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Harley Hucof Sep 2014
(L)ick my muse
(E)at it all
(T)ry not to let a drop fall
(S)uck my juice, **** it all

(M)oan and scream
(I)t's all i need
(S)ubmissive is what you'll be
(B)e patient your time will come
(E)rotic games are to be done
(H)ardcore is my only way
(A)fter that it's your turn to play
(V)iolently, softly? it's up to you
(E)nding the night exploding on you

Words Of Harfouchism
just for fun
Jamie L Cantore Jan 2017
Words Studied For This Writing:
------------------------------------
English: Zoup, please.
What it sounds like in German: Die Zoup bitte "Or" The Zoup? Bitter.
English: Uh, the night tea is great!
Pronounced in German sounds like: Eww. Is nachte. It's Gros "Or" Eww! Is nasty! It's gross!
English: Here.
Pronounced in German: Here.
English: Ha! I see an icky Sir's downin' Zoup.
German: Huh? - Ick- Taste. -Sie - An Icky herran down en Zoup
English:Yes.
German: Ja "Or" yeah
English: Skinny rides here. Skinny? Hmm.. horseback.
German: Dunne fahrten hier, Dunne. Hmm?  Holtzit back! Or.. Do not **** in here; do not! Hmm?  Holds it back!
English: Oh! I beg!
German: Oh! Ich bitte "Or" Oh! It's better!
English: Come back, Father.....
German: Comeback, Vatter "Or" Come back, Fatter
English: Nexxinline
German: Next in line.


Let's make a story with this .

First Act

-Enter Customer 2 in an American diner. She orders a
unique zebra-flavored soup called Zoup, created on American soil, but it's claimed to have had its origins in a restaurant located in Worms, Germany; as per usual proud fashion.

Customer 2 to Rude Waitress: "Zoup, please."

She sipped the complimentary drink placed before her as she awaited her order. Iced tea, ***** glass. It was reportedly their best tea, brewed by the Barista on the night-shift, whom did only speak in broken English and Spanish. Therefore, when the customer enjoyed her tea, she was glad it was nightfall and privy to the better drink and expressed her approval.

Customer 2 to Night-Shift Barista in simplified language:

"Uh, the night tea is great!"

The Barista nods politely.

Rude Waitress, apparently jealous because she makes the Day-shift tea, is curt to Customer 2:


"Here." she growled, slamming the Zoup on the table.

Things get quiet.

Just then, Customer 2 recognizes a crusty man who claims to have been knighted in a former life before joining a Native American tribe. She addresses him sardonically.

Customer 2 to Crusty Man

:
"Ha!" " I see an icky Sir's downin' Zoup!"

Crusty Man responds, unmoved:

"Yes."

Customer 2 cautioned him that he was being tracked by the infamous international assassin, Skinny.

Customer 2 to Crusty Man in mock Native American tongue:


"Skinny rides here ...

Crusty Man: "Skinny?"


Customer 2 (deepening voice)

"Mmm, horseback."

She makes gestures with her hands of a man riding a horse.
And follows it up with mimicking a successful hit on Crusty Mans life, complete with tongue hanging out of mouth.

The rude waitress then pleads to a deceased priest aloud to return to save them whilst making holy gestures frantically.

Rude Waitress to a deceased Holy Man:

"Oh!" "I beg." "Come back, Father...
Father Nexxinline?"

End First Act


This Final Act was created using the same exact words used in the English language, those in  quotations that is, as were in the First Act: but then translating them into German, the conversation then became a bit more humorous. The Background was filled in to fit the context of the meaning of the words sonic qualities, as certain German words sound similar to English words, though they generally have different meanings. The German word sounds brought a whole new meaning to the English words spoken, and with this contrast I finished the Final Act. Since most do not know how to pronounce certain words and dialects of German language, I took the sounds created within the language and converted them to English words of phonetic similarity. These words were not translated back to English, as that would put the conversation exactly where it began -I rather made them easier to perceive.

Background Final Act/. Skinny from First Act is now in a diner in Worms, Germany, (pronounced like Vorms with  a V.)

We begin with Skinny's response to being asked how is the Zoup by the German Waiter.

Skinny dryly to German Waiter: "The Zoup?" "Bitter."

He takes another spoonful into his mouth.

Skinny: "Ewww!"  "Is nasty!" "It's gross!"

Skinny to German Waiter in disgust: "Here!"

And he pushes the bowl of Zoup into the waiters face.


German Waiter to Skinny expressing consternation

: "Huh?"

Skinny commands him: "Taste!"

The waiter does so reluctantly and winces in clear disgust.

Skinny:

"See?" " Icky heron down in Zoup!"

German Waiter to Skinny knowing German Zoup  is flavored with heron, not zebra, and failing to see the point retorts

: "Yeah?"

Skinny then crude and vengeful 'expresses' a good one from his basest dwelling silently; but deadly with a grin. It was a most foul smell.

The waiter is exasperated with this crudeness and makes commands of his own.

German Waiter to Skinny

:
"Do not **** in here!" 'Do not!"" Hmm?"  "Holds it back!"

The odor horrid reached culmination with another waft of steam from Skinny and  resulted in the excommunication of Skinny.
Skinny yet found himself vindicated and agreed to leave the establishment as was demanded. As he exits in self satisfaction, our waiter tells him not to forget his Zoup and the prideful waiter Stolz mocks him in jest by spooning a mouthful into his jabbering jowls, as he does, he turns pale and ill and silenced, reassuring Skinny he had a reason to be disappointed.

The German Waiter refusing to admit defeat tells him:


"Oh, it's better!" Referring to his bias to the Zoup from Worms, which should be renamed Houp, but the words don't translate that way.

THEN Stolz realized his best customer, Skinny's hefty brother, Fatter, was running out the door in an attempt to escape the stench which lingered and but grew in force, and the waiter pleaded with him to return.

German Waiter to Skinny's brother:

"Come back, Fatter!" but Fatter kept running and giggling sophomorically.

The German Waiter to a diner full of people gasping for fresh air and no desire for Zoup at this moment said in defeatist sheepishness, gulping before asking wishfully... pouting, whispering:


"Next in line?"
Seher Seven Oct 2014
I've been focused on nutrition
sense before recognition
of a requirement of nutrients
for my life.

I eat for nutrition
I shunned the processed
chemical ick
a lifetime ago it seems
no longer remembering the taste
of chemically created
food stuffs.

though I know if I were to get a taste
it would satisfy my buds
they were made with my buds
in mind
hijacked my senses
lied and lied and lied
told my body it didn't need
nutrition
that is could live off of
intuition
and stuff in boxes
and bags
and cans

I've become my own food processor
now
I have mouths to feed
now I know what to feed
and where they make feed from
so we stick to the grass-fed

I'll teach them how to eat
even before how to read
its just how I see it
once that sugar laden
red
chemical construction
touches their lips
they will instantly desire more
Twain and Fitzgerald
will take them longer to digest.
so these are my priorities
now.
I am a nutrition seeker
a truth seeker
and I believe I come from
a line of healers
all who knew nutrition
is the key to life,
here.
the basic building blocks,
the amino acids
of life,
here.
when you're nourished
it all makes more sense
but stay out of those center aisles
their chemical composition
is too dense
my kidney could no longer clean
the code of food stuffs.

My strong little kidney
I'm so proud of it for
releasing its grip on its twin.
it wasn't for us anyways
Irate Watcher Jul 2014
This isn't your mother's dance.
The wooden clave
seduces the naive  
into suave arms
of the night.

Quick quick slow
exalts wooden caderas
and untames silky locks.
Wrinkled hands
caress the caras
of clumsy coquetas.

In the name of the dance,
vestidos apretados
replace pants,
which men outgrow,
steeling blue eyes
in rusty miradas.

Mirandla.

Mira la guera,
como se toca,
como se mueve,
comos se salta el vestido suyo.


Mirandlo.

Look at him,
how he touches me,
how he swings me,
how his feet mock me.


Mirandnos

Ella me quiere.

We are JUST dancing.

Ayyy, como me pega.

We're close, but Salsa is intimate.

Oooh mami...

Does he think it's more than a dance?

quick quick slow,
quick quick slow,
quick quick slow,
quicK quiCK quICK qUICK  QUICK...

...silence.
they shake hands,
and thank each other for the dance.
An Artist is Different to All

An Artist Creates

An Artist Puts Our Thoughts

Thoughts and Feelings that we were sure

Couldn’t be put into shape

Couldn’t be expressed , or understood

An Artist should bring those to life

And an artist has to get those thoughts from somewhere

an artist does not pull up and out

excrustiatingly difficult and complex emotions

Out Of Nowhere

because an artist

Not All

But an artist pulls those feelings

o ut of th ei r so ul

an artist

may stay s ick i n  th e he a d

to keep that art coming

an artist

t ak es them s e l v e s apa r t

and throws themselves onto paper

canvas, a staff, a chord ,

and throws themselves up

as words

To an Artist, Blood may very well be Ink.
JoJo Nguyen Feb 2013
What an odd duck.
Reading his mead is like
drowning in sweet
annoyance. His criticism,
self-westernizing
reference to Greek
heroes; I know but don't care
as much as my sister,
My look-a-like; Die Zwilinge.
Who am I to question the genius.
A genius of his craft,
but blind in sanity.
Who am I to question us,
Deaf to the genius
of our own Muse-ick.

It is just us three:
#, Brel and me.
Trois Faisans,
# 6 ft under self,
Master Brel sings
still of Les Bourgeois,
and me toolin around
still JoJo.
Sam Hawkins Jul 2013
This hand which moves and rides some voice is not mine.
I have given it over to you, young boy.

This is what makes it fly so, traveling out,
tripping along in dance of shape and sound.

I acknowledge your presence in this fashion.

You tell me by messages,
beaming out the back of your head,
you are the very boy who has waited an eternity
at some upper railing.

You sit and peer through the spaces,
down the twisted stair.

Your hands, they grip the vertical rail.
Silent. Silent. Waiting you.

Let this right hand of mine be your secret voice.
Let this scrawl and scratch be your gravelly tongue—
ick-nicking, ga-chooing, click and stutter.

What language may I shape for our sake?
With you, may I follow, setting trail markers just so.

Will others come mistaking their ways for yours?

My hand is opening and opens wide.
I remember you. I am returning.
Let it be.
WARNER BAXTER Jan 2014
~
SOMEBODY HELP ME!

ThE VoicEs in mY head argUe back ANd ForTh
IT MaKes mE TirEd buT...
I cAn'T SleeP 'CaUse ThE CloWns Will EaT Me

ScaRy FReaKin' CloWns

IT's ThaT BiG ReD Nose That ScaRes mE Most
NO, It'S Those StUpid *** Floppy ShoeS ThaT
ScaRes ME MosT

ScaRy FReaKin' CloWns

nO Wait, It'S Those CreePy FlaT FeeT AnD GnaRly
ToenAils
Those NasTy Twisted ToEnailS InsiDe Those StUpid
*** Floppy ShoeS ThaT ScaRes ME MosT

IcK I'M gOnna bE SicK
ScaRy FReaKin' CloWns

And if yOu sQuEEzE that fRicKin' horn oNe more TimE
I'm gOnna craM it uP yOur CloWnie BRoWnie so ****
fAr yOur FarTs Will honk

**ScaRy FReaKin' CloWns
Jack L Martin Sep 2018
There's an ick in my crick,
that makes me feel sick,
my insides are taring in two!

I seek some relief,
complete disbelief,
this sickness contracted from you!

I put on my scarf,
am ready to ****,
my temperature rises above.

I'm ready to hurl,
my diamonds and pearls,
lost all of their their lustrous love.

It lays at my feet,
spread out on the street,
I told you that I wasn't faking.

My mind and my heart,
all splattered apart,
my soul lays there now for the taking!
Sethnicity May 2015
I am the black sludge poured into morning mouths
The thickening blood like mucus oozing from the nose,
the failed vandal on the doorstep wringing
I felt this ick coming before, like bricks in the bell tower… Grimacing
I am the shifting surface of your beach front property
The wax of mudslide and sleep of glacier drift wiped away
You once tried to save me…,
But you should have saved yourselfrightchoseless… Sickening
I am the quite traveler giving ride to whomever
Provider of spectacles no testicales can compare
Hope you are ready for the next one cause my revolution’s in the air
Get the Mayans and the Call Lenders Cause I’m the blender you’re the pear!


Your thoughts fickled mine things
My water of youth your cesspool for fuel
The conduit of my poles peeled for golden rings
Have the nerve to say I’m not self-sustaining
Uninhabitable!   I’ve been more than hospitable!
What a virus that makes it self service unsuitable
To favor ill behavior for the sake of a savior
Your heads may bow to the east
But your *** still ***** none the least
Time after time provide I with a bountiful feast
So you Land on my Lover to satisfy your lust
Hover her then leave her collecting trophies, Moon Dust!?
Even the God of War has been fondled by your touch
They whisper, Oh how they want to flee me
They satellite and bend the light
And fore tell of my death
Well, Be Gone! And leave your clothes behind!
That flesh, My skin of desert and shore sand given.
The enchanted threads for your living experience
Be Gone! And don’t bother with packing up and cleaning
There will be no interrogation no exile from Eden

I’ll burn this wicked garden to the ground
Arrange my poles, and swish waters to cool it down
They are white clouds in my blackened blue atmosphere
Casting shadows on the crusted earth of my flesh
I frown a deep sound like bass clef
Their tall tale torn apart
The last vault too big to fail now broken Bonaparte
My molten core resurrecting to the surface
I smoke out for every hemp plant chopped and burned in vain
I offer fruit for Gods and you look pone it with distain  
These Human parasites stuck to my feet!
One whim of solar wind should cure me of their feverous heat


Ignore the Calendar your end will be what I vendor
NO refunds or replays back to binary Control Alt Delete’
You say the past will repeat yet look in a mirror, tongue and cheek
What is it that you seek? Have you forgotten My rule?
What you sew into me is what you reap
I’ve soaked in seeds of blood and tears now its harvest thyme to weep
Daniello Mar 2012
I don’t recognize you, but you’ve returned, oh it
must be you. No one else comes here but you.

Do you remember this music?

Kaleidoscopically gemmed it repeats, perhaps too
delicately—a quiet, tinkling knell, fishtailing through the
glimmering rain—mauve—soft-soaping the soil to darker clumps
beneath—soppy—slowly sinking so pretty, yet
terrifying now you’ve stepped into and through each
silted deepness, holding time.

This music begs you still—it has not stopped begging since—
to step further inside the wet loam (You clutch time now.)
To press down on it, in it, and listen tender the key you touched in
life between moments. It’s the reason you’ve returned.

You won’t, it’s not music, this feels like a baby’s head you’re on, you
cringe. About to cry.

Again, I’m sorry, but you have to—you have to feel it
scarily give a little. Feel it sink, infolding inside-out through its
thin pleura overflowing, always overflowing with the visceral
sap of everything on it—(I mean really everything.)—this
glistening ick, this frog-soil—moist, sickly cloying, susceptible
almost to light. And breathing.

It’s about to give out under your feet.

And kaleidoscopically gemmed it repeats, can you hear it?

Yes, you could be stepping on all their naked lungs, but there’s
nothing to fear, it’s an eternal field of their lungs—pink and gasping—
and that’s all there is here.  

Feel with your foot, like me. Is it alive? Or is it life? Listen, it
bleats a note. Why so sweet if, by touching it, we’ve made it drip
first truth from its tongue, look!—the blood of its eyes’ red
rivulets. Of its heart. The slightest breach it was. Barely an
opening

I’m sorry. I don’t mean to force you. If I was only me, I’d
leave it be, so it could spare us the look at the inner red that yokes
flesh to spirit. But you arrived here, and—listen, now it’s been
done, do not close your eyes.

You didn’t want to see this, I know—the sticky gum or muck that
licks over the fibrous bridges. Keeps them glued down and
invisible in the other world. It is all much better when the mucilage
does not ooze out. When the form is skin-tight, because that’s how
it works best. Without you probing its pores.

But now do you see, probing its pores, what you may find?
Look. Now do you see why the music has begged you?

What rests underneath there—what you may find in that dark
indigo clay which the shamans dug and pressed over their
blackened eyes in the night-trances—glows transparent somehow.
In pulses. Like Aurelia, the silver moon jelly.

Now it is just within your reach.

Light would pour to the other side, and their mouths would stiffen
with several infinite unintelligible syllables remaining stuck there
under their tongues. As it poured, they felt their blood replaced
in a surge with veinless essence, which sustained in its flow
through them something of precarious beauty—ascending, swirling
itself in air, then back into again, again returning to the home of homes
within them.  

The silver-moon-jelly-clay is continuously poised on the tip
(of not being clay).
About to break into splendor, into finally birth-giving of real breath.
Of meaning to breath, and to breathing.

This is what feeds, unknowing to them in that world, their field of lungs.
But you will know instantly when you feel it, that by feeling
(in feeling)
you have really always known.

Did you reach for it? Did you feel it in that second? You did not, I see
(you were so close!)
for now we’ve passed the origin symmetry and are sinking up! Going
deeply back up through the sticky goop with red glue in our hair,
through the moist-frog-ick-soil, choking dirt again, squishing loam
with our heads, shooting upward like falling, hearing lungs, and now
out, atop the surface again, in this bare garden that grows only under.

The skies above, still mauve, and the rain lips quietly the same
melody which, kaleidoscopically gemmed, repeats. It was all as quick as
nothing.

And, as I look at you, I see you’ve already forgotten
everything.

And now you’re leaving me! Fading back through the spectral
break in the clouds, whoever you were. Whoever it is you became.

I did honestly believe this was to be that one moment when, together,
we’d finally get to touch it. Press it like real sun to our blackened
eyes. I cannot tell you, it has felt like the one each time.

But I know to wait. I can wait. In this world I keep fluttering hope
in my hand. And you, whoever you’ll be, will return here.
You always do.
Do you ever remember why?
It’s because, when you leave through the clouds to go back to
that world, you are still. Always.
Clutching time.
Passionate kisses, touching, arousing, pleasing,
Leaving a trail of sensations, covering
Every inch of my body, finally being
Adored by your mouth, watching you
Sweat and starting to writhe, the pleasure is
Even more than I thought possible, ever.

From moments like that, to moments like these,
Usually, I'm not that much of a tease, please...
Come on, get a little closer, wrap me up in you,
Kick off the **** covers, I really wanna move

Moments are to be savored, with a sweet ****** thrill,
E**ven after I'm devoured, I want so much more, still....
My First Acrostic :)
Ashley R Prince Aug 2012
When I read you
my poetry
the words sound
like they're not
coming from my
voice.
It sounds foreign,
barbaric and German.
Plath's stuck tongue
ick ick ick's in my
bleeding mouth
and I have no tissue
to wipe the blood,
so as usual I make
an *** of myself.
If it was anyone else
I could stand to
read it aloud,
but now it's all
Cling-on and
tongue clicks.
I sound cliché,
an amateur, but
isn't that what
we all are?
Ah - ick coats the tongue.
Agh, let me just lick this up.
Gotta get it off.
Mineral deficient?
Neil Waldron Aug 2010
click click click.
i love to take pictures.

tick tock tick.
time goes by, the clock reasures.

***** sock sick.
our washer is broken.
nothing but boredome i kno its no good haha
Clone re Eatery Jan 2015
^^^^^
Thee's Pótty's Hót


Thee's pótty's hót.

Thee's pótty's cóld.

Thee's pótty's all "I's" gót

nine days trólled!


*CrE aka Trollminator
(with apologies to the Peas Porridge)
The second in a series of infantile nursery rhymes for the sub-juvenile
Trivial-Trinity: "Thee", "Carvó" & "I"
Dark Smile Nov 2019
ick
i pull my eyeball out of my socket
or perhaps,
i remove my socket from my eyeball
the moon is howling
the wind is shining
i grin a grin of blood and ... joy?
eyeball in hand,
or was it the socket?
maybe it's the hand in my eyeball
either way
i take a step towards the water
i feel it lapping at my ankles
i lie down face first
the water breathes me in and
we float
in that uterine comfort we once knew
when I open my eye/socket/hand
i see that i am in a tank
the light refracts across the water
gliding
i worm my way to the base of the tank and i
                                                                                          push
my body is too heavy
i reach between my legs
and
pull out my guts
they slither away into the dark abyss
i close my eye/socket/hand
i sleep
i've been dissociating a lot lately and this is my attempt at explaining what it feels like.
Lain Ender Jan 2012
Ick
Fever
Chills
And coughing pains
I can not write
I am sick again
Been busy and sick on and off since new years... its hampering my creativity. I know this is kind of a cop out but I figured it would be the best way to update about my absence. On the plus side new computer works fine.

*i have strep and brochopnumonia *
When ever I touch the ground that’s hot
With the sole of my foot that’s bare,
I never fail to recall a time,
And the memories lingering there,
Of a day when I was just a boy,
Beneath equatorial skies,
And the tactic used to keep me indoors
While the missionaries rested their eyes.

My mother was sick with malaria
The curse of the tropic zone,
And while my dad was away on the hunt
Their station became our home.
And after lunch when the sky was hot
And the morning’s work was done
They took my shoes away from me
To keep me out of the sun.

The veranda air was still as a grave,
Not a sound to could be heard outside
Save the click-click-click from the beetles
And the grasshoppers jumping to hide.
Or the scratching scaly slither,
Of a snake on the flowerbed verge,
Or the distant cry of the crested crane,
These are the sounds that merge.

The sight of the distant Koru hills
Shimmering in the haze
Beyond the frangipani trees
Return once more to my gaze,
And the prickly spiky Crown of Thorns
That lined the garden ways,
These are the sights that ribbon back
From my early Kenyan days.

The smell of the room was a mixture
Of scents on the garden air,
And creosote coming up through the floor
From the pilings under there,
And paraffin from the pressure lamps
Which hissed as they gave us light.
With the hint of oil of pyrethrum
Sprayed round the eves at night.

The step to my door should I venture
At noon was as hot as a stove,
The soil on the paths and driveway
Would burn if ever I strove.
And the thorns in the earth would pr ick me
As I cautiously picked my way through
To the shade of the frangipani tree,
From there I took in the view.

So, when ever I touch the ground that’s hot
With the sole of my foot that’s bare,
I never fail to recall a time,
And the memory lingering there,
Of a day when I was just a boy,
Where the images I find,
Set smells and sights and sounds of
Africa sizzling in my mind.

Redding, California July 4th 2005 temperature 105° Fahrenheit
As a boy I was raised in Kenya, and our first home was way up country in a place called Koru.  My father’s work took him away from home on extended hunting trips.  During one of these absences my mother had a bout of malaria, and we went to stay at a mission station run by the Röetikinen sisters. I believe they were Lutheran missionaries.  At mid-day when the day was hottest, they always rested, and they wanted us children to stay in our room and be still.  They confined us there by taking away our shoes.
Michael W Noland Sep 2013
Floundering on the brink

The rain storm
Emboldening

Flexing to break free

Go ahead and rain on me
Go and raise the streams

Go ahead and drain from me
Go and take my steam

Splish splash
Gonna change my ways

Pish posh
Better move out the way

Split splat
To the slip slap

This ...
To that

Thunder claps
After the fact

Gon have to pay

Gonna build my base
Goin to make my stay

Gone and done
Going to go away

Wait it out
For a sunny day
Clone re Eatery Jan 2015
^^^^^
Sizzle Sizzle Dumb-pling


Sizzle sizzle dumb-pling,

Lóg, lóng góne,

zapped his head with electródes ón.

Skull half fried made brain bóuillón

Sizzle sizzle dumb-pling,

Lóg, lóng góne!



*CrE aka Trollminator
(with apologies to John and the Dumpling)
The tenth in a series of infantile nursery rhymes about the
sub-juvenile
Trivial-Trinity: "Thee", "Carvó" & "I"
Ashley Haack Mar 2014
Waiting,
Blood pressure exponentially increasing,
Walking into the back room,
Sitting in a plastic chair,
Waiting,
The latex gloves and metal rods,
Prodding and probing,
Mouth blood -Ick,
Nasty mint toothpaste,
More scraping and scratching,
Skin crawling,
Blood pressure maxed out,
Breaths quickening,
Thoughts narrowing,
Time slowing,
Metal tools dragging,
Slowly across white teeth,
Reminders to floss more,
Room darkening,
Pulse roaring like thunder,
Waiting for the end,
Gloves come off,
Handed a brush and floss,
Told to come back next week,
I need a filling.
To all the dentists out there reading this- I don't dislike **you** just your choice of profession
wouldn’t it be great to learn Greek
she says
quickly riffling
through the phrasebook
with a thumb and her tongue out
while I try to discover what
‘to speak’ is in Dutch

everyone uses English
you know I say
spluttering ‘ik spreek, jij spreek,
hij spreek’,
trying to nail the pronunciation
like the book tells me to
‘ick sprake, yigh sprake, hi sprake’

but they might appreciate
tourists knowing a bit in Crete
like ‘efcharistó’
or ‘ti ypérochi méra’ she mutters
but it all, literally,
sounds Greek to me
and we can’t visit everywhere

besides, she wants warm weather
but I’d be fine in, say, Sweden,
‘Där är den närmaste Ikea?’
or in Iceland, but I can’t
pronounce anything
the way the phrasebook
wants me to

so Greece is probably best,
and anyway,
she’s too busy
informing me that
‘monókeros’ means unicorn
and it’s 575 quid each
if we book now
Written: April 2015.
Explanation: A poem written in my own time, regarding two people planning where to go on holiday, and using phrasebooks to pick up some of the language. I own several phrasebooks myself, including Greek, Danish, and Chinese. The foreign phrases in the poem translate as 'I speak', 'you speak', 'he speaks', 'thank you', 'what a lovely day', 'where is the nearest Ikea?' and 'unicorn'. All feedback welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
Theodore Rose Sep 2010
Rick is such an unfortunate name
it's like ICK with a little extra ERR
Imagine a flight attendant
his name is Rrrick
he's offering you chicken or beef
take your ******* pick what's it gonna be
what's taking you so long
CHICKEN????????!!!!!!!
or *******
BEEF!!!!!!!!!!!!!!!!????????????

he walks away with his tight *** pants
hugging his nasty **** ****
you know he needs to plug it
and you know every time he rips a rotten one
he's squirtin out some ky jelly
into his briefs
yeah that's pretty disgusting
so disgusting in fact i may be driven
to induce vomiting

what you say: "**** I MISS YOU"
what you mean: "**** i wish i could date rick and ******* all at the same time"
what you say: "is it bad to have rick and still can't wait to get home and *******?"
what you mean: "his *** is as loose as a cannon, i regret choosing his *** over yours."
what you say: "I need someone more on my level."
what you mean: "hes willing to **** at any given second of the day.. you were too much of a **** hassle."
what you say: "Still trying to find where all the YOUNG, WHITE bois hide"
what you mean: "Hi I'm still old, fat, ugly, ***** and stickin it in a flight attendant who walks funnier than I do!"

WHY CAN'T YOU JUST SAY WHAT YOU ******* MEAN
WHAT's IT GONNA BE
CHICKEN OR BEEF !!!!!!!!!!!!!!!!
BUT WHAT IF IM A VEGAN
well then you're stuck with the ******* chicken
.
© Theodore Rose
Sayer Mar 2013
a toast to the gangsters, a toast to the pimps
stand up gentleman take a bow take a bow
a toast to the ******, a toast to the wanna be lovers
stand up ladies take a bow
curtsy) if you’re up to it
poor legs
poor nails
poor car

spoiled slandering moving cat
across the room across
the spill across
the dress across
the yelling and the screaming oh make it stop
will they just shut up
for some peace....and quiet....
cars’ been destroyed dress’ been ruined
oh make it stop

burn
bathe in the fire
walk through the flames

come out a winner
go right to dinner
sleep wake up
repeat
(spoiled
slandering
moving
masterpiece)
I’m here at last mother(the final step)
what could I be for the soiled money
everything
buy everything and stick it in
forget about those getting stuffed and thrown
i am my own&mor;;

walk past the homeless who knows anyways
upon all upon you this is burning

watchthecars watch the cars watch....the...cars..

quickly swiftly they move fast and
i am happiness
does this make you happy
the world we live in struck down by lightening and thunder ****** **** ****** theft
all of the rage and anger’s been kept
unto this moment untothisdream
i am in control of my own dreams my own mind

money
money
watch it burn
burn it all
laugh
repeat

if i were God’s foot i would smash it all
no man two hundred feet tall
feel like it lie to yourself sleep wake up repeat
if i if i if i could i would
burn it all

today the education of the nation has been flushed away
reading a book has been forgotten and instead they read how to take drugs through a can
i can i can i can
burn it all

fathom me into the faintest
pyromania-(the world we live in)-a statement of love and blessing
faith’s faith in the world has failed
i have failed
it’s all burning already there’s no way to stop it
scream

this is all i have left
at your feet
i must break through this wall
two hundred thousand feet tall
t h------ ick take a
lick
screamandcry

everyone’s lying and everyone’s crying and everyone’s dying
please dear Jesus do something please
i can not do this all on my own
i am sick call a doctor over there’s the phone

no more snow and no more rain
lay down all of your strain
your stress is at my disposal
only a few days left
we can watch it burn together
(I am burnt)
third degree
just come and help me
let us feel the click between us

we are One and I’m no longer afraid
of the world we live in perhaps
but you are my hope
lovelovelovelovehopeloveyes

(when i think of you i know
exactly in the end where we will go)

i am a flower
hold me
embrace me
let me know that I am loved too
Anger turns to happiness quick, in other words--
Confusion!
Clone re Eatery Feb 2015
^^^^^
What is little Lóg made óf?

What is little Lóg made óf?
What is little Lóg made óf?
Inadequate
And lack óf a wit
That's what little Lóg's made óf.

What is little Thee made óf?
What is little Thee made óf?
Subpar and dreck
A pain in the neck
That's what little Thee's made óf.

What is little I made óf?
What is little I made óf?
Mediócre
Ón-line próvóker
That's what is little I's made óf.

What is Carvó's art made óf?
What is Carvó's art made óf?
Mónótónes
Óf egó, full blówn
That's what Carvó's art's made óf.


*CrE aka Trollminator
(with apologies to Little Boys and Little Girls)
The last in a series of infantile nursery rhymes for the
sub-juvenile
Trivial Trinity: "Thee", "Carvó" & "I"
Kelly Rose Feb 2018
A not so perfect sestina
For me the sestina is a perfect way to tell a story.
This is a wedding rehearsal dinner told from different points of view.
The rehearsal dinner

Father of the Bride
God, she’s beautiful.  My poor blind baby
Girl.  She thinks he is some kind of white knight
Tomorrow will be the blackest of days
Married to a gold digger. No more time
No, the thought…Tomorrow will be his last
Lost her to a cur. Pain colors me blue

Maid of Honor
Oh my God, he has gorgeous eyes of blue
What he sees in her, ug! She’s a baby
She’s kidding herself, this will never last
She’s so gullible. Yeah – he works nights
Like the night he’ll have with me, our last time
On to the next, tomorrow’s a new day

Groom’s Mother
What a farce! Tomorrow is a wasted day
A loveless marriage is living life blue
This smile hurts.  Unfortunately time’s
Run out.  She’s gotta be knocked up – poor baby
But we need the money; right now, this night
****, how much longer can this agony last

Best Man
He’s such a man *****.  No way will this last
Getting married is just another day
She needs to be saved. I would be her knight
If she were mine, her life would not be blue
She’s perfect. If only she were my baby
It should be us.  If only there was time

Groom
Too bad she’s not the bride, she’s a good time
God, how much longer can this dinner last
At least her friends are hot, oh yeah baby
I don’t know how I’ll get through this long day
Marriage, ick, man I’m crying the **** blues
I’m gonna bang the bridesmaid all through the night

Bride
Oh my God, he’s mine, my shining white knight
I’ll love him always, until the end of time
He’s so perfect - I’ll never sing the blues
He’s my first, my only, he’ll be my last
My wedding will be the most perfect day
Perfect, I can’t wait to have his baby

Envoi

He’s no white knight and she is such a baby
She’s doomed to sing the blues, while he’ll be caught time after time
At long last, the day will end
I hope you enjoyed the sestina
The Good Pussy Apr 2015
.
                                    
                                 **** ****
                             **** **** ****
                          **** **** **** Dic
                         k **** **** **** Di
                             **** **** ****
                             **** **** ****
                             **** **** ****
                             **** **** ****
                             **** **** ****
                             **** **** ****
                             **** **** ****
                             **** **** ****
                             **** **** ****
                             **** **** ****
                             **** **** ****
                   **** ****           **** ****
                **** **** ****   **** **** ****
                 **** **** Dic     k **** **** D
                   ick **** D           ick **** Di
Clone re Eatery Feb 2015
^^^^^
Simple Carvó


Simple Carvó met a Larvó
near nórth Bedlam square.
Says Simple Carvó tó the Larvó
Inspire me if yóu dare!

Says the Larvó tó Simple Carvó
I ónly deal in dreck.
Says Simple Carvó tó the Larvó
"I's" dung, só what the heck!



*CrE aka Trollminator
(with apologies to Simple Simon)
The twelfth in a series of infantile nursery rhymes for the sub-juvenile
Trivial Trinity: "Thee", "Carvó" & "I"

— The End —