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Tom McCone Mar 2014
dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into


balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.


out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.
thank you, if you made it all the way through :>
Nick Kroger May 2014
The wind diverges the horizon boughs
into view finders of royal blue.
The flicker of the blue beyond washes to
brown sticks fettered with dry leaves.
Oh what cadence ensues,
From a bent bough and a
Sifting wind?  
If that limb but a will,
And that breeze but a pulse,
Harmony would hide in the
Heartbeat of an eternal summer.
Yet eternity suffers sterile sadness,
And cadence breeds a timid tempo
Of hollow trees against a grey sky.
So speak the world in discord,
Unveil blue skies from cacophonous trees of green,
And push the wind in hurricanes.
As wind and bough dance in perfect imbalance,
I admire the flicker of their countenance.
Lillia Nov 2014
Two hearts, one path.
We built an empire together.
We saw the world, conquered it.
Alas, just as empires do,
Love rises, love falls
And now one path diverges two.
I often visit the ruins of our empire,
No longer bitter over the end of our Era.
Instead I see it's monuments,
Gazing in awe over the relics of our past.
I'm filled with pride when I see
how far the civilization that is my life
has grown because of our empire.
My heart has but one wish for you,
its hope: that you have grown too.
Joseph Miller Jan 2023
The path ahead is unknown,
but when the path is dark
may a light shine in you.
And when the path diverges
may love be your guide.
And whatever path you choose
may joy follow you!
amal Aug 2020
The Story of Gypsy of Wind





dust has dissipated
When it rained
Gypsy sang
With his guitar, which he inherited from his father ..
The last farewell song ...
As he crosses the Earth
Without thinking of a terminal to reach
...

A fugitive from modernity.
From every paved road ..
Of all the twinkling constellations ..
From the noise of cities ..
From the gloom of government buildings.
The gypsy diverges,
Evading sandy roads.
He meets the boys of the villages ..
He sings and they dance..
He passes near the peasant women with red hair covers.
He plays love tunes for them.
Until their cheeks flush ...
He meets the shepherds ... and avoids them ...
he receives the wide plains
With bright eyes
And on his back
He hung up his guitar, which he inherited from his father.
.....

The gypsy meets the girl of his dreams.
But he leaves her to continue trekking.
Gypsy knows no boundaries ..
He does not know what warm rooms mean.
He does not know what daily work means.
He does not know what school means ..
Because he does not want to learn ..
Rather, he should live on the road.
....

The gypsy has no identity papers.
But he does not know what the meaning of stained papers and seals.
The gypsy does not know power ..
when he meets the mayor of the village
he Whoops:
Why do they obey you when they are free ..
The gypsy knows no hunger ..
Because he eats anything in nature.
Flowers and butterflies ..
Rivers mud ...
Then he pulls his guitar from his back.
And he goes on trekking
He plays a song that tells about a dream
With the warmth of a beautiful woman's chest.
Gypsy travels after the spring.
as if he tied with a rope..
He does not like winter ..
He does not like summer ..
He does not like autumn ..
Like birds in the sky ..
Gipsy follows the scent of silt and nectar.
He points with his finger to the distant horizon:
- It rained there..
He plays a rain song ...
.....

What do you have, gypsy?
The bar girl asks him
In transit hours standing
He says: What do you mean by the word "you have"?
The gypsy has nothing ..
Because he has everything.
He has his freedom ..
A girl spends a night with him
Then she expels him from her arms in the morning
So he takes up his guitar
And he sings in tears over his broken heart.
Passing through plains and mountains ..
To where he does not know
....

Truck drivers meet him
They offer to get him to where he wants..
But he refuses ..
He doesn't want to miss a moment without being in the heart of nature ...
Sings
Consuming time with his guitar
His guitar, which he inherited from his father ..
His father who does not know him ...
But what his mother told him before her death
when they were traveling on the way ..
He buries her ..
And he prays for her soul..
Without knowing which god he is praying to..
He smiles ..
And he goes on its eternal journey
.....

When crossing forests..
He is surrounded by hyenas.
He pulls his guitar and sings.
The hyenas watched him in amazement.
they remain amazed as they snaps his flesh..
And he is still singing
Playing his guitar
His guitar, which he inherited from his father ..
His father who never knew him ..
A road that diverges
Starts at a point
And plies in two directions.
Where these roads meet
You hear two different heartbeats;
One of a boy,
One of a girl.
They were destined to be,
But they walked in a V
Separating themselves
From what God only sees.

Walking astray from each
They continue to grow distant.
Not a word to be said
Just a silent whisper,
“This connection will not whither.”
A mental image
Remains in the mind.
Though they are disjoined
Their hearts have been coined
To become reunited
No matter where they end up going.

Heading on the right track
Senses begin to kick in.
Though it is not yet known,
Their love is already scripted
It’s just, love likes to remain encrypted.
It’s not random;
It’s fate.
Their paths begin to converge,
But they still lack the nerve
To acknowledge what’s inside
And let the love emerge.

It’s coming to a point
Where everything’s inevitable.
The obvious feels right;
Plight is soon to be made.
Fate begins to pervade.
With two precious rings
They promise
To love each other forever
On this journey to endeavor.
Hence the coining of the phrase,
“Diamonds are forever.”
Fairy tail story with a nifty meaning.
KM Ramsey Apr 2015
you say it's not about the ***
but the declaration does nothing
to ***** the boiling terror
to shoo away that yawning hole
digging deeper and deeper
into the root system of my ribs
tilling the lush soil that is
my traitorous stomach
and ever shrinking lungs
it uproots me
grinds the stump where I once stood
a towering oak
or was I only ever a sapling
that was snapped in half
severed the exact moment
that the floodgates opened
and the raging storms remnants
poured forth unshackled by the walls
I carefully constructed around my trembling heart
how I screamed when they fell
the resounding crash
of my fingers digging into your back
pulling you closer
and closer
I can't stop wanting you closer
to inhabit that feeling
the safety of a harbor in a storm
you somehow can protect me
from the radioactive wasteland
that I am still traversing
dodging gamma rays of manic frenzy
and alpha particles heavy with the
black hole that swears it will consume all of me
its final sacrifice demanded my life
how can I trust this?
when the reality of the matter is
you are no lead apron
absorbing the radiation for me
some kevlar vest that can ever protect me
from the bullets of vitriolic bile I hurl inward
not to mention grenades thrown my way
by wayward neural firings
which find me craving my blood
a box of razors is
a box of friends
and reality diverges into an orthogonal plane.
you could be snatched from me
you are a small worm on
the biggest hook to make the juiciest
most succulent amuse bouche
for a big world of sharks
how ******* stupid am I
to be a fisherwoman who has
fallen in love with her bait?
Separated by progress
We live in isolation
Socially stagnated
Growing ever distant.

Focus further inward
Without hesitation,
Cutting off future conflicts
Before they even happen.

Perspective and reality
No longer separate
Echo chamber catalysts
Shattered-faction fragment.

Elitist tactics brainwash
Entire populations,
Localised abundance withers
With dying vegetation.

Doomsday clocks lurching
Our salvation diverges
Shouting to the twilight sun
We share but false elation.

Entire regions' designated
Means of production
No new doctrines allowed
All hail consumption.

Ever directionless, at a loss
Regressing into violence:
Revolutionaries' proudest
Of our failed revolutions.

Living out our dreams
Of solitary bliss,
Live alone in harmony
Or die in the abyss.

What piece of work is man
That chooses inhumanity
A species in a chasm
Led by mere savages.
"And in time there will come a generation that has got beyond facts, beyond impressions, a generation absolutely colourless, a generation seraphically free from taint of personality"
― E.M. Forster, The Machine Stops
Ki Danshaku Sep 2019
She...she responds to a soothing bath.
He...he prefers a different path.

They each disrobe from the day's affairs,
the formal restraints they each do share.

Their clothes lay scattered about the floor,
both stand naked at a tiled shore.

She eases herself into this sleeve,
a temperate knitted liquid weave.

He guides the stream from it’s perched spout,
the water finding the perfect route.

His face is wet, his eyes are shut tight.
She prefers ambient candle-light.

She gently sponges her supple skin.
He grips the soap...oh, so masculine.

She contemplates his rugged terrain,
he puts his hands out to feel the rain.

His caress yields a lathery foam,
her fingers begin a downward roam.

He too diverges, or so rather,
deviates from the task to lather.

Much attention in just one region,
cleaning can’t motivate this legion.

His thoughts of her, and her thoughts of him,
nothing stops what’s about to begin.

Tremors start from her head to her toes,
a smile blossoms as she plateaus.

He feels the pressure stiffly increase,
it brings to him an immense release.

She savours the last rippling quiver.
His knees weak from such an endeavour.

They catch their breath, and resume their chores,
have they been remiss in these detours?

Excuse the news they misuse shampoos,
they choose to amuse with such taboos.

One can’t ignore in the aftermath: he takes showers
... and she takes a bath.
Written by request for an anthology of like-topic stories.
This poem is dedicated to the molar mass of 18, and is 18 syllables wide and 18 sentences tall.
This is my one and only poem.

'One is the loneliest number that you'll ever do
Two can be as bad as one
It's the loneliest number since the number one'
JoJo Nguyen May 2016
A blond girl walks in front
and I fall in love
not with how she jgiggles
(that comes later walking home)
because she doesn't
in her neat two short
French braids,
petite flat black shoes
and a rolled up, no
it can't be no one reads
printed media anymore
but it's there, in her purse
as she walks fast
fading into the future
I can't catch up with even if
she doesn't turn left or right
while I'm a centrist so our future
diverges splits into
parallel universes identical
except our minor chord variation
in the Music
Ari Aug 2010
Sometimes I write nights, in the séance of the city

to the thrum of the sidewalk, the fume of the smokestack;

I scribble the madcap of it all, I furrow my nails in vinyl and dance

            in memoriam,

            my face blackened by storms in the crematorium;

      there are those that watch the world through a window,

      and those that are watched;

and if they have no voice in their manic stumblings; and if instead they

                  mutter

to the shadows for traction, to the swirl in the gutter, the outer rim of

                  silence

they will find a friction

to descend upon cement with an electric lunacy;

      and though they will be outliers, they put out the candles

      and write nights too;

within the funneled starlight, and the wheel of the sky,

we string our bodies astral,

in procession and out, similar in divergence, until similarity diverges

      into steam and carbon

and time surges backwards to rejuvenate nights

and our visions are left clotted in their seams by

                  the dark.
20something Jul 2014
I march to the beat of my own drum, but I have no rhythm.
The path diverges in two ways and I choose the third.
My head is a labyrinth from which escape is fruitless.
Please believe me when I tell you that my heart holds more dark corners than most because the sun just doesn't shine as bright as it used to over here.
And it's not often that the gates come down long enough to let others in,
so welcome to the road not traveled.
Now the moon has become my guiding light to eventual freedom,
escorting me through the shadows of the past.
I need your fingers locked with mine as I share the secrets buried so far back I almost forgot where I put them.
You gave me this and more
or so I thought
because now...
Now I worry that the corners are too black and your eyes don't adjust well in the dark
and you too are lost in the labyrinth with little hope for return.
The road worn and beaten by footprints is the one you choose to journey on,
for my path has too many thorns and poisonous plants that choke whoever dares attempt passage.
And as you fade into the distance,
I can tell that my cacophony of percussion will never allow me
to be able to match the melody
of the soft, steady pulsation that emanates from your very core  
but you knew that all along,
didn't you?
Chrissy Ade Aug 2019
Fear has taken my left hand
And Faith has taken my right hand,
Pulling me in opposite directions
Like children playing tug-of-war
I’m swaying between the road that diverges
Into a life of comfort or a life of greatness
And I cannot decide who deserves my heart
Does Faith deserve it because it embraces uncertainty,
A tortured game with unpredictable results?
Or does Fear deserve it more because it promises certainty,
An enemy of progress that loathes new adventures?
Faith has taken my left hand and Fear has taken my right hand
I cannot make a choice; they are pulling me apart
Where do I go from here, I’m running out of time
brandychanning Mar 2024
“We read to know we’re not alone.”
C.S. Lewis says, as a character in the film Shadowland

~~~

my lovers mumble when they leer and clear the
assorted sordid, livres with dust jackets, spines,
and notable ideas, POV’s that dare to offend; me
thinking seeing they’re uneasily resting uneasy, for
there appears to be some scales, mountains that need
mounting before they can successful scale my
heights, a big BE WARY atmospheric global warning
signs prior to enter my magic kingdom,
quizzes  they are unassuaged they will pass
with  any color schema,
let alone flying ones…

that amuses me, ah well, a sign of my changes, when
those  days when a merely handsome man turned this
now skeptical-woman agog, and flushes of heat made
a breast beat,  a flesh and blood chin, ***, eyes, rock me
like a movie poster definition of movie poster handsome

they are smarter and when they cautiously inquire re my
diversity, a broadening array of fiction, philosophical disput-
ations, that lay and lie with me, they, and I bare skinned,
open to the ah ha! of titillating notions of human endeavor,
or British ****** mysteries, and lots and lots of history…

this commends and cerifies
my screening choices for,
when alone, I read
to know I am are not alone,
for my thoughts need hot
company, and my caress
of divers words diverges,
in so many directions, I need
assurance, insurance that the
men who wish to bed me are
capable of making love to my
mind, where stimulus and that
they can feed me endlessly a
variety of bouchées amusantes,
that wet my appetite for their
entirety

should they fail,
to for want of trying,
I comfort them obliquely,
informing them that
*”We need to read to know we are not alone!”
Tom McCone Mar 2014
Upon a web strung across vast fields of
pure and distant velvet nothing,
perfect back-traces of the flickering past
revolve in place, in silence,
signs puddled for an instant from abandoned
corners of clusters. Polaris sieves a movement,
severs Octantis in a slated blink of being as quiet
reaches from further clutches, as a light quivers against
the dark, enshrined in its own solace, drinking from
a garden of heaviness; a sigh slips, echoes and lingers.

A tidy emptiness wavers in the tide of
time-shifting constellations, pulses lost in the single
night that never stems. A fine dust propagates
under the breath-patterns of its own constituency.
No symbol spoken, the still moment reaches and
encompasses all, heaving in glass moments compressing
beneath layers, bathed ablaze and curling through its
own precessing maw. Gathering, spiralling pieces of
uncoalesced millenia hurtle against an again hurtling
arm of a freckle gathered on a point of dust drifting
between caverns diving through the weight of walls holding
all that support their standing. A drop of light quivers
from each mouth, hides in crevices where smaller droplets
stand firmer at each junction, stand shining quietly with
no motive, dials slipping. The dripping lays down sheets,
climbs no corridor, designs a movement of no consequence;
dries out, knowing full well all the while. A ghost remains,
or a breath, both ultimately of finite import:
an exhalation or mote of dust.

Rain won't fall, the creek remains and, in tumult etched of
rigid symmetries, forges splits in azure. A broken fullness,
a glimmering product to permute and dissipate repetitions,
the slow formation of a complete emptiness.
In fine tapestry woven through the murk bellowed, the pattern
twists, coiling fingers through itself, the coalescing rotations
play out silence in no coda. The creek was never there.
Rain makes its way.                                                                  
                                       Capsular soil gives, capitulates petrichor,
defies dust aridity to cling in soft bundles about the child,
clothed in broken wings, tail clambering, all fine splits decided
upon countless repetitions passed. Light hovers and lights stand,
spin, in turn, as intervals chew tails through no static
motif, each gesture a mockery of predecessing broken ground
as fingers sliver ever toward known constancy,
blankets of warmth, an unclosing eyelid. Thus shuffles
awake the clamberer, to stretch and arc against potentials,
to fluoresce and bathe in radiance. A greater scheme
mingles at the tips of outstretched arms carrying wings
to break and flesh to guide a canopied architecture into
clearings laid out below twinkling webs to fold through
and let breath be taken as pawprints slowly form the
fingertips of a new architect. The children of the
child watch silent as motion trickles from centuries'
fortune. An emblem hangs in soft light on a ripple over
all-but-still water, cohort as glittering fragments strewn
beside. A bird's cry is lost in the marsh.                        
                                                      Again,
moments of absolute movement lay out beds of stillness, of reprieve.

At sea level, the curling faultlines feed open plain from
glass tears and monuments fleck the landscape of horizon.
To a pivoting sequence carves tiny bound structures in
self-image, a boiled-down replication to forge immemorial
traverse, a hairline fracture led blind through lakes of ice.
Still, to carry forward in a display of conviction, fine
splitting lineage diverges and cross-pollinates. First a
step, then a meadow, a panorama, three scores of
underbrush, seven mountains cradling a single pass,
two endless expanses of peat, one river for the life
of a child, three nights of no sleep, a resolve,
six iterations, one modification, seventeen snowfalls,
one feat built slow to grandeur, three months at sea,
three years at sea, three thousand years, seven oceans,
four hundred billion innovations, a blink of an eye. From
closed wings rise ordered patterns to clamber, always
asleep, to punctuate that immutable grove of light now
organized in transient gleams of projection and
nomenclative claim. Hollowed bellies of these
unstirring colossi, in turn, self-assemble and
writhe against an upturned gradient: disorder
bares teeth, crafts homogeneity and stumbles
on as Polaris dutifully continues in slow march
and reclaim of a ghost still cycling and hiding.

Finally, the moment takes grasp of all else
and itself, and parts tides of now-distant lights
through the ceiling and collapses where, between
word-laden walls, a tiny and terrified piece of
it attempts to reveal to all else that the moment
is already
gone.
written for a reading; never read anyway.
11-12/03/14
Latiaaa May 2014
To write
to write one's life
is to take a road that leads nowhere
and yet parallels the totality of one's existence

To write one's life
is to evoke a silhouette
that of the writer rushing through his past

One cannot tell where he is going
as he detours diverges deviates
but that is why we want to follow him

Along the way like a lost traveler
he picks up pebbles from the ground
and stuffs them in his pockets

As he gropes backward he loses himself
but we are willing to be disoriented with him
willing to be lulled by his vain repetitions

Stranded in time with him
we lose ourselves in space with him
and yet everything holds in place underneath
as if pulled by a magnet

All that was absent
forgotten from his life
is now suddenly present again
Anurag Sharma Jun 2014
Something calm
Something soothing
Vigorous dark
Surrounds smoothing.

Tonight in evil clutches
There caged my sense,
Like pigeon’s first flight
My swift and dense delight.

All stars having their query
Twinkles like murmuring together
As if they recall my past hours
Fairy Venus twinkles to me some more.

You are not a bard in conscience,
You were never fair in Love remarks
Reckon follies of your worthy mind,
Find your heart in flames and sparks .

Fair Moon chide me not,
No guilty am I but that love knot
That early lost the strength
I lost there my lot in affections.

Here lay I, in torturing sea shore
In slopes of tough pebbles,
Frequent thoughts or blustering bubbles!

I glared you constant Venus
Constant with swollen eye *****
In Midnight flow of sea or tears!

Until you fade away from my sight
Until its orange sun light
Until that chirping diverges my mind.

*-Anurag A. Sharma
sam i yam not,
     nor will this 'lo bot go away
cuz, every coordinate in cyber space allows,
     enables and provides
     an opportunity to bray,

and thence get access
     to each excel lent power full point
     one among the beguiling bajillion,
thus this ming boggling concept proffers

     (even the generic mom and pop hacker
     tubby in her/his element field gloating
     as if they won
     the Irish Sweepstakes that day

despite neither could claim
     direct lineage, sans Emerald Eire
  analogous to Celtic temptress,
     whose grand geography

     beckons toward entranceway,
where sensory, levity,
     and ecstasy punctuate foray
boot that diverges one hundred

      and eighty degrees asper gateway
onrush of spam enters electronic hatchway
spilling forth like
     offal horrific bilge interlay

sloshing violently, revoltingly,
     and nauseatingly, witnessing a jay
bird donning mask (yule hating)
     beak coming contrivance fashioned keyway.

force full brainstorm to firewall
     to place on indefinite layaway
inundation of spam midway
between now and eternity,

     essentially noway
no more, and if necessary
     hermetically seal myself
     stationing a pal in drone willingly overpay!
samantha May 2018
I am here,
alone,
where the river diverges in six different paths,
and where the mountain turns into a cliff,
and from there, the water flows
downward
creating a waterfall.

You will find me here,
alone,
where the sun struggles to rise,
and where the rooster rarely crows,
and the eagles endeavor to fly
upward
spreading their wings and drifting through the air.

Come find me here,
for I am alone,
and the wind is howling
but the wolves are louder.

The beasts only come out at night,
when I am alone.
But,
dear friend,
sometimes the moon doesn’t even shine bright enough to see.
Tom McCone Dec 2012
to deliver any of these moments, in perfect clarity
the dust, caught, between streetlight resolutions
footprints, in short and fragrant sidewalk grasses
heard the tears leaking from the road
outside of rosemary's house
nobody deserved that loss
so soon

I
hadn't said
my last sentences
haven't seen you in years
this news rests heavy on my father's eyelids
attempting sleep, in a log or tin cabin miles and miles away

summiting the path that diverges from penny lane
through semi-forested, midnight blanketed steps
the glitter of the valley below lies in wait

the clouds ventilate interior spaces
leaving a halo of shadowlit castles
three stars pinpointed about
the perimeter


lost my breath
telling myself you'll want better
before anything can change.
pri Oct 2018
she is drowning again.
this time she knows the truth
-she can’t do this anymore.
and this time she knows that her mother’s hand is not the hand she needs in hers,
and that she walks alone on the only road she’d ever known.

as the road diverges, her feet are spread further and further apart,
so she’ll fall into a deep crevice,
or jump.
she’ll fall before jumps.

maybe there will a river at the bottom,
so ice cold.
but she’d move along,
and she does love to swim.

maybe it’ll be ground,
and she’ll break all her bones.
then she’ll pick herself up,
keep walking.

what if an abyss is just an abyss?
a pit of nothing,
a pit where you’re falling and you don’t know,
how low you’ll go.

and if you expect wings,
how would you create them on the way down
-no one cares enough to strap them to your back,
because no ones cares.

she knows, it’s all her fault.
you know.

she’s been told she’s everything,
and she wants to be everything.
but her heart is gone.

her appetite is gone,
and the once hungry girl
is left picking at her plate.
Love is eternal
though spirit
may change.

Once you love you always love.
A moment in time is suspended
as past diverges from present,
Love becomes attached in memory.

People may change but memory is immutable
once its sense is set,
Although knowledge and understanding
are not always the fastest of friends.

Don't be afraid of change,
Embrace it, roll with it and
you always come out on top.
Ben Young Feb 2016
As our hearts entwine in each other
Sort of like two rivers
Flowing in tangent
dancing around obstacles left and right
Perfectly mirroring the others shape and speed
I set my eyes on you
And none other

I dream of us on a hill
Laying down
Our ears touching
Hearts beating
Watching the figures in the clouds
You see the shape of a baby
I see you laying there
Looking cuter than ever
You see me watching you
I stand up  and get down on one knee
You see the ring
I see your face as you start crying
That ring of gold
With a shiny diamond
I ask
"Will you marry me?"
You scream with joy
And kiss your boy
Tears from on your face
You can't stop saying yes
I wipe away your tears
You pin me to the ground
We kiss longer than ever before
Before we know it it's night
And we decide to head in

A few months later
You're walking down the aisle
I almost start crying
For you are more beautiful
More beautiful than ever before
You seem to shimmer
Your white dress
Makes you glow
When you reach me
The pastor says the words
We finally get to say it for real
"I do."
We say in unison
He says
"You may kiss the bride"
I go to kiss you but stop...
I sweep you off your feet
Kiss you and off we go
Off we go to party
Our rivers have finally fully joined
And we begin living  together as one

A year goes by
Its Christmas
you give me a small box
Its in my stocking
I open it and almost faint
Here is a little bar in the box
With two vertical lines
You hug/kiss me
And say merry Christmas
"You're a father"

Nine months later
Another river diverges with ours
It's a small child
A boy
Every time I hold him
Care for him
You stand there smiling
Tears forming in your eyes
You are amazed
At how awesome I am with him
It's a new chapter
Of our lives together

A few years past
One more river has joined our stream
We have a family of four
Our lives flow on
Our love endures
Like a river in time
We may keep carving our path
But our stream continues
And it will continue for the rest of eternity
Rube Frost Feb 2016
Time and time again
I find myself
At the threshold,
Where life diverges into a million different outcomes.
Yet, time and time again
They make me doubt
And forget who I am.
Tony Tweedy Mar 2019
I live in the darkest of places,
it is here that I constantly dwell
Some would call it empty,
but to me its name is just hell.

So rare is there anything,
that enters here into my night.
But every so often I am tortured,
by glimpsed reflections of light.

I watch as light approaches,
feel its warmth inside of me.
Giving rise to both dream and hope
and the promise of things that might be.

I watch as light passes,
and bathe in its radiant shine.
Thoughts voiced by madness,
I look to the light for a sign.

As it draws nearer to my existence,
and knowing what I need it to be.
The light always unerringly diverges,
I now aware the light just didn't seek me.

I sit and remember the lights,
here in my own black little shell,
I look all about me at darkness,
knowing that light wont ever want hell.
two rewrites and still not happy.....aaargh!!!
ISIAKA AKROMAH Feb 2020
She chooses to live
a life of style ,
A life where her story
Will be told using stanza
Rhyme and conclude in verse.

A story which will be
 Written using metaphor and
Simile to illustrate her 
Personification as an elegant
beautiful creature

 She chooses to be poetic,
Ironically she was still prosaic
Every day of her life
Trying to fake it
 till she makes it

She wanted to take the Road that is less travel
The road that diverges
Into two different paths
She took the prosaic
But walk the poetic
To a girl who wanted to be a poet
GL Thompson Dec 2019
It’s been a while,
I barely remembered your name.
But how could I forget
The curves of your face

We shot for the stars
And then aimed for mars
But ended up
In two for twelve bars.

Press replay on my broken heart
the starting blocks were just a false start
And even if I lose my throne
I’ll still have the memories we own.

Regardless, there’s always
Something on the radio
That makes me think of you
and diverges the sadness in me

And I don’t care if this moment is our last.
For if it is
Everything I’ll ever do will be past.
I won’t be there for the last laugh

Press replay on my broken heart.
Wind back the tape but don’t you warp my record
leave me melting, frightened in the winter heat.

Self focus and hibernate to chase the dream away
"Such narcissistic cynicism laid to rest on a TV dinner tray"
Alright, smart ****.
Your entire personality is a farce.

They hate the now. But hate the past even more!
Stick it to the man! But they’ll still clean his floor
I miss the crowd
I miss the bliss
I never thought it would come to this
heartbreak.
L Nov 2018
R
I feel like ive been thrown in a loop. Like idk when it happened. But.

So like. I was talking with a friend today. H. And so.

We were talking about the universe and dying and ****. And. "Like i get what you mean" but. Nah. So. I explained what i heard once that was really cool. So. I compared them by saying. "Like, yours is a circle. And mine is like a loop." Yours. It goes around and around and around. No beginning, no end. Okay. Fine i guess "see your point" BUT mine. Like. Its a loop. Little loopty loop. So. You start out and then you cross at one point, like the beginning and then you keep going. Like it diverges. Untill you cross again at another point and then you go to new parts again. I. What was i saying?

I digress. I need a new notebook. I hereby decree. That this will be the first page entry thing of the next new little book i get. Yay.
ConnectHook May 2021
1) Be very broad-minded. Take the Broad Road.
(It is paved with good intentions and says Fool’s Gold, can’t miss it)

2) When you see the signs for salvation, declare loudly that you are tolerant and loving and that sin is an outmoded relic of patriarchal religion.

3) Follow the virtue-signals away from the true light towards your own sinful conceit.

4) Deny absolute truth when you get to Philosophy and take the exit toward Esthetics.

5) Stay on the path of least resistance. Celebrate ANYTHING except the God of Scripture.

6) When the road diverges, revile the nationalist R., along with tradition.
Hatefully label your fellow citizens as Racist Nazis until you merge onto Interfaith 666 at Hypocrisyville.

7) Turn repeatedly L. while flattering  yourself that you are progressive and enlightened.

8) Follow the exact same agenda and antichrist values as that of trans-national corporations while telling yourself you are a bold free-thinker “resisting fascism”.

9) Follow the bumper-stickers of the tenured professor in front of you for 59 miles.

10) Your destination is on the Left, but there’s still time to change the road you’re on
(if the Led Zeppelin song ends and you see the people leaving church as reactionary rubes, you have gone too far.)



Approx. time to arrive in Hell = 1 lifetime
FINAL PROMPT:
a poem in the form of a series of directions describing how a person should get to a particular place.
Whit Howland Sep 2022
Orange
reflecting
channel
markers

making
passage
one way
and

dependent
on men
to wave us
on

and yet this
is where
the road
diverges

literal
and symbolic
is
the fork

it's hot today
so right now
well travelled
looks pretty good

to me
so so sorry
frost
and W.D.
Samantha Cunha Apr 2020
Where the winding path
diverges, and splits into two
where the wounds and
scars open up in blinding
black and iridescent blue

this is the space
where light
comes through
Aditya Roy Jul 2019
The loyalty stays with the competing sayings
I'm just starting to understand, what philosophy
My familial interstitial numbers rely on, it's just me and you
In the Solar System, in the middle of the serried
Streets that appear like dark stories, and wind like
Plot twists, and criminal cocktails from the bars
My mind is like a capitalist bazaar, bebop, and hip hop
And all the influences that roll with labels
Like fuzzy trees colored green, in the dark red cherubs
Iridescent canopies, and terse destiny that diverges like people
Having differences in the lost forest, people I warn you
Lose themselves, better to give another chance and let them start
Again with the introductions and the complimentary announcements
A wanted man could only follow these fuliginous forests
Only a wanted man could live up to these standards of being an elf
A gnome could talk you in the languages of the dark ages of the bright sages
Sagacious beams of wisdom, and the cornucopia of common ground
Second coming's here, it might erode with dust and ashes
Carving a giant tree is unleashing the chameleon's colors
As the forest dies, the snow stays, and you have a white chameleon
Unique like a snowflake
Carrying the chameleon

— The End —