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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
Carmelo Antone Apr 2012
Twenty-three and coming from my teens
I’ve developed along already categorized genes,
By those who think they know me,
When I’m only twenty-three with a molding mentality

I was once vicariously raised through parentally guided means
Socially slit by those that promised me prosperity if I was studious,

Taught the importance of individuality,
Yet forced to be obedient
Then indoctrinated with an educator’s prescription,
An addiction they picked up in a higher institution

I’m finding it hard to follow your lead, when you found nourishment in my youthful innocence,

Socially stitched through generationally fostered fixes
Notions that you could promise me providence,
I’ve been cradled in a crib riddled with termites

Time shows little sympathy for those who have yet to comprehend the promise of a six foot end,

Yet you trained me to believe you didn’t domesticate me
Despite being conceived in a place I was not well received,
You taught the importance of obedience
Yet I’m finding it hard to accept your ancestral credence,

When this place has been passed along bloodlines,
When my generationally guided grandparents' felt the final close of their eyes,
And left me a world pieced together by both atrocities and glimpses of humanity

I’m finding it hard to speak in a world with such narcissistic sympathies of the traditionally raised

Yet I’m socially sutured by the fact that I still breathe,
While being born in a place that once found stability through a slave trade,
A middle passage that led to a devious democracy
I’m so grateful we can mend what barbarians once began,

I’ve had time to age, enough to take the reins,

Though before we build our shrines of this age,
You can still pray for something beyond the grave,
Yet never forget how we've been stranded, left here to continue, or to fray,
To humanize a species that earth derived,
Or to let the braids of life untwine and give way,  
During our generations' stay.
Please Enjoy
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Content copyright 2011-2012. Matthew Charles Antone. All rights reserved.
Comments: [email protected]
Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, traits, colors, and neutrality, focused towards a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, in whose diversity of genetic seizure, they will adopt natural and compound patterns, but always predominant in the pattern biological and organic. Wandering around the world in desert places, in alloys and compounds of classified plants, emptying their species through the hollow of the atmosphere and through the green shoots of grasslands in the reviving surviving evolution of organisms and species that for the first time take a look as a biotype among rocks and plantations, reciprocally among themselves and extemporaneously generating heritages of mythological genetics.  Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause in the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of and interprocedural reality of carbon, factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair of the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving extinction of plagues or flagrant excesses not reconverted, for compliance with the exercise of light beings as a parallel systematic contribution and ******-transmission of applicable inputs of quality of life and deflation of risk of biological cyclical deterioration.

Hyperdisis, has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No.  Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and teleportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic and endogenous diseases. Forests and parks of Hyperdisis in the open and symbiotic, for more airs in microbiological space, in the intimate portion from highest to lowest challenge of proprietary elements and antinomies of hieratic human bioculturation in a showcase of communities with interest in technologies and empirical usability and renewable, each part doing its scientific and biodiversity role in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existent, although it passes before our eyes without the Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super valuation measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and biological approval elements. The richness and abundance of this item is delegated to Leiak, in all the revolutionary processes of the oak forests and of the high mountains, where Vernarth directs him and is condescending of his dynamics, from countless temporary revolutions of other species.

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects.  Claiming innocent living beings with higher attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. The feedback quantifies carbon circulation offset options, offsetting the multipurpose CO₂ inventory. At night Zefián and Vernarth roamed the streets of Rhodes, in Tsambika, looking for the distilled portions of the carbon and sulfur emanated by Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Hellenika and the souls that were hanging around were ringed under the encrusted crescents, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Hellenika, in the myth of the woodworm of the dustbin of the frieze where Etréstles perched next to the strap that Zefián, who would manipulate the gold and alabaster chain, to pull it and its ruby ascetics approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Hellenika friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar the epithet of heraldry in the noble metals and woods of the autumn and mountainous temple of the one that follows the equinox in the meridian of seven days to the southern and northern hemisphere.

They enter the Hellenika Necropolis, through the upper and lower trays, cordoned off by obelisks in series of petrified ebels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intrabodies of petrified breaths, expanding in the segments of trepidating life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shadow. It was already dawn; Etréstles and the Archpriest were breaking the loaves to deposit them in the bowl of the Day, stretched out in the arms of heaven under the gargle of the god Vertumnus that he forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Yawning Citarist in the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Hellenika, Diogenes of Sinope is seen coming out from the lair of his rib, splitting with his doctrinal staff all the isthmic paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me and I bite the bad guys." Again, more murmurs, but Alejandro was undaunted by those responses and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me" ..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean skeleton seed, without heat or memory here in Corinth and its Diogiversity ”. Everyone is silent and fear takes hold of everyone in the sybarite contemplation of Alexander the Great ..., expropriating his speed more than a contempt for the cranium that is advocated for Vernarth "
Ethno-spirit and Biodiversity (Diogiversity) / part 14
RAJ NANDY Aug 2016
SECRETS OF THE STONEHENGE IN VERSE
Dear Readers, I present a simplified version of the true story of the Stonehenge, on the Salisbury plains of Southern England, with over a million visitors every year. Declared as a World Heritage Site since 1986.Left out many technical details to curb the Length!
Hope you find this interesting to read.  Thanks, - Raj

SECRETS OF THE STONEHENGE IN VERSE
                     BY RAJ NANDY
                
                     INTRODUCTION
Shrouded in ancient legend, rituals and mystery,
Forming a part of ancient History, in the County of
Wiltshire on the rolling Salisbury plains,
Thirty miles north of the English Channel, stands the
megalithic structure  - The Stonehenge.
Dating back to some 3000 BC during the Neolithic Age,
Long before the Egyptian pyramids got made!
Some of its secrets have finally been unraveled by
Archeologists of our time and age.
It was a period when early humans changed over
from being nomadic hunter- gatherers,
To cultivate land and domesticate animals, to
become settled farmers.
This ushered in a new social change in the history
of Human progression,
Which got reflected in huge stone structures to
mark this advancement and occasion.
For these megalithic structures were bigger than
the tribes of men or the community;
Marked burial mounds and places for performing
sacred rites and magical healing rituals, for the
entire community.
Stonehenge was aligned to the mid-Summer and
mid-Winter Solstice, with the rising and the setting
Sun.
Served as an astronomical calendar for the turning
of Seasons, when crop cycles also begun.
Some scholars opine that it was used as a Lunar
Calendar as well,
Since Moon worship predates Sun worship by
Pre-historic men!
It was long before the invention of the wheel,
written script, and even metal implements.
This monumental structure speak of Stone Age
Briton’s greatest achievement!
(
Period covered is from Late Stone Age to the brink of
Bronze Age.)

BRIEF LAYOUT OF THE STONEHENGE
Cutting across myths and legends archeologists
and geologists have tried to piece together the
Stonehenge Story,
Which stood like an enigmatic puzzle for the
last Five Thousand Centuries!
Scholars say construction commenced around
3000 BC, but progressed only in stages spread
over the next fifteen centuries.
Initially, a large earthwork or a ‘Henge’ with a
circular ditch and a bank was made,
With 56 timber posts around the inner perimeter
on the windy Salisbury plains.
Used by primitive man as a burial place, but for
rituals later got linked to other smaller sites.
With processional avenues leading to River Avon,
to honor dead ancestors with sacred rites!
Entrance to the ‘Henge’ was marked by a pair of
upright Slaughter Stones weighing 28 tones, and
6.6 meters tall.
But only one remains today lying flat on the ground
after its fall!
Some 256 feet from center of the ‘Henge’ on the NE
Avenue once stood the Heel Stones 7.6 meters high!
As a marker for the Summer Solstice showing the
position of the rising Sun in the Midsummer sky!

          BLUE STONES FROM WALES:
Some 1000 years later, 82 Blue Stones were brought
from the Prescelli Mountains of Southern Wales;
And the earlier timber posts with these Blue stones
was replaced.
Each stone weighing around 4 tones, was brought
over a distance of some 250 miles to the plains of
Salisbury,
Loaded on hollowed out log boats fashioned like a
mini barge, to sail during high tide into the Bristol
Estuary!
Pulled over land on greased wooden rollers, and
loaded again on mini barges down the River Avon.
Since Avon flowed closer to the ‘Henge’ site in those
ancient days, which is now known!
(Some Scholars feel that the Blue Stones were swept down
closer to the Salisbury plain, during the close of the last Ice
Age! These Stones were believed to have powers of magical
cure too!)

              THE SARSAN STONES
During its final phase of development came the larger
23 ft tall Sarsan Stones, weighing some 44 tones.
From 20 miles north of the ‘Henge’ area dragged on
sledges and rollers from Marlborough Downs.
These stones now formed the outer ring capped with
stone lintels, replacing the Blue Stones;
And the Blues Stones were moved inwards and
rearranged in the horseshoe and circle shape, as
presently seen and known!
(NOTE: Sheer muscle power used to drag the stones with ropes
made from plant fiber of the indigenous lime bark soaked in
water for weeks. Stone lintels were sculpted in the shape of an
arc to cap the SARSAN Stones to form the outer circle. Wooden
scaffolding & ramps were used to hoist and position the heavy
stone lintels horizontally on top of upright stones! Sarsan Stones
were hard sandstones tougher than granite! However many of the
stones of this Ancient Ruin are missing, leaving some unanswered
questions behind.)

        CONCLUDING THIS TRUE STORY
Archeologists and scholars using radiocarbon dating
have tried to recreate the Stonehenge Story.
This ancient ruin with many unanswered questions,
now remain protected as an Iconic Monument of
British History!
It stands as an astronomical time clock and is also of
spiritual significance;
It also symbolizes the ingenuity of Human Mind, its
power, and endurance.
I conclude with a an extract from a poem by TS Salmon
about the STONEHENGE here below:-
“Warpt in veils of time’s unbroken gloom,
Obscure as death and silent as the tomb.
Where cold oblivion holds her dusky reign,
Frowns the dark pile on Sarum’s lonely plain.

Yet think not here with classic eye to trace,
Corinthian beauty or Ionian grace.
No pillored lines with sculptured foliage crowned,
No fluted remnants deck the hallowed ground.
Firm, as implanted by some Titan’s might,
Each rugged stone up rears its giant height.
Whence the poised fragment tottering seems to throw,
A trembling shadow on the plain below.”
(*Sarum = old name for Salisbury.)
Thanks dear Readers for your kind attention span ,
I have simplified by cutting short many details the
best as I can!
ALL COPYRIGHTS WITH RAJ NANDY OF NEW DELHI
E-mail: [email protected]
jason galt Dec 2015
That cowgirl won’t go
Won’t ride
Won’t die
Sittin’ on the pisspot in a one horse town
Salient sista, she sees them cowpokes
And they do their damndest to draw her attention
Oh, she’s seen chairs thrown, barfights break out
And the piano man run away
Sometimes they shoot the others down
All for the chance to pay two dollars
To lay with the only cowgirl in town
She’s the Queen Sheba of the saloon girls
****, loose and fast
Motherly and tender, it’s all for the askin
Sanctified or sinister, that cowgirl won’t go
Won’t ride
Won’t die
I asked her to marry me
Many times before
She laughed and said, “Honey, you can’t have me.”
In my naïveté I thought I could change her wayward ways
Domesticate her like I’d break a young filly
All the thoughts of getting off the trail, building a house,
Settling down and starting a family.
But that cowgirl won’t go
Won’t ride
Won’t die
Harry J Baxter Nov 2013
perched in a thick mess of pine trees
my head rotates three hundred and sixty degrees
scouring for the vermin I make my prey
I own the night time skies
silhouetted against a harvest moon
death is coming in my dreams
and with it comes new life
wisdom of the self
aware of the lies which cover the world in its blanket of grey snow
the owl lives in my skull

The coyote stalking the empty desert highways
looking for roadkill
looking for the weak and alone
I cackle into the dead sterile air
for every pack member lost to poachers
manic laughter for every left turn which results in dead ends
stealthy patient
hungry and haunting
the coyote treads the territory of my atriums and ventricles  

The hawk circles in the blinding midday sun
a deadly serrated dagger with wings
arrow let loose from the quiver of the Gods
impossible to tether and domesticate
finding ultimate freedom in the vast openness of the sky
lock on,
tuck the wings,
nose dive deep into the waters of the ****
a creator
a teacher
a messenger of truth
the hawk soars in the infinity of my soul

ID
EGO
SUPEREGO
Josephine Wild Mar 2024
I am "Josephine Wild."
I am 35 years old.
I am an artist and an ultra runner.
I experience the world differently.
I wake up.
I work and workout.
I play.
I eat.
Then I sleep.

I see things like design and shapes.
I focus on the details.
But I try to see the bigger picture.
I look at typefaces and fonts.
I get hyper-focused.
I like to work.
To make.
To create.
Day after day
This is what I do.

I am never finished.
I date things
Because I lose track of time.
Time is against me.
So, I learn not to waste it.

Sometimes, I make believe.
But I am not a child.
I am grace.
I am strength.
I am beauty.
I am determined.
I have a good heart.

I live in my own home
With my husband.
We share the same bed.
I have toys and figurines.
I collect them.
I arrange them.
They always stay the same.
They bring me joy.

I am easily distracted.
I like to escape.
I can run away with my thoughts.
I’ve learned to domesticate my emotions.
I am an artist.
I am wonderfully weird.

I like people too.
They are beautiful each in their own way.
It’s nice to connect with people,
To feel loved.
Now, I know that I am so, so loved.
It’s hard to let people go, especially when you love them.
I know that I’m not alone.

I am apart of this world.
I just experience it differently.
But sometimes, I don’t feel free.
My life isn’t easy, but it’s a gift.
Life wouldn’t be great if it was easy.
I’m easy to get along with, and now I understand.

I love music.
I love to sing.
The music I like doesn’t need words.
I’m sometimes without words.
I search for them.
I need them quicker than they come.
But that’s OK.

I try my best to better myself.
I am not wrong, I am different.
When I fall, I reset.
I try not to cling onto people, but it’s hard.
I’ve learned to forgive myself.
I’ve learned to love myself.

I make more of an effort to think things through.
I have succeeded at leaving my comfort zones.
My effort is success.

I am not a problem.
Life is opinion. The universe is change.
And I’m always changing, always growing, always living.
I have grown a good heart.

I am awesomely autistic.
The current version of the poem I wrote 11 years ago, "Who I Am" (3-6-13).
Meris King Jul 2014
Abuse me, please
Daddy issues, broken hearted, relationships misconstrued
I'll complain and scream for compliments
Anything for you, sweetheart
Domesticate me
Let me share your every need and hate your enemies
I'll take your punches and let you own credit for my successes
Bring out the red and violet undertones in my skin
Scar my beautiful body with your hateful lashes and throw me at the wall
Anything for you, sweetheart
Abuse me, please
I find it kind of funny.

How you say it’ll be okay.

But now every time I see you.

I can tell things have changed.

Conversations are emotional.

Phone calls are cut short.

And now when I need you the most.

You turned into a ghost…Babe



Please don’t leave me

Behind in these lonely times.

Please don’t leave my

Mind abused ‘cuz your hearts confused.

If I say imma stay.

Please don’t walk away.

If I say imma stay.

Everything will be okay.



If you think Imma mistreat you

Domesticate you

You don’t know who I am…

If you think I’ll ever misuse

Only always abuse you

You don’t know who I am…

No you don’t know who I am



Think about all the times

I’ve stayed up with you late at night

You crying about your life and how

Nothings seems to be going right

But here I am, arms open wide to hide your cries

But you got to put your trust and faith in me



Please don’t leave me

Behind in these lonely times.

Please don’t leave my

Mind abused ‘cuz your hearts confused.

If I say imma stay.

Please don’t walk away.

If I say imma stay.

Everything will be okay.



If you think Imma mistreat you

Domesticate you

You don’t know who I am…

If you think I’ll ever misuse

Only always abuse you

You don’t know who I am…

No you don’t know who I am...
SA Nov 2011
"You cannot just push me into oblivion.
My soul is not another cavity to throw
deteriorating sugar in.
I am a sailor
who pleasures in pleasures,
but what I do
is a gift for you all.
I tame the ocean,
domesticate the waves.
Thank me for that
and do not judge me for my wary appearance."
Tess Calogaras May 2016
Let me take a dip
Among all your fevered kinks.
Leave me saturated and tense.
Swallow whole;
your hysteria and guilt.
Walk the night without a change of view.
Sleep noble decadent,
Providing you leave before
daybreak sets the scene.
A quiet night
Of internal sighs;
Ringing in your ear.
No need for an act of pretence;
Make sure to quit while you’re ahead.
Don’t fool a heart with flattery.
Nonessential encouragement
Only further stretched the blame.
Just let me domesticate the beast,
And for an instant live inside its pain.
Copyright
Tessa Calogaras
Rivka Ordieres Jul 2013
You are an unbridled stallion
Disjointed
Incoherent
And wild

Break me
She wailed
Domesticate me
Make me inane
A simpleton
Godless
A No one in a vast of people

I
A sun soaked cowboy
Did her biding
Hunted in her prairie
Lassoed her
And corralled the insatiable spirit
girl diffused Oct 2017
You hold my hips as we listen to Kaskade
I'm never going to know the exact name of the song, darling
I rest my head on your shoulder
Exactly 72 hours or more after we met
Smiling serenely at each other, trance-like
Our bodies swaying to some invisible beat residing in our heads

We never do watch that Minions movie in Dunellen
We do eat cold leftovers of Chinese takeout
Retrieve them from the mini fridge in the hotel room
Congealed chicken and broccoli and your beef dish
We eat cold slices of Margarita pizza from the first night
Shared an Italian dessert with two spoons and one glass and thought nothing of it
Talked of your ex as if you'd driven out to see me for months instead of just that one time
Smell **** in the hotel hallway when we come back from our escapades
Joke that maybe we could ask the other patrons two rooms down for “a sample.”

The room becomes a home
We domesticate ourselves
Trap our secrets and nightly admissions in the thin walls
Share a toothbrush
I model for you in your old boxers
You grip my hips and kiss tortured minds out of our systems
On the first night, you fumble for me in the darkness
We had *** hours before
I'd only had one pair of clothing
I was high on hypomania
You were lonely and desperate and enamored with the idea of me
I heard your voice in the pitch black of the room
Disembodied, floating, pining

“Taylor...? Are you awake?”
“Yes,” I answer back, stifling a yawn
Demons crawled along the surface of your bronze skin
I could feel them too
They were always there, slinking into the corners of every room
Perching on the windowsill, furtively glancing at us
Unseen, invisible, unknown, silent stalkers

You ask me about loneliness
You speak about your worries for an “us” not even a week
After your Facebook friend request
“I don't know if we'll work out in a relationship,” you say
I watch you with my large brown eyes, inquisitive
Bite my lip, taste the salt of you on my bottom one
Taste your skin and spit on me

Hours before you'd clasped my leg, it, laying on your shoulder
You pounding, feral, all wild animal, sweat on your brow
Grunting quietly, watching me, looking at nothing and everything at once
You **** me until I'm completely dry and sore
Lament that you want to be inside me still, that it *****
I think, oh how it does
We took off our glasses to blindly ***** at each other in the darkness
You'd said you liked how it sharpened the senses
I was a repeating rainstorm, endless, Summer showers in the bedroom
Hot, sticky, palpable
You taste saltwater, briny, sea, inside of me

“I don't know if we'll work out together
When we do go back and if we do end up together
It'll be disastrous,” you fortune-tell
I bite my tongue, taste salt and pennies in my mouth
I swallow it down wordlessly
Hours later, you're back in PA
I message you on Facebook, my heart in my mouth
I want to ***** with the amount of anxiety,
Tremulous in my fingers, humming in my blood
Throbbing, alive, achingly


“I don't intend to fall for people usually...
But I've fallen for you
I don't think I can keep talking to you like this
I'm usually scared of falling for people,” I write
You reply without any trepidation
Some strange confidence and Siren call beckoning you
Some spellbound hook curling around your fingers
“I'm emotionally invested in you too
Look, I understand
But I enjoyed my time with you
Let's at least be friends
It's not easy for me to shake someone off.”

Two months later you tell me, after messaging me at 10am
To see how I was doing
That when your room mate was wildly ******* his girlfriend you thought of me
“Most days I think of you.
You're in my daydreams
I come home and I wish you were here
That I could come home from work and you'd be there waiting for me.”

I try to scratch you out of my head, now
It hurts too much
I told you I was in love, I tried to deny it but now it's more apparent
I message you and get silence in response
Talk to someone else
Have ******* with another man
Purge it out of my system
Stick my fingers in the back of my throat
Try to puke. Nothing. Dry heave.
Encourage him to see me and then I encourage him not to
I lose about five pounds

I think about you and your stupid dog and cat
I think about you and the daydreams
I think about you and other women
How you'd **** them
How you'd take them out to dinner and hold their hands
Rub their fingers with your thumb
How you might be

Your hands
Your soft breath
The bright gleaming eyes
That strong German jawline
That fleeting mood,
Upswing and downswing
Your insistent arrogance
The hot tongue on my hardened ******
You suckling
Dark heat emanating from your wet and warm mouth
******* me on the couch
Clasping to each other
Burying our heads in each others' necks
Slow rocking back and forth
Rhythmic
Our shirts still on, your jeans half-way pulled down
You entering in such haste and hunger
The board game forgotten on the table
Laughter muffled by your feverishly kissing me
Did you love...? Did you?

I think about the physicality
But then I think of the late night conversations I'll never get back
Your sleepy “hello” at 1 in the morning
Philosophical musings I never tell my friends that we had
Us, talking about literally nothing in the beginning
The lingerie site we subscribed to
Looking through catalogs of what you'd see me in
You saying you could buy me something to model for you
The *** chairs we looked at, furniture to purchase
Odd daydreams of a coupling that almost-was but never-was

I think about you holding me even though you're so unused to it
The smell of baking banana bread
That inner battle in your head when you saw me the second time
That sadness
That loneliness
Your... “don't forget to come back.”
Cologne on your medical scrubs
How I didn't want to let go
How I wanted to stay
God, how I wanted to stay and just do better
The kiss and then...I wonder if there was a lie in your mouth
No, I don't think so
Was it my fault to fall?
No, I don't think so
Was it yours?
No...I don't think--
hygge - n. a Danish word with no direct English translation. It is a feeling defined as being cosy with friends or family or a lover or in one's home. It is an "act of creating intimacy," such as it is utilized here, though, always as with my other works, with an undercurrent of sadness and melancholy. A deep grieving. It, then becomes a word that is associated with yearning and longing for that intimacy and sense of feeling secure. It can also be seen as enjoying one's company.

It's important to note that mental health is a huge theme throughout the works as both subjects in the poems do suffer from it. Later on, it'll be more apparent that their views about how they perceive themselves and others with it differ on a massive level. Their methods of treating it and their philosophies about those treatment methods also become a defining factor of the unique relationship. I think it's important to highlight it as there is still a stigma attached to it both through society and that both subjects can never, sadly, get over, and I think in vain, tried to.
Bonnie Barrett Jun 2012
Does anger domesticate the tranquility?
Being nothing more than a background scene,
I let the abuse happen, once again.
You were once everything to me.
An affair I deemed wonderful.
But you swore, we must keep in secrecy.
As battle wounds were nothing more,
Nothing less than scratches of the deserving.

And we fight under breathing
Settling, Laughing.
I was under the delusion that you were once perfect.
That everything that was done in your presence,
Was a tragedy to be blamed on me.
And it still is.

Demon in the mirror
Devil in the iris of an eye.
That's all you should mean to me.
But there is something more
The good veins to a heart that died.

Replaced by this
Sickness
This
Poison
This
****** Monster
That does nothing but,
Breathes the air
I once thought tasted so sweet.
Harry J Baxter Nov 2013
please Lord this boy need's Jesus
**** that
tell God he needs to find a shrink
no a priest
no an altar boy getting ****** by the father
woops that one slipped out
like they slipped the boundaries of good taste and human decency
I'm a nightmare for the nice folksy people
I take their money
put in the church's biggest mausoleum
and burn it to the ground
take the daughters and sons
to the state border and set them free with a 24 cent phone call
inhale the night until we're all exhaled
pack my heater close to my business
walking with nerves taut
the breath breathed out by every man before the electrical storm
drinking fire in purgatory alley
until the gut glows hello
I slug back another PBR and let the night current take me
it's all alright
tonight we howl at the moon until it picks up the ****** phone
and we domesticate the domesticated in the art of the primordial
take a life tonight
yours his hers
it doesn't matter
we're all sprinting to the after life
and digging through earth is easier than ascending from earth on clipped angel wings
keep on slitting your wrists
and I'll keep on drinking your blood
David Barr Jun 2016
I can taste the dark ancestry of ghastly dreams where cloven hooves and flickering flames dance along the castle hallways in ritualistic celebration; and I love the night, where haunting apparitions caress my slippery soul and tantalise my deepest fears.
Listen to the grandfather clock, as its hypnotically audible awareness transports our being to a myriad of dusty volumes upon the ancient shelves of a Golden Dawn.
Owls are beautiful creatures of nocturnal stealth.
Yet, the beginning is nothing more than the end, in her deceptive disguises.
Although their are eight points to her identity, Ishtar has innumerable expressions. Therefore, attempts to domesticate are futile.
Let us now invoke ancient daemons and engage in the wisdom of counsel, as we remain awake and share our confessions.
Men are visual creatures.
Edward Alan Mar 2014
I. Orpheus

My dog flees from pluckèd strings;
her fleas command my tune.

What hollow body holds a rhyme
as long as my neck’s breath?

I could domesticate myself,
but in taming our lions
we tame our pride.


II. Abel

My brother is his brother’s keeper.

I am uncle to no abomination.

As we lie in the Garden,
(our hair in the earth)
I question:

Is Heaven above
because our heads are the seat of doubt, or
because our feet are the root of evil?


III. Hector

I was not breast fed.

I am not a fountain.

I will not hector you.


IV. Adam

Even if He and I practice Our secret handshake
in the Sistine Chapel;

Even if He sends me an angelic bath basket
with ambrosial soul cleanser
and holy bubble bombs;

Even if I am the round reflection
of an ever-changing God;

I still have to ask:

Is Heaven above?
Because my head is the seat of doubt.


V. Odysseus

Poseidon hardly even knows me.

An idle king in heart
reigns with a swift lead open hand.

Life’s lees are far too bitter,
far too deep,
and the wine is corked.


VI. Atlas

The sky may fall;
the stellar sphere may crash with all its weight
and music;

god(s) may smite;
the clouds may freeze and bury me;
the sun may swallow me whole;

leaves may drop and leave me bare;
the mist may soak my skin;

I raise my arms only to catch
that snowflake that dares drift upward.
lina S Jan 2019
خالي
Like the emptiness of the dessert
That is my حالي

مالني؟
Questioning my decision like a
مدير مالي

اهمالي
And if I run from it, nothing will disappear
It fact it hunts me back like a جني

عادي
Getting used to it like its my profession
And I follow it let it domesticate me like دجن

And so I created my own سجن
ملل bored of myself
I look at you for لهو
Distract me like a filler
Botox me up till I انفجر
Fake it cause ill never make it
Blind sighted like سحر

مرّ
Like the stinge in my cigarette
Like the stinge in my black coffee
Is the crave to be free

تحت جلدي
Is the truth that would punch
Hit, hurt
Get hurt and bleed
Cause from you I dont استفيد

Im leaving this earth lonely
And I dont even know me
Screaming for help
******* انبح صوتي
And everyone knows it lowkey ..

أركض
أركض
Till the last breath.

And this feeling
You will never undress
jenna Jun 2018
so maybe this isn’t a second chance
but what if it’s our last?
so dance with me this time
instead of your bottle of ***** at 3 am every night
and make love to the one you’re in love with
not just for validation
but for comfort in your relations
love the way you were put here
and let someone kiss your scars, dear
you’ll feel better after a good night’s rest
better than the the blade of a razor slicing across your chest
and your art can still be great
without killing what’s left of you in order to “create”
find someone who doesn’t want to domesticate you
and let them take your shades of blue
and turn them into purple hues
your mental state has never defined you
and you like to experiment, as if on cue
you text me at 11, and unable to get through to you
i leave you be
and then feel even worse the next morning when i wake up
too early to make up
lies
about everything you said last night
so instead i write
and i tell the truth
of course, i’ll never show any of this to you
but if you happen to find it
maybe you’ll be flattered to know
that you make beautiful art yourself,
but the art of observing you is something
only i have had the time to master
one at a time.
Kelsey Burks Aug 2015
You asked me if I wanted a drink. I smiled and nodded, not noticing how heavy that red plastic cup would feel later on
We smiled and talked. You danced and I laughed. I thought it could be the start of something good.
But goo things never last.
If you can't hear what I'm trying to say
If you can't read from the same page
Maybe I'm going deaf
Maybe I'm going blind
Maybe I'm out of my mind

We took a walk around the house, laughing all the while
We plopped down on the couch in the basement, very few people were down there with us
we kept talking, it was a nice, light conversation. Who would have known how wrong of a turn it would take
You kissed me
"What?" you asked me. "I've heard about you." you said
Ok, now he was close
Tried to domesticate you
But you're an animal
Baby, it's in your nature

You kissed me again, you touched me in places I didn't want you to
"Stop." I said. or maybe it was in my head
"Stop" I pushed your arm off. But you held tight and pushed me into the couch.
Just let me liberate you
You don't need no papers
That man is not your maker
And that's why I'm gon' take a

"shh." You said. "be a
Good girl
"I saw how you were looking at me,
I know you want it
"I know you want it"
I started crying.
You're a good girl
Can't let it get past me
You're far from plastic
Talk about getting blasted

"Please stop," I begged
Did my tears turn you on?
I hate these blurred lines
I kept pushing you, but it was no use.
I closed my eyes and tears kept leaking
The way you grab me
Must wanna get nasty

Pain shot through my body, but I kept my eyes shut tight. I refused to look at your sick, twisted grin.
Do it like it hurts
like it hurts

"please." I said
I know you want it
"Stop." I cried
You're a good girl
You finished, and got up. I just laid there.
"You liked it." you said
Can't let it get past me
You're far from plastic
Talk about getting blasted

You left
*I hate these blurred lines
brooke Apr 2017
step 1: don't.

we all know words are alcoholic,
they can burn and they can treat,
I've gotten drunk on a moment, on a kiss
on the thin waist of a working man--

there's no use in wishing, on changing substances,
you can't domesticate a bear and tell her not to hunt
hope water will disinfect,
treat with pages out of a book, stitch cuts with sentences,
we all know words wound as much as they heal
try cauterizing with ink or
bandaging with i love you
you'll quickly learn that you are not a healer, you are a bartender,
you serve the vices, flip the switch, change the songs, pick up the drunks,

turn water in whiskey? turn whiskey into water.
help a man, hold him close, wake up and make love
clear a table, clear a mind, open a door,
leave the glass.
(c) Brooke Otto 2017
Lauren Christine Oct 2017
tired. weary.
of having my red flags always ready
of being on alert for every cue
every subtle hint
from any one of you

i've grown scared of small smiles and long glances
even though that's most of what i do
i'm afraid of seeing it back
because i am always afraid of what complications
your attentions would entail

am i expected to curb my fondness
my friendship
my curiosity
my joy
to keep from leading you on

should i protect your feelings
and in doing so push down my own
do i owe it to you not to
really look in your eyes like i love to
or to not laugh too loudly when i find you funny

do i owe you my reservation my restriction
do i owe it to you to domesticate my affections
so i don't hurt you
when i tell you that:
no, i will not go to dinner with you
even though i would love to
if it didn't mean leading you on

or no, i cannot be that for you,
even though i would love to spend time with you alone
if it didn't mean leading you on

because i love you dearly already
and i want to explore every crevice
of your vibrating soul
but purely platonically

no one else seems to think this way
and i am confused
and sad
i'm tired. i'm weary.
of these ever waving red flags.
i hate the color red. it demands so much.
nmo Jul 2018
please. no.
don't make me
domesticate this
with words.
i don't want to name it;
grabbing, whatever this is,
and pushing it
inside a box,
a bra, a khaki short,
a short light purple skirt.
believe me,
we can use language
for nobler things.
this needs no words,
nor tags,
but your body
against mine.
Corrinne Shadow Nov 2020
Don't talk to me about your love,
I've never seen a drop of it.
Don't talk to me about the climb,
I'll never reach the top of it.
Don't talk to me about the flowers
You've been prattling on for ****** hours!
Don't talk to me as if I don't know
That "rain will make the flowers grow".

Don't talk to me about your dance
I don't even have a dress.
Don't talk to me about your friends
I beg of you, give it a rest!
Don't talk to me about the sky
Mine has only ever been gray.
And if you try to talk about "healing"
I'll MAKE you go away!

This whole world that you create,
It's gorgeous, I must say it's great:
A beautiful cake on a pretty plate.
Welp, guess that means I'm second-rate!
Your poems are all meant to titillate
You titter and twitter and domesticate
These themes that even optimists could hate
I'll never be able to felicitate
You enough for the work that you narrate.
My morbid tones you must negate,
And to fix my soul: eviscerate!
You all are fine but some douchette will not shut up about how morbid and dreary my poems are. I regret ever having shown her.
MD Oct 2014
Cover up your words
With a sugar-coated laugh
She looks like such a friend
But the evil from within
Will soon domesticate her being

Mother helps you practice your lines
The night before the fire
She tells you when to smile
When to laugh and when to cry
I tell her I'm tired
She puts a bandage on my wound
Says it will be good until tomorrow afternoon

Keep my feelings set aside
They wouldn't even care
I feel myself falling
I'm escaping this nightmare
TL Capers Jul 2018
It’s in the system that takes rights and hands out privileges.

Where you question self, are you even a human being?

Is it mans right to bomb villages, or was it a privilege to dethrone a king.

Is it a right to domesticate those born free? That which is me, my soul, my life, my entire humanity?

Placed in a cage in which I can not see.

What’s a reflection if I can’t recognize me?

If my eyes are taken out and replaced with what you see

Will I still be me?

Or is that a privilege?

If my tongue is cut from base and replaced with what you taste will I then I have the right to taste what’s free?

Or will it cost me my soul?

Is it the rule of thumb measured by the hand in which sways the pen that says this is the end?

Mightier than the sword at the throats of its enemies that swipes his rights to live or even be a friend of me?

That power....... ink is blood.
The Odd Narrative

Steamed up window my finger I paint a landscape,
Mountain, forest and a lake; the peak cries into
                   the lake it becomes a vast ocean,
where trees, are made into wooden rafts floats.
Midmorning, there is only an outline left of the crest,
this will happen to Himalaya,
it will be a grassland on a plateau, where horses gallop,
                                   flying mane and all that,
since man won’t be there to domesticate and make them
drag bunk beds and kitchen stoves around the pampas.    

The rest of the world will have sunk into a big sea that is so still
it spends all its time mirroring the blue sky thinking it’s seeing
                                     is so deeply in love with the image,
that doesn’t notice the man in a rowing boat; he’s one time forgot,
                                     he has married a big fish
which he thinks is a mermaid, every so often he  puts his hand in
the sea and strokes the fish’s    belly: “without you,” he murmurs
                                    “I would truly be alone.”

— The End —