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DJ Thomas May 2010
Hi, below I copy a humorous hiabun, which I shared as an exercise to mentor enquiring and inspired poets to learn, so they might adopt and try different techniques and then give critique together with awesome comments... Yes, I used the words ***, ****** and **** for context the rest was left to an individual imagination as in good poetry!

It included reflective commentary encompasses innocent classification terminology used in the critique, reading, examining, appreciating, understanding and writing of poetry for example: POETIC DEVICES (enjambement, duality, keriji, images, collocation, semantic, oxymoron, repetition, listing etc.), STORY (personification, characterisation, subject, context, voice etc.), IMAGERY (synaesthesia), STRUCTURE ( lineation, breaks, syntactic etc.), SOUNDS (syllables, rhyme, alliteration, pace, musicality, phrasing, beat, assonance, onomatopoeia, mouthed rhythms, patterned) and WORDS (preposition, determiner, verbs, adverbs, lexical, nouns, adjectives) used by poets, critics and academics...

And here it is :

****** tongue-in-cheek haibun - a reflective commentary on writing a popular tanka

Eye lashes flicker
a shared urgent interest
parting - dancing smile


My first inspiration was ***, passionate life squeezing screaming ***, the thumping wall musicality of ***, exhaustingly inventive sweaty and wet.

I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.  

Arousing images captured her moaning splashing loneliness in unusual collocation.

I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.  

I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown.

So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality!


Exhausted shivers
in windowed naked currents
unfolding sinking
then surfing vital wavelets
drowning screams - pleasures wet bite




copyright©[email protected] 2010
‘I am…’ 'Or am I’? Who can say?
‘A posteriori’ leads the way
For the extra and the ordinary
Axiomatic sway,
In the gravity of corollary,
‘A priori’ interplay
Ataraxic overlay of anxious automation,
As the innocence of dissonance delay.
Practicing semantic contemplation,
In willfully prevenient interpolation,
Civilly disobedient in expediently seeming disarray,
Forecasts in vague extrapolation
Contrasts the millennial contagion
Already underway,
Filling nihilistic voids with particles in waves,
To interpret dreams of Freud to free Oedipus’s slaves,
A degreeless scholastic who never misbehaves,
Simulated humanoid dramatic in the affect that he craves,
Inflating linguistics in acrobatic raves,
A thespian who plans conation with legacy engraves.
The probabilistic determiner of cosmogenous debates,
An apperceived inquirer of qualitative states,
Inspiring proprietor of dismality abates.
Challenging aporia as epistemic oscillates,
Stoically, heroically, ‘one’ who amalgamates,
Circling the infinite in hermeneutic calibrates.
An escaped prisoner from depressive disillusion,
Of an introspective extrovert who finds solace in confusion,
The personable recluse fighting an illusion
Breaking down the nuances of every institution.
Calculating consequence as time goes to infinity
Revolutionary commonsense of principal utility,
An opinionated adversary,
to the realist without evidence,
Theorizing in futility,
Stipulating every sense leading to the virility of the pretense that dominates community.
Divergently converging all the efforts we’ve personified,
Inadvertently submerging old traditions that unethically were codified,
Hastening the urgency for purging that which cannot be modified through the merging of the certainty that will no longer coincide,
Stationing the levies to finally stem the tide,
Of periodic enmities disguised to be necessities so blatantly deified.
Observing moral sentiments, perched upon eternity,
As consequential regiments are expounded universally,
To unstratify the residents indiscriminately
And identify quantum elements spiritualistically,
Changing collective behavior individually,
Socializing constructs in joint ventured logo therapy.
This is an edited, expanded, expounded, confounded, reverberation of Linguistic Illusions to Probable Solutions written months back.
DJ Thomas Aug 2010
My first inspiration was ***
passionate life squeezing screaming ***
the thumping wall musicality of ***
exhaustingly inventive sweaty and wet

I wanted to make it a senryu
but for duality the female characterisation
demanded two more lines
each extending to seven syllables

Arousing images captured her moaning
splashing loneliness in unusual collocation

I was first excited by the placement
of a hovering extended enjambement
to give life to my final line
whilst also considering the satisfaction
in using noisy mouthed rhythms

I believe I easily hid the wet aroused context
with a watery semantic field
suggesting she would choke and drown

So in my last line I had ‘pleasures’
as a cutting keriji to make clear
the dominating ****** context
having previously used
a preposition and determiner
to maintain duality*

Exhausted shivers
in windowed naked currents
unfolding sinking
then surfing vital wavelets
drowning screams - pleasures wet bite


.
copyright©[email protected] 2010
DJ Thomas May 2010
Eye lashes flicker
a shared urgent interest
parting - dancing smile

My first inspiration was ***, passionate life squeezing screaming ***, the thumping wall musicality of ***, exhaustingly inventive sweaty and wet.

I wanted to make it a senryu but for duality the female characterisation demanded two more lines each extending to seven syllables.  

Arousing images captured her moaning splashing loneliness in unusual collocation.

I was first excited by the placement of a hovering extended enjambement to give life to my final line, whilst also considering the satisfaction in using noisy mouthed rhythms.  

I believe I easily hid the wet aroused context with a watery semantic field, that suggested she would choke and drown.

So in my last line I had ‘pleasures’ as a cutting keriji to make clear the dominating ****** context, having previously used a preposition and determiner to maintain duality!



Exhausted shivers
in windowed naked currents
unfolding sinking
then surfing vital wavelets
drowning screams - pleasures wet bite


.
copyright©[email protected] 2010
Jack Jenkins May 2019
Noun, verb, adjective
Pronoun, proper noun
Determiner, exclamation
Interjection
It can do it all
Tastes like vitriol
High on the anger
     (or high on the pleasure)
Sharp as a broken stone
Fits the bill on any occasion
Censored, painted over, blotted out
Doesn't matter to me
I love the word "****"
//On words//
Hadrian Veska Mar 2017
Determinism is self-defeating

If it is true,
No one is accountable for anything.
If no one is accountable,
There are no morals.
Without morals,
There is no concept of right or wrong.
Without this concept,
We would all follow our desires.
Which according to determinism,
Are not our own choices.
If they are not our own choices,
Someone or something else made them.
But if someone or something
Determines our choices,
Who or what determines
The choices the determiner makes?

Either they make their own choices,
Which refutes determinism
Or the universe, space and time
Are infinite and cyclical.
Which they are not,
Since the universe had a beginning,
(Big bang/ creation)
And the universe will have an end.
(Heat death/ judgement day)

Whether you are religious or not,
Determinism is a fools errand.
Sleepy Sigh May 2012
And now the light of the little globed sun
Guides my waking fingers over stiff keys,
(Stiff fingers over waking keys)
Now I begin the hellos and the wonderings
Each day brings - the bottom of my head
Reminding me "Ask him about his aunt,
His toothache, her boyfriend, her
Overdue college application."

Infinitesimal checklist of maintenance.
Though I don't know what the hell I'm maintaining,
I tiredlove it and work at it and maybe
I can get my 10000 hours from a screen -
Maybe I can be perfect from a screen,
And one day I'll open the door
For a stranger and see a keyboard...

Ridiculous. Room's a mess.
Room's dark except for the sunglobe,
My sun, my determiner of days
And with a click the ordainer of nights.
Ah, it's a tiny world, I can fit it all
In the bottom of my mind when  I sleep,
But I'd never tiredleave it,

I waking/sleepinglove it,
And if you'll just shut the door again
I can be tinyperfect.
Shivpriya Apr 2019
Inside the space of
my heartbeats, lies the calmness
of my soul which helps me to
reach the octave of my
operose. Its hold-over tends
to fly with the cold winter &
turns into the colors
of monsoon.

How gladly, I fly!

I think, I'll have to do a double-take because something is protecting me from an injury to the feelings, which can tear us apart.

Shivpriya
#beautifulthingsandemotions
S Jun 2014
We really are a superficial generation, we rely on the amount of Facebook likes on our profile pictures as a determiner of how popular or pretty we are.
Today I got asked 'How many likes did you get on your profile picture?' Does it matter? My beauty is NOT and never will be indicated by the amount of likes I get. Even if I upload a picture of myself on Facebook and no one 'likes' it, what does that mean? that i'm ugly? that no one likes me?
STOP LETTING SOCIAL MEDIA DEFINE YOU.LIKES ARE NOT REAL AND MEAN NOTHING.FACEBOOK IS NOTHING.SOCIAL NETWORKS MEAN NOTHING.STOP LETTING THE INTERNET RULE YOU.BE A FREE HUMAN NOT A SLAVE TO SOCIAL MEDIA.
Ruminating epoché,
‘I am…’ ‘Or am I’? Who can say?
‘A posteriori’ leads the way
For the extra and the ordinary
Axiomatic sway
In the gravity of corollary,
‘A priori’ interplay.
Ataraxic overlay of anxious automation,
As the innocence of dissonance delay
Initiatives imperative consolidation,
Civilly disobedient in expedient disarray.
Practicing semantic contemplation,
Filling nihilistic voids with particles in waves,
Forecast in vague extrapolation,
To interpret dreams of Freud to free Oedipus’s slaves,
A degreeless scholastic who never misbehaves,
Simulated humanoid dramatic in the affect that he craves,
Inflating the linguistics of silent enclaves,
A thespian who plans conation with legacy engraves.
Probabilistic determiner of cosmogenous debates,
The Apperceived inquirer of qualitative states,
Inspiring proprietor of dismality abates.
Challenging Aporia as epistemic oscillates,
Stoically, heroically, ‘one’ who amalgamates,
Circling the infinite in hermeneutic calibrates.
Carlo C Gomez Nov 2019
Room and pillar
Let me be your guiding shaft
Atmospheric pressure
Let me be your natural draft

Atticus Finch
Let me be your inner last laugh
Cold determiner
Let me be your unsuspecting half

The sign in the window says
Closed until the light of day

Broken bone
Let me be your sling and marrow
Agitated Polaire
Let me be your tight-laced narrow

Confounded Plath
Let me be your children's tomorrow
Germ warfare
Let me be your biological sorrow

The word on the street is
Nothing's gonna change until the light of day

Open minefield
Let me be your measured step
***** mother
Let me be your usual suspect

Unwanted child
Let me be the tears when you last wept
Unwanted immigrant
Let me be the ground where you last slept

The writing on the wall signals
Critical times until the light of day

lumière du jour
Chérie
Rahama Mar 2018
I fell in love with you without realizing it
I fell in love with you without planning to
My heart was all yours and I didn’t even know it
It belonged to you but at first I didn’t show it
I couldn’t
Or I wouldn’t
I was just being a scrooge
The timing wasn’t right and we both knew it
The day I’d leave you is fast approaching
And I’m so scared
I’m hoping and praying that it’s in my head
The deadline that our different paths have set
I love you and you love me please don’t forget that
‘Cause no matter what you know it’s a fact
The last thing I want to do is break your heart
It kills me so much that I’m tearing us apart

You’d never truly know how hard this is for me
But I want you to know that you’re it for me
And I’ll keep saying it
Keep reciting it
Until you believe that you’re it for me
Until you can undoubtedly see
The sincerity in my lines
The honesty in my lies
You’re a blessing in my life

I’ll never meet someone like you
Someone incomplete that completely completes me
With no cracks found where the lines meet
Would it be weird if I asked you to marry me?
Like seriously
I don’t know how you came to mean so much to me
I want happy moments with you
Memories to remind me when I cry
That I have no regrets being with you
Standing by you
Doing the best I can do
I’d spend my years with you if fate allowed me to
But it didn’t
And I hate distance for taking you away from me

I don’t want to hold you back
I want you to do the things you need to
Without me stopping you
The one my heart belongs to
I am madly in love with you
I pray that our relationship will stay strong
But it feels like a wasted prayer
Although I’d waste as many as I can
To make sure we end up together
When distance is no longer a determiner
When our situation gets a little better

Until you leave
I’m keeping you all to myself
I’m loving you in every way I can ‘til I can’t
I’m caring more than I should ‘til I shan’t
I’m kissing you ‘til my rights expire
‘Til I can no longer call you mine
I pray it gets better for you with time
Not just this but everything
I want you to be happy
To smile more
To cachinnate often
I pray that all that darkness
Is replaced with light even after I leave
I hope you find someone incomplete that completely completes you
That loves you
More than I ever could
‘Cause you deserve it and more
You deserve the world
Mi amor.
I wrote this when I was going through a rough break-up with my boyfriend. He was going away for a few months and we weren't sure we could work the long distance stuff. It was a bad time for us both.
Joe Jr Mar 2017
Ruminating epoché,
‘I am…’ ‘Or am I’? Who can say?
‘A posteriori’ leads the way
For the extra and the ordinary
Axiomatic sway
In the gravity of corollary,
‘A priori’ interplay.
Ataraxic overlay of anxious automation,
As the innocence of dissonance delay
Initiatives imperative consolidation,
Civilly disobedient in expedient disarray.
Practicing semantic contemplation,
Filling nihilistic voids with particles in waves,
Forecast in vague extrapolation,
To interpret dreams of Freud to free Oedipus’s slaves,
A degreeless scholastic who never misbehaves,
Simulated humanoid dramatic in the affect that he craves,
Inflating the linguistics of silent enclaves,
A thespian who plans conation with legacy engraves.
Probabilistic determiner of cosmogenous debates,
The Apperceived inquirer of qualitative states,
Inspiring proprietor of dismality abates.
Challenging aporia as epistemic oscillates,
Stoically, heroically, ‘one’ who amalgamates,
Circling the infinite in hermeneutic calibrates.
Carlo C Gomez Feb 2020
Keeper of time
Has lost his mind.
He no longer ticks.
He sighs.
He questions.
He swears a little.
Does he know who he is?
Not precisely.
I tell him he's a law, a sage, a determiner.
He's even the reason
I get up in the morning.
He says he'll get back to me.
When? I ask.
Ah, there's the rub...
Olivia Still Nov 2014
I have chosen what I think
Will be the right course of action.
Then again,
I didn’t really choose it.

So before I wrote of an other,
And he has chosen his path, so it seems.
He hasn’t actually confronted me.
But females do have this sense
Of where something should end,
Whether or not we choose to listen to
The little man inside our brains.

This little man
Will eventually be quieted
Which scares us even more.

The trouble is sometimes the little man only whispers
In our ears and so it is easy to miss,
Or hallucinate.

I cannot tell what is happening with my little man.
He speaks of grandeur and ruin,
But which he cannot predict.
Of which I cannot predict,
Because the little man is me,
And I am the determiner
Of my actions.

The only thing I seem to be sure of
Is that I know what I want,
But not what is real.
Am I imagining chemistry
With the one person who takes me for who I am
And doesn’t try to change or shape me into a certain kind of mold?

But then again have I been molded
By life and experience
Into a new person that is not confident,
But arrogant?

I expect boys to fall at my feet,
Like I am a ******* goddess of some sort,
But that’s not who I actually am.
He calls my bluff,
But he still thinks I deserve good,
Just not a God.
I don’t think he considers himself a God.
But also I don’t think he considers me
As his romantic love.
Just a love-stricken,
Love-obsessive
Girl.
So funny to look back at old poems and see how things that I wrote about turned out in actuality....
Staci Romero Apr 2016
more than just a fork in a road
more like a spreading of clouds

at a distance, they feel as if their lazily drifting from destination to destination
a sudden jolt though, and your with them
soaring high and finding that
they too are going hundreds of miles an hour

their peace, at a distance, was only because you weren't experiencing it as vividly or as up close

i feel this way now
at a distance
because not only am i now in the middle of the clouds, i have journeyed so long with them, i have become one

what i once said "some day" to, i now say "today"
what i once said would never happen, is happening
the surreal feeling of having become one with what was once distant and now distant from what was once me

i cant say i miss most of it
but i do miss my innocence
the freedom is welcomed

but what is what anymore

what is being a cloud, i cannot say
words never to help to clarify
they only confuse more

what is what
what;
(h)wət,(h)wät/
pronoun
1.
asking for information specifying something.
"what is your name?"
2.
the thing or things that (used in specifying something).
"what we need is a commitment"
determiner
1.
asking for information specifying something.
"what time is it?"
2.
(referring to the whole of an amount) whatever.
"he had been robbed of what little money he had"
adverb
1.
to what extent?
"what does it matter?"
2.
used to indicate an estimate or approximation.
"see you, what, about four?"

and yet still, i know nothing...
Johnny Noiπ Jul 2018
Oh my darling, oh my darling
Oh my darling,     Clementine
You are lost and gone forever
  u've become the AlphaBabe,    

Clementine deep in the    cavern,   
coming out    on a hidden canyon
Excavating for a mine
she'd discovered a subterranean jungle
Paradise & decided there & then [sub·ter·ra·ne·an
to return:  ˌsəbtəˈrānēən/adjective:   subterranean
existing, occurring, or done under
                        nnnn the earth's surface.
secret; concealed.
"the subterranean world of the
behind-the-scenes television              power brokers"
Origin

early 17th century:            from Latin subterraneus
(from sub- ‘below’ + terra ‘earth’) + -an.

   to return to stay; [   -an
suffix
suffix: -an
1.
forming adjectives and nouns, especially from:
names of places.
"Ohioan"
names of systems.
"Anglican"
names of zoological classes or orders.
"crustacean"
names of founders or leaders when referring to them as sources.
"Chomskyan"
2.
CHEMISTRY:         forming names of organic compounds,
                                 chiefly polysaccharides.
"dextran"nn             Origin:             based on Latin -(i)****,
     -aeus, adjectival endings.            an
an,ən/determiner
                            determiner: an
    the form of the indefinite article
               (see a) used before words
       beginning with a vowel sound.
an-1        .                        prefix: an-
variant spelling of a-1 before a vowel
                    (as in anemia, anechoic ).
Origin:         Origin
from the       Greek.
an-2
prefix
prefix: an-
variant spelling of ad- assimilated
                                   before n (as in annihilate, annotate ).
an-3             prefix: an-                    variant spelling of ana-
        shortened before a vowel                 (as in aneurysm ).
a
ā,ə/determiner: an
1.                                    used when referring to someone
    or something for the first time
             in a text or conversation.
"a man came out of the room"
used with units of measurement (                      ) to mean one such unit.
                                 "a hundred"
one single; any.
"I simply haven't a thing to wear"
used when mentioning the name
of someone not known to the speaker.
"a Mr. Smith telephoned"
someone like (the name specified).
"you're no better than ******"
2.               used to indicate membership
                 of a class of people or things.
"he is a lawyer"
3.
used when expressing              rates or ratios; in, to, or for each; per.
"typing 120 words a minute"
                                 Origin
           Middle English: weak form of ān ‘one.’
a-1               prefix: an-
not; without.
"atheistic"          Origin          from Greek.
ana-              prefix: an-
1.        up.
                    "anabasis"
2.     back.
                 "anamnesis"
3.                again.                "anabiosis"
Origin:                from Greek ana ‘up.’ [                   ]Dwelt a miner,
49er     And his daughter,  Clementine

Oh my darling, oh my darling
Oh my darling,     Clementine
      You have gone & become
         AlphaBabe forevermore
               Darling, Clementine

Light she was like a fairy
And her wrinkled soles      
              were size  nine
Herring bone corset,         dancing    
         *******;
Birkenstock s         on  her big feet

Oh my darling,    oh my darling
Oh my darling,        Clementine
You have gone & become an [        ]         AlphaBabe-
             forevermore;
Darling, Clementine

   Drove she the Ugly ducklings to
        the water
Ev'ry morning            just at nine
Hit her        foot against a rock &
accidentally Baptized Herself in (           ) the foaming brine;

Oh my darling, oh my darling
Oh my darling,     Clementine
       You are gone & become the AlphaBabe
           forevermore;
Don't pity me,      Clementine;

lips painted Ruby Red                   outside the roadhouse
Blowing  pink                                bubbles popping her gum,  
                           soft and fine
But, alas,           I was no *******
So I lost my Clementine
:|
Oh my darling, oh my darling
Oh my darling, Clementine
You are lost and gone forever
Dreadful sorry, Clementine

How I miss her! How I miss her!
How I missed     my Clementine
But I *****           her little sister
I&            forgot my Clementine

Oh my darling, oh my darling
Oh my darling,     Clementine
You are lost and gone forever
To become    the AlphaBabe:  
                         Clementine
Everything in reverse,
Everything that's not me,
The source of frightening,
The place absorbing my daily death
Until death is my only existence.

Today I'm not outside,
I'm just things within a skin,
A placeholder of DNA,
In the limits of logic, knowledge and
Some sort of physics.

The medium of all encounters,
The existence of existences,
Producer of consequences,
Determiner of behaviors,
Limiter of freewill,
A cat over my belly.

A former of images for my eyes,
Flavoring for my tongue,
Stimuli for the whole me:
That's the outside inside.

The hardness to make me hard;
The world so I could not be alone;
The time whenever I have a choice to make.
The decisions not taken,
The spaces not invaded.

Outside is the living place of reality,
We're just so inside it
Our greatness get lost
That certainty that all is just the same,
Different proportions, different orientations.
Different recipes for the same ingredients.

The outside
Is nothing but another point of view
From the inside.
Understandable... the sensible
(three ringed circuitous) logic
to trumpet necessity
each individual moost heed
bedecking, cloaking donning,
ludicrous interloper ****** covering,
(I prefer sporting
latest custom made
invisible máscaras faciales),
when commingling amidst madding crowd,

nevertheless coronavirus (COVID-19)
makes laughingstock kickstarting
maniacal paranoid testing yapping
authoritarians blabber ceaselessly
bleak household pandemic
plagues (sear ring)
robust human specimen,
hence yours truly,
a feckless (gibbon) primate
breathes sigh of relief,

why? cuz he counts himself insignificant
absolute zero worth
versus microscopic prickly orb
aging long haired pencil neck geek
best beat hasty retreat
to his man cave
not necessarily avoiding microbial denizen,
yet any potential suffering
scouting out troubadour woefully
jackknifed inept hideaway

availed no choice
rolls out Harris tweed Scottish matt
courtesy minuscule germ man
greeting me with gotcha!,
I willingly surrender
the only thing at stake iz my life,
which would immediately
ebb fate (mine),
automatically buzzfeed chap
offer no chance
for symbiotic relationship

as pathogens indeed choreograph
(***** deed done dirt cheap)
loft hilly doth waft
through cellular skeins comprising
garden variety/ generic gent
herewith essentially crafting
his poetic epitaph
before onset disables,
disallows, and disvalues
one humble, intelligent, jesting

kindhearted, literate, modest
nincompoop aimlessly adrift
within Brownian movement
(**** sapiens random motions
viewed miles skyhigh)
ostentatious, piteous, querulous,
ridiculous, superfluous, et cetera,
thus forward donations
and/or pledge
(I promise you -

swear to dog
portion of me ashes)
to favorite charity
and will hoop to visit thee as repurposed
noun, verb, adjective, adverb, pronoun,
preposition, conjunction, interjection,
numeral, article, or determiner...
Qualyxian Quest Sep 2019
I turn my gaze in Your direction
Please turn Your gaze in mine
I take one step straight towards You
And suddenly I find
You take three secret steps
Inside my seeking mind
I continue walking toward You
And truly I’m amazed
You run to me with arms outstretched
The Determiner of Days
Tenderly You say to me,
“You were Born to Run always”
This poem is my adaptation of a traditional Sufi saying:

If he turns his gaze in My direction, I turn My gaze in his.  If he takes one step towards Me, I take three steps towards him.  And if he comes to Me walking, I come to him running."

— The End —