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Tissue Paper Snowflakes

like tissue paper snowflakes i
break easily
i
get caught up in notions of things like love
and days like tomorrow
and promises like tattoos dyed into the skin of lovers
stuck in memories like first dates and love notes and make up ***.

like tissue paper snowflakes you
are unique
you
are one of a kind.
in kindergarten they told me no two snowflakes are the same
even though probabilistically speaking
you are almost guaranteed to have a twin.

like tissue paper snowflakes you
want to be cold
you
want to be but don’t have the strength.
you could not support the weight
that is frozen water
that is imperviousness to nonphysical things
like longing and sorrow and elation
and things unlike make up ***.

like tissue paper snowflakes i
am deceptively fragile
i tear
from things that are crushing
like dreams
and lies
and arms wrapped tightly.
i weaken from over use,
i ignite from things that overheat
like cigarettes
and us.

like tissue paper snowflakes we
are from one sheet
we
once bled together
our crooked edges match to form
straight lines.
like tissue paper snowflakes we
found beauty in ordinary roots
we
created texture from flatness
and
complexity from things that were not complex
and
like tissue paper snowflakes
we are weakened only by our own accord.
Chris Voss Mar 2011
This is not a love poem.
Because
I know nothing about the entrancement of Romance
It’s like watching a mime mimic antics
It makes me panic.
No, I write epics and tragedies.
About political catastrophes.
About the rhythmic anatomy of poetry.
Not about “How do I love thee…”
But let me count the ways that these days
Have grown strange;
The passage of time has seemed to stop.
This black clock’s bold Tock and
Tick have been erased and
I’m still sick with the aftertaste
From the venom of your kiss
Your toxic lips made me itch that
Poisoned twitch One-thousand times
Before my bloodshot eyes
Went blind to your beauty.
“A most unfortunate disability”
Professionals told me
But I just sighed and smiled insignificantly
“No, no, you see this,
Ironically, is immunity.”
Imperviousness to seduction

But this is not a love poem.
It’s a professional epiphany
An observation

All research and annotations state things like
Blind Fortunes and
Heart complications are just
Minor alterations that
Spark fascinations in
Lab coats and stethoscopes.
Isotopes of foreign hopes
Are my safety ropes to cope with my
Distance away from you another day
And there I go again.
Every ******* word I say will start out right
But then convey to betray me with the
Cliché decay
Of a fluttering heart.
And on this day when time has stopped
I’ll re-lock my jaw that dropped
And, with Blind Eyes, this mental case
Will try to trace the chalk outlines
Of  lucid days
With the white spine
Of the brain stem

But this
Is not
A love poem.
Because
I refuse to be Entranced by Romance.
I’m the kind of guy who would Panic in
That Frantic state of mind
And draw away from Sunlight
To find warmth Moonshine
To bite the bullet and lace up these shoes
Because eleven shots and twelve steps
Is the closest I get to refuge.
See, I dream in the Black and White
Of a first version television box set
About Bloodied tragedies
And political catastrophes
Set to a beat based on
The rhythmic anatomy of poetry
Rarely about “How do I love thee…”
Or the bedpost marks of
Fading, Chalk-Laced Memories.
C. Voss (2006)
Rachael hays Jan 2020
SPLINTERED - the antidote  

'choosing to remain Impervious until the reflected familiarity enters the body by connecting, presenting the vast realm of awareness - the unbearable lightness of being floats into the atmospheric sound.  vibrating deeply to souls core...are he and I still impervious to others... all the while the dark familiar perched watching our transformation '

with empathy, i understand
as we began the third act,
the moment of ******* ...
fingers at my throat
he would take command.

encased in a tough outer skin
from years of pressing down...of squeezing... his own pain transmuting through the pressure. pushing the anger and hurt back into his own body.

layer upon layer of scar tissue,
release of the useless agony the poison trapped below the surface.

knowing was present when I stood beside him.
as the ritual began,
vermilion borders grazing,
lips, ivory snarling over my skin

i pleaded for just a few moments and denial did not come.  

one. two. three...i counted.
waiting for the sacred sensation.
exploding inside this realm of physical boundaries he filled the vacancy in my heart with each movement.

in perfection, gasping as he penetrated

pushing me down into the space,
thrusting essence of his being into me, touching the awareness of my mirrored imperviousness  
his intensity pulled me into the void
we launched, penetrating our exterior skin...knowingly allowing the shedding to begin.

puncturing his thick skin,
my fangs drew out the poison...
into my body it flowed.

the antidote is him.
my death was a whim
to my surprise
the antidote is him.
~7Au17 Rachael Hays
Published 2Ja20
I detach my feelings when treating patients to enable myself to make clinical decisions when doing my job.
Due to that I have transformed
I have transformed to a person that can return to her original shape or position after deformation that does not exceed her limit...resilience
I acknowledge that this wall of resilience has turned me into somewhat an "insensitive" person
So much that when those closest to me are in misery it doesn't break me although I sympathize
With that comes imperviousness
Which for a long time I have confused with strength
I fail to admit  passage of emotions or rather I have become incapable of being affected by situations
I acknowledge that I may reach a breaking point sometime
I just pray to God that I be ready when all of this finally hits me
#Resilience #Imperviousness #Life
The tree in the dawn is:
A bronze statue.
A collection of clattering crows,
Besieged, a storm of ink
(they strut, they stab
to break loose.
a quickstart batter of fright, is
the figment, that which sent the birds sprawling)

The tree in the dawn is:
Exuberant ebony versus deathly whitewash,
A cold sculpture
Standing.
(levying the imperviousness
of blank-white backdrops,
a darkness against-
reaching all extents of black and white.)

The tree in the dawn is:
A frightening monster!
...A dark urchin tower,
-aquiver with black tentacles
And squawking feathery runoff
...A beast with its metaphysical yawp
Thrashing every way, a mass of limbs
(drips a blackness off it,
A fluid like dark soot water
   cleansing in dawn light)

The tree in the dawn is:
A tree.
Nothing more.  Nothing less.
     (now that the sun has risen)
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Water has no effect on fake flowers. They glimmer, they shine, they sway—but they do not drink. They cannot drink. They cannot bleed. They cannot grow. They are hollow, beautiful, untouchable… and dead inside.

People like that exist everywhere. They smile. They charm. They laugh. They look alive. And yet, nothing penetrates them. No kindness, no truth, no fire, no storm. Their hearts are porcelain, their veins empty, their souls a decorative lie.

They thrive on imitation. They flourish on applause. They bloom only for attention, never for life. And the world feeds them, praises them, envies them. Because shallow beauty is easier to admire than depth.

You can pour oceans over them. You can spill your blood, your tears, your warmth. And they will glisten, yes—but only on the surface. Only for show. Only as long as you look. The water never reaches them. The life never touches them.

They are impervious. They are untouchable. They are the masks that never fall, the lies that never bend, the shadows that never cast shade. And they call it strength. I call it poison.

Do not be fooled. Their charm is a trap. Their beauty is a lie. Their perfection is a cage. The world celebrates them, envying the emptiness they parade, never noticing the rot inside their roots.

You will try to nurture them. You will try to love them. You will try to save them. And you will discover the bitter truth: some things cannot be saved. Some hearts cannot be reached. Some souls cannot drink.

They are fake flowers. They thrive in illusion, in pretense, in shallow applause. They will outlast storms, yes—but only because storms cannot touch what is already dead inside.

They envy the living. They mock the bleeding. They belittle the rooted. They do not understand struggle. They do not understand growth. They do not understand love, or truth, or fire.

Yet they are rewarded. They are praised. They are admired. And the ones who bleed, who root, who fight and fall and rise—they are overlooked, ignored, even attacked, for daring to live while others only pretend.

Do not envy them. Do not imitate them. Do not bend to their hollow standards. Their imperviousness is not strength. Their emptiness is not perfection. Their survival is not life.

Water may drown you. Water may sting. Water may crush the weak. But for those who are rooted, for those who bleed and grow, for those who embrace storms and thirst and chaos—water is life. Water is power. Water is truth.

Fake flowers cannot drink storms. Fake flowers cannot absorb sunlight. Fake flowers cannot bend without breaking. Fake flowers cannot survive the fury of real life—they only shimmer while it passes them by.

Look at them closely. Watch the hollow sway. See the charm that deceives. Hear the laughter that echoes emptiness. They are alive in appearance only. Dead in essence. A parade of lies.

And they will envy you. They will mock you. They will whisper that your struggle is foolish, your blood is wasted, your storms are unnecessary. Let them. Their envy cannot harm the rooted. Their mockery cannot drain the alive.

They are decoration. They are illusion. They are shadows wearing petals. And they will never know the miracle of roots, the thrill of growth, the fire of living despite pain.

To be alive is dangerous. To bleed is dangerous. To thirst, to struggle, to grow, to fight against storms—it is dangerous. But it is life. And life is fire. Life is water. Life is blood.

You will bloom where they never could. You will bend where they would shatter. You will drink storms, drink sunlight, drink life—and grow in ways they cannot fathom.

Fake flowers are everywhere, but they do not matter. They are wind-chimes without song, mirrors without reflection, masks without meaning. They survive, yes—but they never live.

And you? You are alive. You are rooted. You are thirsty. You are bleeding. You are fire and storm and water and truth. You are real. And that is more than any fake flower could ever hope to be.

— The End —