Cornwall is my homeland
And it will always be,
A large part of it surrounded,
Surrounded by the sea.

Cornwall is my homeland,
It’s where my roots are deep,
And this connection with my forbears,
I feel a strong desire to keep.

Cornwall is my homeland,
Of me it is a part,
For it resides within my soul
And is branded in my heart.

Cornwall is my homeland,
It’s where I will always stay,
And when my days are over,
It’s where I will surely lay.

The Swan from Cornwall
Oh gracious on the pond,
Reached out it wings
while singing his song

Listen my friend
like the frets on a guitar
I'll play you a tune
so  distant so far

The words go like this,
So simple and pure
Ripples the effect
I have given the cure.

The banshee it screams
like sirens in the night,
the slow dive that surrounds
its about perfect flight

Oh swan you lifted me
from shadows of past,
No sin is untold
More stories to last

Gratitude and fortune
I wish you a fond
The Swan from Cornwall
Oh gracious on your pond

Tea Talk (or Taking Tea)


Jam comes first
And then the cream
Said the scone from Cornwall
To one ‘n’ all
Taking tea

Milk jug blinked.
The teaspoon gasped,
Who would have linked
The layers of bliss that sweetly kiss
With their order between the halves of a scone
From Cornwall
Where one ‘n’ all
Know that the milk is churned
Until it’s solid
Then we say the cream is clotted.

The teapot looked at the scone from Devon
Who knows that cream and jam is heaven
But only if the cream comes first
And then the jam . . . . .
My thoughts exactly said the ham
From between its sandwich fingers
Where it lingers
Until it’s time for tea.

‘Are you sure?’ the teacup said
To ham within its breaden bed.
Saucer asked the cucumber salad,
‘Should jam come first?’
‘But does it matter?’ said cucumber salad.
‘It’s a ballad
So red and white,
A symphony of taste
Into which to bite.
It is so right
For those who are taking tea,’

‘Jam then cream, is what you do,’
Insisted Cornwall’s scone who
As we know likes cream to be clotted.
But tomato blushed and quickly said,
‘With cream from Devon I am besotted
Because we know it’s clotted. . . . .
Too.

Onion, hearing Cornwall and Devon
Knows that cream and jam are heaven . . . . .
But jam and cream are bliss
Sealed with a kiss that is heaven . . . . .too.
The dilemma of order fuels onion’s frustration
And onion’s tears lead to prostration
For those who are taking tea.

What is to be done
To solve the question of order
Jam first . . . . . or cream?
The issue borders
On the ridiculous
As the layers sweetly intermingle
Like the lovers’ kiss
As those who are taking tea
Bite . . . . .
Ouch! said onion
The scone from Cornwall
And the scone from Devon
‘Either way is heaven.

David Applin

Copyright …David Applin (2015)

“that’s a Simpson’s sky,” you say,
pointing to the fluff strewn across the highway sky,
I smile and nod, concentrating on the music

we’re driving to Cornwall in the curb lane,
pointedly avoiding what’s uppermost,
halfway there from Toronto

“driving makes me think,” I think to myself
and turn up the volume on Buddha Bar III
and talking fades into the rearview mirror

black Firebird, racing stripes, eager to pass me
I hold steady – he should know how to use the passing lane!
he bobs and weaves and nips at my fender

it washes in waves over you so palpably
I feel it crash on my shoulder -
your father passed away yesterday

rolling the window down slightly, you light a cigarette
I roll down mine and light up, too
our ritual – one feeding off the other

we’re driving to Cornwall, to family,
to mother, alone now among children
“what will you say to her?” I ask you silently

we’re driving to Cornwall
towards loss, towards hope
with a black Firebird close behind

I move the wheel slightly
to avoid a can of Pepsi rolling in the lane
the rear-view mirror catches the firebird

deliberately swerve to hit it and exlode
its contents in a little puff of vapour -
highway music



bonaventure saptel

I

In eras weird with old mythology,
As if asleep the fabled country lay:
Her wave-like hills and faerie forests dense,
Her thorny brambles budding curling claws,
And ivy circling all the woodsey way --
The far swan's cry came soft and woke them not.
Forlorn, that selfsame call upon the gates
Did break; those gates of Britain's long-lost keep.
She too slept fast, the weary weathered stones
Of fairest Caerleon. O pulsing stream,
Thou vein of life in woods a-slumber, Usk!
Alone are you in knowing castle's face,
From years of timeless burbling at her feet.
What tales are told by water over stone?
What lark or wren can sing of sadness come?
Aye, answers are the beach-wet sand, yet hark!
Rejoicings spilled, proud hails, from Caerleon:
They cheered the ****-frost's melting with the Spring;
The holy Gwyl Fair y Canhwyllau
Had come at last, in foliage of dawn.

Within, their goblets sailed, wassailed, and crashed
Like growling Jove, their boasts and toasts like wine --
They drank it spiced and over-strong. Indeed,
Some stretched exaggerations: 'twas Sir Bors,
That spotless sheet, who tried to contradict.
He quoted purifying texts and spurned
The wine that nature raised and crafted sweet.
Yet "Loosen up!" uproared the host to him.
"The time has come to celebrate," said Kay,
Beloved knight, step-brother to the King,
"Aloft thy wine, below thy gills! Drink! Laugh!
Your stomach is a falsehood-spewing fool,
It must be drowned for you to feel a lord.
I speak a sooth, you need wine's fleeting bliss!
Know thee that man's tomorrows bleed him dry:
A wade through death and depths as sure as pain
That shall tomorrow light your brow. Laugh! Drink!"
Bold cheering spread with Kay's advice, though yet
To no surprise Bors turned aside the drink,
Unblemished bore, so celebrates alone.
Weep not for him, for soon he'll find a cup
More suited to his strange of chaste and grace.
And none to waste: his share was drunk by all.

Engaged in feast Owain ap Urien,
Engaged in tale now Bedwyr and Kay,
And Lancelot made eyes at Gwenevere.
It was a feast of great success and joy
As fitting of the season's robust gleam,
Yet two there were with shallow-rooted smiles.
Prince Mordred one, though ever-somber he:
Accursed spawn with bone in place of heart
And dreaded incantations for his blood;
His brooding perched like crow on him. Alas:
The other joy-bled man had beard aflame,
A bear-skin drape, and crystal eyes, the Lord
He was of Caerleon and Mordred both.
'Twas not the gleam in lover's gaze that vexed
Though it was seen; he had no heart in him
To chain his Queen as if in dungeon steel,
For Arthur lived believing to be fair
Was paramount, to even paramour.
It wreaked its toll, yet caused small grief this day.
Not even serpent son gave cause to mourn
That greater was than missing nephew's spot
Among the feast. His chair was naked bare
Returned though he should be from faerie quest.
At Calan Gaeaf they expected him
When winter storms had racked their shoddy hall,
Yet since, the months had rolled to Gwyl Fair
The milder season come, but not his kin.
The image of his maiméd corpse did taunt
And haunt the agéd mind of Arthur, King,
His phantom nephew slain anon by knight
That of no flesh was made. In year that died
This green-mailed knight arrived a guest and called
Infernal challenge. Trick it seemed to them
And trick it was, for subsequent the blow,
This seaweed knight did lift his severed head
And from dead lips he cried "Well struck! Now come,
Fulfill me of my game. The year to come
Shall see thee in my home, and as agreed
My turn 'twil be to answer with my axe."

So rapt in recollecting, Arthur missed
The growing clamor that beset his hall.
His ******* cleared the grief from him with taunt,
To bring him into grief. "What say thee, Dad,"
Dripped venom from his mouth, "No love for us?
Your hail we called, but disapprove your eyes.
Methinks that far away thou seest a dream
That visits oft the elderly: a place
Thou knewst when in thy prime, with love
Now filled to burst. Yet fear us not, away!
To land of youth far more beloved than we
Whose happiness with thine own heart is twined."
"My fellow, soft!" the King began, distressed,
Yet Lancelot rose to his feet and spake
"Blackguard is he who mocks our Lord to face!
Thou palest hide, thou Mordred, sit thee down!
This sniveling craven knight should be replaced."
A sounding of the table met his speech,
Again was hailed his toast, and Arthur glad,
Though burdened to his breaking point, and sad.

"Blackguard is he who mocks our Lord to face,"
Had spake his bravest champion and friend
With no regard to Blackguard wrapped in stealth.
See how his roughspun fingers coil in hers
And how some sweetened whisper 'scapes her lips?
The beams of color-stainéd light slip down
To play upon their blissful sin almost
As if King Arthur's King approved on high.
Sovereignty is ruthless, Arthur thought,
Well-wishings of my God grow ever-faint.
I must believe in good though I am ill,
Just as I find my countrymen displeased
Though I did calculate my every breath
To see that it did stand with God's own will
To help my common people from their murk.
I fear I am not what I wished to be,
And now my only solace peaceful death.
If up to me, I'd wish it in my bed.

What horn's blare? Hark! King Arthur roused from thought.
Court gatekeeper Glewlwyd Gafaelfawr,
Dressed plain in brown, took down the horn from lips
And loud as elk called to the hall "Have cheer!
Sirs, drink another beer and wreath your brow
With springtime blooms, for lost knight fair is found!"
Old Arthur trusted not his feeble ears,
But came a hush and Lancelot confirmed:
"What **," he boomed, "our brother has returned!
'Tis grey Gawaine, aye, Gwalchmai! Drink his hail!"
The uproar was enourmous: "Gwalchmai! Cheers!"
Was like to wake the sleeping wilderness
That hung suspended in the myth and mist.

II

Astonishment had come like breaking wave
Upon the thirsty sands of monarch's face
So long consigned to reap the low-tide's grief.
When Arthur's ursine hand clenched round his cup
And hailed his nephew's presence with a roar
Long lost to hibernation's hoary spell,
The hearts that beat in armor under him
Did swell to find their lord with cheer at last;
The toast they drank so hearty as to give
Sweet Dionysus pause against excess.
Though only two there were who did not drink,
And one of these were Bors, a sadness fell
Once more as tangible as any wrong
That chose to haunt a hall. 'Twas Gwalchmai grey,
The conqueror now home from quest to rest
Who would not lift his eyes to meet the King's.

"Has cheer so fled from you? Your life remains!
What black has inked you in?" the King did ask,
And silence overtook the hall to hear.
How strongly then did Gwalchmai wish to leave,
To blend once more his form to root or branch
Or soaring river. Wind, the songbird's muse,
Had been his fast companion on the road,
For known to him were many things. He was,
They say, some god that stalked the minds of man
In young enchanted places of the world
Though all his magic helped him not at court:
His shyness was a leaf obscured by rain.
Yet even gods of silence know to speak
When words of pain encircle heavy hearts.
He let them fly, birds in the sky, he said
"I failed. My quest was long and arduous,
The seasons changed while I in heather lost,
The moon its phases shed as fen-frogs called,
I floated through the endless cloying mist
That flows, a ghostly sea wrapped round our isle.
The path had nearly drowned me when I found
The chapel green enough to spell my doom.
When entered I, methought "It cannot be!"
So kind and courteous a host met me
That would have been disgrace to call him green.
He feasted me, and warmed my wounded bones,
Yet I betrayed him in the end; I failed.
I stayed his guest, and friend, and swore to him
That for his hospitality I'd share
Each thing I won while underneath his roof.
And all was well -- I'd rest, he'd hunt -- until
His wife played hearts with me. I did refuse,
But by her final trick was tempted and --
So lost all knightly honor and renoun.
Her lusts I spurned three times, but on the third
She offered me that which my heart desired,
Instead of love she begged me take her boon:
A silken girdle sewn with charms, and green,
Deceit I should have seen. She said the spells
Would keep me safe from harm and spare my life...
When on my rugged journey all I'd feared
Was twisting face of death that loomed so near.
I could not help myself, it seemed so tame,
Yet when the time had come I could not share
That gift, or else expose the husband's wife.
Beneath my armor tied when left that place,
My secret wore me down upon the bog.
It seemed the mist grew thicker, wind grew swift,
I now know under spell was I, but then
It seemed some vengence coming to a head.
My tale grows long, and past the point am I.
The Green Knight and my host were one in fraud:
An airy insect's dream. His "wife," a witch,
Had formed him out of acrid moorland soil:
Homunculus to carry out her scheme.
The blow he owed me carried little force,
Though still this scratch is plain upon my nape.
And so you see my folly plain as oak:
For though I kept the life I feared to lose
My lie grows in me like a cancer bloom
That in the span of time shall **** me sure.
I failed; I'm gone; to revelry return."
The silence, vast again, gripped all the knights
And king too dry to cry, who drowned his heart.

III

"Is there some madness come to roost herein?
Thy folly is ridiculous," said Kay.
"I valued mine own life past honor's flame,
A sin of selfishness, and blame, and wrong.
What of the world, if all would act as such?"
A weeping noise he made, but choked it back
And turned to leave in shame, and might have done
Had not the stout Sir Kay gripped Gwalchmai's arm.
He raised it in the air and shouted thus:
"Percieve our stunning champion stands nigh!
Though of a frail ennobled heart, we know
Thou art absolved. This trinket given free
To aid in quest I wager was for thee.
And as for sacred broken vows, this man --
You said yourself -- was conjured from a bug.
You owe him no alleigance Gwalchmai, sit!
This serious you need to be for wine:
Come sit with brothers now! We drink to thee!"
"Dispel the failure all you can, it stays
As weighty on my brain. It was a sign
To signify the kind of soul I am,
To me it showed my grimy ills and plain
Did tell my shaping, shape, and shape-to-be."
King Arthur to this nephew spake: "My child,
Is there no antidote to questing's woes?
What has become of jousts and silver swords?"
The anguish in the old man's eyes so keen
To those who knew him. Gwalchmai did reply
"Your majesty, there's not a grief can ****
My bird-like love of questing through the trees,
For only questing can redeem my shape."
"Then let us have this quest!" cried Kay beside
Him at the table, deep in drink he swore.
"Come with me, brother-knight, to clear thy mood!
You do you wrong blaspheming at yourself."
The wine was quaffed by Gwalchmai, yet he said
"I first shall stay, I need to rest my ills."
"Your ills are that which keep you ill, good knight.
I bid you come and we shall quest as birds
Who savor springtime berries in the mist."
"I shall not go, I seek my quietude."
"In sunlight you and I must bask. Comply,
Or else I challenge you by burnished blade."
All eyes on Gwalchmai, under pressure cracked
Into a grin and downed his kykeon.
"In stubborness persisting, Kay, you've won,
A river such as I could not keep stead
Against a boulder. When shall we away?
When come the summer blossoms, fair and red?
Or else not til the saps have lost their leaves?
Departure yours to choose, my brother-knight."
Kay beat upon the table and their ears
When called triumphantly "This very day,
This very hour! To help those who need aid
On holy days shall surely fix your heart.
No time to wallow in the swamp that's gone,
We now away, to break our swords with day!"
"You mock me or you heard me not, Sir Kay,
I wish not to away, I wish to rest!"
The fairest Guenevere, like silver bells,
Chimed in "You must forgive your heart's despair,
Or emanations of its guilt will plague
Your mind. I have a lunar garden if
You wish to sit in soothing calm and think."
"My queen is holy," Gwalchmai spoke in grace,
But Kay had cut him off with "Hear her not!
She will ensorce your mind to not explore,
To sit and think and mold with lunacy;
Beneath the sun we'll tred. It's known on quests
I favor Bedwyr, 'tis true, yet you
My fairest Gwalchmai, keep your wits -- and arms --
Two things in need of we shall be.
I mean you no offense, dear Bedwyr,
But I and Gwalchmai share a severed soul
And shall succeed; two sides of selfsame coin.
So come my cousin grey, to right our wrongs
We must away, to break our swords and say
'My heart is glad I did not stay at home!'
Consume your drink! We go," he trumpet-called.
Thus Gwalchmai was convinced, and so was forced
To nod politely to his Queen and stand,
Declaring to the court "I shall away,
This gloomy mood is dried beneath the sun
Though dearly do I wish some lunar grace
To lose myself in mysteries anew.
To bear this flesh is weighty, yet I've found
The strain to be rewarding in its way.
Think nothing of my former woes, they've passed
Like summer storm or wisp of misty cloud."
The hall at large did drink his hail, and then
Did thrice more drink for quest to which they went.
And Mordred scowled and drank the foulest wine
For his monsoon and fog would last his life.

So summoned then Glewlwyd Gafaelfawr
To hearken unto birds, as was his gift.
He said to all, "I shall now call my friends
And see what worthy tales of quests they bring!"
"There may be naught on Gwyl Fair," said Bors,
"A holy day, all wove with peace. Nor Gods
Nor men would stir their strife this day of days."
"We all shall see," the gatekeeper replied.
Beside his King upon the dais came
And played a serenade upon his horn
That rang throughout the keep and lands beyond.
A time did pass with no response recieved --
Slain silent was the raptness of the court --
But then through open pain in stainéd glass
A thrush did bob and weave in melody,
On finger of the Queen he briefly perched
Before he flit away upon the air.
His song so sweet, but then - what fright! No more!
A hawk had entered, just the same, and swooped,
And now the thrush was silent in his claws.
The cabinet of augers all took note
And sketched their calculations into books,
Though none, in this, more wise than Gafaelfawr
To whom the hawk said "Hail, you man of rank
Who speaks the tongue of wing-in-air. Now hark!
'Twas not in hunger slew this thrush, but fear
That what I have to tell might go unheard.
My family, we roost near Cornwall's sea
And late, the noises off the coast grew strange
As if some evil kraken raged at love.
My chicks; my wife and I; we're simple hawks.
We eat and some of us are eaten, yet
Beware the thing that slouched from out the waves.
His shape is something like a boar, but huge,
He dwarfs his kin, and hill, and oak,
This hall is large, yet he'd be stuck inside.
He does not eat what he has killed, instead
He smears the bloodied flesh on stones and trees,
What man could face a fear that bears this face?
If you could hear the rutting squeals he makes!
I swear this sooth by wind and waving plumes:
You men who craft with metal, hark!
Destroy the beast!" And then he flew away
Still calling after him "Destroy the beast!"

The court at large had heard the warbling hawk
But did not know the tongue, so only watched
Glewlwyd's unease upon his face
Until with stiff and rasping voice relayed
The content of the predatory news.
Unease began to show among the knights,
For many there recalled a beast so shaped
And all the blood and guile he took to drown
The first time. Arthur, grim, forbade Sir Kay
And Gwalchmai face these perils by themselves,
But recommended regiment of steel
To bolster ranks against the fearsome boar.
"I know this foe from days of old," he said,
His years of rule etched rough across his face,
"And so do most of you, though many gone
And this monstrosity not even slain."
But Gwalchmai said "'Twas hard indeed to win
Those relics that he bore. Remember I
That Trwyth was the name he chose, and we
Shall best him fair. Though not for trinkets now,
But with the zeal of mother guarding young:
This foe, Twrch Trwyth shall not raze the land
Nor wage a war against some peaceful ilk
While rounded table can beco

POLZEATH CORNWALL
Gathered here amongst the hills of our hearts
The stones of us, our joy, hopes, history, dreams
Tumble out as words
Bold pebbles against the sandy shore.

Doubtful shadows creep around me
I feel their breath at my back
Their salt ****** my eyelids,
Pulsing, this circle of light,  words, and laughter brings me back ,
This sweet belonging bears me away.

The streams and fields of us sing this landscape
The echo resounds around these walls
As our souls meet on the far silver shore.

Blue sky, yellow sun
Makes me feel a sense of fun
Happy faces, laughter too
Accompained by a splendid view
Children paddling, deep blue sea
Contentment now surrounding me
Sea **** drying on the sand
Lover's walking hand in hand
Dolphin's jumping in the air
Playing, basking without a care
Picnic's and barbeques on the beach
Boat's on the horizon, just out of reach
Cliff path, coastal walks, splendid views
Old fisher wives gossiping spreading news
Fishermen setting sail, off out to sea,
Going to catch some fresh fish for our tea
Myth's, legends, local history
About this place full of mystery
Everything fits, just like a glove
In Cornwall, the land I love.

Cornwall, Cornwall every day
Bright sun and fresh feelings
Simple pleasures by just being here
Forward thinking into old age dotage
All our lives waiting, hoping, wishing

Never believing it could be
Out of mind with secret longing
Filling up with atmospheric  air
Sensing that emotional rush
Deep breaths swallowing cliffs and sea

Wild flowers and cows here
Hedgerows and windblown trees
Lopsided branches pointing inland
As cool salt air combs their twigs
The winding tracks disappear

Love is here all around, so strong
Heart wrenching and stomach churning
Soul and body filling up with Cornish…
Cornish, as long as it’s Cornish
It’s good!

Give us a chance to stay
Give us the chance to live
Ever on the hard granite pathways
Sounds of mewing gulls and thunder of surf
Beating on the windswept rocks and beaches

Cornish light familiar and so bright
Invading our eyes and warming our hearts
Gently massaging our faces with soothing fingers
Lifting our spirits as breaking through the clouds
It charges us with love

Fulfilled and whole
Our lives and minds gratefully feasting
The armfuls of wonder as we carry our hearts
Together,  through eternity, watching
As the sun sets in a blaze of Cornish light

WHITSANDS BAY CORNWALL
The hawk hangs in the air
A brown sear in the sky
Above the craggy cliffs here
Sea ripples endlessly like shot silk
Blue and green.

Behind the chapel of ancient dreams
The hawk dives down to the blue
Lost in the endless expanse of sparkle
The ocean of you reaches me at last.

It touches me as the songs of our heart pour to heaven.

Coastline, rocky, rugged, proud,
Crumbling cliffs in ozone shroud,
Sun-kissed drifts of desert sand,
Golden frame of a sea cradled land.

Fishing village, atmospheric hub,
Brass band playing, outside quaint old pub,
Boats, all sizes, rest near harbour wall,
Wading birds sift through tide-filled pool.

Foliage explosion of a Cornish hedge,
Country lanes snake, and young birds fledge,
Ruminants, punctuating, quilted hill,
Buzzards soar and wise hares are still.

Tin mine engine house, towering stack,
Roof caved in, gorse and bracken’s back,
White clay peak, geometrical and sleek,
Earth’s riches gouged, canyon deep.

Moor-land, open, untamed, granite strewn,
Wild ponies dance to a skylark’s tune,
Tor and beacon, barrow and mound,
You’re in God’s own country, when you walk this ground.

Surfers like seals dot the ocean
Out in this swell, the salt laden pull
Anchors me in the wide bay
As the sand smooth as silk
Trails the briny tide.

I look back against the sun sparkled shore
As the footprints of my truth follow me
As I stand watching the waves break
And fall, their grey veined song echoes through me

And I feel complete now here at this
Otherworldy edge, the bold striped pebbles
Sit at my feet as unspoken words
More truths as yet to be undiscovered
Green dancing journeys  stretch out amongst the waves
And this solitary happiness resounds silently across the Bay.

Bell
Ring
Wedding
Caribbean
Beach
Sun
Sand
Cornwall
Surfing
New Zealand
Koala Bears
Jungle
Greenery
Thailand countryside
Motorbiking
Wind
Air
Freedom
Youth

Fun

I could answer your questions with a simple, off-the-cuff explanation but have ended up writing this essay: the more I thought about what you’d asked, the more the I felt it warranted a fuller explanation so I will try to explain why I call myself a Wiccan and how I come to be following the Wicca Path. And apologies in advance for the length of this!

As well as my love of Literature, I love History with a similar passion. My degree was in English and History and although I specialised in Shakespearian and post-Shakespearian literature and Modern History, I have a long held fascination with Celtic and pre-Celtic history, beliefs and spirituality. It is the mysticism of the Old Religion that seemed to attract me most and I found myself drawn particularly to the Celtic and Welsh mythology and have read extensively about it: Cornwall and Wales (mid Wales in particular) are my two favourite places in the world. I have read a lot about Celtic and pre-Celtic history, beliefs and religion over the years, both fiction and non-fiction.

Although Jewish by birth, I was brought up by my father who was a confirmed atheist so I lost out on any formal religious influence as I was growing up. Perhaps because of his views, I developed a distrust of formal, mainstream religion. That’s not to say I felt I had no spiritual beliefs at all, it’s just they were untapped and unidentified; I felt I was reaching out for something but it never took on any tangible form, rather like in a dream when you cannot see clearly the faces or forms of the inhabitants of your dreams.

By the time I got into my forties, I realised there was something seriously lacking in the spiritual side of my life. These beliefs were compounded by three events:

    * reading James Lovelock's Gaia theory [which inspired me to write one of my favourite stories, Gaia's Last, published here];
    * my discovery of Jean Auel's Earth's Children series of books , Clan of the Cave Bear, etc. which go into extraordinary detail of Cro-Magnon peoples' belief in nature spirits, worship of The Mother and Shamanism;
    * a sudden change in my circumstances that forced me to re-evaluate every aspect of my life and my existence.

It was at this time I began to research the Old Religion: paganism, nature-worship, whatever you want to call it, and this led me to discover Wicca.

The more I read about it, the more I realised it fitted in with my current state of mind and outlook on life. Maybe there is a sense of escapism inasmuch as the roots of Wicca look backward to a simpler time and as I was having difficulty coping with the complexities of the changed circumstances in my life at the time. Wicca seemed to offer exactly the spiritual needs I was lacking.

That is not to say that Wicca is old-fashioned and out of date. Rather the contrary in fact. Whilst its roots acknowledge the Old Religion, Wicca is relatively modern having been developed by a guy called Gerald Gardner who published a book called Witchcraft Today in the 1940s I believe which re-established in the public eye the old pagan beliefs that have been around since the dawn of man. These beliefs never really disappeared even through the worst of the atrocities perpetrated against followers of the Old Religion [The Burning Times ]. (And just to make an important point about the title of the book and Wicca in general, Witchcraft in the pagan and Wicca context is NOT Black Magic or Satanism as the tabloid press or mainstream religion would have you believe; it could not be further from them. It is simply an acknowledgement of the existence of natural forces that can be used or channelled by those who choose to learn these ancient skills).

I have seen Wicca [and other forms of Paganism] referred to as Green Magic and that seems the perfect definition; it is immensely comforting to work so closely with the natural world and to feel such a part of it.

So for me, Wicca is an ideal spiritual antidote for the impossibly fast-paced, self-serving lifestyles we all seem to be caught up in these days, often through no choice of our own. It is as valid a belief system as any other practised throughout the world and is nothing like the forms of Wicca popularised in the media with TV shows like Charmed and its ilk!

Wicca is it is not something to be taken on lightly - Wicca practices should be treated with the same reverence as those in any other belief system. It requires study, practice and dedication.’

I have to confess to have been lacking in all three since I originally wrote this so have vowed to myself to rectify these shortcomings. I feel excited about my rekindled sense of spirituality and more at peace with myself for making this decision.

Go in Love & Light!

I remember reading
Martin Luther King, Jr's
Letter from Birmingham Jail
Beecher Stowe's Uncle Tom
Mark Twain's Huck Finn
DuBois' Souls of Black Folk
For the first time

The words of Chief Joseph
Sitting Bull
Tecumseh
James Welch
and Alexie Sherman
And others of indigenous kind
Linger like arrows in my mind.

Of course, there's
Gilgamesh's forlorn quest for Enkidu;
Osiris, Amun, Ra, and Seth,
Homer's Illiad and Odyssey,
And Virgil's Roman treatment -
(For whom the gods destroy
We all must learn bereavement).

I remember reading
Milton's Paradises (lost and found)
And Dante's Infernal quest for Heaven
Through the bowels of Hell with Virgil's spritely guide
And up the Devil's staircase with Beatrice by his side.
John's Revelation of Times' End;
And LaHaye's money-making Left Behind
Apocalypses here to chill my mind.

I have surveyed Dead Presidents
Washington,
Jefferson,
Lincoln
Both Roosevelts, Ted and Frank,
And Reagan
And smatterings of others...
Then hopped the bookish pond to read
Sir Winston and some others,
Not the least of whom is Gandhi G,
Taught by the Queen to free his brothers.

I have studied
Moses
Job
David
Ruth
Esther
Isaiah
Jeremiah
The Disciples
Paul
and James
(Ironically,
Though Jesus is the "Word"
He never penned one).

British poets's thoughts,
Tale tellers long-dead
Have found their way
Into my head:
Beowulf and Chaucer
Old moral plays
Shelley and Keats
Cavalier Poets
Scott and Brownings
Burns and (not) Allen
Spenser and Shakespeare
Dylan and Tolkien
Lewis and Auden
And so many more
That I leave on the floor

Western Americana I have loved
Hemingway and Steinbeck, all worth the time,
Mari Sandoz' Old Jules, and
Rolvaag's Giants in the Earth,
Keroac went on the road, while
Joseph Kinsey Howard showed us the West
Lewis & Clark in journals scribed
Their journey west and back again

I can't forget psychology
And so I will digress
Or Sigmund's accusation stays
That I have but suppressed:
Ellis, Freud, and Eric Berne,
Pavlov, Skinner, Thorndike, Watson,
Wundt, and Wm James, Piaget and Chomsky
Then Vygotsky and Bandura put a social spin
on cognitive psychology, and Everybody's in.
Diverging and Converging, psychic students, all
Could never make transaction
'Til Rogers tried to make some peace
But Ellis wouldn't have 'im.

And then, of course,
The lighter stuff,
The popcorn of the mind:
Clancy, Rankin, Carole Keene
L'Amour and Will James
Stephen King and Poe,
Cruz Smith and Leon Uris,
Grisham, Deaver, Cornwall,
Asimov, Bradbury and Herbert,
Carroll and Baum...

Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors --
Stage curtains, a widow's frizz.
And I, love, am a pathological liar,
And my child -- look at her, face down on the floor,
Little unstrung puppet, kicking to disappear --
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of cement well
Where they crap and puke and cry and she can't hear.
You say you can't stand her,
The *******'s a girl.
You who have blown your tubes like a bad radio
Clear of voices and history, the staticky
Noise of the new.
You say I should drown the kittens. Their smell!
You say I should drown my girl.
She'll cut her throat at ten if she's mad at two.
The baby smiles, fat snail,
From the polished lozenges of orange linoleum.
You could eat him. He's a boy.
You say your husband is just no good to you.
His Jew-Mama guards his sweet *** like a pearl.
You have one baby, I have two.
I should sit on a rock off Cornwall and comb my hair.
I should wear tiger pants, I should have an affair.
We should meet in another life, we should meet in air,
Me and you.

Meanwhile there's a stink of fat and baby crap.
I'm doped and thick from my last sleeping pill.
The smog of cooking, the smog of hell
Floats our heads, two venemous opposites,
Our bones, our hair.
I call you Orphan, orphan. You are ill.
The sun gives you ulcers, the wind gives you T.B.
Once you were beautiful.
In New York, in Hollywood, the men said: 'Through?
Gee baby, you are rare.'
You acted, acted for the thrill.
The impotent husband slumps out for a coffee.
I try to keep him in,
An old pole for the lightning,
The acid baths, the skyfuls off of you.
He lumps it down the plastic cobbled hill,
Flogged trolley. The sparks are blue.
The blue sparks spill,
Splitting like quartz into a million bits.

O jewel! O valuable!
That night the moon
Dragged its blood bag, sick
Animal
Up over the harbor lights.
And then grew normal,
Hard and apart and white.
The scale-sheen on the sand scared me to death.
We kept picking up handfuls, loving it,
Working it like dough, a mulatto body,
The silk grits.
A dog picked up your doggy husband. He went on.

Now I am silent, hate
Up to my neck,
Thick, thick.
I do not speak.
I am packing the hard potatoes like good clothes,
I am packing the babies,
I am packing the sick cats.
O vase of acid,
It is love you are full of. You know who you hate.
He is hugging his ball and chain down by the gate
That opens to the sea
Where it drives in, white and black,
Then spews it back.
Every day you fill him with soul-stuff, like a pitcher.
You are so exhausted.
Your voice my ear-ring,
Flapping and *******, blood-loving bat.
That is that. That is that.
You peer from the door,
Sad hag. 'Every woman's a *****.
I can't communicate.'

I see your cute décor
Close on you like the fist of a baby
Or an anemone, that sea
Sweetheart, that kleptomaniac.
I am still raw.
I say I may be back.
You know what lies are for.

Even in your Zen heaven we shan't meet.

Blessed am I to dwell where travellers roam,
weary on their aching feet
they sit here, sand between toes, sunburnt scalp and ice-cream hands.

Where lit fires warm content bones, sheltered from storms beyond the panes.
But our storms are never ugly here,
rain dances bout' the cliffs, wind shaking woods, sky full of bruise coloured clouds.

Not neat,
this land is not of order, she is made of wilder stuff;
of 'untamed'- of 'free',
of rolling land and sprawling wood.
Not neat, no, but peace.

Coastline, rocky, rugged, proud,
Crumbling cliffs in ozone shroud,
Sun-kissed drifts of desert sand,
Golden frame of a sea cradled land.

Fishing village, atmospheric hub,
Brass band playing, outside quaint old pub,
Boats, all sizes, rest near harbour wall,
Wading birds sift through tide-filled pool.

Foliage explosion of a Cornish hedge,
Country lanes snake, and young birds fledge,
Ruminants, punctuating, quilted hill,
Buzzards soar and wise hares are still.

Tin mine engine house, towering stack,
Roof caved in, gorse and bracken’s back,
White clay peak, geometrical and sleek,
Earth’s riches gouged, canyon deep.

Moor-land, open, untamed, granite strewn,
Wild ponies dance to a skylark’s tune,
Tor and beacon, barrow and mound,
You’re in God’s own country, when you walk this ground.

In September, we missed the bus
And walked for miles
In the Cornish rain.

We laughed as it licked every
Square on our bodies
And squelched into our shoes

Turning our socks to flannels.

The asphalt had become beautiful
- it had drunk the sky
And rehearsed the whispers
Of the sea.

We were the only humans in Cornwall
As the sun went down
And you put on your head torch

We climbed through mirrors
Of trees and bends.

When we got back to the cottage
We did a funny dance
To peel free of our clothes.
Then we toasted our bodies
And watched television.

I remember reading
Martin Luther King, Jr's
Letter from Birmingham Jail
Beecher Stowe's Uncle Tom
Mark Twain's Huck Finn
DuBois' Souls of Black Folk,
Adichie's The Thing Around Your Neck,
Sherman Alexie's Part-time Indian tale....
For the first time

The words of Chief Joseph
Sitting Bull
Tecumseh
James Welch
and Alexie Sherman
And others of indigenous kind
Linger like arrows in my mind.

Of course, there's
Gilgamesh's forlorn quest for Enkidu;
Osiris, Amun, Ra, and Seth,
Homer's  Illiad and  Odyssey,
And Virgil's Roman treatment -
(For whom the gods destroy
We all must learn bereavement).

I remember reading
Milton's Paradises (lost and found)
And Dante's Infernal quest for Heaven
Through the bowels of Hell with Virgil's spritely guide
And up the Devil's staircase with Beatrice by his side.
John's Revelation of Times' End;
And LaHaye's money-making Left Behind,
Collin's Hunger Games and Dashner's Maze Running
Apocalypses enough to chill my mind.

I have surveyed Dead Presidents
Washington,
Jefferson,
Lincoln
Both Roosevelts, Ted and Frank,
And Reagan
And smatterings of others...
Then hopped the bookish pond to read
Sir Winston and some others,
Not the least of whom is Gandhi G,
Taught by the Queen to free his brothers.

I have studied
Moses
Job
David
Ruth
Esther
Isaiah
Jeremiah
The Disciples
Paul
and James
(Ironically,
Since Jesus is the "Word,"
Through men He penned).

British poets's thoughts,
Tale tellers long-dead
Have found their way
Into my head:
Beowulf and Chaucer
Old moral plays
Shelley and Keats
Cavalier Poets
Scott and Brownings
Burns and (not) Allen
Spenser and Shakespeare
Dylan and Tolkien
Lewis and Auden
And so many more
That I leave on the floor

Western Americana I have loved
Hemingway and Steinbeck, all worth the time,
Mari Sandoz' Old Jules, and
Rolvaag's Giants in the Earth,
Keroac went on the road, while
Joseph Kinsey Howard showed us the West
Lewis & Clark in journals scribed
Their journey west and back again

I can't forget psychology
And so I will digress
Or Sigmund's accusation stays
That I have but suppressed:
Ellis, Freud, and Eric Berne,
Pavlov, Skinner, Thorndike, Watson,
Wundt, and Wm James, Piaget and Chomsky
Then Vygotsky and Bandura put a social spin
on cognitive psychology, and Everybody's in.
Diverging and Converging, psychic students, all
Could never make transaction
'Til Rogers tried to make some peace
But Ellis wouldn't have 'im.

And then, of course,
The lighter stuff,
The popcorn of the mind:
Clancy, Rankin, Carole Keene
L'Amour  and Will James
Stephen King and Poe,
Cruz Smith and Leon Uris,
Grisham, Deaver, Cornwall,
Asimov, Bradbury and Herbert,
Carroll and Baum...

The list goes on and on, and will, I'm sure, expand beyond capacity.

I’m thinking about you today. Hard not to, the specialness of it all. Today you’re putting up of an exhibition. Some artists call it a show, but you’re quite consistent in not calling it that. I admire that of you, being consistent.
 
I was thinking today about your kindness. You phoned me as soon as the children had gone to school, making time to call before you left. I know you were drinking your start-of-the-day coffee, but it was a kind thought all the same, phoning me. You knew I was upset. Upset with myself, as I often am. It’s this being alone. Not so much as a cat to keep me company. Just my work, the reading I do, my thoughts of you, those letters I write, and my attempts at poetry.
 
During the last few days I’ve tried to write directly of what I’ve observed, not felt, observed. Like those wonderful Chinese poets of old describing in just a few characters the wonder of the seen rather than the speculation of the felt, avoiding all emotion and fantasy. I try to write in a way that holds to the ambiguity and spread of meanings the poems those ancient Chinese composed.
 
It’s winter-time. Yesterday we were expecting the first snowfall of winter, and it arrived late in the night making the morning darkness mysteriously different, changing the indistinctness of distant trees to become a web of silver lines, in the no-wind snow resting on branches, clinging to boughs and trunks.  I stood in the pre-dawn park in wonder at it all, holding each moment to myself, in the cold breath-stopping air. I thought of one of the Chinese snow poems I know and some of those different ways it has been translated. Here are three:
 
A thousand mountains without a bird
Ten thousand miles with no trace of man.
A boat. An old man in a straw raincoat.
Alone in the snow, fishing in the freezing river.
 
A thousand peaks: no more birds in flight.
Ten thousand paths: all trace of people gone.
In a lone boat, rain cloak and a hat of reeds
An old man’s fishing the cold river snow.
 
Sur mille montagnes, aucun vol d’oiseau
Sure dix mille sentiers, nulle trace d’homme
Barque solitaire: sous son manteaux de paille
Un vielliard pêche, du figé, la neige.
 
So beautiful, arresting, different. It holds the title River Snow and the poet is the Tang Dynasty philosopher and essayist Lui Zongyuan.  My snow poem First Fall, written last night as the snow fell on the wet street outside, as you were falling through my thoughts, softly, but not onto a wet street, but a distant garden we know and love, but have yet to see in winter’s whiteness.
 
And now today you’re driving to a distant location to hang your work of paper, silk and linen, full of expectation, every contingency and plan in place to enable the work to make its mark in a location you know, where people may recognize your name and will come to say warm words of encouragement, maybe a little praise. And at the end of the week when the exhibition opens I’ll be there, trying to be invisible, taking photographs if I can of you and your admirers and supporters, and thinking (myself) how wonderful you are, your lovely smile lighting up the gallery, being welcoming, beautiful always.
 
Only today you’re further away from me than ever. Around coffee time I miss your quiet explorative ‘it’s me , like a mouse on the telephone. The inflections of those words questioning the appropriateness of the call, meaning ‘Are you busy? Am I interrupting?’ It may take me a little while to ‘come to’, but interruption? Never, just the sheer joy that it’s you colouring the moment.
 
I think of the landscape you’ll be driving through. I’m imagining the snow-sky clearing and becoming a faint blue with the sun’s brightness clarifying those wold lands, those gentle folds of fields between parallelograms of woodland standing stark under the large skies and promulgating the long views gradually, gradually stretching towards the sea coast.
 
I like to imagine you are singing your way through the choruses of Bach’s B Minor Mass, but in reality it’s probably the Be Good Tanyas or Billy Joel playing on the CD player. Such a relief probably after those silent journeys with me. I usually relent on the homeward leg, but I crave silence when I’m a passenger, and I’m now always a passenger, so I crave silence for my thoughts, such as they are.
 
While you are being the emerging artist – but probably on your way homeward - I have taken myself down to my city’s gallery and to an exhibition I’ve already seen. I have a task I’ve been promising myself to undertake: copying an exhibit. I arrive an hour before the gallery closes. I leave my bicycle behind the foyer desk. There are more staff about than visitors. It’s gloriously empty, but the young twenty-somethings invigilating the spaces group themselves strategically near adjoining rooms so they can talk (loudly) to each other. It’s Facebook chat, barely Twitter nonsense. I have to block it all out to focus on the four pages and a P.S of a sculptor’s letter to a critical friend. The sculptor is writing from springtime Cornwall on 6 March 1951. The critical friend will open the letter the next day (when there were 3 deliveries a day) and the Royal Mail invariably arrived on time. He’ll pick it up from his doormat before breakfast in grimy Leeds, though the leafy part near Roundhay Park. The sculptor begins by saying:
 
It is so difficult to find words to convey ideas!
 
In this so efficient Cambria typeface that introductory sentence loses so much of the muscle and flow of the human hand. Written boldly in black ink, and so full of purpose, I read it a month ago, a photocopy in a display case, and knew I had to capture it. And it’s here entire in my note book, on my desk, carefully copied, to share with you my darling, my kind friend, the young woman I hold dear, admire so much, become faint with longing for when, as she crosses that gallery where she has been hanging her work (in my imagination), I am caught as so often by her graceful steps and turn.
 
I don’t feel any difference of intent in or of mood when I paint (or carve) realistically, or when I make abstract carvings. It all feels the same – the same happiness and pain, the same joy in a line, a form, a colour – the same feeling at the end, The two ways of working flow into each other without effort  . . .
 
Outside my warm studio the snow has retreated east and I’ve opened the window to hear the Cathedral bells practising away, the city on a Tuesday night free of revellers, the clubs closed, the pubs quiet. In this building everyone has gone home except this obsessive musician who stays late to write to the woman he adores, who thinks a day is not a day lived without a letter to her at least, a poem if possible.
 
I’d quietly hoped to be with you tonight, but you must have something arranged as I suggested twice I might come, and you said it wasn’t necessary. But I have this letter, and something to write about. Alas, no poem. My muse is having the evening off and I am gently reconciled to the possibility of a few words on the telephone before bed.

Encephalon is the flagitious syndicate target
To imprison the saintly and resistant population
In the research agenda which is classified
We are selected guinea pigs in a nightmare
To the unethical secret operations
Unknown to many, is the silent suffering
Of isolated victims living amongst the community
Satellite surveillance includes electromagnetic harassment
That burning, thought stealing, control of limbs feeling
I was done by the hoary Navy's sonar
Poor dolphins washed up Cornwall's beach(1)
After sonar echoed in my right lughole
Mind control technology has evolved
The community are recruited by false propaganda
Thats the local police, council, library, not restricted to neighbours
Old style Cointelpro is in play
Discredited, slanders, and victim blaming
Who can we share with but other targets
Nobody asked which human is for "use" in trials?

Given up, deluxe in Essex
Cornwall, seaside Fortress
Stonehenge, felt the Vortex
One Vision, one idle Apex

Kiss the Haven Sanctum ******
Diligently Lingers the Finger Remix
Vibrate the ring tho Rung Her Nexus
Into New Blue , You beg the Context
Of seeming NonSense, hum my Edifice

I'll give You This, oh humble Tread
I've past the Veil, many lives I've Led
Memory to Full to sustain, Unfurled
This Nomenclature not of this World

Do you want Me? Come then, Explore
Rich, sweet, then Sour, Drink More
Intoxicate, bubbled deep risen the Core
She is Ancient, She is bled, of Iron Ore

Cleanse your Palette, taste must never
Mix, or coagulate, congeal, or Root
Fluidic Fauna, Flower Sauna, Resolute
Cleanse, release into Her, Ashen Soot
Absolute Sanctuary, must enter, Barefoot

Champagne and cup cakes.
A Cornish beach with rippling swell.
Love be cultured as a precious pearl.
Where love be found with special girl.

Projects full of rich intention.
Health.
Wealth.
Happiness.

The air is filled with childhood squeals.
Summer flicks on the crown of her hair.

Children ride horses with the sea on their heels.

History steeped at the top of the hill.
Empty mines.
Cleared of tin.
In the county, where Poldark first made his mark.
Country delight?
Nah.
A county in England.
Better not tell the Cornish man.
Kernow man's birthright.
The sovereign state of Cornwall.
Not all of the Cornish men have seven wives.
Nor do they live in the land of St Ives.
One wife is enough for most.

Your spirit in Southampton, now merely a ghost.
(c) Livvi
Good luck.

As I lay beside my darling
On an early Sunday morn,
I could feel her rounded softness
Sleeping under blankets warm.
My mind caroused the memories
And loitered on it's way
And found itself deliciously,
Immersed in golden play.

I remembered something special
In the way my little boy would look
As his eyes rose up in wonderment
When I read  his favorite book.
And the joy involved in feeding
A hungry little mouth
When the porridge spooned all over
From the eyebrows heading south.

A tantalizing moment
On the beach down by the sea,
In the warm December sunshine
With my happy family.
We were running in the black sand
Drawing circles with a stick
As the surging waves approached them
Laughing little boys were quick.

Laughing, happy moments
And some sad ones like the day
When dear old Meg, our Labrador,
Got sick and passed away.
Young Boaz in his sadness
Climbed the big tree to it's crown
And it took a lot of pleading
To persuade him to come down.

And young Solly played the taniwha
At the Cornwall Park school play
And a better taniwha has yet
To grace the stage today.
A natural in his element
This young comedian
So hilariously funny
As he drew the audience in.

The tender, loving moments
As we both strolled arm in arm
Through the verdant Ferntree Gully
With it's sunlit grace and charm.
And the towering eucalyptus,
Hanging wood smoke in the air
And the whiplash resonation
Of the lyrebird hidden there.

Of Buttercup's wild parties
When fancy dress was king,
When everyone would whoop it up
And laugh and dance and sing.
When mum's and dad's and little kids
All joined the happy throng
With  spud mashing as a ceremony
And a night of fun and song.

Of sitting in the garden
With your feet up and a book
And a cold beer at your elbow
And a barbecue to cook.
With the easy feel of family
As they go about their day
And the joyous sound of summer
When two noisy tui's play.

Memories of yesterday
Moments in the life
Of ecstasy and agony
And wonderment and plight.
And the ordinary ness of everything
And the magic everywhere,
Like the auburn in the sunlight
As it strikes my darling's hair.


Marshalg
Mangere Bridge
10 October 2009

In early eighteen-forty-four,
In Cornwall’s heart; on Bodmin Moor,
Charlotte Dymond, a young farm maid,
Had her throat slit with a steel blade,

She crossed fast streams and deadly bogs,
Found her way through mists and fogs,
But couldn’t stop that fatal blow,
That stole her life and laid her low,

She walked to meet someone that day,
Just who that was ... no one would say,
Found days later beside a track,
Laid on a cart; her shroud a sack,

The surgeon, Thomas Good, was fetched,
Had in his mind, her white face etched,
Charlotte untouched by fox or crow,
Had she been moved ... he did not know,

No evidence was ever found,
But her young boyfriend had gone to ground,
Fingers so quick to point his way,
Matthew Weeks panicked; ran away,

The hapless *******, was soon caught,
No other culprit was ever sought,
The judge was just a rubber-stamp,
Bodmin Gaol was dark and damp,

The scaffold built, the crowds arrived,
Matthew swore he had not lied,
The floor gave way, the rope drew tight,
Was justice done ... the verdict right?

We dine on Tuna & Merlot red wine
a single car's headlights shine

                                                          ­                                traveling down a road
                                                            ­                             so many stories untold
you're selling your old flat
in the Georgian house

                                                          ­                                              we all lived in
                                                              ­                 back in the colorless nineties

when the music was bad -
Westlife, Take That, Spice Girls

                                                          ­                                               & everyone
                                                        ­                             wore either black or blue
it seemed, on this Island
& your boys were still small

                                                          ­        & my family holidayed in Cornwall
                                                        ­    & I didn't yet know I could write poetry

when you move away
I shall be sorry to see you go

I'm not in a rush to leave this place.
I'm in no hurry, it's not a race.

I'd like to take it real slow.
So many stunning  places to go.

I want to travel far and wide.
See much more of the English countryside.

Beautiful beaches that surround us in Cornwall and Devon, remind us we live  in our own corner of Heaven.

Mystical places with tales of legends to tell.
So much to do and see, I'll do my best to make it sell.

Tintagel such a mystic place, where legend has it King Arthur had his chair.
He had a roundtable it held many Knights, all ready to defend, always ready for a fight.

In York a Viking museum to tell how they came upon our shores, with longboats, a 60 man crew, paddled with their oars.

Bath has the best Roman baths to be found, laze and spoil yourself in the steam rooms built in Roman surrounds.

In Wales, there's Snowdonia for you to climb, or the less active can take a train ride.
A castle in Caernarfon where Princes are appointed by H M The Queen, the sword on the shoulder duly declares arise HRH Prince of Wales, the crowd are waiting for the new Prince to be seen.

In Scotland there's Edinburgh with a castle tall and round sits atop a very high mound.
The lowlands and the Highlands are a sight of well known beauty, driving around the lochs at night keep your eyes open for a monstrous sight, nessie fact or fiction,

Of course there are the lakes of England too, Windermere the largest draws the biggest crowd. Find a cottage out of sight, snuggle up with a loved one, cuddle tight.
Put on your water skis, hire a boat, sail your wind surfing board, fire up your jet ski any of these activities can be fun and available to be done, daily.

The Cotswolds, for take your breath away beauty, small villages, luscious village greens, cricket playing in the field, Large Houses, Lord of the Manors, old worldly pubs, thatched pubs and rivers waiting to be seen.

There are Dartmoor, Bodmin Moor and Exmoor too, Peak District, Lake District mountain ranges, many a zoo.

I'm not in a rush to leave this place.
I'm in no hurry, it's not a race.

I'd like to take it real slow.
So many stunning  places to go.

So much to do, so much to see.
On your doorstep, no need to stray.
Whatever you do, wherever you go, have a happy holiday.

Mungojerrie and Rumpelteazer were a very notorious couple
     of cats.
As knockabout clown, quick-change comedians, tight-rope
     walkers and acrobats
They had extensive reputation. They made their home in
     Victoria Grove—
That was merely their centre of operation, for they were
     incurably given to rove.
They were very well know in Cornwall Gardens, in Launceston
     Place and in Kensington Square—
They had really a little more reputation than a couple of
     cats can very well bear.

If the area window was found ajar
And the basement looked like a field of war,
If a tile or two came loose on the roof,
Which presently ceased to be waterproof,
If the drawers were pulled out from the bedroom chests,
And you couldn’t find one of your winter vests,
Or after supper one of the girls
Suddenly missed her Woolworth pearls:

Then the family would say: “It’s that horrible cat!
It was Mungojerrie—or Rumpelteazer!”— And most of the time
     they left it at that.

Mungojerrie and Rumpelteazer had a very unusual gift of the
     gab.
They were highly efficient cat-burglars as well, and
     remarkably smart at smash-and-grab.
They made their home in Victoria Grove. They had no regular
     occupation.
They were plausible fellows, and liked to engage a friendly
     policeman in conversation.

When the family assembled for Sunday dinner,
With their minds made up that they wouldn’t get thinner
On Argentine joint, potatoes and greens,
And the cook would appear from behind the scenes
And say in a voice that was broken with sorrow:
“I’m afraid you must wait and have dinner tomorrow!
For the joint has gone from the oven-like that!”
Then the family would say: “It’s that horrible cat!
It was Mungojerrie—or Rumpelteazer!”— And most of the time
     they left it at that.

Mungojerrie and Rumpelteazer had a wonderful way of working
     together.
And some of the time you would say it was luck, and some of
     the time you would say it was weather.
They would go through the house like a hurricane, and no sober
     person could take his oath
Was it Mungojerrie—or Rumpelteazer? or could you have sworn
     that it mightn’t be both?

And when you heard a dining-room smash
Or up from the pantry there came a loud crash
Or down from the library came a loud ping
From a vase which was commonly said to be Ming—
Then the family would say: “Now which was which cat?
It was Mungojerrie! AND Rumpelteazer!”— And there’s nothing
     at all to be done about that!

People wish to be settled. Only as long as they are unsettled is there any hope for them.
-- Thoreau

My life has been
the instrument
for a mouth
I have never seen,
breathing wind
which comes
from I know not
where,
arranging and changing
my moods,
so as to make
an opening
for his voice.

Or hers.
Muse, White Goddess
mother with invisible
milk,
androgynous god
in whose grip
I struggle,
turning this way and that,
believing that I chart
my life,
my loves,
when in fact
it is she, he,
who charts them--
all for the sake
of some
as yet unwritten poem.

Twisting in the wind,
twisting like a pirate
dangling in a cage
from a high seawall,
the wind whips
through my bones
making an instrument,
my back a xylophone,
my *** a triangle
chiming,
my lips stretched tight
as drumskins,

I no longer care
who is playing me,
but fear
makes the hairs
stand up
on the backs
of my hands
when I think
that she may stop.

And yet I long
for peace
as fervently as you do--
the sweet connubial bliss
that admits no
turbulence,
the settled life
that defeats poetry,
the hearth before which
children play--
not poets' children,
ragtag, neurotic, demon-ridden,
but the apple-cheeked children
of the bourgeoisie.

My daughter dreams
of peace
as I do:
marriage, proper house,
proper husband,
nourishing dreamless
***,
love like a hot toddy,
or an apple pie.

But the muse
has other plans
for me
and you.

Puppet mistress,
dangling us
on this dark proscenium,
pulling our strings,
blowing us
toward Cornwall,
toward Venice, toward Delphi,
toward some lurching
counterpane,
a tent upheld
by one throbbing
blood-drenched pole--
her pen, her pencil,
the monolith
we worship,
underneath
the gleaming moon.

Isolde’s Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation—all but one:
we felt the night’s deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring’s urgency, midsummer’s heat, fall’s lash,
wild winter’s ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life’s great task.

At last the petal of me learned: unfold
and you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.

According to legend, Isolde/Iseult/Yseult and Tristram/Tristan were lovers who died, were buried close to each other, then reunited in the form of plants growing out of their graves. A rose emerged from Isolde's grave, a vine or briar from Tristram's, then the two became one. Tristram was the Celtic Orpheus, a minstrel whose songs set women and even nature a-flutter.

Originally published by The Raintown Review and nominated for the Pushcart Prize.

Keywords/Tags: Tristram, Tristan, Isolde, Iseult, Yseult, Arthurian, legend, myth, romance, Ireland, Cornwall, King Mark, love potion, spell, charm, magic, adultery, harp, minstrel, troubadour, white sails, white hands, betrayal, death, grave, briar, bramble, branches, rose, hazel, honeysuckle, intertwined



These Arthurian poems by Michael R. Burch are based on mysterious ancient Celtic myths that predate by centuries the Christianized legends most readers are familiar with.



At Tintagel
by Michael R. Burch

That night,
at Tintagel,
there was darkness such as man had never seen...
darkness and treachery,
and the unholy thundering of the sea...

In his arms,
who is to say how much she knew?
And if he whispered her name...
"Ygraine"
could she tell above the howling wind and rain?

Could she tell, or did she care,
by the length of his hair
or the heat of his flesh,...
that her faceless companion
was Uther, the dragon,

and Gorlois lay dead?

Originally published by Songs of Innocence, then subsequently by Celtic Twilight, Fables, Fickle Muses and Poetry Life & Times



The Wild Hunt
by Michael R. Burch

Near Devon, the hunters appear in the sky
with Artur and Bedwyr sounding the call;
and the others, laughing, go dashing by.
They only appear when the moon is full:

Valerin, the King of the Tangled Wood,
and Valynt, the goodly King of Wales,
Gawain and Owain and the hearty men
who live on in many minstrels' tales.

They seek the white stag on a moonlit moor,
or Torc Triath, the fabled boar,
or Ysgithyrwyn, or Twrch Trwyth,
the other mighty boars of myth.

They appear, sometimes, on Halloween
to chase the moon across the green,
then fade into the shadowed hills
where memory alone prevails.

Originally published by Celtic Twilight, then by Celtic Lifestyles and Auldwicce



Morgause's Song
by Michael R. Burch

Before he was my brother,
he was my lover,
though certainly not the best.

I found no joy
in that addled boy,
nor he at my breast.

Why him? Why him?
The years grow dim.
Now it's harder and harder to say...

Perhaps girls and boys
are the god's toys
when the skies are gray.

Originally published by Celtic Twilight as "The First Time"



Pellinore's Fancy
by Michael R. Burch

What do you do when your wife is a nag
and has sworn you to hunt neither fish, fowl, nor stag?
When the land is at peace, but at home you have none,
Is that, perchance, when... the Questing Beasts run?



The Last Enchantment
by Michael R. Burch

Oh, Lancelot, my truest friend,
how time has thinned your ragged mane
and pinched your features; still you seem
though, much, much changed—somehow unchanged.

Your sword hand is, as ever, ready,
although the time for swords has passed.
Your eyes are fierce, and yet so steady
meeting mine... you must not ask.

The time is not, nor ever shall be.
Merlyn's words were only words;
and now his last enchantment wanes,
and we must put aside our swords...



Northern Flight: Lancelot's Last Love Letter to Guinevere
by Michael R. Burch

"Get thee to a nunnery..."

Now that the days have lengthened, I assume
the shadows also lengthen where you pause
to watch the sun and comprehend its laws,
or just to shiver in the deepening gloom.

But nothing in your antiquarian eyes
nor anything beyond your failing vision
repeals the night. Religion's circumcision
has left us worlds apart, but who's more wise?

I think I know you better now than then—
and love you all the more, because you are
... so distant. I can love you from afar,
forgiving your flight north, far from brute men,
because your fear's well-founded: God, forbid,
was bound to fail you here, as mortals did.

Originally published by Rotary Dial



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Truces
by Michael R. Burch

We must sometimes wonder if all the fighting related to King Arthur and his knights was really necessary. In particular, it seems that Lancelot fought and either captured or killed a fairly large percentage of the population of England. Could it be that Arthur preferred to fight than stay at home and do domestic chores? And, honestly now, if he and his knights were such incredible warriors, who would have been silly enough to do battle with them? Wygar was the name of Arthur's hauberk, or armored tunic, which was supposedly fashioned by one Witege or Widia, quite possibly the son of Wayland Smith. The legends suggest that Excalibur was forged upon the anvil of the smith-god Wayland, who was also known as Volund, which sounds suspiciously like Vulcan...

Artur took Cabal, his hound,
and Carwennan, his knife,
     and his sword forged by Wayland
     and Merlyn, his falcon,
and, saying goodbye to his sons and his wife,
he strode to the Table Rounde.

"Here is my spear, Rhongomyniad,
and here is Wygar that I wear,
     and ready for war,
     an oath I foreswore
to fight for all that is righteous and fair
from Wales to the towers of Gilead."

But none could be found to contest him,
for Lancelot had slewn them, forsooth,
so he hastened back home, for to rest him,
till his wife bade him, "Thatch up the roof! "

Originally published by Neovictorian/Cochlea, then by Celtic Twilight



Midsummer-Eve
by Michael R. Burch

What happened to the mysterious Tuatha De Danann, to the Ban Shee (from which we get the term "banshee") and, eventually, to the druids? One might assume that with the passing of Merlyn, Morgause and their ilk, the time of myths and magic ended. This poem is an epitaph of sorts.

In the ruins
of the dreams
and the schemes
of men;

when the moon
begets the tide
and the wide
sea sighs;

when a star
appears in heaven
and the raven
cries;

we will dance
and we will revel
in the devil's
fen...

if nevermore again.

Originally published by Penny Dreadful



The Pictish Faeries
by Michael R. Burch

Smaller and darker
than their closest kin,
the faeries learned only too well
never to dwell
close to the villages of larger men.

Only to dance in the starlight
when the moon was full
and men were afraid.
Only to worship in the farthest glade,
ever heeding the raven and the gull.



The Kiss of Ceridwen
by Michael R. Burch

The kiss of Ceridwen
I have felt upon my brow,
and the past and the future
have appeared, as though a vapor,
mingling with the here and now.

And Morrigan, the Raven,
the messenger, has come,
to tell me that the gods, unsung,
will not last long
when the druids' harps grow dumb.



Merlyn, on His Birth
by Michael R. Burch

Legend has it that Zephyr was an ancestor of Merlin. In this poem, I suggest that Merlin was an albino, which might have led to claims that he had no father, due to radical physical differences between father and son. This would have also added to his appearance as a mystical figure. The reference to Ursa Major, the bear, ties the birth of Merlin to the future birth of Arthur, whose Welsh name ("Artos" or "Artur") means "bear." Morydd is another possible ancestor of Merlin's. In Welsh names "dd" is pronounced "th."

I was born in Gwynedd,
or not born, as some men claim,
and the Zephyr of Caer Myrrdin
gave me my name.

My father was Madog Morfeyn
but our eyes were never the same,
nor our skin, nor our hair;
for his were dark, dark
—as our people's are—
and mine were fairer than fair.

The night of my birth, the Zephyr
carved of white stone a rune;
and the ringed stars of Ursa Major
outshone the cool pale moon;
and my grandfather, Morydd, the seer
saw wheeling, a-gyre in the sky,
a falcon with terrible yellow-gold eyes
when falcons never fly.



Merlyn's First Prophecy
by Michael R. Burch

Vortigern commanded a tower to be built upon Snowden,
but the earth would churn and within an hour its walls would cave in.

Then his druid said only the virginal blood of a fatherless son,
recently shed, would ever hold the foundation.

"There is, in Caer Myrrdin, a faery lad, a son with no father;
his name is Merlyn, and with his blood you would have your tower."

So Vortigern had them bring the boy, the child of the demon,
and, taciturn and without joy, looked out over Snowden.

"To **** a child brings little praise, but many tears."
Then the mountain slopes rang with the brays of Merlyn's jeers.

"Pure poppycock! You fumble and bumble and heed a fool.
At the base of the rock the foundations crumble into a pool! "

When they drained the pool, two dragons arose, one white and one red,
and since the old druid was blowing his nose, young Merlyn said:

"Vortigern is the white, Ambrosius the red; now, watch, indeed."
Then the former died as the latter fed and Vortigern peed.

Published by Celtic Twilight



It Is Not the Sword!
by Michael R. Burch

This poem illustrates the strong correlation between the names that appear in Welsh and Irish mythology. Much of this lore predates the Arthurian legends, and was assimilated as Arthur's fame (and hyperbole)grew. Caladbolg is the name of a mythical Irish sword, while Caladvwlch is its Welsh equivalent. Caliburn and Excalibur are later variants.

"It is not the sword,
but the man, "
said Merlyn.
But the people demanded a sign—
the sword of Macsen Wledig,
Caladbolg, the "lightning-shard."

"It is not the sword,
but the words men follow."
Still, he set it in the stone
—Caladvwlch, the sword of kings—
and many a man did strive, and swore,
and many a man did moan.

But none could budge it from the stone.

"It is not the sword
or the strength, "
said Merlyn,
"that makes a man a king,
but the truth and the conviction
that ring in his iron word."

"It is NOT the sword! "
cried Merlyn,
crowd-jostled, marveling
as Arthur drew forth Caliburn
with never a gasp,
with never a word,

and so became their king.



Uther's Last Battle
by Michael R. Burch

When Uther, the High King,
unable to walk, borne upon a litter
went to fight Colgrim, the Saxon King,
his legs were weak, and his visage bitter.
"Where is Merlyn, the sage?
For today I truly feel my age."

All day long the battle raged
and the dragon banner was sorely pressed,
but the courage of Uther never waned
till the sun hung low upon the west.
"Oh, where is Merlyn to speak my doom,
for truly I feel the chill of the tomb."

Then, with the battle almost lost
and the king besieged on every side,
a prince appeared, clad all in white,
and threw himself against the tide.
"Oh, where is Merlyn, who stole my son?
For, truly, now my life is done."

Then Merlyn came unto the king
as the Saxons fled before a sword
that flashed like lightning in the hand
of a prince that day become a lord.
"Oh, Merlyn, speak not, for I see
my son has truly come to me.

And today I need no prophecy
to see how bright his days will be."
So Uther, then, the valiant king
met his son, and kissed him twice—
the one, the first, the one, the last—
and smiled, and then his time was past.



Small Tales
by Michael R. Burch

According to legend, Arthur and Kay grew up together in Ector's court, Kay being a few years older than Arthur. Borrowing from Mary Stewart, I am assuming that Bedwyr (later Anglicized to Bedivere)might have befriended Arthur at an early age. By some accounts, Bedwyr was the original Lancelot. In any case, imagine the adventures these young heroes might have pursued (or dreamed up, to excuse tardiness or "lost" homework assignments). Manawydan and Llyr were ancient Welsh gods. Cath Pulag was a monstrous, clawing cat. ("Sorry teach! My theme paper on Homer was torn up by a cat bigger than a dragon! And meaner, too! ")Pen Palach is more or less a mystery, or perhaps just another old drinking buddy with a few good beery-bleary tales of his own. This poem assumes that many of the more outlandish Arthurian legends began more or less as "small tales, " little white lies which simply got larger and larger with each retelling. It also assumes that most of these tales came about just as the lads reached that age when boys fancy themselves men, and spend most of their free time drinking and puking...

When Artur and Cai and Bedwyr
were but scrawny lads
they had many a ***** adventure
in the still glades
of Gwynedd.
When the sun beat down like an oven
upon the kiln-hot hills
and the scorched shores of Carmarthen,
they went searching
and found Manawydan, the son of Llyr.
They fought a day and a night
with Cath Pulag (or a screeching kitten),
rousted Pen Palach, then drank a beer
and told quite a talltale or two,
till thems wasn't so shore which'un's tails wus true.

And these have been passed down to me, and to you.



The Song of Amergin
by Michael R. Burch

Amergin is, in the words of Morgan Llywelyn, "the oldest known western European poet." Robert Graves said: "English poetic education should, really, begin not with The Canterbury Tales, not with the Odyssey, not even with Genesis, but with the Song of Amergin." Amergin was one of the Milesians, or sons of Mil: Gaels who invaded Ireland and defeated the mysterious Tuatha De Danann, thereby establishing a Celtic beachhead, not only on the shores of the Emerald Isle, but also in the annals of Time and Poetry.

He was our first bard
and we feel in his dim-remembered words
the moment when Time blurs...

and he and the Sons of Mil
heave oars as the breakers mill
till at last Ierne—green, brooding—nears,

while Some implore seas cold, fell, dark
to climb and swamp their flimsy bark
... and Time here also spumes, careers...

while the Ban Shee shriek in awed dismay
to see him still the sea, this day,
then seek the dolmen and the gloam.



Stonehenge
by Michael R. Burch

Here where the wind imbues life within stone,
I once stood
and watched as the tempest made monuments groan
as though blood
boiled within them.

Here where the Druids stood charting the stars
I can tell
they longed for the heavens... perhaps because
hell
boiled beneath them?



The Celtic Cross at Île Grosse
by Michael R. Burch

"I actually visited the island and walked across those mass graves of 30, 000 Irish men, women and children, and I played a little tune on me whistle. I found it very peaceful, and there was relief there." - Paddy Maloney of The Chieftans

There was relief there,
and release,
on Île Grosse
in the spreading gorse
and the cry of the wild geese...

There was relief there,
without remorse
when the tin whistle lifted its voice
in a tune of artless grief,
piping achingly high and longingly of an island veiled in myth.
And the Celtic cross that stands here tells us, not of their grief,
but of their faith and belief—
like the last soft breath of evening lifting a fallen leaf.

When ravenous famine set all her demons loose,
driving men to the seas like lemmings,
they sought here the clemency of a better life, or death,
and their belief in God gave them hope, a sense of peace.

These were proud men with only their lives to owe,
who sought the liberation of a strange new land.
Now they lie here, ragged row on ragged row,
with only the shadows of their loved ones close at hand.

And each cross, their ancient burden and their glory,
reflects the death of sunlight on their story.

And their tale is sad—but, O, their faith was grand!



At Cædmon's Grave
by Michael R. Burch

"Cædmon's Hymn, " composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon's verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker's ghoulish yet evocative Dracula.

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and time blew all around,
I paced those dusk-enamored grounds
and thought I heard the steps resound

of Carroll, Stoker and of Bede
who walked there, too, their spirits freed
—perhaps by God, perhaps by need—

to write, and with each line, remember
the glorious light of Cædmon's ember,
scorched tongues of flame words still engender.

Here, as darkness falls, at last we meet.
I lay this pale garland of words at his feet.

Originally published by The Lyric

Dear Poet Friends, this short poem was composed during the Summer
of 2010, and posted on ‘Poemhunter.com’. Hope you like it. Thanks.


WHEN YOU CATCH THAT FEVER!
When the body temperature exceeds the normal,
You know you have got the fever on you.
High fever can get you in a delirium,
And even inside the ICU!

One must guard oneself from the Summer’s sun,
Take precaution from exhaustion and heat.
Wear dark glasses and use a parasol,
And sun-tan lotion makes the picture complete.
‘Prevention is half the cure’, is an old saying which
is true!
With cool butter milk and iced lemonades, -
You can keep that heat off you!

Now there is another type of fever, more potent
than that ‘Swine Flu’!
It can strike you anywhere and anytime,
And you cannot take adequate precautions too!
When your heart starts to beat faster, -
And a fever rages all inside.
You get melancholic and delirious, -
When someone calls the doctor by your bedside!
But when no temperature gets recorded,
And the doctor looks all concerned!
For you have caught the 'Love’s Fever', -
Oh, what a lovely way to burn!
                                     -Raj Nandy, New Delhi

(Comments from Fay Slims, a senior & a veteran poet from
Cornwall, SW England:-  “Raj, catching that fever is never
avoided by those who have given their heart!”)