She stood up against the wooden bar lit by a stale football field that shined florescent green and highlighted polyester blue like a muse of Van Gogh or Galileo. Her hair ran down the nape of her neck like a ****** waterfall and the light of the bar highlighted her sphinx like eyes as she turned and caught his eye. He stood at a small table away from the main bar with a couple of friends who were telling stories of their old college days and he, half-listening, quickly looked away, faking to scratch his eye, for he knew he had been caught looking at the back of her and she, with her women's intuition of being observed and knowing this, kept looking and he knowing the only way not to show he had been caught was to look away quickly and very obviously; like a bad actor caught dumb and silent, clueless of their next line. They blushed and shared the heat of embarrassment in their cheeks with the sounds of worn dollar bills slapping hard against the smooth wood of the bar, the bar man eyeing it angrily as cigarette smoke surrounded them and slowly drifted up like a lost soul toward the ceiling and the piano man, eyes tight shut played for everyone there when no-one cared to listen, all underneath the dim light of the bar as they strained to look away from one another, trying to find something they could put their focus upon, but, at the same time, wanting very much to look back and have their eyes meet by mistake all over again.

He focused on the design of the bathroom placards that were in the right corner of the tiny bar where you had to turn sideways and touch shoulder's with every soul inside just to get a drink. He feigned interest in the bronze design of the men's bathroom: a tiny boy looking down at his pecker as he ****** a 1/2 inch thick stream into what the man gathered to be a sunflower ***. The boy was thrusting his hips forward, both of his hands on his side, and he showed no smile, no grin of satisfaction or victory, just a stark, blank face, as if he were thinking "I am peeing in this ***. That is all." The women's bathroom sign was of a young girl with the same kind of *** the boy had been ******* in, but it was missing the sunflower and was replaced by the *** of the girl. She stared up into the sky and into the ceiling lights and was dramatically reaching for a butterfly or bird - he couldn't make out which - something with wings and made him think of a basic metaphor that this poor little girl just wants to get off the *** and be free like the birds and butterflies and clouds in the wide blue sky.

She focused on the man's shoes. She looked at the black shine and the pristine black shoe laces, all looking like everything had just been purchased that day. "There is not a single scuff on them and the way this man cuffs his pants only a single turn," she thought to herself, "Tells me he has something of a style on him". Not so run of the mill. Something special. Something of interest.* But then, she was annoyed by the cuff of the pants because she remembered that was what all the schoolboys in her prep school would do when the day was rainy or the boys rode their bikes home from school or they were nerds. The memory immediately turned her off of the man all together, but luckily, she put her gaze back on the jet-black, seemingly un-touched leather that told her success, class, and security.

The man heard a loud Cheer's!" from his table, abruptly bringing him out of his distraction. He was forced to turn and as he did, he made sure not to look up. He kept his eyes on the table and looked for the half-full beer with the worn Budweiser coaster underneath it. He could see from the his top periphery that she was still facing him but she was looking down at something toward the floor. He fumbled with his large hands for his glass and panned his eyes up slightly. The woman, seeing the movement at the table, looked up. She stared back to where she had first caught him looking at her and waited. The man felt her looking at him and in the same instant, saw the faded Budweiser coaster and reached for his beer. He picked the glass up and as the second Cheer! was yelled, he clashed his glass against all the others, all the while keeping his head not toward his friend's faces, but turned in the direction of the bar toward the girl. He smiled at her as he lowered his glass, not taking a drink. His friend slapped him on the back and told him," You gotta' drink after the cheers or its bad luck," and so he did, still staring dumbly at her as he did. She nodded at him with a self-conscious and embarrassed grin, raised her nearly gone low-ball glass of gin and tonic and tipped it toward him and turned around to face the bar.

"I"ll stand here and wait for him to come up to me," she thought, "And if he doesn't the man is a coward and a louse and not worth my time. I have looked twice now and there is some rule in some magazine that I read somewhere, that if you look twice at a man that it is sign, not a coincidence. No, it has a purpose and though I barely know what reason I want this man to look at me other then to get a drink out of him and maybe some conversation, I am certain I have looked twice, maybe even three times. Yes. I have looked at him and I have made my interest known and now I must wait for him to either come or stay with his drunken friends. They look like frat boys cheering like that. They look like drunken, silly frat boys that wouldn't know the first thing about chivalry. Hell, they probably couldn't even spell the ****** word." She laughed under her breath and smiled maliciously to herself and caught her own reflection in the mirror and, for an moment, wanted to quickly look away. Her face did not frighten her, for she was a beautiful woman, not her skin, which was milky white with the faintest and gentlest dash of rouge on each cheek, nor her chocolate colored curls that bounded like boulder's down a hillside. She turned away from a look upon her eye she had not seen or had recognized in a very long time. Her eyes were frightened.

"Frightened?" she wondered.

The man put his beer glass on the table on top of the coaster. The foam rested at the bottom of the cup like the thin layer of ice that blows over a frozen lake, barely there at all passing with the wind. He stared at her back and liked how she leaned on her right hip and put the toe of her left high-heel to the ground, rocking the nose of the shoe back and forth like she was thinking about something playfully frivolous. Behind him, the noise of his friends became a hollow echo, drowned out by the draw of this woman. She swung her left heel back and forth like a pendulum trying to hypnotize him. Someone touched his shoulder but he shrugged the hand away as in this echo chamber he could only hear the music change tracks on the juke box. The song had changed to an old Ottis Redding song and there was nothing else in the world that he wanted to listen to in that moment. As he watched her, leaning into the bar seemingly all alone, no boyfriend or girlfriend in sight, he saw her raise her glass to the barman and knew she had something by the gentle nod of the back of her head. He then saw her point with her left finger and tap the rim of the glass. Her drink was empty. She wanted another drink. He would buy her another drink.

"There is nothing in this world that a man is more responsible for than getting a woman like this a drink," he nodded, thinking to himself and trying to pick up his courage,"One that plays with my heart like a kitten would a spool of yarn, and yet also like a vulture who would peck out the eyes of a dead man in the desert. This is nothing more then that obligation. A rule passed down from man to man, from age to age, where chivalry was not for the base reason to lay with the woman, but to honor them, praise them lightly as the rain from a heavy mist and show them to the pedestal every woman, whether they wish to admit it or not, do wish for, sincerely do at least once in there life." He readjusted his belt and realigned his shirt that had gotten crooked after the celebratory cheer and thought some more,"I'm not going to do that here, this pedestal stuff. This is more like a step toward that pedestal. Yes. A step toward the shrine she wants to trust she deserves and will one day end up on. And this shrine is all cast and painted in the blurry french film noir of dream, is it not? Aren't dreams the only thing we hope to one day come true? How often - when and if they do come true - they can sometimes disappoint and eventually turn sour like a bad orange. I hope she is drinking and that wasn't just a tonic water. If this woman doesn't drink I don't think any of this will be worth anything at all."

She stood there serene and angelic, the hand that held her drink now resting on the base of the bar. Behind the man, he heard the chatter of his friends and the drone of football scores and player updates coming from the ten or more televisions that hung from the ceiling. Someone reached out to touch his shoulder but missed him as he left the table. His name then echoed behind him but soon the sound evaporated as dew does that rests on blades of grass in a summer morning to a summer afternoon. There was only her and her smell that had drifted to his table and shrouded him with the scent of white chocolate and smoke and her delicate, porcelain hand that had held up the drink shyly but not weakly, in passing demand without that demanding quality drunk people can get like at bars sometimes. He approached her, hovered behind her, but she did not turn, and then came up to the bar to lean into. He did not turn to look at her, though he wanted to very badly, but looked down at her low-ball glass with two half-melted ice cubes and a used lime. The smell of gin came from the glass and the man smiled to himself and put his hand up to signal the bartender.

"If this man orders his drink first and walks back to that table with all of his drunken friends, I am giving up men all together," the woman thought to herself," * Tonight and forever! If he can put his hand up and not even turn to look at me, as I was doing, I thought, to be very flirtatious but gentle, then I see no reason at all to keep going with men. They are barbarians that only want to eat, drink, sleep, and fornicate with women that are easy and provide no real challenge at all in their life. If he wants it easy, he can have it as easy as he wants, but not with me. No sir. Not with me ever. Not with me for a night, an hour, a minute, or even a second."

The bartender, a stout slightly overweight man that was a little over forty with streaks of grey in his thin, short-cut hair, looking very much like he should be home reading with a nice cup of tea by his side rather than in the bar serving drinks to stranger's, approached the man and asked him what he would like.

"Two gin and tonics please," the man said, "With a slice of lime and four ice-cubes in each."

"And what kind of gin, sir?"

The man turned to the woman, "What label do you drink?" he asked.

"Pardon me?" she stuttered startled, her eyebrows raised.

"Your drinking gin, aren't you?" He nodded his head toward the woman's empty glass. The tiny lines of transparent lime skin floated on top of the water that had gathered from the melting ice-cubes.

"Yes, I am. I was just about to order."

"I'll get this round and you'll get the next one."

"Any gin is fine."

The man turned to the bartender," Tanqueray, please bartender."

He nodded and went to make the drinks.

"Your very perceptive," the woman said as she turned to face him.

"I try."

"I saw you from across the bar, but was afraid to walk up to your table for fear of getting ambushed by all of your friends. Those are your friends, right?"

"Yes," he nodded as he looked over his shoulder at them, "Old college friends all with old stories of college that, truthfully, bring me little or no joy to even hear."

"Then why come at all?" she asked, "You seem smart enough to know that if you meet up with old anything, you'll be hearing about the old times all night."

"I was forced to come."

"Someone getting divorced?"

"No," he laughed, "The opposite. Married."

"Well, I hope it's not you or this would look very bad if your fiance walked in."

"And why's that?"

She clicked her tongue and turned to look at the shelves stocked with every kind of liquor. The bottles reflected the soft orange glow of the lights that circled the bar and the colors of the television screens. The man continued to look at the woman who had turned her back on him and caught their reflection in a bottle of Jack Daniel's. He waited for a response, but she stood there silent, knowing she was playing with him. Behind him, his friends were growing louder and a tray of shots had found its way to their table. The waitress who had brought the drinks, polite and with a smile, asked them to try and keep it down. They shouted "YES'S and screamed "YEAH'S" with moronic smiles on their faces, their heads nodding up and down like a dog playing fetch. The waitress giggled a thank and walked away shaking her head with disgust when she was out of sight.

"Well," she said,"You did just order two gin and tonics and I think if your fiance walked in with you chatting with me with the same drink in both of our hands, I think she would be a little upset. I know I would be."

"Perhaps we could act like we are old grammar school friends and just happened to run into one another?"

"Well, that would be a lie."

"Yes, that would be a lie."

"Which would mean we were hiding something from said wife."

"And what would that be?"

"That you approached me after I looked at you, perhaps the look from me wasn't flirtatious, maybe I thought you looked familiar, like I had seen you somewhere, and you came up to me and ordered me a drink and started a conversation with me, much like we are doing right now."

"What's wrong with conversation?" The bartender approached them and placed the two drinks in front of the man. The man took out his wallet without losing his gaze on the woman, took out a twenty and slid it toward the bartender. The bartender took the twenty, paused for a moment to see if the man wanted any change, but left when he saw he didn't want any by not moving.

"Conversation can lead to very dangerous things," the woman said playfully and wise.

"Your here by yourself and your not stupid; someone is going to come up to talk to you."

"And your that somebody?"

"I'm sure I'm not the first one tonight."

"Your sweet."

"I try," he said as he slid the drink over to here,"Your drink."

"What should we drink too?" She asked and raised her glass, the light above them reflecting in the ice-cubes and thick glass of the high-ball.

"Conversation," he said proudly and with a smile, "And the danger that it brings."

They clinked their glasses together, their eyes never leaving one another, and they both took a long drink.

"I'm not here with anybody and I'm not expecting anybody tonight either," the woman said.

"What's your name?"

"Why?"

"I want to be able to tell my friends I met a very interesting woman, but they won't believe me if I don't give them a name."

"I'm standing right here, silly. Go and tell them you met the most interesting woman in your entire life, look over at me when they ask you what my name is, then point over to me and I'll wave."

"You'll be here?"

"I'll be here."

"Promise?"

"Go, go, go," she repeated, pushing him back toward his table, "You bought me a drink, didn't you? The least I can do is wave to your drunken college friends."

The man walked back to his table, glancing quickly over his shoulder, trying to hide it, before he reached the table. He arrived to all of them drunk, beer spilt on the table and an ashtray full of punched out cigarettes and ground up cigars. Every one of them were rocking back and forth with each other, their arms sloppily hung around their neighbor's shoulders, their eyes blood shot with their mouth half-cracked open barely breathing in the smoky, beer smelling air. The man struggled to wedge his way into the circle, and when he did, he tried to get the groups attention by screaming an

We are heating up
A-glow--- A-star--- A-blaze
Many other well-lit planets
She's luminous like no other
Simply crazed__Fairytales

*She's Peach-Fruitti-Tutti
Godiva loves nuts
All the melt in's
*Mr. Bacio-Hazelnut*
Mr. Pistacchio he got his nose______
Inside their sweets____Pinnochio
She's the Light-up Icecream Cone  

Moods are like ice cubes
hot and cold websites
I prefer cold zone
Feeling like
Eskimo in Alaska

Miss Prima Donna
Oh! Donna is her name
Gelatos are not all the same
We are not here to have
special privileges

Robin lost some ruffles
Polar bears ice Igloo
College boys with their sports mug
Polo shirts Santa hoo duffle bags
We don't know what she knows
or what he likes the stars
of the Cosmo we are not
here to win someone's love
OH! Yes Lotto

We are not professors or wizards
Harry Potters, they have some
Pots not a fan of pans got
some ****
**** so cool menthol smoke indeed
Around the Gelato in eighty days
The Race of a drive
computer clicks one-day creation flag
Hens and chicks laid the golden egg

Mr. Egghead meeting Conehead

His tasters choice  
 She loves Mr. Maxwell Mansion
This is Italy the Art sculptures
Sweet Gelato lips say a
thousand words of pleasure
We travel with Exotic lovebirds
Saving the Ice blue diamond
Icecream wreck what a she
gains more than a pound
Mama Mia,
not the Chia job plant
 Over the rainbow
chill out pants
Having Gelato clean
as mint float

To the waffle cone top
of the mountain sugar coat
Niagara Falls here
"Gelato calls"

What spaghetti my name is
Carretti
Mr. Alfredo his physique and
passion for food
Feeling like the comics
Having fun marveling
Carvel walking through
the love tunnel
  
Hot ladies how do they ever
Decide iced up inside

Hothead Alfredo throws
the dough
She coughs he laughs
The pizza everyone's
the head is turning beet red
Something is burning exorcist,
Lady in red pizza list

Back in Brooklyn best
Pizza and Italy (Rome) Venice (Florence)
But Bensonhurst Saturday night fever
With Nightingale Mr. Chippendale
He's chatting away on his cell phone

With her Gelato looking at the
stars of the men spiritual experience
The Cosmos feeling meltdown presence
St Thomas sunny like yellow
gelato melting

Being a saint please don't faint
A food critic dessert
*** a hex playful flirt
T Rex mighty green lime
The love fallout of coconut
He's the hottest man
on earth Pluto
Being whole flavor or 1/2 pint
of Vanilla Sky scholar or
Intermission Icecream internship
The Canadian cup another trip

  Nike air what an ice cream pair
Going back to New York City
Rockettes icecream kick
He's on his time feeling the royalty
Lets bow to the dogs best friend
French barrette in her ice blue
Corvette, she is 'Ice Queen"
Super Ice me, Hero

Do what the Romans do
Lend me your warm soul of hands
Getting married Italian medieval rings
For my next Gelato adventure
escape be polite on Google
Mr. Alfredo loves all kinds of noodle
The shape of Cone's to come in her head

Not an Antman, please or fly by night
Icecream Cone Head Batman
*But I am a woman named Robin
Christopher Robin, Robin Hood
Why are boys and girls name alike
**** good humor lady
Good humor truck
Where is her order head chef
shrimp scampi
In the islands of Sorrento

What a time for ironing
What a waffle shirt eating
his waffle
Icecream with ladybugs and dirt
So many varieties mental thing
Everything icecream you scream
What a college Varsity every year  
"Hot lady Gelato's" head of the dean
list oh! No
[Mr. Alfredo} ice cream chair with
another Gelato pair
Chiao for now

I broke up with God
at our favorite eatery
in our favorite booth.

We settled into familiar creases
and asked for the usual.

My eyes lazily staring at fingers
stirring the straw around the ice cubes,
God cautiously spoke up:

“Is something wrong?”

“Nothing.” (Thinking about the dormant phone
concealing behind the lock screen
the open Facebook tab
lingering over the relationship status section.)

They silently mused over the laconic reply,
til the waitress showed up with the food.

“Thank you!” God blurted with agonizing alacrity.

I received the sustenance lifelessly
and aimlessly poked at the burgers and fries.

The waitress eyed me with vague inquisition,
popping a bubble in the gum between
big teeth, refilled my water
and pirouetted hastily.

We ate in ostensible harmony,
the silence gripping like a chokehold,
the visible anxiety and subdued resolve
settling like a stifling blanket
over the child waking
from a nightmare—

Til we couldn’t breathe,
and I ripped back the covers
and looked into the eyes
of my tormentor.

“It’s not you, it’s me.”

God, taken aback by the curt statement,
dropped their burger with shaking hands,
silently begging with wetting eyes
a greater explanation.

So I elaborated:

“It’s not you, it’s me.

For your immaculate conception
was created by human hands,

your adages rendered obsolete
by human words,

your purpose and plan for us
distorted by human nature—

I cannot hate myself any longer.

I cannot pretend to know you at all.

Who my mother and father say you are
is not who my friends think you are,
nor my teachers, my pastor,
the president, Stephen Hawking,
Muhammed, the KKK, Buddha,
the Westboro Baptist Church,
Walt Whitman, Derek Zanetti,
******,
and Billy Graham.

I am told you care who I bring into bed (and when),
and what movies I watch,
and what music I listen to—

I have not heard what you say about
child soldiers, the use of mosquitos,
or the increased destruction of the earth
which you proudly proclaimed your creation,
or the poverty and disease and famine
which has ridden so many of your children—”

God interjected,
“But you’re chosen!”

I snorted,

“You say I’m chosen
to spend eternity with you—
why me?

Why’d you pick me among
thousands, millions, billions?

I’ve been told I’m ‘chosen’
since birth
by others like me—

those with fair complexion,
blue eyes,
blonde hair,
a firm overt ****** attraction towards women,
and a great big house
with immaculate white fences
delineating their Jericho.

I’ve already fabricated eternity
here among the other ‘chosen’
and there is a world of suffering
right outside the fence
and I see them
through the window of my bedroom
every day.

Am I chosen,
if I don’t vote Republican

Am I chosen
if I am Pro-Choice

Am I chosen
if I cohabitate with my girlfriend

Am I chosen
if I never have kids

Am I chosen
if I say ‘Happy Holidays’

Am I chosen
if I don’t want public prayer in schools

Am I chosen
if I don’t want a Christian nation

Am I chosen
if I don’t repost you on my wall
or retweet your adages?

I’m tired
being the ubermensch,
for it has not brought me
happiness
and I blame you.

I will not ignore
the cries of the suffering
believing it is I
who is destined to live
in bliss.

I will not buy
Joel Osteen’s autobiography(ies).

I will not tithe
you my money
for a megachurch
when another homeless shelter
closes down.

I will not tell a woman
what to do with her body,
or a man
that he is a man
if they say they are not.

I am neither Jew nor Gentile,
and I will stand with
my brothers and sisters
of Faith and Faithlessness,

Gay and Straight,
Black and White,

and apart from these extremes
free from absolutes
the ambiguous, amorphous
nature of Humankind
which I praise.

There is much pain and suffering
in this world,
potentially preventable,
but hardly can I believe
it’s part of your plan
to save
me.

I will not be saved
if we are not
all saved—

not one will burn
for my divinity.

The gates will be open to all—
and perhaps you believe that too,
but I’ve gotten you all wrong
and that cannot change,
as long as there is
mortality, and
corruption, and
power, and
lust, and
greed.”

God whined, growing bellicose,

“It is through me that you will find eternity,
I am the one true god!
I am the God of your fallen ancestors,
it is because you have fallen short
that you need me!”

I replied, growing in confidence,

“We have all fallen short,
yes,
but we are also magnificent.

We have evolved,
we have created,
we have adapted,
we have survived.

We have built empires,
and we have destroyed them.

We have cured diseases,
and we have created them.

We have done much in your name.
We’ve done good,
and we’ve done evil—

And unfortunately it’s all about
who you ask.

Your name is a burden on the oppressed
and a weapon of the oppressor.

You are abusive, God.

You tell me you are jealous.

You tell me apart from you I will suffer for an eternity.

I’m scared to die, yet want to die,
because of you.

You have made life a waiting room
that is now my purgatory. It is

Hell On Earth.

So you see,
it’s not you,
it’s me—
a mere mortal
who has tried to put a face
to eternity
and it has left me
empty.

And also,
it’s me,
for I have learned to love me,
as I have expelled your self-loathing imbibition,
and the deleterious zeal
I have proclaimed
through ceaseless
trepidation
and self-flagellation—

I have learned to love me
by realizing I am not inherently evil,
that my body is not evil,
that my mind is not evil,
and, ultimately, that
there is no good
and there is no evil.

My body is beautiful,
my mind is beautiful,
this world is beautiful,
and we are destroying it
waiting for you to claim
us.

I leave you
in hopes to see you
again one day,

and perhaps you will look
different than I have
perceived or imagined,

and in fact
I certainly hope so.”

Just then the waitress strolled back up
with a servile smile:
“Dessert?”

“No, thank you,”
I smiled politely.

And with that,
I paid the check,
and took a to-go box—

walked out into the evening rain
to my car,
put on a secular song
that meant something real to me
and drove off
into the night—

feeling for the first time
free
and alive.

*****

I like *****, I like ****,
before you touch, you must get permits.
Nothing like a nice pair of assets,
oh how puppies make nice pets.
Bazongas are ***** that are large,
strippers and hookers, will always charge.
Nothing like the perfect *****,
but only on the perfect woman.
******* are yummy dark or white,
but first you must wait for an invite.
Some girls even have a third ******,
do not squeeze says Mr. Whipple.
I don't mind girls on the itty, bitty, ***** committee,
on a carpenters dream, I show no pity.
They could be called a bust, some call them cans,
a woman's squeeze box, all men are fans.
Chesticles is a term I have never heard,
but everyday, I learn a new word.
I like cones, I like jugs,
girls with big ones, I give hugs.
Al Bundy loved calling them *******,
at the restaurant, I wish I was one of the recruiters.
A girl with a nice set of knockers,
might find herself with unwanted stalkers.
Fergie sang about her lovely lady lumps,
a good set of melons, still give me goose bumps.
***** always come in a pair,
why do bra's, they have to wear.
Even men who smoke lots of crack,
still can appreciate a good sized rack.
I don't care if there fake or real.
in a crowded room, I always cop a feel.
Girls love showing off some cleavage,
I wish I lived in a ***** village.
Babies need breast milk to make them stronger,
if the mom is hot, they may do it longer.
In conclusion, I love *****,
with whipped cream or melting ice cubes.

Backstory: A Memoir

For Vicki

By AT

5

While I was downstairs, folding laundry in the basement, I heard my sister Vicki stomping upstairs to the room that used to be mine, slamming the door, and locking it shut.

I was a ****** older brother. And Vicki learned that action from me.
Then, I heard more footsteps. Louder stomping. And I knew, with certainty, it was Mom coming after her.

I'm not an omniscient narrator, so I don't know what Vicki does when the door is locked.

But I do imagine she is reading. Vicki’s been using her Kindle that Mom got her for Christmas. She adores Gillian Flynn and Suzanne Collins. She's starting to get into Philip Pullman which is swagger. I remember reading His Dark Materials when I was in elementary school.

The Golden Compass ***** you into that world, like during June when you're hitting a bowl for the first time and you're 17, late at night on Bethany beach with your childhood best friend, and the surf is curling against your toes, and the smoke is trailing away from the cherry, and you begin to realize that life isn't all about living in NOVA forever, because the world is more than NOVA, because life is bigger than this hole, that to some people believe is whole, and that's fine, that's fine because many of our parents came here from other small towns, and they wanted to do what we wanted to do, which is to pack up our stuff into the trunk of our presumably Asian branded car, and drive, drive, until they reach a destination that doesn't remind them of the good memories and the bad memories, until memory is mixed in with nostalgia, and nostalgia is mixed in with the past.

Maybe I'm dwelling on backstory, maybe you don't need to hear the backstory.

But I think you do.

Life isn't an eternity,
what I'm telling you is already known, known since there was a spider crawling up the staircase and your dad took the heel of his black dress shoe and dug his heel into that bug. And maybe I'm buggin’, but that bugged me, and now I'm trying to be healthier eating carrots like Bugs. Kale, red onions, and quinoa, as well. Because I want to be there for my sister, Vicki my sister. All we got is a wrapped up box made from God, Mohammad, and Buddha.

Soon, I heard Vicki’s door handle being cranked down and up, up and down.

Mom raised her voice from a quiet storm to a deafening concerto.  
Then, there was silence, followed by a door slamming shut.

Welcome to our life.
Later on that night, Vicki sped out of our cul-de-sac in her silver Honda Accord—a gift from Mom to keep her rooted in Nova—and even from the front porch of my house, I felt a distance from her that was deep and immovable.

I sank deeper into my lawn chair and lit a jack, but instead of inhaling like I usually did, I held it out in front of me and watched the smoke billow out from the cherry.

I always smoked jacks when she was not there, because I didn’t want her to see me knowingly do this to myself, even as I was making huge changes to my life. It’s the one vice I have left, and it’s terrible for me, but I don’t know if she understands that I know both things. Maybe instead of caring about what jacks do to my body, I should care about what she thinks about what I’m doing to myself. This should be obvious to me, but sometimes things aren’t that obvious.

4

As we grew older Vicki and I forged a dialogue, an understanding. She confided in me and I confided in her, sharing secrets, details about our lives that were personal and private, as if we were two CIA agents working together to defeat a totalitarian government—our tiger mom.

But seriously our mom was and still is swagger as ****—rocks Michael Kors and flannel Pajama pants (If I told you that last article of clothing she'd probably pinch my cheek and call me a chipmunk. Don't worry I'm fine with a moderation of self-deprecation).

The other day Mom talked to me about Vicki and explained that she was upset and irritated with Vicki because of her attitude. I thought that was interesting, because I used to have the same exact attitude when I was my sister’s age and I got away with a lot more ****, being that I'm a guy and the first-born. I understood why she would shut the front door, exit our red brick bungalow, and speed away in her Honda Accord, going towards Clarendon, or Adams Morgan, spending her time with her extensive circle of friends on the weekdays and weekends.

Because being inside our house, life could get suffocating and depressing.
Our Grandparents live with us. Grandpa had a stroke and is trying to recover. Grandma has Alzheimer’s and agitates my mom for rides to a Vietnamese Church. Besides the caretakers, Mom, Dad, Vicki, and I are the only ones taking care of my grandparents.

Mom told me that she believes that Vicki uses the house as a hotel. Mom didn't remind me of a landlord, and I believe that Vicki doesn’t see her as that either.

I didn't believe Vicki was doing anything necessarily wrong.

She had her own life.

I had my own life.

Dad had his own life.

Mom had her own life.

I understood why she wanted to go out and party and hang out with her friends. Maybe she was like me when I was 21 and perceived living at home as a prison, wanting to have autonomy and freedom from Mom because she was attempting to make me conform to her controlled system with restraints. But as Vicki and I both grow older I believe that we see Mom not as an authority figure; but, just as Mom.

Vicky and Mom clash and clash and clash with each other, more than the Archer Queens of The Hero Troops clash with the witches of the Dark Elixir Troops.

They act like they were from different clans, but they're both on the same side in reality.

The apple does not fall far from the tree. And in this case the tree wants to hang onto the apple on the tip of its rough, and yet leafy bough.
Because the tree is rooted in experience and has been around for much longer than the apple.

But the apple is looking for more water than the tree can give it. So the apple dreams about a summer rain-shower that will give it a chance to have its own experience. A similar, but different one, to the darker apple that hangs from a higher bough, an apple that has been spoiled from having too much sun and water.

3

During Winter Break, Vicki scored me tickets to a game between the Wizards and the Bucks. From court side to the nosebleeds, the audience at the Verizon Center was chanting in cacophony and in tempo. Wall was injured. But Gortat crashed the boards, Nene' drained mid-range shots, and Beal drove up the lane like Ginsberg reading Howl.

Vicki and I both tried to talk to each other as much as we could; unfortunately, Voldemort—my ex-gf—sat in between us and was gossiping about the latest scoop with the Kardashians.

Nevertheless, Vicki and I still managed to drink and have an outstanding time. But I should have given her more attention and spent less time on my smartphone. I was spending bread on Papa John's Pizza and chain-smoking jacks during half-time, and even when there were time outs. When I would come back and sink into my plastic chair, I'd feel bloated and dizzy.
And I'd look over at Vicki and either she was talking to Voldemort, or typing away on her smartphone. I didn't mind it at the time, but now I wished I had been less of a concessions barbarian/used-car salesman chain-smoker, and more of an older brother. I should have asked her about her day and her friends and her interests.

But I didn't.

Because I was so concerned about indulging in my vices like eating slices of pepperoni pizza and drinking overpriced beer. There's nothing wrong with pizza or beer. But as we all know the old saying goes, everything is about moderation.

Vicki scrunched her nose and squinted her eyes when I would lean forward and try to maneuver around Voldemort, trying to talk to her about the game and the players in it. I imagine that when she smelled the cigarette smoke leaking away from my lips, that she believed I was inconsiderate and not self-aware.

After the game, we went to a bar across the street from the Verizon Center, and bought mixed drinks. Voldemort was D.D., so Vicki and I drank until our Asian faces got redder than women and men who go up on stage for public speaking for the first time.

I remember this older Asian guy was trying to hit on her.
I took in short breaths. Inhaled. Exhaled. I cracked my shoulder blades to push my chest forward.  

And then, I patted him on the back and grinned. The Asian guy got the message. You don’t **** with the bodyguard.

Vicki had and still has a great boyfriend named Matt.

I guided Vicki back to our table and laughed about the awkward situation with her.

The Asian guy craned his head toward me and did a short wave. And then he bought us coronas. Either, you’re still hitting on my sister, or it’s a kind gesture. She and I better not get... Or am I overthinking it?

But seriously, I wished I had been the one to spend money on her first—she had bought the first round of drinks. Because at the time, my job was challenging and low-paying. Or maybe I just wasn't being frugal enough and partying way too often.

I still remember the picture that a cool rando took of us, drinking the Coronas, and how I was happy to be a part of her life again. Our eyes were so Asian. I had my lanky arm around her small shoulders, like a proud Father. She had her cheek propped up by her fist, her smile, gigantic and beaming, as though she had just won Wimbledon for the first time.
I was wearing a white and blue Oxford shirt that she had gotten me for Christmas with a D.C. Rising hat. She had on a cotton scarf that resembles a tan striped tail of a powerful cat.

My face was chubby from the pizza. Her face was just right like the one house in Goldilocks. The limes in the Coronas were sitting just below the throat of the bottles, like old memories resurfacing the brain, to make the self recall, to make the self remember how to treat his family.
Or maybe this is just a brand new Corona ad geared towards the rising second-generation Asian American demographic? I'm playing around.
But end of commercial break.

Vicki pats me on the back and we clink bottles together. Voldemort is lurking in the background, as if she's about to photobomb the next picture. Sometimes I don't know if there's going to be a next picture.
Either we live in these moments, or make memories of them with our phones. And like sheep following an untrustworthy shepherd, we went back to our phones. She made emails and texts. I went on twitter in search of the latest news story.

2

Before Vicki and I opened each other's presents, I remember I blew up at Mom and Dad, and criticized everyone in the family room including Vicki. It was over something stupid and trivial, but it was also something that made me feel insecure and small. I was the black sheep and she was the sheep-dog.

I screamed. Vicki took in a deep breath and looked away from my glare, looked away to a spot on the hardwood floor that was filled with a fine blanket of dust and lint. I chattered. She rubbed her fingers around the lens of her black camera and shook her head in a manner that suggested annoyance and disappointment. I scoffed. She set the camera down on the coffee table and pressed the flat of her hand against her cheek, and glanced out the window into the backyard that was blanketed with slush and snow.
Drops of snow were plunging from the branches of the evergreen trees and plopping onto the patches of the ground, plunging, as though they were little toddlers cannonballing off of a high-dive.

She turned back and looked at me straight in the eye, so straight I thought she was searching for the answer to my own stupidity.

I cleared my throat and said, “I need a breath of fresh air.”

Vicki bit her bottom lip, sat down, and put her arms on her knees, a deep, contemplative look appearing on her face.

I stormed into the narrow hallway, slammed the front door back against its rusty hinges, and trundled down my front driveway, the cold from the ice and the snow dampening the soles of my tarnished boots. I lit a jack at the far end of the cul-de-sac and counted to ten. I watched the cigarette smoke rise, as the ashes fell on the snow, blemishing its purity and calmness. I inhaled. I exhaled. I could feel it in the pit of my stomach that Vicki knew I was having a jack to reduce my stress, stress that I had cause all by myself. I ground the jack against the snowy concrete, feeling the cold begin to numb my fingers that were shaking from the nicotine, shaking from the winter that had wrapped itself around me and my sister.

When I came back inside of the house, I told Mom and Dad I was being an idiot and that I didn’t mean to be such an *******. I turned to Vicki and put my hand on her shoulder, squeezed it, and smiled weakly, telling her that I didn’t mean to upset her.

She nodded and said, “It’s okay bro.”

But her soft and icy tone made me feel skeptical; she didn’t believe me. I didn’t know if I believed my apology. Minutes later, I gave my present to her.

Her face brightened up with a smile. It was a gradual and cautious smile, a little too gradual and a little too cautious. She hugged me tightly, as though my earlier outburst hadn’t happened.

She opened the bank envelope and inside was a fat stack of cleanly, pressed bills that totaled a hundred. Being an arrogant, noob car salesman at the time, I thought it was going to be a pretty clever present. I could have given her a Benjamin, but I thought this would make her happier, because it showed my creative side in a different form.

I remember seeing her spread the dollar bills out, as if the bills were a Japanese Paper fan. Vicki told me not to post the picture I had taken on insta or Facebook. I smiled faintly and nodded, stuffing my smartphone back into my sweatpants pocket. I understood what she wanted, and I listened to her, respecting her wishes. But I also wasn't sure if she was embarrassed and ashamed of me. And maybe I was overthinking it. But again, maybe I wasn’t overthinking it. Social Media, whether we like it or not, is a part of life. And in that moment, I actually wanted social media to display this a single story in our lives. I wanted to show people that Vicki was the most important person—besides my parents—in my life. Because I was so concerned with how people viewed me and because I lacked confidence, lacked security, and lacked respect for myself

Vicki's present to me was a sleek and blue tie, a box set of mini colognes, and refreezable-ice-cubes. I think she called it the car salesperson kit. But I knew and still know she was trying to turn me into an honest and non-sketchy car salesman. And you know what, I was genuine, but I also couldn't retain any information about the cars features—to reiterate my Grandma has Alzheimer's, my mom writes down constant notes to remember everything, and I forget my journal almost every time I leave the house.

After Christmas I wore the tie to work a few times, but the mini colognes and ice-cubes never got used by me. They stayed in the trunk of my Toyota Avalon. I should have used the colognes and the ice-cubes, but I was too careless, too self-involved, and too ungrateful.

1

Back in the 90’s, when we were around 3 and 6 years old, Vicki and I shared the same room on the far left end of the hallway in our house. She had a small bed, and I had a bigger bed, obviously, because at 6 foot 1, I was a genetic freak for a Vietnamese guy. I read Harry Potter and Redwall like crazy growing up, and I would try to invent my own stories to entertain her. Every night she would listen to me tell my yarn, and it made me feel that my voice was significant and strong, even though many times I felt my voice was weak and soft, lacking in inflection, or intonation.

I had a speech impediment and I had to take classes at Canterbury Woods to fix my perceived problem. I wanted to fit in, blend in, and have friends.
Back then Vicki was not only my sister, but my best friend. She used to have short, black bangs; chubby cheeks, and a dot-sized nose—don't worry she didn't get ****** into the grocery tabloids and get rhinoplasty. She wore her red pajamas with a tank top over it, so she looked like a mini-red ranger, and her slippers

Words are Power
Power is Money
Money Is Pizza
Pizza Is God
So give me your words and no one gets hurt

Pizza is all that I believe in
Pizza is me
I am Pizza
And if I take you words
Then I take you power
And I get your money
And with that money I buy pizza

Pizza solves everything
Its fills the hole in my heart
And it fills the holes in my Arteries

Clearly Pizza is God
For Without it
How can we Live?

The mighty cheese Overlords
Watching us from their Oven thrones
Bathing us with the sweet smell
Of pepperoni happiness
All Hail Pizza
All Bow Down to pizza
Curtsy to Pizza
Perform Choreographed dance numbers for Pizza
Kiss the trays that they sit upon


In fact I fail to understand
Why you’re listening to this poem
And not eating Pizza
What is wrong with you?

Have you ever met a person
That hates pizza?
No!
No one hates pizza!


But if they do….
Don’t trust them
Don’t look at them
Don’t think about them
Don’t friend them on Facebook
Run away from this person
Do not trust this Pizza hater
For they do not deserve your love
Or your Pizza
For These cheesy pies of greatness
That comes in rectangular cubes of cardboard
Graciously land upon our doorsteps
And impart to us
The gift of happiness
It brings the whole family together
And makes everyday better

Pizza does not discriminate
No matter what you look like
Or what you like
Pizza will always be the same
Delicious
Pizza lives on in every country
And in every ones hearts
We should thank our pizza overlords
For the awesomeness that they have brought us

Instead of dropping bombs
We should drop pizza
End all Wars
And solve world hunger!
Instead of having Congress sit there and do nothing
Have them sit there and eat pizza
We should make Papa John our President
And have a large deep crust as a flag
Land of the brave and home of the Pepperoni
Everything would be perfect

Because
I like my pizza
Like I like my people
I don’t care what you look like
What you do
Or what you say
As long as you have
That gooey cheesy heart that makes everyone smile
I will love you forever
And I’m sure you taste delicious

………not that I'm advocating cannibalism
that would be crazy!

But….Imagine all the people tasting like pizza?

Befriending them
Getting to know them
Killing them
With a rolling pin or a frying pan
Sprinkling some cheese on them
Add some cilantro
Bake them in an oven on high at 450 degrees
Leave them in the oven for another ten minutes so they cool down
Sprinkle a little salt on top and some Tapatio
Slice them up and have them for movie night
I mean come on….
Imagine it!

Imagine how **** delicious some people would be!

Hanging in space,
suspended in nothingness,
tiny little cubes
with rounded edges
glistening brightly
like bulbs;
they're moments.

Some moments are nice
and some worth writing about.
The best moments **** time;
Earth spins slowly,
your bones tilt
your guts twist
and then it's over
like blown-out candles
just like that.

The tiny little cubes are snapshots,
they capture the moments
and they won't shake them after they come out.
The cubes are collages
of your entire life
of the feelings you've felt
the experiences you've had
and your love wrote a cute note at the bottom of the picture.

The tiny little cubes go unnoticed
by most people
but you.
However,
the moments still exist
as long as there are someone
to remember them.

Why am I so dif-fer-ent?
They say I’m out of touch.
Why am I, ple-nar-ily sad?
This life it hurts so much.
And why do they come, come every day?
Shush, quiet now, they’re here.
Those awful tormentors of my soul all cackling and queer!
Whirling head of spinning revolutions,
…feel my stomach ache and pang.
Why will they not leave me alone?
This crew of darkness; Blackbird Gang.

I shouldn’t always feel like this, feel such solemn pain,
…troubling and trouble is these birds are driving me insane!
I’m screaming now! I’m mad with rage! Throwing ice cubes at my deck,
“Go away! Yes, go away!” -their numbers must be kept in check.
Blackhole-whirl, flying twirling darkness, their funnel it points to me-e-e-e-!
For too many is too painful and my mind’s a constant wreck!
One cannot think with those infernal be-e-e-asts,
...and the crazy song they sang.
Why do they so punish me?
The crew of darkness; Blackbird Gang.

I know they serve the Saturn’s wheel and now they’ve come for me.
What did I do? Oh what great sin, oh the blackbirds from within;

The Abyssimal Sea?

Their whirlpool funnel is all around, as my harried soul, it expiates.
I’m done-in; I’m over now, a sorely victim of the Fates!
They took me, took me away, when the tolling bell it rang.
Why could they not leave me alone?
The crew of darkness; Blackbird Gang.

If you find yourself all alone and mired in their thought,
…do not think, extirpate, all the human damage that you’ve wrought.
His flock of fledgling melancholy musical formation,
…will take you away and straight to Hell; the Seventh Circle congregation!
For they took me, took me away, when the tolling bell it rang.
And they will not leave you alone.
This crew of darkness; Blackbird Gang.

I wish I could freeze my happiness
In little ice cubes
So when I'm having a bad day
I can just pop one in my mouth
And let it melt my worries away.

A rhombus is my favorite, crooked square.
I like haunted houses with windows with faces
and fun houses with mirrors that oval circles
that distort my body two hundred degrees.

I like haunted houses with doors at right angles,
and half moon neon protractors
that blur every shape zero degrees.  
I like cubes I stack four cubes high.

I like half moon neon protractors
and scientific calculators.
I like cubes I stack ten cubes high
and old houses with ceilings that creak.

I like scientific calculators
and dividing eight billion by pi.
I like old houses with ceilings that creak
with cylindrical cans filled with old beets.

I like dividing eight billion by pi
and fun houses with mirrors that stretch right angles.
I like old houses with crooked windows,
like I said a rhombus is my favorite.

Watching the colour drain out of someone’s face,
like ice cubes melting shades out of your coffee.
Branches falling off your favourite tree,
foreshadowing its winter death,
but you pretend you don’t know.

Watching someone you love fall over the same step each time,
like they see a ghost every time they turn left,
so they keep turning left,
And they scream “Why is it always going wrong?”

Watching your brother beat himself black and blue,
like the kids used to do at school,
And now all he recognizes is his beaten back and bleeding knuckles,
but he is so much more than the pain he holds in his hands.

I’ve been watching you break bridges with your voice since I was a child.
I’ve been watching you use fists to communicate since I was a child.
I’ve been watching you self-medicate since I was a child.
I learned from the best,
don’t you see?

Watching you love a woman made me angry,
maybe I knew all along she’d only leave a knife in your back,
after you stabbed her in the front.
At least she saw you coming right?

Watching you break down made me fall apart,
maybe I was hoping I’d become strong,
but watching you suffer felt like being suffocated.
Yet you were the only one suffocating.

Watching you not exist in my life the way you used to took a part of me away.
It’ll never be the same again.
Do you remember all the days we spent doing nothing,
but doing nothing together?
I felt so alive.

I’m watching myself search for you in everyone I meet,
just to get some pieces of you back.
I’m watching myself run away from the person you are,
but I’ve been stuck in quicksand since you left.
I’m watching myself drown as I realize how quickly life changes,
and how quickly it ends.

I walk into my office/abode, closing the door behind me. It's 9:00 PM. Well, 9:03 PM. I sit down at my desk and open my laptop, placing a tall glass of diet cola on the mouse pad next to the computer as a make-shift coaster. Three ice cubes float in the bubbling blackness. I've found two ice cubes won't make your beverage cold quickly enough, while four ice cubes will overpower it — water it down. You can't have that. It's got to be three ice cubes.

I open up my word processor to a new document. I've got to write something — this blank rectangular expanse has haunted me for long enough. I type some gibberish, then delete it. What do I want to write? I remember reading somewhere you're supposed to write what you like.

I minimize the page and open the Internet. No new emails. I could watch **** for a bit. I've always preferred the "amateur" videos because the people in them resemble actual people. You know, the guy's a little overweight, and the girl's got excessive arm hair, or a weird mole. He mounts her from behind, sweating profusely. Their bodies jiggle for ten or fifteen minutes. There's no eye contact, but you can tell they're in love. The TV's on. The guy looks up at it sporadically. Maybe makes a face at the cell phone he's filming his ******* on. The picture quality is low, and the audio is pretty tinny, but you can usually make it out all right. I saw this one video of a guy and a girl getting it on and some other dude was there filming it. You could tell it was an amateur video because she was kind of weird-looking. But, like, did he ask his buddy to come back to the motel with this chick he picked up and film them *******?

No, I can't get behind all that glossy, glamourous, professional ****. There's too much Botox and plastic surgery. They look too good. And it's all fake, too. These people have *** for a living. Watching them go at it, it just feels empty. They're not really into it. And I don't know if seeing guys with twelve-packs and ten inch ***** invokes a certain inferiority complex in me or what it is, but I know I just don't care for it.

Okay. Back to the writing. Now, what do I like to write? I like action movies, so... how about... a serial killer. No, a contract killer. So it's a serial, contract killer who... but there has to be some sort of conflict. Okay, a serial contract killer who falls in love with... but there needs to be something that makes it unique. Something unique that sets it apart. So how about he... or she?... she falls in love with...

I wonder if I have any new messages on Plenty of Fish. Maybe that cute brown-haired Asian-looking girl responded to me. What does "D2F" mean?

No, she hasn't. Well, when did I send the message? Yesterday night? Let's see when she was last online...

Today, at 4:13 PM.

Ah.

Well, maybe she just didn't notice it.

Yeah. That's it.

Maybe the target falls in love with the killer. Maybe they meet early on and they hit it off or something at some swanky soirée. And then... she's hired to **** him. Or her. Yeah, that could be interesting: a lesbian contract killer. Never seen that before. But she's got to be hot. Yeah. Not like the monster Cameron Diaz played in that movie... Monster. But who hires her? Her husband? Yeah, that might work. But would he **** her for being a *****? Or maybe... she stole something from him. Some money. Or she found out he's a criminal, and she's gonna squeal.

Lesbian **** is interesting. Especially when they use the strap-on thing. But I don't know why they **** on it first. I mean, it's just plastic. Maybe they know it's mostly going to be guys watching it. Who knows.

But seriously, why would that cute Asian girl not respond to my message? Her profile did say "msg me :)", after all. Her profile said her favourite book is Fight Club. I think she meant the movie. I wrote "haha ya brad pitt is the shiiit". I don't know. I never know what to write in those messages. I always feel obligated to say something about their profile so they know I didn't just look at their pictures.

I'm good-looking, aren't I? I've had girlfriends. I've had *** a bunch of times. I haven't had *** in a while, but... okay, so I don't have a six-pack, but I go to the gym. I just get so anxious with all those muscly dudes walking around. Maybe I should get a private trainer.

I need more diet cola. No, wait — no more soda. Maybe all that aspartame is messing with my head. Anyway. Back to the contract killer. How many pages do I have? Six. Well, the average movie is about a hundred minutes, and if one page equals one minute in screen time, I'm only... oh look, I got a new email.

Stef341 has responded to your message.

"not my type, sorry"

Huh.

Well, whatever. Fight Club is a stupid movie anyway. How are Brad Pitt and that other guy supposed to be the same guy? That doesn't make any sense.

Back to the script. I need a title. Every good movie has a good title. How about The Lesbian Killer? No, that's too risqué. Nothing with lesbians in the title. This is a serious movie. With a lot of passion. Maybe a *** scene or two. Whatever, I'll just call it The Contract Killer. Starring Cameron Diaz.

The four fundamental forces:
Zeus, Aphrodite, Ares (or Mars), and Adam and Eve.

                            <<0>>                                          >> 0 <<

             Electric field induced by             Electric field induced by
            a positive electric charge            a negative electric charge

"Deutsch thinks that such 'jumps to universality' must occur not only in the capacity to calculate things, but also in the capacity to understand things, and in the closely related capacity to make things happen. And he thinks that it was precisely such a threshold that was crossed with the invention of the scientific method. There were plenty of things we humans could do, of course, prior to the invention of that method: agriculture, or the domestication of animals, or the design of sundials, or the construction of pyramids. But all of a sudden, with the introduction of that particular method of concocting and evaluating new hypotheses, there was a sense in which we could do anything. The capacities of a community that has mastered that method to survive, to learn, and to remake the world according to its inclinations are (in the long run) literally, mathematically, infinite. And Deutsch is convinced that the tendency of the world to give rise to such communities, more than, say, the force of gravitation, or the second law of thermodynamics, or even the phenomenon of death, is what ultimately gives the world its shape, and what constitutes the genuine essence of nature. 'In all cases,' he writes, 'the class of transformations that could happen spontaneously--in the absence of knowledge--is negligibly small compared with the class that could be effected artificially by intelligent beings who wanted those transformations to happen. So the explanations of almost all physically possible phenomena are about how knowledge would be applied to bring those phenomena about.' And there is a beautiful and almost mystical irony in all this: that it was precisely by means of the Scientific Revolution, it was precisely by means of accepting that we are not the center of the universe, that we became the center of the universe."

Danger comes from the root bad brakes and bald tires. Chain saws
      and wildfires. Poisonous
ideologies, housecleaning chemicals and toiletries. Powerful
      industrialists, alcoholic fathers.
Invasive species, illegal immigrants. Concentration camps, attention
      deficit disorder.
Performance phobia, identity enhancements. Pleasure, applause.
      Quiet moments, walking and
talking war buddies. Electoral politics, marriage and divorce. Pest
      exterminator, Yeats seminar.
Love affair, pencil sharpener. Whatever, matter. Ionic and covalent
      bonds, republican hairstyle.
Events in their mere chronology.

"What is a typical place in the universe like? Let me assume that you are reading this on Earth. In your mind's eye travel straight upwards a few hundred kilometers. Now you are in the slightly more typical environment of space. But you are still being heated and illuminated by the sun, and half your field of view is still taken up by the solids, liquids and **** of the Earth. A typical location has none of those features. So, travel a few trillion kilometers further in the same direction. You are now so far away that the sun looks like other stars. You are at a much colder, darker and emptier place, with no **** in sight. But it is not yet typical: you are still inside the Milky Way galaxy, and most places in the universe are not in any galaxy. Continue until you are clear outside the galaxy--say, a hundred thousand light years from Earth. At this distance you could not glimpse the Earth even if you used the most powerful telescope that humans have yet built. But the Milky Way still fills much of your sky. To get to a typical place in the universe, you have to imagine yourself at least a thousand times as far out as that, deep in intergalactic space. What is it like there? Imagine the whole of space notionally divided into cubes the size of our solar system. If you were observing from a typical one of them, the sky would be pitch black. The nearest star would be so far away that if it were to explode as a supernova, and you were staring directly at it when its light reached you, you would not even see a glimmer. That is how big and dark the universe is. And it is cold: it is at that background temperature of 217 Kelvin, which is cold enough to freeze every known substance except helium. And it is empty: the density of atoms out there is below one per cubic meter. That is a million times sparser than atoms in the space between the stars, and those atoms are themselves sparser than in the best vacuum that human technology has yet achieved. Almost all the atoms in intergalactic space are hydrogen or helium, so there is no chemistry. No life could have evolved there, nor any intelligence. Nothing changes there. Nothing happens. The same is true of the next cube and the next, and if you were to examine a million consecutive cubes in any direction the story would be the same."

The 5 colors of sadness:
disappointed, didn't get what was wanted
confused, don't know what to do next, where to go
lonely, no one to love or be loved by
sorry, unable to help or change what happened
depressed, can't get out of bed, want to **** self

"Unless a society is expecting its own future choices to be better than its present ones, it will strive to make its present policies and institutions as immutable as possible. Therefore Popper's criterion can be met only by societies that expect their knowledge to grow -- and to grow unpredictably. And, further, they are expecting that if it did grow, that would help. This expectation is what I call optimism, and I can state it, in its most general form, thus: The Principle of Optimism -- All evils are caused by insufficient knowledge. Optimism is, in the first instance, a way of explaining failure, not prophesying success. It says that there is no fundamental barrier, no law of nature or supernatural decree, preventing progress. Whenever we try to improve things and fail, it is not because the spiteful (or unfathomably benevolent) gods are thwarting us or punishing us for trying, or because we have reached a limit on the capacity of reason to make improvements, or because it is best that we fail, but always because we did not know enough, in time. But optimism is also a stance towards the future, because nearly all failures, and nearly all successes, are yet to come.

As I think of things to do I do them.
Thing by thing I get things done.
That's how my father and his father did things.
I guess my mother and her mother did things that way too.

Sometimes I'm driving and I think how my father and his father drove
      too.
There was weather and they had problems. There is weather and I
      have problems.
Time exists only in the human mind. But if the mind exists, time exists.
Joy everywhere. Joy at birth. Joy at death. All joy, all times.

The mug stains leapfrog a linoleum asphalt countertop, sunbathing in the breakfast nook.
A magazine proofreads a hole in a bagel. Scanning for clues to the whereabouts
Of a Jewish heart. Beads of Oolong tea archipelago from a resting kettle
All the way to the 'good ' China. A cup on a pearl, laying flat… ear to the ground.
Listening to the stories only Formica can tell. Deciphering the steam
Rising from a steep. Curling whiskers into omens, embroidered upon a shaft of light
Heaven sent. Postage dew. Gilding quaint luxuries, tucked in a cozy roost
Smelling of oak musk and slow roasted dreams, evaporating before memory may lay claim
To the riddles of Morpheus. There’s an aire of Return.  
It molts in the bacon fats hovering in the strata unique to kitchen islands lousy with active volcanoes that shuffle in stocking feet and terry cloth bathrobes. Restless and foggy minded.
Looking for the keys. And...
Chewing a thumbnail. Staring out the window. Where there used to be a car in the driveway. But the officer flagged a taxi. Explains the migraine, like a Vulcan; stoically flipping switches in a fuse box wired to a vague recollection of a soiree.
All the while holding a pitchfork and today's horoscope.
For irony and street cred.

{ But out of cream cheese. }

Concurrently... This part of the house still has the rustic naivete of a celibate beatnik picking teeth with a signature pen presenting an Hawaiian girl with a vanishing skirt; blinking in and out of Vaud-villainy, like Erwin Schrödinger’s Cat. A kind of hole in a barge with an ornate cubby; loitering with sugar cubes and a bendy plastic fern.
Like the foyer to a room, still under construction.
      A busy little metaphor, lounging around the east wing of a humble abode… like news clippings in a mason jar… it’s superfluous handle threading a ceramic eye.
Like a stainless steel joke under a refrigerator magnet, pinned to a plate in your forehead. As any lamp-shade with ambition.  
      Playing to a rough Cloud, hung over an ashtray; that has seen Better Days - envy the baroque occlusion of monotony and routine, merging a hangover - into morning traffic. Replete with modest gains.
And Horizons that stab bleary eyes that would know a gypsy
By the weight of her purse…
     When the day begins, it gains a foothold by the spine of an overdue book, reclining adjacent runcible spoons and antique kitche. As a bathroom light squeaks between a door and a frame.
As ancillary and precise as a beacon for a blindfold.

Like turpentine palming a brick. And Wagner.

I drop four ice cubes into my coke out of habit.
I kiss my sweet love four times for good luck so our team can win the game.
I catch myself counting to four when Im ready to speak up, I don't count to three or even ten I count to four.

It was on my back in big white letters when dad looked through the chain linked fence and said with every ounce of his pride "Take it for a ride lex."
That's the day I got my first homerun.
That's my old man's favorite number and mine too.
Ill never know why I look at him like hes god.

He spelt my name wrong two years back.
The letters said L-e-x-i,
I whispered that's not how you spell my name it's spelled L-e-x-i-e.
I whispered because I didn't want to embarrass him, I thought if I talked quiet enough no one could see my lips break around the words in shock.
I was 5 when me and mom left him.
The number 5 is my most unlucky number it always takes something from me, like my dog, she was in my arms on the fifth of may when heaven called for her to go home.

Dad came the next day to burry her, the hole he dug was to shallow.
Days after her funeral foxes came and
scattered her bones across the field.  

It was a treasure hunt to find all of them, I tried to save her one last time.

I should really give that man a call.
I'll do it tomorrow , or I'll wait for him to call.
I'll count to four before I answer.

"Red Cubes"

Floating against a dark gray
Red Cubes slowly turning
Predicting the Future
Exposing the Past
Against my Protest

...r

To whom it may concern,

     I am alone.  Although it may never quite seem that way, both night and day I am confined to solitude.  These past six years hitherto have been filled with nothing more than the fictional characters in my texts and the short pleasantries granted in passing by dismal men, women, and even children that occupy my days.  Each morning, as the dawn breaks, I wake up disgusted with myself in that same manner which sundry men and women have.  It is not the loneliness, however, that disgusts me.  No, I do believe I have grown quite fond of the residual silence.  Instead, I believe it to be the dull monotony of my routine that has left me truly disturbed.  The days have begun to fade in with each other, along with the nights---especially the nights.  I cannot say, for instance, whether or not it was last evening or that of a day three months afore that I was seated at my desk, much like I am now, finishing the latest draft of a poem in my journal.  Nor could I tell you the present date, although the heat of the day, still trapped in the rafters, is so persistent that I am obliged to say it must be one of those blue summer nights when children run, squealing, through the streets, like plump pigs to the trough.  I have become somewhat of a hermit, secluded in my small, run-down apartment above my bodega.  My mind has grown as wild as the violet petunias, bridging the gap over the narrow, brick walk which separates my garden--- as the myriad of dandelions that have invaded the surrounding lawn.
     Throughout the day I work the till in my shop, observing the assorted physiognomies that populate the three small isles.  As they walk up and down, deciding what they most desire, I, too, contemplate to myself, deciding the few whom I might admire should I get the chance.  I often attempt to strike up conversations with my customers, much to their dismay.  I comment on the weather, the soccer scores from a recent game, or perhaps a story from the local section of the Post & Courier, only to receive terse responses and short payments.  However, I never let these failed attempts at congenial conversation discourage me.  Day after day, I persist.
     The nights are easier.  Although I do not attend the boisterous bars spread out amongst the small restaurants and boutiques that line the narrow city streets as I once did, I often drink.  Seated alone, armed with a liter of Ri, two glasses, one with small cubes of ice and one without, and a pen; I waste my nights scribbling down nearly every thought that leaps into my inebriated mind.  My prose has yet to show any real promise, but my thirst to transcend from this pathetic, pseudo-intellectual literature student struggling with his thesis into something more drives me to ignore those basic desires, defined by Maslow as needs; venturing out and exploring the community that I inhabit or talking to another person as a friend.  So I sit, night after night, at the foot of this large bay window, looking out onto the tired faces of the busy street below.  I sit, night after night, tracing the streaks of red light from the tails of passing cars, imprinted in the backs of my eyelids like sand-spurs stuck in a heel.
     I can recall a time when my flat was not the dank, dimly lit hole in the wall that it has become today.  A time, not too distant, when the rich chestnut floorboards glistened beneath the fluorescent pendant lights, when champagne dripped like rain from the white coffers in the blue ceiling, and music shook the walls and rattled the windows.  Men and women alike would wander through the rooms, inoculated by my counterfeit Monet's and their glasses of box wine.  When not entertaining, I wrote.  At long length I sat beneath my window, proliferating prose or critiquing a classmate's from workshop, but those days have passed.  The floors no longer shine; instead they lay suffocating under piles of fetid clothes.  The halls no longer echo with the rhythmic chorus of an acoustic guitar or the symphonies of men and women's laughter;  the lights are burnt out, the paint is peeling off the walls, and the homages are concealed beneath vast fields of mildew and mold.  Puddles of whiskey sit unattended on the granite countertops around the bottoms of corks for weeks, allowing the strong scent to foster and waft freely through the air ducts into the store below.  The dilapidation that ensued after I stopped receiving visitors was not just of the home, however. Worse yet was the steady rot of my own mind.  Although I have often been referred to as "a bit eccentric," and often times folks would inquire if I had, "a ***** loose in [my] noggin," I have only recently begun to find myself walking about the neighborhood garden in the small hours of the morning more than occasionally.  Further still, it is only recently that I cannot remember how, or when, I came to be where I am. Whenever I do happen to roam the night, it appears as if I do it unbeknownst to myself, throughout the throes of my sleep.  Similarly, I have only just begun to notice that, often times while I attempt to write, I sit, talking feverishly---yelling at an empty bottle, until I find another to quench my thirst.  Luckily, there is always another bottle.
     Needless to say, these past few years have left me very tired, and, after much consideration, I have decided that it would be best if I were to "shuffle off this mortal coil."  However, much like Hamlet himself, I could never bring myself to act upon the feeling.  Though I often wonder about what awaits me after my last breath warms the winter of this world, the coward that I have become is in no hurry to find out.  Alors, I am left with one option: leave.  Though I am not yet brave enough to slip into that, the deepest of sleeps, I have gathered courage enough to walk throughout the day.
           Charon Solus

I have seen her a stealthily frail
flower walking with its fellows in the death
of light,against whose enormous curves of flesh
exactly cubes of tiny fragrance try;
i have watched certain petals rapidly wish
in the corners of her youth;whom,fiercely shy
and gently brutal, the prettiest wrath
of blossoms dishevelling made a pale
fracas upon the accurate moon….
Across the important gardens her body
will come toward me with its hurting ****** smell
of lilies….beyond night’s silken immense swoon
the moon is like a floating silver hell
a song of adolescent ivory.

Body

Two bodies,
in a bed,
on a quilt in a field,
in the backseat of an '88 Nissan Pathfinder.

Two bodies,
touching,
squeezing,
caressing,
biting.

Blood,
pooling under the skin,
rushing to the brain,
rushing to the genitals,
sticky/hot.

****** candy,
the curve of lips around a lollipop,
the drinking of whiskey from the bottle,
the burning sensation of MDMA insufflation.

Clothes strewn across your mother's kitchen,
ice cubes traced down spines, *******, *******.
Oral *** with ice cubes in the mouth.



Frequent ******* and a sense of unwellbeing, if you'll allow me this one usage of an unword (I can't help myself)

I have a blue blanket, it looks corduroy but it's synthetic polynesian cotton.
Considered by some to be polyester. After the ninth year of ownership I started
Telling house guests it had always been mine; but secretly knowing it came from my
Ex Kristina who left it with some of her other things in 2005 in my grand deluxe Evanston
Apartment. In like some really awesome way, I could fold the corners together to see little blocks
Of the Universe form cubes in the fourth dimension and gain a better understanding of my own
Little black shmata. Top drawer, white dresser, in the back with the leftover girlfriend underwear between
My first ever stuffed animal dog/rabbit.

Amazing how these thinned and frayed azure threads had held so many midnight conversations Together- maybe fifteen other girls had nuzzled with Kristina's blanket. Last year the guilt set in. You Watch a girlfriend, say, ratchet through your room naked for something soft to put over her to listen to
Some half-stanza from the new Yeats critical and that, do-I-tell-her feeling comes over you. Blue Polyester really had a way with women. My last serious crush, the one of six months, the one from the place that was close to where I worked six days a week, would you believe, she had not interest in that heap of thread, under my pillows spying on us sleep for twenty-four long weeks.

"Drop in the bucket" the sixty-year-olds say. I say, bring me my ******* fourth dimension blocks and cubes *******. I want to visit the existential, I want to experience the hoo-ra and Ga-Ga those kids throw around on Milwaukee waiting for $150 NBA slippers.

Wednesday is my day for telling the truth.
2:00p.m. sitting in the front of her alizarin El Dorado.
"I have something I have to tell you,"  I said, my mouth practically filled with marbles as I barely could Utter the words: it's not going to work out.

A tomboy, naturally barefoot, gingerly walks the white painted line because the asphalt is just too burning hot.  Scrubby tufts of weedy grass are welcome respites on the way, briefly cooling her steps even if they are stickery.  The ***** soles of her now calloused feet were intentionally toughened just before school got out, with mincing steps across the roughest gravel she could find.  Her mother accommodates her preference, leaving a pan of water outside for her to scrub her feet before going in.  Even then, a black path has gradually appeared leading from the front door in the old orangish carpet.  Two months of summer barefoot every day when she had the choice. Keyed roller skates clamped onto last year’s school shoes were the exception.  She can flat out run anywhere.
  
This particular expedition began like every other thing they did, which was anything to fend off boredom.  She had been sitting on a cement step shaded by an open carport, just three oil-stained parking stalls for three small apartments on the tired poor side of town.  There is a little more dirt on the street here, and grass is a little neglected.  Just like the children, but these kids prefer that anyway.  Two scruffy friends stomp on aluminum cans, brothers sporting matching buzz cuts and cut-off shorts.  They are flattening them for the recycling money by the pound, so the carport smells vaguely of stale beer.  Another boy attempts to shoot a wandering fly with a home-made rubber band gun; rings cut from a bicycle tube made the best ammo.  “What do you want to do?” …”I don’t know, what do you want to do?”  Thwack…  The only requisite for friendship here is vicinity, yet it is still true.  The idea of choosing friends is about as odd as the concept that one could chose where one lives... Strengths and shortcomings are completely accepted because it is just what it is.  

Their amazing three-story tree fort with a side look-out had been heartlessly taken down by the disgruntled property owner last week.  Two months of accumulating pilfered and scrap two-by-fours, nails, and even a stack of plywood (gasp!) from area construction sites had yielded supplies for a growing fort.  A gang-plank style entry had crossed the ditch to the first level.  Nailed ladder steps to the second offered a little more vertigo and a prime spot to hurl acorns.  Another ladder up led up to the third floor retreat, with a couch-like seating area and shoulder high walls.  A breeze reached the leaves up there.   The next tree over was the look-out, with nothing but ladder steps all the way up to where the view opened up out of the ravine.  When the wind blew, it gave merciless lessons in facing any fear of heights.  But now that was all over, discovered gone overnight.

Someone says again, “What do you want to do?” …”I don’t know, what do you want to do?”  “ 7-11? ”  Good enough, so they head out.   Distance measures time.  Ten minutes is the end of the street past the cracked basketball court in the church parking lot.  Fifteen minutes and the lawns end at the edge of the sub-division.  Half-built homes rising from bare dirt and scattered foundations could offer treasures of construction scraps, (where she suspects the stack of plywood came from.) but they keep walking.  Twenty minutes is where industry has scraped away nature, and railroad tracks form an elevated levee.  But time is meaningless if there’s a wealth of it, so there’s no going further until an informal ritual is completed.  Wordlessly they each dig around their pockets searching for equal amounts of pennies.  Each of them carefully arrange them lined up on the rounded-surface rail, and they settle in for the wait.  It could be five minutes or it could be thirty.  They all understand it’s a crap-shoot of patience waiting for the next train. It’s an unspoken test; quitting too early means losing your coins to the one who stays, so that’s not an option.

Heat presses down and the breezeless air smells like telephone-pole creosote.  She sits in a dusty patch of shade found next to an overgrown ****.  She knows it tastes like licorice and breaks off a stem to chew, but doesn’t know what it is.  The boys throw rocks randomly until she finally stands up to join in, tempted by the challenge of flight and distance.  Then she stands in the center of the tracks, looking one way then the other, searching for the first random distant glimmer of the engine’s light at the horizon.   A flash, so she places her ear to the metal Indian-style, and the imminent approach is confirmed.  She calls out, “its here!” and double checks her pennies’ alignment.  Heads up or tails, but always aligned so the building might be stretched tall or wide, or Lincoln’s face made broad or thin.  That happened only rarely, since it could only be rolled by one wheel then bounced off.  If it stuck longer, the next wheels would surely smash it into a thin, elliptical, smooth misshapen disc of shiny copper.  Its only value becomes validation of a hint of delinquency, Destroying-Government-Property.  Once she splurged with a quarter, which became smashed to just a gleaming silver, bent wafer discolored at the edge.  Curiosity wasn’t worth 25 cents again though, so she had only one of those in her collection.

The approaching engine silently builds impending size and power, so she dashes back down the rocky embankment to safety because after all, she is not a fool, tempting fate with stupid danger. She knows a couple of those fools, but she finds no thrill from that and is not impressed by them either.  Suddenly the train is here, generating astounding noise and wind, occasional wheels screaming protest on their axels.  She intently watches exactly where she placed her coins, hoping to see the moment they fly off the rails that are rhythmically bending under the weight rolling by.  It becomes another game of patience, with such a long line of cars, and she gives up counting them at 80-ish.  Then suddenly it is done and quickly the noise recedes back to heat and cicadas.  The rails are hot.  Diligently they search for the shiny wafers.  Slowly pacing each wood beam, they could have landed in the gravel, or pressed against the rail, or even lodged straight up against the square black wood yards down the tracks.  They find most of them, give up on the rest, then continue on.

She has thirty cents and at last they reach the afternoon’s destination.  7-11’s parking lot becomes a genuine game of “Lava”, burning blacktop encourages leaps from cooler white lines, to painted tire stops, to grass island oasis, then three hot steps across black lava to the sidewalk, and automatic doors swoosh open to air conditioning.  She rarely has enough money for a coke icey; she is here for the bottom shelf candy, a couple pennies or a nickel each.  Off flavors but sweet enough.  She remembered when her older brother was passing out lunchbags of candy to the neighborhood kids for free, practically littering the cul-de-sac.  She had wondered where he got enough money for all that popularity, or could he have saved that much from trick-or-treat? She wondered until he got busted shoplifting at the grocery store.  The security guard decreed that he was never allowed in there again, forever, and the disgrace of sitting on the curb waiting for the mortified ride home was enough to keep him from doing it again.

Today she picks out a few root beer barrels, some Tootsie-rolls (the smaller ones for two cents, not the large ones that divide into cubes) a candy necklace and tiny wax coke bottles, and of course a freeze-pop.   Sitting on the curb, she bites off small pieces of the freeze pop, careful not to get tooth-freeze or brain-freeze, until the last melty chunk is squeezed out the top of the thin plastic tube.

“What do you want to do now?” …”I don’t know, what do you want to do?”

Everyday caught
In the labyrinth of mind,
I am,
Where dreams,
And desires
And lust,
From nothing
Conspire something.

Destination: Canada Water.
The next station is Surrey Quays.
Doors will open on the right-hand side.
Exit here for Goldsmith's College.

In the cerebellum
Fragments flash cerebrum bright:
Wheels in tunnels burn,
A neural screech amplified deep,
As waves of electrons churn,
And in multiple places keep.

This stop:
- My birth -
Is in Westminster!

It’s time:

Do you love me?
DO YOU LOVE ME?
          Yes, No, Ohhh (the audience).

In the space-time continuum,
The labyrinth is forever,
Within a fourth dimension.

It’s time …

You love me, right?
YOU LOVE ME, RIGHT?
    Yes, No, Ohhh (the audience).

DO-MI-NA-TION
DEATH FREE
DO-MI-NA-TION
ASH FREE

Lost in the labyrinth: a journey to an exit.
The Overground train pulls!
And from floor to ceiling,
Between vertical orange pins,
A medley of languid listless limbs lulls,
       Seated hips,
       Angled legs,
       Dangling feet,
And neck-less heads,
Lost, ghoul-like,
The disconcerted move doggedly on,
Everywhere somewhere; but forever nowhere
Through London's hills and bogs.

From  STOP to STOP,
In the labyrinthine network,
In tubes splayed out on cubes,
Of bright brushed viscose comfort,
Overhead, the ads exhort:

       Top Up Your Soul,
       Fast Forward Your Escape
And
       uSwipe
       uSwitch
       uSave

Like these,
A hundred escalating messages,
Each more insistent than the last,
Compel, enough to distract,
So man’s desire enslaves his heart.

Its time…

         You love, right?
YOU LOVE, RIGHT?
    Yes, No, Ohhh (the audience).

DO-MI-NA-TION
DEATH FREE
DO-MI-NA-TION
ASH FREE

How? Why?
Has bacterial sludge,
Built these edifices of glass and steel.
This labyrinthian cage,
Whose walls race up at the speed of light,
While the inner commuter flame gutters,
Everywher, in multiverses,
Supernovas explode in showers.
And for a moment, in the moment, The Overground chromatic glows.

New Cross Gate, Canada Water, Southwark.

Lit and digital and LCD:
        
  ALL CHANGE, PLEASE.
  THIS TRAIN TERMINATES HERE

A few automated steps, and:
       Southwark,
       Green Park,
       Then Baker Street,
Appear, fade and disappear.

Now walking down Belsize Road,
On the evening of the
Super Gibbous Moon,
As it rises high over the Ziggurat dimensions of the Alexandra Estate,
And all is blood orange at dusk,
As I, a slinking silhouette,
Make for the event horizon of home,
For surely given, and taken,
A few more bends, another turn,

It’s time, again.

         Love, right?
         LOVE, RIGHT?
    Yes, No, Ohhh (the audience).

DO-MI-NA-TION
DEATH FREE
DO-MI-NA-TION
FREE ME.

To the event horizon of consciousness,
To that black hole at the core.
In death's star-like eye,
Embrace, pass through,
(Fear not),
On, through the labyrinth northward,
Entering and exiting,
We go awhile, a little longer.

Stars, my Stars,
Again, it's time.

You love me, right?
YOU LOVE ME, RIGHT?
Yes, No, Ohhh (the audience).

SU-PER-NA-TU-RAL
SU-PER-NA-TU-RAL
DEATH FREE.
LOVE!
BE,
WINGS FREE:

     SU-PER-NA-TU-RAL

One more stop:

       New Bond Street.

GET BEYOND
DESIRE,
BEYOND THE LABYRINTHEAN LIE,
CONSUMER, DIE!
BE
MATERIAL FREE.

Last stop:

       No-name, this one:

BE:

     SU-PER-NA-TU-RAL.

SAY IT:

     SU-PER-NA-TU-RAL
     SU-PER-NA-TU-RAL
     DEATH FREE.
     LOVE!
     BE,
     WINGS FREE:
    
     WE ARE:
     SU-PER-NA-TU-RAL

I like to chew ice cubes.
My brother thinks it's because I'm an anemic.
Not really sure what that means.
But maybe I am sick.
Because the reason I like to chew ice cubes,
Is because it makes me feel numb again.

recovery is not pretty.
it is not painless or simple or instant.
it is a road littered with backsliding and obstacles and doubt.
a path marred with reopened scars and sleepless nights and feigned smiles.

recovery is rubberbands and ice cubes and pacing and cigarettes.
it is phone calls at 3am when you can barely breathe and all the walls are closing in.
it is screaming at the ones you love because they love you too much to let you break your skin.

it is long sleeves and overly-cautious internet browsing and lots of movies.
it is eating way too much ice cream and taking walks in the middle of the night.
it is hard. recovery is hard. it is messy. it is painful and chaotic. but it is not impossible.

Just an equation,
A Simple theorem.
A little misbehaviour,
Outside the decorum.
.
I add and provide,
Hoping we never divide.
At the geometry, I stare
Just a mindfuck of a square.
.
A slight cross multiplication,
To bond upon this attraction.
To help develop the postulates.
Of your mere subtraction.
.
I integrate & derive,
It's the formulae I'm deprived
Of. The questions always lead to me and you.
I always end up in my four sided cube.
- Aks, in math classes.

Your coldness smells refreshing, do your ice cubes contain alcohol?

“As for Charles – he likes girls. If he’s drunk, I’ll do. But – just when I’ve managed to harden my heart, he’ll turn around and be so sweet. “
“You like him a lot, don’t you?”

The night crumbles to dust as I trace
every single crease, every nook, every edge of you.
I drink you in, you drink cheap wine:
you only kiss me with alcohol in your blood,
you cannot stomach me without
the drugs.
A pile of cigarette ash on the floor,
broken glass. Shattered ice cubes and
cigarette butts.
It’s a scene of decay; you and I
could only survive if you whispered
sweet nothings and I let you gut
me. You lead me on and I always
slip, and touch you and believe
this time will be the time you stay,
this time will be the time you remember last night
morning come,
this time will be the time
I
am
the
one.
It rains the first time and there’s a bottle
of scotch; we play cards; you’re drunk:
I strip you off; tonight you smile; tonight
you will not mind if I touch
your jaw
your lips
your waist
and below
and your heart
no – never your heart.
Then it’s a matter of time.
You always come when you need me and I
can never refuse to be the one
who lets your tongue
explore my mouth
if only drunk
if only for a while
if only for the night.
I’m there. I will do. For now.
I kiss
your lips
your throat
your neck
your collarbones
and down – way down – below
and your heart
no – never your hear.
You twist me round your little finger and I
would die and die and **** and die
a thousand times
to have you look at me and say
I’ll stay tonight*.
My Charles.
No – never mine.