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Love Dec 2014
how does one love a poet?
between the lines of their spoken words
and their haiku's.
a jumbled nonsense to an untrained ear
but a masterpiece
to the ones who take your poems
the ones they've studied
and they dissected
because they find them*  almost
as beautiful
as the way your soul shines
when you coin a poem
about the one who
coins their poems
about you.


*the delicate intertwining process of loving a poet.
I'm in love with you and all your little things.
Robin Carretti Aug 2018
The riveting heart feels
the weight of trouble
The rebel is like a watchdog
sentinel
Whats in our Bible?
Things change to make the
difference

"Like a new invention but there is interference"

The Castle you hear
a rattle
wasn't a baby rattle
Minds settling or quietly dazing
No defeating over the rainbow
It's like running then you stop
You look at his watered fingers
Of the great lakes, he's admiring
your lady's fingers

Lips divine as one like us
The gold rush collection
Just a secret hush affection
A treaty concession
Picking out the candy
          Skittle
The pivoting flying shy like a sky
riddle
Him or Her piloting its time
Two sets of eyes world of exploring
Not to keen
on exploiting

Her dress movie flowing prayers to
be answered so vain
Heads Spin city flaunting
Defeats us haunting
Who loves us
Who will help us
       SOS
Like a delicacy one of a kind
She's the rebel let her guess
Such a rarity smile with
dignity dressed up doll
she is dainty
To many disguises to face the
mirror of vanity
Rebel Rebel David Bowie
He is a genius of music
Shines a world gigantic

Rebel world of cults and sanity
What was heavily Tis
To be blessed
Rebels of hearts of Madonna
Greyhound bus

Our scorched finger heats
Riding the *
Porshe Red firehouse
A beat something rare but overly sweet
Robin risque I  need more clues
Braveheart Riding hood in the woods
to be saved in her rebel shoe's

Queen heads up with the Dean
 Her embossed gold letters
Of a spell, forever mean
The heats on rebels defeat over
Modern time the "Dell"

Rebel wish from a deserving well

Computer and devil decipher
Compelled to love her
The Dark Shadows mansion
Angelique scarlet fever
Dark inside her label dress
What did he deliver?
"'Who lives by the standard rule messy is ****"
Rebel rebel look at your bloodshot pupils
taking things for granted

Freakish odd things posted
Are bizarre even her brassiere
Mean as a *Manchette

We are not as one
normal read the Gazette
More rivals and feather
pen of forgery
What a hard act to follow like surgery
Every molecule being
dissected to poke
A love primal no
common ground
This isn't a joke

Everyone tantalizing tribal
Creatures not in direct sunlight
Defeats us like rebels at night
Being inconsistent rebels
lead the way but far away
distant

We are not realizing what defeats us
Endorphin releasing our energy
Lifting our orphan spirits
Moon worshipper climbers
We are the simple people
Nothing too explicit
Or razor sharp to cut us

The Messiah
Solomon Torah of Isreal
Old Testament Jerusalem
Everything is way too ****** red
Like Salem
What defeats us
Voodoo or Christmas Hoo Hoo

Santas gift got stolen and snatched
Having a fight with a door latch
Magic somehow not in our favor to match
Tragic music rock or swing jazz of a glitch
But everything defeats us
Psychic third eye
She is so tragically hurt
So Manic not the
brave rebel flirt

Like the limited edition
So many of us are uninvited
Not the VIP pass
Ressurection new rebel convention
Unique kind of communication

The last time I saw you on vacation
Relic hunters the lightning
Hells Angel rider conjuring
What mouths to feed of thunder
Nazis all  our undivided
attention pictures
They snap having a field day
of paparazzi
Priestesses devil wears the
Prada dresses were out
of designers
I wonder why to travel heretics
Such treachery and butchery
Being grilled like steaks but
not a Dynasty
Too graffitied feeling fried
How loves are taken like the fools

The business arrangements
Foreign exchange groups
Rebelling their way
through college
Time is the essence of
being mutual
beneficial much
higher potential
More spiritual rituals
We need more Gods of top
rank **Generals

General Mills cereal at least
not the serial killer
What defeats us our spirit leads us to dark energy place it's up to
us the human race. We are rebels in a portal or are we not real all mortal
The Calm Mar 2017
They say, beauty is in the eye of the beholder
But sometimes I ask myself, how can this be?
Cause when I look with my eyes, I only start to feel resent
and I begin to despise, the things I realize like
how my women of color have been simplified, and hypserxualized
how the black woman's body has been used and abused and now
It personifies, sexuality and promiscuity, out of all the things media feeds us these are some of the worst lies
You see cause black women are queens, and when white culture saw their worth, they were rattled
They couldn't help but try to minimize and de-legitimize, and put a guise over the eyes of all that viewed her
She is not just a big ***, big lips or hips
She is the mother of humanity, in her essence from her hair, to lips to her fingertips she is a Queen, and she is to be respected.
And I will die for her honor, We will not go back into slavery days, I will not stand here while she gets up on stage naked and her body is dissected, and her soul, her essence neglected, her heart, her mind infected.
From these queens come the workers, the Kings, without the black woman we have no past and we have no future
We must protect the black woman, for she is sacred like scripture.
ken not the
vive la différence!
entre les deux,
these two bed and head chambers,
for all poets are seducers,
regardless of ***, race, creed or color

when first we employ our working, yeoman vocabulary,
we plain start,
to relate but not to regale,
the whom we are,
hoping our moments unique,
will  breach the boundaries
of our collective commonality connectivity,
and find human receptivity

thus, the seduction of self commences

though every possible combination of words has somewhere been inscribed and committed, we ****** ourselves
(the seduction of poetry)
with potions of notions that we are and always be our
first, and now soon forever,
yours as well

of course, we are, it's true,
our very own first admirer & lover,
having conquered the hillock of self,
see the universe expanding and the
****** need to conceive
and prowess to please
beyond the beyond with
the poetry of seduction

do not want your body, heart or soul,
commitment, allegiance, vows,
sacred or profane,
all such in vain

crave your everything,
not even a legal nine-tenths satisfactory

dare not call me arrogant or presumptive,
gaze upon the mirror that cannot lie,
rereading thy words assemblage,
and deny to lie to yourself

want you, you want me,
my adoration,
we want to be in
a poem together,
lovers at the molecular level
where words dissected into letters, then again,
into guttural sounds where a simple outcry is an elegy,
a love poem, a wound, a denouement, a preface, a tear,
a welling, a heaving, a sigh, an exhalation, all,
an entrance to where the need for words
is long since past

the sin and crown of seduction completed,
unanimously

now breathe out
and then,
breathe in
Derek Yohn Sep 2013
The brambles in the emo forest
grow sharper with the passing days.
Three months deeper into the oatmeal
on the heels of the turtle goddess
and i am compelled to ignore the trees.
i have never been crazy about shrubbery,
being that the majority of my experience
has ended badly for the plant.

**** it.
It would appear that my green thumb *****.

My pillow is a poor substitute
for the warmth of sweatpants
or the comfort of your arms,
but i am locked into the devices
of another two year paper binge.
i would greatly prefer to be
static in my global positioning
as long as i can lose myself
swimming into the recesses of
your vibrant blue Oceania.
i want to hand you my eyes
so you can see my fixation on
the perspectives of action
and identify with my analysis
on the frailty of beauty,
intangible though it may be.

When i was weaker,
i appraised the value of
a man to be intrinsically
linked to the relation
between time and pride.
Driving a parallel path
to the stars, there is
only one thought:
Reality is like a dissected
frog: i poke and ****
and pull and poke and
probe and stare and ****
and pull but i still
can't figure out what all
those little tissues do
when they are turned on.

What if i want to taste the fruits of serendipitous fortune
or walk the garden path of chivalric sunshine?

If i could liquefy my soul,
i would pour you honey-laced
shots of my longing so that
when the darkness of the mid-week
slanders me you can touch
the sea spray of a wave
i have sent to wash away
the fears of circular evolution.

i want to build the hearth
where we can light the fire
of roundabout destiny and cook
the flesh from the slaughter
of our angry cows and bulls
so that we can incorporate
our weaknesses into our strengths.

i want to shape a necklace
out of my scar tissue
and wear it loudly so
that you can see the pain
that enables me to feel yours.

i want to finish my marathon
with my bag of bricks
because it is impossible to
truly win without the
burdens of justice and morality.

i've collected the screams
of my travels in a glass jar.
One day when the sun
struggles over the distant
cold horizon, i
plan to exact revenge
on the container and
make a concerted effort
to buy American.

In the hills above the
languishing sticks
i appear to have
dislodged a rock slide.
In my estimation,
the carnage will be
exquisite and swift.
If i survive the
judgement of guilt,
i can visit the friends
already lost to the
perpetual fires of the
sanctioning underbelly.

Why can't i take the
burgeoning petals of the
dark rose and elevate myself
above the sickness i have
seen in the eyes of my
accusers and those who would
trample the silly notions that
are all i have ever owned?

i feel that in the life i have witnessed
there are innate weaknesses in the
system i have supported.

In the instance given,
i have allowed myself
to be collared and
pent up by unspoken
deeds and words.
When my candles flicker
and reform, at least
i will be able to stand up
and clarify the point with
the authority inherently
granted to an elder whom
most ignore or ridicule in
the comfort of a happy living room.

i have seen hints of the futility of
nouns, verbs, adjectives, adverbs,
prepositions, and conjunctions
because they cannot begin to
express the vertigo i am cursed with
or the gravity that will not allow me to
escape unscathed.

i'm afraid that one day
my ink well will run dry
and my fingers will fuse
together and conspire to
undermine my sanity.

i fear the ticking of
my watch when i can
feel its echo deep inside
the canyons between
my synapses.

i cower and whimper
under the auspices of jest
when my soul is overrun
with desires that cannot
be slaked with water.

i want to detach my
aorta so that i will not
be bothered by the
binding of my skin
to the dry earth.

i need to hum the
melodies of aquatic repose
and bathe my wounded
feet in the streams that
flow to the cliff's edge.

When the time comes
for my foray
into the sublime,
i can fade away into
the arbor mist and
not feel the piercing gaze
i have become accustomed
to during this.

And for so long,
i have fed the horses
and watered the hedges
for everyone,
only to find that
all my livestock
dies within the
fences i have built
to protect the few
things left after
my tornado.

Approaching six full, and
i'm camped outside the
city gates and starving.

i puked when the moon
cycle shifted this time.

i thought that if i
sacrificed fuchsia to the
demon he would mistake
it for acquiescence, but
when the clock struck twelve
my pumpkin only rotted.

Why did you want to see the water?

i'm not going to buy
the dumb tourist act.
You knew the sand
was poisoned.

Nevertheless,
i am 3/5 of a man
when engulfed in
purple madness for
your affection.

the bells have fallen silent,
and i have seen your persuasion,
like an old silent movie.

What of your petty elucidations?
Can you teach me about destiny?
Do you have any watermelons?
If not, why not, or, even better,
who cares?

i don't think you have
seen my rose garden,
the thicket i entered
once to reenter time
and again, lonely and
bleeding, twisting and
turning, with no
right-hand-rule
to guide...

but this isn't your story anymore.
this is an old poem, but i like the narrative...i apologize for its length, i hope it is an easy read.  it was written over a twelve month period, and the course of my life dictated the course of the poem.  I will let the reader draw their own conclusions about that year....
Andrew Rueter Oct 2017
You act callously crude
Like Cronenberg's brood
You keep the body horror
In the naughty drawer
I feel my body's poorer
So you convince me I'm rich
Then treat me like an itch
And scratch
To detach

You invited me to your chateau
Then left me on this plateau
For my beating heart exploded from my chest
Once I foolishly entered your nasty nest
There I lay
As immobile prey
My body was infected
By your touch
And my mind dissected
Way too much

You passionately present me with body horror
I really resent you for being a shoddy sawyer
Cutting me down but not completely
Your lackluster love travels obliquely
Dislocating my horrified heart
My rib cage begins to part
As my mangled love
Escapes with my blood
My fingers are breaking
Trying to carry the relationship
Happiness I'm faking
When you crack your elation whip

When I'm powerless to the *****
I become showerless in a hurry
And my skin starts to rot
While I lie on your cold cot
You're my unforgiving cop
And the horrors never stop
Aztec Warrior Jun 2016
The Stanford **** Case
Statement from the Young Woman Who Was *****
June 10, 2016 | Revolution Newspaper | revcom.us

Editors Note: The following harrowing and courageous "victim impact" statement was read in court by the woman who was assaulted and ***** by ex-Stanford student Brock Turner. It has been released widely and revcom.us is reposting it here. As Sunsara Taylor said in "The Stanford **** Outrage: Reason Enough to Make Revolution": "Her letter is 13 pages long and everyone should read it. In its entirety. Out loud. In classrooms. In church groups. In families. On sports teams. On air. Her pain must be seen. Her battle against despair must be supported. Her courage must be multiplied."*
-------------------------------------------

Your Honor, if it is all right, for the majority of this statement I would like to address the defendant directly.
You don’t know me, but you’ve been inside me, and that’s why we’re here today.

On January 17th, 2015, it was a quiet Saturday night at home. My dad made some dinner and I sat at the table with my younger sister who was visiting for the weekend. I was working full time and it was approaching my bed time. I planned to stay at home by myself, watch some TV and read, while she went to a party with her friends.

Then, I decided it was my only night with her, I had nothing better to do, so why not, there’s a dumb party ten minutes from my house, I would go, dance like a fool, and embarrass my younger sister. On the way there, I joked that undergrad guys would have braces. My sister teased me for wearing a beige cardigan to a frat party like a librarian. I called myself “big mama”, because I knew I’d be the oldest one there. I made silly faces, let my guard down, and drank liquor too fast not factoring in that my tolerance had significantly lowered since college.

The next thing I remember I was in a gurney in a hallway. I had dried blood and bandages on the backs of my hands and elbow. I thought maybe I had fallen and was in an admin office on campus. I was very calm and wondering where my sister was. A deputy explained I had been assaulted. I still remained calm, assured he was speaking to the wrong person. I knew no one at this party.

When I was finally allowed to use the rest room, I pulled down the hospital pants they had given me, went to pull down my underwear, and felt nothing. I still remember the feeling of my hands touching my skin and grabbing nothing. I looked down and there was nothing. The thin piece of fabric, the only thing between my ****** and anything else, was missing and everything inside me was silenced. I still don’t have words for that feeling. In order to keep breathing, I thought maybe the policemen used scissors to cut them off for evidence.

Then, I felt pine needles scratching the back of my neck and started pulling them out my hair. I thought maybe, the pine needles had fallen from a tree onto my head. My brain was talking my gut into not collapsing. Because my gut was saying, help me, help me.

I shuffled from room to room with a blanket wrapped around me, pine needles trailing behind me, I left a little pile in every room I sat in. I was asked to sign papers that said “**** Victim” and I thought something has really happened.

My clothes were confiscated and I stood naked while the nurses held a ruler to various abrasions on my body and photographed them. The three of us worked to comb the pine needles out of my hair, six hands to fill one paper bag. To calm me down, they said it’s just the flora and fauna, flora and fauna. I had multiple swabs inserted into my ****** and ****, needles for shots, pills, had a Nikon pointed right into my *******. I had long, pointed beaks inside me and had my ****** smeared with cold, blue paint to check for abrasions.

After a few hours of this, they let me shower. I stood there examining my body beneath the stream of water and decided, I don’t want my body anymore. I was terrified of it, I didn’t know what had been in it, if it had been contaminated, who had touched it. I wanted to take off my body like a jacket and leave it at the hospital with everything else.

On that morning, all that I was told was that I had been found behind a dumpster, potentially penetrated by a stranger, and that I should get retested for *** because results don’t always show up immediately. But for now, I should go home and get back to my normal life. Imagine stepping back into the world with only that information. They gave me huge hugs and I walked out of the hospital into the parking lot wearing the new sweatshirt and sweatpants they provided me, as they had only allowed me to keep my necklace and shoes.

My sister picked me up, face wet from tears and contorted in anguish. Instinctively and immediately, I wanted to take away her pain. I smiled at her, I told her to look at me, I’m right here, I’m okay, everything’s okay, I’m right here. My hair is washed and clean, they gave me the strangest shampoo, calm down, and look at me. Look at these funny new sweatpants and sweatshirt, I look like a P.E. teacher, let’s go home, let’s eat something. She did not know that beneath my sweatsuit, I had scratches and bandages on my skin, my ****** was sore and had become a strange, dark colour from all the prodding, my underwear was missing, and I felt too empty to continue to speak. That I was also afraid, that I was also devastated. That day we drove home and for hours in silence my younger sister held me.
My boyfriend did not know what happened, but called that day and said, “I was really worried about you last night, you scared me, did you make it home okay?” I was horrified. That’s when I learned I had called him that night in my blackout, left an incomprehensible voicemail, that we had also spoken on the phone, but I was slurring so heavily he was scared for me, that he repeatedly told me to go find [my sister]. Again, he asked me, “What happened last night? Did you make it home okay?” I said yes, and hung up to cry.

I was not ready to tell my boyfriend or parents that actually, I may have been ***** behind a dumpster, but I don’t know by who or when or how. If I told them, I would see the fear on their faces, and mine would multiply by tenfold, so instead I pretended the whole thing wasn’t real.
I tried to push it out of my mind, but it was so heavy I didn’t talk, I didn’t eat, I didn’t sleep, I didn’t interact with anyone.

After work, I would drive to a secluded place to scream. I didn’t talk, I didn’t eat, I didn’t sleep, I didn’t interact with anyone, and I became isolated from the ones I loved most. For over a week after the incident, I didn’t get any calls or updates about that night or what happened to me. The only symbol that proved that it hadn’t just been a bad dream, was the sweatshirt from the hospital in my drawer.

One day, I was at work, scrolling through the news on my phone, and came across an article. In it, I read and learned for the first time about how I was found unconscious, with my hair dishevelled, long necklace wrapped around my neck, bra pulled out of my dress, dress pulled off over my shoulders and pulled up above my waist, that I was **** naked all the way down to my boots, legs spread apart, and had been penetrated by a foreign object by someone I did not recognise.

This was how I learned what happened to me, sitting at my desk reading the news at work. I learned what happened to me the same time everyone else in the world learned what happened to me. That’s when the pine needles in my hair made sense, they didn’t fall from a tree. He had taken off my underwear, his fingers had been inside of me. I don’t even know this person. I still don’t know this person. When I read about me like this, I said, this can’t be me, this can’t be me. I could not digest or accept any of this information. I could not imagine my family having to read about this online. I kept reading. In the next paragraph, I read something that I will never forgive; I read that according to him, I liked it. I liked it. Again, I do not have words for these feelings.

It’s like if you were to read an article where a car was hit, and found dented, in a ditch. But maybe the car enjoyed being hit. Maybe the other car didn’t mean to hit it, just bump it up a little bit. Cars get in accidents all the time, people aren’t always paying attention, can we really say who’s at fault.

And then, at the bottom of the article, after I learned about the graphic details of my own ****** assault, the article listed his swimming times. She was found breathing, unresponsive with her underwear six inches away from her bare stomach curled in fetal position. By the way, he’s really good at swimming. Throw in my mile time if that’s what we’re doing. I’m good at cooking, put that in there, I think the end is where you list your extracurriculars to cancel out all the sickening things that’ve happened.
The night the news came out I sat my parents down and told them that I had been assaulted, to not look at the news because it’s upsetting, just know that I’m okay, I’m right here, and I’m okay. But halfway through telling them, my mom had to hold me because I could no longer stand up.

The night after it happened, he said he didn’t know my name, said he wouldn’t be able to identify my face in a line-up, didn’t mention any dialogue between us, no words, only dancing and kissing. Dancing is a cute term; was it snapping fingers and twirling dancing, or just bodies grinding up against each other in a crowded room? I wonder if kissing was just faces sloppily pressed up against each other? When the detective asked if he had planned on taking me back to his dorm, he said no. When the detective asked how we ended up behind the dumpster, he said he didn’t know.

He admitted to kissing other girls at that party, one of whom was my own sister who pushed him away. He admitted to wanting to hook up with someone. I was the wounded antelope of the herd, completely alone and vulnerable, physically unable to fend for myself, and he chose me.

Sometimes I think, if I hadn’t gone, then this never would’ve happened. But then I realized, it would have happened, just to somebody else. You were about to enter four years of access to drunk girls and parties, and if this is the foot you started off on, then it is right you did not continue. The night after it happened, he said he thought I liked it because I rubbed his back. A back rub.

Never mentioned me voicing consent, never mentioned us even speaking, a back rub. One more time, in public news, I learned that my *** and ****** were completely exposed outside, my ******* had been groped, fingers had been jabbed inside me along with pine needles and debris, my bare skin and head had been rubbing against the ground behind a dumpster, while an ***** freshman was ******* my half naked, unconscious body. But I don’t remember, so how do I prove I didn’t like it.

I thought there’s no way this is going to trial; there were witnesses, there was dirt in my body, he ran but was caught. He’s going to settle, formally apologize, and we will both move on. Instead, I was told he hired a powerful lawyer, expert witnesses, private investigators who were going to try and find details about my personal life to use against me, find loopholes in my story to invalidate me and my sister, in order to show that this ****** assault was in fact a misunderstanding. That he was going to go to any length to convince the world he had simply been confused.

I was not only told that I was assaulted, I was told that because I couldn’t remember, I technically could not prove it was unwanted. And that distorted me, damaged me, almost broke me. It is the saddest type of confusion to be told I was assaulted and nearly *****, blatantly out in the open, but we don’t know if it counts as assault yet. I had to fight for an entire year to make it clear that there was something wrong with this situation.

When I was told to be prepared in case we didn’t win, I said, I can’t prepare for that. He was guilty the minute I woke up. No one can talk me out of the hurt he caused me. Worst of all, I was warned, because he now knows you don’t remember, he is going to get to write the script. He can say whatever he wants and no one can contest it. I had no power, I had no voice, I was defenseless. My memory loss would be used against me. My testimony was weak, was incomplete, and I was made to believe that perhaps, I am not enough to win this. His lawyer constantly reminded the jury, the only one we can believe is Brock, because she doesn’t remember. That helplessness was traumatizing.

Instead of taking time to heal, I was taking time to recall the night in excruciating detail, in order to prepare for the attorney’s questions that would be invasive, aggressive, and designed to steer me off course, to contradict myself, my sister, phrased in ways to manipulate my answers. Instead of his lawyer saying, Did you notice any abrasions? He said, You didn’t notice any abrasions, right?

This was a game of strategy, as if I could be tricked out of my own worth. The ****** assault had been so clear, but instead, here I was at the trial, answering questions like:
How old are you? How much do you weigh? What did you eat that day? Well what did you have for dinner? Who made dinner? Did you drink with dinner? No, not even water? When did you drink? How much did you drink? What container did you drink out of? Who gave you the drink? How much do you usually drink? Who dropped you off at this party? At what time? But where exactly? What were you wearing? Why were you going to this party? What’d you do when you got there? Are you sure you did that? But what time did you do that? What does this text mean? Who were you texting? When did you urinate? Where did you urinate? With whom did you urinate outside?

Was your phone on silent when your sister called? Do you remember silencing it? Really because on page 53 I’d like to point out that you said it was set to ring. Did you drink in college? You said you were a party animal? How many times did you black out? Did you party at frats? Are you serious with your boyfriend? Are you sexually active with him? When did you start dating? Would you ever cheat? Do you have a history of cheating? What do you mean when you said you wanted to reward him? Do you remember what time you woke up? Were you wearing your cardigan? What colour was your cardigan? Do you remember any more from that night? No? Okay, well, we’ll let Brock fill it in.

I was pommeled with narrowed, pointed questions that dissected my personal life, love life, past life, family life, inane questions, accumulating trivial details to try and find an excuse for this guy who had me half naked before even bothering to ask for my name. After a physical assault, I was assaulted with questions designed to attack me, to say see, her facts don’t line up, she’s out of her mind, she’s practically an alcoholic, she probably wanted to hook up, he’s like an athlete right, they were both drunk, whatever, the hospital stuff she remembers is after the fact, why take it into account, Brock has a lot at stake so he’s having a really hard time right now.

And then it came time for him to testify and I learned what it meant to be revictimized. I want to remind you, the night after it happened he said he never planned to take me back to his dorm. He said he didn’t know why we were behind a dumpster. He got up to leave because he wasn’t feeling well when he was suddenly chased and attacked. Then he learned I could not remember.

So one year later, as predicted, a new dialogue emerged. Brock had a strange new story, almost sounded like a poorly written young adult novel with kissing and dancing and hand holding and lovingly tumbling onto the ground, and most importantly in this new story, there was suddenly consent. One year after the incident, he remembered, oh yeah, by the way she actually said yes, to everything, so.

He said he had asked if I wanted to dance. Apparently I said yes. He’d asked if I wanted to go to his dorm, I said yes. Then he asked if he could finger me and I said yes. Most guys don’t ask, can I finger you? Usually there’s a natural progression of things, unfolding consensually, not a Q and A. But apparently I granted full permission. He’s in the cl
it has taken me days to shake out the feelings I have around this case and that one of every 4 women are *****, abuse assaulted in their life time.. think about that for a moment.. 1 out of every 4... this means almost everyone knows someone or has been through what the young woman is describing in her statement read in court.. there is no "buts" in this case, and if anyone has to come up with some kind of "but" then unfriend or follow me right now as I will not tolerate any excuses or apologies for these horrific attacks on half of  humanity, along with this I would add a ******* as well... the voice of this woman needs to be heard everywhere... repost, twitter etc etc everywhere...
Thomas Newlove Feb 2011
The pick
All the stress that an orange has caused is painful.
It is painful for the tree from which it came.
Snatched away with promises of sweetness.
A tree mostly green, engulfing
Small speckles of that deceptive orange.
It was such a bright colour – high hopes!
Handpicked by a man only looking for the best,
Choosing poorly not for the first time.
The green leaves frantically try to reclaim what’s theirs.
Branch after branch reaching out, trying to uproot him.
Close, so close. But they are a sea apart,
At least an apple has a core, a heart.

The peel
Now it is pilfered, the painful process begins,
Never quite ending: disappointment beckons.
To try and taste these orange juices
You soldiers must bear the burden.
Each soldier, a finger digging themselves
Into the tough stressful shell.
Fingernails stained with orange blood,
Eyes blinded by the same tangy juices.
It never slips off in one go
Like a roomy balaclava,
But crumbles like the remnants of a bombing.
Brick by brick, orange by orange it crumbles.
Now it is finally undone
But neither tree nor man has won.

The preparation
The crust collapsed, but now
It is time to untangle the web the mantle holds.
First, a division – the separation of brothers
Who served side by side at birth.
Dissected by these soldiers
Acting as a bomb squad,
Searching for those hidden pips.
Found, but not without casualties –
Sticky fingers with no taps in sight.
Once removed the web is untangled.
Tired, he hopes that the stress will swiftly end
Unaware that the sweetness was just pretend.

The pain*
Finally the moment has arrived
And illogical ceremonies commence.
I fear the celebration is far too soon,
For as white touches orange and tries
So desperately to unite,
The tartly taste slays the poor man’s buds:
Igniting like petrol on his burning tongue.
He wishes he could return that orange
To the green tree to which it belongs,
To return a bullet-sprayed windscreen is not an option.
The orange, once bitten, enjoys its trance
Latching on to those pained tingling taste buds.
His orange, a disaster to undress:
Bad taste – a foolish price for such a mess.
Hint: I am English. I have lived in Ireland for most of my life. The colours are Green, White and Orange.... To sum it up in one sentence:
"What a complete mess the man made of things!"
Manas Madrecha Jun 2015
English Transliteration - Satya Sarvopari Sarvaat

Jhoot bolna aam ** gaya, par mahimaa satya ki kam naa aanknaa,
Bheetar ki naitiktaa ko, vivek-nayan se zaroor jhaank naa...

Man aur vani ki akhandta, vibhakt ** ne naa denaa,
Jhoot par avalambit **, swa-nistha khone naa denaa...

Kapat aacharan ko apnakar, aarthik sukh hi paaoge,
Sabal charitra banaa lo gar, toh nityaanand tak jaaoge...

Vani par jiske satya sadaa, vachan shakti siddh hogi,
Mukh se upji har shabdaavali, vaastav mein sanghatit hogi...

Abhisandhi ka gar karo prayog, jo logo ko sambhramit kare,
Toh unki nahi, tumhaari mithya, jo aatm ko hi dooshit kare...

Jab jab kanth kare dhwani, prajwalit ** satyajyoti se har baat,
Jhoot gaun samaksh uske, satya sarvopari sarvaat...

- - - - -

English Translation - Truth is above everything

Speaking lies have become common, but don't underestimate the significance of Truth,
Do peep into your inner morality through the eyes of conscience...

Do not let the integrity of Mind & Speech be dissected,
By adhering onto fallacy, do not let your self morale be lost...

By embracing fraudulent behavior, you will only get monetary pleasure,
But if you build a brawny (strong) Character, you will go till Eternal Happiness (Salvation) ...

The one who always has Truth on his Speech, the force of oration will become effectual,
Every vocabulary out from his mouth, will constitute into Reality...

If you do use deceit, for misapprehending the people,
Then the illusion is not theirs, but yours, for it pollutes your own self...

When ever the throat makes sound, let every talk be illuminated with the light of Truth,
Lie is inferior in front of it, Truth is above every thing...

- - - - -

Original Poem - सत्य सर्वोपरि सर्वात्

झूठ बोलना आम हो गया, पर महिमा सत्य की कम ना आंकना।
भीतर की नैतिकता को, विवेक-नयन से ज़रूर झांकना।।

मन और वाणी की अखंडता, विभक्त होने ना देना।
झूठ पर अवलंबित हो, स्वनिष्ठा खोने ना देना।।

कपट आचरण को अपनाकर, आर्थिक सुख ही पाओगे।
सबल चरित्र बना लो गर, तो नित्यानंद तक जाओगे।।

वाणी पर जिसके सत्य सदा, वचन-शक्ति सिद्ध होगी।
मुख से उपजी हर शब्दावली, वास्तव में संघटित होगी।।

अभिसंधि का गर करो प्रयोग, जो लोगो को संभ्रमित करे।
तो उनकी नहीं, तुम्हारी मिथ्या, जो आत्म को ही दूषित करे।।

जब जब कंठ करे ध्वनि, प्रज्वलित हो सत्यज्योति से बात।
झूठ गौण समक्ष उसके, सत्य सर्वोपरि सर्वात्।।

© Poem by Manas Madrecha
This poem was first published on the blog 'Simplifying Universe'
(http://www.simplifyinguniverse.blogspot.com) in May, 2015.
PJ Poesy Jan 2016
Worm eats through to penetrate.
Trespasses, what ***** deeds?
What ichor is this to venerate?
How dare eat, how dare have needs?

Godly viral load unbeatable,
no t-cell left to count.
Wriggling in puddle inconceivable,
**** upon this crucified mount.

Lazarus, risen from the dead,
no dog now licks your wounds.
Lepers now banshees are instead
social workers which we swoon.

And the Roman laws and judges
continue blame, hand down sentence,
as degenerative generation smudges
out from existence, ***+ penance.

Dissected and pinned against wall,
this writhing experiment oozes.
Whilst priests and politicians naw,
compassion and AIDS funding loses.
We writhe. Yet, AIDS survives. Will any of us?
Nira Dec 2017
If I collected my tears in a bottle, left it to the sea's mercy
Would you search for my tears among all that water?
Or would you just laugh with your liquid eyes
And lend me some milk and honey, milk and honey
The constellation of freckles mapped on your nose
Remind me of our milky way galaxy, of milk and honey

My eyes are leaking milk
My lips are drooling honey
Me eyes and lips leave behind
Milk and honey, milk and honey

Sometimes my words seem as empty as your promises
And that tears me apart worse than your love ever did
Limb by limb, ***** by *****, kiss by kiss
you dissected my love till I had nothing left to prove
Now I'm left wondering who made mistakes
Who sent me this bottle of milk and honey, milk and honey?

My eyes are watered by milk
My lips are touched by honey
My eyes and lips are flavored with
Milk and honey, milk and honey

Why do your cuss words sound like milk and honey?
You might be pathetic but oh what a pretty liar
Promises dripping with the water from your liquid eyes
If the symphony of my love ever touches your heart
Send me some milk and honey, milk and honey
Till then, I will l lie among the fallen pinecones

My eyes are turning into milk
My lips are turning into honey
My eyes and lips are now simply
Milk and honey, milk and honey

~If I ever wrote about milk and honey
I would write about you~

- n.g. // my fingers are sticky with your milk and honey //
Amy Perry Jun 2014
We are a deeply entwined vine
Growing ever more far apart,
But still attached at the roots.
He has rooted himself in myself,
And has become a part of me.
I dissected worms in high school,
But I don't feel qualified
To dissect our conjointment.
He has asked me to hand him the scalpel,
And I have become too accustomed
To his requests to decline.
We stare at each other,
Both of us too timid to cut the ties,
And go to bed side by side
With scalpels in hand.
Rondu McPhee Aug 2010
I look out the window--an endless sky. The clouds are like nothing else--bold explosions and everywhere in the sky, infinite, above and still in time and space--Madness and Horror are said to have their own faces and names. Can't Beauty? Beauty has its own life--not a distinctive face, not a concrete identity--Beauty is breathing, standing, growing above us--the Clouds. I know that it's a bit foggy, I know what is actual is only actual for the one time and standing moment that it is there--maybe the Clouds move, travel, fade--but they never leave us. They're long, still and colossal enough to be viewed, admired, stricken, crushed beneath. I'm on a bus, travelling through San Francisco--a mystery on its own, mad like a spiral or giant--one with a heart and soul that is difficult to pinpoint and seemingly jolting, constantly moving throughout--down streets, through alleys, intensifying in the dazzling Golden Gate Bridge and boundary-less San Francisco Bay--a testament Olympian and profoundly simple, such a straightforward bridge with so many possibilities and tragedies. It's my destination, too.

I go to the Podesta Baldocchi--a flower shop, quaint, small, almost non-existent in the vertigo of San Francisco, but immortalized in another Vertigo--and inspiring search and enigma on its own--the vision of James Stewart chasing hills, corners, all the trails and paths for Beauty--a Beauty with two feet, a name, experiences--Beauty named Kim Novak. He follows Her, from the shores to the grave--She, praying at a cemetery, a faded figure in grief, He, watching obsessively like a predator--He finds Her on the cold shores, of the endless, alien seas--along the Golden Gate Bridge--on the verge of jumping. He saves Her, a metamorphosis of prey and personal freedom is triggered.

That's one of the many beautiful passages of Vertigo that I remember--passion, memory, disappearance, insanity, aggression. "Here I was born, and here I died", says the woman, named Madeline--a fatal, empowering woman of Beauty and melancholy, complex and deceiving. Chris Marker saw this too--a reservoir of thought from his Sans Soleil--the movie, the moment in time where memory and the Great Enigmas had finally been touched by skin and light. February, 1983.

Memory works that way.

That is one of the things I love most; memory. Memory is fading and escaping from me. I look down at my wrinkled hands--grief and nothing else--losing myself. I step onto the cliff where Madeline, where Grace stood. The sea is a rapture. Endless, everywhere, surrounding me from all corners--dozens of people have taken their life here. They jump from the bridge, they slip into the water and drown. Their entire breakdown and loneliness and humanity is silenced and stated in a small slip into the bay, or a thin, white splash--a miniature, but Greater Fall--beneath the bridge in all its magnificence and profundity, beneath the clouds, a silent act of Tragedy and Horror with a face, surrounded and drowned in Beauty and Rapture--breathtaking and cruel.

I am tired and lifeless. I can't stand it. I remember all the beaches, skies, nights, visions of the sun and daughters I've seen in my life, all the smiles I've faked, breaths I took--I hadn't thought of this until the nineties or so, in my wrinkled, tired years. I was remembering Marie--my only girlfriend and wife one I had met in the 40's--compassionate, dangerous, magnificent she was, like Madeline. Perfection and grace and danger. I had grown, loved, lived, watched everything and took every step with her--before she had died in 1989. She was my only care, my only love. I couldn't grip myself then. I hear my parents speaking, my mum and dad--dead now--my children, beautiful things--I couldn't keep them. I couldn't. I couldn't, their eyes porcelain--I went insane over all of it, a time to foggy to look back on. Time is the same stretch, place is the same and distilled--but memory is everywhere--one thing I love and can't stand.

And now I am here. The beauty is pastoral, distant, glowing and also deadly--like cloudy figures of steel and glass, concrete with fountains and blood in the shape of landscapes and towers--branches, cold, in a lonely place, fading from truth and Truth, identity and Greater Life--a thousand misty passions and poses stretched and scattered. I'm hopeless, I'm lonely, I'm cold. I'm wary, tired, confused with nothing left in me. I'm leaving, Reconciling beneath, below, and everywhere around Beauty.

I understand any doubts. I cannot take my nerves or my senses. They've failed, broken down on me--I've lost myself, very permanently this time.

I fall. I see nothing, feel everything crushing, me lying in the crystal bay--it fades. I can't see. I can't speak--I can't love, embrace, understand--I open my eyes, dizzy and faded, in a house, a rather cluttered, yet homely one. I believe I am small, looking up to my great pale towering mother, breats and lips and glowing limpid eyes... a fireplace, some warmth, some haze and some tears of joy. It is falling apart, where I am, but it is of embracing memory. I'm being looked and smiled at. I don't know where this is.

I close my eyes, I stand and open them seven years later. Cold water at my feet and sand--I look around to see a beach, stretched infinitely--past boundaries or understanding. The sea is dizzying. I look up to see that Beauty--still standing, moving across and thinning--that Beauty is sunless. Nothing but Clouds--an illusion, foggy and slippery of sorts--impossible and unbearable to experience. I stumble.

I look up, and there's now a ceiling--tall, blazing gold, marmalade and kaleidoscope--everything is blurring and melting. I'm in a hallway, with parents--a father and mother, loving, caring and safe; the only thing in front of me is a painting, swirled and swerved shore to thunder and graceful and passionate so distant--Holy, Andalusian girls from a Utamaro madman; thinly, finely lined, velvet in color and delicacy, colliding and cracked in shape, memory or sense. The painting falls, crashes, and the ceiling falls and opens to voices and laughs. I stumble, tremble, get knocked staggering, look down the hallway. It's crashing to black--I stumble to anyone; my father, the mad size of him, I rush and cling still around his arms--a shadow--then his terrible branches rising, fading, and everywhere--complete pitch black--coming for me? Far and off and a way a place cold and a lone in the Fall long and thundering--rippled--moving--then white--then clearly.

My next vision I can comprehend without running terrified is in Japan. It's 1964, I am 25. A television set, murky like playing out my dazed oxygen-starved hallucinatory real-fake mindbursting memories. Headlines, people, looking down at me. I can feel my knees again, and my heart. It's the Year of the Dragon, I'm nervous uncontrollably. Night after night, each one passing by as I blink, walking, everything changing, changing from me, I can feel. Or maybe I can't. I keep my eyes open, and don't lose my breath, hiding in rooms and feeling and apart torn so vast. I look at my surroundings--I don't know where I am--I think in my last passage? passed on through a thousand miles and faces and every conscious and spirit. My last one. I can't hide, though. I'm dying, my last breath and vision being me fading through time--such a quick thing--spinning and burying the Earth As I Have Watched It Through The Years in snow and rain and static and the Dead--I can only stare at the streets. I'm with my girlfriend Marie, it's November 28th, 1975.

She says to me, "What's wrong? You're on the balcony alone. You've been there for hours."

Marie, hold on tight, please. I'm lonely, terrified, frightened--I made a mistake, life is coming and going with all radiance and fleeting and darkness and closing doors. I've witnessed my birthday from another room. I've thought of my life again. I've seen it, distorted, everywhere, in colors and in heaps of broken fragments, images and ruins. I need your help--

"Nothing, just enjoying the city. It's beautiful," I say. It's nightfall, blinding rain, in Paris. That's where we spent our vacation, me and Marie. I love her; she'll be gone the next morning.

Then I go back. Different times, warm times, times like beauty and solid, everything going racing and wayward that I can't see a color and then white then eyes pale and hyacinths all over the place--I see Marie in the distance, oh Yes like poised like drips like canvas all around surround floating laying, kissing me, the Day I'd wrapped gently around her now I can see it like a reflection, and O I can't take it--that very last look, her face vivid--and I can't look back and I can't look down or up--just her face, lovely, wrapping more and Closer and oh Yes all around me and my mouth is going insane so tired and limpid losing words and tract and

And I can see you so lovely so gracefully and yes I will kiss you and gently cradling and your skin like rose and blossoms with the smooth touch from an Eve in flesh shrouded red and raw and when I feel anything else running through my veins like clockwork oh Yes it blazes all lovely like a reflection and the last lonely place left to fade to is only the Clouds and Sea and oh yes with all the magic of the Rite of Spring and the fogs and streaks of August O but then now I see I see O Lord I see the one-thousand-one dead poses and faces like this marie not the one I know but her Beauty erased a lying a loft a living Girl a shape a branch and yet still loving in her stone face-without-a-face so Anonymous so Kiss Me Deadly leave me taking me sprawling around me creeping crouching touching growing up my skin and veins and conscious watching all the artifice leave me and all colors and thought coming up lashing melting seething roiling yes oh yes just like a reverie like genuine insanity haunting and boiling like sweet crazed Narcissus in all the Moorish vines so thorny so lost so complicated and savage rose gardens is all one can see like solid waves--in the distance, the bold-coifed Wooden Duke, the blue Queen, away from the warped, whirling war scape outside and cold and I'm taken back a bit now bundled away from all the rows and thorny laces of buildings among buildings way in the distance out the window like crooked Van Gogh details and the noir jagged edges and tete-a-tete feeling of Life and Hope that the neons floating down streets give you when all seeping and spraying in your eyes and O the tangled webs and thorns and spiders of the panes and glass and shards and sharp'n'smooth curls and spiraling rings of it all and O the strewn of flesh like insect and myth and negative space and city all coated and sprawled I'm going to explode and I look up to see every bit of sand, waves, bold lines and streaks above and beyond me, all those curves and rods very dizzying and all beating and throbbing like mad and my vision went like some frothing beast held and dissected under light and shape oh Yes I say and I tell you while being dragged through all the Andalusian flowers and raindrops beside and above me and the Universe and the Love that could've been it's all above me too like a rose growing and blossoming with all the melting grace of a Holy girl oh Yes I say and state as clear again so rapturously like a living poem and as I leave everyone and leave this illusion I can sigh and pause and oh my goodness it's all spinning and apart and transcendent like the first Clouds and Grace above a monochromatic world--a speck--Nothing in its embrace--I stop, gaze with the recollection of every gesture of love and love's death in my life--I'm somewhere, everywhere, from the cosmos to the sea--and the ****** comes before me--Marie, Marie--and I burst and split like dust--she speaks to me. She listens, she hears, the only thing, milky, porcelain eyes and skin like nothing else--I ask her where I am. She opens her mouth, bestridden and humbled like a shadow or a monument. Glowing like birth, she told me--solemn, silent, fuzzy--she told me that I'm dying. "Life is slipping--all of you, your raw hands, your face, your memory--everything is slipping, gently. You're being erased from the world, experienced, dismaying--you're far from it."

I asked, "Where?"

She stared, bled, disappeared into thin air and continued, "I always get lost, thinking or looking into the sea or sky. Infinite, lovely. It never ends. Never, ever ends. I look at it and cannot help but forget about every bit of land, forget any shore, stone, or war, or the clearest whisper--because it fades away from me, so clearly, and I can't help but stare down the endless waves and curls, because they go on forever. They're everything. They're all mist and unbearable, simple and Everything--I think you're at the end of Everything."

My last Beauty.
Aa Harvey Sep 2018
SCARED


SCARED of losing your place, SCARED of being pushed back.
SCARED of missing the bus, SCARED of getting the sack.
SCARED of your colleagues, SCARED of your boss.
SCARED of being late again, SCARED of losing your job.


SCARED of feeling the fool, SCARED of being a joke.
SCARED of being a loser, SCARED of what you just smoked.
SCARED of what was in it, SCARED of what you were given.
SCARED of what they gave you, SCARED of no longer living.


SCARED of not knowing;
SCARED of knowing too much.
SCARED of commitment;
SCARED of being able to trust.


SCARED of a horror movie, SCARED of spiders.
SCARED of not being beautiful, SCARED of what's inside us.
SCARED of being thought ugly, SCARED of being thought plain.
SCARED of being thought stupid, SCARED of trusting your brain.


SCARED of telling her, SCARED of her knowing.
SCARED of your feelings, SCARED of them showing.
SCARED of pain, SCARED of hurt.
SCARED of her, dishing the dirt.


SCARED of showing emotion, SCARED of crying.
SCARED of showing weakness, SCARED of dying.
SCARED of losing a pet, SCARED of losing a child.
SCARED of losing a loved one, SCARED of being too wild.
SCARED of the consequences, SCARED of what you might do.
SCARED of who you may harm, SCARED of them harming you.


SCARED of being a father, SCARED of being a mother.
SCARED of being cheated on, by your lover.


SCARED of being threatened, SCARED of being hit.
SCARED of pressing charges, SCARED no-one gives a ****.
SCARED of their reaction, SCARED of what they may do.
SCARED of them? Or SCARED of you?
SCARED of forgetting, SCARED of a lie.
SCARED of the judge, not being on your side.
SCARED of accusations, SCARED of being called a liar.
SCARED of them not being punished;
SCARED of getting any higher.


SCARED of being too happy, SCARED of always being sad.
SCARED of being optimistic, SCARED of feeling so bad.
SCARED of depression, SCARED of sadness.
SCARED of joy, SCARED of happiness.
SCARED of being so happy, you feel you can fly.
SCARED of losing your wings, SCARED of falling from the sky.
SCARED of being another Icarus,
SCARED of being another Moses.
SCARED of lying in a coffin, covered with roses.
SCARED of lying in the ground, SCARED of being buried alive.
SCARED to be like the stories, too SCARED to try.


SCARED of not being strong, SCARED of not being right.
SCARED of being proven wrong, SCARED of losing the fight.


SCARED of getting it wrong, SCARED of failing the exam.
SCARED of not getting in the army, SCARED of failing uncle Sam.
SCARED of being stabbed, SCARED of being shot.
SCARED of them taking, all that you've got.
SCARED of being held prisoner, SCARED of torture.
SCARED of dying in a war, SCARED of losing your only daughter.
SCARED of losing a sibling, SCARED of losing a friend.
SCARED of your parents, SCARED of them meeting their end.


SCARED of living forever, SCARED to death.
SCARED of the end, SCARED of taking your last breath.


SCARED of being a memory, SCARED of being forgot.
SCARED of nobody caring, SCARED of losing all you've got.
SCARED of losing your memory, SCARED of getting old.
SCARED of alzheimer’s, SCARED of being put in a home.


SCARED of being buried, SCARED of no one knowing your name.
SCARED of your wife dying, SCARED you'll forget her name.
SCARED of nobody being there, when you finally die.
SCARED of being cremated, SCARED of being burnt alive.
SCARED of being dissected, SCARED of being cut up.
SCARED of necrophilia, SCARED of that wooden box.


SCARED of being a fable, SCARED of being a myth.
SCARED of just being a story, SCARED you didn't exist.
SCARED of being made up, SCARED of not really being here.
SCARED of what you've been told;
SCARED of what you didn't hear.


SCARED of facing God, SCARED of having no answers.
SCARED of going to Hell, SCARED of having no more chances.



(C)2005 Aa Harvey. All Rights Reserved.
Kenna Aug 2012
Lights flash.
Glowsticks twirl.
rip   snap   glow
rip snap glow
ripssnapglow
ripsnapglow
rispnapskgoa
thelkaljth
the words blend
the sounds smear
the colors undulate
and suddenly
i heave
i hurl
i ****
i puke
my stomach caves
my body shivers
my brow sweats
my knees quiver
i lurch to the ground
splashing in my warm milky surprise.
and expectedly
i puke
i ****
i hurl
i heave
the world twists
the technicolor dream-coat of Donny Osmond happiness swells.
it rips
it pulls
it tears
it *****
and I'm a hostage to its psychedelic screams.
Faces twist into positions they aren't meant to hold.
gasps wheeze into my pores, burrowing like soft, comforting mole rats into my being.
I'm dissected.
Tye Dye Dreams is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Save me, so sweetly,
with your expert advice
on how to live someone else's life.

Advice is 𝑛𝑜𝑡 opinion.
It should be dissected, examined—
an understanding of 𝑚𝑦 situation.

Put yourself in my 𝑚𝑖𝑛𝑑,
not just in my shoes.
Tell me what I’ve forgotten,
𝑟𝑒𝑚𝑖𝑛𝑑 me—don’t remake me.

Open my eyes to 𝑚𝑦 goal, not yours.
Tell me how to achieve—
𝑛𝑜𝑡 what you believe.

Otherwise, don’t be surprised
when I seem not to listen.

I do.

I 𝑎𝑙𝑤𝑎𝑦𝑠 do.

But only the good advice
will be used.

Still, I should be thankful
for how kindly you’ve killed me.

And now,
what an honor—
for you to save me, so sweetly.
**** Me Kindly Pt. 2
The First Voice

HE trilled a carol fresh and free,
He laughed aloud for very glee:
There came a breeze from off the sea:

It passed athwart the glooming flat -
It fanned his forehead as he sat -
It lightly bore away his hat,

All to the feet of one who stood
Like maid enchanted in a wood,
Frowning as darkly as she could.

With huge umbrella, lank and brown,
Unerringly she pinned it down,
Right through the centre of the crown.

Then, with an aspect cold and grim,
Regardless of its battered rim,
She took it up and gave it him.

A while like one in dreams he stood,
Then faltered forth his gratitude
In words just short of being rude:

For it had lost its shape and shine,
And it had cost him four-and-nine,
And he was going out to dine.

"To dine!" she sneered in acid tone.
"To bend thy being to a bone
Clothed in a radiance not its own!"

The tear-drop trickled to his chin:
There was a meaning in her grin
That made him feel on fire within.

"Term it not 'radiance,'" said he:
"'Tis solid nutriment to me.
Dinner is Dinner: Tea is Tea."

And she "Yea so? Yet wherefore cease?
Let thy scant knowledge find increase.
Say 'Men are Men, and Geese are Geese.'"

He moaned: he knew not what to say.
The thought "That I could get away!"
Strove with the thought "But I must stay.

"To dine!" she shrieked in dragon-wrath.
"To swallow wines all foam and froth!
To simper at a table-cloth!

"Say, can thy noble spirit stoop
To join the gormandising troup
Who find a solace in the soup?

"Canst thou desire or pie or puff?
Thy well-bred manners were enough,
Without such gross material stuff."

"Yet well-bred men," he faintly said,
"Are not willing to be fed:
Nor are they well without the bread."

Her visage scorched him ere she spoke:
"There are," she said, "a kind of folk
Who have no horror of a joke.

"Such wretches live: they take their share
Of common earth and common air:
We come across them here and there:

"We grant them - there is no escape -
A sort of semi-human shape
Suggestive of the man-like Ape."

"In all such theories," said he,
"One fixed exception there must be.
That is, the Present Company."

Baffled, she gave a wolfish bark:
He, aiming blindly in the dark,
With random shaft had pierced the mark.

She felt that her defeat was plain,
Yet madly strove with might and main
To get the upper hand again.

Fixing her eyes upon the beach,
As though unconscious of his speech,
She said "Each gives to more than each."

He could not answer yea or nay:
He faltered "Gifts may pass away."
Yet knew not what he meant to say.

"If that be so," she straight replied,
"Each heart with each doth coincide.
What boots it? For the world is wide."

"The world is but a Thought," said he:
"The vast unfathomable sea
Is but a Notion - unto me."

And darkly fell her answer dread
Upon his unresisting head,
Like half a hundredweight of lead.

"The Good and Great must ever shun
That reckless and abandoned one
Who stoops to perpetrate a pun.

"The man that smokes - that reads the TIMES -
That goes to Christmas Pantomimes -
Is capable of ANY crimes!"

He felt it was his turn to speak,
And, with a shamed and crimson cheek,
Moaned "This is harder than Bezique!"

But when she asked him "Wherefore so?"
He felt his very whiskers glow,
And frankly owned "I do not know."

While, like broad waves of golden grain,
Or sunlit hues on cloistered pane,
His colour came and went again.

Pitying his obvious distress,
Yet with a tinge of bitterness,
She said "The More exceeds the Less."

"A truth of such undoubted weight,"
He urged, "and so extreme in date,
It were superfluous to state."

Roused into sudden passion, she
In tone of cold malignity:
"To others, yea: but not to thee."

But when she saw him quail and quake,
And when he urged "For pity's sake!"
Once more in gentle tones she spake.

"Thought in the mind doth still abide
That is by Intellect supplied,
And within that Idea doth hide:

"And he, that yearns the truth to know,
Still further inwardly may go,
And find Idea from Notion flow:

"And thus the chain, that sages sought,
Is to a glorious circle wrought,
For Notion hath its source in Thought."

So passed they on with even pace:
Yet gradually one might trace
A shadow growing on his face.

The Second Voice

THEY walked beside the wave-worn beach;
Her tongue was very apt to teach,
And now and then he did beseech

She would abate her dulcet tone,
Because the talk was all her own,
And he was dull as any drone.

She urged "No cheese is made of chalk":
And ceaseless flowed her dreary talk,
Tuned to the footfall of a walk.

Her voice was very full and rich,
And, when at length she asked him "Which?"
It mounted to its highest pitch.

He a bewildered answer gave,
Drowned in the sullen moaning wave,
Lost in the echoes of the cave.

He answered her he knew not what:
Like shaft from bow at random shot,
He spoke, but she regarded not.

She waited not for his reply,
But with a downward leaden eye
Went on as if he were not by

Sound argument and grave defence,
Strange questions raised on "Why?" and "Whence?"
And wildly tangled evidence.

When he, with racked and whirling brain,
Feebly implored her to explain,
She simply said it all again.

Wrenched with an agony intense,
He spake, neglecting Sound and Sense,
And careless of all consequence:

"Mind - I believe - is Essence - Ent -
Abstract - that is - an Accident -
Which we - that is to say - I meant - "

When, with quick breath and cheeks all flushed,
At length his speech was somewhat hushed,
She looked at him, and he was crushed.

It needed not her calm reply:
She fixed him with a stony eye,
And he could neither fight nor fly.

While she dissected, word by word,
His speech, half guessed at and half heard,
As might a cat a little bird.

Then, having wholly overthrown
His views, and stripped them to the bone,
Proceeded to unfold her own.

"Shall Man be Man? And shall he miss
Of other thoughts no thought but this,
Harmonious dews of sober bliss?

"What boots it? Shall his fevered eye
Through towering nothingness descry
The grisly phantom hurry by?

"And hear dumb shrieks that fill the air;
See mouths that gape, and eyes that stare
And redden in the dusky glare?

"The meadows breathing amber light,
The darkness toppling from the height,
The feathery train of granite Night?

"Shall he, grown gray among his peers,
Through the thick curtain of his tears
Catch glimpses of his earlier years,

"And hear the sounds he knew of yore,
Old shufflings on the sanded floor,
Old knuckles tapping at the door?

"Yet still before him as he flies
One pallid form shall ever rise,
And, bodying forth in glassy eyes

"The vision of a vanished good,
Low peering through the tangled wood,
Shall freeze the current of his blood."

Still from each fact, with skill uncouth
And savage rapture, like a tooth
She wrenched some slow reluctant truth.

Till, like a silent water-mill,
When summer suns have dried the rill,
She reached a full stop, and was still.

Dead calm succeeded to the fuss,
As when the loaded omnibus
Has reached the railway terminus:

When, for the tumult of the street,
Is heard the engine's stifled beat,
The velvet tread of porters' feet.

With glance that ever sought the ground,
She moved her lips without a sound,
And every now and then she frowned.

He gazed upon the sleeping sea,
And joyed in its tranquillity,
And in that silence dead, but she

To muse a little space did seem,
Then, like the echo of a dream,
Harked back upon her threadbare theme.

Still an attentive ear he lent
But could not fathom what she meant:
She was not deep, nor eloquent.

He marked the ripple on the sand:
The even swaying of her hand
Was all that he could understand.

He saw in dreams a drawing-room,
Where thirteen wretches sat in gloom,
Waiting - he thought he knew for whom:

He saw them drooping here and there,
Each feebly huddled on a chair,
In attitudes of blank despair:

Oysters were not more mute than they,
For all their brains were pumped away,
And they had nothing more to say -

Save one, who groaned "Three hours are gone!"
Who shrieked "We'll wait no longer, John!
Tell them to set the dinner on!"

The vision passed: the ghosts were fled:
He saw once more that woman dread:
He heard once more the words she said.

He left her, and he turned aside:
He sat and watched the coming tide
Across the shores so newly dried.

He wondered at the waters clear,
The breeze that whispered in his ear,
The billows heaving far and near,

And why he had so long preferred
To hang upon her every word:
"In truth," he said, "it was absurd."

The Third Voice

NOT long this transport held its place:
Within a little moment's space
Quick tears were raining down his face

His heart stood still, aghast with fear;
A wordless voice, nor far nor near,
He seemed to hear and not to hear.

"Tears kindle not the doubtful spark.
If so, why not? Of this remark
The bearings are profoundly dark."

"Her speech," he said, "hath caused this pain.
Easier I count it to explain
The jargon of the howling main,

"Or, stretched beside some babbling brook,
To con, with inexpressive look,
An unintelligible book."

Low spake the voice within his head,
In words imagined more than said,
Soundless as ghost's intended tread:

"If thou art duller than before,
Why quittedst thou the voice of lore?
Why not endure, expecting more?"

"Rather than that," he groaned aghast,
"I'd writhe in depths of cavern vast,
Some loathly vampire's rich repast."

"'Twere hard," it answered, "themes immense
To coop within the narrow fence
That rings THY scant intelligence."

"Not so," he urged, "nor once alone:
But there was something in her tone
That chilled me to the very bone.

"Her style was anything but clear,
And most unpleasantly severe;
Her epithets were very queer.

"And yet, so grand were her replies,
I could not choose but deem her wise;
I did not dare to criticise;

"Nor did I leave her, till she went
So deep in tangled argument
That all my powers of thought were spent."

A little whisper inly slid,
"Yet truth is truth: you know you did."
A little wink beneath the lid.

And, sickened with excess of dread,
Prone to the dust he bent his head,
And lay like one three-quarters dead

The whisper left him - like a breeze
Lost in the depths of leafy trees -
Left him by no means at his ease.

Once more he weltered in despair,
With hands, through denser-matted hair,
More tightly clenched than then they were.

When, bathed in Dawn of living red,
Majestic frowned the mountain head,
"Tell me my fault," was all he said.

When, at high Noon, the blazing sky
Scorched in his head each haggard eye,
Then keenest rose his weary cry.

And when at Eve the unpitying sun
Smiled grimly on the solemn fun,
"Alack," he sighed, "what HAVE I done?"

But saddest, darkest was the sight,
When the cold grasp of leaden Night
Dashed him to earth, and held him tight.

Tortured, unaided, and alone,
Thunders were silence to his groan,
Bagpipes sweet music to its tone:

"What? Ever thus, in dismal round,
Shall Pain and Mystery profound
Pursue me like a sleepless hound,

"With crimson-dashed and eager jaws,
Me, still in ignorance of the cause,
Unknowing what I broke of laws?"

The whisper to his ear did seem
Like echoed flow of silent stream,
Or shadow of forgotten dream,

The whisper trembling in the wind:
"Her fate with thine was intertwined,"
So spake it in his inner mind:

"Each orbed on each a baleful star:
Each proved the other's blight and bar:
Each unto each were best, most far:

"Yea, each to each was worse than foe:
Thou, a scared dullard, gibbering low,
AND SHE, AN AVALANCHE OF WOE!"
is it like a feather
is it now or never
our faces are neglected
our souls are introspective
gravity collected
space and time dissected
water is our mother
the earth is our shelter
a blessed sacred elder
lilikoi is my favorite fragrance
tastes like innocence
and you must respect her
amazing feelings to select
the headwaters call collect
protect our sacred mother
dance upon the other
call upon the winds
feel them on your skin
remove the falling stones
that cover up your bones
rest in love unknown
concentrate until it is shown
phone calls steal our happiness
accidents dent our marriages
darkness is our daughter
streaks of light and color
falling stars kept captive
we plant them in our yards
keepers of the spark
sisters of the sparrow
made of light and yarrow
feathers flicker softly
all our woven glory
givers of the heart
singers of the dark
if you wish to hear them
make yourself a part
of the symphony
lifetimes of abandonment
oh so quick to fill you in
on all the tragic stories
what if we ignored them
and stayed present in this moment
filling up our cups
simple days spent with simple eyes
kindness supplies our alibis
respect is valued
like a stream in our hearts
we are dipped clean
threads of beauty
borrowed from the scarecrow
next lifetime you’ll become
another source of hope
ports of pleasure in our seas
forever we are feeling these
hopeless ropes tying up our antidotes
confounded sounds mounds of hope
stereoscopes and isotopes
poets freely speak
seek islands of wisdom
on stormy seas of chatter
Steve D'Beard Jul 2014
Silence. Solvent. Substituted;
subsidised
then marginalised
instituted and muted.
And, often
persecuted.

Rationanalised
by abstraction:
every minuscule
interaction dissected.
All that is left is convoluted,
misconstrued
and rejected.

The lucid bewildered.
The disillusioned bejeweled:
rooted in their state of mind.

Effortlessly self-proclaiming
restraining
and refraining
purging the imagination:
the waning of maligned mankind.

And all of his
illuminated limitations.
Andrew M Bell Feb 2015
Once I looked to the Bard for words profound;
ageless, his wisdom ran unabated.
Yet Hamlet is now ideologically unsound,
“the slings and arrows” historically Iocated.
I wept for the creature of Frankenstein,
spurned by his master, forced to roam the Earth.
But I’d been subjectively positioned in a paradigm
by Mary’s anxiety about childbirth.
I read Balzac, Hardy and Henry James
describing “worlds” which seemed quite sensible.
Now Eagleton’s exposed their bourgeois games
I find them morally reprehensible.
I dreamt of being Robinson Crusoe
or proud, fierce Hawkeye in his buckskins dressed,
but Fenimore and Defoe have to go,
they’re culturally encoded and empirically obsessed.
Inspired by Guinness, did James Joyce sit down
to see what magic flowed when he was ******?
The stream of Ulysses floats Bloom-about-town
dreamthinkingnever : “I’mamodernist”.

I’d gladly give Woolf a Room of Her Own
and be one of the boys with Hemingway,
but sensitive guys leave their bulls alone
say de Beauvoir and Luce Irigaray.
No more fun with Wordsworth being daffodilly,
no simple pleasure reading Mickey Mouse;
Steamboat Willie can’t help but look silly
dissected by Foucault and Levi-Strauss.
The Bible shows intertextuality
says the two Jacques, Lacan and Derrida.
Judas, a construct of bisexuality?
The **** fixations of Herod are?

It’s got so bad I deconstruct a holiday brochure.
I can’t even **** without Roland Barthes and Ferdinand de Saussure.
Copyright Andrew M. Bell.
Kash Jan 2018
I am under the microscope
I put myself here
I didn't know
How far it would go
Years in, and I am slowly dissected
Habits up for scrutiny
Emotions analyzed
Demeanor reviewed
Constantly screened
For any hint of disorder
Perhaps I am lucky
That help is at my finger tips
But it feels like a curse
When sickness is your soul
And it lives on through treatment
Through love
Through the microscope
LA Hall Nov 2013
America on a map!
Imagine the northeast corner.
I am in Vermont riding the Amtrak southbound. It's raining.
The clattering of wheels tearing through rusty iron tracks.
Forehead against the cold window's glass,
I hear a steam whistle.
I look out the window: grey, drizzling.
We roll,
past the barbed-wire fences that crown the prison fence,
past great, soggy fields littered with old tractors, and misty mountains far behind,
past brown silos that rise up, thick and crowned with silver heads,
past a deer leaping through a rainy field,
past a propane company--five great, white propane tanks,
past a marsh, harpooned by a telephone pole--a sparrow jumps off the wire,
a cemetery on a green hill,
little brick towns,
the Interstate--rainbow colored tipi in a field behind,
past a great, charcoal cliff, hard with sharp creases like a crumpled piece of black construction
        paper buried,
past a Sunoco station--green dumpster in the parking lot,
into a thick wood--past the cold rocks,
past brown leaves poking through the dusting on forest floor,
past all the pines, which have dandruff,
past twiggy sapling branches, only leaves withered and curled like dried jalapenos,
over a bridge--the great, cold river, wide and glassy--islands of ice and snow--the riverbank dirt is
        hard.
The bell dings thrice.
The train begins to slow.
It stops, jerks me back in my seat.
The steam whistle blows.
I look out the window.

Concrete platform, dark red station & roof,
a crowd of boys and girls, standing with perfect posture in sharp blue uniforms, hats adorned with
        golden crests,
they march on the train
and fill up the seats
of The Great Metal Snake: hollow and in it people sit,
The Great Metal Snake: slithering down the state,
It will leave me in a small city soon,
at an overcast station,
and slither down to D.C.,
and slither back, with the oily clatter of spinning iron wheels . . .
We took the snakes,
out of of our nightmares,
slimy green sliding through cupped hands to jump and bite your cheek, hanging like a lanyard,
or sliding through the sweat of jungle-floors waiting to bite ankles,
or coiled in redbarns, on piles of hay with spiders dropping down cold open windows in front of
        full moon,
full moon: silver train wheel.
I hear the steam whistle.

We took the snakes,
out of our nightmares,
dissected them with scalpals,
nodded and walked to the drawing board then built.
Decades later, the unveiling:
The platform crowd leans over the tracks and looks,
the bell dings thrice,
the steam whistle hisses,
the engine is coughing,
wheels are chugging--
around the corner He came,
with great, clear eyes like glasses:
black, iron Anaconda of Industry.
His brothers are barreling
From New York to Sacramento,
Siberia to Stalingrad,
Italy to France,
under the English channel,
down Africa.
From Burlington to Brattleboro--
barreling down the state--
I am riding His brother home.
INFINITEabyss Aug 2015
31 days, its been 31 days and i've been dazed, you've dizzied me
I spoke to God on day 30 while you lay asleep and I held you for what felt like it was the last time
It cut and healed all at once.
As I held you and spoke to a God I know you don't believe in I said,
God you astonish me for making a being so instantly resplendent who when dissected still is flowering on the inside      
You are spring,
And as spring goes else where Robert Graves' 'I will write' sits in me and I have tears stuck in my throat
I let them stay and know this has been beautiful                  
You are spring, you are flowering inside and I am jealous of all that will experience your constitution
   But you have taught me your philosophy, painted me with your utilitarianism
So I won't pluck the flowers and pray all who revel in your immensity water you
I dissected your poetry,
  read between the lines
    different than mine,
perhaps our sentiments
  don't exactly jive
 nor rhyme in their profundity,
dissimilar perspectives
   in verbosity's distinction
    as fantasies are vastly unique,
our dichotomy mutually exclusive
yet, we bleed the same colors
   as our spaces blur into each other
alex Sep 2018
my mother may not be perfect
but she is brave.
my best friend may not be perfect
but she is brave.
the ones who flinch away from touch may not be perfect
but they are brave.
they are brave without being questioned
in front of millions
they are brave without having their stories torn apart
and dug up
and denied
and perhaps even believed but still pushed aside
so as not to ruin the life
of the man who ruined theirs.
they are brave without an audience.

imagine how brave she must be
to relive her trauma
in every single question and torment and threat
plastered on television screens
and dissected by men who think
their careers carry more weight
than the abuse they have all inflicted before.

dr. ford is brave
and then some.
**** brett kavanaugh. i stand with dr. ford.
Sam Jan 2016
People, places and things
have become things we collect
things replace people
and it has the wrong effect
things, places, things
has the wrong ring
- its clearly incorrect -
people aren't objects despite our dialect
nor merely nouns now to be subject
at least I object
we're both Proper and imperfect
both Collective and dissected
both Abstracted and connected
More than nouns we are the now
thats what I think anyhow

— The End —