ash
seem to ruin every last page of a chapter.
Things got ****** and I could no longer
read you, my eyes unable to pick up what
was left to discover between the lines.
Hard cover, when I was always paperback,
bending in any way you wanted me to.
I tried so hard to keep you with me,
crumpled up in my front pocket,
but the jaggedness of your ripped out edges
did nothing but draw blood.
I’m so tired of getting papercuts.
I’m running out of bandaids.
Poetic Devices Mar 2017
The body bound
Restrained yet open
A masterpiece of living parchment
Da Vinci's virtu of carnal sin

A Maestro playing
Each hill and valley
Tracing want in cross marked pain
Symphonies of tormenting fire
Mapped upon willing skin

Lines etched
Lustful treasures exposed
Flowering petals become the focus
A crack of whip
Drawing outside
Societal maps of propriety
Margins of mind filled
With consuming need

Each strike laid
With a Falls precision
Drawing forth jaggedness
Bordering outcrops of greed
Unrelenting strikes rained down
Igniting pain
Replaced with fire
Driving the body
Until there is no thought, no voice
No place to hide, just
Incoherent whispers
Begging for release

Crescendos pop
As the epicenter is struck
Singled out and singed
Again and again
The body quakes as
Floods roll forth
Pleasure engulfing
The pain mapped body
Muscles pulled taught
Rigid in need

The Maestro
Etches his last mark
Allowing his masterpiece
Of pleasure to be unleashed
Star Jul 29
When I touch my arms I can’t feel them anymore
Of course I have arms and can feel the jaggedness of my skin and the soft texture of hair
But when I touch myself it never feels real
It’s a mental fixation within my brain
That tells me each and everyday that I do not exist in a world that feels so conscious to me
Everyone seems to have it figured out
What they like, what they love
hate and despise
Everyone has their lives in boxes
And I can’t remember what’s in mine
It feels so pointless as I write this poem
Who will read it?
When I’m all alone
I don’t feel my presence and I don’t feel seen
It’s funny when you didn’t cut, but you still feel the bleed
And people ask “why do you bleed?”
My response is “I tripped as I crossed that street.”
They don’t question, because I tend to make mistakes
They are what got me here in the first place
So maybe if I let that kitchen knife go that deep, or if that lady kept typing on her phone as she almost hit me in the passenger seat
If mom used protection instead of wanting it between her legs at just nineteen
I don’t know how to stay, but I’m too scared to leave
So I just keep bleeding
c rogan Aug 2022
Descend
Like a particle of dust

..
.
Landing on a *****,
A steep curve sharp as a knife.
A white car, backpacks, a guitar,
Sing life to the rims of the empty canyon
The sound returns  
It echoes like circadian drums.
A chasm, a fold in your bedsheets,
The space between you and your mother.
It divulges words of a great marble book,
Dialogue in dissonance
Pages upturned, eager to be read by the sun.
We run our hands along  
Stories carved in this valley of jaggedness,
Seeking horizon lines  
Under oceans of stone.
Mist falls
Through the sleeping cusp
between two gray shale wings
of the deepest river canyon,
Weaving strings of glacial waters
Like topographic canticles.

An internal breathlessness
Guides us by maps written
In shards of glass.
Rhythms of instinct
Pull me forward
Yet the blade on her hand
Collapses me in
profound solitude.
.
Onoma Oct 2024
a rumpled gentlemen with his head on a desk--
the bent light of his mind snaps with an
aberrative upthrust.
Goya's: "The Sleep of Reason Produces Monsters"--
as bats fall to fly with a staggering jaggedness, the
twilight goes underground.
they're a flexuous miasma above the gentleman's head,
or like snakes climbing the glass of an aquarium.
a leathery dark with a bald purple gleam, smoked
clean through.
reveals the wickedly behooved whites of eyes,
expanding with what will be consumed.
this kind of sleep does more than warm death over,
the sleeper is made to watch himself do things--with
no electric blue escape route.
Temporary nirvana (albeit elusive),
nonetheless I strive to access
attaining bliss mine soul bless
exceeding exhilaration winning
(with fewest moves against

deadly opponent) bittersweet game,
where life analogous playing chess
mortality embraced hesitantly, I confess
gnarled, knotted, pitted... old fingers
wrinkled mottled flesh doth dress

unavoidable senescence
upon body politic mortality doth express,
though severely myopic,
yours truly eyewitness
self positing query,

asper meaning of life
oft times rhetorical question fathomless
lacking satisfactory resonance,
this mind strives to second guess
time spent probing haphazardness,

asper gaining insightful purposefulness...
coalesces, sans clarity when idleness
experiences Zen, albeit approximately
inducing light trance smooths jaggedness
inviting mindfulness, lucidness, keenness...

absolute zero distraction eases lamentableness
assuaging, deepening, massaging
psychological state with limitless
ascendence toward manageableness
decreasing mental din and clangor

allowing, enabling, providing...
cerebral nearsightedness
to escape into temporary nothingness,
a foretaste of eternal obliviousness
free from preponderant woes,

incessant sweaty palms, a painless
dimension unfeeling unimaginable quietness
impossible to envision raptness,
when death be not proud reiterates stillness
silencing roiling tempestuousness!

— The End —