There was a young lady of Greenwich,
Whose garments were bordered with Spinach;
But a large spotty Calf,
Bit her shawl quite in half,
Which alarmed that young lady of Greenwich.

These days have ebbed
as Love's swell was checked:
the waters in some places
- all but dammed!

But now at last
I sense the rising tide
and thank Temese
for the current's turn;
now following that great writhing snake
to where its pulsing head will rake;
over the mucky soiled watery beds
of Woolwich
Greenwich
Limehouse
- and under -
Tower Bridge

     To that great gloating sight
                A crown of a billion lights
     Blazing day and night:
                And somewhere within
     In the slick oily warmth
                Our flood tides mesh,
     As over each other we wash.

Hard thrusts
wicked deep cuts
given and received
are recorded in that great mirror smoked!
where with a tug and a shove
on the banks
in the streets
through the loopy twists
everything prospers in the glow
as the decades decaying flow;
each ***** bud
red with new blood
one after t'other
flowers
before their purple petals scatter.

Let's on the luck o' the dice
(you 'n' me!)
ride out
on the flotsam and jetsom
that has carried us this far
and as pleases
merge.

Hello Poetry is our bohemian site
For the new counterculture
Of the contemporary beat.
The works are here.
Ginsberg's long gone.
Kerouac took to the road
Not taken yet by us.
This is our Greenwich Village,
And I can stay at home.
Now, and some years ahead,
I'll say I met and read
The likes of you,
Here,
On Hello Greenwich.

(10/13/12)

At the beginning of “64” - I packed up my uniform
And walked out the door- it was the beginning of
The Vietnam war.
By August of that same year
President  Johnson started the draft
Under protests and jeers.

Then he made it a full scale war
And sent our soldiers to Vietnam shores.
The Beatniks in Greenwich village
With their long hair, beards, and
Flip flop sandals - wrote their poetry
About this undeclared war, and why
Our men were going to those shores.

This created a new generation called ‘HIPPIES”
The hippie generation was groups of protesters
Against everything that they found wrong
The draft , the war , pollution
And loved to stay high with ***, hashish
Coke and acid (lsd) which kept them blasted.

This also created the “ flower children”
Who like the hippies loved to be high
And on certain flowers they would fly.
But they spoke of loving one another
And gave out flowers as a sign of peace
Which to the president was a relief.

They all started painting this “53 Chevy impala”
With the words “ flower power”.
Now the “ flower children and hippie movement
Was in full swing, and everyone was doing their own thing.

They had  Greenwich village under their control
And not one coffee shop would ever be sold.
Every coffee shop had a poetry night
And going there was such a delight.

Then in AUGUST of “69”
The WOODSTOCK festival was on the rise
Over half a million people drove to that farmland
And set up tents , hammocks, sleeping bags and such
And the police found it was much to much
So they had no choice but to see it through
Because there was nothing else that they could do.

The WOODSTOCK  festival had become world wide
And to this day it still thrives.

© L . RAMS

to the young privateer.
the captain kidd & his bought n’ taut gang of holy bluffs.
they bribe and imbibe and swoon on the dock-way looking for a quest or two or three
to dream and bury their doubloons in island guts like little mysteries. little sundowns
over a rixdollar indian ocean.
let them take a turn.
destined to mutate from private to pirate, the kidd, like blackened rotten wood.
******* frigates.

the ship:
with her bob and sway. she is, the adventure.
& her song is calling out for a rapturous few,
for men ready to die on the highwater mark by glory or fire or dead glorious sun.
so they put her brass and bough to seafaring days,
the sweet galleon, barely wet, yet
completely riffed to voyage.
she is
from the shores of london. built. designed to kick 14 knots under a full sail blast.
& she will bite.

she’s in calm waters.
the kidd savvy toothed and butterscotched, he awaits the big show,
engorged to set forth the play like wily ocean dervish &
they do.
they do proceed with benefactors coined and crunched on postulations of pirate death &
pirate gold. reclaimed honor as they say. the hunt for pirate teeth.

& with official pass and parchment, high-throne approved,
king ***** III stamp & sealed,
this voyage is.
this voyage is and forever was, hereby charted, to recover said stolen goods.
to reclaim thy warrior vanity &/or vengeance.
to noble this **** with pinched loaf, like now.
set sail. now.
1696.

“**** them navy yachts at greenwich, the thames be ours, boys.”
slap *** and flick thumb toward those armada sons,
& as tribute
smoke balsam herbs on the starboard side for the mother she and the father be.
but for this slight,
this dishonorable silly ****,
one third of adventure’s men are pressed into service of the crown.

[continue.]

the adventuresome few, petty crew and crows.
steal the heart and mother-meat of a french ship. steal everything onboard.
steal the ship itself.
& on her way to new york, new boon, pure and entered into the new world.  
there are new men bought in the american port,
good men and odd men of long criminal legacy.
a small black vicious quartermaster. he’ll do.
a murderous preacher gripped by stars and celestial patterns. he speaks spanish. he’ll do.
another type of holy man and a wild drinker too, embattled by demons on the port side. sure.
plus the dock-boys destined to **** for fruits of exploration.
this is the way of the son of a gun.

the boatmen jockeyed. she is
the adventure
prancing the vertebrae of atlantic and beyond. cape of good hope, she
breathes easy out here on the wide tide and float.
out here on the vast blue this. she
evolves
out here. loves out here.

pirates.
the hunt for pirates or the lack thereof. she leaks.
she rasps into the years on. and on.
the kaleidoscope hallucinations of sun and moon, sun and moon, and moon and sun
forever.
the strait of bab-el-mandeb.
& there
she plunges into darkness, into the stars seen from and through a periscope formed
by ancient hominid lineage.
seen but untouched,
in dreams. the kidd, reluctantly lime, admits to his madness.
madagascar.

malaria and cholera and hell break the boat by the throat.
& thrash.
to be organic is to be ruled by a shadow, or entropy.
the mouth of a red sea.
one third of the men will die here.
simply as insects crushed and brushed off deck and into to her great spate of agua,
the mother gush.
her earth.
body.
father,
hear his whispers in the mirage.
the ancient mariner, the ancient holy ghost riming down there.

in destitution.
in a rough and soggy life squeezed and making men weird or violent or both be ******.
the kidd goes cold to hot sweating noxious.
turns pirate himself
out of sheer hunger.
out of sheer need to eat.
sets the boys like dogs upon a frigate of east india company men,
or french *****. either/or/or/either/or.
he & the boys are in a madness swirl of sun and heavy guts.
cuts to spill blood
or gold. this tender bit.
lip bit
& tested.

captain kidd fractures the skull of a deckhand named moore,
for bad attitude and giggles. moore gets death.
chisel on the deck.
& to think we are all troubled by some primal trauma.
some dumb thing called death, that is.
men starving, men dying, men falling in the vast black that is that eternal void.
dream of women and riches in the meantime.
fortunes.
1698.

savage kidd, cool kidd, cool spit
off the edge. to think of the once soulful idea of these paradise days
& trip.
savage to cool.
the two divine modes of a survived man.
a ghoul man, or aging man.
& to keep control of his crew kidd sets them upon the quedagh merchant;
a 400 ton armenian hulk chalk full of gold, silver, satins, and muslin. ‘tis *****.
renames her: the adventure prize.

madness quenched for now.
charmed for now
& on the horizon are fragrant times. blissful distance.
but robert culliford,
with his mocha frigate. this man, this suave pirate lord, his vengeance act.
he had stolen kidd’s ship years back, &
the captain opts to cut his throat.
take the mocha.
keep calm & carry on.
to paradise.
to dream of her cool warm beaches and fruit forever, peacefully thinking.
so that night they two drink together in good health, and in the morning
most of the men defect to this other man, this other ship, culliford.
other dream,
other captain of true buccaneer effect.
act 3:

13 remain in the galley firm.
this is the house adventure.
& she is burnt alive three days later for rot and ill repair.
but she was fun,
& a *****.
a stitch of old woodwork given-in
& crackling with the eyes of her crew seen in fire.

kidd steps the pond to caribbean times with the adventure prize, toad toxins
& high on the jungled shore.
he trades that colossus, flips her for a sloop and seven little chests of gold.
little bellies.
the island-gut doubloons to bury.
dream, remember?

but the men-of-war are after him now. the privateers & hunters & devil’s dogs.
the men he once was.
men of marked death.
& he is now some pirate, some forthright bandit
settled to **** or be killed.
some sad kid.

first: buries that treasure up the coast of america.
oak island rig.
cherry rocks of the maine bank and *****-trapped pit.
the hunted.
they catch him on an inlet ****, and sail back
to london to be tried for crimes against the crown.
the high court of admirality.
1701.

they hoist and gibbet his body with worn chains above the river.
not for piracy, but for ******.
the ****** of that strange deckhand moore and his giggle.
kidd’s bones
suspended there for three or more years at the mouth of the thames,
as warning
to the perverse travails of a criminal lifestyle on the highwater pond.

‘Nam Sibyllam quidem Cumis ego ipse oculis meis
vidi in ampulla pendere, et *** illi pueri dicerent:
Sibylla ti theleis; respondebat illa: apothanein thelo.’

                For Ezra Pound
                il miglior fabbro


I. The Burial of the Dead

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.
And when we were children, staying at the archduke’s,
My cousin’s, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.

What are the roots that clutch, what branches grow
Out of this stony *******? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.
            Frisch weht der Wind
            Der Heimat zu
            Mein Irisch Kind,
            Wo weilest du?
‘You gave me hyacinths first a year ago;
‘They called me the hyacinth girl.’
—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Oed’ und leer das Meer.

Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.

Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying ‘Stetson!
‘You who were with me in the ships at Mylae!
‘That corpse you planted last year in your garden,
‘Has it begun to sprout? Will it bloom this year?
‘Or has the sudden frost disturbed its bed?
‘Oh keep the Dog far hence, that’s friend to men,
‘Or with his nails he’ll dig it up again!
‘You! hypocrite lecteur!—mon semblable,—mon frère!’

II. A Game of Chess

The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid—troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
‘Jug Jug’ to ***** ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still.

‘My nerves are bad to-night. Yes, bad. Stay with me.
‘Speak to me. Why do you never speak. Speak.
‘What are you thinking of? What thinking? What?
‘I never know what you are thinking. Think.’

I think we are in rats’ alley
Where the dead men lost their bones.

‘What is that noise?
                          The wind under the door.
‘What is that noise now? What is the wind doing?’
                    Nothing again nothing.
                                                    ‘Do
‘You know nothing? Do you see nothing? Do you remember
‘Nothing?’

    I remember
Those are pearls that were his eyes.
‘Are you alive, or not? Is there nothing in your head?’
                                                     But
O O O O that Shakespeherian Rag—
It’s so elegant
So intelligent
‘What shall I do now? What shall I do?’
I shall rush out as I am, and walk the street
‘With my hair down, so. What shall we do to-morrow?
‘What shall we ever do?’
                             The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.

When Lil’s husband got demobbed, I said—
I didn’t mince my words, I said to her myself,
hurry up please its time
Now Albert’s coming back, make yourself a bit smart.
He’ll want to know what you done with that money he gave you
To get yourself some teeth. He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can’t bear to look at you.
And no more can’t I, I said, and think of poor Albert,
He’s been in the army four years, he wants a good time,
And if you don’t give it him, there’s others will, I said.
Oh is there, she said. Something o’ that, I said.
Then I’ll know who to thank, she said, and give me a straight look.
hurry up please its time
If you don’t like it you can get on with it, I said.
Others can pick and choose if you can’t.
But if Albert makes off, it won’t be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.)
I can’t help it, she said, pulling a long face,
It’s them pills I took, to bring it off, she said.
(She’s had five already, and nearly died of young George.)
The chemist said it would be alright, but I’ve never been the same.
You are a proper fool, I said.
Well, if Albert won’t leave you alone, there it is, I said,
What you get married for if you don’t want children?
hurry up please its time
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
hurry up please its time
hurry up please its time
Goonight Bill. Goonight Lou. Goonight May. Goonight.
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.

III. The Fire Sermon

The river’s tent is broken: the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
And their friends, the loitering heirs of city directors;
Departed, have left no addresses.
By the waters of Leman I sat down and wept . . .
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.

A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse
Musing upon the king my brother’s wreck
And on the king my father’s death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat’s foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs. Porter in the spring.
O the moon shone bright on Mrs. Porter
And on her daughter
They wash their feet in soda water
Et O ces voix d’enfants, chantant dans la coupole!

Twit twit twit
Jug jug jug jug jug jug
So rudely forc’d.
Tereu

Unreal City
Under the brown fog of a winter noon
Mr. Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants
C.i.f. London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.

At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female *******, can see
At the violet hour, the evening hour that strives
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun’s last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest.
He, the young man carbuncular, arrives,
A small house agent’s clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence;
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit . . .

She turns and looks a moment in the glass,
Hardly aware of her departed lover;
Her brain allows one half-formed thought to pass:
‘Well now that’s done: and I’m glad it’s over.’
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.

‘This music crept by me upon the waters’
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street,
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.

      The river sweats
      Oil and tar
      The barges drift
      With the turning tide
      Red sails
      Wide
      To leeward, swing on the heavy spar.
      The barges wash
      Drifting logs
      Down Greenwich reach
      Past the Isle of Dogs.
                  Weialala leia
                  Wallala leialala

      Elizabeth and Leicester
      Beating oars
      The stern was formed
      A gilded shell
      Red and gold
      The brisk swell
      Rippled both shores
      Southwest wind
      Carried down stream
      The peal of bells
      White towers
                  Weialala leia
                  Wallala leialala

‘Trams and dusty trees.
Highbury bore me. Richmond and Kew
Undid me. By Richmond I raised my knees
Supine on the floor of a narrow canoe.’
‘My feet are at Moorgate, and my heart
Under my feet. After the event
He wept. He promised ‘a new start’.
I made no comment. What should I resent?’
‘On Margate Sands.
I can connect
Nothing with nothing.
The broken fingernails of ***** hands.
My people humble people who expect
Nothing.’
              la la

To Carthage then I came

Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest

burning

IV. Death by Water

Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
                                A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
                               Gentile or Jew
O you who turn the wheel and look to windward,
Consider Phlebas, who was once handsome and tall as you.

V. What the Thunder Said

After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience

Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock wi

There’s a film by John Schlesinger called the Go-Between in which the main character, a boy on the cusp of adolescence staying with a school friend on his family’s Norfolk estate, discovers how passion and *** become intertwined with love and desire. As an elderly man he revisits the location of this discovery and the woman, who we learn changed his emotional world forever. At the start of the film we see him on a day of grey cloud and wild wind walking towards the estate cottage where this woman now lives. He glimpses her face at a window – and the film flashes back fifty years to a summer before the First War.
 
It’s a little like that for me. Only, I’m sitting at a desk early on a spring morning about to step back nearly forty years.*
 
It was a two-hour trip from Boston to Booth Bay. We’d flown from New York on the shuttle and met Larry’s dad at St Vincent’s. We waited in his office as he put away the week with his secretary. He’d been in theatre all afternoon. He kept up a two-sided conversation.
 
‘You boys have a good week? Did you get to hear Barenboim at the Tully? I heard him as 14-year old play in Paris. He played the Tempest -  Mary, let’s fit Mrs K in for Tuesday at 5.0 - I was learning that very Beethoven sonata right then. I couldn’t believe it - that one so young could sound –there’s that myocardial infarction to review early Wednesday. I want Jim and Susan there please -  and look so  . . . old, not just mature, but old. And now – Gloria and I went to his last Carnegie – he just looks so **** young.’
 
Down in the basement garage Larry took his dad’s keys and we roared out on to Storow drive heading for the Massachusetts Turnpike. I slept. Too many early mornings copying my teacher’s latest – a concerto for two pianos – all those notes to be placed under the fingers. There was even a third piano in the orchestra. Larry and his Dad talked incessantly. I woke as Dr Benson said ‘The sea at last’. And there we were, the sea a glazed blue shimmering in the July distance. It might be lobster on the beach tonight, Gloria’s clam chowder, the coldest apple juice I’d ever tasted (never tasted apple juice until I came to Maine), settling down to a pile of art books in my bedroom, listening to the bell buoy rocking too and fro in the bay, the beach just below the house, a house over 150 years old, very old they said, in the family all that time.
 
It was a house full that weekend,  4th of July weekend and there would be fireworks over Booth Bay and lots of what Gloria called necessary visiting. I was in love with Gloria from the moment she shook my hand after that first concert when my little cummings setting got a mention in the NYT. It was called forever is now and God knows where it is – scored for tenor and small ensemble (there was certainly a vibraphone and a double bass – I was in love from afar with a bassist at J.). Oh, this being in love at seventeen. It was so difficult not to be. No English reserve here. People talked to you, were interested in you and what you thought, had heard, had read. You only had to say you’d been looking at a book of Andrew Wyeth’s paintings and you’d be whisked off to some uptown gallery to see his early watercolours. And on the way you’d hear a life story or some intimate details of friend’s affair, or a great slice of family history. Lots of eye contact. Just keep the talk going. But Gloria, well, we would meet in the hallway and she’d grasp my hand and say – ‘You know, Larry says that you work too hard. I want you to do nothing this weekend except get some sun and swim. We can go to Johnson’s for tennis you know. I haven’t forgotten you beat me last time we played!’ I suppose she was mid-thirties, a shirt, shorts and sandals woman, not Larry’s mother but Dr Benson’s third. This was all very new to me.
 
Tim was Larry’s elder brother, an intern at Felix-Med in NYC. He had a new girl with him that weekend. Anne-Marie was tall, bespectacled, and supposed to be ferociously clever. Gloria said ‘She models herself on Susan Sontag’. I remember asking who Sontag was and was told she was a feminist writer into politics. I wondered if Anne-Marie was a feminist into politics. She certainly did not dress like anyone else I’d seen as part of the Benson circle. It was July yet she wore a long-sleeved shift buttoned up to the collar and a long linen skirt down to her ankles. She was pretty but shapeless, a long straight person with long straight hair, a clip on one side she fiddled with endlessly, purposefully sometimes. She ignored me but for an introductory ‘Good evening’, when everyone else said ‘Hi’.
 
The next day it was hot. I was about the house very early. The apple juice in the refrigerator came into its own at 6.0 am. The bay was in mist. It was so still the bell buoy stirred only occasionally. I sat on the step with this icy glass of fragrant apple watching the pearls of condensation form and dissolve. I walked the shore, discovering years later that Rachel Carson had walked these paths, combed these beaches. I remember being shocked then at the concern about the environment surfacing in the late sixties. This was a huge country: so much space. The Maine woods – when I first drove up to Quebec – seemed to go on forever.
 
It was later in the day, after tennis, after trying to lie on the beach, I sought my room and took out my latest score, or what little of it there currently was. It was a piano piece, a still piece, the kind of piece I haven’t written in years, but possibly should. Now it’s all movement and complication. Then, I used to write exactly what I heard, and I’d heard Feldman’s ‘still pieces’ in his Greenwich loft with the white Rauschenbergs on the wall. I had admired his writing desk and thought one day I’ll have a desk like that in an apartment like this with very large empty paintings on the wall. But, I went elsewhere . . .
 
I lay on the bed and listened to the buoy out in the bay. I thought of a book of my childhood, We Didn’t Mean to Go to Sea by Arthur Ransome. There’s a drawing of a Beach End Buoy in that book, and as the buoy I was listening to was too far out to see (sea?) I imagined it as the one Ransome drew from Lowestoft harbour. I dozed I suppose, to be woken suddenly by voices in the room next door. It was Tim and Anne-Marie. I had thought the house empty but for me. They were in Tim’s room next door. There was movement, whispering, almost speech, more movement.
 
I was curious suddenly. Anne-Marie was an enigma. Tim was a nice guy. Quiet, dedicated (Larry had said), worked hard, read a lot, came to Larry’s concerts, played the cello when he could, Bach was always on his record player. He and Anne-Marie seemed so close, just a wooden wall away. I stood by this wall to listen.
 
‘Why are we whispering’, said Anne-Marie firmly, ‘For goodness sake no one’s here. Look, you’re a doctor, you know what to do surely.’
 
‘Not yet.’
 
‘But people call you Doctor, I’ve heard them.’
 
‘Oh sure. But I’m not, I’m just a lousy intern.’
 
‘A lousy intern who doesn’t want to make love to me.’
 
Then, there was rustling, some heavy movement and Tim saying ‘Oh Anne, you mustn’t. You don’t need to do this.’
 
‘Yes I do. You’re hard and I’m wet between my legs. I want you all over me and inside me.  I wanted you last night so badly I lay on my bed quite naked and masturbated hoping you come to me. But you didn’t. I looked in on you and you were just fast asleep.’
 
‘You forget I did a 22-hour call on Thursday’.
 
“And the rest. Don’t you want me? Maybe your brother or that nice English boy next door?’
 
‘Is he next door? ‘
 
‘If he is, I don’t care. He looks at me you know. He can’t work me out. I’ve been ignoring him. But maybe I shouldn’t. He’s got beautiful eyes and lovely hands’.
 
There was almost silence for what seemed a long time. I could hear my own breathing and became very aware of my own body. I was shaking and suddenly cold. I could hear more breathing next door. There was a shaft of intense white sunlight burning across my bed. I imagined Anne-Marie sitting cross-legged on the floor next door, her hand cupping her right breast fingers touching the ******, waiting. There was a rustle of movement. And the door next door slammed.
 
Thirty seconds later Tim was striding across the garden and on to the beach and into the sea . . .
 
There was probably a naked young woman sitting on the floor next door I thought. Reading perhaps. I stayed quite still imagining she would get up, open her door and peek into my room. So I moved away from the wall and sat on the bed trying hard to look like a composer working on a score. And she did . . . but she had clothes on, though not her glasses or her hair clip, and she wore a bright smile – lovely teeth I recall.
 
‘Good afternoon’, she said. ‘You heard all that I suppose.’
 
I smiled my nicest English smile and said nothing.
 
‘Tell me about your girlfriend in England.’
 
She sat on the bed, cross-legged. I was suddenly overcome by her scent, something complex and earthy.
 
‘My girlfriend in England is called Anne’.
 
‘Really! Is she pretty? ‘
 
I didn’t answer, but looked at my hands, and her feet, her uncovered calves and knees. I could see the shape of her slight ******* beneath her shirt, now partly unbuttoned. I felt very uncomfortable.
 
‘Tell me. Have you been with this Anne in England?’
 
‘No.’ I said, ‘I ‘d like to, but she’s very shy.’
 
‘OK. I’m an Anne who’s not shy.’
 
‘I’ve yet to meet a shy American.’
 
‘They exist. I could find you a nice shy girl you could get to know.’
 
‘I’d quite like to know you, but you’re a good bit older than me.’
 
‘Oh that doesn’t matter. You’re quite a mature guy I think. I’d go out with you.’
 
‘Oh I doubt that.’
 
‘Would you go out with me?’
 
‘You’re interesting.  Gloria says you’re a bit like Susan Sontag. Yes, I would.’
 
‘Wow! did she really? Ok then, that’s a deal. You better read some Simone de Beauvoir pretty quick,’  and she bounced off the bed.
 
After supper  - lobster on the beach - Gloria cornered me and said. ‘I gather you heard all this afternoon.’
 
I remembered mumbling a ‘yes’.
 
‘It’s OK,’ she said, ‘Anne-Marie told me all. Girls do this you know – talk about what goes on in other people’s bedrooms. What could you do? I would have done the same. Tim’s not ready for an Anne-Marie just yet, and I’m not sure you are either. Not my business of course, but gentle advice from one who’s been there. ‘
 
‘Been where?’
 
‘Been with someone older and supposedly wiser. And remembering that wondering-what-to-do-about-those-feelings-around-*** and all that. There’s a right time and you’ll know it when it comes. ‘
 
She kissed me very lightly on my right ear, then got up and walked across the beach back to the house.

the magnolia was a bit of a *******
(as far as trees can be *******)
and like very many other things—
like japanese candy from the Fugi Mart in Greenwich
                                      (across from the McDonald’s and next to
                                             the music shop where I got my viola)
and like pokemon cards and nintendo gaming systems
and like Avril Lavigne’s “Sk8er Boi” on a pink CD in a Hello Kitty radio
—that ******* of a magnolia was a distinctive taste
of the years I spent growing up in my house at the end of Wyndover Lane.

the ******* thing was almost perpetually in bloom.

it barged into both spring and autumn
(it didn’t give a **** about timing)
those pink and white spongy petals padding the ground
and at first you think it’s ******* beautiful
sitting in the crook of the trunk where it split into
                                                                two large
                                                       separate branches
tilting your chin back to catch a glimpse of blue between fat blossoms

then the petals start rotting
water-retentive little *******
and you can’t sweep ‘em away because they stick to the patio
brown clumps slipping under rubber soles
my dad lets loose a string of curses
and the magnolia shakes with laughter

I tried pressing the petals in a notebook once
while I was in that naturalist phase it seems all little girls go through
when you make fairy houses out of bark in the backyard
and put flowers between the pages of books because it feels
oh-so-much-more significant
than picking a pretty thing and showing it to mom

but the magnolia seeped through my spiral ring
and when I opened it up a month later they were dry tan papery things
not at all velveteen and rosy
and there were garish pink bloodstains all through the ten pages
on either side
magnolias don’t preserve well
except, honestly they do don’t they

then of course there’s that childhood tragedy that everyone has
when your dog got hit by some soccer mom’s suburban
or your teddy bear was lost in an airport
or maybe you just liked to cry because some things
were just really worth the tears at the time

but when I came home and found out they cut down my ******* ******* of a magnolia

I bawled

there wasn’t
even
a
stump.

This is a prose tale about the great superhero, SNOGGO
(as told in the first person by SNOGGO to his amanuensis, Edna)

*'You can't have "Jew",' I said.
'Why not? It's a perfectly good word. Are you anti-semitic or something?'
'Jew has a capital J,' I said.
'Not necessarily. I've used it before.'
'Not with me you haven't. There's the dictionary. Look it up.'

Jumbo grudgingly picked up the Shorter Oxford and looked up "Jew". He sniffed loudly, slammed the dictionary shut and removed the tiles from the board. His replacement word was a sodding disaster.

'That's twenty-four points you've cost me with your nit-picking, you *******,' he said through gritted yellow teeth, his flabby body shaking with rage. 'The J was on a triple letter score.'

I sneered derisively and laughed long and loud, making Jumbo froth at his ugly fat nostrils with anger.

'Watch this and weep, Jumbo,' I said, playing out all seven of my tiles onto the board to create a stunning word: UNZIPPED. 'The Z's on a double letter score and it's all on a triple word score, so that's 90, plus 50 for playing all my tiles, 140 in total and the end of the game,' I declared in triumph. Jumbo was caught with 14 in his hand (remember: he still had the J) and thus I, the great SNOGGO, became Greenwich Scrabble Champion for the 25th year running. Not only that: but 25 consecutive defeats in the final for Jumbo.

Jumbo roared in frustration as he saw his hopes of taking the coveted 24ct gold "Queen Anne" cup away from me, SNOGGO, dashed to the ground yet again. And, by centuries old tradition, 25 consecutive victories meant the priceless cup was now mine to keep for ever. Jumbo's scream of uncontrollable, incandescent rage could have been heard as far away as the Vanbrugh Hill Municipal Waste Disposal Centre.

'******* you for all ******* eternity,' he bellowed unsportingly as he waddled out of the cheering hall. In so doing he flouted the gentlemen's convention of always staying to take part in the closing ceremony. He missed seeing me, the great SNOGGO, receive the shining gold cup from the gnarled hands of the Lady Mayoress, the Hon. Mrs Snotte-Wragge, who whispered in my ear 'Fancy a quick **** later, back at the mayoral parlour, SNOGGO dear?' For the fifth year in a row I told her to go and get stuffed as I didn't go for ugly old bats with arses on them like a double-decker bus.

Later that evening, as I sat in the splendid Georgian surroundings of Snoggo Manor, cradling the gold cup and admiring the row of 25 Championship certificates on the walls of my elegant dining room, finishing off my second bottle of Bollinger Grand Cru '89 and stuffing my 18th oyster down my happy throat, I heard a knock on the door. Who could that possibly be at nearly midnight?

It was Jumbo, my fat defeated foe. He looked downcast. 'SNOGGO,' he said, 'I've come to offer my apologies for my inappropriate behaviour earlier. You deserved to win, you are the finest scrabbler in all of Greenwich. I have come to offer you the hand of friendship and to invite you to my humble home for a midnight snack to celebrate your stirring victory.'

'Jumbo,' I replied, 'that's uncommon civil of you, old man. And your timing is excellent, as I've just finished my apéritif and was on the verge of kicking Mrs SNOGGO, my new 17-year old Thai mail order wife, out of her hammock to make my supper. So what's on the menu, squire?'

'Well,' said Jumbo, 'I was thinking of pâte de foie gras - naturally made by Mrs Jumbo using our own force-fed geese, with a bottle of Château d'Yquem '78 to start with. Then perhaps a kilo of blood-red filet mignon avec pommes frites, washed down with a rather good magnum of Brouilly '99. Then there's Mrs Jumbo's famed cheeseboard with a tumbler full of vintage port, followed by a dozen crêpes suzettes, a few petits cafés, a monster Armagnac and a giant Havana each.'

I considered the proposed menu carefully before replying. 'Sounds quite good to me, Jumbo,' I declared, glancing over his shoulder at the Bentley waiting outside. I could just see the peaked chauffeur's cap of the diminutive Mrs Jumbo peering myopically over the leather-covered steering wheel.

And so, having told Mrs Snoggo to tidy up a bit whilst I was out, I went off to dinner with Jumbo. In all our 25 years of Scrabble rivalry I had never once set foot into his house, so I was eager to check out what sort of lifestyle he enjoyed. Once inside Jumbo Villa, I cast my eyes over the luxurious furnishings with an expert eye, evaluating their immense worth and rarity with incredible perspicacity and knowledge.

'Not a bad pad you've got here, Jumbo,' I conceded. 'Not in the same class as Snoggo Manor, of course, but still ****** impressive.' He was visibly flattered by my compliment.

'A glass of sherry while we wait for Mrs Jumbo to serve us?' queried Jumbo jovially. I sniffed at the huge portion of delicious amber nectar appreciatively. 'Lustau Amoroso Bodega Marquès de Mierda '42?' I guessed instinctively. Jumbo nodded. '******* spot on, SNOGGO,' he admitted in stunned amazement.

I took an enormous gulp and felt the alcohol hit me like a slam in the abdomen from Cassius Clay's butcher and more vicious brother. The room spun and I closed my eyes in resigned delight.

When I came to I found myself hanging unclothed in chains on the wall of a dank cellar. My head was pounding and I felt distinctly below par. I looked over my shoulder and beheld Jumbo standing there with a sjambok in his hand. He was stark ******* naked, naked as the day he was born, and I have never seen anything so repulsive in all my life (with the sole exception of that incredible day when, as a child, I caught my paternal grandparents bonking on the Persian rug in the Great Hall at Snoggo Manor on Christmas Eve). Jumbo’s huge pendulous ******* sagged over his bloated fat belly, which itself hung so low his genitals were mercifully hidden from my view. He was a ******* monstrosity.

The tiny Mrs Jumbo stood to the rear of the cellar, also naked, pallid and with her public hair died a shocking pink. She was a skinny freak, a vision of *** Hell. I noticed the tattoo on her belly. It showed a depiction of the crucifixion which I felt was in dubious taste, especially with Jesus sporting an enormous *******.

What I, the wonderful SNOGGO, suffered in the next few hours was truly indescribable, so I will only summarise it. After a seemingly endless whipping from Jumbo (assisted by Mrs Jumbo, but her puny lash strokes were almost pleasurable), accompanied by their combined frenzied cries of demented hatred and loathing, I was forced to suffer the supreme humiliation. Jumbo mounted a set of fine Regency library steps, positioned his Hellish lumpen body behind me and unceremoniously inserted his tiny ***** into my outraged ****. Oh the shame! Oh the shame!

‘O Jesus Christ help me!’ I yelled in rain and pain. And suddenly a voice spoke unto me. 'O great SNOGGO,' it intoned, 'thou needst not suffer the slings and arrows of outrageous fortune so needlessly. Only have faith in me, the great loving Jesus, and I shall give thee strength to deal with thy ******* awful tribulations.'

It was a miracle! SNOGGO could and would be saved! Quickly I mumbled a couple of Ave Marias remembered from my youth as a leading mutual masturbator in the chapel choir, and I silently promised a quick twenty thousand quid to the local faggotty priest ******* fund, and my chains fell to the floor with a blast of heavenly thunder. Halle-*******-luliah!

'Right, Jumbo you fat ****,' I snapped, 'you have ******* had it.'

And with one mighty blow of my right arm I smashed him against the wall. His huge hideous body crumpled as he slid to the floor, blood oozing from his fat gob. I gave him a ****** good kicking in the face and in the heart region and shortly he went to meet his maker, with a sickening grunt and expulsion of *****.

Then I turned to the horrified naked ugly skinny tattooed Mrs Jumbo and said: 'OK, *******, where's my ******* supper?'

She shrugged and headed upstairs to prepare the meal I had been promised by Jumbo earlier, as I was seriously hungry by this stage. Little did she know I would be obliged to put her out of her misery later. Or if she were lucky, I might offer her a position as unpaid toilet cleanser chez moi.

Yes, it was yet another stunning victory for the fabulous SNOGGO, thanks to timely divine intervention for which I am very much obliged.

And don't forget my luscious 17-year old Thai mail bride would be waiting to give me a really good ******* once I got back to Snoggo Manor. Either that or I would give her a good belting and send her back to her grotty poverty-stricken village with a demand for a full refund, chop chop.

I wish I could live that panicked fever dream of being an artist in the fifties or sixties,

where I am writing, in Greenwich Village, in a barely-furnished apartment at three in the morning,
the aching howls of human animals and screaming sirens attending to laws and emergencies floating through an open window.

A black cat creeps in from the fire escape and jumps up to the desk, lazily, where I am sitting
with a bottle of something cheap next to an overflowing ashtray, and I am

biting down a cigarette, while clicking-clacking on a typewriter.
"Ding!" shrilling puncturing the air whenever I come to the end of a thought,
and thats when I pluck the cigarette out of my mouth, ash it, go to the next line,
and then fervently begin again.

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Women love the honey. The stars are famous for the great star of the great water star. Rescued from the sun, the least, the stolen, the broken, the supreme, the supreme judge of Jelly Ferrere's family, the fast-tracking of girls, the karate games, the saint's sibling sister, perfect perfection and deeper things, and wasted in Beth, He was buried on the threshold of the earth, in Greenland and in that feta, The cigar's mistress I brought a pint-like mattress on the edge of a beautiful rose ranger gun Putting a new emerald shroud in two shades Two shades of books Accept the harsh language of the rugged terrain The witches are a favorite food of tortillas. Little Black Night Evening Feast of Fire. City of Yellow City, Central Jersey Human and English Pressures The Greek Problem Blue Blue Blue Orange (Black Glass) The Russian writer returned home early in the morning and returned to England. For example, in the badge dragon roses in the castle of the evil rosary, John returns to the sky and returns to the north, to the north, to the north, to the north, to the north, to the north, to the north, to the north, to the north, to the north. (Peace Groups and Windows's Standards Stone Stones Igor Stone's Second Game Contest Italian Language for Bushman's Hippopotamus Hologram Colorful Horses, Holy Place For Rage, And Worst And Tasty, Taste Bitter, William Star, Vitamin, Sleepy Yelp Wound) to use in the body part of the body which is covered with the body of the cubicle, which is covered in the middle of the night, has blurred the brightness, brightened the colors, the different features of the serpents, the shades of the serpents, the shadows of the holy bodies, Worms, astrology, fake, Ask On, Tito is in My Band, Mail and the Kuwaiti infringement. Women love to live alone Lives of young men Young and old Young American Young American American American American beauty Body painting Canadian girls / big stars. Horses of the stomach and George's dogs Olive fellows if gold is cooled but the feet of Thomas's feet Bright sun The story of Christian cruelty Greek Greek blue war Device problems The Russian life sky is lost in the morning Home Latin American Cuisine, Birth Model Rocket Queen of Empathy and Police Polar Boundary July Biophysical Books The Beginner's Books Initially, The parrot's female goddess has ceased to be part of the wall in the parquet on the parquet floor of the park on the side of the park, where Jesus is a latina in the sunbath of the northern Brazilian castle, in the church of the church, Christ is the main master of the Islamic literature of the other language of the tongue of the tongue Words are a stone cut. The pottery puppets of the pizza were common in the clay fields in Asia. Learn more about China, the problems, the German cities, the cities of the sky, the Church Church, the knowledge of the universe, the donkey! The donkey! William's disease, football footwear, the mysteries of the mountains, the secrets of Europe, Europe, North America, Europe and European countries, volcanoes, Spain and the monarchy. It takes care of vitamin C, living in gold and the question of the community of the Prophet Muhammad.

Women [Democrats] Go north, and the church is south.

The documents are a common manual for Ethiopian children. In the United States, the United States government, William Hill Hill, delegates, delegates, Europe, Europe, Europe, Europe and Europe and the Spanish government. Vitamin A and Muhammad are very good. The stars are in the stars, so give them the stars. The King, Canadian Appeals Counseling in Greening Genesis, Greenwich and Vicky Ikiko have two problems and a two-case trial. In other advanced languages. Drinking is very sweet. Black black-black black invitations, green and central representatives and English clicks on Greek Greek writer. For example, John North, North, North, North, North, North, North, North, North, North will answer. The answer is yes Developer 2-Igor and Igor talk about the Hippocampus' red color on horseback games, blue shades, use lights, William, vitamins, appointments, colors, gold, products, gloves, actors, fish songs and failures. USA and USA and American Americans and Tom, Western Christians are Sunny Christians warmed with Blue Arrows. The Russian system headed for early morning. Northwest, Christian and Christian churches of the main libraries, parks, parks, gardens and parks, gardens and parks, results, businesses and churches. The documents are a common help for Elisha's children. China, Germany, City, city, peace, Sir William, relations, traders, the European experience, in Europe and South America, Europe, the volcano of Europe, Spain and Britain. Who is this vitamin and Muhammad? Diabetes is a disease. Stars stars stars Superstition Court, Women's Court and two partners and two administrators are Green stone, Greenwich and Vicky. In other advanced languages. The tooth is very tasty and black and English is English. For example, North, North, North, North, North, North, North, North, North, North, North, North individual, columns, look in the mountains, north and north-east. The answer is yes 2 Athletics The radio attack is high and there are many elements that can change the precious metals of the stars. Americans in the United States and the United States Many other things at Christian Park can be found in the park's perfect park in the United States. The documents are a common help for Elisha's children. Chinese, German, cities, countries, entertainment, animals, orchids, William moving and wealthy European activities, Europe, Southern Europe, the United States and European countries, lights, Spain and England. This is the life of the vitamins and the life of the prophet Muhammad. Stars stellar like stars. Submission, Royal Kingdom, Canada and the women's division of Special Education, Green stones and personal green, graduates and Alice, two to two. In other advanced languages. Drinking is very sweet. Black black-black black invitations, green and central representatives and English clicks on Greek Greek writer. For example, John North, North, North, North, North, North, North, North, North, North will answer. The answer is yes light protection, but play in the main stone stone Elite: damage, sweets and punishments, flavor, William, stars, vitamins, holidays, other people, green, crescent-shaped, astronomy, the body, the tram, ribbon, and renovation. Women go and do not respond. Islam is better than the north-east and Islam. Peace is important for Asian customers. In China, cities, towns, churches, workers, donkeys, donkeys and diseases in Europe, in European fairs in European countries, in Europe and in Europe, the Middle East and Europe. Spain and the real system. This is the poor and the life of Muhammad.

Being cared for
Here's the  adored door

Inside playing he pours the hearts

So like him the ricochet
Deeply love so cultured
My pearl crochet

Deeply cared about I got you
under my skin
I win your love ticket

The spool of
wool hit the floor
To the extreme
The sensitive mind

  And his feeling like the escapee finding
the higher
religion keeping that in mind
The everlasting  to be cared for or
not to be never lasting like someone
lost its hunger fasting

Waking up deeply recharged or
reproducing to
her neverending fairytale

Much deeper than 69 eye love shades
Deeply cared for beyond his loving
It comes and fades
Like Monopoly  "Godly Sun-Seeker" keeps
passing us
The game of life charades
Like Persian babies their
button nose deeply cared for to cuddle
The warmest meows hug and save

Like flour to sparkle, it deepens
like our mix, a love needs
to be worked on 
 do you really
care to fix?

But sending all the details
the lines soften pale pink rose
I felt your red fire putting
out the coldness fire and ice
To be saved on time
Like the fire chief,  
Acted like a French chef what
a love roue of the hose

Like silk my millennium  milk,
He held my finger but not
to sulk he said buckle up
What firmness and tightness
arm to arm wrestler such
bulk

Never to swear but a little lie 
  Wouldnt hurt my delicate
pinky finger
In her loop with her fur
deeply
Stepped into her mink

He's the frontman
Fresh cut lemon
Yellow sunshine
happy medium

I was wearing my hair middle parted
The picture slide the made man
Tied back my hair was deeply
Smooth talker well conditioned
With what conditions all recollections
But three strikes when you care for
someone you  don't fall out of love

  This world loves to be pampered
Cared about not scouted
All hole marks in the road badly routed
 With tons of work with the question mark?
The sign stayed with her
Deeply care about?

Like a play date let's pretend
You're both a handful
Like beer malt lips
Engraved love in the barrels
To feel deeply loved  he acted
Like the riddler

The beach her eyes were waiting to be reached
Sunset playing the fool marionette overly preached

So I  Bette
Beneath her wings
In the middle of their wed to be isles
The Green Gables emerald rings

Miss spinster-Sara Lee cake
His jeep was all she could take
How it ended up
In Greenwich Village then shipped
To Mystic Seaport Connecticut
The movie cut Cape Cod Massachusetts
The four letters in his pocket
Deeply 1 care 2 about 3 love 4

Needed a jump kickstart
Her breakfast  start of the day
 deeply cared for his way
He stumped over her honey
bunches of oats lips

The website
Go, Daddy acting love silly
The hot fun in the
International city
The UK that's OK
Mr. Bo Jangles spoiled deeply
*** in the City single
Deeply getting hurt
The Sin City

Did he see her progress
All over Twitter
He was so suited but lost
his tie twinkle tweets
Do I really live my life to dare
or deeply care?
I am ****** British give me
my English breakfast teas
for keeps
The King ain't got that swing
She acts too much like the Queen

The Royalty of love sanity
The heaping fine grain sugar spoon

(Duke of Earl gray) Deeply love Thee
But always came way too soon
She is the domestic cat going frantic

Great discoveries, and that's that
  Internships tug-cash or the hogwash
our colleagues  
The deep end "Crazy Eights
On the tenth physio natural
phenomena convent

All the Kingman no swords holding her
wrench
and knight horses unfortunate events
One day creation camel ride for miles
Reaching higher levels of toxins
and morons
Or teaching MLM  you asked for it
"The millionaire lost minds"

Were human TLC tender loving care
Like some playdough to the rooftop
Of Mentors, did they care
Who we deeply care about family
But more concerned
about the rise of money inventors
Even if life really *****
Oh! Fiddlesticks

The Moaning of life
Bring the Idiots aboard
The ***** of the night

He kinda ducks by the end of
your ***-light
Flex-body deeply cared for
Rumors and all philosophies
The shower like you was slashed
Left you bone dry without the cash
The thrill is gone your lovesick

She-devil  coffin red nails split Twilight zone

  The stars were in your corner
He deeply cared for you he was
your health kit
The Botanical Gardens

Like a figment of your imagination
Se demure you needed a
Florence Nightingale flower cure
To lift your depression to smile
You thought someone cared but all
misinterpretations

All misconceptions and misdemeanors
She takes so long putting on her
French lip glide Chanel liner
What could be ever cared for finer
Deeply digging holes like a miner

The solar rhythmic pointed finger
to the stars

So systematically
making a wish
just like everyone else
To plan your game
the game makes the plan
You deeply cared for delivery
Was I the care package

You weren't someone
just anybody like
A city dump garbage

Deeply wanting and waiting
So merely or rarely was it coming

Deeply seeing the next generation
The spectacular sunrise
White wicker twin set swing
Your heart pulls back but it was
so close to swinging forward
Moving towards your
accomplishments
The mess was all ****

"You have the exceptional mind like the beautiful mind"

People, you came across friends
Also, contributors  not the enemies
The country and the continents
Deeply cared for landmarks
The monuments how you love
her birthmark taking her hand

The Godly land such will command
moonwalker deeply cared for
All watered deep soul of lovers
The world of hands and
words became
such an impact

You felt like the creature so extinct

They fall upon us over the spillways of time,
Burbling at us through some Radio Free Nostalgia
Courtesy of some college station sitting at the far left of the dial
Or streaky CDs at the rear of some forlorn shelf,
And we know them to be to be, if not outright falsehoods,
Among the more variable of truths
(As all truths are, if we’re being honest about the matter)
For when someone sets out to create the Great American Whatever,
It becomes quickly apparent that such paths
Are not straight and clear, but wind and double back upon themselves,
Replete with thorns and weeds with bladed edges;
Egos must be stroked, revenue streams and margins considered,
Leaving one’s primary legacy as a testament to compromise.

But to be a casualty is not necessarily to be a fatality,
And through the narrowness of a three-minute window,
Purveyed to us by quartets of chanteuses
Who were no strangers to compromise their ownselves
(So many staged photo shoots,
So many hokey Christmas songs and cosmetic-sale jingles)
We can glimpse momentary epiphanies,
Crescent-moon slices of the verities,
Which, if not the whole truth and nothing but,
Provide us with something to hold, something to hum
As we go about the tortuous business
Of making some sense of the whole **** thing.

THE PROLOGUE.

WHEN folk had laughed all at this nice case
Of Absolon and Hendy Nicholas,
Diverse folk diversely they said,
But for the more part they laugh'd and play'd;           *were diverted
And at this tale I saw no man him grieve,
But it were only Osewold the Reeve.
Because he was of carpenteres craft,
A little ire is in his hearte laft;                               left
He gan to grudge and blamed it a lite.              murmur *little.
"So the* I,"  quoth he, "full well could I him quite   thrive match
With blearing of a proude miller's eye,                    dimming
If that me list to speak of ribaldry.
But I am old; me list not play for age;
Grass time is done, my fodder is now forage.
This white top writeth mine olde years;                           head
Mine heart is also moulded as mine hairs;                 grown mouldy
And I do fare as doth an open-erse;                         medlar
That ilke fruit is ever longer werse,                             same
Till it be rotten *in mullok or in stre.    on the ground or in straw
We olde men, I dread, so fare we;
Till we be rotten, can we not be ripe;
We hop* away, while that the world will pipe;                     dance
For in our will there sticketh aye a nail,
To have an hoary head and a green tail,
As hath a leek; for though our might be gone,
Our will desireth folly ever-in-one:                       continually
For when we may not do, then will we speak,
Yet in our ashes cold does fire reek.                         smoke
Four gledes have we, which I shall devise,         coals * describe
Vaunting, and lying, anger, covetise.                     *covetousness
These foure sparks belongen unto eld.
Our olde limbes well may be unweld,                           unwieldy
But will shall never fail us, that is sooth.
And yet have I alway a coltes tooth,
As many a year as it is passed and gone
Since that my tap of life began to run;
For sickerly, when I was born, anon                          certainly
Death drew the tap of life, and let it gon:
And ever since hath so the tap y-run,
Till that almost all empty is the tun.
The stream of life now droppeth on the chimb.
The silly tongue well may ring and chime
Of wretchedness, that passed is full yore:                        long
With olde folk, save dotage, is no more.

When that our Host had heard this sermoning,
He gan to speak as lordly as a king,
And said; "To what amounteth all this wit?
What? shall we speak all day of holy writ?
The devil made a Reeve for to preach,
As of a souter a shipman, or a leach.                    cobbler
Say forth thy tale, and tarry not the time:                surgeon
Lo here is Deptford, and 'tis half past prime:
Lo Greenwich, where many a shrew is in.
It were high time thy tale to begin."

"Now, sirs," quoth then this Osewold the Reeve,
I pray you all that none of you do grieve,
Though I answer, and somewhat set his hove,                  hood
For lawful is *force off with force to shove.           to repel force
This drunken miller hath y-told us here                        by force
How that beguiled was a carpentere,
Paraventure* in scorn, for I am one:                            perhaps
And, by your leave, I shall him quite anon.
Right in his churlish termes will I speak,
I pray to God his necke might to-break.
He can well in mine eye see a stalk,
But in his own he cannot see a balk."

Notes to the Prologue to the Reeves Tale.

1. "With blearing of a proude miller's eye": dimming his eye;
playing off a joke on him.

2. "Me list not play for age": age takes away my zest for
drollery.

3. The medlar, the fruit of the mespilus tree, is only edible when
rotten.

4. Yet in our ashes cold does fire reek: "ev'n in our ashes live
their wonted fires."

5. A colt's tooth; a wanton humour, a relish for pleasure.

6. Chimb: The rim of a barrel where the staves project beyond
the head.

7. With olde folk, save dotage, is no more: Dotage is all that is
left them; that is, they can only dwell fondly, dote, on the past.

8. Souter: cobbler; Scottice, "sutor;"' from Latin, "suere," to
sew.

9. "Ex sutore medicus"  (a surgeon from a cobbler) and "ex
sutore nauclerus" (a  ****** or pilot from a cobbler) were both
proverbial expressions in the Middle Ages.

10. Half past prime: half-way between prime and tierce; about
half-past seven in the morning.

11. Set his hove; like "set their caps;" as in the description of
the Manciple in the Prologue, who "set their aller cap".  "Hove"
or "houfe," means "hood;" and the phrase signifies to be even
with, outwit.

12. The illustration of the mote and the beam, from Matthew.

THE TALE.

At Trompington, not far from Cantebrig,                      Cambridge
There goes a brook, and over that a brig,
Upon the whiche brook there stands a mill:
And this is *very sooth that I you tell.               complete truth
A miller was there dwelling many a day,
As any peacock he was proud and gay:
Pipen he could, and fish, and nettes bete,                     *prepare
And turne cups, and wrestle well, and shete.                     shoot
Aye by his belt he bare a long pavade,                         poniard
And of his sword full trenchant was the blade.
A jolly popper bare he in his pouch;                            dagger
There was no man for peril durst him touch.
A Sheffield whittle bare he in his hose.                   small knife
Round was his face, and camuse was his nose.                  flat
As pilled as an ape's was his skull.                     peeled, bald.
He was a market-beter at the full.                             brawler
There durste no wight hand upon him legge,                         lay
That he ne swore anon he should abegge.             suffer the penalty

A thief he was, for sooth, of corn and meal,
And that a sly, and used well to steal.
His name was *hoten deinous Simekin        called "Disdainful Simkin"
A wife he hadde, come of noble kin:
The parson of the town her father was.
With her he gave full many a pan of brass,
For that Simkin should in his blood ally.
She was y-foster'd in a nunnery:
For Simkin woulde no wife, as he said,
But she were well y-nourish'd, and a maid,
To saven his estate and yeomanry:
And she was proud, and pert as is a pie.                        magpie
A full fair sight it was to see them two;
On holy days before her would he go
With his tippet* y-bound about his head;                           hood
And she came after in a gite of red,                          gown
And Simkin hadde hosen of the same.
There durste no wight call her aught but Dame:
None was so hardy, walking by that way,
That with her either durste *rage or play,                use freedom
But if he would be slain by Simekin                            unless
With pavade, or with knife, or bodekin.
For jealous folk be per'lous evermo':
Algate they would their wives wende so.           unless *so behave
And eke for she was somewhat smutterlich,                        *****
She was as dign* as water in a ditch,                             nasty
And all so full of hoker, and bismare*.   *ill-nature *abusive speech
Her thoughte that a lady should her spare,        not judge her hardly
What for her kindred, and her nortelrie           *nurturing, education
That she had learned in the nunnery.

One daughter hadde they betwixt them two
Of twenty year, withouten any mo,
Saving a child that was of half year age,
In cradle it lay, and was a proper page.                           boy
This wenche thick and well y-growen was,
With camuse nose, and eyen gray as glass;                         flat
With buttocks broad, and breastes round and high;
But right fair was her hair, I will not lie.
The parson of the town, for she was fair,
In purpose was to make of her his heir
Both of his chattels and his messuage,
And *strange he made it of her marriage.           he made it a matter
His purpose was for to bestow her high                    of difficulty
Into some worthy blood of ancestry.
For holy Church's good may be dispended                          spent
On holy Church's blood that is descended.
Therefore he would his holy blood honour
Though that he holy Churche should devour.

Great soken* hath this miller, out of doubt,    toll taken for grinding
With wheat and malt, of all the land about;
And namely there was a great college                        especially
Men call the Soler Hall at Cantebrege,
There was their wheat and eke their malt y-ground.
And on a day it happed in a stound,                           suddenly
Sick lay the manciple of a malady,                         steward
Men *weened wisly that he shoulde die.              thought certainly
For which this miller stole both meal and corn
An hundred times more than beforn.
For theretofore he stole but courteously,
But now he was a thief outrageously.
For which the warden chid and made fare,                          fuss
But thereof set the miller not a tare;           he cared not a rush
He crack'd his boast, and swore it was not so.            talked big

Then were there younge poore scholars two,
That dwelled in the hall of which I say;
Testif* they were, and ***** for to play;                headstrong
And only for their mirth and revelry
Upon the warden busily they cry,
To give them leave for but a *little stound,               short time
To go to mill, and see their corn y-ground:
And hardily* they durste lay their neck,                         boldly
The miller should not steal them half a peck
Of corn by sleight, nor them by force bereave                *take away
And at the last the warden give them leave:
John hight the one, and Alein hight the other,
Of one town were they born, that highte Strother,
Far in the North, I cannot tell you where.
This Alein he made ready all his gear,
And on a horse the sack he cast anon:
Forth went Alein the clerk, and also John,
With good sword and with buckler by their side.
John knew the way, him needed not no guide,
And at the mill the sack adown he lay'th.

Alein spake f

Selene: Goddess of the Moon, dweller in the Abode of Sky; Her Symbols are the Crescent moon, pearl inlaid chariot pulled by a black bull, flaming bright torch, billowing cloak. By her boyfriend Endymion, Selene has Fifty daughters, and Pandia and Ersa by Zeus; her Parents are Hyperion and Theia; Her Siblings are Helios and Eos ... Selene's Roman equivalent is Luna ... In Greek mythology, Selene (/sɪˈliːni/; Ancient Greek: Σελήνη [selɛ̌ːnɛː] "Moon") is the goddess of the moon. She is the daughter of the Titans Hyperion and Theia, and sister of the sun-god Helios, and Eos, goddess of the dawn. She drives her moon chariot across the heavens. Several lovers are attributed to her in various myths, including Zeus, Pan, and the mortal Endymion. In classical times, Selene was often identified with Artemis, much as her brother, Helios, was identified with Apollo. Selene and Artemis were also associated with Hecate, and all three were regarded as lunar goddesses, but only Selene was regarded as the personification of the moon itself. Her Roman equivalent is Luna.

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Valentino has its red, Versace its Medusa logo, Chanel the tweed that lines dresses and jackets and handbags each season. In the fashion world, these nuances of texture and color, in conjunction with shape, are what help define a brand's identity, what ultimately makes them feel familiar to consumers; they are fashion's version of DNA. Designers carving out their place within the industry will often land on their own set of signatures that are built upon with each new collection—but Patric DiCaprio, the 26-year-old designer of Vaquera, isn't interested in "buy-ability" or recognizable traits. "We are obsessed with keeping people guessing" he says. "We want that to be our thing."

In the three seasons since launching the New York-based brand, DiCaprio has infused Fashion Week with the sort of Dionysian energy once felt at early John Galliano shows. For his Summer/Spring 2016 show, staged at the Church of the Ascension in Greenwich Village, models walked the aisle to the Smashing Pumpkins in baptismal baby-doll dresses and ruffled bloomers, with DiCaprio's boyfriend closing the show in a wedding gown. In February, with new partners David Moses and Bryn Taubensee on board, a debaucherous cast of models dressed in Victorian-meets-club looks danced, lifted their skirts and put their cigarettes out in audience member's drinks at the China Chalet venue in the Financial District.

"Vaquera is about constant reinvention," DiCaprio says of his no-guts-no-glory ethos. "It's about the future; the future of style and clothes, but not in the cliche of futuristic spandex and metallics."

Much like his collections, the designer's path in fashion has been far from linear. Born and raised in Alabama, DiCaprio attended a private Christian school before studying photography at a public university in the South. An internship with DIS Magazine offered him a crash course in art direction and styling, and the opportunity to draw creative fuel from New York—a city that has very much proven to be his creative elixir.

"I felt like I had been underwhelmed for my whole life," says DiCaprio, who moved to the city five years ago and taught himself to sew through YouTube tutorials. "When I first came to New York it felt like I had finally gotten my head above the water and had oxygen for the first time. This place was overwhelming in the best way." DiCaprio spoke with PAPER about his creative approach, his unconventional path to fashion and his idolization of David Bowie.

What sparked your interest in fashion?

I think it's always been about clothes for me. When I was in middle school and high school I was always in bands. I was obsessed with Screamo and David Bowie—the groups that had such strong visual aspects to their work. But I think part of me always felt like I was doing that so I could assume the look. Screamo bands would let me wear the size zero, ultra-stretch white jean. With David Bowie, I wanted to wear the gold eyeshadow; it was always about the look.

How did studying photography lead you to fashion design?

My school was very focused on the craft—the dark room and perfect exposure—but I think I was on the opposite end, I was interested in what was happening in the photo. I left college to do an internship with DIS Magazine and because they're involved in so many creative avenues like photography and styling and art and video, I was able to get a realistic vision of things. The experience [with DIS] made me realize I was less interested in photography and more interested in creating these characters.

When school ended, I moved to New York and and worked with DIS again and then with VFiles in [the archives department]. I'd go through old issues of ID and Paper and Dazed and it taught me a lot about fashion history. I had been removed from all of that when I was growing up, there was no Chanel store in Alabama, there was no Dazed And Confused at the Barnes and Noble in Alabama. Coming to New York I was able to get my hands on the clothes and study these old magazines.

How did you get that initial internship though?

I'm obsessed with Tumblr. I got on it more than eight years ago, and it was a huge part of helping me reach out to people. People that I'm still friends with now—Hari Nef and Juliana Huxtable—I met through Tumblr; they moved to New York before me and motivated me to do the same. So I emailed the team at DIS, and asked if I could show them my photography portfolio—which sounds so funny to say now—and they offered to show me the ropes. They hooked me up with Avena Gallagher, who is an inspiration and has taught me everything I know about styling.

About two years ago I started working for her and became obsessed with styling. I styled Charli XCX for a year—and it was exciting, definitely closer to what I wanted to do but it wasn't exactly it. I wanted to pull specific things—1980's Issey Miyake, but there was no way a no-name stylist like me would be able to get my hands on it. So I bought a sewing machine and started sewing the things I wanted for photo shoots. Vaquera started as an art project that wasn't about wearing the clothes or making something for Opening Ceremony—it was about making clothes that I could then shoot. The final product was the look book.

What made you decide on the name Vaquera?

A few different reasons. I was reading a book by Tom Robbins called Even Cowgirls Get The Blues and it was really informative for me at the time. I was also working in a kitchen as an expediter with a bunch of Mexican line cooks and they had a lot of pet names for me, like "el pato" which is gay slang for f—got, and "little baby doll." They knew I was from the South so they'd call me "La Vaquera" because that's Spanish for cowgirl—even though cowgirls aren't Alabama, it's more of a Texas thing. So I just called the project Vaquera. It seems so arbitrary now, I'm stuck with it for better or worse.

What's been one of the challenges of keeping things future-focused?

I've had criticism from people that it's such a bad business model to reinvent yourself each season, that no one's going to know what to expect from you. Buyers are going to be confused, you're never going to make any money. And I've just been like, "Well, I think we don't have any interest in that." We are obsessed with keeping people guessing—we want that to be our thing. I try my best to keep it a secret until the day of the show and then just let loose.

So we're going to assume you won't be giving any clues about next season's show.

Oh my god, i don't want to give it away! I think people want to see billowy-sleeves but that's out the door. We're doing something completely different. Romantic but a whole different definition of romance.

How has working with David and Bryne changed things for you and the brand?

Last season it was like a whole new brand. We came together through Avena and it feels like we're progressing, which is exciting. I got sick of doing everything alone. For the Spring show I sewed everything, produced it myself, got the location, cast it myself.

And did you collapse after the show ended?

It was a serious problem, it became impossible. I realized I was either going to have to plateau so I could get my life together or I was going to have to find a way to expand the vision. I trust Bryne and David with my life and they understand my vision but have their own ideas. It was a necessary change.

So many designers have expressed concern about the relentless pace of the industry recently.

All these different seasons—pre-fall, couture, designers showing things that are going to be available for purchase the day after the show. That's so scary for people like us who are on our hands and knees in the living room cutting the clothes and can barely get them made in time for the show.

Do you want to stay independent? What are the benefits and detriments, in your opinion?

I think we want to stay independent. I want to make money but I don't want to feel pressure to do certain things. I'm already so sick of that show we just did—already on to the next one. It's like with Demna Gvasalia getting the Balenciaga job: I was so disappointed to see him doing the same thing he did at Vetements at Balenciaga, but then I realized, with all the money that's involved and when you're working with these huge offers, there's contracts. Money complicates things in a way that I think can hurt people's creativity. Maybe you'll make a lot of money for a few years, but you might forget how to make exciting things because you're stuck with the designs that worked well one time. I want to make money, but we want to find different ways of doing it.Read more at:http://www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-adelaide

Time grins awkwardly at me,can't see the joke
but only time can see the smoke that leaks out through the backs of old cracked hands,that hold the stubs of cigarettes as if letting go,will let time know the end has come,
for some it will as minutes climb up on the hill of hours past.
Only second chances last and are written on the dials,posted tightly into files and filed away.
Then the day filters slowly away into the flittering, skittering shadows that we fear.
The heart beats faster as it slows and only time knows why,
Time drags feet and then it flies
never dies
lives forever
severs links
never thinks but
time links us all.

I.

She’ll drive through the parking lot
at quarter past eight tonight;
but first she’ll put up the gravy
and throw away salad.

There is something amiss with the sun.
The angle through the window,
she’s never noticed it on
her plate before

because by now
they were usually seated in the den
where the sun would greet them there,
not here.

It’s not like him to be late.
She worries while she sits,
waits a little longer,
watches the sun slide over
the edge of the table
and drift toward the empty den.

She feels as if she’s
stepped off a spaceship
after landing on a different planet
and the simple act of breathing
requires exaggerated effort.

She looks around at nothing that’s familiar.

She gets up and clears the plates,
feeds the dog, loads the wash
then heads for the door.

Its no surprise
she finds his car parked
in space 138.
The same place he always parks
when he goes for a run.

She shakes her head  
and checks her watch,
confused by the clock
on the dash, 8:31 pm.

It doesn’t make sense.

25 years of routine behavior
makes her think that it is morning.
He parks in space 138
in the morning.

Troubled by her fractured norm
she calls 911 and waits for
the police to arrive.
They tell her that they found a man
and ask her to go with them but
she cannot, or will not go with them
to identify a dead man,

lifeless on a concrete slab
in a cold city basement
under blue neon buzz
above refrigerated drawers.

They will need to find another way
to break her heart tonight.

She refuses to hear what happened,
how a mental patient ran from
behind a tree and hacked him
with a rusty machete.

She will not go with them,
she will not listen to their story,
she will not turn on the television,
she will not speak to anyone but

she will hang on to routine.

She will hold it tightly
for as long as she can.

II.

On a random Saturday at 5:15
she rushes to prepare dinner by 5:30.
At 5:35 she stares at the kitchen clock,
the one they calibrate with Greenwich
once a month.

At 5:36 she takes off her apron,
folds it carefully so as not to wrinkle it,
wipes a bead of sweat from her upper lip
and wonders if its menopause.

Her heart is racing as
she jumps at the sound of the telephone.
  
When she hangs up she is calm.

The coroner has confirmed.

She heads toward the back door,
spots her keys on the left hook while
the right hook sits empty
and she begins to cry.
    
She takes her keys into the garage
but leaves her purse behind.
She won’t be driving anywhere tonight.
She starts the car,
    
leaves it running and gets out,
lies down on the cold cement floor,
curls into a fetal position and
slowly drifts toward sleep.

She finally admits the truth.

He sleeps on cold cement as well.

It was windy that night, all those questioned agreed,
when the woman was struck by some falling debris.
It was here on West 12th Street,at the corner of Seventh,
by the condo they’re building on the site of Saint Vincent’s.
A section of plywood had chanced to fall,
driving “Tina” Nguyen head first into a wall.
She fell to the pavement and she struck her head.
They rushed her to Bellevue, but she was already dead.
Was it chance? Was it fate? Was it some Divine plan?
Her death was so random, so hard to understand.
We walk these same streets, so I think you’ll agree
It could have been you. It might have been me.

Leaving Minnesota on train or buses,
crowded and alone, were you fearful
to sleep on couches and of the Village
people with a rhapsody of dreams

and cacophony of chords, under rain
and sewer stank was it hard,
to step inside and play
the first time for glistening eyes
and stage lights and to let melody
escape your belly-throat

for them, or did you know
more, that words can sculpt
delicacy as smooth
as Donatello and that life can be bought
without wrinkled greens and pressed

threads? Walking under a hard-rain
of assumption and change, did Greenwich
birth a demon-sadness, so you hid
your neck beneath collars and dark
glasses and smoky rhyme, when the ship

comes in will you be onboard or escape
to Louisiana, misunderstood, working
a river boat after you give Lennon
a puff and Warhol a tight-fist?

Did sad-eyed Sara send you back
leather spanish boots or forget,
and was Christ able to mend that
broken love, and did you later kick his idiot
wind away and in 2009 on stage when I could
see emptiness and heartbreak
hidden underneath your creased stetson,
were you still singing
it ain't me, babe?

The snipers rifle hung from the parapet
still warm, cordite drifted from
the business end.

It resembled a cigarette,
dangling in the groove of an
ashtray which was given to you
as a souvenir from a place
you had no desire to go.

And you had no desire to go there
as you had read stories of donkey
cruelty and the militias’ refusal to
accept Greenwich as the
centre of time.

Their struggle against the meridian
has been well documented in film and
prose.

Stories and rumours filtered in
from the hinterland, carried home in
economy flights from different time zones
arriving at the terminal, milling around the
carousel.

****** victim 4 lay in a forensic
scene, white tapped surrounded by
duty free bags, and the secret dossiers
exposing the militias plans drifted, blood
stained in the breeze.

What have I done?
I've unleashed Quincy Valero into The Big Bad City, upon Greenwich Village for the first time
The 177 express, round trip
To Port Authority
To the A train to Canal

We missed our stop
Had to walk from Soho to Washington Square Park
But along the way we saw artists and galleries
Head shops and street performers
Hobos and junkies

"We made it"
"We in this *****!"
Quincy said as we walked through the arches

We saw a multitude of creatures
An artist drawing floral murals with chalk
Meditating Buddhists
A cello player playing for a meal
A drummer drumming for money to get back home
A jazz band
A clarinet player
Writers scribbling down whatever came to mind

We saw beautiful women everywhere
"Look, my ten, your two"
Quincy said nodding to a **** brunette wearing a sundress walking by

We got coffee at The Third Rail coffee shop
We met lovey dovey couples and a girl poet sipping espresso

Treading down Bleaker to Sullivan to Macdougal to Huston
*** shops, leather and studs, ****** and flavored lubes
"This **** reminds me of Saw"
Quincy said with a laugh
"Too much for your threshold aye?"
I said nudging him

We passed a guy selling vinyl on the street
"How much for the Charlie Parker record?" I asked
He took the record out and inspected it
"Five bucks" he said
"How long you gonna be here, like till what time?" I asked
"Oh I don't live by time or numbers" he answered
"Time ain't your mast huh?" I laughed
"Nope, you cant spell T-I-M-E without M-E" he said
Quincy and I looked at eachother with a grin
"I'll be back, if I'm not here before you leave good luck in your ventures" I said as we walked away
"Thanks brother enjoy the day" he said smiling and waving

We ate to Papaya Hot dogs
Best in the city
Then to the pool hall

Now folks, it is common knowledge where I'm from the Quincy Valero is the local pool shark
He can break and sink three *****
He can jump over your ball and get his in
He can shoot behind his back with one hand

Playing with him is a guaranteed loss
But I never cared, I just like playing
We talked and laughed about all the stupid nonsense back at home
And planned our next move

We went to The Blue Note, the best jazz club in the city
The Dizzy Gillespie All Star Band was playing that night
But it was too expensive for both of us so we went on to St. Mark's place

More head shops
More *** shops
And book stores, clothing stores
Punk things in Search and Destroy, record stores
All that good stuff

It was getting late
Back to Bleaker to start drinking
First stop, a little pub
The bartender was a gorgeous blonde, sweet as could be
We ordered two beers
She seemed to be having trouble with the tap
"Sorry guys it's a little foamy, next rounds on me"
We were amazed by that because back home all the bartenders couldn't care less if we got a whole mug of foam
We clinked glasses and took that first cool icy sip
So nice on such a hot day

"Ya know dude, this is it this is perfect" Quincy said
"What you mean?" I asked
"Well this is a great time, I'm on vacation right now and were here exploring and relaxing and enjoying the moment, this moment" he said with his beer hovering over his mouth

Quincy always talked about "This"
This moment
This time
This feeling
This thing

"This" is that time when you're in the moment
That moment of complete and total encumbrance
When you're wrapped up in what you'r doing because you love it and you're happy
The moment you live for
The moment you want to last forever
This moment
This right here
Not then, not before or after
But right now, this
We lived our lives trying to to make this happen every second of everyday
Living it up

Quincy took me to Artichoke Pizza
And my God, it was immaculate
A nine in wide, nine inch long and half inch thick slice of heaven
It was a mixture of crunchy, gooey, savory goodness
I highly recommend it

Then back to the bars
Wicked *****'s
Triona's
Off The Wagon
The Bitter End
GMT
The Red Lion
Cafe Wha?
1849

Beer
Wine
***
Whiskey
Scotch on the rocks
Bourbon

Smoking electronic cigarettes down cobble stone roads
Passing hipsters, college students and tweakers
Locals and tourists
"Out of my way you tourist *******" I yelled frantically pushing my way passed them with Quincy trudging behind

You can always spot a tourist because they got their cameras, their ***** packs and their head looking up saying "ooo look at the building and that one!" taking snap shots in awe

We walked to The V-club
As we walked up to the entrance a little old lady in a wheel chair called out to us, "Are you two brothers?"
We laughed and said "no, were best friends and next door neighbors"
"Oh, well you too look very similar, very young" she said
"Yeah we're both twenty one" Quincy said
"You live around here?" I asked
"Right over there" she said pointing to the building across the street
She told us about how the building was falling apart and how all the law students got booted out leaving the little old lady and one other person living in the nine floor heap
"Back in the day there were river rats in their the sized of cats, but now we only have mice" she said
"I'm being moved though, whenever the land lords and the officials decided where" she added
She had some sort old senior citizen perk that allowed her to be taken care of
She then started to spit some of her poetry from thirty years ago, perfectly from memory
It was full of truth, insight and hope
We were floored by this wheelchair bound geriatric
She was a a retired barmaid, a poet, and an ex-lounge singer
Her name was Tracy Warren

The three of us walked into the V-club
I ordered a glass of Pinot Noir
And Quincy got a draft Brooklyn Lager
While pulling out a stool a spilled my wine all over the wooden table
"****" I said as everyone in the bar watched me put my face in my palms
I got paper towels and cleaned up my mess while the bartender leaned over to Quincy and said "If you don't tip me that will be your last drink ever in here"
"Okay" Quincy said as he walked over to me laughing at my expense
"If it was Burgundy I'd be in tears" I said with a half serious frown

I went to the bartender and apologized and asked sheepishly if I could possibly get a refill

"You spilled your wine?" he asked with sarcasm
"Yeah" I said
"And you want me to give you another?" he asked
"Well, I mean I don't know if that's okay or not that's why I'm asking" I said
"We don't, it isn't okay, you have to buy another one" he said with the most insulting tone I've ever heard
"Okay" I said with disdain

"**** this guy" Quincy and I both said
I left the remaining wine dripping off the table
Quincy ****** all over the bathroom
He finished his beer and we left without tipping that bearded-high and mighty- *******
We said goodbye to Tracy and she told us to enjoy every moment and to get home safely

We went to one more bar, had one more drink and headed home
But on the way to the train we got stopped by a ***
"Hey you give me money I know you got it" he yelled at Quincy
"Na man, hes broke trust me" I said to end the oncoming confrontation
"No yous lying i know it" he said
"Na, see those shoes? I got him those shoes, fifty five bucks" I told him
"Stop putting me on" he yelled
Then some white knight hipster wearing thick rimmed glasses and a green flannel stepped in and said "What's going on here? You picking on my friend?" While putting his arm around the *** mocking him and making trouble for us
"This ******* won't give me any money for my troubles" he told the hipster
"Come on man, give 'em something" he said to Quincy
"Dude, he has no money he spent all he had today" I said to the hipster and the ***
"He's a trust fund kid, he gets it from mommy and daddy" I said winking to Quincy
"Trust fund kid?!" the hipster said
"Trust fund kid!" said the ***
"TRUST FUND KID, TRUST FUND KID" screamed the hipster, the *** and myself laughing at Quincy making a scene
Then me and Quincy just walked away throwing our heads back howling at the full moon, drunk and exhausted heading for the subway  

The subway to Port Authority
Our legs, our feet and our ***** were killing us
We just wanted to sit

We could not for the life of us find our gate
We got misdirections from officers, other public transportation patrons
Thank God for this one janitor for pointing us in the right direction out of our wild goose chase
And ***** the guy who I asked "Hey man do you know where I can find the gate for the 177 express?"
And all I got was a blank indifferent stare
"WELL **** ME RIGHT?!" I yelled in his face

Finally we got on the line for our bus
We saw some weaselly looking guy cutting the line until he got booted to the back of the line
As he passed us we both looked at his and said "Weet, get meerkatted scumbag"
He had to wait for the next bus, whenever that was

The bus ride home felt like an eternity
But we made it
We had to walk down the unpaved dirt road to our street

We did it
We took on The Village
Sailed through the bars
Walked the streets
Met cool, hip people
Made memories
And now we have stories to tell

I'm not in Greenwich, Dulwich, Woolwich or Shoreditch
but I've been to all of them and never looked at them
the same way again.

The staples to me were
Paris, Rome and Naples,
been to them too
passing through en route
to other locations
assignations
desire
every
destination on fire,
and
then I found you.

don't ask what the pen knows.