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ConnectHook Sep 2015
†           †           †    

A quorum of biblical scholars
turned their doubts into thousands of dollars.
Armed with Document Q
they revealed nothing new
but the dirt neath’ the white of their collars.

A proud “health & wealth” Oklahoman
was renowned as a gospel-tent showman.
While the scriptures he twisted,
their tithing assisted
his rise from poor hick to rich Roman.

A sexually diverse professor
(assured he was not a transgressor)
spoke only of openness
glossing sin’s brokenness;
rainbows and tolerance—yes sir.

A Mormon, who lost his own ephod
Realized he was running quite slipshod
and invoked Joseph Smith.
(Yes, it may be a myth—
but it’s not like misplacing your I-pod…)

A Christian whose faith was prophetic
held to views that were truly pathetic.
This crazed Pentecostal,
not quite an apostle,
had taken an End-Times emetic.

A sober and staid Presbyterian
was distrustful of thoughts millenarian.
After smoking some bud,
he awoke with a thud;
in his sleep he’d become Rastafarian.

A preacher who fleeced his disciples
overdrew his own balance of scruples.
He was finally captured
(defrocked and un-raptured)
and rent by his destitute pupils.

A sister who waxed Pentecostal,
mistook herself for an apostle.
Speaking pure glossolalia
she sure could regale ya’
with prophecy; crazy—but docile.
What's wrong? Too hard to LIKE me ?
ha ha ha ha ha ha ha ha  

         †           †           †
Nat Lipstadt Sep 11
"you have the power to inundate,
pro-create as you initiate the young
with the magic of your words.
" ^
<>
awake, askew, at just past midnight,
reread these worded cords with no deliberate haste,
as is not my wont,
no smile and drive~by for these privileged privies,
that unknowingly wrench and divvy my parts

no, theses require forethought,
deliberation,
there will be no outpouring,
there is no need,
this is not a crack to be slow filled with a potter's
artisan gold,
but a cutting that highlights continental divides,
wounded spaces and pain,
for which no glossing over can easy relieve,
each word a chosen well

for you make your own Grand Canyons,
in this life,
chasms that render, sunders with a constant but
invisible echoed thundering,
off /of my soul,
turned my persona, physical and intellectual,
into a walking, though awaking of the deadening
of a personal failure, a fail~you~are,
that cannot be undone, and now, out loud,
alone in the dead of night, in the construct of early mourning,
yes, in the sunroom where there is no sun nor son,
I weep openly at
words that should not have been
so tenderly and sweetly,
tendered to me

inundate,
I know this word,
better than most,
for grief is an old acquaintance
that you want to keep at a good distance,
for when it in-un-dates you,
you, visibly marked,
a cheekbone or two crushed,
a limp with no raison d'etre
and a chest pain, no pill can bring to
heel

for I am a centuries old grief,
and the inundation I speak of,
is the loss of child,
who has divided his living cells from my mine~mind

how oft, what is plainly visible,
is missed, goes dot unconnected,
this pulsing compulsion to lift the chin of the beginners in life,
whose sorrowed demeanor, complected temperament,
incompleted confusions,
can sometimes be so easy swatted,
encouraged away, and sometimes not,
but openly pleads for compassionate leave,
an easy helpful nudge away from
from the riptides of growing up,
& growing lower...

so my wonderful life is not so wonderful,
and my bad posture bent over is not from laziness,
my surgically repaired ventricular machina,
is more than a physical symptom, just a ticking clock
that solves for the quantity of beats of
busted opportunities

outside, an owl,
perched in a nearby acorn growing giant.
whom we have never seen,
for darkness, his/her palatial estate, hiding place,
hoots with no regularity,
a derisive hooting,
thinking I am too, asking for compassionate leave,
'but I am not

some five, nearly six decades ago,
a young songwriter wrote:

"Teach your children well
Their father's hell did slowly go by
Feed them on your dreams
The one they pick's the one you'll know by
"^^

this never just passes by,
for its arrow is a permanent implantation in mine,
and the owl just hoot hoot hoots with the stubbornness of
an unhappy chile^^^

so I see now,
how I overcompensate,
and without a knowed thought,
extend a finger, an arm.
an entire tired life,
to
initiate, pro-create
the younger ones, (1)
but this still,
does not,
nor ever will it,
rhyme with
expiate

this, my very own
9/11,
and that other one,
which I experienced,
as well...


2:03am
Thu Sep 11
Twenty Twenty Five
<nml>

now, I rest, for how long?
^
words in a note from patty m., my unseen dearest friend

^^
Graham Nash

^^^
Children: "Chile" is a dialectal spelling for "child," pronounced like "chīl"

^^^^
expiate: atone for (guilt or sin).

(1)
""and the new players,
the young poets,
slap me on the back,
saying I had a great run,
but they don't know 'bout my
secret stash,
preprogrammed to appear,
long after these fingers
cease their tangled tango of tap dancing,
my dust,
my lusts and musts
will unstilled yet be
blowing, floating in the
soon to be'
Megan Milligan Aug 2011
I. Shining Armor

To all those would-be knights in shining armore:
Make sure you have a goodly supply of silver polish on your person
Because this woman is sick and tired
Of all the tarnish she keeps running into.

Really.

Fakeness gets real old, real quick.

I ‘m looking for a man with manners, grace, respect and class.
Not someone who’ll ultimately turn out to be an ***.
I’m not looking for too much I think.
In fact, I’d given up looking at all
Because the lot of them weren’t worth the flesh
God poured their sorry souls into.

Then, you came along,
Swept me off my feet with your Leo hurricane-force personality.
Fire sign burning through my resolves and inhibitions
Until there was nothing left
But trembling and desires and hidden fantasies

But I thought I saw something behind that solid wall of sexuality
A dark knight in shining armor
Intelligence in every timbered vibration fo your baritone voice,
Smooth like Barry white,
****, I thought, you are the whole package!
Family man, gentleman, talented artistic man
Man who said women were to be respected
As they were God’s gift.

How many men, afterall, would walk you to the bus,
Stand in front of you
So the sun didn’t glare in your face, facing west.
A glowing halo surrounded your head.
My angel, mon amour
My knight in shining armor.


II. Tarnish

Fast forward to today.
Man up,
Or move on out of my life.
I’ve waited a long time
For someone with manners, grace, respect, and class.
I’m not going to waste my time
Waiting on as ***.
Not that you’ve been one, mon amour,
But I’m starting to see a little tarnish on your shining armor.

I try to be up front,
Give you the 411 on what’s going on
Is it too much to expect no less out of a relationship?
Honesty, communication
Lay everything on the line so no misunderstandings.
Maybe I’m setting myself up,
Blinded by the shine of your armor
And your promises spoken.
Soothed, hypnotized by the timbered vibration of your baritone voice.
Smooth like Barry White.
Okay, one more time, I will trust you.
On your knight’s honor,
My knight in slightly tarnished armor.


III. Tinfoil

I’m looking for a man
With manners, grace, respect, and class
Not someone who’ll ultimately turn out to be an ***,
And you crossed that line.
The shine is gone,
And no amount of silver polish is gonna wipe clean your tarnish.

You see, there are two things I hold sacred in relationships:
Honesty and keeping promises,
Both of which you failed miserably at as a man.
Yeah I set myself up for a fall as well,
Expecting no less than what I put in myself.

But what good is being together
If you’re the only one putting for any effort.
A relationship is supposed to be give and take.
Not giving and giving and giving and giving
And getting nothing in return
But a bad player’s broken promises
And a broken heart.

Gum stuck on the bottom of my shoe
Has more integrity than you do.
You lied to me.
You put things off.
I would’ve had more respect for you
If you gave me straight talk about flings
Or things like “This isn’t working out”
Instead of sweet talk that left a bad aftertaste in my mouth like saccharin.
The only part of you that ever told me the truth
Was more than happy to stand at attention
And speak volumes
Without saying a word.

And speaking of “not speaking,”
You know what really takes the cake?
You didn’t even have the mother-******* *****
To tell me yourself.
I had to find out from someone else.

Some say more shall be revealed.
Boy, were my eyes opened to the fact
That sometimes a knight in shinign armor
Is sometimes just a ****** wrapped in tinfoil.

So, to all those would-be knights in shining armore:
Make sure you have a goodly supply of silver polish on your person
Because this woman is sick and tired
Of all the tarnish she keeps running into.

Really.

Fakeness gets real old, real quick.


IV. Press Seven**

Seven.
Seven is my lucky number.
It helped me to slam the door on your sorry ***
And a chapter in my life I don’t care to re-read.

How dare you
Call up one day out of the blue
And drop a message on my voicemail.
The second I heard “Hi,  it’s (insert name here)”
DELETE!
Seven dumped your *** faster than you dumped mine
Through a third-party representative.

I don’t want to hear any “Hi, How ya doin’s”
I don’t want to hear any reasons
Or excuses
Or glossing-overs of what you did.

I wasn’t kidding when I said
Fakeness gets real old, real quick,
And that goes for ***** like you.
I may be a big woman,
But I’m not the Big Easy.
I’m a woman of respect
And dignity.

So don’t bother e-mailing me.
Don’t bother calling me.
Delete me out of your rolodex
And go trolling down Fourth Street
If you want nothing but ***.

****!
Never did pressing 7 to delete you
Feel so ****** good.
© 8/23/2010
(rev. 5/26/2011, added part 4)
Trevor Gates Mar 2013
On a night like this, of full-moon bliss
Of the midnight winds and collecting mists
I remained, forevermore
Chained, to the floor
A victim of joy’s…goodbye kiss

In a dungeon I lie, hidden from the sky
A shadow untamed with vile red eyes
I waited, I hungered
Without proper slumber
In my mistress’ pit, awaiting time

It was from lust and desire to fuel and empower
For whom she wishes for me to devour
I restrained, she teased
I grew hard, to please
The widowed Countess: my dark sire.

Though my story may seem bleak
But not to those, whom morally weak
A tale, a fable
However which label
Entitles this to civilized freaks

I moved from town to town, home to home
In search of a life wherever I would roam.
At last, I came
To an estate of name
Belonging to a Countess of ancestral Rome

Countess Donatella, eyed my work and demeanor
From afar I could tell, I sensed, I smelled her
Her scent, so tempting
Was she attempting…
To allure my beastly form into something beneath her?

One night she called for me, alone in her quarters
She treated me to delicacies from rich exporters
She asked my name
I said none, I refrained
“Mysterious and Strong.” She said in order.

She walked over, to the silk on the bed
Colored in gold and shimmering red
Curling her finger
To me, and eager
“Remove your clothes” the Countess said

I did as I was told. I abide her command.
She seduced like a mistress of the eternally ******
Caressing my skin
Licking my chin
And instructed me to please her demands.

My strength increased as I ripped apart her dress
“Yes, my dear, rough and brute.” She stressed
My *** throbbing
Her head bobbing
She turned into an animal I could not resist

Through the night our lust ignited
Into a furious intoxication, organs united
A symphonic ******
Winds, rain and thunder
Matching the sweltering copulation benighted

In the glow of after, past the ****** she gathered
Breathing deeply she said, “You are mine. I am master”
For too long, I thought
I was ridden of what I sought
One to counter my thirst for lust, the tiring caster.

For many nights I swooned, I pleasured her in ways
No other human could fathom or reclaim
My art was of the flesh
And her succulent *******
Feasting like the dog of Hell’s fame

But in this time I feared
For my secret was severe
To show, to hide
My inner design
Of nocturnal savagery that is devilishly revered.

It was upon a warm night of *******
That the moon left me horrified and shaking.
I ran from the master
To evade disaster
Of displaying my transformational awakening.

I trampled in the woods and screamed into the night
The beast of the void howled under the moonlight
I ventured, I hungered
Awaken from slumber
A slave to Lycanthrope, a feral disease of might

The Countess’ workers hunted; “A monster!” they deemed
But I killed many before I was to be seen
Ripping, tearing, slashing, eating,
Guts, bones, skin, feeding
My viciousness, my curse, my bane and dream.

After my episode of moral slaughter
The workers found me curled in a fetal posture
I would have been killed
But the Countess, sealed
Me away in the cryptic tomb of her father.

I was left to suffer in the underbelly of my sins.
Shadows and demons moaning like the wind
My master kept me
Protected me
In her care I would no longer win

Now I lay, waiting for the my master to show
So the door above me will open and glow
The white orb
That will mourn
The lives I have taken, eaten and in my intestines flow

The tomb dungeon unlocks, creaking loudly with rust
The master, the beautiful Countess that I must
Please and satisfy
Penetrate, rectify
The punishment that was bestowed by the just.

“So you are known by many names.” She utters
I look up at her with eyes of thirst, my lover
“You are unique.
So much to keep
For myself, my beastly treasure and no other.”

She walks to the shadowed wall and pulls down a lever
And stands in front of me, **** and forever
A pale seductress
Her eyes focus
With mine, for I wait for the power that was severed

“Now I will be pleasure by that of a beast, that of a god.”
She says as she massages my erecting rod
“Now, my dear.”
As I hear.
“Enter me and leave me in pleasurably awe.”

With the chains around my wrists, ankles; my neck and waist
She mounts me in the moonlight space
Our sweat collects
Drips and specs
Glossing her pale skin and my ever changing face.

I stare into the moon as I ******, my moans of pain matching her voice
She yells from the seismic endurance, her dooming choice
To unleash my monster
With blood thirst conquered
No, it is not, it is her, growing with every other screaming voice

Moans of pleasure soon turn to moans of distress
The wolf of the night is coming, no less
My teeth protrude
My mind feuds
With reason and passion, where blood replaces the mess

My fur is black, my claws like steel
My fury is lustful, the deeper I feel
The Countess is in fear
I ignore her tears
And devour her, ravish her, take her skin and peel

Her lovely face is first to go, once flawless now disfigured
I tear her arms from her body, her liver in my teeth lingered
Blood, tears, flowing juices
Guts, gore, nail amuses
The laughing jackals and demons in a Hell for me that’s bigger

There is no more Countess. No more Donatella, nor master
The moon reflected in a red pool of suffering disaster
Of the ******* monster in our wake
Of the true one she had forsake
In the whims of lustful pursuit with death proceeding faster

Through the lubrication of excessive blood and ****** fluids
I slipped and broke from my chains and fled from the ruins
I remained the beast
Through the forest at least
And return to the woods, away from the her influence

I left the Countess estate as I arrived
Homeless wanderer who survived
Another full moon night
And devil’s sight
Of my life forevermore, the way of the morally derived

Where my nightmares are revived …

…Beyond my human disguise.
I was once working on a collection of interlocking short stories that detailed personal viewpoints of happening in popular horror stories. It would have gone through the Tale of Frankenstein's monster, to Bram Stoker's Dracula and to the wolfman, Invisible man and Jekyll and Hyde. Now it was only an idea, and now reading that description it sounds like a hash version of League of Extraordinary Gentlemen. But I would have changed it all up so it was different.

I never really got around to writing any drafts for those stories, but the basic outlines were always lingering in my head. This extended poem is base on the Wolfman outline I would've used.

I would be lying if I said that this was the intentional goal or writing this poem. It gradually became that. Sometimes if I have unfinished works that have met road blocks, then I try combining them. I've learned after awhile that it's better to have a few completed stories than several unfinished outlines just waiting for inspiration. The act of revising and combining ideas can really get the creative juices going. So that method pretty much birthed this poem, "Primal Lore"

You can find the other posting of this here: http://fav.me/d5xgbju
And if you like my work, like my FB page: https://www.facebook.com/pages/Trevor-Gates/224601067564715?ref=hl
Ottar Jan 2014
walking from A to B,
no this is not geometry,
but it might as well be,
as with your eyes, see,
well what do you see,
unless you live in BC,
you won't see me and
I in turn won't be free,
to see you.

with your eyes, that first glance,
take a risk that is hazard's chance,
don't step closer or bend down,
log it away in your card file brain,
before it is washed away to the drain
or picked up as treasured claim.

use your eyes, with that first glance,
no glossing over, might miss romance,
call it flirtation, or orchestration, you
are the maestro and the other, the ensemble,
well, conduct yourself accordingly but tumble
safely.  

those eyes so beautiful you have, can find words,
to clear the tears off your cheeks with the
new merino wool sweater sleeve and
that intense emotion that has
you locked and loaded as
someone goaded you
again,
and again,
and again, if this was *** that would be fine,
but it is not and your vexed
at how poetry rocks
your world but
also rocks the boat,
whenever you take
the time not to memorize by rote (that would be too staight forward)
take the technology out for a walk,
instgram your photo of your poem and share it on facebook, and
twitter while showing your interest on pinsterest, how is that *******
working out for you?,
or dot those eyes and cross your teas,
take ink or graphite, and write about
your sorrows, your joys, your day, your dreams,
what you saw,what you thought saw, like a puddy cat,
you did, you did and that Bugs me I forgot the color or was
                 it just me and invisible over there?
You get conflict, at that first glance at your notepad,
or keyboard or mumble "I need to write this down,
before I forget".  That first glance you take, all else fades to black,
                                                          ­                 until you write.



©DWE012014
Won't call it a rant, won't call it a chant,
well then "observations from a bystander"
Edward Coles Jun 2014
The waitress sends signals in neon code,
through Christmas illuminations stretching across
the car-park, and straight into my ***** orange.

She laughs through awkward platitudes,
and all the beards that comment on her skirt.
She's working to make a living,
somewhere down the line.

I watch as she scribbles poetry on old receipts,
eyes glossing over the ketchup stains,
and into the passing of the moment.

I hope that she is writing of escape;
of better times and better sleep.
She will smash the glass ceiling,
and save us from the greenhouse effect.

Baritone singers lure her into art,
into the promise of soft-hearted men
with a resilient chest.

The waitress waits for a signal
to restart her life. There will be flares
on the horizon, there will be new lovers
leaning on their cars in the sun.

She will finally get to sit.
She will thank the waiter for her drink.
c
Max Neumann Nov 2019
final option: exit in sight
shall i walk this way?

rachel, eva and samuel being in the room
my tribewords for what i consider family

final option: exit in sight
shall i walk this way?

while you are remaining in this room of memories
while samuel is crying
while eva is sobbing
rachel - dem kid's mother - being desperate

you know what rachel?
we are akin to each other
like characters in sentences:
dots

unlike the undertones of
exclamation marks and exclamation points

samuel is crying
eva is sobbing
cause you guys are in another city
far away

you sent me a message:
"i have to protect the children"

tell me:

from whom?
from what?

estimate: how many fathers does a child have?
spell out how
man and woman
wife and husband

become able to defend and favor their
shadows lips and wishes

is there any meaning?
am i flaying my skin daily?
i am not a snake
i am darkness and light
like the rest of us
bizarre billions made of
languages moral values religions

do i have to skin myself daily?
does this have to mean even a bit?

i don't know bambina
but i am sensing that we are ONE:

blood boomerangs bound
boomerangs bound blood
blood bound and boomerangs

the devil cracked our bound
he grinned and said:
"my lost son i am
looking at you: a man full of doubts

ain't no thang though
i am confirming on oath:
i will be getting rid of your doubts
colorfully
they will be gone

we just need a gimmick

hereby i am passing on the golden goblet to you
there is some stuff in it
to be found in lies and magic"


young jeezy (me ok)

harold hunter (kids, larry clark)

falco (rock me amadeus)

ali (mobster)

dmx (my ******)

fassbender (angst essen seele auf, in englisch: fear eats up your soul)

robin williams (comedian?)

benjamin von stuckrad-barre (writer and addict)

whitney houston (who was really crying?)

angelina jolie (in the land of milk and honey)

sigmund freud (will you lead me to the origins of golem?)


they daily drank from the goblet
the list of my friends is long and enduring

some of 'em died
some continued to live
some decayed with numb limbs
in musty chambers
closed curtains

glossing ghosts above the head of
west indian archie
once a powerful gangster now a broke burnout

but this is one of many countless chapters
my son
ain't we good together boy?

i am confirming on oath:
i will be getting rid of your doubts
colorfully
they will be gone

successful people drink from the goblet;
they are in charge of their lifes
my son

the golden goblet is like heat in the coldness
the golden goblet is like cooling down in the heat of the desert

water
purity
nature and leaves
chemistry and magic

my friends are global
my friends are cosmopolits
by the time some lose the "r" on their path:
they become fiends

but this is one of many countless chapters
my son
ain't we good together boy?

all cultures
all religions
all languages

all my friends love the golden goblet
more than themselves
cause the golden goblet procures them

dear deception

all my friends don't love themselves anymore
but the golden goblet
all my friends don't love themselves anymore
but the golden goblet

devils hang out beyond rehab centres
they listen to the
conversations of addicts
they want to figure out their weaknesses
analyze and exploit them

devil flapped his arms
high up in the skies
cheating god's position
between trees and snowwhite castles in bavaria a state of germany

while the devil was listening to the addicts he held
the golden goblet under the moon's reflections thereupon

the golden goblet was ablazed with light
like a constellation superior to the earthly ghosts of weakness
the golden goblet sparkled

the addicts perceived it
as children perceive candy
as teenagers perceive the defeatable supremacy of grown-ups

they perceived the sparkling
as if you were listening to your favourite song

addiction is emotional
addiction is the blind quest for meaning

the golden goblet twinkled over the roofs of the bavarian rehab centre
and one of the addicts a young woman
looked up into the blackness of heaven
frankly speaking it was sparkling everywhere

the woman suddenly thought:
i have twins
i worked as a *******
i am not permitted to see my kids

in deliverances she spoke:
"i was a *****"
"i have twins"
"i order 'em precious clothes"

a sheen coming from the devil's
pupil
as she expressed her fate

she sighed and said:
"nut doc give me prescription... first i
don't wanna take 'em ***** though
they called (...)
and (...)
and (...)
and (...)

after slinging though" she proceeded with a shivering voice
" my feeling like gold"

her mouth opened widely as if she was hungry
golden sheen

a darkred eyebrow
vibrating ******
bald head full of

holes scars blood

since the beginning of memorizing
devil has been breeding horror:

not to mention the death of g.t.
leaving parents in a daze

not to mention the death of a.k.
leaving siblings in a daze

not to mention when a mother passed away: t.z.
leaving children in a daze

since day one devil has been embroiled in torment
born from the fight of brightness and night
the creature awoke

only in darkness
hidden by the star's twilight
beyond distances
we recognize him

when he is far away from us
like glorified past
on earth though
he embodies the shape of human beings
to be between us
to expose our weaknesses
that's his guzzling his brew and his - blessing

our failing strenghtens him
he be muscle

our illness strenghtens him
he be tizzop
Today is a good day.
We are all selfish creatures

shellfish lurking in the depths of the sea

wanting what we know is wrong

lying about the shallow depths of our emotions

signing forged signatures and forged lies

forging these words that come out of our glossy covered up lips

glossing our covered up stories

our tall tales of princesses and fairies

in fantasy land, these are whimsical creatures

in reality land, we are nothing but human beings

that forged signatures say are whimsical.
Seán Mac Falls Jun 2013
Newly painted house,
Clouded windows between us,
  .  .  .  Flowers in glass vase.
The sweet smell of
         smoke rising
            eyes glossing
              mood swinging
          focus weaving
       attendance falling
development arresting
   high school dropping
in our country's acquiring
teenage wasteland.
I'm sure I'm in the minority on this one, but I see it every day. One of the hardest parts of being a teacher.
Elaenor Aisling Jan 2014
A sadness haunts that town.
stuffed between the cracks
of dilapidated matchbox houses,
and in the grit of rusty trailers.
Even below the green carpet of government buildings,
And the marble courthouse floor.

Poverty stares Wealth in the face from across the street,
his haunted, empty eyes
lit by the embers of discarded cigarettes.
Wealth is good at glossing over the cracks,
setting up the chain link fences and rail road tracks.
Iron curtains that could be stepped over,
if anyone knew they were there.

But no matter how many fences,
there's still that nameless sadness in the soil.
A potent concoction
of dead dreams, harsh realities, and broken hearts.
With a dash of Cherokee tears and lead from the War.
All stirred by Monotony,
who lights her cauldron fire
with electric bills and dollar store receipts.

Like a curse, it spares none.
Though they've learned how to smile
with tears in their eyes,
above moth eaten scarves or pearls.
It's permeated everything, down to the roots.

But not to leave the glass half empty;
Some still find happiness,
some are still sad.
That's just how it goes.
Hope and despair are but two notes in the same tune.
grumpy thumb Mar 2016
Into a damaged heart
a temporary fix
of one night stands,
maybes and what ifs.
Glossing over cracks,
but the temporary rips,
widens in time,
gapping holes yawn
an infinite scream.
Vortex,
bottomless swallow
hungry to be filled.
Waiting for love's builders
to swoon with steel and solid bricks
Mike Bergeron Oct 2012
These kids,
They look so
Derelict,
They look so
Full of ****,
Like they could
Ever skip
The river styx
Crossing.
So rather
Than glossing
Over their eyes,
Maybe these guys
Should start
Flossing
The wrinkles
Of their brains
By tossing
Back a few
Infected grains,
It's Ergot that
Brings
What you forgot;
As in your face,
As big as
Great danes
Made of waves
Of color.
If fluorescent
Grays
Ever
Deliver me asunder....
It's so dull
Under
This counter,
My mind starts
To flounder
As I flip the
******* flounder.
Or is it
Tilapia?
I wonder,
Could I be
Happier?
Probably, but
Don't you know
I like it
Sappier?
Is that a word?
Who gives a ****?
Not this bird,
Thats why she's flying away,
Not toward
The veneer covered
Ways I say
"Come here."
"Go away."
"2 for fives two for fives,
****** got garbage around the way."
The way I pray
For acid rain
To melt my clothes,
My skin,
My muscles and veins,
My mostly drained
Trays of grease;
Popping.
Bubbling.
Please.
Please
Give my
Knees
Some ease
From their pains,
I've been begging
For weeks,
I need to sleep.
Sam Temple Jun 2014
soft acoustic plucking
reverberating strings
buzzing tones flutter
freely creating visions
differing from space to space
occupied between my ears
twists whole majors into 7th quarters
altering the landscape from within
bleeding fingertips hide broken verses
note for note we lie to the sound
expressing pleasure in the mundane –
gently strumming with loving caresses
melodic to the point of melancholy
old tears sit on a stained floor
eclipsing the smiling children
that hide just beyond the glass pane
glossing the pain with symbolic imagery  
a crucifix dangles
swaying to and fro
barely audibly tapping the fat statue of an enlightened oriental
in the shadow of a dream catcher
made not by native americans
but instead by undernourished brown waifs—
bending tones for a better view
I shed the physical and go incorporeal
Michael W Noland Nov 2013
.
Sometimes I've had about enough
All these ******* buttercups

Puckering up
At the first scent of gruff

It's disruptive
To my mustering

I mean

Must we
Smother trouble out of ****

Must we malfunction
Into a skit

A script

Skipp-ed
To laugh tracks

Pre-writ
Until the last laughs

Where the curtains close
To fading claps

All the cards
Are all on the floor

Little adorable torturers

Peering through the doors
Afforded by our tor-mentors

Over it
We will get

Even get on with it

Cuz all of this
This is that and that is this

Is ******* ridiculous
Is worthless

It is foulness in its stench
The bowels of our regret

Unkempt and ******
It's ******* soaked in ****

Where the credits never roll
And the patrons only stroll
On outta here for a beer
And a night on the town

And all this

Flapping of the gums
And slathering of spit

Is glossing over my ****
And it's all we will ever get

If we would just submit

Wipe the sand from our *****
And remove the ******* sticks

We might find
We have loosened up a bit

Just don't be such a little *****
And other inflammatory ****


[That's it]
This is the river of Nainital
and this the sun glossing over the water
and this is the sound of risen voices
from chestnut trees along the road.
The bells of the shrine are bronze bells,
they walk the water into music,and
night arrives with the great stars,
cupping them deep in the dark hills of Kumuon.
A child cries out; all is not well
a sail, leaning across the water.
is ivory on jade and the herons glide over;
yet something is wrong in Nainital.
But not too wrong -a little thing,
like the slight fever in the small shack
though an old man coughing out of sleep
can send his daughter into mourning.
To Nainital, by train, by bus,
by car,on foot the travelers come,
nothing can keep them from this life
no stranger's death, no foreign pain.
published in Critical Quarterly' journal - London UK Spring issue 1985 Editor ; C B ***& also appeared in 'Rashtriya Sahara' magazine June 1997 -New Delhi
Alex Apples Feb 2010
Do you know me?
You see me everyday
Bustling in the street
Answering the phone
Sexily glossing my lips
Do you notice?

I’m trying to catch it
But your approval
It’s so hard to snare
Like a firefly
So I starve myself
In hopes my thighs
May shrink to acceptance
Can you tell?

Fishnets curve to my legs
Maybe business slacks
Or a plaid jumper
My eyes can’t hide it
This longing, deeply cut
Like my shirt’s neck
Do you see me?

Hypocrites
To tell us we are free
To be anything
Liberated, ******
Powerful, worldly
Who are they to say
We are free?

Only so long as we give
Relinquish emotions
Harbor no expectation
In favor of carnality
Unchained, as long as
We seek not to be loved

Will you love me?
Will you try?
brokenperfection Sep 2015
enraptured was he,
enamored and taken aback,
eyes glossing and fingers trembling,
effortlessly pouring his soul to top her glass.
she was wild and equally fragile,
strong in her vivacious convictions-
stubborn and quiet and barely content,
sharing a love of fiction and faith and fire.
they danced and watched the skies,
tangled together in hopes and dreams,
tossed to the world by the winds of their cities,
trying desperately to get a grasp on growing up and getting out.
her favorite memory of him:
he had headed into the fields to gaze into space
half shivering, half dead,
holding out a rose to her-- his favorite scent.
night fell and so did they,
nodding off with heads in the weeds,
nurturing each others' wounds and bruises,
nearing dusk with new determination and confidence.
Pauvel Jétha Jan 2014
Sitting,waiting in the bus shelter,
the mind is led by roving thoughts
from the now and here
into fields often not explored
whereto the feet hesitate to stray.

I sit there seeing the world hurry on,
not really looking at the people all around
but thinking back;thinking about those
who used to walk these same streets
who used to hurry off just so.

The roads may have forgotten their tread,
their faces blurred by time,
their voice masked by life's din,
soon to be faded into memory;
our love glossing over their faults.

But what of their stories?
What of the things left unsaid?
What of the questions unanswered?
What of their talents not passed down?
What of the bonds,the people undone?

Are their stories lost?
Never meant to be finished?
Small and unimportant enough
to be cut off,be discarded?
Lives destined for the void?

But what of those left behind?
Stories tainted by that void?
Hearts burdened b their absence?
Eyes wearied of waiting?
Dreams filled with longing?

The bus arrives with that sureness
of the things that come and go.
Boarding it,I sit next to a window
and let it carry me away like I've let
those things that come and go.

Gazing out the window,
I see life rushing past me.
And a desire takes hold of me
for this journey to go on,
to keep moving while immobile.

I think of those stories unfinished,
stories seen through a man's eyes,
read with a man's wisdom.
But what if that is not all?
What if there is more?

What if some questions are
never meant to be answered?
Some things be left unsaid?
Some talents never to be passed on
but define the person lost and him alone?

What if the stories left behind
are meant to be tainted that way?
To bear a fragrance like no other,
the void marking them for perfection.
What if people are meant to be undone?

What if the stories are not lost
but merged with the living ones?
To fuel them,to further them,
to be a muse to spur them,
be a core in their shaping?

Wistful thinking all,devised to soothe.
The mind awash with torrential thoughts
still hears a small voice of hope,
holding on to it while hanging
above a chasm of decadence.

Every night we go to bed
trusting the angels guarding us
to let happen what is right;
slipping into peaceful oblivion,unsure
whether we will wake from it again.

All these thoughts,these stories float
as leaves on that river called Life.
Whether we be afloat or under,
it flows;the grand story goes on
crafted by The Great Writer.

After all the broken hopes
dare we still hope on
as did Abraham of old,
hoping where there is none,
seeing life where there is death?

Dare we still dream on?
Dare we hope our stories
will not be left unfinished
thinking,wanting to believe that
Life is Hope is Life?
Mahe Barzh Sep 2020
" different from the first one. "


her fingers are glossy.

glossssssseeee

glossing. n

classy. i stand gazing.

like uh, a primitive, eye

she tells me their sensitive

and i believe her. because I

am quite the gullible guy

for sweet.. pretty..

cute.

.innocent. looking

things

ZAM.

she magnetically slapssss

and caresses the back of my dome.

tap tap... tap

' hmm a heavy stone, '

tap tap... tap

'it has a lot of content'... tap

tap tap .'oh'. tap tap tap

.

.

...

She begins her

journey

from the top of my head

slowly…

            tippy toeing        

                            down….

   My

            body

moving

         her  fragile nails

Like a

rehearsed fantasy..

she's been wanting

                                 to do.

she closes in

and rests her

index finger

across my neck like a

scythe shape sun....

she approaches  breathes.

in...and... whispers..

..

  “What are you thinking?”



And within that.

          my eyes smile.



[i don’t really know,  some sort of brain activity..... ]



                  “I think”



[your pretty, inside, outside,worldwide, ]



        [and ]



“I think”



[_<(^.^)> <(^.^<) (>^.^<) (>^.^)>]





             “nothing”



She still keeps going                                    [ it’s a long walk…………]

down,

slowly

maneuvering

in

elegant

moves.

before

closing in

....again.

this time in a more arrowed position across the more pronominal areas.



‘Why are you hesitant ?'

on being religiously

silly ?."



"Like if



    you dislike

                  

              the idea of



                         being  bright?’



[because

people are .........   ]





“Wait What???"





That’s not true.



only sometimes...



lol!@#!$!.

but still

“that's  so wrong



And misleading. "





















but please go on”.
Added on March 12, 2016, in https://www.writerscafe.org/writing/myenigma/1737792/
Last Updated on April 17, 2017
Shelley Jul 2014
He perches on his black-crate bandstand,
stationed between the payphone and postbox.
The view from his seat never varies:
a restless audience of briefcases and knees.

He closes his eyes, concentrating
on breath becoming buzz becoming blare,
and he pictures his notes glossing Manhattan’s
thunder-colored walls.

Each tone fills the pavement, square by square
until the sidewalk is a harlequin filmstrip,
colored by notes coaxed from his brass mouth.

Passersby withhold their gaze, because giving a nod
obliges giving a dollar, and no one is inclined
to employ this trumpeter. But he pays no mind;
his own eyes secured until song’s end.

As long as his fingers are jumping,
he doesn’t have to be Gerard Wall–
who lost his wife to cancer and mind to the War;
he can be Louis, Miles, or Pinetop Smith.

When he looks up once again,
sun and spirit have faded,
and he watches the evening embers
drift out of his horn.
Seán Mac Falls Nov 2012
Newly painted house,
Clouded windows between us,
  .  .  .  Flowers in glass vase.
Helios Rietberg Apr 2011
All my things fall away like the loose satin of a slip
Endless in its descent and completely free of conviction

Mindless in its priorities and forgiving of the moonlight
Sleepy in the silence of the twilight of the night

Who gives the prayer to the dark of the day
Who tells of the travellers that come sneaking up my way
Who takes the shame, burns away my sight
How in the endeavour of the endless I will fight

Diamonds in the rough I take with me in my wound
Glossing over the sunny sands of the eternal dunes
Cry to the ravens, cry and cry me over
Speed in the tightest spaces of the greed of cover

Sap me in the daylight and perhaps one day it will
Crawl me in the yonder life and keep me ever still
Race me and chase me, dire in all my needs
Frightened and silenced from all that I may see

Grip my heightened perception undulating in the springs
Amass me the corporations and the grit of insomniac swings
Trite in the hive groans, implicit in their destruction
Give me all the room to take in these emotions

Flat and back, flatten the back,
Tie in the seashores and pull in the ocean
Fight for the sunrise and take in the sky
I need nothing more than to see that winding light.
© Helios Rietberg, April 2011
Nhlanhla Moment Oct 2015
Caught in the middle
the centre septre stream
... genesis;  a moment the tendency for an object to twist, aligning in congruence with memory cells or a harbour memory cell hub a channel is created.  

So thought - forms can relive themselves time after time
I read an anthropological script one time and it suggested that we are souls if not stars or orbs of lights stuck in a single episode of a drama that is cosmic
So God, His Wife and their Son/s are reliving themselves through time and space ever expanding to find order
In retrospect that would explain why Showbiz is so big
For the First Fruits long for their story to be portrayed so to find justice, freedom and order
So then here I am, having incarnated for the enth time

In this world they rarely raise souls
a boy is raised to be a man
a man to serve the Man or to pay for the debts of the other man
normally to replace his Father or right the wrongs of his forefather
so there you have it, a script is ready for you to act out and your opinion is yet to matter as a soul


And Gaia suffering from the pains of the past and she grew cold, evil and bitter; worse than her perpetrators
then the middle you see Thor and his dysfunction and thence comes Lucifer and he contends with his father and seeks to oppress mother to take over the galaxies
hmmm and Him Thor in the thin of the divide
in the brink of chaos
assigned to create order

Earth then, working and cleaning out the emotional scars and mistakes of past - lives
incarnating again and again until we raise our consciousness to Higher Dimemsions
So we look to heroes you see to motivate our vision
You  contend as a gladiator and the Powers will reward you as far as your success makes them comfortable and no further
It is a danger to stand up to the gods and confess that you serve God
So maybe a nobel prize you get when you're older and you've sold so much of yourself in the process
Your victory over problems and exhibitions or sporty knockouts intimidate those who are assumed to be the limit
so this makes them insecure
these problems started before our parents and grandparents Im sure
Lands we fight and commodities we strive for only to have a say about the Word
the word that flowed through sound as it fused with light
So who with clear audibility to decipher the root code?
Her earrings Pandora we'd search for
His Heart Artola we'd contest for
Her beauty Hirana we'd aspire to behold as we become grand

The glitch in her consciousness or the filling of the void creates a monster that is a vacuum for the hollow negative consuming dark light changing names Alycza to Cleopatra but what happened to her best mantra Callia
And we live in the play
affected if not convicted of her hurt
so we long to heal


And the union again takes us to the  unnoticed spaces of creation
half the time we feel marooned
yes it is the fusion completing HAROON So we understand time better and reach RAJUN
A place of the utter Integration
Love
Happiness
Divinity
Peace
Eternity

So many roles in the middle I tell you there are many things with which you wouldn't want to fiddle
Excuse the so's; this is not a riddle
a puzzle we'd fit so pieces we do not belittle to conjoin the twigs and winds to find a fig we'd rig to our humane config.

And disease release, pains appease so we please the free and each soul turns on their stellar switch
After war, soldiers we have died so many times
I have tried to resign too many times only to be assigned
Exits I've tried as I was entirely tired
but soon darkness was fired and the good hired so our psyche was wired and the psychics reeling their powers
a new kind of life
life never. feeling sorry for a person
why do we feel sorry for ourselves
seen my father's tears so many times no more emotional games could be played
boom; the wake "I don't want to be in the muck and mire of evil anymore but a process of admission and confession awaits before I can experience cathartic filth induction"
So guilt free the freedom-seekers.so they can forgive and be forgiven
for do we know for sure how much time we've been given
many exist, those standing virtuous long have they been living
Can we live to seize the moment of deep sleep in a state lucid free from the matrix
and please not enriching the chemist; this can be done without psychedelics
Uniforms bossing hasn't this been the battle of shem to drug tossing so we can be one like tether Higher - dimension flossing
getting nearer to the Divine Source, how is meditation and prayer for glossing?
So costumes - they give us flesh, this animal and that to Adam a bone to string to sand, beat and wing
a flying structure human being
or humans being
what a fashion show for genetic engineers
And stars we remember
once we escape the material and return to the ether

the middle; you experience the in-between
the good and the bad
peace and war
love and lust
lies and truth
virtue and vice
greed and generosity
satiation and addiction
theft and earning
possession and sharing
Burning and cooling
destruction and creation
I am tired before my time.
Micheal Wolf Jun 2014
Interwoven through the decades
Like a dream fragmented
Recalling the laughter
Hiding the tears
Small talk, no mention of sorrow
Paths crossed by chance
Yet fused together in a past
Updating the similarities
Glossing over the failures
Not eluding to the passing of love
Love! What of its spoils, it's loss
Now coveting the richness of maybe
The longing for perhaps
To capture a time lost
Then by good grace and fortune
Re start the clock
Like a caravan crossing the desert
To a destination hidden to all but the chosen
Where the weave becomes tied, knotted
The richness of lifes tapestry completed.
B May 2018
It wasn't until my physical pain
met my mental pain
that I knew I had to surrender.
I wanted to remember,
so they finally crossed paths
shaking hands with
another
as my body was a bloodbath
turning to scarlet color.
Glossing, my eyes
poured out the lies
as I started to cry,
I couldn't resist the fight
of my fist
to speak of this.
I know I know,
I know.
Once again I had let go of
you
you
& you.
And my mental pain said goodbye
to my physical pain
and so did you & I.
Katherine May 2013
Cancel me to work the everyday,
gorgeous and made as if by money-
for money. My body glossing
for the lifestyle it represents
all its own.

The Curvature of my eye
shadowed behind the silk
of my hair. God
made the beautiful
for something else
than donning the same shirt and shoes
to grind another blue sky day
through to its ashy undertone.

They could call me madness
and I would rise up a dirt devil
over the scrub of the mundane-
all glimmering darkness
and suggestive dirt.
Joseph Martinez Jan 2011
Coming upon the supposed realism of the place
in all it's artificial glory - shining like polished plastic

Where in the glass cage; them without eyes sit, motionless
& tapping on the base of the spine - handing judgment
shouting their mad disease into the air

In the contamination of the surrounding, nameless faces
barking out for what they think they need

They scream for food, food, food!

Food and the televised delivery of words
the milky film of burned retinas
staring out as if it see anything shining with the famous names
& the electric screens all around, reinforcing their stride

& fatten them with words

Mothers, fathers and children - all young
misplaced and arguing painfully
about who is where - how they are - & acting

No relief from the bombardment
& stark reality of those people
glossing over magazine covers - top row - never bottom
& system of image delivery

Serving only in the false world
where all is hideously pretty & cold
Joe Martinez 01/20/10
Jon Sawyer Jan 2018
I have a question burning:

. . . . What's the point of living?

My heart is pounding
I'm heavy breathing
My blood is boiling
My face is melting
My hair is pulling
My skin is itching
My nails are hurting
My eyes are clouding
My mouth is drying
My mind is waning
My voice is wailing
My hands are cracking
My stomach is churning
My strength is failing
My care is mortifying
My existence is joking
My work is freezing
My delusions are multiplying
My thoughts are racing
My life is dying
My hopes are groaning
My dreams are poaching
My will power is cooking
My mind's eye is glossing
My mood's-a-changing
No cylinders are firing
My desire is diving
The cycle is beginning
My peace is nuking
Beauty is crumbling
Life's code is encrypting
. . . . No key for decrypting
The way out is blinding
And I'm feeling
. . . . The top of the ceiling
. . . . No more flooring
. . . . Left falling, none for catching
I'm wasting
I'm choking
I'm running
The demons are searching
Me they're consuming
Me they're chewing
Me they're spitting
Me they're crushing
. . . . Causing
. . . . A raining
. . . . Hellfire reckoning
They want me deadening
Me they're taunting
Poking me, torturing
My debt not paying
. . . . It's me they're charging
No recourse, left standing
Consciousness is maddening
My enemies looming
. . . . Gleaning my soul, they're feeding
They're biting
I'm left crying
Hope is fleeting
Friends are fleeing
. . . . This nutcase entertaining
I'm stopping
Left looking
No one is caring
. . . . To grace my being
They see me fading
Cast into the void, they're jeering
Strangers are laughing
There's more I could be saying

But I'm still left wondering:

. . . . What's the point of living?
11 January 2018 - Exactly how I felt at the time. Raw. Emotional. Poignant. This is what a bipolar mixed episode feels like.

— The End —