the tiles that encompass me
are falling like dominos
this is blackness at its zenith and
I have a coneful
lucky me
it’s like the summer of ‘96
all over again
and my friend’s dad jumped
in front of a coal train
we ate ice cream that day
in the dank Minnesotan heat
everyone was dripping
the mosquitoes were flocking in
green cloud
ignite
flame
ignite
and the crunch of bones
like this water falling on my shoulders
wash
wash
again
the sticky syrup from my chin and
poor Dane’s pants smell and there is
**** pooling at his ankles
enjoy this chocolate-dipped cone
or possibly this one with
patriotic sprinkles
no
I think I’ll pass
I’m watching my ten-year-old figure
you see this paunch?
it is my heart
it is so fat and ugly
take it from me, god
enjoy it on top of your
sundae
I always looked better red-chested
anyway

Two fictional characters
walk into a bar

in Malta
( * Marsaxlokk - to be precise ).

"To...be....tooo beee. . ."
stammers Hamlet.

"Oh fer Gawd's sake...two beers!"
J. Alfred Prufrock snaps.

"You really milk that
"To be or not..." thingy."
J.A.P. scolds Hamlet.

"Tsk...tsk!" Hamlet tsk tsks.
( sticking his tongue out ).

Two Cisks are plonked
down before them.

"No...I am not Prince Hamlet or
was meant to be..!"
J.A.P. quotes him self.

"Awww fer Jaysus sake...loooook
just for the fun of it...the gas of it

we swop
texts!"

Hamlet interrupts Prufrock's
protestations.

"Ohhhh....o.....K?"
Prufrock ponders somewhat doubtfully.

And, so:
Hamlet the Dane

( for yea it is indeed he)
dares

(1) to eat a peach (2) wear the bottoms of his white
flannel trousers rolled (3) parts his hair behind even

(4) dares
to aks

the overwhelming question

"( Oh, do not ask, what is it! )"

Oh & (5) gets to hear
( ** ** ** )

"...the mermaids singing...."

Prufrock "Hum...."
kills the king.

Becomes the king.

Beds.
Weds
Ophelia.

" Buzz buzz...come come..go...go!"

"It's a very foreshortened
Hamlet...I know

but - what the heck!

"See..? slurps Hammy
". . . now, that wasn't so bad...was it?"

"Another Cisk?"
"Naw...I'll have a Becks!"

"Jaysus Prufrock now
...what's up?"

"Don't know..."mutters J.A.P.
wearing a frothy beer moustache.

"HURRY UP PLEASE...IT'S TIME!"
roars the barman in Maltese.

"I can connect nothing
with...nothing!"
Prufrock almost sobs.

"Like that time
on Margate sands..."

Hamlet cuts him curtly off.

"Don't even go...there!"

"But I still get that squirmy
...you know...feeling

we are just
fragments of

the imagination of
some *long haired Irish poet

sunning himself by
the waters of

the shimmering waters of
a Sliema hotel pool

...up up in the clouds!

Hamlet sighs.

"Yeah, me too
spooky...innit?"

Hamlet looks behind him
checking for what isn't

there. . .

"Ahhhh well, never mind eh?"

Prufrock attempts an attempt
at being cheerful.

Fails miserably.

"Let us go, then
you and I...

when the evening is spread out
against the sky..."

Like a patient etherised upon a table!
they both sing outta time and outta tune

stumbling one
into the other.

A long hair Irish poet
smiles as he watches them

go.

"Għaġġel fil-għoli...wasal iż-żmien JEKK JOGĦĠBOK!"
the barman roars.

NOTES

Pronounced MAR SA SCHLOCK. Those Maltese Xs being really SHs in disguise.

* Pronounced CHISK but the new barman is obviously new to the language and pronounces it TSK which makes him think that is what our two fictional characters are ordering.

Not to be confused with mobile texting but rather the literary texts of which both of them owe their existence.

* The play bounded in a nutshell as it were.

One Donall Gearld Oliver Denis Dempsey is a good example of this sort.

* The No. 1 song all over Heaven...beating Sparks THE NO. 1 SONG ALL OVER HEAVEN  to the top spot.

** "Għaġġel fil-għoli...wasal iż-żmien JEKK JOGĦĠBOK!" Once again the new Irish barman hasn't got his tonsils around the Maltese lingo and comes out with this terrible mish mash of the typical barman's cry.

For those among us who lived by the rules,
Lived frugal lives of *****-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dog tag,
Or better still a dog, a colossal pet beast,
A humongous Harlequin Dane to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is, after all, dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes and boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.

We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo, they will sigh.
What more could you want in retirement?

You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.
He leaves you on the ice floe,
Remembering not to leave the sled,
The proverbial Sled of Abbandono,
The one never left behind,
As it would be needed again,
Why not a home in storage while we wait?
The family will surely need it sometime down the line.

A dignified death?
Who can afford one these days?
The question answers itself:
You are John Goodman in “The Big Lebowski.”
You opt for an empty 2-lb can of Folgers.
You know: "The best part of waking up, is Folger's in your cup!"
That useless mnemonic taught us by “Mad Men.”
Slogans and theme songs imbibe us.

Zombie accouterments,
Provided by America’s Ruling Class.
Thank you Lewis H. Lapham for giving it to us straight.
Why not go with the aluminum Folgers can?
Rather than spend the $300.00 that mook funeral director
Tries to shame you into coughing up,
For the economy-class “Legacy Urn.”
An old seduction:  Madison Avenue’s Gift of Shame.
Does your **** smell?” asks a sultry voice,
Igniting a carpet bomb across the 20-45 female cohort,
2 billion pathetically insecure women,
Spending collectively $10 billion each year—
Still a lot of money, unless it’s a 2013
Variation on an early 1930s Germany theme;
The future we’ve created;
The future we deserve.

Now a wheelbarrow load of paper currency,
Scarcely buy a loaf of bread.
Even if you’re lucky enough to make it,
Back to your cave alive,
After shopping to survive.
Women spend $10 billion a year for worry-free *****.
I don’t read The Wall Street Journal either,
But I’m pretty **** sure,
That “The Feminine Hygiene Division”
Continues to hold a corner office, at
Fear of Shame Corporate Headquarters.
Eventually, FDS will go the way of the weekly ******.
Meanwhile, in God & vaginal deodorant we trust,
Something you buy just to make sure,
Just in case the *** Gods send you a gift.
Some 30-year old **** buddy,
Some linguistically gifted man or woman,
Some he or she who actually enjoys eating your junk:
“Oh Woman, thy name is frailty.”
“Oh Man, thou art a Woman.”
“Oh Art is for Carney in “Harry & Tonto,”
Popping the question: “Dignity in Old Age?”
Will it too, go the way of the weekly ******?
It is pointless to speculate.
Mouthwash--Roll-on antiperspirants--Depends.
Things our primitive ancestors did without,
Playing it safe on the dry savannah,
Where the last 3 drops evaporate in an instant,
Rather than go down your pants,
No matter how much you wiggle & dance.
Think about it!

Think cemeteries, my Geezer friends.
Of course, your first thought is
How nice it would be, laid to rest
In the Poets’ Corner at Westminster Abbey.
Born a ******. Died a ******. Laid in the grave?
Or Père Lachaise,
Within a stone’s throw of Jim Morrison--
Lying impudently,
Embraced, held close by loving soil,
Caressed, held close by a Jack Daniels-laced mud pie.
Or, with Ulysses S. Grant, giving new life to the quandary:
Who else is buried in the freaking tomb?
Bury my heart with Abraham in Springfield.
Enshrine my body in the Taj Mahal,
Build for me a pyramid, says Busta Cheops.

Something simple, perhaps, like yourself.
Or, like our old partner in crime:
Lee Harvey, in death, achieving the soul of brevity,
Like Cher and Madonna a one-name celebrity,
A simple yet obscure grave stone carving:  OSWALD.
Perhaps a burial at sea? All the old salts like to go there.
Your corpse wrapped in white duct/duck tape,
Still frozen after months of West Pac naval maneuvers,
The CO complying with the Department of the Navy Operations Manual,
Offering this service on « An operations-permitting basis, »
About as much latitude given any would-be Ahab,
Shortlisted for Command-at-sea.
So your body is literally frozen stiff,
Frozen solid for six months packed,
Spooned between 50-lb sacks of green beans & carrots.
Deep down in the deep freeze,
Within the Deep Freeze :
The ship’s storekeeper has a cryogenic *******
Deep down in his private sanctuary,
Privacy in the bowels of the ship.
While up on deck you slide smoothly down the pine plank,
Old Glory billowing in the sea breeze,
Emptying you out into the great abyss of
Some random forlorn ocean.

Perhaps you are a ******* lunatic?
Maybe you likee—Shut the **** up, Queequeg !
Perhaps you want a variation on the burial-at-sea option ?
Here’s mine, as presently set down in print,
Lawyer-prepared, notarized and filed at the Court of the Grand Vizier,
Copies of same in safe deposit boxes,
One of many benefits Chase offers free to disabled Vets,
Demonstrating, again, my zombie-like allegiance to the rules.
But I digress.
« The true measure of one’s life »
Said most often by those we leave behind,
Is the wealth—if any—we leave behind.
The fact that we cling to bank accounts,
Bank safe deposit boxes,
Legal aide & real estate,
Insurance, and/or cash . . .
Just emphasizes the foregone conclusion,
For those who followed the rules.
Those of us living frugally,
Sustaining the zombie trance all these years.
You can jazz it up—go ahead, call it your « Work Ethic. »
But you might want to hesitate before you celebrate
Your unimpeachable character & patriotism.

What is the root of Max Weber’s WORK ETHIC concept?
‘Tis one’s grossly misplaced, misguided, & misspent neurosis.
Unmasked, shown vulnerably pink & naked, at last.
Truth is: The harder we work, the more we lay bare
The Third World Hunger in our souls.
But again, I digress.  Variation on a Theme :
At death my body is quick-frozen.
Then dismembered, then ground down
To the consistency of water-injected hamburger,
Meat further frozen and Fedex-ed to San Diego,
Home of our beloved Pacific Fleet.
Stowed in a floating Deep Freeze where glazed storekeepers
Sate the lecherous Commissary Officer,
Aboard some soon-to-be underway—
Underway: The Only Way
Echo the Old Salts, a moribund Greek Chorus
Goofing still on the burial-at-sea concept.

Underway to that sacred specific spot,
Let's call it The Golden Shellback,
Where the Equator intersects,
Crosses perpendicular,
The International Dateline,
Where my defrosted corpse nuggets,
Are now sprinkled over the sea,
While Ray Charles sings his snarky
Child Support & Alimony
His voice blasting out the 1MC,
She’s eating steak.  I’m eating baloney.
Ray is the voice of disgruntlement,
Palpable and snide in the trade winds,
Perhaps the lost chord everyone has been looking for:
Laughing till we cry at ourselves,
Our small corpse kernels, chum for sharks.

In a nutshell—being the crazy *******’ve come to love-
Chop me up and feed me to the Orcas,
Just do it ! NIKE!
That’s right, a $commercial right in the middle of a ******* poem!
Do it where the Equator crosses the Dateline :
A sailors’ sacred vortex: isn’t it ?
Wouldn’t you say, Shipmates, one and all?
I’m talking Conrad’s Marlow, here, man!
Call me Ishmael or Queequeg.
Thor Heyerdahl or Tristan Jones,
Bogart’s Queeq & Ensign Pulver,
Wayward sailors, one and all.
And me, of course, aboard the one ride I could not miss,
Even if it means my Amusement Park pass expires.
Ceremony at sea ?
Absolutely vital, I suppose,
Given the monotony and routine,
Of the ship’s relentlessly vacant seascape.
« There is nothing so desperately monotonous as the sea,
And I no longer wonder at the cruelty of pirates. «
So said James Russell Lowell,
One of the so-called Fireside Poets,
With Longfellow and Bryant,
Whittier, the Quaker and Oliver Wendell Holmes, Sr.,
19th Century American hipsters, one and all.

Then there’s CREMATION,
A low-cost option unavailable to practicing Jews.
« Ashes to ashes »  remains its simplest definition.
LOW-COST remains its operant phrase & universal appeal.
No Deed to a 2by6by6 foot plot of real estate,
Paid for in advance for perpetuity—
Although I suggest reading the fine print—
Our grass--once maintained by Japanese gardeners--
Now a lost art in Southern California,
Now that little Tokyo's finest no longer
Cut, edge & manicure, transform our lawns
Into a Bonsai ornamental wonderland.
Today illegal/legal Mexicans employing
More of a subtropical slash & burn technique.

Cremation : no chunk of marble,
No sandstone, wood or cardboard marker,
Plus the cost of engraving and site installation.
Quoth the children: "****, you’re talking $30K to
Put the old ****** in the ground? Cheap **** never
Gave me $30K for college, let alone a house down payment.
What’s my low-cost, legitimate disposal going to run me?"

CREMATION : they burn your corpse in Auschwitz ovens.
You are reduced to a few pounds of cigar ash.
Now the funeral industry catches you with your **** out.
You must (1) pay to have your ashes stored,
Or (2) take them away in a gilded crate that,
Again, you must pay for.
So you slide into Walter Sobjak,
The Dude’s principal amigo,
And bowling partner in the
Brothers Coen masterpiece: The Big Lebowski.
You head to the nearest Safeway for a 2-lb can of Folgers.
And while we’re on the subject of cremation & the Jews,
Think for a moment on the horror of The Holocaust:
Dispossessed & utterly destroyed, one last indignity:
Corpses disposed of by cremation,
For Jews, an utterly unacceptable burial rite.
Now before we leave Mr. Sobjak,
Who is, as you know, a deeply disturbed Vietnam vet,
Who settles bowling alley protocol disputations,
By brandishing, by threatening the weak-minded,
With a loaded piece, the same piece John Turturro—
Stealing the movie as usual, this time as Jesus Quintana—
Bragging how he will stick it up Walter’s culo,
Pulling the trigger until it goes: Click-Click-Click!
Terrestrial burial or cremation?
For me:  Burial at Sea:
Slice me, dice me into shark food.

Or maybe something a la Werner von Braun:
Your dead meat shot out into space;
A personal space probe & voyager,
A trajectory of one’s own choosing?

Oh hell, why not skip right down to the nitty gritty bottom line?
Current technology: to wit, your entire life record,
Your body and history digitized & downloaded
To a Zip Drive the size of the average *******,
A data disc then Fedex-ed anywhere in the galaxy,
Including exotic burial alternatives,
Like some Martian Kilimanjaro,
Where the tiger stalks above the clouds,
Nary a one with a freaking clue that can explain
Just what the cat was doing up so high in the first place.
Or, better still, inside a Sherpa’s ***** pack,
A pocket imbued with the same Yak dung,
Tenzing Norgay massages daily into his *******,
Defending the Free World against Communism & crotch rot.
(Forgive me: I am a child of the Cold War.)
Why not? Your life & death moments
Zapped into a Zip Drive, bytes and bits,
Submicroscopic and sublime.
So easy to delete, should your genetic subgroup
Be targeted for elimination.
About now you begin to realize that
A two-pound aluminum Folgers can
Is not such a bad idea.
No matter; the future is unpersons,
The Ministry of Information will in charge.
The People of Fort Meade--those wacky surveillance folks--
Cloistered in the rolling hills of Anne Arundel County.
That’s who will be calling the shots,
Picking the spots from now on.
Welcome to Cyber Command.
Say hello to Big Brother.
Say “GOOD-BYE PRIVACY.”

Meanwhile, you’re spending most of your time
Fretting ‘bout your last rites--if any—
Burial plots on land and sea, & other options,
Such as whether or not to go with the
Concrete outer casket,
Whether or not you prefer a Joe Cocker,
Leon Russell or Ray Charles 3-D hologram
Singing at your memorial service.
While I am fish food for the Golden Shellbacks,
I am a fine young son of Neptune,
We are Old Salts, one and all,
Buried or burned or shot into space odysseys,
Or digitized on a data disc the size of
An average human *******.
Snap outta it, Einstein!
Like everyone else,
You’ve been fooled again.

ROLL UP, ROLL UP - WELCOME TO THE BIG TOP PARK  
From the 6th diary entry of Stewy Lemmon's childhood adventures.  
 
Holidays were almost here again, and Mum and Dad loved to take us all to our favourite caravan park called Rolling River Retreat, where all of our friends from past years would once again be there with their families.  
 
My Dad made our very own caravan by hand, painted with artistic flair and built (of course) in his unusually built and outrageously painted, backyard, out back shed. It was such a sight for all of the people that drove past us in their cars, on our way to our holiday retreat.  
 
All our friends from the caravan park retreat, also thought our colourful caravan looked such a treat, that many of them phoned mum and dad and told them about the surprise for us kids once we arrived at the retreat. They had all decided this year; they too would have something cool looking and really neat at the retreat.  
 
Are we there yet, we would ask again and again, then after a little longer us kids fell asleep. We were then awoken by the sound of BomBom BomBom BomBom, and then we knew we were crossing the last old bridge from the nearby town and into the big and top park of all time. It was a very old and bumpy bridge and we all knew its sound.  
 
As we were crossing the old Rolling River Bridge, we noticed the water level was much higher than usual, and moving ever so fast. The locals had told us when we had to refuel the car that the rain hadn't stopped coming down for weeks and weeks. They also said that today the sun was finally coming out from behind those dark clouds and hopefully now it wouldn't be so bleak.  
 
So lucky for us and all of our friends, that we picked our holiday time when the sun decided to peak. As we rolled up to the world's top caravan park, we were all welcomed by the always friendly, park manager Andy and his wife Cindy. He had been the manager there for twenty-three years, and my Dad also knew Andy from when he was a child.  
 
We then saw our friends, with a smile on their dials and so loud with great cheer, when the Lemmon's had finally arrived. There was our great Spanish friend Pablo, who we would call Poppa Pablo, and who loved his various and very tamed pets. There was old senior, Jay Walken the Lolly shop owner, and the very funny musical brothers Anastasia and Houllio from Mexico.  
 
We saw Johnny "The Greek Carpenter" and his son Stevie, also Andy's old pen-pal friend, Joel from Texas, USA. We were allowed to call him, Cowboy Tex. he was walking with a slight shuffle, while wearing a huge 10 gallon hat. Last to see us was my favourite grown up friend, Marko. He would do magical tricks for us every year and his wife Louise and their son Jacob, who was studying architecture. It's something to do with drawings or designs, I think.  
 
They all gave us hugs and high fives, and said, now come with us, for you will all be in for a real treat. We turned the corner and there they all were. The old looking caravans of previous years, had all been cleverly painted with great  character and artistic flair.  
 
Poppa Pablo, who loved animals, painted his caravan to look like a zoo. The old senior, Jay Walken (the Candyman) painted his, to look like a van full of lollies. The funny Mexican, musical brothers Anastasia and Houllio, had painted a bunch of colourful and zany looking Mexican clowns, playing all of their favourite instruments. Which included, drums, trumpets, harmonicas and guitars on the side of their van. Johnny "The Greek Carpenter" and his son Stevie, decided to paint shapes, houses, hammers, nails and ladders of course. Marko, Louise and their son Jacob, had a very futuristic designed van with rabbits, hats, juggling *****, a box and a saw and a cleaver trap-door. All had been designed with precision and at very clever angles, that's for sure.  
 
The last caravan we saw was extra long, for it was Cowboy Tex's, and he even had a van for his pony named, Bubski. Cowboy Tex had painted his in Red, White and Blue and in the middle a large star from Texas, where else.  
 
That night we went to bed early after such a long trip, for tomorrow we were all going on a drive and having a picnic lunch in the local mountains and then into town at night to see the travelling circus.  
 
In the morning, we all made our way in convoy, towards the old and bumpy Rolling River Bridge. But it had been closed overnight by the police, because of the rain and the damage it had made. Dad spoke to the local policeman, who said, the bad weather had taken its toll, on the old bumpy bridge and it had damaged a few large poles.  
 
We all went back to our holiday park and started to unpack. All of the childre were very upset, because, they had missed out on seeing the circus. Then, my Dad and his friends had a long talk, while sitting together around the campfire. They were trying to figure out, what they could do, to cheer up the children.  
 
Meanwhile, the kids decided to spend the rest of the day in the Rolling River Retreat's, games room. After chatting and playing, for quite awhile, we heard all sorts of noises,coming from outside. But my Mum told us, don't worry, just keep having fun and talking together.  
 
Later that afternoon, we heard someone yelling out,'Roll up, Roll up, Welcome to the Big Top Park'. We all rushed outside, but couldn't believe what we were seeing. The circus, had somehow, come to our park.  
 
We all started walking, towards the funny clowns who were falling down. There was even a Candy shop selling all sorts of yummies, like fairy floss, lollies and even teeth candy.  
 
We all took our seats at the front, and started listening to the funny clowns, playing a musical beat. Then a big voice shouted out loud, let's all thank the parents and friends for bringing the circus straight to you. After a while, we realised it was my Dad. He was introducing all of the performers, who would entertain us, in style.  
 
The funny clowns playing the musical instruments and falling down were the brothers, Anastasia and Houllio, and the man serving candy was none other than, the old senior Mr Jay Walken, of course.  
 
The show was starting, and the first act was, Poppa Pablo with his variety of animals. His Great Dane named, Duke, was jumping and rolling all about, his orange cat called, Tabby, was boxing with some hanging *****. His Guinea Pig called, Pauly was whizzing around through plastic pipes, and so much more. Then his little yellow baby duck named, Dina was following Pablo, wherever he went.  
 
Poppa Pablo, then grabbed Smoochy from me, and put him on a large See-Saw. He then got his Great Dane named, Duke stand on the other end. 'Whisssshhhhh, I wasn't here', Smoochy seemed to yell out, but I was ready for him. Luckily, he landed in straight in my top left-hand side pocket.  
 
Next act, was dancing from my two, much older, identical twin sisters Emma and Jemma. I found them rather boring, so I yelled out, ' next act please'.  
 
Even my Mum, Flo was giving it a go. She had held in a large bowl, my favourite fruit snacks. Then, all of a sudden, she tossed an apple into the air, then straight after that, a whole banana went up. She then grabbed an orange, that's three at a time, wow, she was juggling her fruit, real fine. It was something, I have never ever, seen done before, I hope they don't fall!  
 
The funny clown brothers, then asked the audience, for a hand. I put up Lemmy's hand and Smoochy's as well. They put Lemmy in a very small homemade car, then following behind was, Pablo's orange cat, named,Tabby, and then his Guinea Pig called, Pauly. All looking so relaxed, in a car, each of their own.  
 
At the front of the cars was, Cowboy Tex and his faithful Polish pony named, Bubski. All of the cars had been hooked up, near the back of his tail. Around and around, they did two laps, as they sat quietly.  
 
The last act of the night was, Marko the Magician and his assistant Louise. He performed some wonderful tricks, and even pulled a cute rat, out of a top hat. I then yelled out, 'wait a sec!', I think that's my best friend, and new grouse pet mouse, Smoochy.  
 
Then, my sister Emma, was introduced into this part of the show. She stood in one of the two boxes, set up on stage, and with a black cloth, Marko, then covered the front of her body. With the magical words of "getoutofheregooverthere", and in a flash of an eye, she quickly reappeared, in no time at all. But in the other wooden box, that was so far away. Wow, Marko is the best magician, I have ever seen. I wanted to know, the secret of that trick, but he didn't even give me a clue.  
 
At the end of the night, Andy the friendly park manager, got on the microphone and said, 'can we all please applaud, these wonderful acts'. Starting with, Archie Lemmon, Johnny "The Greek Carpenter" and his son Stevie for building and painting the circus arena. Also, Jacob for the stage design and forcarefully planning all that.  
 
Wow, what a great night had by all, but, I don't think Smoochy, will ever talk to me again. Mainly, because it was me, who put up his hand, for that very scary circus, high flying act.

twisted bicycles and empty pop cans line the longest street in the world-
making my way ever closer to the frozen city I catch a glimpse of the relics of yesterday-
paper bags and frost covered couches-
chilled passengers seeking the brief warmth of the morning commute-
sunlight and frost dance together and create crisp partnerships forever more-
the bus driver has no trust in cats-
the great dane out with it's friend sparks memories of my past-
bitten in the face yet still loving dogs with such grace-
the frozen city awakes as the relics of last night claim their place-

Another shift, another day, Another buck to spend or save
A million riders, maybe more, delivered to their office door
Or maybe warehouse maybe store.
Or church or shul or city school, right on time as a rule.

Clickety, clackety, clickety, clee,
I am New York, the City’s me
Come let me ride you on my knee
From Coney Isle to Pelham Bay
From Bronx to Queens eight times a day.

Ride my trains, New Yorkers do
And you’ll learn a thing or two
About the City up above, the one some hate, the one some love.
On the street they work like elves
Down below they’re just themselves.

Through summer’s heat they still submerge,
Tempers held (though always on the verge),
They push, they shove – just like above –
The crowds will jostle, then finally merge.

Downtown to work and then back to sleep
They travel just like farm-herded sheep.
In through this gate and out the other,
Give up a seat to a child and mother,
Just don’t sit too close to that unruly creep!

With these crowds huddled near
Just ride my trains with open ear,
There’s lots of tales for you to hear.


Dis stop is 86th Street, change for da numbah 4 and 5 trains.  Dis is a Brooklyn Bridge bound Numbah 6 Train.   77th Street is next.  Watch out da closin dowahs.


     I’m Doctor Z, Doctor Z are me
     I’ll fix your face or the visit’s free.
     Plastic surgery, nips and tucks
     You’ll be looking like a million bucks.

     Looka those pitchas, ain’t they hot?
     You’ll look good, too, like as not!
     Just call my numbah, free of toll
     Why should you look like an ugly troll?

     You’ll be lookin good like a rapster
     Folks start stealing your tunes on Napster
     Guys’ll love ya, dig your face
     Why keep lookin like sucha disgrace?

     Call me up, you’re glad you did
     Ugly skin you’ll soon be rid.
     Amex, Visa, Mastercard,
     Payment plans that ain’t so hard.

     So don’t forget, pick up that phone
     Soon’s you get yourself back home.
     I’ll have you looking good, one, two three
     Or else my name ain’t Doctor Z.


Dis stop is 77th Street, 68th Street Huntah College is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     It was a limo, now it’s the train;
     Tomorrow’s sunshine, but now it’s rain.
     The market’s mine, for taking and giving
     It’s the way I earn my living.

     Today’s losses, last week’s gain.
     A day of pleasure, months of pain.
     We sold the puts and bought the calls;
     We loaded up on each and all.

     I’ve seen it all, from Fear to Greed,
     Good motivators, they are, both.
     The fundamentals I try to heed
     Run your gains and avoid big loss.

     Rates are down, I bought the banks
     For easy credit, they should give thanks.
     Goldman, Citi, even Chase
     Why are they still in their malaise?

     “The techs are drek,” I heard him say
     But bought more of them, anyway.
     I rode the bull, I’ll tame the bear
     I’ll scream and curse and pull my hair.

     So why continue though I’m such a ****?
     I’ll cut my loss if I find honest work.



Dis is 68th Street Huntah College, 59th Street is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     He rides the train from near to far,
     In and out of every car.
     “Batchries, batchries, tres por un dolar!”
     Some folks buy them, most do not,
     Are they stolen, are they hot?
     “Batchries, batchries, tres por un dolar!”

     Who would by them, even a buck?
     What’re the odds they’re dead as a duck?
     “Batchries, batchries, tres por un dolar!”
     Why not the Lotto, try your luck,
     Or are you gonna be this guy’s schmuck?
     “Batchries, batchries, tres por un dolar!”


Dis is 59th Street, change for de 4 and 5 Express and for de N and de R, use yer Metrocard at sixty toid street for da F train.  51st Street is next. Dis is a Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     “Dat guy kips ****** wit me, Wass he
     tink, I got time for dat ****?  Man, I
     got my wuk to do, I ain gona put
     up with him
     no more.”

          “I don’t know what to tell this dude. Like,
          I really dig him but
          ***?  No way.  And
          He’s getting all too smoochie face.”

     “Right on, bro, slap dat fool up
     side his head, he leave you lone.”

          “Whoa, send him my way.  When’s the last
          time I got laid?  I’m way ready.”

          “Oh, Suzie,..”


Dis is fifty foist Street, 42nd Street Grand Central is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin doors.



     Abogados es su amigos, do you believe the sign?
     Are they really a friend of mine?
     Find your lawyer on the train
     He’ll sue if the docs ***** up your brain.

     Pick a lawyer from this ad
     (I’m sure that you’ll be really glad)
     You’ll get a lawyer for your suit,
     Mean and nasty, not so cute.

     Call to live in this great nation
     1-800-IMMIGRATION.
     Or if your bills got you in a rut
     1-800-BANK-RUPT.

     We’re just three guys from Flatbush, Queens
     Who’ll sue that ******* out of his jeans.
     Mama’s proud when she rides this train
     To see my sign making so much rain.

     No SEC no corporations
     We can’t find the United Nations.
     Just give us torts and auto wrecks
     And clients with braces on their necks.

     Hurting when you do your chores?
     There’s money in that back of yours.
     Let us be your friend in courts
     Call 1-800-SUE 4 TORTS.


Dis is 42nd Street, Grand Central, change for the 4, 5 and 7 trains. Dis is a Brooklyn Bridge bound Numbah 6 Train.  Toity toid is next.  Watch out da closin doors.


They say there’s sev’ral million a day
From out in the ‘burbs, they pass this way.
Most come to work, some for to play
They all want to talk, with little to say.

Bumping and shoving, knocking folks down
A million people running around.
The hustle, the bustle the noise that’s so loud
Get me far from this madding crowd.

“We can be shopping instead of just stopping
And onto the next outbound train we go hopping.
Hey, it’s a feel that that guy’s a-copping!”

They want gourmet food, from steaks down to greens
Or neckties and suits, or casual jeans,
It’s not simply newspapers and magazines
For old people, young people, even for teens.


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Thoidy toid Street, twenty eight is next.  Watch out da closin doors.


     “So what’s the backup plan if
     He doesn’t get into Trevor Day?
     I know your
     heart’s set on it, but we’ve only
     got so many strings we
     can pull, and we can’t donate a
     ******* building.”

           “Hooda believed me if I tolja the Mets
          would sail tru and the Yanks get dere
          by da skinna dere nuts?
          I doan believe it myself.  Allya
          Gotta do is keep O’Neil playin hoit
          And keep Jeter off his game an
          We’ll killum.

               “My sistah tell me she be yo *****.  I tellya I cut you up if you
                ****** wid her, I be yo ***** and donchu fuggedit.”

     “I wish you wouldn’t talk like that.
     And we can just **** good and
     Well find some more strings to pull!”

          “Big fuggin chance.  Wadder ya’ smokin?”

               “Yo sitah she ain my *****, you be my *****.  I doan be ******
                wid yo sistah.  You tell her she doan be goin round tellin folks
                dat ****.”


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Twenty eight Street, twenty toid is next.  Watch out da closin dowahs.


     Do you speak Russian, French or Greek,
     We’ll assimilate you in a week.
     If Chinese is your native tongue
     You’ll speak good English from day one.

     Morning, noon, evening classes
     Part or full time, lads and lasses.
     You’ll be sounding like the masses
     With word and phrase that won’t abash us.

     Language is our stock in trade
     For us it’s how our living’s made.
     We’ll put you in a class tonight
     Soon your English’ll be out of sight.

     If you’re from Japan or Spain
     Basque or Polish, even Dane,
     Our courses put you in the main
     Stream without any need for pain.

     We’ll teach you all the latest idioms
     You’ll be speaking with perfidium.
     We’ll give you lots of proper grammar
     Traded for that sickle and hammer.

     Are you Italian, Deutsch or Swiss?
     With our classes you can’t miss
     The homogeneous amalgamation
     Of this sanitized Starbucks nation.


Dis is Twenty toid Street, 14th Street Union Square is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin doors.


     “Ladies and Gentlemen, I hate to bother you
     But things are bleak of late.
     I had a job and housing, too
     Before my little quirk of fate.”

     “There came a day, not long ago,
     When to my job I came.
     They handed me a pink slip, though,
     And ev’n misspelled my name.”

     “We’ve got three kids, my wife and me.
     We’re bringing them up right.
     They’re still in school from eight to three
     With homework every night.”

     “I won’t let them see me begging here,
     They think I go to work.
     Still to that job I held so dear
     Until fate’s awful quirk.”

     “So help us now, a little, please
     A quarter, dime (or dollar still better),
     It’ll go so far to help to ease
     The chill of this cold winter weather.”

     “I’ll walk the car now, hat in hand
     I do so hope you understand
     I’m really a proud, hard working man
     Whose life just slipped out of its plan.”

     “I thank you, you’ve all been oh so grand.”


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is 14th Street, Union Square, change for da 4 and 5 Express, the N and the R.   Astor Place is next.  Watch out da closin doors.


     The hours are long, the pay’s no good
     I’m far from home and neighborhood.
     All day I work at Astor Place
     With sunshine never on my face.
     Candy bar a dollar, a soda more
     A magazine’s a decent score.
     Selling papers was the game
     But at two bits the Post’s to blame
     For adding hours to my long day.
     All the more work to save
     Tuition for that son of mine: that tall,
     Strong, handsome, American son


Dis is a Brooklyn Bridge bound Numbah 6 Train.  Yer at Astah Place, Bleekah Street is next.  Watch out da closin doors.


     Summer subway’s always hot, AC’s busted, like as not
     Tracks are bumpy, springs are shot ‘tween the cars they’re smoking
     ***.

     To catch the car you gotta run they squeeze you in with everyone
     Just hope no body’s got a gun 'cause getting there is half the fun.

     Packed in this car we’re awful tight seems this way both day and
     night.
     And then some guys will start a fight.  Subway ride’s a real delight.

     Danger! Keep out! Rodenticide! I read while waiting for a ride.
     This is a warning I have to chide:  
     I’m very likely to walk downtown, but I’d never do it Underground.

     Took the Downtown by mistake.  Please, conductor, hit the brake!
     Got an uptown date to make, God only knows how long I’ll take.


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Bleekah Street, Spring Street is next.  Watch out da closin doors.


     The trains come through the station here,
     The racket’s music to my ear.
  &nbs

The Raiders show raiders v st george at GIO Stadium

    with johnny brown and Sue Longways




johnny’   welcome dudes to GIO stadium to this match between the dragons and the raiders and this is going to be a

great match, the raiders are 11th and the dragons are at 14, and whoever wins, I can guarantee it will be a spectacle

and i have Pete from Hawker with us now with a poem for us, hoping to get the Raiders into top swing

Pete”    ok dudes let’s swing it

you see the bad and mean green machine, big and strong and fast and mean

you see you shouldn’t try and stop these men in green, cause we are 3 positions higher than the opposition

Johnny’  well, short but sweet, and have you been worried about form in some matches

Pete’   well, yes, but that makes no difference, the raiders are going to win dudes, i will sing it again

you see we are the bad and mean green machine, big and strong and fast and mean

you see you shouldn’t try and stop these men in green, cause we are 3 positions higher than the opposition

Johnny’   well thanks Pete and now here is Sue Longways with another fine poem from the crowd

Sue’   thanks Johnny and what a great atmosphere here at GIO Stadium today, a great twilight match, and everyone

is in fine voice to cheer the raiders to beat the dragons tonight, and here is John Barten from Queanbeyan and he hates

how the Raiders went to Canberra all those years ago, so he sings a dragons tune

John’   go the dragons go the dragons

go the mighty dragons team

you see it’s only early in the season

go the mighty dragons cause the raiders moved here

I know we shouldn’t hold a grudge, mate, but i am and there is nothing you can do oh no

go the mighty dragons and i will go for them till the Raiders go back to Seiffert Oval, dudes

Sue”   thanks John and now here is Harold from Lyneham

Harold’   i am the bad and mean raiders fan

we supply the best coming out of the can

you see i go to the footy with mates george and dan

you see we’ll hit ya hit ya hit ya the mighty green machine

Sue’  thanks Harold and now here is the Raiders team, bring on the team

Jordan Rapana and Sisa Waqa and Jarrod Croker and Jarrad kennedy and edrick lee and blake austin and Mitchell Cornish


and Shannon Boyd and Josh Hodgson and Dane Tilse and Josh Papali and Sia Solicia and Shaun Fensom

and the 4 interchange players  Josh McRone and Frank-Paul Nuuausala and Paul Vaughan and Luke Bateman

and now here is Ken from Symonston with his poem

Ken”   i have been coming out to the GIO stadium every time we play

you see it’s fun when we win, but when we lose, we certainly do ****** pay

and the main thing about it is, we beat the easy teams and beat the hard teams but never at the best time

come on Raiders, it’s surely the time to win, oh ****** yeah


sue”   thanks Ken and now here is Rob with his jingle

Rob”     Run Raiders run

as we charge onto the GIO stadium yeah

run raiders run you see we have the team, we’ll win oh yeah

yeah we will come a running, and score a hundred tries

yeah that will be so cool,

run raiders run, oh yeah the Raiders are the team to beat i hope

run raiders run

they are the team that will thrash the opposition yeah

you see we won one and lost one

run raiders run

yeah the mighty raiders, will be our son of a gun

Sue”    thanks Rob for that and now here is the dragons team


first is Peter Mata’utia and Etonia Nabuli and Dan Nielson and Dylan Farrell and Jason Nightingale

and gareth Widdop and Benji Marshall and Leeson Ah Mau and Mitch Rein and George Rose

and Tyson Frizell and Joel Thompson and Jack de Belin

and the interchange men are trent Merrin and Heath L”Estrange and Rory O’Brien and Mike Cooper and Jake Marketo

and here is Mike from Jerrabomberra with his jingle

oh yeah those dragons yeah, they win more than the raiders yeah

they supply all the tries, in fact more tries than the locals, why don’t they win the grand

well i think i know, it’s because we lose our playing ability after thrashing the raiders here and anywhere

so go the dragons, go the mighty dragons, the right team to win the match

sue’   ok thanks Mike and now here is Keith from Latham with his song

carn the carn the carn the mighty raiders team, please dudes don’t make us say **** mate

make our raiders team win, carn the raiders carn the raiders, watch our team win well

on our home ground see, go the mighty raiders for a great victory

ya see i live in Latham and in my lounge room i have raiders cushions and raiders tables and heaps

of videos too including the great grand final victories in ’89 and “91 and the great ‘94

they haven’t won a grand final since in the first grade oh no

but if they win a few games where they don’t drop the ball too much

they will play so ****** hard, GO THE RAIDERS, DUDES

Sue’   ok that is it for me, and now back to Johnny

Johnny”  thanks Sue for telling us the teams and letting us hear some great home truths, let’s hope the

Raiders can win tonight, and now here is ?Bob from Cook with a jingle

Bob’   go the raiders go the raiders, do ya reckon we have the stamminer to win today

go the raiders go the raiders, should we win, should we win

twinkle twinkle raiders pack, how i wonder whether you’ll win

up above the GIO park tonight, make sure we clean this game free of fights

twinkle twinkle raiders pack, go the raiders through and through

Johnny’ thanks Bob and now here is Ernie from Higgins with his rhyme

hey ****** ****** the dragons are ready, are they going to win

all have the raiders put all their dropping the ball crap in the flaming bin

Shaun Fensom laughed at this little rhyme, as hopefully the raiders grab the 2 points

Johnny’  thanks Ernie and first my tip, well to the ladder, i say Raiders, on current form, well raiders be 6, could be more

and who do you support Sue

Sue’    well to the ladder, the Raiders, but on current form, dragons by 2, but i could change

Johnny”   ok, we’ll be back at half time, ok, here on the Raiders show

GO THE CANBERRA RAIDERS

I bought a dog last September and I've loved him ever since.
He is a Great Dane and his name is Prince.
When I bought him, he was only six weeks old.
He's a sweet dog who is also sassy and bold.

He cost 400 bucks but to me he's worth 400 Grand.
When I pet my big baby, I know that I'm a lucky man.
Every time I see his fawn coat, it makes me feel glad.
He's a beautiful animal and the best dog I've ever had.

STRETCH towards the moonless midnight of the trees,
As though that hand could reach to where they stand,
And they but famous old upholsteries
Delightful to the touch; tighten that hand
As though to draw them closer yet.
Rammed full
Of that most sensuous silence of the night
(For since the horizon's bought strange dogs are still)
Climb to your chamber full of books and wait,
No books upon the knee, and no one there
But a Great Dane that cannot bay the moon
And now lies sunk in sleep.
What climbs the stair?
Nothing that common women ponder on
If you are worrh my hope! Neither Content
Nor satisfied Conscience, but that great family
Some ancient famous authors mistepresent,
The proud Furies each with her torch on high.

For those among us who lived by the rules,
Lived frugal lives of *****-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dogtag,
Or a dog, a colossal beast of a pet,
A humongus Harlequin Dane dog to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes.
Our boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.

We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo,” they will sigh.
What more could you want in retirement?
You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.

Rush Transcript. May include inaccuracies.

Andrea Marsino: We're here today with "     " to talk about his recent best-seller, The Orchestra, which has swept bookshelves across the nation in recent weeks. A stunning display of literary craftsmanship, the book has generated a whirlwind of dialogue in all sorts of settings, from University coffee shops to local dive bars, and even, we're told, in the Pentagon. Tell us "     ", did you have any expectation at all of this kind of reaction?

"     ": Never in a million years would I have thought that I could stir up such a...a hornet's nest really. Sure it's a kind of inflammatory piece of fiction, but I never thought it'd result in so much backlash.

Andrea: Talk about unintended consequences right? How did the idea first come to you?

"         ": Well it didn't just pop into my head fully formed one day. I guess it first started to take shape at a bus station in Florida. I had just been kicked out of my Dad's house and was moving to another part of the state, so naturally I was a bit, I don't know, out of sorts. I was waiting for the connecting bus and was smoking a cigarette to **** the time and just sort've fell into conversation with this black kid who was also waiting for a connection. This was in I think May of 2013, so the situation really hadn't started to fall part yet, but the cracks were definitely showing. And that's what we were talking about, just the overall sense of things not going well, the feelings of helplessness that we as individuals, and seemingly the community as a whole, were feeling at the time. I told him that it'd get better one day, somehow and that change always is a painful process. Then the light came on and I started pondering how that sweeping societal change might be accomplished.

Andrea: There are a lot of themes in the book, a lot of subtext and implied conclusions. You've been criticized for what seems like hostility to faith and some say advocating violent political activism. What are your responses to some of the accusations that have been leveled against you?

"         ": Hostility to faith? Absolutely not. Faith is one of the overriding points of the whole thing. The objection is to organized and subverted religious teachings. Faith exists to aid humanity in the struggle of their lives and I feel like....if you examine history faith has time and again been co-opted into a tool of oppression. That's what I object to. As for advocating ****** revolution, that's another flat out misinterpretation. Yes, politics is a huge part of the story and plays a huge part in really tying the whole thing together. But it's not really about that, it's not about any single issue. It's about people, as a whole, taking back their right to not be dehumanized by anything or anyone, especially their government which is supposed to protect them.

Andrea: I see. So it's not so much about the mechanisms of power politics as it is about people's inherent value?

"        ": Absolutely. Our conception of what power really is I think is grossly inaccurate.

Andrea: But surely you can understand how your depiction of terrorist acts and a domestic insurgency is very disturbing to some people? You were a Soldier yes? Did this affect your style, and the arc of the plot?

"         ": Of course I can. And it's meant to be disturbing, it's meant to illustrate how positive forces of change can be corrupted into violence. And yes, I was an Intelligence Analyst in the Army. We were fighting an insurgency, so in order to learn how, we basically deconstructed insurgencies throughout history. We learned how they functioned, all the sides you could throw at it. And then I learned from two Defense Intelligence Agency Instructors how to start one too. Those experiences most definitely gave me the technical knowledge I needed to write something like this.

Andrea: There's also been a lot of talk about how graphic your imagery is. Many prominent individuals call it a lack of talent on your part, that you can't write without going in for the shock factor so to speak.

"        " : Ha! It's not a children's book. And besides, life is graphic. You can't portray something accurately without tackling the nasty stuff. Besides, things like ****** assault and drug use are essential to some of the characters. It wouldn't make any sense for someone to react as violently as they did in certain scenes without the reader knowing exactly what had occurred previously to form that character's identity.

Andrea: I can understand that. Doesn't make it any easier to think about though.

"       ": I don't know what to tell you. The truth is a painful thing sometimes, and portraying it was not exactly a fun process.

Andrea: And what about those very colorful characters? How did you get your inspiration for them?

"          ": Oh all sorts of places. Honestly, some are based on real individuals that I've known at some point or another. And others are pure imagination. Ta'ra and Clara were inspired by a Dane Jones ***** for instance ha ha.

Andrea: 'Blushing' That's, er, interesting. Characters from ******* is one I haven't heard before. Anyway, throughout the book is this sense of individuals being swept into something bigger than themselves and how they react to that. It's kind of ambiguous sometimes, swinging between very New Age concepts to mundane life on the same page. The quote at the beginning for instance. Very spiritual, very deep. But then you open with an interaction on a street corner.

"          ": Hmm, I guess I could try and explain about things like Theosis, which is one of the main themes by the way, but I don't think it would illustrate what I was trying to convey very well. I guess I was always kinda on the fence about divine intervention and that sort of thing until I read a piece by a friend of mine about an experience she had some years ago. Basically, she was in a diner when a Muslim woman came over and asked to sit and talk. They spoke about spirituality and the woman turned to her and said that anyone could be a prophet, like it wasn't something reserved for saints and such. It was very powerful and finally convinced me that humans aren't just ants on an anthill, so to speak. It spoke to a very, very intimate part of me. So, I took it and incorporated it into what I do. Which is write.

Andrea: Wow, that's an amazing explanation that I really didn't expect. I'd love to talk some more and I'm sure our listeners would love to hear more, but unfortunately that's all the time we have for the show today. "     " thank you so much for joining us today and sharing so many insights about your new book, The Orchestra.

"           ": The pleasure was all mine Andrea, thank you for having me.

Andrea**: This is Andrea Marsino with NPR and thanks for listening. Coming up in the next half hour we have Peggy Walker from Floyd Virginia talking about some of the exciting ways her community is fighting to keep their traditions alive today.

"Have you a working pulse?"
he asks of his petunias.

"...he went away cold as a snowball!"
he tells his gladioli.

They positively beamed at him.

"Oh yes...oh yes. . ."
he pontificates

"Flowers like Shakespeare
best!"

"...especially PERICLES
& other minor plays

rather than the great Dane
or say OTHELLO!"

"The herbs prefer
Gilbert & Sullivan!"

"But, spoken:
not sung!"

"...poor wandering one..."

"Or sometimes a little
dash of Noël Coward!"

"...what compulsion compels them and
who the hell tells them..!"

What could I say?

His voice produced
such a fecundity

such a fertility

that his word
could not be doubted.

"Oh yes...oh yes
plants like to be

spoken to, but:
prefer a little culture.

A king size bed is like a pillow to you,
My favorite beast,
My bestfriend,

A Great Dane named Matilda.
That's what I wanted.
You wanted children.
You want to be a veterinary doctor.
I want to be a chemist.

Your birth mother was gorgeous.
I'm sorry about her.
I'm sorry for everything.

A triumphant voice denotes
A life leaving this room.
We should not be surprised;
It tells us:
          I once was there where many stories
          filled many shelves.
And now, another memory becomes
Another treasure to mine in days of leisure.
          We join in exultation.

There is less serious work about now.
We step in and out of shadows
Cast by the sun filtering through
Her tree and picture window.
The shadows reach many rooms.

She and I were present  
In many of Shakespeare's tombs.
Together we witnessed Royalty paraded:
Elinore, Lear, Macbeth, The Dane.
Her lineage is confirmed.
Our busy stage is less crowded
With the exit of La Grande Dame,
Elizabeth.

I am vapid. I am inane.
A raving lunatic, I am insane.

All morning long I have been beating on a drum.
Da dum da dum da dum.

What I have to say need not be said.
These words I write will never butter my bread.

I have lain down those dreams of my youth.
I make Manhattans for a living, mix whiskey and vermouth.

A black cat drinks from a green shovel where rainwater has collected.
I say this as it happens as it doesn't matter and I am misdirected.

I am vapid. I am inane.
All I do, I do in vain.

All morning long I have been beating on a drum.
I'm numb. I'm numb. I'm numb.

What I have to say need not be said.
All that I have written will never be seriously read.

I have lain down those dreams of my youth.
I am unshaven and unrefined. I am craven and uncouth.

A black cat drinks from a green shovel where rainwater has collected.
Fear is a wound that opens loudly and over time grows infected.

I am vapid. I am inane.
I am a fake. A phony. I feign.

All morning long I have been beating on a drum.
I'm dumb. I'm dumb. I'm dumb.

What I have to say need not be said.
Truth be told I wish I were dead.

I have lain down those dreams of my youth.
I make martinis for a living, also with vermouth.

A black cat drinks from a green shovel where rainwater has collected.
I say this as it happens as it doesn't matter but I find myself nevertheless affected.

I am vapid. I am inane.
I am 27. My name is Dane.

All morning long I have been beating on a drum.
I'm done. I'm done. I'm done.

Written with my dearest Dane Johnson


This grove of insanity, perhaps it is that you wish to get lucky?
We walk hand in hand. Luck, being so subjective we forget to define.
Ultimatums come hitherto, I'm afraid your luck has run dry.
I can't buy any more time to convince you or I that someday we may see eye to eye.
My, oh my, please don't cry.

Who's really winning when everyone's sinning?
Yet the world keeps on spinning to our wrecked hearts.

I crave the fire and yet don't like to get burned.
As we undress, we softly caress our scars.
We avoid the  pain by closing our eyes,
but it's something we both can't stop feeling.
And yet we continue invariably denying.

And the silence we share speaks more words than would be divulged had we done otherwise.

The words sent in secret go unnoticed by everything, but my heart has made it difficult to look in the mirror and see the beauty of anything we ever had.

Mirrors show nothing of the pain that pictures do, because then I have to see your shining face with your sparkling eyes, always your eyes.

But you never felt the tears that fell from them. We don't know the touch of each others pain.

Your pained words take on more than you are. And yet we find peace at lust's end. And it is with that end that we are no more.

We've known all along that all we have ever wanted to be is more than the silence that echos in the sliver of space left between our fast beating hearts. I could see it in your eyes when you forgot to guard the doors in.

And now my door opens to a new light.
Silence is golden, but what was once sliver could become silver, oh so easily.

However lighthearted pennies are,
the trouble is not worth the pain.
*She smiles quietly watching him walk away from penny lane.

My mother named me
                            for no good reason.

There was no fireman hero,
     no reknown global leader,
          nor an astronaut Stephen
          setting his foot on the moon.
It wasn't even her stylist whom she honored
as he kept her trusted secrets.

The roulette wheel of monikers
whirred uninterestedly past
Michael
David
John
Robert
Mark
Mitchell
Glen
(and thankfully) Carl
and surrendered its last click
     on the formal of Steve
                                     with a "ph".

                       It was haplessly indifferent
     in the way it came be.
                  A last grasp of titles
                                       as they pushed her out
                             the hospital doors.

I have a friend whose name
was never in question.
     He was a fifth,
                       as in William V.
The Ist was proud,
             so proud that he named the IInd.
     The IInd an heir,
                so he named the IIIrd.
            The IIIrd obliged,
                          and so the IVth.
                    The IVth weary from fighting
                                the previous I's
                                and hence, the V...
as in William V,
                          as in flavorless,
                          pomposity faded,
                          worn like a hand-me-down
                                    dress shirt through five generations
                                              bereft of shape and dignity and fit.

     He wished he had his own name -

                         I did.

     And I found my name
     free to be
     designed to the only son
     my mom ever had -
                                to be as grand or plain
                       as I constructed it to be.

This one-size-fits-me tag
                      Stephen Dane Roberson
                                  is the Ist
                                              and only.
     A name that I love
          because it is filled
               with all the stuff I put in it;
and that stuff is me...

a me I wanted to be when I grew up :-)

There was a black and white dog who wore a Mickey Mouse symbol on her back
Had pointy ears and a buttoned nose
Always down to cuddle, lazy days are her favorite in fact.
She is the size of a football
But has confidence the size of a Great Dane
Whom she will try to attack, if he gets to close to our lawn.
I don’t think she realizes that she’s the perfect size for a mid-day snack.
Protecting our house is her priority
Even though she won’t win an attack.

He lay back down from personal disturbance
of otherwise pacific rest, nothing scholarly knowledge has
conceived could cure a nightmare, or a conscience.

Clerk in the worn store
walls breath stale transparent stories, dreams
merely another day in the old man’s shop
until it burns to ash and cinder
smoldering what was once youthful aspiration.


She is waiting, clutching a lackluster gem encased in fool’s gold.
So many nights alone with tears, now again
as the steel beast breaks it’s sleep and
lumbers forward on smooth copper glazed tracks
15 karats fall from car #7 with hardly a sound
or a second thought.


Plains people drink deep the strong whiskey.
Smoke curls from the edges of dark cracked lips
as gray stone eyes peer out on what was once freedom.
The setting sun warms the red brown Naugahyde skin.


Prince of the Dane, sweet protector of truth in a world of
falsehood, what truth did he find? Plato’s truth, Christ’s truth,
Freud’s truth only two choices for a fellow,
so Hamlet died as well


So many dead end alleyways,
calling all the cats from their garbage cradles,
slouching drunkards from their endless revels,
all victims of Fate’s angry fist in the eyes.
Clawing their way toward daylight
from sewers to sanctuary
Hades to haven
or just another...

It'll break cause it's just plastic.
Map out a conquest, a Great Dane on my lap,
Welcome home mat, I burned with a match,
Matt died last spring, April first wasnt a joke,
May 9 is the first time I'll drop acid,
It won't go bad, I hope.

You remember Byron from other poems
I told you about. You can look them up
Later. Most of what I said was true
(Same as Twain -  Mark, not Shania).
When I arrived for my visit, Byron's good friend,
Clive, was there, holding a cold one in his country hands,
Before the wood stove in Byron's man-cave.
They were talking about welding joints,
Or the pitch of a roof frame, or something
I know ******* squat about.
Both men, uneducated, but clever as hell.
Without writing down a measurement,
Or drawing a sketch,
Could reproduce the Taj Mahal.
Like Plato's cave dwellers, they just see it, make it, nail it.
I brought up the problems my daughter is having
With her toy poodle,
And Clive joined in about his disobedient
Great Dane. I'll call him Laertes,
Though his real name is Butch.
Clive says Laertes never stops barking,
Shock collars don't work.
Treats were to no avail.
Obedience School only worked at school.
I could see Byron's hand on his chin,
Looking off and up to his left,
Out the window over the wood stove:
Have you tried speaking Danish to him, asked Byron.
Enough said.

Every time she talks it's like a sassy one eyed glare,
mocking my maleficence with those who are more fair,
he stares at her with wonder as I stare at him in vain,
disappointed with his choice when he is made for one true Dane,
a girl with beauty pure and sweet both inside and Deseret,
of a women put on earth to elope his dreary need.

i love the smell of breath smoldered in alcohol, its sweet and warming, it makes sense until morning like most midnight performing involving you does, i love the way that words taste when their hot and misplaced coming from a mouth laced with hasty lies and replaced theighs, tonight you grab mine and I disguise my surprise, touching you back with dispise, you kiss me like youve done a thousand times, and i know you're not wanting any reply or goodbye, not tonight when you push and i gasp, things happening so fast that you might think youve been unsurpassed but my respect for you comes in dead last. "We have a weird relationship," but really you're giving me permission to ignore the suspicion that gathers when you lay me down for submission, your disposition is hungry and mad, fast and glad, things that don't make sense to a young lad like chad. maybe you know there will be pain in this lame game you play, everything to gain but nothing to maintain, you got it all worked out,  dont restrain, pay attention to the inhumane way he chooses to entertain his left brain, his **** busts a nut and a vein, sputtering to a stop like its gotta a sprain, but really its just a ******* puppy wishing it was a great dane.

Fell asleep thinking about the old house yesterday
And the adventures in the backyard where I used to play
Three acres might seem like a lot for little kid
But I knew those woods better than my parents did
My wooden teepee served as a safe haven
When the world didn't feel like a suitable place to be in
I dreamed about Max my old best friend
Who kept me safe from nightly creatures and boogy men
Just a dog who still has a special place in my heart
A great dane who was five when the world made us part
I thought about the overlook where we dumped our leaves
I remembered the long days just me and the trees
These days those woods have Max and Phoenix too
The Golden retriever who got me and my sisters through
Much of that thing we call childhood
I didn't know it then but now I would
Give anything and everything to go back
And run wild through those backyard paths
Then I was free, I did not care or notice
That things weren't exactly how they were suppose to be noted
Now I reside in this fowl world where I can't spare a minute
Take me back to the time when my world had no limits

Chums are settling
in the back room
of the Feast House ~
post and beam
ember dreams
gray fog fingers
and draping fiords
holding patron's gaze

Dandan is nestled
in a fireside chat
(with a song from Jeremy
playing from
the high rafter)
sail east
and greet the dawn
young man,
distant shores
are converging

Old habits
die hard
for the Great Dane ~
whistling tunes
in a somber minor,
baritone sounds and
orchestra strings
rising from a
distant, muted choir

Ruby lips
and finger tips
scour the
cockeyed soiree
the safe house
is old
and rendered,
but well
worth noting

Filling jars
with pickled pears,
the specialist
weeds the
white maggot
and siphons his
favoured grog

"...shackle the outhouse
my mates!
the foreign scrum
is bolting!"