1970 Odysseus visits cousin Patsy in New York City she introduces him to her best friend Lauren’s older less attractive more reclusive sister Tanya Mulhaney extremely wealthy family father founded corporation manufactures pinball machines which years later develop to video games then casino empire he favors and spoils Tanya but dies suddenly her envious sisters and mother gang up on Tanya is pale skinny flat-chested copious brown bush Odysseus sits in bathtub with Tanya and he probes in a way they hits it off maybe no boy has ever touched her in that way her complexion is so fragile slightest fluster prompts pink blotches on her cheeks neck chest back he admires her book smarts he’s attracted to her refined strangeness he thinks her bush and flat-chest are **** she laughs shyly offers to take him around the world he accepts Odysseus tells his parents Mom goes crazy yells into telephone what are you a ******? you father and i work like fools to send you to the best schools so you can make something of yourself you’re going to throw everything away to be a ***? i tell you we’ll disown you you won’t have a home to come back to do you hear me? we’ll disown you! she sobs how can you just walk out after all we have done for you? you ******* kid! Odysseus takes leave of absence from art school he and Tanya take Iberia jet 12 hour flight with stopover in Iceland to Belgium Tanya sinks into one of her moods swallows several pills to help her rest sitting on other side of Odysseus is curly haired skinny talkative musician claims he has jammed with Miles Davis and other jazz greats Odysseus says yeah right and i’ve shown with Johns and Twombly where exactly are you heading in Europe? musician answers he is a scientologist on his way to visit L. Ron Hubbard in England Odysseus does not know what Dianetics are and wants explanation he asks many questions and musician talks for hours they enjoy each other’s rapport as jet descends in Brussels they exchange home addresses in the States 9 months later when Odysseus returns to America a friend notices scribbled address while skimming through his travel journals Odys! how did you get Chick Corea’s address? do you know him? do you realize how brilliant he is? he’s a keyboard virtuoso! Odysseus questions Chick Corea? who’s Chick Corea? he looks at journal page then says oh that guy i sat next to him on the jet to Europe so he really is a famous musician huh? wow!

in October 1970 Brussels is damp chilly Tanya wears hip-hugger jeans black turtle-neck top North Face shell she huddles her arms around her chest smokes cigarettes looks through hotel room window out into gray overcast sky speaks in defeatist voice i didn’t bring clothes for this weather she picks at her plate in hotel restaurant glumly vacillates later in bed after refusing *** decides they leave tomorrow fly to Canary Islands for several weeks to get tan before traveling through Morocco during winter months Canary Islands are laden with Swedish tourists including bikini clad young girls many not wearing tops Odysseus is thinking about how to swing some of that Swedish free love once Tanya gets drunk succumbs to Odysseus’s ****** overtures it is good  one day while returning to hotel from beach 2 Spanish police stop and question Tanya and Odysseus police order to see their passports then command them into squad car police bark in Spanish rifle through their daypacks point a finger Odysseus can smell alcohol on their breaths Tanya and Odysseus are terrified police drive off main road to remote location abandoned ruins no one is around police order them to step out police drive off laughing Tanya’s complexion is crimson she sobs they could have murdered us no one would know who we are or where to find us we’re lost where are we? Odysseus looks around replies don’t worry we’ll be all right i watched where the driver was going we’ll retrace their trail

they fly to Tangier travel south by train Tanya is irritable insisting Odysseus carry her backpack Casablanca is ***** 3 men peer from sunglasses act suspicious wear tattered trench coats Tanya and Odysseus snack at cafe which provides hookahs for smoking hashish Odysseus scores several grams Tanya laughs suggests they rent car drive south travel to sandy beaches of Diabet for 6 weeks in the morning she paces around French hotel room with cigarette in one hand ashtray in other like she is sultry 1940’s Hollywood actress she stays in room and devours Penguin Classics Tolstoy Stendhal Proust Huysmans Zola turns out Tanya is sexually frigid she buys Odysseus anything he wants but does not put out they take train Marrakech it is sun drenched with blue skies mountains in distance Odysseus wants to go out explore get ***** with the natives he visits Medina daily witnessing many bizarre scenes he does not understand a woman squatting over an egg a man with no legs dragging himself through marketplace holding up cigarette butts in his hand he meets a professor who is out of work because king of Morocco has closed the universities due to teachers’ strike professor explains woman squatting over egg is fortuneteller and man dragging himself has been offered crutches many times yet makes more money playing off pity of tourists cigarette butts are for sale the professor invites Odysseus to visit Berbers in mountains Odysseus persuades Tanya she reluctantly agrees the 3 travel by bus in first-class front row seats vehicle filled with lively families chickens pig bus driver has assistant who lugs people onto bus or shoves them out door at a midpoint bus stops in little town everyone exits bus then men women children urinate in street local venders sell trinkets snacks Odysseus buys nibbles shish-kabob that later professor informs is roasted cat and dog they reenter bus wait suddenly butchered lamb flank is flung onto Odysseus’s lap a man climbs aboard bus stairs then grabs large carcass and heedlessly walks to back seat Odysseus wipes blood and slime off his jeans Tanya demurely giggles bus climbs mountains arrives at small Berber village professor leads them along narrow winding street of shanty huts sheltering merchants open kitchens professor tastes from various steaming iron kettles finally decides on one they are directed to rickety roof where they sit wait a boy comes up with plastic bowl filled with water and small box of Tide following professor they wash their hands then minutes later proprietor brings up simmering *** of couscous serves it with scratched raw plastic bowls no eating utensils they eat with their fingers Tanya seems bothered declines to partake she withdraws into silence after meal she becomes irritable complains of headache says she needs to return to Marrakech she remains standoffish on bus all the way to French hotel

after Marrakech they take boat trip to Italy while onboard Odysseus meets Italian Count who has an eye for him Odysseus wears Jim Morrison beat-up leather jeans Bruce Lee t-shirt scraggly whiskers Count wears thin manicured beard tiny red Speedo swim trunks Tanya grins amused Count offers Odysseus and Tanya to be guests at his villa in Milan city flourishes with stylish clothes loud lively restaurants classical sculptures covered in car pollution following several weeks of aristocratic wining and dining amazing 11 course elegant soiree Odysseus botches compliance with Count’s desires they are asked to leave Tanya laughs hysterically they board train to Germany based on Tanya’s tour book they find historic hotel with wind rattling windows coin operated hot water bath in Munich Tanya stays in room Odysseus goes to dance club meets brown-hared pale skinned German girl neither speak the other’s language he pays for hourly rated room they play German girl in animated gesturing warns him as he is going down on her but he does not understand until several days later scratching beard finds ***** seeks A-200 lice treatment German version leather pants disposed Tanya knows but says nothing she buys Volkswagen they drive through Black Forest Tanya wants to visit King Ludwig’s castles Odysseus does the driving mostly they listen to the Who’s “Who’s Next” and Joni Mitchell’s “Blue” he follows Tanya’s instructions not knowing who King Ludwig was eventually he learns Ludwig was colorful character built extravagant Disney like castles and friends Richard Wagner Bavaria is cold gray brown deep forest green scenic Swiss Alps visible in southern view they drive from Neuschwanstein to Linderhof to Herrenchiemsee then Freiburg lodge in bed and breakfasts Tanya grows restless by all the driving decides to ditch car along road in northern France as Odysseus unscrews car license by road side several cars stop French people concerned they need help Tanya is anxious hoping for clean get away from abandoning vehicle they board train to Paris Tanya speaks a little French in spring of 1971 they are backpacking in search of hotel on Left Bank it rains all morning sky is overcast Tanya reads “Pride and Prejudice” Odysseus draws in sketchbook at sidewalk café sitting next to them are older Parisian couple man detects they are Americans he turns to them expresses in English his contempt why can’t you Americans learn from France’s lessons in Vietnam? Tanya and Odysseus don’t look up they feel like dumb ugly Americans within days they leave Paris

cross English Channel by boat they find temporary apartment in Earl’s Court in London it is overcast almost every day within a month they move to larger place in Chelsea with backyard with run down English garden Odysseus weeds garden plants tomatoes lettuce carrots radishes flowers Tanya stays in her room smokes reads at night they go out to ethnic restaurants one night they visit Indian restaurant a very proper English woman sitting at next table orders exotic fruit for dessert Odysseus asks waiter what kind of fruit waiter answers mango Odysseus has never seen or tasted mango English woman delicately eats the fruit with fork and knife Odysseus orders mango for dessert he attempts to imitate how English lady proceeded fruit slips around on plate finally out of frustration he picks it up in his hands bites into it he is aroused by how luscious mango is sniffing with nose scraping fruit’s skin with front teeth then ******* the seed Tanya makes a face suddenly the seed slides from his grasp shoots across table Tanya’s cheeks neck turn scarlet voice raises stop it Odys! you’re disgusting! are you intentionally trying to embarrass me? why are you doing this? he replies i’m not doing anything to you i’m enjoying the most delicious fruit i’ve ever tasted who cares what it looks like? later she laughs about incident offers to buy more mangos promises to take him shopping at Harrods tomorrow he goes along with their arrangement until it all seems like pretty background scenery to an empty intimacy missing all his friends back at art school he writes about his loneliness he feels trapped in Tanya’s web several times he sneaks English girls into his room when Tanya jealously confronts him he admits he has had enough and wants to go back to Hartford she suggests at the least they fly to Bermuda for several weeks to get tan before returning he declines on June 30 1971 Odysseus returns to Hartford and Tanya moves to San Francisco on July 3 Jim Morrison overdoses in Paris

the darkest hour, the longing
is gone, no look back, nor remorse,
only scars and internal bleeding,
the time of sorrow is past, no remorse
nor songs of regrets, futile are the sorrow
songs,

despair is good, like love or an ******,
after the secrets behind the dress, loving
wanting the female scent, can smell you,
as lion to his prey, as bees on honey,
looking at the female eyes, loving silently,
longing lascivious touch, in the heat of lust,
falling as a sinner for her ****** doors,

the hour of lust never goes, is cursing
every moment and every piece of flesh,
like the merchant of Venice, taking your skin
as mi own, devouring the placer of
making her *** and letting her go.

us  poets souls, loving without remorse
feeling and making love threw words,
in a shallow world, full of badly lust, the lust of us,
is sour but never cold, only shallow souls
can't make love, us always trying to love,

the darkest hour, the longing is on,
mesmerizing the lascivious touch,
looking at you'r ******* face,
sweet as hell feeling mellow and fool
as a little boy, in the hour's of hates,
there is no remorse after those gay boys
in shallow hall, even them knows who is not

some loving threw phones,
us ******* threw words, like the
first lover threw words, mister George
lord of us all, the poets following the trails,
of love and lust, looking the fleur du mal,
reading the maldoror, and watching
at abysmal thoughts, of greats and crazy lost,
how many of you **** with words,
as Baudelaire says,
hypocrite reader mi brother, the truth
is on our souls, she watch for us all.

a season inferne, trying to love her
and making her keep the ******* soul,
soulless girl is already lost, crazy paths to her,
lost, but never stain my soul, in the darkest hour,
loving as i let go, feeling nothing, but the stain of
children blood in her hands, lost the soul, but trying
as never, to making her feel the love and lust in a
poets souls, beast are we all, of love and lust,

in this darkest hour, lost the heart but not my soul,
she is the love i make threw words, and lust is not
a game on her phone, or sexting foolishness,
where is thou lascivious touch, your heaven reach's,
gone. and never to return, too much connection
but no touch

lust is not a game, is an act of love,
pain and placer, lust and love,
flavors of the same drug, the drug of love,
every ****** is connected too us all, poetry
is ******* and loving threw words,
old pigs and lion and wolves,
making and matting and feeling it all.

the pain is part of lovers and lust, in
the empty streets of the days gone,
y can still see her with my eyes closed.
old lover of days far gone, still see you
with my eyes closed, the darkest hours
are gone and never to return, children's
blood stain the soul, of a soulless girl,

the our of darkness is not close to home,
i'm a poet in a crazy world, with out malice
or remorse, just a lover in the shallow halls,
full's of badly lust, and empty hearts with out the soul.
at the house of hell, immortality is far gone,
at this port of love and lust, are all vessels and boats
getting to the shore, or drawing in deep waters of
blood pain and lust, by not loving it all, pain and remorse
fear and love, lust and shame, all is there to feel it all,
there's  no escape for the truth in our souls, nor
ever going to be a safe port, the deep waters are
full of drawing boats, in the sea of life and love
let her go, and never look back as she lost her soul

the salt sculpture was looking back, now she is gone,
***** was full of badly lust, now she is a salty wall,
beneath hashem eyes she lost the ******* soul,
now and then never let the stain get's the soul,
is your only escape from hem, and his burning home
away the darkest hour, know that she is gone,
new dawns and new days, for this poet to love,
some day the cold will let her heart feel the eternal
fire of a poets soul. a burning heart full of love,
pain and lust, as the vessels sail on,
away far the boats are gone, beneath hashem's eyes

did he love, some will say, in deed he love,
and that is all, beneath the shallow halls
of love and lust i'm still alone in this ******* cold,
empty thoughts and lover soul's, is full by pain and lost
behind the eyes of a poets soul, is the abysmal truth
in the poets clothes, lust is nothing with out the love,
empty and vain, as a tick drinking flames of dragons yawns.


in the darkest of all hours i fell the pain of being alone,
no shame nor remorse, only the coldness, of being not,
a poets truth is on his soul, lucid thoughts in dark rooms,
and lost is not  a part of the all, the strings connect us all,
even the creepy lost, are part of us all, with o with out the soul,
but never he could stain my soul, beneath the shallow walls of
lust and love, some are lost, and alone, is a cold world, for the one with soul, evolved and ready for all, sill the soulless ones are looking for love and lust, even in shallow hall, their trying to be loved in return,

in the hour of lust and love, still the head need to be lost,
cause the pain was bigger then the love, even then i knew
one day i will going to love or try to, do,
i never be but alone, still can smell the sweetness,
of the lady's love, and make them feel adored,
and wanted, but still the head need to be lost,
the hours of pain are still near the bed,
looking as a drag remorse, or a foul lust taken by force,
or stolen in sleep, still the stains of ****** ****'s,
pollute what once  was full of love.

now is all full of lust and pain, never the soul
or the pain, take of nothing but shame,
of this poet's soul.
that even after the rapes, or  games
of creepy shames, lose the head or let the shame
direct my game, what once was stained, some will wash,
with love and lust, and honey tears, will take the stains
and love the flames in the poets heart.

nor shame nor remorse, just the truth and the flames,
never the blame will command my flames or foul my name,
connected are the strains of us all, as a mouse, as a lion
she will never pollute my name, or her shame will be minor,
the children s blood in her scent pollute the air,
and her bleeding hands are a ******* disgrace.

still the pain was washed away,
and the heart break was healed, after
all those years in pain, living in poets hell,
decadence as a way of life, despair and pain
***** my second and third name, now i'm clean
alive and well thoroughly clean is the soul of this,
project of man, sane and plain,

the darkest hours pass and where gone
alone and free, simple, smelling some
Madeleine in the sweet morning air,
the loner past, is gone with her lying eyes,
away i sail in this vessel, away the port, looking
for clean air, a woman with soul,
and this loving flame called poetry.

July 4th, 2018

Where the land of the free has become obscured by the shadow
of oppression,

Its' silhouettes are the monsters

children are afraid of under their beds.

How, fireworks remind so many gunshots

Self-proclaimed nationalists cannot stay loyal enough,
to know what would be good for this land.

This land of the free,
no longer belongs to the home of the brave,
but the cowardly.

Family & children born unto what we deem unattached,
from the roots of this soil,
they are not welcomed for lady liberty's "borrowed" arms to embrace them.

When each artifact
was sculpted from an immigrant's hands,
but we've warranted their tribulations
are greater than stars on our flag.

If those stars stand for detainment,
tragedy, and fascism.
I do not proudly pledge such ideals,
embracing my heritage of greats-
who journeyed over on ships across seas.



They are the stars of America's history.

—V.H.

I often remember with a lot of thrill in my spine every time I reflect on the Writings of Miguna Miguna in his book peeling Back the Masks, a certain sub-plot that most of Kenyan students in Canada, America, Britain, Germany or Australia often fail to go through pre-university examinations and then they opt for faculty friendly courses like carpentry and electrical-wire man offered at some polytechnics in this countries. Then these students end up living as informal sector workers in the Diaspora, and hence putting themselves into a cash strapped condition that they don’t easily come back home. This is also the same texture of revelations I have been encountering for the past five months of my regular reading of the literary pages of The Saturday Nation, in which a most of Kenyans write alongside some foreigners, but notably Professor Austin Bukenya as the foreign writer, Bukenya himself being a Ugandan.
The revelations are that the writers who were regularly writing on these pages sometimes ago have gradually waned up, not because of anything but due to their intellectual irrelevance. Mostly caused by a defect of intellectual inferiority. They were the likes of Evans Mwangi; Mwangi was forthrightly coming up with a tribally fine-tuned niche in the name of being Ngugi wa Thiong’o scholar. He had a specialization in writing about Ngugi because Ngugi is his tribesman, they are both Kikuyu’s.He also had substantial writings on Ngugi’s children; Mukoma, Lee, Nducu and Wanjiku wa Ngugi, who are in similar stretch of their father struggling to be established as writers. But all in all, Professor Evans Mwangi has already ended up as an intellectual without consequences.
Another writer in point was one; Dr Tom Odhiambo, who also teaches literature at the University of Nairobi. He had been writing on the same pages but with a strong bent towards Luo Chauvinism and stark Conspiracy against Luhyia veteran literary Critic Professor Chris Wanjala.
The only Kenyan literary activist who has been trying to remain globally vogue in his literary writings on this platform is Dr Godwin Siundu; he often displays Global relevance through his pataphorous approach to literary appreciations and criticism.
But whatsoever the case, professor Bukenya has towered seriously above these Kenyans.Bukenya’s command of English language and literary command has no match on the Kenyan literary market. Bukenya Tackles globalectics of literature as Kenyans struggle with tribalism of their home literature.Ethinicity is the enemy of Kenyan literature and as well an established foe of any other Kenyan professional perspective.
Why Kenyans are threatened with intellectual suffocation when exposed to otherness is because of a few reasons. As cited above ethinicism remains a dominant factor. But also, lack of homogenous public language, absence of ideology in their political history, failure of politics to achieve common nationalism and corruption in the public sector are contributing forces among others.
Your consecutive  look at the literary pages of  the Saturday Nation of the previous three weekends will be an empirical testimony to this position.Bukenya’s stories have surveyed dialectics of English language, aging of African literature , translation and greatness of Uganda orature with a focus on Okot P’ Bitek. And this weekend he has beautifully lime-lighted on Julius Nyerere’s Intellectual tigritude. Nyerere’s as the killer of colonialism but while at the same time he lingered as the staunch lover of Shakespeare.
This is simply a farcical repetition of the previous tragic history, as reflected in the words of Karl Marx in his 18th Brumaire, which made the Ugandan educated Sudanese Poet, Taban Reneket Makititiyong Lo Liyong to look at Kenya’s literary poverty and then take a synechedochal stand to decry that east Africa is a literary desert. He was right, but in a sense he did not mean east Africa per se, he meant Kenya .Kenya at that time had only an English Department at the University of Nairobi. The department was poorly performing in terms of research. It was desperately tethered duplicating of the European classics as its literary overture.
But when the foreign and radical blood came to Kenya, in guest of helping Kenya to overcome the fog in the seasons end from colonial mire to literary and cultural freedom, Native Kenyans were surprisingly never friendly to them at all at all. Some of the intellectuals who had come to Kenya that time were the greats like :Ezekiel Mphalele from south Africa, Okot p’ Bitek from Uganda,Okello Oculii from Uganda,Ayi Kwei Armah from Ghana, Joie De Graft from Ghana, Walter Rodney from Guyana, Austeen Bukenya from Uganda and Taban Lo Liyong from Uganda.
All of these foreigners in Kenya have later on been absolved by time and history  as literary greats.They have proved clear intellectual and literary superlativety  over and above all Kenyans. The point of contrite is that, Kenyans of that era did not give them a chance to share their intellectual resource with the peasants and masses of Kenya. Instead Kenyan bureaucrats began their usual came of intimidation and tribal nagging whenever intellectually outshone.
Austeen Bukenya was condemned into poverty at Machakos girls high school to be an English teacher or a teacher of English without a salary. Liyong and Pitek were perpetually witch-hunted out of University of Nairobi by Ngugi and Wanjala. Rodney and Armah were frustrated until they desperately moved to Tanzania from where they wrote their respective oeuvres. Armah wrote Why are we Blessed, While Rodney wrote the world famous book How Europe Underdeveloped Africa. Mphalele was frustrated to oblivion, only for him to die mysteriously when on a literary tour in West Africa.
But sadly enough, the Kenyans who were seriously illiterate, in the  likes of : Daniel Moi, Jomo Kenyatta, Ezekiel Barengtunny  and many intellectuals so-so’s shamelessly made themselves to be  chancellors of the Universities .They were chancellors who never went beyond class seven of primary schools in their child hood. They then became bovaristic if not atavistic only to begin writing lame books like Nyayo Philosophy, Suffering without Bitterness, Facing Mount Kenya and other literary trash of the same calibre. It is this intellectual sludge that they again turned to impose as compulsory reading materials on sons and daughters of poor Kenyans.
By
Alexander K. Opicho
Eldoret, Kenya.

No legacy is as rich as honesty to leave behind
No asset is as great as honesty that enriches mind
No voice is as powerful as honesty,your heart to guide
No word is as meaningful as honesty to swell with pride.

One who adheres to principle and facts , is honest
One who loves for-what-than-who-you are , is honest
One who inspires to be fearless and upfront , is honest
One who dares to raise voice against injustice, is honest

In actions ,words and dealings -be  clear and  transparent
Corruption,bribery,flattery and nepotism-be always against
Greats endure pain to follow righteousness,however difficult
On life’s tight walk ,do not crave to strike rich without sweat.

Win over lies,deceit ,treachery with love,respect and fair play
Honesty is a jewel that shines-shines brighter,rest fades away
Honesty is a bitter pill to gulp,gulp you must to lead the way
Quality than Quantity of life matters most,at the end of the day.

A child should be taught to be honest at a very early age
Set an example by emoting honesty at every step and stage
Honesty instils compassion ,concern,credibility and courage
It is a  virtue that differentiates between a devil and a sage.

Stakes may be high ,don’t ever compromise on values
A Right can never ever be Wrong ,however one views
Forever under HIS scanner,keep hands clean and heart true (HIS ...GOD)
Give best to the humanity the best will come back to you.
(C) Bhargavi Ravindra ...........B’lore
            Dated  : 09/05/2019

Poems about Flight, Flying, Flights of Fancy, Kites, Leaves, Butterflies, Birds and Bees



Flight
by Michael R. Burch

It is the nature of loveliness to vanish
as butterfly wings, batting against nothingness
seek transcendence...

Originally published by Hibiscus (India)



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite...

What do you know of the world’s despair,
gliding in vast... solitariness... there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.



The Wonder Boys
by Michael R. Burch

(for Leslie Mellichamp, the late editor of The Lyric,
who was a friend and mentor to many poets, and
a fine poet in his own right)

The stars were always there, too-bright cliches:
scintillant truths the jaded world outgrew
as baffled poets winged keyed kites—amazed,
in dream of shocks that suddenly came true...

but came almost as static—background noise,
a song out of the cosmos no one hears,
or cares to hear. The poets, starstruck boys,
lay tuned in to their kite strings, saucer-eared.

They thought to feel the lightning’s brilliant sparks
electrify their nerves, their brains; the smoke
of words poured from their overheated hearts.
The kite string, knotted, made a nifty rope...

You will not find them here; they blew away—
in tumbling flight beyond nights’ stars. They clung
by fingertips to satellites. They strayed
too far to remain mortal. Elfin, young,

their words are with us still. Devout and fey,
they wink at us whenever skies are gray.

Originally published by The Lyric



American Eagle, Grounded
by Michael R. Burch

Her predatory eye,
the single feral iris,
scans.

Her raptor beak,
all jagged sharp-edged ******,
juts.

Her hard talon,
clenched in pinched expectation,
waits.

Her clipped wings,
preened against reality,
tremble.

Published as “Tremble” by The Lyric, Verses Magazine, Romantics Quarterly, Journeys, The Raintown Review, Poetic Ponderings, Poem Kingdom, The Fabric of a Vision, NPAC—Net Poetry and Art Competition, Poet’s Haven, Listening To The Birth Of Crystals (Anthology), Poetry Renewal, Inspirational Stories, Poetry Life & Times, MahMag (Iranian/Farsi), The Eclectic Muse (Canada)



Album
by Michael R. Burch

I caress them—trapped in brittle cellophane—
and I see how young they were, and how unwise;
and I remember their first flight—an old prop plane,
their blissful arc through alien blue skies...

And I touch them here through leaves which—tattered, frayed—
are also wings, but wings that never flew:
like insects’ wings—pinned, held. Here, time delayed,
their features never merged, remaining two...

And Grief, which lurked unseen beyond the lens
or in shadows where It crept on furtive claws
as It scritched Its way into their hearts, depends
on sorrows such as theirs, and works Its jaws...

and slavers for Its meat—those young, unwise,
who naively dare to dream, yet fail to see
how, lumbering sunward, Hope, ungainly, flies,
clutching to Her ruffled breast what must not be.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Originally published by The HyperTexts



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly—
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination—

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



In the Whispering Night
by Michael R. Burch

for George King

In the whispering night, when the stars bend low
till the hills ignite to a shining flame,
when a shower of meteors streaks the sky
while the lilies sigh in their beds, for shame,
we must steal our souls, as they once were stolen,
and gather our vigor, and all our intent.
We must heave our bodies to some famished ocean
and laugh as they vanish, and never repent.
We must dance in the darkness as stars dance before us,
soar, Soar! through the night on a butterfly's breeze...
blown high, upward-yearning, twin spirits returning
to the heights of awareness from which we were seized.

Published by Songs of Innocence, Romantics Quarterly, The Chained Muse and Poetry Life & Times. This is a poem I wrote for my favorite college English teacher, George King, about poetic kinship, brotherhood and romantic flights of fancy.



For a Palestinian Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?

Published by Tucumcari Literary Review, Romantics Quarterly, Poetry Life & Times, Victorian Violet Press (where it was nominated for a “Best of the Net”), The Contributor (a Nashville homeless newspaper), Siasat (Pakistan), and set to music as a part of the song cycle “The Children of Gaza” which has been performed in various European venues by the Palestinian soprano Dima Bawab



Earthbound, a Vision of Crazy Horse
by Michael R. Burch

Tashunka Witko, a Lakota Sioux better known as Crazy Horse, had a vision of a red-tailed hawk at Sylvan Lake, South Dakota. In his vision he saw himself riding a spirit horse, flying through a storm, as the hawk flew above him, shrieking. When he awoke, a red-tailed hawk was perched near his horse.

Earthbound,
and yet I now fly
through the clouds that are aimlessly drifting...
so high
that no sound
echoing by
below where the mountains are lifting
the sky
can be heard.

Like a bird,
but not meek,
like a hawk from a distance regarding its prey,
I will shriek,
not a word,
but a screech,
and my terrible clamor will turn them to clay—
the sheep,
the earthbound.

Published by American Indian Pride and Boston Poetry Magazine



Sioux Vision Quest
by Crazy Horse, Oglala Lakota Sioux (circa 1840-1877)
loose translation/interpretation by Michael R. Burch

A man must pursue his Vision
as the eagle explores
the sky's deepest blues.

Published by Better Than Starbucks and A Hundred Voices



in-flight convergence
by Michael R. Burch

serene, almost angelic,
the lights of the city ——— extend ———
over lumbering behemoths
shrilly screeching displeasure;
they say
that nothing is certain,
that nothing man dreams or ordains
long endures his command

here the streetlights that flicker
and those blazing steadfast
seem one: from a distance;
descend,
they abruptly
part ———— ways,
so that nothing is one
which at times does not suddenly blend
into garish insignificance
in the familiar alleyways,
in the white neon flash
and the billboards of Convenience

and man seems the afterthought of his own Brilliance
as we thunder down the enlightened runways.

Originally published by The Aurorean and subsequently nominated for the Pushcart Prize



Flight 93
by Michael R. Burch

I held the switch in trembling fingers, asked
why existence felt so small, so purposeless,
like a minnow wriggling feebly in my grasp...

vibrations of huge engines thrummed my arms
as, glistening with sweat, I nudged the switch
to OFF... I heard the klaxon's shrill alarms

like vultures’ shriekings... earthward, in a stall...
we floated... earthward... wings outstretched, aghast
like Icarus... as through the void we fell...

till nothing was so beautiful, so blue...
so vivid as that moment... and I held
an image of your face, and dreamed I flew

into your arms. The earth rushed up. I knew
such comfort, in that moment, loving you.



Flight
by Michael R. Burch

Eagle, raven, blackbird, crow...
What you are I do not know.
Where you go I do not care.
I’m unconcerned whose meal you bear.
But as you mount the sunlit sky,
I only wish that I could fly.
I only wish that I could fly.

Robin, hawk or whippoorwill...
Should men care that you hunger still?
I do not wish to see your home.
I do not wonder where you roam.
But as you scale the sky's bright stairs,
I only wish that I were there.
I only wish that I were there.

Sparrow, lark or chickadee...
Your markings I disdain to see.
Where you fly concerns me not.
I scarcely give your flight a thought.
But as you wheel and arc and dive,
I, too, would feel so much alive.
I, too, would feel so much alive.

This is a poem I wrote in high school. I seem to remember the original poem being influenced by William Cullen Bryant's "To a Waterfowl."



Flying
by Michael R. Burch

I shall rise
and try the ****** wings of thought
ten thousand times
before I fly...

and then I'll sleep
and waste ten thousand nights
before I dream;

but when at last...
I soar the distant heights of undreamt skies
where never hawks nor eagles dared to go,
as I laugh among the meteors flashing by
somewhere beyond the bluest earth-bound seas...
if I'm not told
I’m just a man,
then I shall know
just what I am.

This is one of my early poems, written around age 16-17.



Stage Craft-y
by Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"



Clyde Lied!
by Michael R. Burch

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.



Less Heroic Couplets: ****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.
“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!
Until the great & mighty heron
brandishes his fearsome sword.



Kissin’ ’n’ buzzin’
by Michael R. Burch

Kissin’ ’n’ buzzin’ the bees rise
in a dizzy circle of two.
Oh, when I’m with you,
I feel like kissin’ ’n’ buzzin’ too.



Delicacy
by Michael R. Burch

for all good mothers

Your love is as delicate
as a butterfly cleaning its wings,
as soft as the predicate
the hummingbird sings
to itself, gently murmuring—
“Fly! Fly! Fly!”
Your love is the string
soaring kites untie.



Lone Wild Goose
by Du Fu (712-770)
loose translation/interpretation by Michael R. Burch

The abandoned goose refuses food and drink;
he cries querulously for his companions.
Who feels kinship for that strange wraith
as he vanishes eerily into the heavens?
You watch it as it disappears;
its plaintive calls cut through you.
The indignant crows ignore you both:
the bickering, bantering multitudes.



The Red Cockatoo
by Po Chu-I (772-846)
loose translation/interpretation by Michael R. Burch

A marvelous gift from Annam—
a red cockatoo,
bright as peach blossom,
fluent in men's language.

So they did what they always do
to the erudite and eloquent:
they created a thick-barred cage
and shut it up.



The Migrant Songbird
Li Qingzhao aka Li Ching-chao (c. 1084-1155)
loose translation/interpretation by Michael R. Burch

The migrant songbird on the nearby yew
brings tears to my eyes with her melodious trills;
this fresh downpour reminds me of similar spills:
another spring gone, and still no word from you...



Lines from Laolao Ting Pavilion
by Li Bai (701-762)
loose translation/interpretation by Michael R. Burch

The spring breeze knows partings are bitter;
The willow twig knows it will never be green again.



The Day after the Rain
Lin Huiyin (1904-1955)
loose translation/interpretation by Michael R. Burch

I love the day after the rain
and the meadow's green expanses!
My heart endlessly rises with wind,
gusts with wind...
away the new-mown grasses and the fallen leaves...
away the clouds like smoke...
vanishing like smoke...



Untitled Translations

Cupid, if you incinerate my soul, touché!
For like you she has wings and can fly away!
—Meleager, loose translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Basho, loose translation/interpretation by Michael R. Burch

Come, butterfly,
it’s late
and we’ve a long way to go!
—Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Ah butterfly,
what dreams do you ply
with your beautiful wings?
—Chiyo-ni, loose translation by Michael R. Burch

Oh, dreamlike winter butterfly:
a puff of white snow
cresting mountains
—Kakio Tomizawa, loose translation by Michael R. Burch

Dry leaf flung awry:
bright butterfly,
goodbye!
—Michael R. Burch, original haiku

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies
—Matsuo Basho, loose translation by Michael R. Burch

a soaring kite flits
into the heart of the sun?
Butterfly & Chrysanthemum
—Michael R. Burch, original haiku

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho, loose translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho, loose translation by Michael R. Burch

The sea darkening,
the voices of the wild ducks:
my mysterious companions!
—Matsuo Basho, loose translation by Michael R. Burch

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho, loose translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho, loose translation by Michael R. Burch

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Hush, cawing crows; what rackets you make!
Heaven's indignant messengers,
you remind me of wordsmiths!
—O no Yasumaro (circa 711), loose translation by Michael R. Burch

Higher than a skylark,
resting on the breast of heaven:
this mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Does my soul abide in heaven, or hell?
Only the sea gull
in his high, lonely circuits, may tell.
—Glaucus, translation by Michael R. Burch

The eagle sees farther
from its greater height—
our ancestors’ wisdom
—Michael R. Burch, original haiku

A kite floats
at the same place in the sky
where yesterday it floated...
—Yosa Buson, loose translation/interpretation by Michael R. Burch



Descent
by Michael R. Burch

I have listened to the rain all this morning
and it has a certain gravity,
as if it knows its destination,
perhaps even its particular destiny.
I do not believe mine is to be uplifted,
although I, too, may be flung precipitously
and from a great height.



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they’ve become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.
And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.
We are walking somewhere that her feet know to go,
so I smile, and I follow...
And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.
She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me
rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Kin
by Michael R. Burch

for Richard Moore

1.
Shrill gulls,
how like my thoughts
you, struggling, rise
to distant bliss—
the weightless blue of skies
that are not blue
in any atmosphere,
but closest here...

2.
You seek an air
so clear,
so rarified
the effort leaves you famished;
earthly tides
soon call you back—
one long, descending glide...

3.
Disgruntledly you ***** dirt shores for orts
you pull like mucous ropes
from shells’ bright forts...
You eye the teeming world
with nervous darts—
this way and that...
Contentious, shrewd, you scan—
the sky, in hope,
the earth, distrusting man.



Songstress
by Michael R. Burch

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty.



Performing Art
by Michael R. Burch

Who teaches the wren
in its drab existence
to explode into song?
What parodies of irony
does the jay espouse
with its sharp-edged tongue?
What instinctual memories
lend stunning brightness
to the strange dreams
of the dull gray slug
—spinning its chrysalis,
gluing rough seams—
abiding in darkness
its transformation,
till, waving damp wings,
it applauds its performance?
I am done with irony.
Life itself sings.



Lean Harvests
by Michael R. Burch

for T.M.

the trees are shedding their leaves again:
another summer is over.
the Christians are praising their Maker again,
but not the disconsolate plover:
i hear him berate
the fate
of his mate;
he claims God is no body’s lover.

Published by The Rotary Dial and Angle



My Forty-Ninth Year
by Michael R. Burch

My forty-ninth year
and the dew remembers
how brightly it glistened
encrusting September,...
one frozen September
when hawks ruled the sky
and death fell on wings
with a shrill, keening cry.

My forty-ninth year,
and still I recall
the weavings and windings
of childhood, of fall...
of fall enigmatic,
resplendent, yet sere,...
though vibrant the herald
of death drawing near.

My forty-ninth year
and now often I've thought on
the course of a lifetime,
the meaning of autumn,
the cycle of autumn
with winter to come,
of aging and death
and rebirth... on and on.

Originally published by Romantics Quarterly as “My Twenty-Ninth Year”



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.
And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf—
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain—
golden and humble in all its weary worth.



What Works
by Michael R. Burch

for David Gosselin

What works—
hewn stone;
the blush the iris shows the sun;
the lilac’s pale-remembered bloom.

The frenzied fly: mad-lively, gay,
as seconds tick his time away,
his sentence—one brief day in May,
a period. And then decay.

A frenzied rhyme’s mad tip-toed time,
a ballad’s languid as the sea,
seek, striving—immortality.

When gloss peels off, what works will shine.
When polish fades, what works will gleam.
When intellectual prattle pales,
the dying buzzing in the hive
of tedious incessant bees,
what works will soar and wheel and dive
and milk all honey, leap and thrive,
and teach the pallid poem to seethe.



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who
was born on September 11, 2001 and who
died at age nine, shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the evil things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...
I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bring them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew
and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Transplant
by Michael R. Burch

You float, unearthly angel, clad in flesh
as strange to us who briefly knew your flame
as laughter to disease. And yet you laugh.
Behind your smile, the sun forfeits its claim
to earth, and floats forever now the same—
light captured at its moment of least height.
You laugh here always, welcoming the night,
and, just a photograph, still you can claim
bright rapture: like an angel, not of flesh—
but something more, made less. Your humanness
this moment of release becomes a name
and something else—a radiance, a strange
brief presence near our hearts. How can we stand
and chain you here to this nocturnal land
of burgeoning gray shadows? Fly, begone.
I give you back your soul, forfeit all claim
to radiance, and welcome grief’s dark night
that crushes all the laughter from us. Light
in someone Else’s hand, and sing at ease
some song of brightsome mirth through dawn-lit trees
to welcome morning’s sun. O daughter! these
are eyes too weak for laughter; for love’s sight,
I welcome darkness, overcome with light.



Reading between the lines
by Michael R. Burch

Who could have read so much, as we?
Having the time, but not the inclination,
TV has become our philosophy,
sheer boredom, our recreation.



Rilke Translations

Archaic Torso of Apollo
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

We cannot know the beheaded god
nor his eyes' forfeited visions. But still
the figure's trunk glows with the strange vitality
of a lamp lit from within, while his composed will
emanates dynamism. Otherwise
the firmly muscled abdomen could not beguile us,
nor the centering ***** make us smile
at the thought of their generative animus.
Otherwise the stone might seem deficient,
unworthy of the broad shoulders, of the groin
projecting procreation's triangular spearhead upwards,
unworthy of the living impulse blazing wildly within
like an inchoate star—demanding our belief.
You must change your life.



Herbsttag ("Autumn Day")
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

Lord, it is time. Let the immense summer go.
Lay your long shadows over the sundials
and over the meadows, let the free winds blow.
Command the late fruits to fatten and shine;
O, grant them another Mediterranean hour!
Urge them to completion, and with power
convey final sweetness to the heavy wine.
Who has no house now, never will build one.
Who's alone now, shall continue alone;
he'll wake, read, write long letters to friends,
and pace the tree-lined pathways up and down,
restlessly, as autumn leaves drift and descend.

Originally published by Measure



The Panther
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

His weary vision's so overwhelmed by iron bars,
his exhausted eyes see only blank Oblivion.
His world is not our world. It has no stars.
No light. Ten thousand bars. Nothing beyond.
Lithe, swinging with a rhythmic easy stride,
he circles, his small orbit tightening,
an electron losing power. Paralyzed,
soon regal Will stands stunned, an abject thing.
Only at times the pupils' curtains rise
silently, and then an image enters,
descends through arrested shoulders, plunges, centers
somewhere within his empty heart, and dies.



Come, You
by Ranier Maria Rilke
loose translation/interpretation by Michael R. Burch

This was Rilke's last poem, written ten days before his death. He died open-eyed in the arms of his doctor on December 29, 1926, in the Valmont Sanatorium, of leukemia and its complications. I had a friend who died of leukemia and he was burning up with fever in the end. I believe that is what Rilke was describing here: he was literally burning alive.

Come, you—the last one I acknowledge; return—
incurable pain searing this physical mesh.
As I burned in the spirit once, so now I burn
with you; meanwhile, you consume my flesh.
This wood that long resisted your embrace
now nourishes you; I surrender to your fury
as my gentleness mutates to hellish rage—
uncaged, wild, primal, mindless, outré.
Completely free, no longer future's pawn,
I clambered up this crazy pyre of pain,
certain I'd never return—my heart's reserves gone—
to become death's nameless victim, purged by flame.
Now all I ever was must be denied.
I left my memories of my past elsewhere.
That life—my former life—remains outside.
Inside, I'm lost. Nobody knows me here.



Love Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

How can I withhold my soul so that it doesn't touch yours?
How can I lift mine gently to higher things, alone?
Oh, I would gladly find something lost in the dark
in that inert space that fails to resonate until you vibrate.
There everything that moves us, draws us together like a bow
enticing two taut strings to sing together with a simultaneous voice.
Whose instrument are we becoming together?
Whose, the hands that excite us?
Ah, sweet song!



The Beggar's Song
by Rainer Maria Rilke
loose translation/interpretation by Michael R. Burch

I live outside your gates,
exposed to the rain, exposed to the sun;
sometimes I'll cradle my right ear
in my right palm;
then when I speak my voice sounds strange,
alien...
I'm unsure whose voice I'm hearing:
mine or yours.
I implore a trifle;
the poets cry for more.
Sometimes I cover both eyes
and my face disappears;
there it lies heavy in my hands
looking peaceful, instead,
so that no one would ever think
I have no place to lay my head.



Ivy
by Michael R. Burch

“Van trepando en mi viejo dolor como las yedras.” — Pablo Neruda
“They climb on my old suffering like ivy.”

Ivy winds around these sagging structures
from the flagstones
to the eave heights,
and, clinging, holds intact
what cannot be saved of their loose entrails.
Through long, blustery nights of dripping condensation,
cured in the humidors of innumerable forgotten summers,
waxy, unguent,
palely, indifferently fragrant, it climbs,
pausing at last to see
the alien sparkle of dew
beading delicate sparrowgrass.
Coarse saw grass, thin skunk grass, clumped mildewed yellow gorse
grow all around, and here remorse, things past,
watch ivy climb and bend,
and, in the end, we ask
if grief is worth the gaps it leaps to mend.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.
For fourteen years, he had not seen her
whom he first befriended,
then courted and married.
Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.
He never lost her; she only tarried
until he was able to meet her.



Prodigal
by Michael R. Burch

This poem is dedicated to Kevin Longinotti, who died four days short of graduation from Vanderbilt University, the victim of a tornado that struck Nashville on April 16, 1998.

You have graduated now,
to a higher plane
and your heart’s tenacity
teaches us not to go gently
though death intrudes.

For eighteen days
—jarring interludes
of respite and pain—
with life only faintly clinging,
like a cashmere snow,
testing the capacity
of the blood banks
with the unstaunched flow
of your severed veins,
in the collapsing declivity,
in the sanguine haze
where Death broods,
you struggled defiantly.

A city mourns its adopted son,
flown to the highest ranks
while each heart complains
at the harsh validity
of God’s ways.

On ponderous wings
the white clouds move
with your captured breath,
though just days before
they spawned the maelstrom’s
hellish rift.

Throw off this mortal coil,
this envelope of flesh,
this brief sheath
of inarticulate grief
and transient joy.

Forget the winds
which test belief,
which bear the parchment leaf
down life’s last sun-lit path.

We applaud your spirit, O Prodigal,
O Valiant One,
in its percussive flight into the sun,
winging on the heart’s last madrigal.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



The Quickening
by Michael R. Burch

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



It's Halloween!
by Michael R. Burch

If evening falls
on graveyard walls
far softer than a sigh;
if shadows fly
moon-sickled skies,
while children toss their heads
uneasy in their beds,
beware the witch's eye!

If goblins loom
within the gloom
till playful pups grow terse;
if birds give up their verse
to comfort chicks they nurse,
while children dream weird dreams
of ugly, wiggly things,
beware the serpent's curse!

If spirits scream
in haunted dreams
while ancient sibyls rise
to plague black nightmare skies
one night without disguise,
while children toss about
uneasy, full of doubt,
beware the devil's eyes...
it's Halloween!



An Illusion
by Michael R. Burch

The sky was as hushed as the breath of a bee
and the world was bathed in shades of palest gold
when I awoke.
She came to me with the sound of falling leaves
and the scent of new-mown grass;
I held out my arms to her and she passed
into oblivion...

This is one of my early poems, written around age 16 and published in my high school literary journal, The Lantern.



Describing You
by Michael R. Burch

How can I describe you?
The fragrance of morning rain
mingled with dew
reminds me of you;
the warmth of sunlight
stealing through a windowpane
brings you back to me again.

This is an early poem of mine, written as a teenager.



www.firesermon.com
by Michael R. Burch

your gods have become e-vegetation;
your saints—pale thumbnail icons; to enlarge
their images, right-click; it isn’t hard
to populate your web-site; not to mention
cool sound effects are nice; Sound Blaster cards
can liven up dull sermons, zing some fire;
your drives need added Zip; you must discard
your balky paternosters: ***!!! Desire!!!
these are the watchwords, catholic; you must
as Yahoo! did, employ a little lust
if you want great e-commerce; hire a bard
to spruce up ancient language, shed the dust
of centuries of sameness;
lameness *****;
your gods grew blurred; go 3D; scale; adjust.

Published by: Ironwood, Triplopia and Nisqually Delta Review



Her Grace Flows Freely
by Michael R. Burch

July 7, 2007

Her love is always chaste, and pure.
This I vow. This I aver.
If she shows me her grace, I will honor her.
This I vow. This I aver.
Her grace flows freely, like her hair.
This I vow. This I aver.
For her generousness, I would worship her.
This I vow. This I aver.
I will not **** her for what I bear
This I vow. This I aver.
like a most precious incense–desire for her,
This I vow. This I aver.
nor call her “*****” where I seek to repair.
This I vow. This I aver.
I will not wink, nor smirk, nor stare
This I vow. This I aver.
like a foolish child at the foot of a stair
This I vow. This I aver.
where I long to go, should another be there.
This I vow. This I aver.
I’ll rejoice in her freedom, and always dare
This I vow. This I aver.
the chance that she’ll flee me–my starling rare.
This I vow. This I aver.
And then, if she stays, without stays, I swear
This I vow. This I aver.
that I will joy in her grace beyond compare.
This I vow. This I aver.



Second Sight (II)
by Michael R. Burch

Newborns see best at a distance of 8 to 14 inches.
Wiser than we know, the newborn screams,
red-faced from breath, and wonders what life means
this close to death, amid the arctic glare
of warmthless lights above.
Beware! Beware!—
encrypted signals, codes? Or ciphers, noughts?
Interpretless, almost, as his own thoughts—
the brilliant lights, the brilliant lights exist.
Intruding faces ogle, gape, insist—
this madness, this soft-hissing breath, makes sense.
Why can he not float on, in dark suspense,
and dream of life? Why did they rip him out?
He frowns at them—small gnomish frowns, all doubt—
and with an ancient mien, O sorrowful!,
re-closes eyes that saw in darkness null
ecstatic sights, exceeding beautiful.



Incommunicado
by Michael R. Burch

All I need to know of life I learned
in the slap of a moment,
as my outward eye turned
toward a gauntlet of overhanging lights
which coldly burned, hissing—
"There is no way back!..."
As the ironic bright blood
trickled down my face,
I watched strange albino creatures twisting
my flesh into tight knots of separation
all the while tediously insisting—
“He's doing just fine!"



Letdown
by Michael R. Burch

Life has not lived up to its first bright vision—
the light overhead fluorescing, revealing
no blessing—bestowing its glaring assessments
impersonally (and no doubt carefully metered).
That first hard

SLAP

demanded my attention. Defiantly rigid,
I screamed at their backs as they, laughingly,

ripped

my mother’s pale flesh from my unripened shell,
snapped it in two like a pea pod, then dropped
it somewhere—in a dustbin or a furnace, perhaps.

And that was my clue

that some deadly, perplexing, unknowable task
lay, inexplicable, ahead in the white arctic maze
of unopenable doors, in the antiseptic gloom...



Recursion
by Michael R. Burch

In a dream I saw boys lying
under banners gaily flying
and I heard their mothers sighing
from some dark distant shore.

For I saw their sons essaying
into fields—gleeful, braying—
their bright armaments displaying;
such manly oaths they swore!

From their playfields, boys returning
full of honor’s white-hot burning
and desire’s restless yearning
sired new kids for the corps.

In a dream I saw boys dying
under banners gaily lying
and I heard their mothers crying
from some dark distant shore.



Poet to poet
by Michael R. Burch

I have a dream
pebbles in a sparkling sand
of wondrous things.
I see children
variations of the same man
playing together.
Black and yellow, red and white,
stone and flesh, a host of colors
together at last.
I see a time
each small child another's cousin
when freedom shall ring.
I hear a song
sweeter than the sea sings
of many voices.
I hear a jubilation
respect and love are the gifts we must bring
shaking the land.
I have a message,
sea shells echo, the melody rings
the message of God.
I have a dream
all pebbles are merely smooth fragments of stone
of many things.
I live in hope
all children are merely small fragments of One
that this dream shall come true.
I have a dream...
but when you're gone, won't the dream have to end?
Oh, no, not as long as you dream my dream too!
Here, hold out your hand, let's make it come true.
i can feel it begin
Lovers and dreamers are poets too.
poets are lovers and dreamers too



Life Sentence
by Michael R. Burch

... I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down
to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son”...

... the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray)...

... i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!”...

... i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart...

... i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;
... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...
is that She feels Weird.



Beast 666
by Michael R. Burch

“... what rough beast... slouches toward Bethlehem to be born?”—W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking—
tiny orifices torn,
impaled with hard lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition...
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



America's Riches
by Michael R. Burch

Balboa's dream
was bitter folly—
no El Dorado near, nor far,
though seas beguiled
and rivers smiled
from beds of gold and silver ore.

Drake retreated
rich with plunder
as Incan fled Conquistador.
Aztecs died
when Spaniards lied,
then slew them for an ingot more.

The pilgrims came
and died or lived
in fealty to an oath they swore,
and bought with pain
the precious grain
that made them rich though they were poor.

Apache blood,
Comanche tears
were shed, and still they went to war;
they fought to be
unbowed and free—
such were Her riches, and still are.

Published by Poetic Reflections and Tucumcari Literary Review



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?
Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?
Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Photographs
by Michael R. Burch

Here are the effects of a life
and they might tell us a tale
(if only we had time to listen)
of how each imperiled tear would glisten,
remembered as brightness in her eyes,
and how each dawn’s dramatic skies
could never match such pale azure.

Like dreams of her, these ghosts endure
and they tell us a tale of impatient glory...
till a line appears—a trace of worry?—
or the wayward track of a wandering smile
which even now can charm, beguile?

We might find good cause to wonder
as we see her pause (to frown?, to ponder?):
what vexed her in her loveliness...
what weight, what crushing heaviness
turned her lustrous hair a frazzled gray,
and stole her youth before her day?

We might ask ourselves: did Time devour
the passion with the ravaged flower?
But here and there a smile will bloom
to light the leaden, shadowed gloom
that always seems to linger near...
And here we find a single tear:
it shimmers like translucent dew
and tells us Anguish touched her too,
and did not spare her for her hair
of copper, or her eyes' soft hue.

Published in Tucumcari Literary Review



Numbered
by Michael R. Burch

He desired an object to crave;
she came, and she altared his affection.
He asked her for something to save:
a memento for his collection.
But all that she had was her need;
what she needed, he knew not to give.
They compromised on a thing gone to seed
to complete the half lives they would live.
One in two, they were less than complete.
Two plus one, in their huge fractious home
left them two, the new one in the street,
then he, by himself, one, alone.
He awoke past his prime to new dawn
with superfluous dew all around,
in ten thousands bright beads on his lawn,
and he knew that, at last, he had found
a number of things he had missed:
things shining and bright, unencumbered
by their price, or their place on a list.
Then with joy and despair he remembered
and longed for the lips he had kissed
when his days were still evenly numbered.



Nucleotidings
by Michael R. Burch

“We will walk taller!” said Gupta,
sorta abrupta,
hand-in-hand with his mom,
eyeing the A-bomb.

“Who needs a mahatma
in the aftermath of NAFTA?
Now, that was a disaster,”
cried glib Punjab.

“After Y2k,
time will spin out of control anyway,”
flamed Vijay.

“My family is relatively heavy,
too big even for a pig-barn Chevy;
we need more space,”
spat What’s His Face.

“What does it matter,
dirge or mantra,”
sighed Serge.

“The world will wobble
in Hubble’s lens
till the tempest ends,”
wailed Mercedes.

“The world is going to hell in a bucket.
So **** it and get outta my face!
We own this place!
Me and my friends got more guns than ISIS,
so what’s the crisis?”
cried Bubba Billy Joe Bob Puckett.



All My Children
by Michael R. Burch

It is May now, gentle May,
and the sun shines pleasantly
upon the blousy flowers
of this backyard cemet'ry,
upon my children as they sleep.

Oh, there is Hank in the daisies now,
with a mound of earth for a pillow;
his face as hard as his monument,
but his voice as soft as the wind through the willows.

And there is Meg beside the spring
that sings her endless sleep.
Though it’s often said of stiller waters,
sometimes quicksilver streams run deep.

And there is Frankie, little Frankie,
tucked in safe at last,
a child who weakened and died too soon,
but whose heart was always steadfast.

And there is Mary by the bushes
where she hid so well,
her face as dark as their berries,
yet her eyes far darker still.

And Andy... there is Andy,
sleeping in the clover,
a child who never saw the sun
so soon his life was over.

And Em'ly, oh my Em'ly...
the prettiest of all...
now she's put aside her dreams
of lovers dark and tall
for dreams dreamed not at all.

It is May now, merry May
and the sun shines pleasantly
upon the green gardens,
on the graves of all my children...
But they never did depart;
they still live within my heart.

I wrote this poem around age 15-16.



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of “morality” around me.
Surround me,
not with law’s restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,
and not to fly to You, my only sin.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men—
men rejoicing to have known you
in the familiar manger’s cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright—
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope’s long-departed star!



Litany
by Michael R. Burch

Will you take me with all my blemishes?
I will take you with all your blemishes, and show you mine. We’ll **** wine from cardboard boxes till our teeth and lips shine red like greedily gorging foxes’. We’ll swill our fill, then have *** for hours till our neglected guts at last rebel. At two in the morning, we’ll eat cold Krystals as our blood detoxes, and we will be in love.

And that’s it?
That’s it.

And can I go out with my friends and drink until dawn?
You can go out with your friends and drink until dawn, come home lipstick-collared, pass out by the pool, or stay at the bar till the new moon sets, because we'll be in love, and in love there's no room for remorse or regret. There is no right, no wrong, and no mistrust, only limb-numbing ***, hot-pistoning lust.

And that’s all?
That’s all.

That’s great!
But wait...

Wait? Why? What’s wrong?
I want to have your children.

Children?
Well, perhaps just one.

And what will happen when we have children?
The most incredible things will happen—you’ll change, stop acting so strangely, start paying more attention to me, start paying your bills on time, grow up and get rid of your horrible friends, and never come home at a-quarter-to-three drunk from a night of swilling, smelling like a lovesick skunk, stop acting so lewdly, start working incessantly so that we can afford a new house which I will decorate lavishly and then grow tired of in a year or two or three, start growing a paunch so that no other woman would ever have you, stop acting so boorishly, start growing a beard because you’re too tired to shave, or too afraid, thinking you might slit your worthless wrinkled throat...



Mending Glass
by Michael R. Burch

In the cobwebbed house—
lost in shadows
by the jagged mirror,
in the intricate silver face
cracked ten thousand times,
silently he watches,
and in the twisted light
sometimes he catches there
a familiar glimpse of revealing lace,
white stockings and garters,
a pale face pressed indiscreetly near
with a predatory leer,
the sheer flash of nylon,
an embrace, or a sharp slap,
... a sudden lurch of terror.

He finds bright slivers
—the hard sharp brittle shards,
the silver jags of memory
starkly impressed there—
and mends his error.



Shadowselves
by Michael R. Burch

In our hearts, knowing
fewer days—and milder—beckon,
how are we, now, to measure
that flame by which we reckon
the time we have remaining?

We are shadows
spawned by a blue spurt of candlelight.
Darkly, we watch ourselves flicker.

Where shall we go when the flame burns less bright?
When chill night steals our vigor?

Why are we less than ourselves? We are shadows.

Where is the fire of youth? We grow cold.

Why does our future loom dark? We are old.

Why do we shiver?

In our hearts, seeing
fewer days—and briefer—breaking,
now, even more, we treasure
the brittle leaf-like aching
that tells us we are living.



Pressure
by Michael R. Burch

Pressure is the plug of ice in the frozen hose,
the hiss of water within vinyl rigidly green and shining,
straining to writhe.

Pressure is the kettle’s lid ceaselessly tapping its tired dance,
the hot eye staring, its frantic issuance
unavailing.

Pressure is the bellow’s surge, the hard forged
metal shedding white heat, the beat of the clawed hammer
on cold anvil.

Pressure is a day’s work compressed into minutes,
frantic minute vessels constricted, straining and hissing,
unable to writhe,

the fingers drumming and tapping their tired dance,
eyes staring, cold and reptilian,
hooded and blind.

Pressure is the spirit sighing—reflective,
restrictive compression—an endless drumming—
the bellows’ echo before dying.

The cold eye—unblinking, staring.
The hot eye—sinking, uncaring.



Open Portal
by Michael R. Burch

“You already have zero privacy—get over it.”
Scott McNealy, CEO of Sun Microsystems

While you’re at it—
don’t bother to wear clothes:
We all know what you’re concealing underneath.

Let the bathroom door swing open.
Let, O let Us peer in!
What you’re doing, We’ve determined, may be a sin!

When you visit your mother
and it’s time to brush your teeth,
it’s okay to openly spit.

And, while you’re at it,
go ahead—
take a long, noisy ****.

What the he|ll is your objection?
What on earth is all this fuss?
Just what is it, exactly, you would hide from US?



beMused
by Michael R. Burch

Perhaps at three
you'll come to tea,
to sip a cuppa here?

You'll just stop in
to drink dry gin?
I only have a beer.

To name the greats:
Pope, Dryden, mates?
The whole world knows their names.

Discuss the songs
of Emerson?
But these are children's games.

Give me rhythm
wild as Dylan!
Give me Bobbie Burns!

Give me Psalms,
or Hopkins’ poems,
Hart Crane’s, if he returns!

Or Langston railing!
Blake assailing!
Few others I desire.

Or go away,
yes, leave today:
your tepid poets tire.



The Century’s Wake
by Michael R. Burch

lines written at the close of the 20th century

Take me home. The party is over,
the century passed—no time for a lover.

And my heart grew heavy
as the fireworks hissed through the dark
over Central Park,
past high-towering spires to some backwoods levee,
hurtling banner-hung docks to the torchlit seas.
And my heart grew heavy;
I felt its disease—
its apathy,
wanting the bright, rhapsodic display
to last more than a single day.

If decay was its rite,
now it has learned to long
for something with more intensity,
more gaudy passion, more song—
like the huddled gay masses,
the wildly-cheering throng.

You ask me—
How can this be?

A little more flair,
or perhaps only a little more clarity.

I leave her tonight to the century’s wake;
she disappoints me.



Salve
by Michael R. Burch

for the victims and survivors of 9-11

The world is unsalvageable...
but as we lie here
in bed
stricken to the heart by love
despite war’s
flickering images,
sometimes we still touch,
laughing, amazed,
that our flesh
does not despair
of love
as we do,
that our bodies are wise
in ways we refuse
to comprehend,
still insisting we eat,
drink...
even multiply.

And so we touch...
touch, and only imagine
ourselves immune:
two among billions
in this night of wished-on stars,
caresses,
kisses,
and condolences.

We are not lovers of irony,
we
who imagine ourselves
beyond the redemption
of tears
because we have salvaged
so few
for ourselves...

and so we laugh
at our predicament,
fumbling for the ointment.



Stump
by Michael R. Burch

This used to be a poplar, oak or elm...
we forget the names of trees, but still its helm,
green-plumed, like some Greek warrior’s, nobly fringed,
with blossoms almond-white, but verdant-tinged,
this massive helm... this massive, nodding head
here contemplated life, and now is dead...

Perhaps it saw its future, furrow-browed,
and flung its limbs about, dejectedly.
Perhaps it only dreamed as, cloud by cloud,
the sun plod through the sky. Heroically,
perhaps it stood against the mindless plots
of concrete that replaced each flowered bed.
Perhaps it heard thick loggers draw odd lots
and could not flee, and so could only dread...

The last of all its kind? They left its stump
with timeworn strange inscriptions no one reads
(because a language lost is just a bump
impeding someone’s progress at mall speeds).

We leveled all such “speed bumps” long ago
just as our quainter cousins leveled trees.
Shall we, too, be consumed by what we know?
Once gods were merely warriors; august trees
were merely twigs, and man the least divine...
mere fables now, dust, compost, turpentine.



First Dance
by Michael R. Burch

for Sykes and Mary Harris

Beautiful ballerina—
so pert, pretty, poised and petite,
how lightly you dance for your waiting Beau
on those beautiful, elegant feet!

How palely he now awaits you, although
he’ll glow from the sparks when you meet!



Keep the Body Well
by Michael R. Burch

for William Sykes Harris III

Is the soul connected to the brain
by a slender silver thread,
so that when the thread is severed
we call the body “dead”
while the soul — released from fear and pain —
is finally able to rise
beyond earth’s binding gravity
to heaven’s welcoming skies?

If so — no need to quail at death,
but keep the body well,
for when the body suffers
the soul experiences hell.



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya’s Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Whose Woods
by Michael R. Burch

Whose woods these are, I think I know.
**** Cheney’s in the White House, though.
He will not see me stopping here
To watch his chip mills overflow.

My sterile horse must think it queer
To stop without a ’skeeter near
Beside this softly glowing “lake”
Of six-limbed frogs gone nuclear.

He gives his hairless tail a shake;
I fear he’s made his last mistake—
He took a sip of water blue
(Blue-slicked with oil and HazMat waste).

Get out your wallets; ****’s not through—
Enron’s defunct, the bill comes due...
Which he will send to me, and you.
Which he will send to me, and you.



1-800-HOT-LINE
by Michael R. Burch

“I don’t believe in psychics,” he said, “so convince me.”

When you were a child, the earth was a joy,
the sun a bright plaything, the moon a lit toy.
Now life’s minor distractions irk, frazzle, annoy.
When the crooked finger beckons, scythe-talons destroy.

“You’ll have to do better than that, to convince me.”

As you grew older, bright things lost their meaning.
You invested your hours in commodities, leaning
to things easily fleeced, to the convenient gleaning.
I see a pittance of dirt—untended, demeaning.

“Everyone knows that!” he said, “so convince me.”

Your first and last wives traded in golden bands
for vacations from the abuses of your cruel hands.
Where unwatered blooms line an arid plot of land,
the two come together, waving fans.

“Everyone knows that. Convince me.”

As your father left you, you left those you brought
to the doorstep of life as an afterthought.
Two sons and a daughter tap shoes, undistraught.
Their tears are contrived, their condolences bought.

“Everyone knows that. CONVINCE me.”

A moment, an instant... a life flashes by,
a tunnel appears, but not to the sky.
There is brightness, such brightness it sears the eye.
When a life grows too dull, it seems better to die.

“I could have told you that!” he shrieked, “I think I’ll **** myself!”

Originally published by Penny Dreadful



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and cares naught for graves,
prayers, coffins, or roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Jehovah, or Thor.

Think of Me as One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.

Keywords/Tags: flight, flying, fancy, kites, leaves, birds, bees, butterflies, wings, heights, fall, falling

I sometimes take words that were first used by others
(I'm About to admit I'm a bit of a crook)
Re-hash and re-use them, and make my own covers-
Stealing little known lines from an eloquent book.

I've stolen from Shakespeare, yanked words off of Yeats,
And pilfered from Plato and Brown;
I've probably swiped stuff off all of the greats,
And many of zero renown.

There's more to be heard in the wise words of Wilde
Or took from a Tennyson line
Or the thinking out loud of an inquisitive child,
Than could spill forth from this pen of mine.

So if I've stolen from you, and perchance have offended,
(Yes- I'm about to steal Shakespeare again)
Just think but this, and all is mended;
Nothing original came from my pen.

Which means that, eventually, all that I've ever done
Will be lost in the shadows of time,
Skipped over, or lost, and simply outdone
By your works original shine.

There once was a black man... Old at heart, he fought verbally and accordingly with bold words, which abbreviated and arbitrated great art! He spoke of activism. Not just racial, and economic racism. He fought against demonic injustices for you, yes, made me see. He stood for principles of non-violence. Acknowledged corrupt government

mileage, European knowledge and college. A philosopher, teacher
and preacher as well as a civil rights leader. When he spoke his words of fire indeed chiseled and inspired. Causing some to conspire and also perspire! Born January 15th 1929 in Atlanta, Georgia. Named in honor of the German protestant Martin Luther. Bachelor of Arts

degree in sociology. Making a mark in doctoral studies, systematic theology. June 5th 1955 This King married Corretta Scott in Heiberger,
Alabama for many to see. Proceeding with four children: Yolanda, Martin Luther the 3rd to be! Dexter Scott and Bernice to increase the peace. Despite the European police, the movements and stressed

protests, the silence, ****** and racial violence. The segregation and interrogations in force, instead of integration of course. Black mishaps, lack of differences in relapse perhaps! Plagiarized and slandered, demised by some of the wise. Accused of communistic ties. Blinded
by others’ eyes and of our world’s twisted lies. Montgomery, Georgia

bus boycott, 1955 was the year. However, forever in disguise, our fear of tears was apparently adhered. From here to near, also all those dear. Mere letters he wrote, from Birmingham jail I quote! From the slums, some of sums, hail and prevail! A creation prevailing into a deriving and thriving nation. Mr. King’s vision of a dream, mission,

opposition, optimism and truism, on our wars, welfare and more. I suppose this sounds honest and fair. Mr. King’s theories and worries in emotionalism, evangelism, humanitarianism, racism and socialism. Nobel Peace Prize won in 1964. Regretfully, you may have heard of this before. Government conspiracies and indecencies. Assassination

and discrimination, allegedly, by James Earl Ray. On April 4th, I
almost choke, because for him, his blood did soak. Some thought this **** was a thrill or forced by will. Others still procrastinate in hate! However, forever Martin Luther King was and still is one of the late greats.

Honey why don't you ever write me something romantic?
Those eye's of my once teenage wife looked at me in that same way whenever I knew I better cave or the fun time factory was going be closed for awhile.

Well honey you know that's not really my style and especially after getting back form the war and all it just seems like something inside me died.
But you weren't ever in the service.

Yeah I know that's what's so ****** up about it.
What?
Once again my use of choice yet altogether confusing ******* had worked  kids there so easily impressed  with *******   no wonder those ******* twilight books sold.

Gonzo !
*******.
Huh?.

Dam you Jedi mind trick you never ******* work!
***** you George Lucas for mind ****** me as a child  not that I watched those films.
What do you think I am some kind dork who post's **** all over the net  for cheap
laughs cause he has no true life?
Okay that was a bit harsh I have a life well kinda.

Gonzo! Are you listening?
My demented little ****** with a heart of a gold card asked?
Of course I'm listening duh you know I'm a artist I'm like always deep in thought
about serious ****.

Okay like what?  

Well if your a hand model and you book a gig is it called a *******?
Are you ******* nut's.

No sweetheart I'm a drunk.
Seriously?
Your right I've always been insane with a chance of brilliance in some misspelled ideas.

Look Gonzo I'm not joking just listen okay.
My little ****** just went speaking and like any good man I paid no attention and just shook my head in agreement it's a trick I learned from my grandfather.
Course now it's no longer a secret being I've let all the chicks no ******.

She kept rattling on all the while I thought pure sweet thoughts while staring at her *******.
I was lost on a sunny meadow  where all was soft and gentle.
I'm kidding it was more like a ***** involving  Jennifer Aniston ,Rihanna , and that total **** who was all the rage you know that former kids star you know Betty White.

It was all going pretty normal well aside from the pool of ranch dressing and Justin Bieber's
head on a goat's body I always knew he was into devil worship.
I just hate we have something in common.

I couldn't take anymore so I ran I ran so far away.
But still I couldn't get away.

So we have a deal?

Yes what dear lord what had I agreed to?
******* Betty White that Hanna  Montana **** ******.
Oh thank you baby so much  I just know it'll be great.

Yes it will.
I had no clue what this strange little female was speaking of for one I was lost
and I felt all naked and vulnerable to bad no hot stripper ****** were in the vicinity
yeah I know that's a big word for me thank you Dora the explorer sure I was disappointed
it wasn't a **** at first but you really have opened my horizon's.
That just sounds wrong but enough with the foreplay kids.

I was silent deep in thought and finally before I could ask my semi faithful
****** spilled the beans once always beats cutting them yeah girl farts they just take
all the fun out it.

Baby I cant wait to read your new romantic write.

What dear lord!
It was a nightmare from which I couldn't wake it was impossible task
a myth like if you take yoga you can blow yourself.
Gonzo cannot write romance.

It just doesn't happen hell I'm Gonzo and even I know that.

Baby after I read it   I'm going to give you the best gift ever.
It's something you always wanted.

My mind went spinning as to this want that would be worthy.
Hmm lets see .
So you mean were going to ****** Justin Bieber  and bathe in his blood ?

No baby even better.

What could be better than that ?
My mind was working overtime ****** I hadn't thought this much sense
that old teacher asked me what I wanted to do with my life.
Course then  I realized when he asked me to find his candy bar in his pocket that he was just a perverted janitor.

Yeah it's a long story don't ask.

You know baby you me and my friend  and her other friend and this time you'll actually
get to join in.

It was like Christmas for a pervert.

So looks like I was going to be writing a romantic story.

I could do this especially for some twisted freaky ***  hell it's what are country was founded upon.
Duh I mean bribes people they didn't invent freaky *** until the 60's.
You know right around the great depression.
Yeah I bet whoever invented the ******* put a smile on someone's face.  

See not only in my long winded writes do you get ******* you get culture and that history ****.
yeah I know your welcome high five to *******.

I was selling my soul but it's okay it wasn't anything I hadn't done before.
To create this masterpiece I had to get alone with my thoughts yet still have a good
internet connection duh  how else would I write this *******?

What do you think I am some dinosaur that writes on paper.
Do I look like I'm Amish yeah that shows about as real as my crystal **** operation
I have in the garage.

I'm kidding I don't have a garage but my grandmother does yeah like I'm going to blow up my own house.

I was off to my secret hiding place to be alone and write the greatest romance story off all time.
It would surpass all the greats of the past.
Like Gone With The Wind or that story of those two **** pirate cowboys you know
they made a movie about it called Wayne's World.

Will Gonzo be able to concentrate for more than a half second.
Avoiding ***** and freaky things on the internet like I didn't know you could fit that up there dot com.

Will anyone actually get to the end of this without falling into a coma or getting more **** not that my readers smoke ****.

Will little Timmy make it out of that well to find grandpa and lassie having a quality
peanut butter session  don't ask.

All this and more will be answered in the next exciting  and even more long winded
episode of Go **** Yourself A Love Story. Part 2 coming soon to poetry site near you.

Yeah I know I'm not right .

Cheers kids.

I can write of Manila at night like the greats do of Paris. Not Manila in the morning, for it matters then, but Manila at night where it doesn't matter if it is new or old or if you are rich or poor, because it all blends into the moonlit darkness and that is when Manila becomes like a love letter. It may be Cebu that I love, but it is Manila that captivates me.

To the farmer, who left Manila for America to escape the war, and returned to see only a burned down church. To the young boy, a hundred years later, who does not see the church, but sees the romance of a concrete city. And to the ill man sitting on the corner of a street in Ermita, who has seen more of life and Manila than any of us ever will or ever can or ever want to. To the jazz bars tucked deep in Quezon where the music is sweetest, and to the congregation of poets who meet at their secret place in Makati on sacred nights to talk of the country they write for. Manila does not end.

But Manila is no moveable feast- it is a grand mystery that is far too heavy to take with you. Paris was loved because it was easy to love. The same way Florence was loved because it was easy to. Manila is far too rough to make for easy loving, but the beauty is there for everyone but the blind to see, and even then it is there for the blind to feel. One just has to try hard enough. It is what Manila represents, for it represents not the American dream, but the Filipino ambition to create their own. It does not become a question of how can you. It never will. It is a question of how can you not be romantic of Manila?

I’m not good at being forward
I have this habit of becoming disordered
I let my emotions change the color of my sleeve
In my aspirations I hope to find belief
I walk through jungles and rainforests
Once in a while I see through the canopy
Into the skies of my memories
And request that stars dance to the rhythm of us
I keep them alive to avoid the gathering of dust
My memories, caught in the Pensieve of your eyes
Have ignored all the times I told myself lies
I may not be your ideal Superman
But I’d accept Peter Pan if you’ll go with me to Neverland
I’ve rarely been so captivated by a girl
Sure, Zooey Deschanel is quirky in New Girl
And Emma Watson bewitched me from the start
Anna Kendrick was perfect in Pitch Perfect
Alex Morgan is the luckiest 13 I’ve ever seen
But I choose you! To fill my canteen
You quench my thirst when the loneliness dries me
I was not made to walk in a desert
My heart is an amphibian
Living like a Floridian in the ice-cold tundra we call Rexburg
You still need the sun, no matter how much it snows
I’ll trudge on in the jungle; dormant in the night
I’ll carry on with you in mind, until the time is right
Once I’ve faced death, or even a spider
Then, I think I’ll top the greats; George of the Jungle, Aslan, Mogly, Tarzan, Batman, Peter Pan, Harry Potter, Genghis Kahn, Michael… Jackson or Jordan
They’re all kings and I’ll be in their league
As I shake off the fatigue and find courage in you
To make it through the awkward moment of simply saying
“You’re a real kind of gorgeous”
In that chorus, played on my rhythm of heartbeats
I found my way out of the back streets
From deep in the jungle I’ve come to know as Fear
A jungle that disappears when your presence is near
Sometimes I have to stop walking, stop thinking
I feel like I’m on the verge of something spectacular
Anything normal might ruin that

Perhaps the greatest tennis player the World has ever seen
She had won nine Grand Slam tournaments before she was nineteen
Till her marvellous tennis career was prematurely ended in such a tragic way
Thrown from her horse her foot was crushed that's life as some might say.

The marvellous Maureen Connolly the greatest tennis player of her time
Her great career had ended long before she had reached her prime
Nine grand slams as a teenager her record may never be beat
She won every grand slam tournament in which she did compete.

The greats of present day tennis we hear so much about
Though 'tis not on their greatness we ever cast a doubt
But of nine Grand Slams as a teenager none of them can boast
To the late Maureen Connolly we ought to drink a toast.

Great tennis players like the Seasons they come and then they go
But there was only one Maureen Connolly the legendary 'Little Mo'
Nine Grand Slams as a teenager believe it if you may
The champion amongst champions her record stands today.

This is a tribute to the greats,
The ones who we really rate,
We know we're not all saints,
Like blessed Mr. Mahatma,
Or now Saint Teresa,
This is a tribute to our greats,
Normal heroes we all rate,
Like police and fire brigades,
Who protect us from troubled days,
We rate volunteers and 'the nurse',
Without them, life would be worse,
Folk like them make life a better place,
A tribute to our mere human greats!

(Yeah life be hard *****2)...It be so hard my *****.. (So hard..Everyday2..)..(Yeah..2)Everyday
(Yeah life gets harder ***** everyday..yeah2) everyday.. I just (grind & pray..2)Yeah life gets harder ***** (everyday..3)

I pray all   the time cuz I'm just a human being..I'm  always  asking my Lord to please guide me & always stand by me..Im so weak & alone in this world/...In  This  white men world mane..I need Jesus to always protect me  because with him I'll always will be ok...In this  white menz world..Uhh..you can be a rich *****  but still less than a penny is mane....
Selling yo body for the money.. Yall fucc ******  getting **** & played by these record companies.. ***** we living in mental slavery..Uhh
I wanna see all  of my ******  fly up to the gates...Yeah up to heaven to chill wit the greats...Yeah my  ***** so  follow me & my ***** recite these  lyrics everyday & speak them everyday..Dawg,I can feel the holy spirit speaking through me ..Dawg..My lyrics are written so  nicely, sometimes I can feel  Tupac spirit  standing right beside me..Makaveli is  coming back sooner than you think..like the end of days..you betta repent sooner than later..Uhh
Imma Outlaw  *****..I'm immortal, Im giving my life up to God..No I'm not rapping for the money bru,i rap for all of these ****** incarcerated doing time dawg. Free all of  my ****** ..I rap only for the real ****** Yeah..mann...Free all of  my ******..

Aye man..I really don't care about selling a whole stadium out  my *****, no my *****.. (Im on a mission to  **** this new world2) through these songs,that I have written..(I have  resurrected from the grave...2)..
From the grave,my *****..I wanna delivery my ****** from all of the pain my *****...Yeah take my ******   away,my *****..Yeah I want all  my ****** to be free my *****..

(Yeah life be hard *****2)...It be so hard my *****.. (So hard..Everyday2..)..(Yeah..2)Everyday
(Yeah life gets harder ***** everyday..yeah2) everyday.. I just (grind & pray..2)..Yeah life gets harder ***** (everyday..3),..Yeah

Everyday
I'm praying for my ****** everyday..Im reading the book of Jeremiah everday,, just to  keep  me thinking of the hope  that God has  promise me... I keep writing ever minute to help me deal with this pain, because my ***** if I don't keep on writing my ***** I just feel so weak..everyday my ***** ...my flesh always tempting me to do the wrong thing..I'm pressured to be a  nobody..In this white mans world mane..That's why I keep on  writing..If I  dont my ***** I just feel a desire to not  even try anything..Uhh..**** Im not no  perfect man..I'm not tryna be.. its really hard to live life as a saint when I have been taught for so many long   years to  live the ways of the beast..,but I'm making that change,today..

Aye man..Fucc being under mind control im  one of Gods  soldiers..so I have to be stronger than what  this world is dawg.. I feel so lost homie, I don't even know the right moves to  make no more..I keep making the wrong turn & I keep  going the same  way dawg.. It feels like the system is made to keep us below in every state bru...I'm just another **** ***** hustling every **** day dawg..in this white mans world today ...Im just really grateful to still be here alive  & healthy my *****..because  I could bee the next  Trayvon Martin or Mike Brown,shot & left young & dead on these streets..Ayo..They never gave a fucc about us mane..noo
Uhh..They never even given us a chance to be redeem..So instead  of pointing the guns at each other..let's turn em on these white manz my *****..****,Yeah..!!

History keeps repeating itself man
..You need to educate yourself first,don't never be afraid bru..I'm getting  so sick & tired of   hearing all of this "change" ****.. & hearing these sweet  rapping *** ****** bragging about something that's rented..My ***** we need  more blacks like Martin Luther King & Malcom X  *****..Real true ****** that's willing to die for being real yeah.
*****..instead of getting on ya kness & prostituting for the cheese...Yall ****** that keep claiming how yall so  real..Stop being Lil **'s then ..Yeah man..
Dawg..
I'm so tired of Satan getting his shine on.. ***** Its my time to shine dawg..Yeah *****   this is the rise of an  Outlawz.. Yeah..Fucc the world..& I don't mean that  in a ****** way, but let's destroy it mane..I won't die *****,never..**** boy you can think I'm crazy, well I ain't the first to think this way mane,Aye man

My ***** I  just wanna live free yeah.. Yeah my ***** I want you to be a free dawg..Yeah I wanna free ya.Don't yo *** want to be free bru..Instead of being trapped..my *****..Im going to free all of my ****** like the Shawshank Redemption..Uhh..Its real fuckd up when Biggie ain't even here man..Why the **** does money even  exist,,cuhz ****..it means nothing to me bru..so  just fucc it.. ******....Money really has no true  purpose or any control over me , its just an distraction homie ..Uhh, so  I rather die a poor man than being a  rich sad man...Yeah instead of being  in  hell I rather see  heaven man..(Yeah I wanna live forever...*3)
Forever & Ever...Uhh

Agape.
To love unconditionally.
Attributed to the greats:
Gandhi,
Mandella,
Teresa,
God?

And me.

I offer an alternate:

Agape.
To crawl back repeatedly,
Ignoring a history and future of pain.

Agape noun
Unconditional love. A weakness, not a strength.

Imagine all the things I could have been
And all the places I could have seen
I should have married that girl
From Bethnal Green
A beauty queen
So serene
Until the day alcohol ruined my life

Imagine all the books I could have read
All those words now left unsaid
I went out and got ****** instead
Fell down the stairs and broke my leg
10 pints and I’m ready for bed
The day alcohol ruined my life

Mad for it Mondays
Two for one Tuesdays
Wet your whistle Wednesdays
Thirsty Thursdays
Back on the razz on Friday
Just some of the days
Alcohol ruined my life

I could have been professional footballer
One of the greats
And the League’s top scorer
Up there with Bobby Zamora
Sponsored by Adidas and Diadora
Scored an overhead kick
From a ******* corner
Until the day alcohol ruined my life

I should have been a movie star
Champagne and caviar
Me and Arnie in the Terminator
Sunset strip and the boulevard
*******, hookers and fast cars
Enough money to fly to Mars
Until the day alcohol ruined my life

The day alcohol ruined my life
I lost my kids
And lost my wife
I woke up in East Fife
On the day
Alcohol ruined my life

The victim list keeps growing

But no one really cares

The gristmill claims another one

Keep your hands in and don't stare

Hollywood is the golden land

The eternal silver screen

But many souls are lost here

A lot of greats or never beens

Child stars and veterans

The names can fill a book

Look, we've lost another one

Keep on moving, no time to look

We show concern when tales we hear

Of celebs dying young

We ruminate on films not made

And songs they've never sung

Each busload brings another group

To fill the starstruck void

And the next bus has a dozen more

With dreams, too soon destroyed

It's been this way since film began

The streets are filled with scores

Of undiscovered junkies,

And photogenic ******.

Some you know and some you don't

It's a list a mile long

It's amazing how these fragile folks

Could end up going wrong

The studios were pimps back then

With bennies all the rage

They loaded up their bonus babes

And then they sent them out on stage

We've seen the Little Rascals

You know Alfalfa Switzer, but,

Did you know he died a ******

From a bullet to his gut?

Scandals, lawsuits, hidden trysts

These stars were fully amped

Girls below the legal age,

Made Chaplins ***** a *****

Arbuckle committed ******

Other's just od'd

It's amazing how the failures

Make for a better read

Oh look another bus trip

Past the houses of the stars

All manicured and landscaped lawns

Just to hide the ****** scars

If you look behind the curtain

Back into the world of Oz

You'll find the munchkins getting plastered

And dear Judy dead because

They made her a screen idol

They broke down the girl inside

They milked her for her talent

****, they took her for a ride,

For every one like Garland

There's a thousand more in line

Just waiting for their chance to see

Their name upon that sign

Keep together, Keep on moving

There's lot's more for you to see

River Phoenix from an overdose

John Belsushi killed by speed

Peg Entwhistle jumped from high atop

The Hollywood sign we see

She decided she had had enough

In either 32 or 33.

Hughes bough loads of starlets

He liked to hide them round the town

But he was always way too busy

Getting up or coming down

James Dean died in a car crash

Add his name unto the glut

And there was young Grace Kelly

It seems our Princess was a ****

Jean Harlows husband shot himself

Clara Bow liked  having fun

In fact she ******* the USC football team

And I think she might have won

Look up and see the smiles

Of the ones who reached their dream

But, many do not go unscathed

In Space they can't hear you scream!

Sal Mineo was murdered,

Then there's dear dear Natalie Wood

They're not saying  RJ done it,

But it sure does not look good

Remember the curly headed kid

Who played Buffy on tv

She ended up so full of drugs

It's a list from A to Z

Now, when stars have problems

they do reheab and they hide

Back then they never had the chance

They just committed suicide

The man of steel, George Reeves

Was found shot in the head

They're not sure who killed Superman

So they said suicide instead,

Bob Crane, our Colonel Hogan

Made **** films and did drugs

But, whle Hogan's Heroes was still on

This was swept under the rugs

We can keep on this forever

Listing failures more than gains

For to be a fallen idol

comes with alot of pain

Child stars, just brushed aside

Their names and faces lost

Their lives are but a footnote

Is their loss the final cost?

You can peek behind the curtain

The wizard's still there today

But, if you come to visit

Please don't make the choice to stay

For, the victim list keeps growing

It gets longer every year

But, for many of these fallen stars

Is there one who'll shed a tear?

It's an image on a silver screen

We love the work they do

But of each ten thousand who do try

There's only one who's dream comes true

So, watch and listen closely

For in Hollywood you'll find

A list of tragic stories

Who the movies left behind.

Out of a **** he made Great Art
It was no ordinary **** no!
It was straight from the heart, that
   ****
It had lain too long in the dark
Now was it's time to start
To make its bid for freedom... and for stardom.

It flew like a dart that **** from the
   heart
Like an arrow strung from Cupids
   bow
Little did it know how luminous it'd
   glow
Becoming one of the Greats in the
   Farting Canon.

It was probably the greatest **** poem
   ever written
In my own humble opinion
It was very daring and it smelt of
   onion
It was certainly the fairest fartiest
   poem I ever seen
If it was one of the three Musketeers
It would have to have been
   D'artagoine.

It inflated like a balloon, blew up like
   a great glass bubble
Then it popped and headed off
   toward England
Flying further afield than any ****
   had ever flown
It touched people's hearts, bewitched
   every nation
Resounded around the world
Yea! was heard in every Kingdom.

It flew long, it rounded the Horn
Like a Lark, that ****, it soared and
   sung
It was no boring old ****
It was far fartier and fruiter than that
It was a King of Farts
Way above the fartiest of farters and
   all the farting Arthurs
It was the real King Arthur
The King Arthur of all farts and
   Farters.

A real Belter was that **** that came
   from the heart
That had all the Angels singing in
   their cloisters,
A real work of Art just like Mozart
Or remember... remember your
   Shakespeare
"Hark! A ****, a ****! Whereforth art ?
    Thou ****"
It played its part, that ****, yea! it
   wielded its Excalibur.

O! there's nothing I'd rather do than lie here blowing sweet bubbles next
   to you
You! on your little flutey flute flute and
   Me! on my big Bass Trombone.

if we must die,
let it be known that
you're only as great as yesterday lets you.
that the leader of men carries the hope of all men.
that the world is never the final destination of life.
that man is only a photograph of heaven.

if we must die.
let it be known that eternity lives in every face.
that the mind is all but a femur of the unspoken soul.
that you are only a footstep ---
and every footstep must wash so to leave room for other footsteps.

since we must all die,
let it be known that you once stood--

let that be known.

I am sorry, to forgive  
who moved your flower
to push your knees apart to know.

in thy choir, I wrote to kneel-
When we met in thy vespers hour -

and in the between
your feasts were great
and we kissed  the greats of choir.

I left not one wounded man behind.
toward the darkness of notes I go.

Hemingway said,
There is quite the difference
between kissing goodbye
and kissing goodnight.

I wanted a
"See you later",
but instead got the
"Goodbye".

Steinbeck stated that
Nothing good gets away,
If it's right, it happens.

If that's the case
how did we always end up feeling so
wrong?

Salinger suggested
that after falling in love
you never know
where the hell you are.

This, I can say is true.
Where the hell are we?

Dickens declared that
The truest wisdom
comes from a loving heart.

Yet a heart in love
can sometimes turn out to be
the least wise.

My friend, I think I'll just stick with
Orson Welles' theory:
"We're born alone, we live alone, we die alone."

Anything else is simply illusion.

You'll find yourself here,
not sure how you arrived.
But you won't question it.

The mayor is home: his apartment in the fire house.
His lamp is lit, and he is here to welcome you
Though you cannot see him
But you do not question it.

And you'll hear bells and the clopping of hooves ahead
of an old-style streetcar in the age
of the internal combustion engine,
infernal, before the world could burn.

But you won't question it,
No, it's all perfectly natural
As though you grew up here

And here you do grow up as you walk the street,
The buildings pressing ever closer together, merging
And you somehow grow taller.

As a fairytale castle looms ahead of you
As though it were in the sky.
It's color is a pink that
smells of cotton candy
and popcorn
and perhaps, a hotdog

It passes out of your view
Like a mirage or a whiff of cloud
As you smell the food
The advertising of smells
Seducing you away

You stop, and you look
And you don't see the tourists in shorts
And tennis-shoes, dressed ******-chic for an expensive vacation
Or smell their sunscreen or see any sign
Any sign of change since that time, no
No, you don't see anything
Which you don't wish to see

You don't see a police station
Or cigarette butts on the pavement
Or a war memorial
Or a boarded-up building, closed.
All have been scooped up
Swept up, kept up by
white-uniformed sanitation officers
with little bow ties, discretely
cleaning up the world

But you will scarcely miss these things, nor
notice their absence and
You will not question it.

For this street is a wish,
A longing,
A child's prayers
Answered

For this is a place where no person,
No thing is old, but all is new
and useful and present:
As immediate as the trail of ice cream
making its osmotic way along
the edge of your sugar cone in the sun
And down to your sticky fingers.

The castle is there, you see now, but it's so
very far away.
There is no rush.

Step inside a shop—take your pick--and you will find
plush carpets, cooled rooms, parkay tile

Above the souvenirs and tchotchkes you will
Notice heart-stopping detail
In a light fixture
In a cherry wood crown molding
In Tiffany glass and marble counter-tops
Exquisite agony of
nostalgia for the half-remembered

And you're puzzled because you can't buy, here,
An old-fashioned ice-cream soda
With which your great-greats wooed each other
And fed each other, never considering, even
conceiving scandalous sensual jokes with whipped cream
And for this, today, you love them.

Your feet will amble you back and back again on themselves,
turned around (in spite of unmistakeable
castle-mountain-rocketship landmarks.)

There, Just behind these buildings, you're certain, there
should be a baseball diamond, alight with the noise
of boys playing with a stick and a ball

There, a neat row of stately, sabbatical victorians

There, a haphazard school yard with a tire swing
and a red schoolhouse, reliable as a sunrise
keeping protective watch behind it.

And you forget
racism
You forget
any war
You forget
your own
many sins
Like
vanished
cigarette
butts

And you smile, giving the uniformed man
peddling mouse-shaped balloons
a little more of your money
than he is asking for

The cheering had already begin
Nobody was in their seats
The race of the year, The race of the century?
It had been a long season for these two
Each with different odds to face
A rivalry made by the media
Cultivated by the perseverance of each rider
Clocks gone will jumps in front
Dubai tonight follows
But all eyes are on "Casino Lisbon"
And his brother "Silver Sea"
A mile and a half they stride
The race is loud and the crowd is wild
Instinct verses experience
Their strides are graceful
Their speed is immaculate
The younger of the two, "Silver Sea"
Knew he was out to win, his eyes said it
"Casino Lisbon" blood ran cold as he
Took the lead half way through the race
With ambition and determination they pushed
One horse goes out wide, but steady
Turns the corner and down the stretch
They battle for first! ******* !!

Neither can lose. But only one will win/
Who has worked harder than the other?
Who has pushed themselves during training?
Who will survive the ****** on the roof,
Waiting for his own fate?

They are neck and neck down the stretch
Casino Lisbon has a nose in front of Silver Sea

Pop. Pop.

Pop. Pop.

The ascender
struggled to the dais
stopping to rub
his sore calves
still filled with lactic acid…

“I forsook the post
workout massage
to deliver this eulogy.

Thats how
important it is
to me…”

His voice began
to trial off but
he regained his
composure and
began to speak
with command...

“He gave his life for me.
Is there no greater love
than to offer a life
in service
to me?

My Sherpa
was moved
and motivated
by economic
compulsion.

I offered him
the only wage
paying job
he ever had.

He ran with it,
taking up my
cause as if
it belonged
to him;
performing
his job
as if engaged
in a heroic
mission.

At times it
he seemed
consumed by
the largess of
my pursuit;
and his death
will bring
economic
calamity
to his family.

This further
confirms
the nobility
of my
mission.

The price
of intrepidness
is dear and
made clear,
its value
fully fleshed
out in the
sacrifice of
my Sherpa.

You may ask,
“why do I do it?”

It is no longer
disputed, if it
can be done.

Sir Edmund
and his Sherpa
answered that
question over half
a century ago.

The only
question
remaining,
"can the mountain
be conquered by me?"

I'll risk sacred fortune,
limb, life, family and
Sherpa to discover
the answer to this...

I must guard
against the
inflation of
my desire to
summit at
any cost.

I'm aware
of the
dangers
presented
by the
expanding
circumference
of my pride,
just a
meager
centimeter or
two can spell
disaster for
me.

Yet testing
its tensility,
tempting
the tipping point
of temerity,
managing the
permeability,
of risk factors
and psychical
rewards to
sift through
the membrane
that calculates
the odds to
successfully
arbitrage the
resolution of
gaming
winners and
losers,
achieving
a perfect balance
manifested in
the mettle
of me.

My
determination
shines
in pursuit
of a
golden fleece.

In my
solitary
quest
I don a
holy halo
crowning me
and fellow
climbers
stricken
with a like
obsession,
sets us apart,
anointing us
the royalty
of high stakes
X Games,
bellying
up 70 grand
to claim our
place in an
extreme
leisure class,
gifted
with time
and treasure
to turn this
unforgiving peak
into a graveyard,
a dump heap,
an open latrine…

The glaciers bleed
my **** into the tributaries
of the Holy Ganges...

My virtues
made plain
in the indelible
mark I leave
upon the mountain...

My life dedicated
to the unselfish pursuit
of a magnanimous me
quick to forgive
and forget the
failures of the
lesser who
lack the ability
and conviction
of self
to conquer
the highest peaks
meeting challenge
and opportunity
with relish and
fortitude

I'm like a
strip miner
singlemindedly
tearing the roof
of the world open
so I can fill it
with the purpose
of me.

That is the
deeper significance
of the death of my
Sherpa.

When Edmund Hillary
and his Sherpa scaled
Everest 60 years ago,
it took decades
to remember that
Tenzing Norgay
guided the beknighted
Hillery, while schlepping
his baggage and
holding the ladder
lifting the
great man
in a great
endeavor;
whose strength
and valiance
turns history’s
creaky wheel.

Sir Hillary did it
because it was
never done before;
with stoutheartedness
and national vigor
Sir Hillary conquered
the last pinnacle
in Britannia's majestic
range of storied
achievements.

As climate change
turns glaciers
into slush,
my time
grows short
to scratch my
initials alongside
the greats who
ascended this mount
before me.

So it is
with well
considered
trepidation that
I send my Sherpa
out onto the
hanging peaks,
to set the ladders
and clear the
path for
the assent
of me.

Every morning
I look into
the mirror
glimpsing
a fleeting
notion of
greatness
that is only
affirmed by
triumph of
the will.

At such a cost
my legend is born
my burden
grows greater,
weighted by
the death of
my Sherpa.

Yet my resolve
grows, eclipsing
the size of
Warren Buffett’s
fortune.

As the world warms
urgency grows,
the alarm sounds!

Onward Sherpas!

Lay the ladder
portage my baggage
the labors of Sisyphus
will find reward
of a goodly outcome!

I press the coin
of the realm into
your hand

The prayer flags
fill with determination
that I succeed,
giving your life meaning
as divine compensation
for the cost of your life.

The prayer flag’s flap
with the mountain squalls
popping, snapping
our hosannas
of victory

Onward Sherpas!

Ever Onward
may the good
Buddha
embrace
you as you
climb toward
your next
destination...

Onward Sherpas!

Music Selection
Sherpa Dance Music

Poem dedicated to the 13 Sherpa climbers
who lost their lives this week on Mount Everest.
May they find peace in heaven
may their families find peace and
sustenance here on earth.

Oakland
4/23/14
jbm

Chorus This is the day to remember the greats. Remember their tragedies, and all of their victories.  Brothers in arms, fighting for our freedoms.  No longer take for granted. The warmth we have the jobs we gained. And the children playing with toys. Don't forget their names.  

Chorus This is the day to remember the greats. Remember their tragedies, and all of their victories.  Brothers in arms, fighting for our freedoms.  All the warriors who battled their hearts. The ones who walked before us.  6 feet under the dirt.  And pray  the ones above let's show them love. And thank God for there sacrifice. So many died so we could enjoy what we've known in this life.  In these ever changing times.

Chorus This is the day to remember the greats. Remember their tragedies, and all of their victories.  Brothers in arms, fighting for our freedoms.    Give alms to the needy. Make this world worth living in. Making the morning deserving.  By trying to find the people who gave their time. To fight for freedom.