Come queen of months in company
Wi all thy merry minstrelsy
The restless cuckoo absent long
And twittering swallows chimney song
And hedge row crickets notes that run
From every bank that fronts the sun
And swathy bees about the grass
That stops wi every bloom they pass
And every minute every hour
Keep teazing weeds that wear a flower
And toil and childhoods humming joys
For there is music in the noise
The village childern mad for sport
In school times leisure ever short
That crick and catch the bouncing ball
And run along the church yard wall
Capt wi rude figured slabs whose claims
In times bad memory hath no names
Oft racing round the nookey church
Or calling ecchos in the porch
And jilting oer the weather ****
Viewing wi jealous eyes the clock
Oft leaping grave stones leaning hights
Uncheckt wi mellancholy sights
The green grass swelld in many a heap
Where kin and friends and parents sleep
Unthinking in their jovial cry
That time shall come when they shall lye
As lowly and as still as they
While other boys above them play
Heedless as they do now to know
The unconcious dust that lies below
The shepherd goes wi happy stride
Wi moms long shadow by his side
Down the dryd lanes neath blooming may
That once was over shoes in clay
While martins twitter neath his eves
Which he at early morning leaves
The driving boy beside his team
Will oer the may month beauty dream
And **** his hat and turn his eye
On flower and tree and deepning skye
And oft bursts loud in fits of song
And whistles as he reels along
Cracking his whip in starts of joy
A happy ***** driving boy
The youth who leaves his corner stool
Betimes for neighbouring village school
While as a mark to urge him right
The church spires all the way in sight
Wi cheerings from his parents given
Starts neath the joyous smiles of heaven
And sawns wi many an idle stand
Wi bookbag swinging in his hand
And gazes as he passes bye
On every thing that meets his eye
Young lambs seem tempting him to play
Dancing and bleating in his way
Wi trembling tails and pointed ears
They follow him and loose their fears
He smiles upon their sunny faces
And feign woud join their happy races
The birds that sing on bush and tree
Seem chirping for his company
And all in fancys idle whim
Seem keeping holiday but him
He lolls upon each resting stile
To see the fields so sweetly smile
To see the wheat grow green and long
And list the weeders toiling song
Or short note of the changing thrush
Above him in the white thorn bush
That oer the leaning stile bends low
Loaded wi mockery of snow
Mozzld wi many a lushing thread
Of crab tree blossoms delicate red
He often bends wi many a wish
Oer the brig rail to view the fish
Go sturting by in sunny gleams
And chucks in the eye dazzld streams
Crumbs from his pocket oft to watch
The swarming struttle come to catch
Them where they to the bottom sile
Sighing in fancys joy the while
Hes cautiond not to stand so nigh
By rosey milkmaid tripping bye
Where he admires wi fond delight
And longs to be there mute till night
He often ventures thro the day
At truant now and then to play
Rambling about the field and plain
Seeking larks nests in the grain
And picking flowers and boughs of may
To hurd awhile and throw away
Lurking neath bushes from the sight
Of tell tale eyes till schools noon night
Listing each hour for church clocks hum
To know the hour to wander home
That parents may not think him long
Nor dream of his rude doing wrong
Dreading thro the night wi dreaming pain
To meet his masters wand again
Each hedge is loaded thick wi green
And where the hedger late hath been
Tender shoots begin to grow
From the mossy stumps below
While sheep and cow that teaze the grain
will nip them to the root again
They lay their bill and mittens bye
And on to other labours hie
While wood men still on spring intrudes
And thins the shadow solitudes
Wi sharpend axes felling down
The oak trees budding into brown
Where as they crash upon the ground
A crowd of labourers gather round
And mix among the shadows dark
To rip the crackling staining bark
From off the tree and lay when done
The rolls in lares to meet the sun
Depriving yearly where they come
The green wood pecker of its home
That early in the spring began
Far from the sight of troubling man
And bord their round holes in each tree
In fancys sweet security
Till startld wi the woodmans noise
It wakes from all its dreaming joys
The blue bells too that thickly bloom
Where man was never feared to come
And smell smocks that from view retires
**** rustling leaves and bowing briars
And stooping lilys of the valley
That comes wi shades and dews to dally
White beady drops on slender threads
Wi broad hood leaves above their heads
Like white robd maids in summer hours
Neath umberellas shunning showers
These neath the barkmens crushing treads
Oft perish in their blooming beds
Thus stript of boughs and bark in white
Their trunks shine in the mellow light
Beneath the green surviving trees
That wave above them in the breeze
And waking whispers slowly bends
As if they mournd their fallen friends
Each morning now the weeders meet
To cut the thistle from the wheat
And ruin in the sunny hours
Full many wild weeds of their flowers
Corn poppys that in crimson dwell
Calld ‘head achs’ from their sickly smell
And carlock yellow as the sun
That oer the may fields thickly run
And ‘iron ****’ content to share
The meanest spot that spring can spare
Een roads where danger hourly comes
Is not wi out its purple blooms
And leaves wi points like thistles round
Thickset that have no strength to wound
That shrink to childhoods eager hold
Like hair—and with its eye of gold
And scarlet starry points of flowers
Pimpernel dreading nights and showers
Oft calld ‘the shepherds weather glass’
That sleep till suns have dyd the grass
Then wakes and spreads its creeping bloom
Till clouds or threatning shadows come
Then close it shuts to sleep again
Which weeders see and talk of rain
And boys that mark them shut so soon
will call them ‘John go bed at noon
And fumitory too a name
That superstition holds to fame
Whose red and purple mottled flowers
Are cropt by maids in weeding hours
To boil in water milk and way1
For washes on an holiday
To make their beauty fair and sleak
And scour the tan from summers cheek
And simple small forget me not
Eyd wi a pinshead yellow spot
I’th’ middle of its tender blue
That gains from poets notice due
These flowers the toil by crowds destroys
And robs them of their lowly joys
That met the may wi hopes as sweet
As those her suns in gardens meet
And oft the dame will feel inclind
As childhoods memory comes to mind
To turn her hook away and spare
The blooms it lovd to gather there
My wild field catalogue of flowers
Grows in my ryhmes as thick as showers
Tedious and long as they may be
To some, they never weary me
The wood and mead and field of grain
I coud hunt oer and oer again
And talk to every blossom wild
Fond as a parent to a child
And cull them in my childish joy
By swarms and swarms and never cloy
When their lank shades oer morning pearls
Shrink from their lengths to little girls
And like the clock hand pointing one
Is turnd and tells the morning gone
They leave their toils for dinners hour
Beneath some hedges bramble bower
And season sweet their savory meals
Wi joke and tale and merry peals
Of ancient tunes from happy tongues
While linnets join their fitful songs
Perchd oer their heads in frolic play
Among the tufts of motling may
The young girls whisper things of love
And from the old dames hearing move
Oft making ‘love knotts’ in the shade
Of blue green oat or wheaten blade
And trying simple charms and spells
That rural superstition tells
They pull the little blossom threads
From out the knapweeds button heads
And put the husk wi many a smile
In their white bosoms for awhile
Who if they guess aright the swain
That loves sweet fancys trys to gain
Tis said that ere its lain an hour
Twill blossom wi a second flower
And from her white ******* hankerchief
Bloom as they ne’er had lost a leaf
When signs appear that token wet
As they are neath the bushes met
The girls are glad wi hopes of play
And harping of the holiday
A hugh blue bird will often swim
Along the wheat when skys grow dim
Wi clouds—slow as the gales of spring
In motion wi dark shadowd wing
Beneath the coming storm it sails
And lonly chirps the wheat hid quails
That came to live wi spring again
And start when summer browns the grain
They start the young girls joys afloat
Wi ‘wet my foot’ its yearly note
So fancy doth the sound explain
And proves it oft a sign of rain
About the moor ‘**** sheep and cow
The boy or old man wanders now
Hunting all day wi hopful pace
Each thick sown rushy thistly place
For plover eggs while oer them flye
The fearful birds wi teazing cry
Trying to lead their steps astray
And coying him another way
And be the weather chill or warm
Wi brown hats truckd beneath his arm
Holding each prize their search has won
They plod bare headed to the sun
Now dames oft bustle from their wheels
Wi childern scampering at their heels
To watch the bees that hang and swive
In clumps about each thronging hive
And flit and thicken in the light
While the old dame enjoys the sight
And raps the while their warming pans
A spell that superstition plans
To coax them in the garden bounds
As if they lovd the tinkling sounds
And oft one hears the dinning noise
Which dames believe each swarm decoys
Around each village day by day
Mingling in the warmth of may
Sweet scented herbs her skill contrives
To rub the bramble platted hives
Fennels thread leaves and crimpld balm
To scent the new house of the swarm
The thresher dull as winter days
And lost to all that spring displays
Still mid his barn dust forcd to stand
Swings his frail round wi weary hand
While oer his head shades thickly creep
And hides the blinking owl asleep
And bats in cobweb corners bred
Sharing till night their murky bed
The sunshine trickles on the floor
Thro every crevice of the door
And makes his barn where shadows dwell
As irksome as a prisoners cell
And as he seeks his daily meal
As schoolboys from their tasks will steal
ile often stands in fond delay
To see the daisy in his way
And wild weeds flowering on the wall
That will his childish sports recall
Of all the joys that came wi spring
The twirling top the marble ring
The gingling halfpence hussld up
At pitch and toss the eager stoop
To pick up heads, the smuggeld plays
Neath hovels upon sabbath days
When parson he is safe from view
And clerk sings amen in his pew
The sitting down when school was oer
Upon the threshold by his door
Picking from mallows sport to please
Each crumpld seed he calld a cheese
And hunting from the stackyard sod
The stinking hen banes belted pod
By youths vain fancys sweetly fed
Christning them his loaves of bread
He sees while rocking down the street
Wi weary hands and crimpling feet
Young childern at the self same games
And hears the self same simple names
Still floating on each happy tongue
Touchd wi the simple scene so strong
Tears almost start and many a sigh
Regrets the happiness gone bye
And in sweet natures holiday
His heart is sad while all is gay
How lovly now are lanes and balks
For toils and lovers sunday walks
The daisey and the buttercup
For which the laughing childern stoop
A hundred times throughout the day
In their rude ramping summer play
So thickly now the pasture crowds
In gold and silver sheeted clouds
As if the drops in april showers
Had woo’d the sun and swoond to flowers
The brook resumes its summer dresses
Purling neath grass and water cresses
And mint and flag leaf swording high
Their blooms to the unheeding eye
And taper bowbent hanging rushes
And horse tail childerns bottle brushes
And summer tracks about its brink
Is fresh again where cattle drink
And on its sunny bank the swain
Stretches his idle length again
Soon as the sun forgets the day
The moon looks down on the lovly may
And the little star his friend and guide
Travelling together side by side
And the seven stars and charleses wain
Hangs smiling oer green woods agen
The heaven rekindles all alive
Wi light the may bees round the hive
Swarm not so thick in mornings eye
As stars do in the evening skye
All all are nestling in their joys
The flowers and birds and pasture boys
The firetail, long a stranger, comes
To his last summer haunts and homes
To hollow tree and crevisd wall
And in the grass the rails odd call
That featherd spirit stops the swain
To listen to his note again
And school boy still in vain retraces
The secrets of his hiding places
In the black thorns crowded copse
Thro its varied turns and stops
The nightingale its ditty weaves
Hid in a multitude of leaves
The boy stops short to hear the strain
And ’sweet jug jug’ he mocks again
The yellow hammer builds its nest
By banks where sun beams earliest rest
That drys the dews from off the grass
Shading it from all that pass
Save the rude boy wi ferret gaze
That hunts thro evry secret maze
He finds its pencild eggs agen
All streakd wi lines as if a pen
By natures freakish hand was took
To scrawl them over like a book
And from these many mozzling marks
The school boy names them ‘writing larks’
*** barrels twit on bush and tree
Scarse bigger then a bumble bee
And in a white thorns leafy rest
It builds its curious pudding-nest
Wi hole beside as if a mouse
Had built the little barrel house
Toiling full many a lining feather
And bits of grey tree moss together
Amid the noisey rooky park
Beneath the firdales branches dark
The little golden crested wren
Hangs up his glowing nest agen
And sticks it to the furry leaves
As martins theirs beneath the eaves
The old hens leave the roost betimes
And oer the garden pailing climbs
To scrat the gardens fresh turnd soil
And if unwatchd his crops to spoil
Oft cackling from the prison yard
To peck about the houseclose sward
Catching at butterflys and things
Ere they have time to try their wings
The cattle feels the breath of may
And kick and toss their heads in play
The *** beneath his bags of sand
Oft jerks the string from leaders hand
And on the road will eager stoop
To pick the sprouting thistle up
Oft answering on his weary way
Some distant neighbours sobbing bray
Dining the ears of driving boy
As if he felt a fit of joy
Wi in its pinfold circle left
Of all its company bereft
Starvd stock no longer noising round
Lone in the nooks of foddering ground
Each skeleton of lingering stack
By winters tempests beaten black
Nodds upon props or bolt upright
Stands swarthy in the summer light
And oer the green grass seems to lower
Like stump of old time wasted tower
All that in winter lookd for hay
Spread from their batterd haunts away
To pick the grass or lye at lare
Beneath the mild hedge shadows there
Sweet month that gives a welcome call
To toil and nature and to all
Yet one day mid thy many joys
Is dead to all its sport and noise
Old may day where’s thy glorys gone
All fled and left thee every one
Thou comst to thy old haunts and homes
Unnoticd as a stranger comes
No flowers are pluckt to hail the now
Nor cotter seeks a single bough
The maids no more on thy sweet morn
Awake their thresholds to adorn
Wi dewey flowers—May locks new come
And princifeathers cluttering bloom
And blue bells from the woodland moss
And cowslip cucking ***** to toss
Above the garlands swinging hight
Hang in the soft eves sober light
These maid and child did yearly pull
By many a folded apron full
But all is past the merry song
Of maidens hurrying along
To crown at eve the earliest cow
Is gone and dead and silent now
The laugh raisd at the mocking thorn
Tyd to the cows tail last that morn
The kerchief at arms length displayd
Held up by pairs of swain and maid
While others bolted underneath
Bawling loud wi panting breath
‘Duck under water’ as they ran
Alls ended as they ne’er began
While the new thing that took thy place
Wears faded smiles upon its face
And where enclosure has its birth
It spreads a mildew oer her mirth
The herd no longer one by one
Goes plodding on her morning way
And garlands lost and sports nigh gone
Leaves her like thee a common day
Yet summer smiles upon thee still
Wi natures sweet unalterd will
And at thy births unworshipd hours
Fills her green lap wi swarms of flowers
To crown thee still as thou hast been
Of spring and summer months the queen

I. from living under a rock to exploring the internet

well... isn't it nice...
me? i've greatly benefited from the existence
of the internet...
how else would i have found out about the origins
of Taoism if not thanks for the internet...

i just kept one maxim in my head from
a book i picked up in some bookshop near
Russell Sq., it was a book on Taoism...
but it was sort of like the Best of
   of a band...
                not good enough... but my modus operandi
became the Kantian categorical imperative:
in order to help the world -
forget the world and let the world forget you:
the crux of "not-doing": i.e. purely being...
hell not- is not the antonym of pure...
                 not could be coupled with just... simply...
pro?
                   one of those...

me? i greatly benefited from the internet...
as most "bears" / "loners" / solitary creatures have
found out to be true...
i have an entire world history and a body
of knowledge at my fingertips:
it's only a question of what you're wanting to find...

without the internet i would have never
bothered to spend £20 on a physical copy of a book...
the complete writings of the primo Taoist: Zhuangzi...
nor would i have spent £30 x 2 on Heidegger's
black notebooks...

but i understand that the people who make videos
and do not write are all "savvy" when it comes
to view-counts... they ignore them...
they are more into "interaction": the comment sections...
i don't remember the last time i commented
on something:
i mean, ****'s sake... it's not like you buy
a book and expect to leave a comment... where?
on the sleeve? who's going to read that?
the author? hardly...

                             i like my view counts...
obviously the comments come minimally...
why? i believe in the anonymity of the readership...
the anonymity of the reader...
i like the fact that ideas are equivalent
to gold-mining and lightning strikes...
and that thinking itself is subject to shadows acting...
that it can be the best: most worthwhile "thing"
that implores of a being: hide me! hide me!

but i'm never going to make a video...
videos attract all the wrong viral attention...
i like the filter process involved in writing:
people have to make an effort and?
therefore? i'm left to my devices and whims
and sarcasms...
i can entertain Ovid and Marquis de Sade...

tu mihi, tu certe, memini, Graecine, negabas
    uno posse aliquem tempore amare duas.
per te ego decipior, per te deprensus inermis -
    ecce, duas uno tempore turpis amo!

i remember that it was you, certainly you Graecinus,
who told me to deny the idea
that one could love two girls at once!
through you i'm deceived - unarmed -
reason (this be the reason): i'm in love with two
girls at the same time!

i did one over old Ovid... loved two girls when both
of them were loving me...
which is so much better that loving one when loving
one and loving another when loving
another...
might as well:

                ledo duas aves uno lapide

two birds one stone... hardly serving two masters:
being served up twice...
and we're not talking about masters and servants
either...

me? i greatly gained from the internet...
                 am i the only person to agree to the fact that
it's just a jolly decent tool to use...
in and out... in and out... the internet to me
is like a brothel... i'm there / "here" for an hour...
then i disappear... leave footprints in the sand
on the beach... the tide of humanity washes in...
i'm left diluted: but i don't mind...
i too wouldn't want to have written the Harry Potter
books and then be mistreated for some
trans-****** phobic insinuations...
but i give her the grammar...
and how about the grammar on
the lyrics from WHAT IS SOUL... the B-sides
of By The Way...
                                 Big-Pie (Bag-Pie from Trainspotting:
freaking about... did i just touch
a magic nugget... a leprechaun's nose?!
is there! is there! a rainbow on this "other" side?!
pretty please... hey! if i go to Thailand
i'm sort of expecting to get confused...
it's a Thai thing... it was originally a Thai thing...
those Thai ******* are crazy)...

'it's roaming the streets at 4 in the morning
finding your best friend making out with a trans-******
in an all-night diner in Cleveland in 1986!'

plenty of women... ingenious boys
will be outright butch or add some extra BLUSH...
i can't say that i never kissed a man
sensually like i might kiss a woman sensually...
to later brush up on my Mr. Slurp'y skills
in the garden of fleshy flowers...
located where i entered the world: hopefully head-first:
oh sure... plenty of dolphins too...
how's it hanging? how's it hanging in Dubai?
plenty of hanging in Dubai...

freakishly lean: a plentiful decent diet of literature...
me? i benefited from the internet...
hey presto! i can bypass the gatekeepers of literature!
i can forget about publishing houses...
sure... i don't earn any money from it...
but that also increases me drive to pursue
the spiral out of control...
for me the advent of the internet is akin to:
the invention of the Gutenberg Press...
                                                  
yes, i was a fan of buying cans of Pepsi
instead of those 2litre bottles...
hmm... how to keep the gas once opened!
aha! shake the bottle after having a refill!
shake shake!
keeps the pressure tight-knit... beautifully
bountiful!

- two songs get me these days....
ALLAROUND THE WORLD
and GO ROBOT...
i trun to the canvas with regret: great! more typing!
i just want to keep keeping the rhyhtm:
perched on the windowsill
tapping my leg and grooving with my neck
like an imitation-party-pooper-pigeon
who invented head-banging
as the Hebrews imitate before the Wailing Wall...
i should have never picked up the guitar...
what a lonely enterprise:
it's already haunting me...
i was born as a natural drummer...

huh?!
of course i gained all the things there
are gained from the internet...
minus the light-bulb...
i managed to bypass all the gatekeepers
of literature: the editors...
hello! you forgot the paper! there's no paper!
there's no spoon either!
forgot the pills! just focus on the spoon
that isn't there!
and it's the perfect filter...
no one is going to bother me when i'm writig
and slacking on making video confession...

videos can be ingested passively:
reading? oh wow! who would have thought
that it might take some effort!
mix into the whole affair some Katakana...
hell... mix in some Mandarin hieroglyphs...
perfect defences against "simpletons"...
who? you have rotten cabbage
agreed with to throw with your comrade
against against being disgruntled about some
poor acting actor? what?!
stealing shadows became mundane?!

i also managed to breed a higher purpose
while everyone else was slumping
in the "pandemic"... i couldn't tell the difference...
what a funny: he-he-ha-ha tickling breeze!
ooh... let's have another go!
come on! let's go, let's go!
           he-he-ha-ha!
or rather: hí-hí-h'ah-ah-haha!

                             the internet wa been great for me...
but recently i came across this trend...
hmm (emoji of the biggest SMILE)...
VABBING...
                     dabbing... people dab perfumes on themselves...
what's VABBING... ah... ah... ha ha...
this is the point where i feel like putting
on my clown make-up and going out to
party come Halloween...

i'm pretty sure i'lll grow old and irrelevant
at some point... pop culture will no longer
interest me...
             but until that time comes...
piglets! teases!
                   it's like that one time where
i thought it was a good idea to date a single mom....
brought her homemade wine...
brought her homemade banana loaf cake...
NO GOOD...
i'm good-crazy as one prostitutes remarked...
still NO GOOD...
                                   goo.. plenty of goo...
oh man... the arsenal of music i have to sieve through:
it makes sense to not have children...
sure.... i'd love a little kritter "here and there"...
but? come on... with so much music
made available: would you?

and how did that parody of my grandfather
and grandmother play out?
she kept his death a secret....
to the point where he was in AGONIA:
out of reach... **** that then!

****'s sake VABBING... i.e. inserting your fingers
into your genital regions...
and then... Orestes! save me!
pretending that these juices are sort of:
akin to: perfumes!

o.k.: i'll level with these women...
here goes:
i like... ******* on my leg...
when i'm having a shower?
i like the idea of being a child again:
unable: UNONSCIOUSLY to control his bladder...
once in a while: i like ******* on my leg...
but that's only when i'm having a shower...
i like the idea of being without control...
i wish i could **** my pants ever so often...
alas... i can't!
but then i relieve my tamed unconscious
inhibitions... i tend to **** on my leg...
while taking a shower....
          
what is left for man beside finding new avenues
to compete: for the crown and the jewel in
in it of losing reason?
hell... let's all become **** AUTOMATON!
i can wait...
i'm orientating myself around the internet
like i might orientate myself around
a phonebook, an encyclopoedia...
and the... sacred loss of the music store on
the high streets...

there's me imitating drummers on a windowsill...
robot-esque...
*****! i'm keeping rhythm...
with a squint of my eye watching NORMIES
sitting static with their static televisions...
entertained?!
i like brick walls: i think of chess...
i like the sea bashing the land come high night...
i think of playing cards with the boys...
and backgammon...
i also like the idea of interpreting the flute
by splitting a reed of grass and blowing through it...
i like the childhood memory
of catching cockchafers and throwing them
down girls' t-shirts...
         hmm! i liked a lot of things...
whiskey won... i like swimming in it: thoughtless...
it's like like: give me a drink of whiskey =
Cleopatra having a ******* bath of milk!

i love the minutes "concerning" an unlit cigarette
dangling in my mouth...
before the opening crescendo
of Led Zeppelin's IN THE EVENING...
kicks in... only because: SHARP OBJECTS
waas such a captivating t.v. show...

hate t.v. love t.v. most certainly loved the movies...
i hate the movies these days...
i sometimes think: i could replace
the t.v. with three "things":
the sky... a fireplace... or a... ooh!
a ******* aquarium!
                     yeah... that could  work!
then again.... candles or the sky...
either wait.... play shadow charades...
                  
             there are actually two ways to give stress
to a F-U... using the hand...
there's:
A. the clenched fist with the etended middle
finger... poison...
but there's also
B. ******* extended....
thumb also extended: NO FIST...
all the other fingers are "bowing":
but they're not clenched... there's no imitation
of a fist...

seriously, though? no wonder i ventured into the realm
of prostitution, no wonder so many people thought this
"pandemic" was a "fake"...
sure sure... let me just apply my *****
Jean-Paul Gautier sniff-sniffs
while you, girl, test out, your next best
found ******.... what the ****?!

how about we start off with... oiling ourselves
with molten pig fat and then, then asking:
kosher enough for you?
oh... but this craziness is not supposed to stop!
it's supposed to escalate!
didn't you know?!
                           no no!
                                 there are either the crazies
or the uber-crazies!
      there's no in-between!
                 as much as Ovid prescribes ****** love...
i find the most erotica in prescriving myself
a decent amount of sleep...
               perhaps in his days...
but... he wasn't a solider...
so he wouldn't have known about being stationed in
Britannia,., jumping ****-naked into
the feral bushes of... no! not mint!
              you ******* Forrest Gimp or something?
blushes of *******... ****'s sake... FENNELS!
POKRZYWY! FENNELS! not ******* BASIL...
not ROSEMARY... not TYHME
*******: Hamza: brain-drain-lord
of an otherwise working Latin BREEN!
call your ******* cousin Hah-med and Muha!
the lord of the flies! Muhammad!
Muha! FLY! Jesus is the lord of mosquitos...
Muhammad is the lord of the flies...

please tell me someone tried to tell them
that they were
the auxillaries of Hell?
the past 2000 years has been an advent
of Hell...
Hell... even more: the Hellenic original
thought project...
comme ci, comme ça... c'est la vie!
i.e. it's good when it's good...
and bad when it's bad...

the tired mountain: the eagerly waiting stone...
the tired sea... the ambitious droplet of water...
that eternal flame... but all the more eager
sparkle of an ignite!

time flies when you're not having any fun...
pretending to not having a stab at...
those Kenyan ivory slush-puppies
come the crocodiles and Muhammad types
moon-served plump almost juiced up...
hey ** hey... you're just my Macaque sort
of type...

II. a schematic of rugby

H15()15H
\ (pass back)
/ (kick forward)
and...
just run around
shuffling your
magic feet:
toying with the octopus
dance of
a dislocated shoulder.


III. leftovers from an afternoon

give me until tomorrow, i'm still figuring "things" out...
video: oh video V video... Deo. and Doo and Deus...
mighty Churchill's index and middle...
of the fork in the road...
          or akin to the crossroads of
Robert Johnson...
            i picked up playing the guitar but i'm
a natural drummer...
easily soothed but also easily irritated by a rhythm
and beat...
for all the protest of (search engine, hello...
back of the bus protest, i just need a name)
sitting at the back of the bus:
Rosa Parks and the Montgomery bus protest...
i just remember mornings on the no. 86
bus... reading Stendhal while all the black
boys "unconsciously" stashed themselves
to the back of the double-decker...
white-flight in reverse, i.e. all the white girls
could join them:
thank god for my Turkish and Japanese fetish...
a fact not frequently recited:
i don't own any woman under the sun,
it's just my turn, turn after turn...
perhaps happily a *****-donor...
what's ******* and what's surrogate
motherhood for a homosexual couple,
like for like: i can't tell the difference...
besides... i earn about £10 an hour...
she earns £120 an hour and all for what?
being given an ******
and soothing my ego...
amazing though... it's crystal clear...
i never liked the back of the bus...
double-deckers have their engines in their ***...
very much like VW beetles...
the black boys naturally migrated to
the back of the bus every trip to school i took...
loud, vociferous: like most post-African people...
still strapped to the gridlock of
VICTIM... but sure: thanks for the jazz...
thanks for the blues...
if certain Africans were not exposed
to the English tongue...
i fear we'd still be stuck in a Mozart epoch...

I H Σ
IHS HOMILIA

In the natural fatigue of everything created, the Duoverse presented its IHΣ, falling on the eighteenth letter of the Greek alphabet and on the duo hundred changes in physical memory. The PH (Hexagonal Primogenitor), is conceived in the presence of the Chrismon, but Hellenic with the Vexillum banner, to rescind the fatigued and depressed winds, since the quantum of memory was lost in its integrity of aerophobic to the earth, and therefore the subsequent one would be air-water, being for this reason, preceded the ceremonial that begins by stripping before the abenuz Diospyros, with its stamens usually in sixteen plus its hypogines or inserts at the base of the corolla; like those of the female flowers, being part of the gynoecium of the Tsambikas part, and of the androecium that will have to be of the Diospyros in Theoskepasti; with ovaries generally tetra ocular adapted, to be inseminated for the raids of the demigods of the Horcondising and El Duoverso, with the monogram HDD (Horcondising-Duoverso), for those who trace the bifurcations with Zefián; chaos computer, all the way to modulated Theoskepasti. Making the changes that have to be reborn in the stamen, being almost sterile, aborting in the memories of Galilee, signifying the pollination performance of the Diospyros and sprouting in the same stem of the whorl, even more in each hand of stigmatized Vernarth and Etréstles , bearing the IHS candles, the monogram and the Mandylion-Vas Auric, as a sign of the Olives Bern. Before the seams of the carved heels are erected and the one of the gutters of the annelids going up through the alabaster, to the chalice with the chrismon hat.

Filling the warehouse of Anemoi himself, and forgetting his deposit of the empyrean breath on the synaptic abbreviations, the argument of Saint John the Apostle continues in the network of Rhodes and Kímolos, for the cortex of the sensory past and the consequence of the gusts of falls by the trisomies, affecting to be regenerated on the oxygen-nitrogenous bases, from the activation of nemo-genetics, to specify the loss and egregious gain of channeling between the Cyclades and the Dodecanese. Carrying memories of Vernarth's cerebellum stuck and not trembling towards the lake of the hippocampus, where the Zoroaster carried the Magi, at the end of the span and first-last border in the vicinity of Ein Karem. On the evolutionary scale the weak air masses fluctuated, in the flood of the Meltemi over the Aegean, taking them to the bay of Dekas, on the knees of the colossus that impregnated with its fennels so that some delirium could replace its articulation. Remaining like this, on a scale of emptiness reminiscent and tacit ..., it continues to be and not, occupying itself and not, but it does rise towards the colossus from the ground of Vernarth, which had split bipartite from Rhodes to kímolos, like Verthian neuroscience, whose prose they emanate submissive glaciers of Intuitive Hypermeditation (as a technique of knowledge and meditation, for functional links of inspiration, purgative insight and yogic memory). All the nonsense is alluded to, breaking the rationality of the Vas Auric ceremonial, in its phenomenology, making curvilinear pauses to re-captivate phraseological keys, diminished in condensed memories equivalent to approximately ten terabytes, from a homologous half, almost surrendering when exhausted before both scholars and their debts exchanged when driving ..., thus recovering wave dips before reaching the bay of Dekas, Kímolos and ending in the necropolis of Hellenika ..., and vice versa before re-climbing in the middle of Mandraki, Archangelos and Filerimos, to finish in Tsambika, Rhodes.  As a parallel response to the archpriest of not altering the  IHS homily monogram, and of the association in remembrance, which may affect the conduction of the mediumistic trance, almost prostrating him in the house of forgetfulness and frenzy, if he is to recover not stabilized. The sulfurous and mercurous component of Cinnabar proceeded by acidifying the essences of Vas Auric, already prospering in the hands of each auric conductor ..., Archpriest and Saint John the Apostle, each with the sulfur from the mountain and the arc of the Aegean Sea, as genesis volcanic for its diametrals towards a change of chemical prisms, to the multi-angle of the topaz that Saint John the Apostle wore in his air, close to the reliquary, hanging from some fringes of the Vexillum, that he had arranged near the Vernarth. Immediately on the banks of the monastery, Raeder was walking with a lantern looking for those who might try to enter, he believed that it was his father from Kalymnos, the ones who came on another mission, to be carried away by the energizing power of cinnabar, more than a breath for those who observe by the quarters, stationed in the sandy areas of Rodas.  Petrobus, the pelican…, circled around the heights of the monastery, delimiting the laxity of his body's memory, in prayers in case they ventured through Kalimnos for a good portent, in waters for the tenth seeds for all the Rodines.

From the monastery with one of its necessary dependencies, all were with exacerbated white candles between the steps of each cell and their attached friars, they made a room of the nave near the church on the hexagonal floor, this being screened through the center of the garden where everything was dominated by the limits of the alabaster arches, which only now pointed to the closet of the books, this time being fed up and sparing their voices with devotion. Chapter by chapter it expired ..., for each cell, identifying each portion of the world in creation to the scriptorium and the refectory, where in this ceremony books were swallowed for the infinite world of the Duoverso, near the parlor, to do the times when He was teaching Saint George and the Dragon, vinegar the presses for the wine of the missal. Even so, Eurydice, organized the fragrances of the cells and intermediations of the southern called in the voices of Proserpina, coming dressed in proclaimed black, but with the appearance of Persephone in reality wedged into her face as a goddess woman, but with a hemiplegic collapse.

Sequence shot at Kímolos, Panagia Theoskepasti

Etréstles says: “according to what has been said in this dimension, the word will be the world of the Duoverso. Synchronously, it lined up with the monastery in Tsambika, by the third hour after noon, reflecting off the undisclosed walls of the chapel. On if,  in the radiosities of cinnabar. Thus entering electromagnetic lassitude through the trusses of the pulpit anchored in the Vox of the mystical vortex, towards those who entered and left thousands of times through the counter shutters of the chapel, colliding and colliding many times, until by the iridescent Cinnabar, somewhat Sulfur rial, mixed with the radiosities of some novae, which also acted as a decoy of the chrismon, which Kanti carried the steed adjusted in the saddle on his back, as a mount of syntactic esotericism, speaking of intangible brown colors of cinnabar, almost human. I know that the scrolls will write themselves, and that no word will have to be written or pressed by a mortal who protects it, the Diospyros, will exert anticipated redemption from the imbalance of the proximity of the Universe that slowly fell on Greece, while in the hegemony of the abenuz, everything looked with its graceful synchronous stamens that were usually sixteen, plus its hypogines or inserts at the base of the corolla; that attracted the essences of the Androecium with ovaries generally tetra ocular adapted, but according to the word Ebreh Ke Dabra, for those who carry it under a state of extended ******* and under a possession of psychopathies, to delegate them in non-demonized existences, if not emerging from the syntax of the verb, close to the intellect that works for the grace of the subsequent. In this way, all demonization would remain in the distractions of the annelids, who travel the coast of Kimolos, from Dekas to Hellenika, where they will finish the alternation of the gifts of the Vas Auric, teleporting in the vessels; or vehicles rolled to the chapel, to later be forwarded to the necropolis.

At three o'clock, after midnight in its antipode of noon, the psalms will shield with the wings of Petrobus all the government of Theoskepasti, and with its golden, feathers ..., and the heraldry of Vernarth with its Aspis Koilé, lavishing it in those of Saint John the Apostle, in the Shaddai that acts as a temple, towards the lower funnel of the Hetairoi, confined to the elect devotion of being protected towards the gates of the Savior, in lands of sand removed over the naked and reddish bodies of Archangelos and of Psathi with mega gallons of papyrus, falling like the blooming chrysalis of Diospyros on the litanies of the archpriest, who was interrupted in his syntactic diction, when permeating the sequence shot Cyclades-Dodecanese, Tsambika-Theoskepasti, Anemoi-Meltemi, Vernarth- Etréstles , low the Vexillum or mercenary banner of the Peltasts that in legions gathered to assist together with Vernarth in both chapels for the chalices of the fish that welcomes the dead in battles and takes him from his nets and enables him with his gills…; "Tel Gomel, Gaugamela and the Gordian knot in the hands of Saint George and the Dragon"

In the aftermath of the memory loss of Vernarth's body, he already had his chest full of Cyclops, St. George appearing to venerate his litany and wide pain, common to the one who, even in that state, can sustain the world like Atlas, but like Epimetheus of afterthought. Being triumphant in his imaginography, appearing with the snowy horse, in total synchronization at the moment in which he is seen appreciating Etréstles, on the bulbous clouds that enveloped the chapel, and haughty and shrewd the knight Saint George of Anatolia, Roman and Christian was seen . With his mother; Polychrome, having already been trained here in the town of his mother's origin, in Lydda, he was trained as a military tribune knight, and was later appointed as a Diocesan personal guard.