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1.
Mother, my Mary Gray,
once resident of Gloucester
and Essex County,
a photostat of your will
arrived in the mail today.
This is the division of money.
I am one third
of your daughters counting my bounty
or I am a queen alone
in the parlor still,
eating the bread and honey.
It is Good Friday.
Black birds pick at my window sill.
Your coat in my closet,
your bright stones on my hand,
the gaudy fur animals
I do not know how to use,
settle on me like a debt.
A week ago, while the hard March gales
beat on your house,
we sorted your things: obstacles
of letters, family silver,
eyeglasses and shoes.
Like some unseasoned Christmas, its scales
rigged and reset,
I bundled out gifts I did not choose.
Now the houts of The Cross
rewind. In Boston, the devout
work their cold knees
toward that sweet martyrdom
that Christ planned. My timely loss
is too customary to note; and yet
I planned to suffer
and I cannot. It does not please
my yankee bones to watch
where the dying is done
in its usly hours. Black birds peck
at my window glass
and Easter will take its ragged son.
The clutter of worship
that you taught me, Mary Gray,
is old. I imitate
a memory of belief
that I do not own. I trip
on your death and jesus, my stranger
floats up over
my Christian home, wearing his straight
thorn tree. I have cast my lot
and am one third thief
of you. Time, that rearranger
of estates, equips
me with your garments, but not with grief.

2.
This winter when
cancer began its ugliness
I grieved with you each day
for three months
and found you in your private nook
of the medicinal palace
for New England Women
and never once
forgot how long it took.
I read to you
from The New Yorker, ate suppers
you wouldn't eat, fussed
with your flowers,
joked with your nurses, as if I
were the balm among lepers,
as if I could undo
a life in hours
if I never said goodbye.
But you turned old,
all your fifty-eight years sliding
like masks from your skull;
and at the end
I packed your nightgowns in suitcases,
paid the nurses, came riding
home as if I'd been told
I could pretend
people live in places.

3.
Since then I have pretended ease,
loved with the trickeries of need, but not enough
to shed my daughterhood
or sweeten him as a man.
I drink the five o' clock martinis
and poke at this dry page like a rough
goat. Fool! I fumble my lost childhood
for a mother and lounge in sad stuff
with love to catch and catch as catch can.
And Christ still waits. I have tried
to exorcise the memory of each event
and remain still, a mixed child,
heavy with cloths of you.
Sweet witch, you are my worried guide.
Such dangerous angels walk through Lent.
Their walls creak Anne! Convert! Convert!
My desk moves. Its cavr murmurs Boo
and I am taken and beguiled.
Or wrong. For all the way I've come
I'll have to go again. Instead, I must convert
to love as reasonable
as Latin, as sold as earthenware:
an equilibrium
I never knew. And Lent will keep its hurt
for someone else. Christ knows enough
staunch guys have hitched him in trouble.
thinking his sticks were badges to wear.

4.
Spring rusts on its skinny branch
and last summer's lawn
is soggy and brown.
Yesterday is just a number.
All of its winters avalanche
out of sight. What was, is gone.
Mother, last night I slept
in your Bonwit Teller nightgown.
Divided, you climbed into my head.
There in my jabbering dream
I heard my own angry cries
and I cursed you, Dame
keep out of my slumber.
My good Dame, you are dead.
And Mother, three stones
slipped from your glittering eyes.
Now it's Friday's noon
and I would still curse
you with my rhyming words
and bring you flapping back, old love,
old circus knitting, god-in-her-moon,
all fairest in my lang syne verse,
the gauzy bride among the children,
the fancy amid the absurd
and awkward, that horn for hounds
that skipper homeward, that museum
keeper of stiff starfish, that blaze
within the pilgrim woman,
a clown mender, a dove's
cheek among the stones,
my Lady of first words,
this is the division of ways.
And now, while Christ stays
fastened to his Crucifix
so that love may praise
his sacrifice
and not the grotesque metaphor,
you come, a brave ghost, to fix
in my mind without praise
or paradise
to make me your inheritor.
onlylovepoetry Jul 2023
“Words are beautiful, but emotion is divine” (patty m)

~these are the divine words of a beautiful soul, patty m~


this Missouri grandmother writes and I am willfully, duty-bound,
to comply for she commissions a poem with every insightful pithy and
ever one of her dear hugs, of which these is no limit and each one a treasure of a gratitude that flows contra-directionally, surpassing given-grace and lawful gravity, for all of her words flow simultaneously north and south, heavenwards, and earth planted, east / west, magnetic poles attracting divinity wherever it can be found
and all I can do is proffer

just one more only love poem, which is the blessing and the curse the lord blessed me with, love is  beautiful and it is divinely originated in each of our humble hearts, plucked from trees and fed to us wherever fruit of the fields grows, shaped like sweet and **** berries…not all that is divine, of necessity to be beautiful, words, them too, a mixed blessing, vulnerable and subject by the abuse of human weakness and fragility…but this much I assure myself with confidence,
and you too,
her words, well,

limitless, her every poem is hand woven, unhid, in the fooling
plain earthenware that the potter’s wheel created,
all gifts to each of us;

But my fragility mandates I speak slow and hesitantly of things beautiful that contain the white glow sparkler light of divinity, for I have attracted and deserved many failures, far greater than the rarer success, so my knowledge yet oft suspect, is mostly merely well imagined but know this:
her skill,
her expertise
her intimate comprehension
within the beautiful and divine expressions of her kind appreciation she deigns to share…words like a mighty, beautiful like a powerful Missouri river, driven by all specie of love…but none more powerful, more divine than that of a loving womanly grandmother


this, yes, only a love poem to be sure,
for the beautiful,
The Divine Miss (Patty) M.
Sydney Victoria Feb 2013
Andromeda Pulses Eager To Shine,
Black Sky Outlines Swirled Lemon Lime,
Comets Race With Tails Ablaze,
Dazzling Dancers Which Capture Our Gaze,
Earthenware Births From A Cosmic Soil,
Fiery It Thrives--To Our World It Is Loyal,
Ganymede Dances With Calypso In Flight,
Heavenly They Dance Through Days And Nights,
Illusions Reality In Wind They Sway,
Jasmine Fills The Breeze Of April And May,
Knapsacks Of Gold Lay In Coarse Sands,
Lavish T'were The Warm And Loving Lands,
Mercury Peers Around The Light In The Sky,
Never Will It Dare To Speak A Lie,
Orion Plays Among The Other Stars,
Prancing He Hunts In A Prairie Afar,
Quiet, Spirits Drift Along The Currents Of Time,
Radiant They Skip Gleaming Like A Dime,
Shrill Heartbeats Throttle The Ear,
Together Moons Lurk--Ever So Near,
United Blue Nebulas Sing In Pride,
Water Crystallied Trying To Hide,
Xenophobes Hide Underneath Worn Roads,
Yonder Throats Sing Untill Their Melodies Erode,
Zipped Were The Lips Of Change
Any Ideas For A Title? I've Been Seeing People Doing These And I Wanted To Try One! It Is Way Harder Than It Looks....
jake aller Apr 2020
Thursday April 2


Morphing monsters - old poem for writing.com  Dark Dreamscape

Morphing Images from a Hellish Nightmare

Note: From a real nightmare End Note

I am in a room
Drinking at a party
And smoking ****
Watching people all around me

Change into hideous creatures
Monsters from the deepest depths of hell
Everyone in the room
Has been transformed except me

The Chief of them all
Wears a Trumpian mask

Complete with orange hair
Half human half pig

His deputy
Wears the face of Putin

But his body
Half human, half horse

The other creatures wear masks
Many of them wear
Green Pepe the alt-right
Symbolic frog masks

And have T-shirts
Bearing alt right slogans
And **** symbols

And as they prance about
They chant alt. Right slogans
And neo-**** chants
Jews will not Replace us

And the rest of these creatures
Are hideous ugly beasts
With only a vestige of humanity left

And these monsters are engaged
In all sorts of foul evil deeds

****** violence death
All around

And non-stop
violent drug-fueled ******
As these creatures

Half human half monsters
Half male, half female creatures

Snort coke, *******, speed
Drop acid, Smoke ****
drink ***** shots
Scotch, bourbon and beer

The Trumpian Pig leads the charge
Starts engaging in ****** with Putin
Who chases after people
Cutting off their heads with his sword

They turn on to their fellow creatures
****** and killing each other
and eating their fellow creatures
All night long

Then they attack me
Screaming
Jews will not replace us

And I wake up
Screaming

As the sun comes up
Just another nightmare
    







Kimchi Blues  Poetry Soup prompt April 2

based on poetry superhighway prompt for day 2

Kimchi
From Wikipedia, the free encyclopedia


Kimchi

Various forms of contemporary kimchi
Course
Banchan
Place of origin
Korea
Associated national cuisine
North Korea
South Korea
Main ingredients
Various vegetables including cabbage and Korean radish
Variations
Baechu-kimchi, baek-kimchi, dongchimi, kkakdugi, nabak-kimchi, pa-kimchi, yeolmu-kimchi, gat-kimchi
Cookbook: Kimchi
  Media: Kimchi
Korean name
Hangul
??
Revised Romanization
kimchi
McCune–Reischauer
kimchi
IPA
[kim.t??i]
Kimch­i (/?k?mt?i?/; Korean: ??, romanized: gimchi, IPA: [kim.t??i]), a staple in Korean cuisine, is a famous[1]traditional side dish of salted and fermented vegetables, such as napa cabbage and Korean radish, made with a widely varying selection of seasonings including gochugaru (chili powder), spring onions, garlic, ginger, and jeotgal (salted seafood), etc.[2][3]
There are hundreds of varieties of kimchi made with different vegetables as the main ingredients.[4][5]Traditionally, kimchi was stored in-ground in large earthenware to prevent the kimchi from being frozen during the winter months. It was the primary way of storing vegetables throughout the seasons. In the summer the in-ground storage kept the kimchi cool enough to slow down the fermentation process.[3] In contemporary times, kimchi refrigerators are more commonly used to store kimchi.

Oh yeah
I got the kimchi blues
every day since I first ate it
back in the day

long before I went to Korea
ended up staying on in Korea
after I retired from decades
in the Foreign Service
and ten years studying and living
in Korea
before I joined the Foreign Service

When I first ate kimchi
I was hooked
sort of a spicier version
of German sauerkraut
which I loved on my top dog
from Berkeley high school days

then off to Korea
in the peace corps
where I ate kimchi
every day for every meal

and eventually I woke up
dreaming of kimchi and rice
instead of pancakes and eggs

then I knew
that I had finally adjusted
and was becoming half Korean

and now I am a hopeless kimchi addict
need to have my spicy kimchi
which is so good for you
perhaps even defeating the dreaded corona virus?
who knows but I will be eating Kimchi
until my day is done
April 2nd 2020 poem for the complete set check out my web page https://theworldaccordingtocosmos.com where you can find these poems and others complete with audio and photo clips
Duke Thompson Nov 2015
My father was born in an outport community of 2000
On the Avalon peninsula of Newfoundland
Around 1950, to a school headmaster and a homemaker
Attended Memorial University of Newfoundland (as did I)
Studied English, and eventually Education

He was a brilliant man, often quiet for long periods of time,
Then viscerally eloquent like Occam's Razor when he spoke
Remember him telling me how "taking their maidenheads"
From Romeo and Juliet act one, was about taking virginity
Always had an answer for my million questions
Rarely lost his temper

Taught me to accept others as they were, and to resist the temptation
To judge

A spiritual man, not religious, always taking care to differentiate the two

Without him I would never have access
To the home library in our den, my muse
Or all the gruesome movies he shouldn't have let me watch

Without my father I wouldn't know that
I like Jack Daniel's on the rocks with afternoon paper or
A Farewell to Arms with Spanish Rioja from earthenware cups,
Like Hemingway drank during the Spanish Civil War

I would not have wallowed with the downtrodden and the vilified
I would not have seen the base human weakness
The fundamental vulnerability that dwells within all of us
Had I not seen it in him first

Some four years ago, my father experienced weakness on one side
While on vacation in Europe
Flew back to Canada, diagnosed quickly with brain cancer
By the time I spoke to him, his mind was already rapidly fading
The spark of brilliance snuffed out like so much wick and wax

Died 6 months later in his sleep
We spread his ashes on his father's grave
And in the Bay St. George

Taught me what and how to believe,
Who to be
For better or for worse
Taught me how to ask the right questions
Showed me the books to read
Let me know it was OK
To be me
Ignatius Hosiana May 2015
I want to trend
Not in modern but in the good ancient my friend
I want a candle; candles up an earthen chandelier
I'm tired of the tick tack of the modern switch
I want the moon and stars like life was earlier
I'm done with bulbs which when old start to twitch
I want a type writer to capture what I write in my book
I'm tired of computers where all I do's Facebook
I want to revert to the quiet life of my ancestors
I want the warmth of watching the stars
I want to eat beef steamed in Earthenware
Beef with the touch of smoke and of love and care
I'm tired of the modern meat whose source is never clear
I want a meal served hot on her knees complemented by millet beer
I want a home, a real home with an artful grass thatched house
A traditional home with a hound for me and a cat in case of any Mouse
I'm fed up of the modern roofs which roast as if we're pork
I want an affair that's free of silly social media talk
I want a place she and I can have peaceful evening walks
And her eyes not having to watch out for cars
I want someone simple enough to pride in her scars
Open and proud of her weaknesses,one laughter sincerely chokes
I want someone whose thighs will be warm hidden
Someone who won't dare do the forbidden
Not one who'll go at dusk and return at dawn
I want not a queen for that will make me her pawn
Someone who'll give me a massage,not send me to the parlors
One who's content and natural, not painted in colors
Who’ll together with me do laundry, not a laundry machine
I want someone who'll be contented with the little beard on my chin
I want a life like that of my grand father
Small family, moderate success, a wife who isn't a bother
I want a simple life that will give even my enemies peace
I want Africa; I want a bit of my heritage, just a piece
I want that life frozen in sphinx and sculpture
I want to busk in the glory of African culture
Del Maximo Jul 2014
our part of Guintarcan
where family and relatives resided
was called, Li-og Li-og 1
a very large boulder at area’s end
resembled a disembodied head
lending the name, “small neck” 1

before the war
a peaceful private paradise
miles from town
beautiful birds
coconut trees
all sorts of seaside foliage

young married women
walked barefoot and *******
wearing only a sarong
wound at the waist
they carried round, flat baskets
atop their heads
full of food and other things

early morning, noon or just before dusk
men would be out fishing with nets
sometimes signaling each other
by blowing into conch shells
Father would come home with large conch
baby conch called bucawil
scallops and oysters in their season
he kept a jar of large black pearls
and small white ones

harvest time gathered us all together
Father would go fishing
to bring home a good catch
Mother, aunts and Grandmother
would prepare the treats
sweet potato, cassava and other goodies
men would bring chicken
and pigs to roast
and plenty of tuba to drink

they would build a big bonfire
by the shore
to light up the festivities
women would roast newly harvested palay 2
men would take turns pounding it
in a large mortar and pestal
starting slow then faster and faster
till they had to rest
and let someone else take over
onlookers cheered them
hooting and clapping
it would get so noisy
as the children watched in awe

after the pounding the women took over
shaking and shaking palay in flat oval baskets
tossing husks to wind with movements like artwork
what remained was placed in earthenware bowls
for all to enjoy this delicious 'pilipig'

singing and dancing into night
revelers went home drunk and happy
supporting each other as they staggered
waving goodbye to host and hostess
with a heartfelt and hardy
“Salamat!”


2 - rice with husks
© July 6, 2014
JLB May 2023
How is it, that again,
A mug of earthenware,
Spun with love hand,
Breaks in the sink,
And I glue it back together,
Where the pieces shattered.

You think I'd learn,
To be more careful,
More deliberate when I stacked the dishes,
But I've done this twice now.

I only have so many mugs to break,
Yet it seems a fact of life,
That accidents happen,
But should both these truths collide so many times again and again and again,

Then,
I will have no more mugs for my coffee.
In an age of braless nymphettes wearing lululemon
Who speak of unequivocal virtues
We seek **** role models and female superheroes
Ambition has no equal in all its atavistic ambivalence
Still we ****** our ******* feminine values into each other’s faces
Disrespecting our past predators and predecessors
And the pirate priests who prepared our souls for fiery salvation
In wartime circuses we are all pretzels and pantyliners
Who necessitate no changing stations for these gyrating giants of industry
And the gentle guardians of the spirit
With giraffe sized necks and human hearts that beat in their vulturous beaks
Who tear each and every naive feminine seeker into thousands of tiny pieces
Till all that’s left are precocious and imperfect targets
Seeking articulations of their convulsive
Nay, compulsive addictions to affection
With dinosaur sized scars and crocodile scales covering their erogenous parts  
We hide beneath a pile of beautifully styled business cards and good marks
Like we are a bunch of naughty children caught lurking in someone else's basement
Until the morning comes and we heed the need to once again impale our flailing limbs on another angry treadmill
While pilates preachers speak tender secrets from palaces of perfection
A hungry intersection of underwear and diamonds
When we finance our families’ vacation with blockchain investments
That eventually all end up feeding the same weapons dealers who control the world’s most vulnerable food chains
We are all deniers of the warnings of climate change specialists
Who liberate their minds with psychedelic toad poison
Moist as the dawn we overcame the wolves of oblivion
And covered up a significant number of Mother Nature's sounds that we abhorred for all the wrong reasons
Preferring fir-scented yoga rooms to an authentic forest floor covered in pine-needles, acorns, cones and a plethora of edible fungi
We’ve come to detest our own chthonic scents, senses and instincts
So we try to pretend that we've never sweat before
Exactly like a pile of compassionately discarded compost
Innocently left to rot in the sun for several weeks on end
So now for fun we back-bend over thundering volcanoes
Earthenware bowls asymmetrically formed in our souls
If all our pelvises tilt slightly to the left of west
Then the forest’s health is a direct reflection of our own faulty perspectives
And now you justify selling your soul for meager earnings
For next to nothing is always better than being wholly broke
Or broken holy or even sometimes just a little bit more hungry
Nigel Morgan Aug 2017
I

after a bath
and the window open
I was touched
by an air of autumn
against my body
not quite towelled
hardly dry but ready
nonetheless to feel
something of the season’s
change against my fragile self

(an autumn air)


II

so very green
and multitudinous shades
holding the late afternoon
in greenness
only the towpath
measured out in sunlight
and the seat of a bench distant
providing a goal
a sensible place to aim for

we set out with her guiding hand
clasping my weakness
when a dragonfly
intricate in full sunlight
moves against a backdrop
of dark-shadowed trees
poising at eye-level
to look us over
and is off away

on our return
(from that distant bench
our goal our aim)
there a kingfisher
flashes past
and into a canal-side bush
we wait and wait hoping
to catch again the trajectory
of its miraculous flight

(canal side)

III

to whom it may concern

presumptuous I think to wish for anything
beyond one has and holds - anything
in regard to property or possessions
I have no wish to consider further
Who has what of me I disdain
and whatever it might be can only be
in my gift and surely that must be freely given
Should there be the slightest hint of dispute
I hope some Almighty Hand will
remove all and everything
to the very darkest depths

in friendship


(a letter of wishes)




IV

begun as joyous celebrations
of musical art bright and lively
on the page welcome
to the ear as to the eye

so often full of dance gentle
reflections sonorously sounding
out in playfulness
and reasoned movement


(Beethoven’s Op.18 string quartets)




V

with only the bare essentials
the most limited of means
this music grips and stirs
springing out of unisons
octaves bare chords of the fifth
and a play of rhythms
straight and straight-forward
four-square angular tight
against the beat within the bar
a simple subtlety and space
between two instruments:
the legato violin tempering
the insistent piano - always
movement no repose a constant
unwinding thread
of perilous invention
hardly a breath taken
a pause made

(on hearing Shostakovich’s Sonata for Violin and Piano)



VI

he types:

the post-box is too far way
as I must (e)mail this note today


so with no maker’s mark
this message will forego
the papered page
ink’s curved line and flow
the fold the sticky edge
the stamp well placed
the stroll with the dog
to the box along the lanes
in evening’s light
sounds of roosting birds
and flittering squeaks of bats

(an email from a former student)



VII

aware of my fragility
his gracious manner
moves me to tears
In speaking
he places every word
with infinite care
in practiced deliberation
. . . and I am crying
at his understanding
that he knows my loneliness
in dying and how I wish
to rise above
this momentary upset
to assure him I can
and will cope
that I am in his hands
He just has to say . . .


(visit to the doctor



VIII


Daily I curate the contents
of this window sill
a changing exhibition
backdrop to a sedentary life

Today: Japanese wallpaper c.1925.
Mead Cloth by Matthew Harris,
Hokusai – Mount Fuji and six cranes ( two flying)
Post card from the Pyréneées
An earthenware blackbird and thrush in a cherry tree
David Hockney, April 25 from The Arrival of Spring
Un passé plat empiétant tapestry from Madagascar.


(exhibition on a window sill)



IX

being twenty-one
seems no great age
but I remember it dimly
when adrift in my life
it came and went –
a spring and sunny day
a watch from my parents
a few cards . . .

but for you
a family day at Kew
a meal with relatives and friends
altogether a good time to remember
I so hope you will . . .


(at twenty-one)


X

To members of the London Symphony Orchestra
Ralph Vaughan-Williams is reported to have said:
‘Gentlemen, let me introduce you to the man
who writes my music.’

Unfortunate this, as his copyist Roy Douglas
had the job of deciphering the composer’s appalling
handwriting, the result of a natural
left-handedness being corrected as a child.

For me, the person who has written my music
so faithfully for fourteen years rarely dealt with
illegibility but had instead to cope with conflicts
of musical spelling.
Is this a sharp? Should this be a flat?
Do we need a cautionary accidental here?

Fortunately, he and I were not espoused as Stravinsky and
Elgar were to their long-suffering copyists, who often berated
their husbands for their inability to spell chromatic pitches
correctly. Stravinsky had an excuse: the vagaries of the octatonic scale
he often used and loved. Elgar was just ******-minded! Poor Alice . . .


(saying a warm goodbye to my copyist)


XI


to talk about yourself when
dead and gone How strange!
This need - to put in place
to sort the detail now
and so avoid confusion
What then?


An indeterminate wait
until the moment comes
the eyes won’t open
on a woken world
ears not hear
the sound of traffic
from a nearby road


there will be
an emptiness sublime
a finishing of tasks
and all those earthly
mysteries solved
and deemed complete


So this is what
we recommend
It could be this?
It could be that?

and every which way
it’s yours to choose
for rightness sake
Amen


*(the interview)
This collection of poems are to be the final part of Nigel Morgan's poetry available here on Hello Poetry. Nigel was diagnosed was terminal cancer in June 2017 and does not expect to be adding any further poetry to his on-line archive from today (15 August 2017).
Sydney Victoria Mar 2013
Cities Dot The World Below Me,
Their Lights Reflecting Off Translucent Smog,
The Trees Wave To Me In My Flight,
As Mountains And Canyons Bellow From My Sound,
I Am In The Middle Of The Sky,
Just A Couple Thousand Feet Away From The Stars,
If Only These Wings Could Take Me A Bit Higher,
Then That--Would Be Flight,
Miles Pass By In Seconds Below My Lifted Body,
As My Eyes Hold Millions Of People Imbetween Weary Glances,
Pressurized Air Fills My Earthenware Like Lungs,
As My Ears Pop With Unsatisfying Pain,
Is This How Airborn Embers Feel?
And As I Fade Into The Impending Night,
My Reflection Disappears In The Atmosphere's Haze,
Graceful As The Clouds Underneath Me
This Was Just A Quick Poem I Wrote 30,000 Feet Above The Ground
Molly Jenkins Dec 2015
My skies are sponged in soft grey
water-pressed, water folded
water borne.
Anon, I have only ever been remembered in this way:
When the light is wan.
But I promise you, more than
the sky now promises a hopeful sleep
I will love you beyond hills and houses
Beyond clay, which melts in the rain
My love is a kiln, I am caught in the
hearth with you
And now if I was thrown,
I would be shattered instantly.
But I can stand a thousand days of rain
I can hold under high heat
I am glossy earthenware
Finer than any diamond or gold nugget
I will nourish, comfort, and warm you
I will love you such.
Sydney Victoria May 2013
The Great Creator Sat, Smiling Solemnly,
As He Molded A Soul From River Clay,
He Took In A Deep Breath As He Plucked A Ray,
From The Sun Nearest To Our World,
He Gently Placed It Inside The Earthenware,
Giving It Life--Giving It A Smile

The Great Creator Sat, Pondering It's Housing,
The Soul Sparkled As It Awaited It's Home,
Awaited It's Time To Prosper,
The Great One Took Two Feathers From The Bird,
Who Calls, "Jay", And Placed Those Pale Blue
Feathers Upon The Irises The Soul Would Wear,
He Peered Into The Sea, And Found The Richest,
Darkened Blue Hues Which He Placed Onto The Eyes

The Great Creator Looked In The Most Beautiful Garden,
And Plucked Two Rose Petals, The Palest Pinks,
Then Placed Them As Thin Lips Upon The Face,
He Selected The Golden-Brown Hues Of Wheat,
For The Skin Of Which The Soul Would Wear,
And He Found The Blackest Of The Night Skies,
And Molded It Into Hair

The Great Creator Sculpted The Housing From Granite,
Wrapping It Around The Soul,
He Then Put On The Finishing Touches And Sent The Soul To Earth,
Yet The Soul Did Not Feel At Home,
Therefor,
That Is Why The Great Creator Gave Him,
A Baby Girl
Happy Belated Birthday Dad:) Sorry This Poem Isn't Very Organized:)
brooke Feb 2016
on the way to wetmore, I find myself
watching his hands, whose movements appear
sheltered but warm, tortoise-shelled and dipped
in metallic sod; look like the surface of a leather-hard
***,  mottled with molasses spots and inlaid with
the rivulets of earthen gold and chalk--


i can't find my heart here, on the truck bed
where my eyelashes cast too big of a shadow
on his face but i'm still savoring the fine lines,
the heat that builds where plates meet or craters
settle--we've collected here as though on slopes
(inclined to meet one another)

slid shoulder to shoulder, wound up in icy whispers
put under consideration by the stars, up for debate in
the heavens, already settled before the dawn of time
just waiting on the answers, holding reins on hearts
taking it slow


taking it slow






taking it slow
(c) Brooke Otto 2016

this sounds better when I read it out loud.
Tony Luxton Oct 2015
There it stands modelling a fine coat of dust
covering the rim chips that cheapen it.
This vase stood for more than I can understand.
In earthenware fashioned from English clay
by English hands, but unfashionable now
a small squat *** of Dalton blue and brown.
Two necklaces of tiny beads clasp its neck
like corsets holding open its cornet mouth.
But we no longer hear its tunes or read its runes.

When I hold it in my hands I see Great Grandma's room
with highland cattle in a Scottish mountain scene.
The long-case clock of fear and fascination
where mother was threatened with incarceration
but never ******. Its rustic case reached down
to Earth's grim brimstone and fiery domains.
'There,' Mother said, 'lie Grandma's tortured remains.'
electric — conflated with
the doldrum of once ignited feeling
on the russet table work
and the stringing aroma of flyblown
coffee painting the morning something
earthenware;

i imagine
  
     women lounging
and displaying their flamboyant dresses
confessing a dull promenade
parading their attenuated *****. reveling
a queendom on recall and this bane,
  merely resolute, gives itself a new
meaning as a hand of forgive

   men resigning their bags on the corner,
grunts, heaves deathly serious disallowing tomorrow's arrival into
  a throb of being in place, folding newspapers to a club and smiting fervently along with the endless waiting,
  
   verses lying cold on the froth of the tile
and the wind ripening the brew of
     contestations — punctuations in their
cupboards still and reserved in hermetic
   space curating silence, giving dins
     their polished ends,

   open for all: churlish boys,
   naked girls, faith-used women, strife-torn men, usual suspects,
     rebels and the overwrought –
  never closes like a hand in cold
      or a rose, its face occulted by
identification sideways torn, inside and out struggling,
      scrunched to squint on some pale light through chinks on the battered
     wall, sipping coffee,
   mmmm, that
   morning ripple transcending the
         heaviness of the city before me.
Selena Jance Dec 2014
So now I admit defeat, when all my fantasies which turned me into a flailing solitary fanatic have turned down every reality once thought possible. Facing my own pain it’s the pages of easily written paper keeping me company. I’d like to destroy the only thing that is left of me and I never can grasp: love.

All the words in my head have ties to more things reaching beyond my brain. But all that is holding me down to the ground is what I always knew as life. The broken parts, shards of earthenware pots, and the earth that once gave birth to me. I died and part of the universe lived on. So now, this heart, which feels vacated. I feel most of all by itself.
Who do I know to be an actual true me? Is it the reflected echo of whomever sees and hears me? Who had ever loved a real me? Can they know if I don’t? I don’t know...

So I sing like the sirens that never heard their own call and knew how to fall for it. They never saw their sailors drown, so tragic to see their bodies floating in the water down the shore line. I always want the ones I can’t find. Since they can’t find me when there is nothing to be found. When do I finally leave this underwater labyrinth? To be released from my confounding prison I simply need to swim upwards but heavy water keeps me in my place.

No one has ever really known me. So I go down to my own loneliness again, once more descend, turning to the blackened sea crashing up an abandoned beach haunted by my lovers ‘corpses. No way out but up this cliff that is my treacherous heart. My siren song has led me to my own demise. It’s time to admit being shipwrecked.
My head ache turns me to broken black again, once more, hoping no more. What will take away the breathing room in this persistent solitude? It had never been so complete to let me rise from my body of memories, reborn. (Re)production lasts only if there is a past to overflow from.

As my head tears itself apart when my eyes witness loving kindness with souls bearing a sweet careless caress, it is this wait to let my long unfulfilled desires die out which is the excruciating part of my empty story. No one is ever together if they can’t be solitary, two reflections merged into one consciousness but I deny mostly myself. So ever can I let my heart break not for what I don’t have but for whom I know lies in the corner, forgotten which is me, sobbing from deep dark past secrets nobody cared to hear, from her, from someone who I had once been? I am not [me] and it takes a long time to get used to a dark with no glimmer of light. My illuminating sparks are smothered in grief.

© November 22nd 2014
annh Mar 2019
Flavia swore as the heavy earthenware pitcher slipped from her hands and crashed onto the uneven flagstones. As she knelt in the puddle of tepid water and started gathering in the pieces, she heard the rapidly approaching footfall of an armed legionary.

‘Leave that now, there’s no time. We ride for York immediately.’
‘But mea domina...’
‘The Wall is breached. Hurry, puella, or she'll start without you!’

Flavia picked up her sodden skirts and ran.

                                                           ­  §

I held my breath as the last piece of the Corbridge ewer slid smoothly into place and wondered at the exquisitely crafted motif which encircled the body of this ancient vessel. A procession? A cavalcade? Curious, if not for the men-at-arms, I would have thought it a pageant. And there in a covered wagon a noble woman looking back at a young girl standing on the steps of a villa holding her hem in her hands.
A piece of slightly supernatural ‘drabble’ for a Sunday morning! :)
Broadsky Nov 2024
Does reading my words make you feel things you wish you could alter?
I know you hate to know this but I've kept the truths of what you've all done watered
and yes on your side of the fence by your hands the roots were slaughtered
you all screamed my name with each of my innocent saplings you hacked and quartered

but that was only half of them, you all missed some in the corner, so now ladies and gentlemen ready yourselves for a tour to behold this tortured orchard

where the fruit rots and the fruit spoils
where the tree limbs twist and the tree limbs coil
where the ground has shards of glass and shrapnel in the soil
where the sun's so hot every drop of rain and dew begin to boil

liars and thieves
liars and thieves
the invaders who brought the plague that burned the leaves and replaced each of my succulent crops with piles and piles of thorny weeds
you all tried to force the fruit down my throat grown from your poisonous seeds
I realized now not everything that says it's human and has a heart bleeds

you guys who sniffed things through a cut straw that looked like powered chalk
you girls who'd give ***** looks and lift your hands to hide your lips as you talked
learn to keep my name out your mouth and to leave my page unstalked
cause if y'all can't stand me why do you stay looking at my posts from an account with an @ like a bot?

How does it feel? to know I remember the things you forgot
to know he's truly just my friend but has more fun with me than you even when you're giving him backshots
I laughed at you and found it really pathetic how you made your friend check my tiktoks
and honey... that natural deodorant doesn't work for you, even week old dead fish smell better at any fish mongers dock

The girl who had mice feet running over her children's silverware, your husband's a ***** and so are you if you're unaware
For fun you drink nyquil and it's not less ****** sipped out of earthenware
you used to say "I hate him this time of year, even the way he stupidly stares"
well this is the rest of your life honey, aren't you scared? and also if no one's told you please stop cutting your kids hair

And the ex I spoke to last November, I asked if you were excited to marry her, do you remember? well you left me shocked when your answer wasn't yes because with her in life you want to forever venture, my jaw dropped when the only thing you said you were excited for was being a child's predecessor and I hope you know one of my life's biggest treasures is knowing it wont be my precious blood that's shed to give you a successor. Oh, and your wife knows we talked, right? You did happen to tell her?

Either I've added to the lore or I've been talking to a wall, either way- you all make sure you come back to visit and take another tour of the tortured orchard next fall.
you all love to hate me
Jonny Angel Jul 2014
This hand-wrought silver
'small crazy dog' pin
will look fantastic
adorning my hiking fedora,
right next to the fused-glass,
hand-blown
copper Celtic cross pendant
made by another local artisan.

And O God,
what beauty you
have helped to make,
this pressed-wildflower
hanging pretty ornament,
constructed with creative-hands,
will bring eternal happiness
back home forever.

And when I'm
a million miles
away from such sacredness,
I'll have my hot java
in my hand-spun
earthenware
mug to comfort me,
and at night,
I'll sip tea from
handcrafted
porcelain pottery,
remembering fondly,
the kindness and care
I fond there,
in the land of sacred hands.
Man
a    man with his
     heaviness    weighs the
masculine     waters

    be    like stone
its depth    of concentration
  
   wherefore     birds  lose
  sight of their    rapt flight
above    waters    stills a man
    whose mirror     is not of   a mirage
but       a    man   flat against    the seductive      rose
  
   to     hold  his     breath
and rain's      supreme bullet
       are    but simplistic    maze
again     the   stone cannot  reveal
the     man   in his  proud   geographies —

      such   trouble   of mortality
begins,   a wrest     of bones,   the volcano     defined    by  such earthenware
whose   metaphysics   unalphabeted
  like   fellows    going back to god's    arms
   sitting      well   with
          red    roses.
Her skin shines like a newly smoked earthenware
Beauty glows on her like the colourful scarlet
Of a newly married hindi woman
And her perfection; so refreshing as the early morning rising sun.

She is a lady;
Yes! A lady of class
Full of Glamour like the glitz awards
The African night sky with her stars of hope are nothing
Compared to the grace that adorns her.

Her smile lights up my world
Love; her greatest charm
Smile, her sweetest perfume
Her words are more soul touching than the hard-bop tone of
Lee morgan's side-winder

She is a woman ; An African woman , the best of women
The sound of her name sends chilled thrills down my spine like
Water from a fountain quenches thirst in spring.

Nhammie as i passionately call her,
So have i missed every single minute that flew past when we are not together
I stand tall like the great iroko tree amongst great trees to mention her name;
Nana Ama!!!
Yes! Nana Ama
She is a woman
An African woman of substance and of Great virtue.
i miss you nhammie... you are my bestfriend and nothing or no one will ever change that...  #besties4ever
Feathers fill an earthenware vase
                                         Tall quills  
Suiting ink wells
Scribing words beneath candle
Signing treaty’s  
                           Secured with wax
The Magna Carta
The Declaration of Independence
                         Momentous things

But these are simple feathers
Collected for aesthetics
For smudging
For connection
   For reasons other than to write

— The End —