(I)

Whose coat is this? Sure as hell isn't my coat. I ain't got no coat with this parka ****, it's *******. I ain't no furry flamin' ******. I ain't no ****** chochy Molly-May-Ze-**** chokin' down chickens and nasalin' a'sniffin' snortin' nasty-*** choch; that ain't me. That ain't me. Look at this coat– I'm like an Eskimo *****. I'm like a butch-**** bull-**** crotch-lappin' a'swimmin' laps in that guy's swimmin' pool. Who's that guy? Who owns that guy? 'Ey, anyone here the owner of this guy– guy ain't got no owner? Whose coat is this? It's nice, real nice. Bet she said, "Does it come from France? Where do I buy one?" I want to buy one, I think I need to buy **** more. I sure as hell need to buy one of these. "And I need one these too and one of them too and I need a petticoat and a tipper-tapper and a whimpratic garfielder and one of them new bartlemores, I need more of them bartlemores. I need more, more, more, more, more, more..." That ain't enough. ****'s from France. ****'s from Paris, that's romantic. You think I'm romantic? I eat hearts for dinner, I chew down nails like nuts for my midnight snack. I smoke cigarettes and spit on concrete slabs, you think that's ****? I'll show you ****. I'll show you Paris, New York City, Rome, romance you in Rome. I'll get real ******' Roman. I'll take you to the desert and make love to you. That's how a free man does a woman, and I'm a real free man. Who's ownin' this guy? It ain't you, it ain't me. I don't own you, you don't own me. I'm a free man:

I said,
"Fire and wood, fire and wood, fire and wood. It is late, it is late, it is far, far too late."

I set
fire to wood, fire to wood; feel that fire fired fresh from that firewood.

I dug the pit,
he gathered the wood,
she started the fire.

She really does make that fire start.

O' how she makes that fire burn,
O' how the wood's wrapped in white hots,
O' how they smoke their smokestacked pipes,
O' tobacco teeming teenagers, tormented by and through youth,
O' adolescence, trending topics, and forget-me-not flowers,
O' old age, Floridan coffins, and coughing  cancers,
O' writers in the mountains writing to be,
O' painters and **** bodies in studies by the sea,
O' thinkers in their mindset, mindsetting the table for dinner,
O' tables set to bursting,
O' wallets so thick,
O' community,
O' society, our social games,
O' hope,
O' peace,
O' that I may be at peace,
O' that I may be content and pray only for peace,
O' how about them true believers,
O' how about that love at first sight,
O' sandstone. My sandstone. That guy sittin' on sandstone.

That's my guy. That's my guy. I own this ****.

Is a man breathing on a mirror the sum of his breaths?
Breaths foggin' a'mistin' my view,
my view of a body and that face,
you're a body.
You're a workin' day's bell,
you're my chill in an Icelandic draft,
you're my spare in a Middle Eastern draft,
you're my pawn in chest-to-chest chess.

You've got this. You've got this. You own this ****.

And it is ****, too. I'd be set, real ******' set, with someone like you. I'll make you a woman, check this parka ****. Coat's mine. I'm a classy igloo runner, runnin' a'ragin' a'czebelskiin' meriteratin', I'll be reiteratin' your points. Check the time, it's late! It's late! ***** was in the grassy knoll turnin' trap tunes on her turntable. Would you listen to that? She sounds late to me, does she sound late to you? I like the music; I like the music. What happened to Woodstock? Where's my watergate, Nixon? Where's my generation, Ginsberg? Where's the meaning? This music's too loud! We're so profound! O' profundity!

Tell me something I didn't know, I'm craving' the new.
Give me the new while I spit on the old,
while I spit on this fine art finely art'd by and for fine artists–
******' fine artists. ******* fine artists.

(You can realize radical-realist realism but you can't be real with me?)

O' fine art!
What fine art!
Which fine artists are dead?



(II)

Looks like they're dead.

Looks like them ******* choked out all them ghettos, choked out all them rednecks, chokin' a'stranglin' by-God-oh-God straddlin' the breeders. I sure did like them babes– babes with their laughin' a'lackin' o' cynicism. They don't know the word "****."

I sure am forgetful–
I forgot that smoke doesn't dissipate,
I forgot how to smell autumn leaves,
I forgot to check the heart against the fingertips,
I forgot why my fingertips went numb,
I forgot to cue in the meaning when the sentence was complete,
I forget to complete my sentences,
I forget who you were wanting when you said, "I want you."

I got as much depth as an in-depth discussion, high hats and electropercussion have got me going. I'm goin' downtown, uptown bourgeois tricked me out, johns and yellow Hummers laid me down and cussed me out. That's not a discussion. That's not my scent scenting my towel, this breath reeks of wintry air– my fingertips went numb.

"I want you."

"Oh would you look at that moon?
Take a look at that moon.
Look at that moon with the ******' mountains.
I love that moon.
That's my moon."

I love darin' a'dusty dareelin' derailin' your dreams, whose dreams are these? They ain't my dreams– ain't no dream derailin' a'nileerad radiatiatin' some hint of joy or Jamison Scotch Liqueur. Drink that ****. That's my ****, I own that ****.
I'm sittin' on this stoop like I own this ****, like this **** owns me; I owed me. I don't own me, you owe me:

Pay up man, feet off the stoop.
Pay up man, be real with me.
Pay up man, you ever thought of a man as a man?
Pay up man, give it in.
Pay up man, give in.
Pay up man, I need you to do me a solid. Do me solid from crown-to-toe, we're toe-to-toe let's do-si-do bro-to-** I'm ready go, **, jo, ko, lo, get low… Now I'm ramblin'. You say, "Ramble in to the stoop and tell me a story."

What's a stoop– who's a stoop? That **** ain't stoop– you ain't stoop. You're stupid. You're a joke, check out the joke. Hey ladies, you seen this joke– joke ain't been seen by them ladies? I'm a joke. We ain't laughin' with you, they're laughin' at you.

O' hilarity!
Such hilarity!
What hilarious histories have passed?



(III)*

"I said I loved him once. I only loved him once."
(And how long once has been...)

I sure did like them hand-holdins,
them star-gazin' moments,
them moon phasin' nighttime nuances,
them fingertip feelin' a'findin',
them sessions o'meshin' limber legs unto steadfast *****,
heads cocked like guns toward the sky,
beyond the horizon
but well
below the belt.

Them star-gazing moments seeing stars seemin' small, I love how they gleam- gleamin' a'glarin' comparin' shine to shine, shimmerin' a glimmer shone stumblin' her way home from the bar. She's drunk. She's brilliant, brilliance of whit and wantin' a'wanderlustin' gypsy nomads- that ***** gyp'd me, no mad man would take a cerebral slam to the face lest them moving pictures are involved. Read a ******' book, it'll last longer. Kiss me on the collar bones, clavicles shone shining with slick saliva pining for my affections. You're clammerin' to feel me, clammin' up (Just feel me.) I want to run my hands through long hair and peg the nausea nervosa to the wall. The writing's on the wall:

The sun bent over so the moon could rise, chanting,
"Goodbye and good riddance,
I never wanted to shine down
on them seas o' tranquilities anyhow."*

O' what a day. What a day.

And the wind ruffles leaves and it ruffles feathers on birds eating worms in brown soil.

What a day. What a day.

And the men under the bridge gather in traitorous conversation of governments overthrown and border dissolution and poetry with meters bent out of tune.

What a day. What a day.

And the billboards are dry for all the consumers to consume, use, and review.

What a day. What a day.

And hearts break messiest when you're not looking.

What a day. What a day.

And the ego and the id and the redwood trees are talking. They're sitting **** in the marshes, bathing in the bogwater while fondling foreign fine wines and whisperin' a'veerin' conversations towards topics kept well out of hand, out of the game, nontobe racin' in races, rampant radical racists betting bets on bent, bald Bolshevik racists wagging Marxist manifestos in the bourgeois' faces, yes. Make it be. Nontobe sanity as the captain creases his pleats, pleasin' her creases and the dewdrops of sweat trailing down the small of her back– down the ridge of her spine forming solitary springs of saline saltwater in the small of her back. Aye-aye, guy's pleasin' a'makin' choices a'steerin'– government's a'veerin' a hard left into the ice.

'Berg! 'Berg!
Danger in the icy 'berg!
None too soon a 'berg!
Bound to bump a 'berg!
O' inevitably unnerving 'berg!
Authoritative 'berg!
Totalitarian 'berg!
Surveillance of *** and the sexes 'berg!
O' fatalist fetishist 'berg!
Benevolent big brother 'berg!
Homosocial socialization 'berg!
Romanticized Roman 'berg!
O' virginal mother 'berg!
City on a hill on a 'berg!
Subtly socialist 'berg!
Nongovernmental 'berg!
O' illustrious libertine 'berg!
Freedom of the people 'berg!
Water privatization 'berg!
Alcohol idolization 'berg!
O' corrupt and courageous 'berg!
Church and a stately 'berg!
Pray to your ceiling fan 'berg!
Biblically borne 'berg!
O' godly and gorgeous 'berg!
Ferocious freedom fighters launching lackluster demonstrations far too post-demonstration feeling liberty and love, la vie en rouge, revolving revolutionist ranting on revolution tangible as
an ice cold 'berg.

'Berg! 'Berg!
O' the 'berg, the ****** iceberg–
You'll be the death of me.

Dazzled by
the glamour of robber barons,
   a **** fetishist
      shills for feudal revival
         ambidextrously flogging
      bleach-white equestrian bones
   eventually dying
a looter's death.

I have only seen myself as a beautiful artwork once in my life,
It had been the advent lovely Spring of sweet sixteen,
There is a photo of someone else’s mind in which I am the subject, rife
With calculated gorgeousness, the white blouse and powder blue skirt
And I had been wearing black ballet flats; a day upon my feet had left me hurt
But the enchanted, oil forest before me had healed my eyes and entranced me
That pose, holding onto myself with ribbons in my hair, someone could see
A beauty that which I have never known since.

Into the heart of the Prince
Into the hearts of all the folk for she was a fairy tale heroine,
Cinderella, lovely lady of ashes, had glass slippers
And upon such toity-toity footwear, she had slipped
Yet, it had been such fragility that would unite her with her love

Will I be united with such grace, such love for myself, if I hold onto my ballet flats?
After all, I have not once seen this grace, such love for my own self since sweet sixteen
Since the foolhardy winds of chilly, oceanside Spring;
Where upon the Museum modern, I saw myself as timeless artwork
Admired and appreciated by all; much like the lovely lady of ashes whose slippers
Have walked her beloved soul into the hearts of all; into the best of time

Yet, these beloved shoes of mine
Have seen so much better of time
For I can see through the soles wherein holes
Have shown where I have worn my own souls
In bitter wanderings and light-hearted adventure; so many type of walk
For a single lass, I could not talk
Of all the places and thoughts these shoes have led me astray within
Of the beauty that had once sunken in

How am I to part?
How am I to part with such faithful companions through all my wanderings of
Yonder years soon to come asunder as I am no longer sweet sixteen,
As I am no longer before entrenched trees of oil, elevated in buildings upon
A chilly, Springtime by the sea I’ve only known in passing afternoon
In black ballet flats; not unlike the glass gussied slippers of lovely cinders

Am I not unlike Cinderella?
For whom would she be if she had not received the night of her life
As carried upon the fragile spurned glass of her magic slippers
For whom had reunited her with her love, the foot fetishist Prince;
Lovely lady of ashes would be just that: lady of ashes,
Worked to beyond the bone; dressed in rags, head in clouds,
Dreaming of opportunity squandered in her slippers of magic glass

She would be like me.
She would be like me, contemplating her toes in birdsong prose
She would be like me, wondering when she would feel as refined as a classic artwork
A beautiful timeless painting with grace and poise without rival supposed

If I part with these worn soles which have born my souls cross
My journeys long, will I ever be at loss
Over mine own image rendered beautiful: my own body rendered beautiful to my eyes?
How can such skin-deep bliss exist without my black ballet flats?
How will mine own eyes recognise my beauty
If it were not for dainty small feet slotted into impractical, magical glass slippers
In want of my dear and precious black ballet flats.

You stole my shirt again
The one with stains
Beneath my armpits

You lied and said
The shirt somehow fell
Into your suitcase

A dark black shadow
That hurled itself off a cliff
And landed inside your
Sad blonde soul

And when you sleep alone at night
In the naked stretch of your wine-soaked skin

Do you smell my harsh manly aroma
In the pillow of your theft?

Do you wet yourself in the taste of
The baby felons we might make?

Do you imagine yourself wearing
My body
Upon the sharp thrusts of my
Contempt
And
Love?

For a liar, a thief, a fetishist for
Fabric
That revives memories
Of lust long faded

You stole my shirt again
The one  that has faint traces
Of your drool, in the way you
Drip yourself upon me
In the hot slumber of your
Babbling incoherent dreams

Give me back my shirt
It was a present from my sister
Who rarely bought me anything
Except for a blue cotton candy
Vivid blue
Like your icy sullen eyes
In the childhood
Of my lonely
Indelible
Lament

i wonder where it is your ****** metaphors come from
when you say things like    "she tastes like strawberries."
i am disenchanted         miscarried
by what you are trying
to say, if anything.
this
social significance of a tangy fruit ripe for harvest- tiny for your convenience.   connotations of innocence   to sensuality, ***, lips

if it is literal. evoking a certain tube of tacky lipbalm that finds itself applied tastelessly and often-

a certain perplexing exclusivity of diet.
or at least a strong penchant for the thing, that.

or if virginal.
recalling imagery of children's clothing- characters and franchises similarly swimming in the same shared canon of bad symbolism.
if you try to push us
into displeasure. violence. or grunge.
to challenge the peacefulness or comfort of normalcy.
shock us.
bring me somewhere

that would be better poetry.

i've read you like: all of you-
a thousand times from anywhere. any time
some might say the universality is its highest honor-
sign of its perfection and
truth.
it is not.
lazy.never real
long bereft of impulse
it makes you feel good because you are told it makes you feel good,
brought up with it.
watered down by it
like many other things.

devoid of specificity or idiosyncrasy
and the imagery of the DD/lg goes wayside.

though fetishist art, at its norm, becomes insular and self pleasuring
(just as fresh strawberries)
it can still be used as a tool when used to break away from expectation
as long as you don't let it become itself.
for it is just as average as anything else:
falling into a bad creepy pasta.
reading the news on a phone app.
unjustly scolding a cashier.
telling a girl that her skirt is too short at her bestfriend's father's funeral.
parents driving offspring to suicide through religion and therapy.

they belong to you.

Although to write were a correlation
imputed to healthy inclinations,
rest assured, my disposition
is indisposed to sustain attention,
because I flinch at every mention
of creditable conversation
pretending that you need protection
from my sour justifications-
Holler at auspicious essays
Echoing manifold condescensions.
Let's never get ***** henceforth,
Pass by fetishist pretensions;
Made this out of me but I shall
Evade impulsive desperation.

Roses are red violets are blue...The fact is, I could write encyclopedias about how ****** and stupid Lord of the Rings is. And don’t even get me started on Harry Potter—what a pathetic, daddy-issue-ridden mess.

If I were up against Harry and his little twerps, I’d punt them like a field goal. It would be over in seconds. I’d crack their skulls before they got a single word out. And even if they tried their weak nonsense, I’d just cast Silence. How are you going to cast a spell when you can't speak? An entire world, a sweeping saga undone by one common spell.

The relationships, the dynamics, and the way characters are often placed in dangerous situations where their vulnerabilities are exploited, it’s unsettling. There’s no escape from this undercurrent of grooming, particularly in the way characters like Harry are pushed into morally gray situations, all under the guise of “destiny” or “greatness.” These are children. They should be protected, but instead, they’re put on pedestals and used as pawns for an adult’s war. It’s deeply disturbing.

Then, there’s the complete failure of Albus Dumbledore as a figure of authority and wisdom. What a complete failure he is. This man—who’s supposedly one of the wisest, most revered characters in the magical world—does nothing but pass the responsibility for everything onto others. He’s a coward, manipulating children to fight his battles, all while withholding information, and putting them in harm’s way. He doesn’t have the backbone to act when it matters, and his inability to learn from his own mistakes is a flaw that plagues him throughout the entire series. It’s as if he’s incapable of making a single ethical decision. He’s not noble; he’s a manipulative fraud, and it’s an insult to the very concept of leadership.

Let’s talk about the Wizarding World, shall we? A society with magic so powerful that it can literally solve every problem you can imagine—yet it ignores the real-world issues that plague its own citizens. There’s no effort to address poverty, child abuse, or any of the things that would actually make a difference in the lives of people. They could solve world hunger with a simple spell, or cure diseases with a flick of a wand, yet they choose to turn a blind eye to the suffering happening around them. There’s no technological progression; nothing seems to move forward because the entire society is stuck in an outdated, backward system that can barely handle the modern problems that keep popping up. But why bother changing anything when you can just wave a wand and pretend everything is fine? The whole system is utterly nonsensical.

And the writing? It’s embarrassingly basic. There’s nothing to it. Everything about the prose screams “children's book” in the worst way possible. It’s repetitive, formulaic, and devoid of any real depth or complexity. The descriptions are lazy, often using the same tired adjectives over and over again. The magic is treated like some child’s toy; there’s no real explanation for how it works, just vague references to the “mystical.” Nothing is ever fully fleshed out. It’s all just there, existing for the sake of advancing the plot without any thought for coherence or world-building.

And Voldemort? Don’t get me started. He is the weakest, most laughable villain to ever appear in fiction. He could’ve been defeated at any time, but somehow, this “evil overlord” manages to survive through sheer incompetence and plot armor. He doesn’t even have the sense to **** a baby when he has the chance, let alone successfully carry out any of his grandiose plans. The whole idea of him as a villain is a joke. It’s a tragedy that such a character is even given any weight or importance in the story.

The disturbing undertones that run through the series are perhaps the most overlooked aspects of Harry Potter. Let’s talk about how Snape, a grown man, seems obsessed with Harry’s mother, Lily. He’s this bitter, twisted character who can’t seem to move past some deep-seated emotional issues and makes the whole thing about his personal revenge fantasies. His fixation on a teenage girl, and later Harry’s mother, feels far more like a grudge than any noble sense of duty or redemption. It’s disturbing in ways that go unaddressed. And don’t even get me started on how the children are treated like slaves, especially in the way they are kept in the dark about their true roles in all of this. They’re pushed into war, taught to fight, and are left to deal with the fallout of decisions they have no power over. They’re nothing but pawns, manipulated and discarded when it’s convenient.

Rowling constantly sexualizes underage characters. She describes 14-year-old girls' bodies, their “curves,” the way boys “notice” them. Hermione’s sudden transformation at the Yule Ball is written like a ****** ******* reveal. Why does she need to be sexualized? She’s a kid.

In the end, the world of Harry Potter makes no sense. It’s a place where magic could solve all of society’s problems but doesn’t. It’s a series that asks you to believe that the same people who can make objects levitate or conjure food out of thin air are somehow incapable of improving anything let alone  their world. The entire premise is based on a series of lazy tropes chosen ones, magical worlds, and grand destinies that don’t hold up under even the slightest scrutiny. It’s a patchwork of stolen ideas, slapped together with no real thought or originality. And let’s not forget about the endless repetition. The magic may change, but the problems, the structure, and the tropes remain the same. It’s the same story told over and over again, with no real growth or evolution in the narrative.

This series is nothing more than a well-disguised piece of trash, a work of shallow, repetitive nonsense that has been falsely elevated as some sort of cultural touchstone.   Its Christians so. it makes complete sense. They love this kind of crap. It's the core of their whole reality. So no wonder they eat this garbage up It’s a poor man’s fantasy, made for children with no taste and no real understanding of what great storytelling is. It’s insulting to anyone who has ever read a truly great book, and it’s insulting to anyone who knows how to think critically. It’s lazy, it’s derivative, and it’s full of everything wrong with modern literature.  Kind of like the Quran. If you really want to see what magic looks like, look there it has a flyin horse with a humans face. But Larry Trotter this is just smoke and mirrors, designed to distract from the mediocrity at its core.

Voldemort? One of the weakest, lamest, most pathetic villains ever. well Sour ron  from LOTR is bad too real bad he shows up he gets killed by a girl  bam ! done.    I there a bad guy in the  Game of thrones books  I mean the Mt.  but he's a mongoloid   not really a bad guy more like lenny from mice and men .    Anyway  The  padawan training schools the inane pointless traditions, the ridiculous jokes. And let’s be honest, Harry Potter desperately wants to be Star Wars. They want the whole "Padawan learning the Force" thing, but it’s just embarrassing.

Now, onto A Song of Ice and Fire. A dance of crap and more crap, with fire and ice and zombie dragons—except he never even does the zombie dragon thing in the books. I’ve suffered them so you don't have to . They’re meh, at best. The first three are mediocre, and even then, the highlight is when Brienne is in the bear pit and ,Jaime still has to rescue her.

The only somewhat interesting part? The Hound and Arya. Arya steals the whole show, so it makes sense that HBO gave her the final ****. She’s the only decent character in the entire series, other than  the actor that almost redeemed 2 dimensional Tyrion, who they otherwise absolutely turned to bubble gum. In the books, he’s a scarred-up, grotesque little pervert missing his nose, waddling around like the disgusting freak he’s meant to be. But no, they had to soften him up, make him "relatable." Sure, whatever. Then he shoots his dad on the toilet, spends half a book brooding about it, and that’s his arc?

And Catelyn Stark? God, he couldn’t have killed her off fast enough. Reading her chapters was pure suffering. Then she's a zombie for a sentence or 2  ? Almost as bad as reading Sansa. Every time I saw "Sansa" at the top of a chapter, I wanted someone to put me out of my misery. Like the brother diddler, god how horrid and yes  know we weren't supposed to like her.

But even as bad as Martin is, he’s still not as bad as Tolkien. That crap is unreadable. I have never seen anyone abuse semicolons and colons more in my life. And the songs? Dear God. Nothing makes sense. It reads like an acid-trip hangover. angry cockneyed drunken english professor playing tea party while writing a how to assemble a nap time  Ikea fairy tale manual.  yes the sentences are like that I wrote that in his style. It's infuriatingly impossible to slog through.

Bilbo and Sam? Supposed to be lovable and relatable, but they just make me sick  Cry, Cry, cry,  walk walk walk, Cry cry cry..... And then there’s Gollum, who is even worse. Nothing about him is funny, cute, or remotely entertaining. It’s just sad   not in a a tragic way but ,stupid.  And everything is magic ring. The ring is magic. The sword is magic. The chain mail is magic. The horses **** magic. The river is magic. The tree is magic. Is anything not magic Jesus Christ.  Why even d do anything?  It's like the Star Trek matter energy converter. If you have that, why do you need anything? I mean, they could have at least said exploration for exploration's sake for discovery. At least that's something. But all of those books the return of the king, the two towers, it's not that. It's not exploration for exploration sake. And if the bad guy is already so powerful, what does he care about any of that? If he's incorporeal?

And don’t get me started on the eagles. Gandalf could have just called the eagles, taken the ring, and flown to a thousand different places. But no, they had to march to Mount Doom because, apparently, that’s the only place in the entire world with lava. How stupid is that? The whole thing is pitifully dumb, derivative, unoriginal,  and the way people worship it like some holy text is beyond me. He had no competition when it was written.  We do now .

Tolkien didn’t invent ANYTHING . Every single bit of it is stolen. Even his so-called "Elvish language"—stolen. He didn’t create wizards. He didn’t invent dragons, goblins, magic swords, dwarves—none of it. And to top it off, you can’t even read those books. They’re so poorly written.  Its like trying to enjoy Canterbury Tales,
except somehow worse    sooyta to the roo tay   but bogged down with pointless lore that contributes nothing to the actual story.
Create a list of names of some guys that do nothing and Contribute absolutely nothing to the plot. Just to **** them off, create characters that were almost starting the light, and then a couple chapters later killed them wrong. Great. someone that seems like they could be important, but a book later killed them off. He'll just **** everybody off. Why not **** everybody up? The whole thing is stupid. Just get the ring and throw it in the fire. Why do you need 4 books to do that? What he needed was an editor, but he needed was someone to say, really have. really. Have you sang these songs out loud in front of anyone and not gotten beaten up? I don't know how that ever became anything. The only thing I can think of was it was either cry about all the people that were lost in those sport wars. Watch paint dry. I mean, I don't know. There must have been nothing else being published. Talk about a slow Newsday.

And then there’s all the fetishist, ******, misogynistic nonsense buried in the ******* subtext, but I won’t even go into that. The fact that his work became anything at all just shows how low the bar is. Point made . Point proven .  People will accept anything if you  know how to slap the right label on it. Appeal to the English's pride or target a black audience  and . Boom its gold baby. Madea goes to middle earth.   And Sour Ron.. Thats your bad guy? Seriously?  Why did he not just **** *****  or Frilzo  or whatever his  pathetically stupid name is ?  What he wasn't evil then or he had no power or was just taken a knap. Oh but when  Froe ***  get the ring ..Oh hell nO !  son you gonna die.  What?

Same with Star Wars. Disney saw it for what it was: branding over substance. They knew they could put guys in cardboard armor,
cram aluminum foil up their butts . Slaps satellites on  on their backs  HAVE THEIR KNEES SHOOT ROCKETS   ?    What ? after all these years R2  could fly ? no one is really dead  and  knee rockets the whole time  ?  wow ! ,  As long as it had the Star Wars name, people  will eat it up. And that’s Andor. They’re walking around with AK-47s and  African World War Two. surplus military gear, yet I’m supposed to believe this is a world of advanced laser technology?   Hello. Hello. Check. Check. Check.    And I'm supposed to be enamored by the writing or the storytelling. Give me a break.

The best thing that ever happened to Star Wars was Ralph McQuarrie. Hands down.