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Irma Cerrutti Mar 2010
Alice and I were fudged fruiting inside Falstaffian freakish fleur–de–lys:
She inside a quack–aztec–tattooed tank,
Me inside a pendulous magenta harness with polydactyl–perverted plumes bespattered into it.  
In the ****** **** of that kaput flophouse
We creosoted our conks all the cockatrices of the gorge–de–pigeon,
Inside crotches, Jacuzzis and homocentric Action Men.  
Alice, with the pornographic bend sinisters in the teeth of her poltergeistish fajita crocodile,
Smacked of the plug–ugly poofter of a south–south–west by south sackful sandbank.  
I cemented the jaundiced dangler of an ostrich to my *****.  
With that and my uncut fiddlestick of knobs
I was the idiosyncratic and wholehogging sadomasochistic slapper!

We banged the bush streaming proboscis in tentacle
Through smorgasbords of hermaphrodites and high muck–a–mucks
While Ravi Shankar’s idioglossias and cockchafers juddered our titbits.  
Our Moonies were classically cracked flabelliform by the time we disinterred them.  
Alice managed to fornicate incognito white elephant on behalf of myself
And we were passionately on the back of the dingdong, naked as our Moonies.

We kept one’s pecker up wrapped up in the shadowgraph
Athwart ever-strangling girdles of formaldehyde, ozone, fomenter and widow’s weeds,
Athwart polytetrafluoroethylene–pricked precipices and then down to the butts
Where we both came to a sticky end on our jockstraps and leered at the ballet dancers
That we then penetrated rhythmically by elongating tumescent our gang banging tentacles.  
Through comfortable French knickers I burped, “Thank you for ****** me everywhere, Alice”.  
In the soporific honeypotspunk, aped on the ooze,
I could smell that her **** had made her ******* type soap flakes break the sound barrier,
Splashing out a ***** whale seed skirting her jowls.  
“You’re fragrant, flypaper”, she rapped.

The Government gabble that little green men who hammer out the sexagenarians weren’t on board.  
Inside spleen of the spliffs, inside spleen of my gangrenous Pollyanna, I will over one’s dead body evacuate.  
I will over one’s dead body evacuate.
Copyright © Irma Cerrutti 2009
I. We have waited long enough.
There have been three opening acts,
All with various cats in possession of various tongues:
The cross-eyed Siamese, the blind Manx,
The one-eyed Persian,the Blue Forked Wonder,
The Antipodean Papilla Monster,the Twisted Golden
*** Licker,and the lynch mob's Dogwood Dangler.
Yet somehow they have all rolled into one,
A stale tumbleweed of hush.
We're all nervous as ghost town cliches accumulate...
Then she arrives...
The stagehands grab axes and hack the piano
Into kindling ...anticipating the glacier to come.

II. Her silence is best expressed by a necklace of ears,
(An heirloom from her father's failed jungle years),
That she wears along with diamonds
Atop her green-veined cleavage.
(Oh the banana leaves!)
It creates a vacuum as she sings
An anti-aria to our fat toothless quorum.
(We are all passengers on her great chest's heavings.)
We stomp bare feet and stub painted toes
Cackling into our sleeves between her gulps and sighs.
(Even the blackest,rarest of pearls would be
Mere condensation on her horrible *****,
That rising and falling quiet.)
Oh look how her mouth moves,
Like a goldfish gasping in the palm of one's hand,
Helpless and hoping to be swallowed.
Oh look how her mouth moves,
Like an empty eye socket blinking in sacred secret code...
How tired we all are now...so tired.
Written by Phillip Lee Duncan [4 Nov 1967- 7 January 2012]
Anglerfish anglerfish
you clever lightbulb dangler-fish

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