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GROWLTIGER was a Bravo Cat, who lived upon a barge;
In fact he was the roughest cat that ever roamed at large.
From Gravesend up to Oxford he pursued his evil aims,
Rejoicing in his title of “The Terror of the Thames.”

His manners and appearance did not calculate to please;
His coat was torn and seedy, he was baggy at the knees;
One ear was somewhat missing, no need to tell you why,
And he scowled upon a hostile world from one forbidding eye.

The cottagers of Rotherhithe knew something of his fame,
At Hammersmith and Putney people shuddered at his name.
They would fortify the hen-house, lock up the silly goose,
When the rumour ran along the shore: GROWLTIGER’S ON THE LOOSE!

Woe to the weak canary, that fluttered from its cage;
Woe to the pampered Pekinese, that faced Growltiger’s rage.
Woe to the bristly Bandicoot, that lurks on foreign ships,
And woe to any Cat with whom Growltiger came to grips!

But most to Cats of foreign race his hatred had been vowed;
To Cats of foreign name and race no quarter was allowed.
The Persian and the Siamese regarded him with fear—
Because it was a Siamese had mauled his missing ear.

Now on a peaceful summer night, all nature seemed at play,
The tender moon was shining bright, the barge at Molesey lay.
All in the balmy moonlight it lay rocking on the tide—
And Growltiger was disposed to show his sentimental side.

His bucko mate, GRUMBUSKIN, long since had disappeared,
For to the Bell at Hampton he had gone to wet his beard;
And his bosun, TUMBLEBRUTUS, he too had stol’n away-
In the yard behind the Lion he was prowling for his prey.

In the forepeak of the vessel Growltiger sate alone,
Concentrating his attention on the Lady GRIDDLEBONE.
And his raffish crew were sleeping in their barrels and their bunks—
As the Siamese came creeping in their sampans and their junks.

Growltiger had no eye or ear for aught but Griddlebone,
And the Lady seemed enraptured by his manly baritone,
Disposed to relaxation, and awaiting no surprise—
But the moonlight shone reflected from a thousand bright blue eyes.

And closer still and closer the sampans circled round,
And yet from all the enemy there was not heard a sound.
The lovers sang their last duet, in danger of their lives—
For the foe was armed with toasting forks and cruel carving knives.
Then GILBERT gave the signal to his fierce Mongolian horde;
With a frightful burst of fireworks the Chinks they swarmed aboard.
Abandoning their sampans, and their pullaways and junks,
They battened down the hatches on the crew within their bunks.

Then Griddlebone she gave a screech, for she was badly skeered;
I am sorry to admit it, but she quickly disappeared.
She probably escaped with ease, I’m sure she was not drowned—
But a serried ring of flashing steel Growltiger did surround.

The ruthless foe pressed forward, in stubborn rank on rank;
Growltiger to his vast surprise was forced to walk the plank.
He who a hundred victims had driven to that drop,
At the end of all his crimes was forced to go ker-flip, ker-flop.

Oh there was joy in Wapping when the news flew through the land;
At Maidenhead and Henley there was dancing on the strand.
Rats were roasted whole at Brentford, and at Victoria Dock,
And a day of celebration was commanded in Bangkok.
E Townsend Oct 2015
Realizing I am slipping away from her when she didn't text me happy birthday this year. Even though we haven't talked in four years, the very least we could do is say, "I thought of you today, and I hope it's going great." The absence of that sank its fangs into my throat.

Sipping a hot cinnamon dolce latte while sitting on the second floor deck of the student center. Watching students stream in waves to classes, and wondering what their story is.

Hearing the three chimes in 'Cassy O' and the guitar's chaos at minute 6:47 to 7:45 of 'Freedom' live at the Hammersmith Apollo, 2007.

Gazing at the sky when the sun is on the other side of the world, but a shade of crimson tinges in a terrifying drench.

Conversely, when the sky is so white, all one smooth blanket, I wonder what color will I see when I finally go to sleep- or will I be stuck in a black film?

Knowing a boy is near me so I stretch my neck, straighten my back, and hope he notices everything I want a person to notice and grow to love.

The disappointment people have in me swallows my whole body. Sometimes it's an act of cannibalism, and I can't push away regret faster than it starts to lick its lips at the sight of my glistening blood.

Seeing a picture of my younger self from sixteen, and it seems I have changed far too much to connect with the person in the image. She didn't know anything. I still don't know anything.

I stare at myself in the mirror, sometimes fully clothed and sometimes naked, and I wonder, "Who the hell is this? Who is she?" I detach my soul from my frame, and my face does not match my mind.

My eyes can just take a picture. I know the quality and the subject, my camera does not. I see angles and perspectives differently, and it frustrates me that I cannot get my vision out.

Some days my hearing does not affect me whatsoever. I don't even think about it. But others, particularly when I make mistakes, I blame my disability. And I hate to make excuses.

I want someone to film my passing moments, catch my laughter, study my ****** expressions. Expect me to glow and beam when I hear my favorite sounds, know where my dialect comes from, smile when I mention my friends.

One day someone will hold me and reach intimate places, and I'm afraid I will not be sufficient enough.

The scariest thing, however, and I absolutely have no way of explaining it, is life after death. We live for a fraction of time. We will forever live in white space, and not come alive again. Doesn't that terrify you?
Got Guanxi Oct 2015
Relaxing days,
lost in clouds of haze,
from a friendly face,
Reunited mates,
in a different time
and a different place.

A change in scenery,
lost in the greenery,
sometimes it’s too easy,
to forget about how much,
some people mean to me.

Timely reminders,
plans twist through hands
and in grinders,
the distance divides us,
Yet were never not far,
from our friends.
Hammersmith on Thames at Low Tide

This sparkling beach of river silt, quiet and white
the barge boats languidly tilted to rest
a rustic wind that tastes of brine the gannets nag a rebellowing cry
these spoilt natured birds hungrily hover and comb the low tide Thames

Bleached jetsam, driftwood, cork, plastic detergent bottles
frayed rope, flotsam, rusted chain, emerald-green glass
broken smoothed with time treated, caked in silted London clay
chipped ceramic, porcelain, frayed nylon twine
and rusted green copper hinges here are ideas of Caesars coins
elusive treasures, lost goblets- teasing thoughts of Londinium...
Roman Gallipots and galleys sunk deep in layers asleep beneath the river bed
an old and rusted barge an exo-skeleton grown over with watery weeds
scattered with rags and oil cans discarded rusted tools damp straw and flies

The Great Thames, smelly mother
indifferent to Empires Great artery, mighty sewer
of the city washing away the cities sins
assuming with neglect and time our spoilt oily natures
in a rising of breath and a sighing of fall
singing the metres and moods of history.

Mark Hurlin Shelton
Their Taking His Soul Away

Their taking his souls away
because they knew he was a good mother
he could be morose and dark
but he was a lover to the art

So as I know of you and you will know of me
that concert in Hammersmith
oh what a merry day
Rest now friend
for we are taking your soul
taking your soul to safety

You and the underground
you made my perfect day
even with black make up you...
you did not look so gay

My little brother see you soon
as Christ Under November Tomes

By Christos Andreas Kourtis aka NeonSolaris
Nigel de Costa Sep 2020
Squeezed onto the deck at the back
of a crowded Hammersmith pub,
our wobbling table overlooking the river
barely has enough room for two,
let alone the steak, linguine,
and our bottle of red.

We both take a drink, pausing to watch
a pair of scullers glide down the Thames,
the ripples created by their oars
sparkling in the late evening sun, leaving us
silently jealous of their synchronicity,
their movement so effortless.

I'd arrived early to make sure of a place
and you, with faux fluster, were fashionably late.
You're a writer, a poet, published by Parthian!
Me? A programmer, far more prosaic.
And now with Dutch courage
I said I could do with some inspiration,
but even then the line felt weak.

It could never happen;
there was no connection -
no assonance, consonance, or wild alliteration.
We knew if we rhymed it would be forced and contrived;
we left as separate stanzas
texting with heads fogged by wine.

Years later I bought one of your slim volumes,
curious to see whether a poet might write
about bad dates and nights on the river,
looking for myself between convoluted lines.
Now that I write poems and do my own alliteration
I believe I have finally found inspiration,
so perhaps we did connect after all -
just with a subtler rhyme.
Written during cold lonely Night in Hammersmith, London about 1988



In the shadows under streetlights


I hear footsteps behind me


I turn into the cold stone night


Who follows me?


The hovering moon glows dimly


And the world is the way I found it



Phantoms crawl the asphalt


This nagging night it hounds me


Who am I


What sort poems should I write


The canoe moon sails behind me


And the world is just the way it is


I want to see the stars


This clouded evening folds me


streets grin about me empty


The world is the way I found it



Here is my house


Key in the lock


I open the door


The clock ticks in the hall


Everything is the way it is


Where it fell


The way I left it



Dripping tap


Purring cat


Kitchen night


On my lap


I stroke and pat


The cat


tonight

— The End —