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Duncan Brown Aug 2018
Archie was smart; at least he reckoned he was, because he had what he considered to be the good things in life: dosh in his wallet, a Cat in the garage, and a detach. in the green belt; all of which he had worked hard to acquire. Worked, is not exactly the word for it. Archie did deals. He reckoned he could always turn a fiver into a tenner an’ a tenner into a pony; a pony into a ton and a ton to a grand. He was one of the cash economy’s natural alchemists.  The folding stuff was the measure of a person, he reckoned. Archie never thought about anything; he reckoned everything, and nothing on God’s good earth was beyond reckoning, he reckoned. An ever-ready reckoner; that was Archie, and he loved himself for it. Only John Wayne did more reckoning than Archie, his old dad, bless him, used to say, thought Archie. In Archie’s world a grand was currency; less than that was just spare change. He reckoned he gave superior meaning to the expression ‘it’s a grand life’. The only blemish on Archie’s horizon as far as he could see was the lack of a class bird, or ‘ream sort’, as he preferred to say; hence this evening’s extravaganza at a posh French restaurant in the company of a beautiful lady. Archie only had two serious weaknesses in his existence: a fondness for the last word in a dispute about anything you care to mention, and his infatuation with his dining companion, the beautiful Carmela.


Carmela shared a common background with Archie. They grew up on the same council estate in the inner city. They were aware of each other’s existence as kids and teenagers, but they didn’t really know each other. Carmela was a quiet child and very singular; even in company she could be by herself. None but she was wise to her sense of solitude. She had three passions in life: knitting, sewing and weaving; the blessed trinity of her existence. Carmela interpreted the world by these three gifts. Here she was, she thought, weaving her way through an evening, in the company of three strangers. One she knew, herself, another she didn’t know at all, despite proximity and semi-shared origins. Then there was the complete stranger to the trinity: the waiter in his new and very polished shiny black shoes, “You can tell a lot about a person by their shoes”, Carmela’s mum used to say, she was thinking about that as the waiter appeared to almost pirouette into vision.


The waiter was a patient soul, it goes with the territory. The waiting game wasn’t something you should rush in to, he often told himself, in one of his more existentialist moments. He appreciated the irony of the comment in a Sartresque kind of fashion. He was from a steel town in the Rhonda Valley of South Wales. Iron was in his veins if not his appearance. A creature of paradoxes, that’s what he told himself he was. He liked that assessment of himself. It complimented his passion for all things French: French food, French wine, French philosophy, literature and art. He was learning the language at night school. Alas, his accent was as lyrically refined as the landscape that bred him He shovelled the words onto a conveyor belt of sound and meaning as best he could in the general direction of the person he was talking to, more in hope than in faith that they understood what was being said .The other passion in his life was tap dancing, and as luck would have it he could wear the same outfit for work and leisure, hence the very shiny shoes which allowed him to dance around the tables of the restaurant, practising his language skills on the clientele, His life work and leisure dovetailed with his ambition and he was pleased to wake up in the morning and set about the mortal trespass with a skip in his step. The waiter imagined himself to be a cosmopolitan and enlightened soul, in a very Fred Astaire kind of way, and life was a flight of stairs which he could ascend and descend in a Morse code type of style, just like Mr Bojangles.


The fare was fine. the wine was rare, but the conversation was spare until the cheese board arrived.” Good grub”, said Archie to the waiter. “We don’t do grub, sir, we only serve the finest Gallic cuisine in this establishment,” replied the waiter, in his usual mangled French, whilst smiling that smile that only waiters can manage when registering disapproval. Archie looked blank. It was Carmela who spoke: “C’était magnifique! Mes compliments au chef.” “Streuth! You speak better French than Marcel Proust here” said Archie.” I studied Fashion and Design in Paris for five years “replied Carmela.” “An’ I joined the Common Market many moons ago. It’s good for business” said Archie. The waiter was impressed: “Food, fashion, wine, Proust and Paris. This must be Nirvana” he said. “Great band, but a very dubious heaven.” replied Carmela, knitting together the threads whilst changing the pattern of the conversation in a very subtle fashion that was more to her liking.” “It’s only rock ’n’ roll” said Archie, an’ if you’ve ever heard French rock ’n’ roll it’s enough to make you believe in Foucault” “Foucault, my hero!” said the waiter, “a philosophical genius”. “According to Foucault, a knitting pattern is the hieroglyphic of a consumerist and decadent capitalist society.” intoned Carmela.” “And ‘A recipe is a critique of a cake’, said the great Structuralist philosopher,” interjected Archie, so if you serve the gateaux we may effect the collapse of western civilisation as we all know and love it”. “Allors, Let them eat cake” said the waiter, and everybody smiled at the irony of the comment.

The waiter bojangled his way into the night, tapping and clicking the pavement as he went.  Carmela and Archie got into a black cab. “That was a night to remember,” said Carmela, “very Proustian”. “A la recherche du temps perdu”, replied Archie, pleased as punch to have the last word. Carmela just smiled as she looked at Archie’s shoes.
Luke B Hopson Sep 2010
Let school-masters puzzle their brain,
Blinded by revolt and disorder,
A schoolboy departs in a rage,
And a preachers deprived of his daughter

They met at the Café de Flore,
And talked over gateaux and coffee,
She said ‘Joseph, you're my troubadour’
He smiled and said ‘You are my Sophie’

The pair acted out fantasies,
Embracing the Louvre with ambition,
Romancing across des Champs-Élysées,
With purity and inhibition

Back in humdrum Buckinghamshire,
The locals did summon a meeting,
While beneath the old Notre Dame spire,
Sophie said ‘Can you feel my heart beating?’

Then back at the Café de Flore,
A Mademoiselle served them merlot,
She said ‘j’aime votre poésie,
Et votre femme est un angelot’

Let school-masters puzzle their brain,
With grammar, and nonsense, and learning,
The schoolboy perversely proclaimed,
‘My buoyant soul will not be returning!’


*(March 2010)
The line 'Let school-masters puzzle their brain, With grammar, and nonsense, and learning,' is taken from 'She Stoops To Conquer' By Oliver Goldsmith (first performed in London in 1773).
Anthony Williams Jul 2014
In shortening she made me jam roly poly
a Jezebel in a grand fully furnished way aglow
with bold basement statements broad brushed full on
to glaze the way to a plum job whole storey mission
proclaiming sofas as soft as any humble pin cushion
stuffed with unfinished symphonies in a mansion
booming out to empire builders' biggest guns
tended by harems of belly dancing bumble bees
burbling alongside a myriad of louder hues
flowing into bouffant hairstyle shrubs brushed
and blow dried into blooming privacy bushes


but outside she transformed
yet served by outsize platters
prolific with blazing seasonings
glazed with enough sweets
to satisfy a pudding feast
laid before a sumptuous appetite
comforting peahens with broad beans
ripened beside horizons of warm salads
dressed by blooming strawberries
pores plumped up from ladles
dunked deep as finger buns
into sloppy icing barrels
awash with hoarded nuts
of sweet toothed squirrels
engorged to dozing on branch barges
full to the gunnels and slow wallowing
in troughs laden with fatted chugs
rambling across rolling oceans awash
with tranquil rafts of whales nibbling
each morning on shoals expanding
beyond shallows into deep new ports
to offload uncontainable cargo
swung low on sweeping vista nets
dragging tree trunks packed like Jumbo
to land with a thump in wide sided carts


splashing and rocking slowly on their ways
until mopped up by richly saturated bales
of overgrown Danish butter grass pats
resplendent amidst dollops of luscious
double churned cream gateaux farm gates
open for cuddling golden syrup spoons of heat
spreading mellowness deep into the sponge
of unfolded meadows with encyclopedic knowledge
accumulated into increased volumes of decisive “belle”
resounding excitedly across the hills of plenty


chirrups bumping cheekiness into narrow valleys
to settle hawk eyes wide open to opportunities
accumulating it all in seam stretched sack boasts
of the good life storehoused bigger than most
but ready to collect and offload refreshment
like the slow but steady wobbling airships
stretched out resplendent across hay loft skies
fluffed up between a sweating Queen bed cumulus
keen to bounce into cloudless heady ensembles
swung high over thigh slapping oompah band hills


in a tug-of-war snapping heartstring restraint
and low frequency waves of contentment
she apportioned herself and me in generosity
celebrating a fully stocked love stacked larder
sweet with chock-a-block huffs and puffs
and then glad sighs of expansive success
in relief a schmooze diorama all she was after
Summer's glorious bamboozled ardour
by Anthony Williams
Vivian Jun 2014
kiss me with a mouthful of mango sorbet;
you taste like
home and feel like
winter.
my craven desires, and
innocence in the arch of your
neck: caveats concealed in
kisses; you have
misgivings and we have
lain here for years upon years
desiring little more than to be
swallowed up by our
sins and shadows.
I'll be honest, if your moral
halflife is longer than the
school year, then
what's the point?
your beta decay is
pathetic, you're impotent, the
radiation is too weak to be
of any harm;
set my geiger counter
abuzz, like my phone
begging for attention like
you should beg for mine, and I
Love It,
you know I
do, quand tu manges
Le Gateaux, such an
eager little ****, seeking
absolution like I have anything other than
Absolut to offer you.
you drink with the
desperation of a desert-dehydrated
man, with the
fervor of a woman throwing herself,
time and again, at the
Glass Ceiling, further success
visible and attainable:
you always spoke to me like
you had a mouthful of
broken Faberge eggs, and to
close your mouth would be to
Invite Pain.
you were always averse to pain, though you
relished in inflicting it, and I
loved little more than to be
bruised and beaten and bloodied by your
ardent affections.
Nick Strong Dec 2019
Talk to me, talk to me of Old St. Nick
Talk to me of Sinterclaus
Of Mikulas, Pere Noel, or Babbo Natale

Talk to me of candles, christingle and a silent night
Talk to me of crackers, carols and calamities
Talk to me of snow, sleighs, and stars
Talk to me of Christmas cards, wrapping paper
Talk to me of gold, old spice and mice
Talk to me of icing, icicles
igloos, ivy
Holly
Oh sweet Hollie
Tots of Drambuie
Marmalade and toast

Talk to me of Philip Scholfield
Carols From Kings
Mary Poppins
Scrooge
Festive films
Radio Times
And things that are too pretty
Lights, nights
Hark, Dark
barking dogs
tinsel
Tinsel Town
Wolves at the door
Salvation Army playing once more

Talk to me
Talk to me
Cream Crackers, cheese
Frosty mornings, old knees

Talk to me of snow covered alpine forests
Gateaux
Cherries
walnuts and berries
Festive fun,
A seasonal run
Of All Gold telly
With a full belly
Farts, sprouts
Turkey that tastes just like chicken
Oh talk to me of
Terry Wogan
Rosh Jogan
Grogan Josh
Last minute deals
Black Friday
White Friday
And all the Cyber Mondays

Talk to me of
Happy Mondays
Dancing Bez
In a Festive Fez

Talk to me
Talk to me
Of Festive time
Late nights
Early mornings
Beer
Cheer
All in entertainment

Oh talk, TALK to me
Of hangovers,
sleep overs
gloves
mittens
and cute kittens

Oh talk to me of
fake Chanel
Faux Fur and underwear
Celvin Klein

Talk to me , Talk to me of
Jonah Lewie
Bony M
The Pogues
and all those rogues
Fairy tale of New York
Stop the Cavalry
Mary's Boy Child
And the
Spaceman who came riding by

Oh talk, Talk , Talk to me
of places, and spaces We all know
Christmas markets
Tesco, Aldi and John Lewis Adverts showing
Christmas is coming
Christmas is coming
Christmas is coming
Chris
Oh talk to me
Oh talk to me of old St. Nick

Talk to me
Talk to me
Eggnog
Talk to me
Talk to me
Bah humbug
Talk to me
Talk to me
Happy Christmas
Read aloud at speed. Enjoy!
Yuiza Nabin Sep 1
a little touch, melting
as all good things, remembered  
only as sensation:  
the walls and the floor stir on and on  

to dissolve without melting, a small (aq) at the side  
but to release? too much and too little held  
too little to hold, a useless spoon
it drips into a stillborn flow

I serve my everything on a table:
gateaux and layers, any more than bread  
you have to take something, there’s no nothing to refuse
you can’t be refusal, even that is served
you can’t be full, you need to be hungry

you can’t be nothing,  
please don’t be nothing

I lie when I say I want you free,
In a cage, maybe,
dissolute in my precious vial  

no, melting is different  
I want solid things! I only complain about my state because I’m secure in it!  
and there’s no significance to early Thursday breakfasts which I didn’t fold in myself
I miss the sugar you gave to my batter;
it’s cloying when I do it,  

I missed Thursday and now it’s Friday  
but I still want Thursday till Friday curdles  
lined in rows of half-empty cups
the unrisen mix of every lost morning:

flour & water, basic lifeblood,  
glutinous river molding  
the great mound of delicacy:  
things burn left in the oven too long, even sugar
especially sugar
haven't been active for a while due to school, but recently wrote this!
Scott Gunnion Oct 2018
The pleas of desperate pilgrims
Desperate relics
reverberate day after day ‘cross this grassy plain
I've spent many a decade here
Watching, wasting
Waiting for Bernadette to appear

The world is a jilted love where the harvest always fails
and the moon is never full

Years I've waited for you to carve my name
In some hallowed place in that black forest of yours.

We once gorged on amber gateaux.
You'd stick your tongue in my mouth
And become a carnivore

Abandoned, you left a quill on a pillow
Still fresh with your dent

Now language is my master.

You, I'll trade you this blood diamond
For some magic beans
The one he gave me before he disappeared

But I am not Naomi Campbell
Minerals do not appease me

I turn the television on- Aladdin. Animated crap.
The Arabs chop off thieves' hands
You stole my heart but your hands are in tact

I wonder do you use them-
Carpenter, perhaps. Cartographer of souls.

The world makes me laugh

My lungs ought to have run dry.
Crying as I have done, uninhibited into the night
Undignified

Are you in my orbit? I wonder
Or did you prise me from your atmosphere
He who reduces me to naught but bones and
Turns me into a martyr

I summon Bernadette at the front of the grotto
Waiting for her to appear
To cure me

I know she will never come

End

— The End —