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Waverly Mar 2012
Isela
takes it in
the mouth.

She'd get on her knees,
positioning herself
half-in,
half-out
of focus.

Just enough for Joe,
behind the Cannon,
to capture
the whole thing.

Eric,
the producer,
was on his hands and knees
beside Joe.

'Come on Izzy
work it,
work the ****.'

'That's right,
stroke it,
make him sing.'

'I love it,
Izzy.'

Izzy wanted to bite
down.

She hated each and every ****,
she ever saw,
but she had a few things to do.

Her **** had to be new
and renewed
on the daily,
her ***** had to get wet
on command,
and her stroke had to be
so fast
they'd burn the dude
as her mouth
cooled.

After her mouth
was littered,
and her face was a mess
of spinal glitter -- You could make a man
come out of his
brain, Eric would say.

Izzy would get in her car,
wiping her arm
where'd she'd gone
to the clinic
to get pricked
and tested,
and pull a long haul of Virginia Slims
down her throat.
'
It was always the first sweet thing
she tasted.

Izzy would pull into the Terrace View apartments,
all that long black hair,
and wipe all that make-up off,
three napkins-worth,
so she could kiss her baby.

Because Rocco was in for a bid,
and not coming home anytime in
the forseeable future.

Her microbiology degree was somewhere
in her closet underneath those pink stillettos and
more fishnets than fish.

And Izzy knew
that with those double d's;
*** like a backseat,
mouth that could grease
a ****,
and her hands
Eric liked to call his own,
that she could pay the light bill
and maybe
put Romeo
into a daycare center
that wasn't full of roaches
and
angry *******.

"Someday I'll get out,
but it's illogical
to say
with all the money I'm making,
and it's just a job
when you get down to it,
I've ****** a lot of *****
and never gotten
paid."

Rocco Jr.'s cheeks were always the second
sweet thing
she tasted.

"I know a lot of girls
that got defeated by this game."
When you talk about pornstars, prostitutes, strippers in a derogatory way, think for a sec without a lack of compassion and especially not with a heightened sense of sympathy.
F Alexis Dec 2013
Isn't it ironic, lovely ones,
How so many pretty faces
Can hide a demon's soul?

How the same eyes which bat their lashes
In flirty beckoning,
Offer a window into wickedness,
An entrance to an evil place,
That harbors evil things....

How the same lips which speak such pretty words,
And lovely falsities,
In pleasant company
Drip poison behind the safety of closed doors,
Without the courage to speak so
In the outer realm...

How the same mind which seems so wise
Can foster such horrid operations,
An assembly line of treachery
Which twists and warps that
Which really is
Into what is isn't,
For its own selfish, devilish purposes...

Isn't it odd how the world's
Cruel jokes
Have remained so timeless,
Doomed, like history,
To be repeated,
Over and over again?

"Do not judge a book by its cover," they say.

And isn't it funny how this phrase
Aims to promise some unknown good
Behind that cover,
But never entertains the possibility
Of evil behind it,
Instead?

Yet it still holds true.

It is far more dangerous
To trust a pretty face not supported
By pretty words and actions,
To have faith in a glittery exterior
Without pondering the worms
Which breed underneath,
Than it is to doubt
A far less attractive cover,
Beaten, threadbare, its title worn off
By the winds of the world,
May guard a mine of diamonds within.

How foolish of us all
To take at face value
That which we see, hear, and touch.

How irresponsible
To abandon the idea and support of proof,
And let our judgment laze around,
About as useful as if it we hadn't had it at all.

I find it hard to pity those moths
Which do not examine the light
Before letting themselves fly into it.
When the static crackles,
And the glimmer flickers,
And the wings are burnt and injured,
It is too late for a second thought, then.

And as a bystander,
I cannot reach out and pull them from it.
I can call out my warnings,
My cautionary tales,
And even my proof that the light,
In all its beauty,
Harbors a special kind of evil
That they clearly cannot see,
But I must let them learn.

As much as it hurts.


I truly believe that what we put out
Into the world
Will come back to us.
Perhaps not today,
Or tomorrow,
Or anywhere
In the forseeable future ahead.
But it will return.

And though my human nature
Demands I bring order to the wicked,
Expose their evils for the world
To shudder at,
And cower away from,
It is not my job.

These forces which surround us
Bear that burden.

I, a small and staggering presence
Among billions,
Can only perform what I know it right,
And good,
And kind,
And hope that my fellow man,
Instead of drooling at the sight
Of fool's gold,
Will find a true beauty in this instead,
And choose to abandon all that deceives.


On a day which has no date,
No time,
No existence until it is ready,
Justice will come to the evil ones,
And those foolish enough to follow them.

How gloriously the wicked will fall,
Their cries ringing in ears
Which heard their sneers and cruel remarks,
Underhanded jabs and petty,
Childish words,
So many times.

Ears which will hear the music
Of that which was sown,
Being reaped
In the rays of a glorious sun.

Those untrained minds,
Which sought the disappointments
Of easy friendships
And sparkling facades,
Will fall, as well,
Regretting their decision to
Believe in the unreal,
And abandon their sense.

And I, at the end of it all,
May stand with fewer than I started with.

But, with those solid few,
Apart from the unstable masses,
I will still stand stronger
And better than I was,
And with minds like mine,
Rooted in goodness, kindness,
And grateful for the difficult journey
Which brought forth the lesson that
Examining a person's cover
Is well worth discovering what lies beneath.

Beware.
Michael Siebert May 2013
I crush my face
against the studded ceiling
and thank God I finally got the acne scars
I always wanted for Christmas.
Yesterday I saw a dog
get hit by a car
spoiler alert
it was me,
I hit the dog.
These Caribbean rhythms
make me all tense
I'm afraid of
dying in the middle of a race riot
because then who would remember me?
spoiler alert
no one.
spoiler alert
I'll die when I'm fifty for no forseeable reason
spoiler alert
I'll continue breaking
Digital Millennium Copyright Laws
and spoiler alert
I'm afraid of falling any deeper in love
with girls
I'm afraid of falling in love with guys
I'm afraid of falling out my chair
and cracking my skull open on the ground.
I guess what I'm trying to say is
I really hope I never get fat.
Vic Apr 2019
I realize how fruitless any words of mine, a stranger on the internet, must be to you. though I am not able to say that I know what you're going through, I am able to say that I understand, and that, maybe, one day, in the forseeable future, you're gonna look back at all of your poems and smile a smile of relief and joy.
Thank you so much.
James Daniel May 2020
May 1, 2020

Beelines and Relics, that's what I'll make.
The Devil makes use of idle hands...

Two days ago, this corona virus thing, looked like a good relaxing world reprieve. A much needed slowing down.
But just like the construction builders who have worked throughout, that come in for coffee in the mornings, I wouldn't just relax and let it all slide.

I was on the phone to my mother the other month. "It's *******," I said. "When have they ever cared so much?"
And in Tesco the other day, a growing disbelief, a cynicism. "They can just mark in a car accident as a corona death," I overheard a guy saying to the clerk. "It's true," I chirped in.

Walking along the street today, masks everywhere. Signs up, billboards, ATM machines, corona virus this, corona virus that. Social distancing. NHS heroes.

I think now we are heading into a new form of control. Biological control. I was talking to Stef the other month, and he had the notion that in the future, people would need to have the appropriate vaccinations before they could get on a plane. Totally forseeable.

We, the human populace, the animal, biological component. Easily docile, easily, easily controlled.

The big guns may hit us yet.
Onoma Mar 2020
these fire escape bars subdivide

space like a Barnett Newman painting.

stripes running down for a signal,

across these windows.

a thirty eight degree rain, with steely

grey whisks of snowy blind eyes.

shook off somewhere in this full frontal

depth perception, dripping the cagey

dynamics of backdrops.

a present tense of forseeable future

harkening back.

— The End —