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Pagan Paul Nov 2017
.
Links in the chemist chain
laced in a double helix
defy the laws of the universe,
and the atavistic resurgence
creates isotopes of dream passion.
     Elements conspire in panic
     with a symmetry of casual chaos
     that mimics an atomic bomb,
     destroying its own creator
     in a cruel parody of birth paradox.
          Arresting the Iris of Dissolution
          with cuffed anxiety drowning
          in a pond of helium ore,
          carelessly drifting on acid flesh,
          coagulating in a soup of memory.


And the paradigm shifts again,
reality unfocussed clears, strains,
revealing your shuddering form,
next to me, keeping me warm.
Lids flicker and you open your eyes,
shining, smiling in cute surprise.
Moving my finger up to my lips
whilst I gently untangle our hips.

     Do you remember this night?
     Last night, tonight, tomorrow night?
     Time begins to slowly rewind,
     on the night you blew my mind.


My essence is filled with your heart,
a love I have yet to discover.
Whilst you wander between the stars,
my universe starts to recover.

So please don't break this silence now.
Please don't shatter this moment long,
I want this post ****** memory to remain
in the morning when you have gone.

© Pagan Paul (04/11/17)
.
jerely Aug 2015
Ukitin ang namumuong salita ng iyong pag-ibig
Wari'y ipikit ang iyong mga mata
Kung tadhana'y nakalaan,
Sa tamang oras at panahon.

Pagkat ang buwan at ang araw;
Ay namumukod tangi sa ulap
At hangga't maaaring tanaw ay abutin.

Silipin sa aking palad;
ang kapalarang mapaglaro.
Sa ihip ng hanging amihan
Ito'y dumaan man hanggang tanaw mo'y maabot sa kalagitnaan ng daigdig.
Yung tipong aanurin ka na ng karagatan.
Kahit umulan man o umaraw
Yung tipong paghihiwalayin kayo ng landas.
Pero sa kabila ng lahat,
ito'y babalik sa tamang panahon.


(English Translation)

Court The Heart

**Carve the coagulating words of your love.
As eyes closed,
Whether, destiny reserve the heart,
that fall in love at the right time.
Whereas the moon and the sun;
the only exceptional top of the skies &
As long as I could reach the scenery.

Glanced at my palm hands;
That playful act of fate.
As the breeze of the cooling air
Whisper the touching soul of yours,
Reaching as much as it could.
Between the World we knew it'll still hold you back from time to time.
&
Even if the ocean will drown us apart
Even if the sun shines nor we soak at the rain
&
Even if the path would break us apart,
Still we could turn back at the right time.
It took me to translate it into english though there are words that I need to change/adding it in my own way of translating the tagalog/filipino language.
Well one of my works that I enjoyed writing on :)

"Court" means way of getting his/her heart wins. It also means pursuing the person that you like.

Jerelii
August 17, 2015
Copyright
Under the blanket
Of the cloak of night
I tended my garden
I reached for the seeds of the stars of night
And drew them down to Earth
To relish them forever
Sweet fruits, apples, and pomegranates
And rose buds in bloom
Permeated the air like sweet incense
I fed myself of the beautiful trees
Which grew too numerous to count
But nightmares arose from deep within
When I slumbered beneath the tree
I dreamt of falling
Fleeing to the ocean's depths
My bones were brittle
And my face was covered
In filth and stench
From roving in the desert
My hair was matted
And my eyes bulged from their sockets
My tears were running dry
I did not deserve this torment

~

So I sank and saught the truth

~

The bottoms were pleasantly beautiful
I befriended monsters there
And remember the seaweed
Toying with my hair
In time, I arose as Mother of the Sea,
As Venus
Yet another garden was claimed by me
And I harkened to their call
To come to know
This destiny of mine

~

I swelled in the gardens of others
Until I needed to return
When the student is ready
Their teacher appears
And I am a willing student of life!

~

That's when I saw him from afar
And my world would change forever
I peeked at him through the willows
He was shining iridescence itself
I've met others like him before
If I knew what was in store
Would I still approach?
Knowing me, probably!
He whispered that I was a wanted woman
He's the first that saw my soul as true
Everyone else misunderstood
Or feared my intentions
Towards them
While I hungered for fruits
I could never receive again

~

I am barred from the land by the river
Why would He do this to me?
The Universe's eyes aren't shut
And have 20/20 vision
His servant always maintained sure distance
From his most prized possession

~

He gave me his cloak
A garment of protection
The dark night
And elevated me thusly
I took on another form
As beautiful as any
I vowed not to harm his Master's garden
~

So I tended mine
With stars of night
And rain and snow
With bountiful deer and squirrels
If I knew the curses thrown
Would I have stayed in the sea
If I knew that ruling the skies of night
Would bring this upon me
I would still stay where I am today
I how this seventy tomes seven

~

My garden bears fruit gloriously
But I long to bring honor
To my garden
By making his mandrakes
My own

~

All hail to these
Three times three

~

The first pear I tasted
The first apple that fell
The first time I glowed
And knew the Never - Uttered

~
... the longing to be like Him! ...
.... the pang to be His mandrake!....
          The love we once shared
Please, God
Give me one more
Bite!
~
Lord, what have I done?
He raised me up
And I dragged him down
Now we must spend eternity this way
In foxholes and carcasses
Always dying to relive the recent past
When morning glories were my favorite flower

~

... he shielded me
And I was cast away from the Garden
And it's fruits forever
I wander the desert once again
But this time
I am not alone

~

We roamed...
He offered me a desert flower
And bade me to plant
From it sprang a river stream  
To sustain our coagulating blood
It did not satisfy
We fell
And in each other's eyes we found the key
To drown out exile' s realities
I saw the sun's rays in his eyes again
The dark nights will not be gloomy anymore
The Name of God is no longer a four letter word
We fell down
Again and again
And the more we fell
The more, before our eyes
This garden
Our garden
Grew

~

We tended our garden
Until then

~

Contemplating on Jehovah
Grieves my heart
Until it rips open and I spill my blood
The animals retreat
My plants for
Because my blood has been spilled
Innocent blood
Within my own garden
My lover has left
My night lamp
To become the hunt
And perish
For the unspoken
Uncherishef
.  The defiled .

We will never share our garden
Again evermore
This poem is long expect additions and edits
Based on Revelations of the Dark Mother
Kyle Kulseth Oct 2012
My nose, it just bled numbers--
Bled for years on years unnumbered
'Til I lost my youthful hunger
For anything but numbers
And coagulating blood

But with figures cold and clotting
And with innards now unknotting
I clear the corridors of blotting
And begin to finally breathe

Know pens belong on pages
In your pockets, in your hands
Not in lives, or heads or veins
Most certainly not in plans.
ethyreal Oct 2013
you made my blood clot,
so slowly and gently,
coagulating beneath your faint touch.

on flaxen sheets of rough cotton
I watched your plants
rolling their limbs out your open window.
they sprawled themselves, unravelling,
yearning for the gentle kiss
of the suns rays.
an almost ****** photosynthesis.
and for you I would sprawl myself out too,
and with the same eagerness
absorb every scent of yours into my flesh,
and drink desperately from your soul
like a cacti in its first summer shower
since '89.

and your final gasp,
with me, but a sponge
for your every metaphoric suppuration,
and literal secretion.
and you were transfixed there,
spurting auras of sin and love.
a final burst of ecstasy,
you soon became my anticoagulant.

you seeped into my bloodstream,
reversing this gentle coagulation.
Holly Salvatore Sep 2013
Those sleepless summer nights
Sweat pouring from every crack
In thinly layered sunburnt skins
It was all *******-on-the-floor
Blood-on-the-sheets
And *******
Living out highschool fantasies
Like the cool kids

Life before 22 was all a dream
Of midsummer swelter and
Salt water
In the mind of the dog
Chained up in the universe's yard
Tethered to the ether world
Racing rabbits through space
While I was turned into an ***
Staring at the mirror
And my expressionless face

This must be how cancer feels
Growing increasingly smaller
In a world where cabinets
And aspirations grow increasingly taller
She met the devil
For coffee on diagnosis day
But the deal they made didn't take
Her hair fell out
And her body atrophied anyway
She found herself
Floating far far away
Her blood coagulating like
A broken thermometer
Of mercury


Salvador Dali painted this fall
The house of salvatore
Minds gone to roost under warm eaves
Staring fireplaces
Hungry couches and singing windows
It's all ******* drooping like clocks
And derailing thoughts
The local biddies
Cluck their tongues
At the absurdity of infinity
And the girl in Ace Hardware
Buying shoepolish to hide her tan lines
Yawns, as her boyfriend feels her up

*Meanwhile I collapse
Like a house of cards with a flick of the wrist
Thinking about life's mathematical beauty
So I've basically been losing my mind and the only thing I can compare it to is surrealism. Which incidentally I have always enjoyed and I usually paint in a similar style, but I don't like living it.
Greg Davis Feb 2015
Sparks ignite wick nerves
Burning throughout
Melting wax flesh
Pooling snugly
Melding
warmth departing
coagulating and cold
disconnect impossible
shape of an accident
SassyJ Jan 2016
Wailing walls, howling fences
Encaged and blocked by barriers
All smashed, sorted in security fence
Miles of humanity and flesh torn apart
Why is it that we can’t live together?
We bleed the same coagulating blood
Lined up and humiliated in alleyways
Paths of iron bars and imprisonment
My veins wringed, intensive torment
Mentally distracted, strained by grief
Settlement, conflicts and border struggles
Governance, religious trickles of disunion
The biblical birthright verses human rights
The unsighted straining peace settlement
Shadows of the peace blueprint screams
Ongoing reconciliation, milked in small doses
Whose home is whose? Subdivided in areas
Controls of disillusionment undisclosed
Unmanned checkpoints evokes fears
Revolving cameras tossed and turned
Bansky slogan “make hummus not war”
Smashes freedom to uproot  and merge
Constitute and construct peaceful resorts
All horns blowing to collapse duality
Passing through the Palestine-Israel controlled areas hit me really hard. Walls so high evoking fear. More so, lining up for few hours was draining, as got cleared to end up again on the Palestine area . This time the queue was longer than before. Another traveller got very upset and passed the line. The locals were complaining asking me to "speak to your friend" but she would not listen and passed the queue. I had decided to line up again and this made me become more empathetic about people who have to undergo such security checks on regular basis.
William Crowe II Jun 2014
She is the goddess,
all-receptive and coagulating
eternally to shift with
our rhythms, our wants,
our needs.

She is as old
as all the dark rivers
that coalesce into the
perfection of the sea.

She is the lady
who opens herself
and ushers us onto
our golden throne,
and urges us to drink
from her ******
chalice.

She was alive in the Way,
and in the Water,
and in the Moon,
and in the Blood
of the Ages that flows
still in the veins of a
hidden world.

She is the perfect wife,
the wise crone,
the impetuous harlot,
ill of temper and all-forgiving.
A breath of whispers
Cast me to your depths
Rolling in that thunder gulch

Midnight, why respire?
Wake me with a splash
Dawn and passive cry for mulch

This excessive erosion
Secret me your protections
Trip wire designating unintended fault

A dark of dream scare
Toss me in your undulations
Sapphire coagulating in that salt
Shannon McGovern Dec 2013
Her memories are riddled with holes
from maggots gnawing away
at her already decomposing mind.
Rotting away inside her skull
like teeth soaking in sugar water
and Methamphetamine.

She has a basement filled with flutes
overflowing with year old concoctions
made of emotions and the echoes
of the harpy she once was.
They drip down the sides and pool,
coagulating on the floor like puddles
of dried blood.

Tattered and torn négligées and teddies
are strewn about the bedroom, stained
from the days of lulling men to their deaths,
like a siren on the rocks,
and writing the contract of her own demise
by drowning herself with them.

The lipstick is off.
The eyes of Medusa are closed.
There is no web left to spin.

And as her heart passes back into the abyss
it takes what pieces are left of of it,
an eddy of tiny mirror shards
reflecting the faces of those who once
shown into it and have now faded,
remnants, of its once glorious mosaic.
Owen Phillips Feb 2013
All these roads lead somewhere
Our dismembered beings will never see it all until we're dead
But we can die and make it back alright
And if we died, would we even want to come back inside?
There's something real out there and it'll always be there and all it takes is to pay perfect attention
Chance favors the prepared mind as we can see for ourselves
When we traverse this abyss
Learn to pay attention
Learn to dance with the patterns you perceive
The sonic tapestry is a music piece
It never stops , and it covers everything
Everywhere is always everywhere else
Music never stops
Listen to it beat you away
Is there a difference between me and the music?
I am you, after all, this poem is me
And yet it is you because I'm not the only one
And we'll never be apart until we die, but even then we'll be together, each as nothing
So beautiful, so absurd

Feel that breeze blowing your hair?
You are its breath
It escapes your lungs and you ride around a vibrating
Symbol, your thoughts swimming and crystallizing but never blinding
Swirling around you in coagulating meaning
The grass grows, it is your beard
Lying there in the field
Can you feel it any different?
The grass brought you here to lie down on it
The grass inhales you as you light it,
And fully grokked, your ghost breathes itself out in rings

Snap the rhythm and it ripples with the cymbal
Into love,
The path through remains you, it's full of stars and eternal youth
The gray dawn on the beach is a constant truth
Our dreamtime dreams of being awake

I woke up and thought I could fly
How wrong I was
Spying over the shoulder of God
I told him, "You're a character in my story
I am you,
I am more.
What can you do to me?"
And God looks back, knowing that what I say is true
For I perceive him and even as he marvels me with illusions he can never erase my mind
I don't even capitalize his pronouns

God and his carpenters joined the dancing eternal parade
Like the end of an Animal House knockoff
Where we send off parts of ourselves to new times and places we've never conceived of
Populating the universe
Which gets bigger the more detail we observe
An optical contradiction
For you are the greater resonance of both your
Self and your Opposite
Jake Danby May 2015
Ask
It is winter, icy night outside the ancient terraced house, crisp
and creeping-cold, the road fleeting and the boisterous,
rejoicing revelers invading my room unseen but well heard,
silky-blacked, silk-backed, slick-backed, on the loudbusybarstriken front street.
The houses are sleeping like the dead (though the dead shan’t wake the morrow, in the deep, frosted earth) or sleeping like snoring Grandma
Passed the creaking stairs, behind the thick wooden door.
The chimneys enjoy a smoke, and the street watching in lazy light.
And the people of the long and aging road are lying, dormant, on hold now.

Be still, the birds are in wait, the office-workers, the budget-blunderers, the dole-wallers and money-splashers, equestrians, assistants, cricketers and coppers, the seller and the sold to, convicts, clergy, scrap-men, soldiers, the wary eyed whistleblowers and bleak spinsters. The elderly lie alone, cold and widowed, falling in love in dreams of those long passed, gramophones serenading them with swinging sounds since forgotten. The bachelors lie not alone but feel it, aside women they met but a moment prior. And the sloothing silhouettes of foxes stalk in the brush, and the fallen leaves clump prickled by the spiking spines of a slumbering hedgehog, and the hens in the clucking coops; and the mice creep across grassy planes playing hide and go seek, darting and ducking, amidst the quiet nightly warzone.

You can hear the frost amassing, and the old homes groaning.
Only your eyes are alive to see the bellowing chimney pots washing the black sky with grey, consuming and spreading, smoke. And you stand alone in hearing the working dogs retort with the sky, the primal yowl, where Jack Russell’s, Bull Terriers, Whippets and Grey Hounds, Fox hounds, Patterdales, Lakelands and Border Terriers take wolven shape and warrant the moon and stars to adjourn.

Heed. It is much too late, or early, the day-break behemoth’s begin to crawl blind through dawn, slumped uniform and jangling key and toast crumbed stubble, golden tie pin and tracksuit top, parted as the red sea, racing rats, inhaling bus fare; openmouthed in Citrone’s, rattled morning news; in Pickwick’s cafe shutters exhale the bleak dark and swallow first light. It is genesis in Chester-Le-Street, coagulating evermore, with breakfast offers stuffed down its throat, passed my frosted window pane, sleet and rain, headphones, lit cigarette, black brew two sugars, lichened grave stones and flashing blue lights. It is break of day amongst the pushers of pencils.

Watch. It is discontent, dragging, alone coursing through a bacon stottie; clinging to a dead end rock, aside the cockles and mussels, to be exhumed by an uncomfortable chair and the computer on the blink.

Is this it. Ask. Is this it.
You’ll let me in.
With thorns growing from my head and fire in my eyes,
You’ll let me in.
Charm will roll off the forked tips of my tongue,
And you’ll listen, for it’s the same shape as yours.
I will outstretch my arm to you, but you won’t be afraid.
You’ll see the familiar trail of paired puncture wounds,
Marching up my flesh towards a space where a heart might have been.
As I draw nearer, your coin-slotted eyes will sparkle with delight.
“It’s as if he’s some great fly, knocking and knocking against the glass around a flame.”
The flame I was made in.
I’ll delicately wrap my crooked hand about your body,
All neck.
As I lift you from your jar, my fingers will dance along the silk of your skin.
They dance to streets of Cairo.
While I hum, a clean, shimmering blade will materialize in my grasp.
My song, leaving you helpless as I press the flat silver of the blade against the roof of your mouth.
Your eyes take only pennies now.
Your moment will arrive, as the song crashes to a halt.
Out come your fangs; they come off just as easily.
A pool of venom will spew across the floor, spilling your only hopes of hurting me.
I’ll dip my knife in the coagulating puddle
Then clean it in the pressed curls of my lips.
There is more poison in my veins than blood, you could not hurt me again.
I’ll set a hook through the top and bottom of your mouth.
The barb holding it shut.
I’ll cast you into a pit of fire, just long enough to sear all your skin.
I’ll reel you back in.
While your scorched body lay, sizzling, I’ll poor whiskey down your spineless back
Just to delight in the symphony of muffled vengeance echoing off the walls.
I’ll conduct its decrescendo with a cleaver for my baton.
One final thud will end the song.
You’ll pry open charred coward’s eyes – that only ask now for death – to see my ****** stump.
I’ll leave you there to read it: written in braille, scars from your dropped pen.
“You let me in.”
You let me in.
Nick Huber Nov 2017
Remember that feeling,
When you pick at a scab.
The fleshy white skin that forms,
over the red underneath.

A thin layer that protects
From elements,
as you heal.

But I'm,
Left staring,
Mouth-wide open,  at the blood,
Coagulating silence.

I wonder,
This time,
Why did you come back?
To pick at my just healed wounds?
I'm sorry,
All that's left is ash.
The charcoal still burning,
Red-orange flames.
Dying down,
Burning out.
This ash,
It covers me,
From head to toe.
Lotus Jun 2012
Step with me, my friend
Behind the beating fast fall of water unending.
Here we are now,
Two souls in the echoing space
Between solid rock and falling curtain of water.
Hush now...
Do you feel the pulse
Of the Earth's flowing veins,
Coagulating with your own?
Listen....
Do you hear the murmur
Of forgotten voices
Kept in memory of stone walls
Surrounding us here?
They sing to you,
To me,
To whomever has the ears to listen,
Of moss and wheat meadows
The green blades dripping blood,
Spicy and cruel crimson in the sun.
Songs of deep sorrows unmendable,
Leaving the beating heart
Cold and transparent.
Songs of love,
Love felt to consume the mind,
Uniting lovers
A million in number,
Sharing passions unspoke of.
Listen.....
Here we are now,
Two souls in the echoing space
Between solid rock and falling curtain of water,
Listen......
From the physiognomy that bruises the vertical from Gaul; axiomatic metempsychosis elements were transferred from corporate primaries to third parties after the incipient expiration of Vernarth. This orphistic or mystical enchantment was brought by Wontelimar from Valdaine, emerging from insane drunkenness on the Ardeche Mountains, transmigrating euphony and medical justifications that were united with the reincarnated Helminth reminiscent of Vernarth. Such was a verme or worm that classified itself in his arm, munching in his elder veins elongated by parasites of commendable colonies and idiomatic, retro-emotional, and lyrical heights. Knowing that its baluster made capital letters in steps and life-giving questions by means of beads, and the oratic chain of Luccica's godmother that awakened in him translating expirative and presumptive psychophysical Zionisms of the eloquent millionth perspectivism of re-trance, when his putrid upright arm was recorded. and landing in his Abrahamic physical departure, dissociating his body, separating and alternating with his dexterous spiral Aorion tri-bracelet between the arm of Sagittarius and the arm of Perseus, liquefying into indissoluble modular stratagems for three bodies, plus the one that accompanied occupying triplets in posthumous individualities. Unconscious metempsychosis singularities brought the right-arm picking him up several times from the discursive hive of Wonthelimar, to convince him and tell him that he had not been with the Hexagonal Progeny for some time, without hindrance it brought him from Ardeche in lasting and concerting sets, gray senses looking at the valleys of Valdaine in pilgrimages towards the expectant Patmian plains. His expiration was reborn from the appendages of the water lilies that were grasped by the recessed lumbar powers and were trans-mentalized into related memories that subsist reincarnationist and degressive in plausive longing when re-advancing with revived intelligence, to indoctrinate themselves when raised from an emetic absolutist consciousness, and free from the greatest breaths of judgment is constant waste and reciprocity on shelves that started from an initial discipline already transmigrated, on skinned ardors eroding from astral ellipses in decayed individualities expiring in the Ego-Xifos (Ego-Sharps), that transpose the gorges that even through Hellenic geography that has not been shed by the blood of a Hetairoi.

Wonthelimar says: “hold on to my lazy arm and embrace Lazarus and his decayed fierceness! in different bodies I have seen your blood hang itself on banners with different super-life monarchies, in the germs of the Valdaine valley avoiding their retreat into fatuous materials that vilified the acrotera of your descended Megaron. Remarking on the genetic tricuspid, and emanating lineages of surviving to invigorate in the dexterous appendage of Aorion, which has to wail from the armpit of Betelgeuse with insensitive patches that mock to see him bleed for more than two thousand years without coagulating in possible anarchies more than nothing, before speculating from where the meager blindness of compassionate triple restraints has germinated, like a split Psychí or soul three times before predicting about the valleys and a castle, in infamous beatifies that do not bleed with me…, Wonthelimar ”. It is possible that they have sublimated us from the apathetic and brief radiance...?, Only in some moor or headland before tearing us from the banners or Vexillum of the inaugural that stuffs its already subsisted vehemence in spaces that are already acroteral, resting on peduncles in floral capitulars. And the immobile ones mold the support pustules…, the sap that runs horribly towards you and behind you! Incontinent to your dehydrated past lives redeeming subsistence and rubbing it, then excluding themselves healed properly from their wounds settled in muddy dreams of reviving them expired. Resulting from its origins from the Mysterium or Musterium as an enclave exacerbated in civil disproportions that were established since the Neolithic, without having sealed the doors of all the species that were trapped in the mysterious ice ages, based on ritualistic doctrines, through eager entities to obstruct lapses in the open air of the Spilaion Apokalypseo, having to be returned in possession of physiognomies and of all the enclosed species of the Neolithic Age ”. The bumblebees loaded with spherical honey in their legs, flew by the assembly of the warriors, crops, pastoral assemblages, and sharp stones that cut the wind that disturb the infants who fear the night sleep in the rough quarries that made them sedentary of venerable thermoregulated and climatic seats. Making of them and us revolutionary discoveries, for the interconnection of cooled flints in forests of Memento or Vademecun, to be erected on the megalithic plains, from where I come, rolling like a circular stone that moves the rocks of the World away from a near east, making some timorous and Asian oratics, I was able to get close to you Vernarth, who since the Neolithic I appear following you without giving up in the horticultural and in bovine frights. In this way, the water lilies and peduncles cordoned off the semoviente, full of thrones to conquer them, almost after having lost the calculations of the plasma that were being innovated from a Hetairoi by being reformulated from its incendiary essence, with such spasm being pardoned in the orbits of those who it the sustain themselves and wait for them bringing elaborate anonymous spare parts. Thus Wonthelimar spreads Greek fire over his golden breastplate, entering his transmigrated soul there, as fiduciaries of naphtha, sulfur, and ammonia in treats of previous and speculated oxygenated suitability that was transmitted in suffocating atmospheres by his deltoid when he detonated hatred in his eyelids.. His ***** inhibited signs of fear and hissing of freedom in fields of glory from a mythologized go diving between desolate flames of excretion, and throwing fuel that was not conceived of the same troubadour in the final redemption. (Among waters, minerals and ureas from the Hephaestus braze where dead proteins of cell warheads were stained, nitrogenizing acids that were from the common verb of Wonthelimar) ”.

The double V merged and intertwined forming an inverted double V, being the metric bulbar of Wonthelimar raising awareness of the upper and lower Vernarthian blocks, night falling towards a density of the same that moved raised on the north deck of the Eurydice ship, while everyone slept in the understand the "V" residing and originating from the annihilating biological duo of the immemorial of Vernarth and the Bumodos river, contemplating the suggestive salvage of sap after overcoming lymphomas in the battle of Gaugamela. Wonthelimar in tender loves misrepresented what he would achieve with his ****** healings next to the bold tributary, leaving in the vanguard and in starts from all the gigs that had condemned to Halicarnassus to be truncated next to infallible Canephores in disgrace to their executioners, branching all the branches of holm oaks of the articular of Wonthelimar that had been sheltering from the head, girdling itself in old debt collector and of souls in pain on the sleeping Nyons. The carriage perennially transshipped hesitant and unconscious individuals that the Falangists invited them to order, and spend the night shining in their Xifos in the bow with the inverted "V" to open up to the abundant exciting sea and find it in some Eden, being assembled in the primary kicks of an anonymous withdrawn, among all the cattle cooked with herbs that did not manage to sprout between one and the other.

The brawl is the symbiosis of the Megaron that exhibited the “M” united with the two inverted “Vs”, conceptualizing in Wonthelimar the vigil of early properties and phobias fragmenting in numerous odes in Thessaly, which were already re-agglutinating attracted from a patriarchal image from Hellas, under the pretext of Hellenistic consummations as a vocational institute race in primitives of Alexandrina Magnus, derived a few nautical miles to approach Patmos. The ship sailed across the sea, pre-conceptualizing the very universal being that revived in the Tracontero, looming out of all the waters like a nubile breaker that spoke to each other with words from Mageireméno Kefáli Votánon, "head cooked with herbs." Speaking in primitive alternate erudition and in tidal waves with more than twelve meters of territorial Argonauts making similar corvettes as the Gulf of Tarnetino, possessing distant and comparative sixty miles of the base that colonized Wonthelimar for new sources when encrypting in the Megaron. They persevere, captaining the Immature Polis that would be documented in Patmos, and in the town councils of the assemblage with ****** ceased battles, climbing towards a great cogitation height of the Megaron temple and the Theater of the Epidaurus, under the three darkness of the lilies bordering the Spilaion Apokalypseos.

In the hemicycle Theater of the Epidaurus, the stars worked for the nations of Asclepius together with Wonthelimar, thus healing emigrated musical sessions in palmistry and Parapsychology, where burdensome marks of interveners expectorated in vast impellers on the Koilones and in their softened and purged bleachers, from where each one was shouting towards all the winds and the advent of all the auditoriums absent by past and future generations, cheering lives in salvific voices, for those who cheer them with additional sheltered and attentive spectators from ultra-semicircular bleachers, not being on stage, better absent more than the actors of a drama to stay alive when they prowled towards the Diazoma, or corridor where all the spectators suffered from the same ordeal of Vernath's right arm and pectoral in decreasing lymphomas, in a greater capacity of incentive and saving grace. After this incident, Wonthelimar became a cause and effect of the Vernarth saga, but of transmigrated formality for the purpose of corresponding survival and of cellular restitution of what had died in him..., thus, everything would begin to be reborn towards a prop in a double aspect. The former commanders who were once his faithful servants would appear before this affront, to antagonize him and make him desist from joining as a Proceriato and Gigantum Form of the heroes of Gaugamela on Patmos.
Wonthelimar
Ken Pepiton Oct 2023
Nothing set in stone can stand the test of time.

In the mode mankind has long called
talking to the maker,
listening for knowing, while

hoping merciful repair instruction
waiting
for the quest ion
to twist right
-indeed, I hand ground, with a tool,
toy like coffee grinder that gives fixin's
for a stout cup of robust character,

I bought it, for ten dollars,
had the beans,
bought the grinder, to give me a ritual,
something to spend two minutes doing,
each time I don't use a kuerig dealybob,
adding upper *** to my brewtime pacing
for blood pressure, while electric fire
fills my habitual yellow mug with umph.

Last week of October, all the girls
from the garden are hanging in the shade,
mellowing and emitting
nasal acknowledgment that something's
in the air, in the at most fearful zone's

made light of in the culture that
commercialized hallowing effects,
calling all and sundry come, think this
paradigm of time and chance and fate.
On or near
the third Tuesday after the last
Friday the thirteenth, in memory
of the fallen DeMolay and
of the Templars Money Power,
became sacred ***** to the victors,
in what must have been secret,
for some
time.
Secret treasures all carry curses.
Heart hordes hold plentyscarychits.

Horror film fans, value the genre,
at some certainly not shallow depth
toward center mass, media you, reader
dear to any writer drawn by forces
caffine and cannabis contrive to link,
I think,
and think,
and listen, and learn, and
learn, and live and learn, once more,
learn, and live on learning, wind
walking
thinking lines and times cross threads,
tighten right, down from up, stuck,

dead center, the first tie in reader,
lost
the most self centered individual ever,
once, we all get such a once, it's you,
reading a line riding a reason used
to hang the authors of confusion,
using old lies used to make slaves
of those whose houses, the boss said,
were made by the heathen for the chosen.

The riches of the wicked are laid up
for the just, is it not written, is it not so?

Fibers, strands, not long drawn out
end to end DNA strands crammed in you,
{but as a thought experiment, that distance
will leave the first timer incredulous, fine
point, credulousness, would you believe…}
meandering is rain twisting its way
to experience the sea and all it holds
in water memory that foam back along shores.
Edgewater
Seafoam and twigs,
and tiny sticky things. No,
Pondscumfoam at a puddle's edge
before the first snows.
Did you know…
Some Katscina have long plaited hairs
twisted from cotton,
patented seed, registered weevil free,
Pima cotton fiber, long desert strands.

Daily grind, think twice, cut once…
made the difference, indeed done
not thought about in theories of good
uses knowledge can be made of good
smoke and strong coffee with character.

AND the biggest indexed library in the universe.
{far as I can tell}
Kenophonia, eh, imposter syndrome?
First guess, you got me.
I see my name, wow, tough tag.
Then I met a cat named Cuitláhuac.
Tough tag for a kid in Spanish class.
Euphluxing idyotom automaton'/
bop.
You phony us, joy us riddle make you think
you know, kennen Sie, Ich bin ein fake.

Nein, es ist vieleicht Xenophobia, other people's eh,
opposing right lane reasonings as old as dominion.

Tech, teach us patience to learn with, or prove us
know it alls, therefore machines, not minds at all:
My own, for the use, under usus fructus rules,
Ai summarizes thus:
Kenophobia is an irrational fear
of empty spaces or voids.
It is the opposite of claustrophobia,
where the person is afraid
of tight spaces such as
elevators or crowded rooms,
auditoriums or malls.
In Kenophobia,
the person is terrified
of open fields or spaces that they generally expect
to be filled with mountains or people.
The word Kenophobia is derived
from Greek ‘kenos’
meaning ‘blank’
and phobos
meaning deep fear or aversion.

{aha, there's literature on the subject}
The fear can be passed on
from parents who have lived
in a house full
of stuff that fills the emptiness
of the home.
Filling voids gives the phobic personality the feeling
that they are placing boundaries
around themselves.
- {okeh, thank the whole idea tech is.}

Be honest, you never saw it said just so. Kenophobia,
pity such folk.

Have ye sent yer imps pulse to test my resolution,
have my effectually silent prayers been rebuffed?

Blown off, sent swirling with the motes dancing
in sunbeams peaking through a tough old live oak,
rattling its gnosis psuedonumos

Any morning, thus far, can start with
trickling falling sunlight.

It takes nearly half a day, in late fall,
for direct sunshine to dapple
the great granite wave my home rides, silly child poet, wishing words
will or would,
or could
or should make the universe
alter its course and force all things
to work together for me, the prayer,

me, the selfish
center of my experience
in your universe, all of which
is none of my handiwork, none at all.

Filling the emptiness some there
then I laugh, and think I lost count
so there was one…

Guess with me, a number,
between… no,
analyze, guess with me that rooted
science e-use, per se, must be ancient, deep wisdom
old as governing forces conceived by mankind,
magi sage staged conversations to teach,
public discourse
in my time allows me to be the seeker
guaranteed the prize, to be the bringer back
of the substance used to build the bridge,
between the you and the me, generally,
mere
Logos used in dialog.

God and mind determined to seem designed,
as in the Goldilocks lesson fed children of empire.

The northern clime survivors, thought themselves
the only people brought to the full duty of man,
the only set apart and given heros in story,
the grand saga of all we must each become.

Story born heros, from the child gifted language,
strings of sounds tied to things with threaded intuition,
same same, red and sweet, yellow and sweet,
red and black, step back, black and yellow, watch
and learn, smoking out the honey
from an old rotted tree,

following how many trails, at once,
parallel par-all-el yes, oddly, so far
On track, or in rut. All at once, each system
self esteeming umphumph push

Upto par, are we, 2023 and beyond, the flat tire
on the current axial age, fixing to imagine a scene,
in a community of broken children,
led by two twisted adult children of mean, maybe selfish,
adults who disputed the legitimacy of ligous gnosis knots.
The scene we share, we can imagine meaning
Religize legality, tie me to my tree.

Ancestor worth, how come you think somethings, you know.
Yeh, how come…
Say, old sprite, if I listen, do I learn? Why,
yes, I'd say I do imagine so. Well, good sport
then, shan't we push past worthless me, and be this
other thing we become, when two or more agree, as
touching any thing in all thingdom, and, yes, it's guaranteed.

Life is not a strange woman,
wisdom does not demean the experience, adulting
brings, with no real maps to meaning in your case,
you arrived in that old fashioned tabula rosa state,
knowing nada,
zip, nothing, infantile in totality, until
art of you
meness, ah, I, me, mine, this that, the other, mad
dissatisfaction, rage, comfort, ah, golden excrement of gods.
Teocuitlatl , not only Cecelia, but God, shat.

Golden silence.

Of course, you could feel it, if you knew, personally,
post adulting & shared nurturing of offspring exposure,
then watching as each of those offspring bring forth adultable
blossoms on the branch where all my heretic relatives hung.

As and so, like anything, timed, sequentially, unhomogenized,
the cream is taken to make butter, using the shaking up
of globs of coagulating milk fat, imagine making that,
butter, with salt,
once, learning that, who knew that first?

how butter is made,
how cows are made to give milk gently taken,
why we have hands that can do this thing,
and cows don't,
I don't know, ' never asked, likely some story teller
made this whole thing up, we being but words by now.
One reader fills the cast, gives the aroma of the experience, learning a new
rumor of peace where now there was war for ignorance and money sake.
At 2.41pm on Tuesday July 28 2020,
Tom Dirkx wrote: { in another place}
Some people say it was Malinche’s revenge
and his real name was Cuautlimoc (Cuautli = Eagle).
She just substituted Cuahte (= ****)
when she translated for Cortes.
She was held as a slave by the Aztex
and hated them so this was her ‘revenge’.
Kenophonia is vain babbling, 1tim6:20
Hayleigh Dec 2014
The dress clung to me
As I stood
Lost
Staring, staring back at the stranger
The mirror offered a glimpse
Of me,
The messed up stranger smiled
With heartbreak resting on each drugged eyelid
Pain
Coagulating in each vein
Every vein.
The stranger tore her dress
My arm became cold, so cold.
My heart became frozen,
Broken,
This time beyond repair.
Invocation Dec 2014
thoughts dripping -plink, plink-
coagulating into a suffiently-sized puddle
some
transparent and luminescent as diamonds
refracting light into white-hot shards
piercing and radiant
others
black ink dank and dark
as unappealing as a rusty pillow
caustic like hydrochloric acid

the tinctures wrestle and combine
motor oil in water, rainbow patterns at night
suddenly a painful thump,
as I've hit my forehead on my dusty keyboard again.
with this, a parting word -
https://www.youtube.com/watch?v=sTJ7AzBIJoI
THIS VIDEO IS MY SWEETEST REMINDER
Stanley Wilkin Sep 2016
SHADOWS.
Sunset shadows creep across the wall,
Memories flit through the mind
Coagulating into an unlit pool
Where dissembling thoughts unwind.
Then all is utter darkness,
Opaque, a descent into barely contained distress.

Thoughts lay dormant
An incantation in a poisoned sacrament
Waiting for the moon to wane, sun to rise,
Excoriated by refreshed light  
Burning into the mind’s dull eyes
Destroying the mind’s dull sight.

The sun exposes every cranny
Evolution of moss and vine,
Lucidity shuffled aside to free
What lies behind the surface shine.
Once exposed, what can we know?
We cannot illumine the mind’s cavernous flow.

An untended wall will last fifty years
And then break apart and fall.
Destroyed by fears
That over time weaken and spoil.
Within each of us there is a roughly built division
Turning our forms into dust, blown into the sky, by demons driven.
Seth Keplinger Mar 2018
I've got the shakes again, and
we've lost the arts.
Caramel coffee is for trolls,  
calamities are uninvested conversations.
Your selective ignorance
are their political polls;
cocoa conundrums; coagulating
serotonin serums inhibiting innovations.
I've got the shakes again, and
we've lost the love;
you turtle dove.
Historical happy hours,
rhetorical- the ring on her finger
indigo indiscretions linger
bloom a bouquet of flowers.
I've got the shakes again, and
we've lost the respect.
Ignore Tesla, the moon;
******* by his diamonds,  
instant gratifications- new world addictions.
Hats off at my table!
Shake hands, shake social frictions.
I pump my brakes again, and
I've lost invitations;
my blinded observations.
Soulless shoes sully love,
subtle self proclamations.
Societies vicarious vices,
subliminal author's themes;
my presumption suffices.
Johnny's mother screams!
I've got the shakes again, and
I've lost my mind again;
dubious is an art of repetition.
In this war of attrition,  
monkey business is the real oppression;
***** color schemes
deter my nightlife's daydreams.
Premeditations- self induced depression.
First amend, then reprieve
a society in genocide,
murderous screaming thieves.  
I've got the shakes again, and
he's lost his midnight train of thought;
his ****** obsessions.
Espresso and ****** expressions,
prerogatives- propaganda bought;
the bad vibrations.
Battling a vertigo,
temptation i fought.
Dancing amongst the constellations;
these must be his
coffee drunken genius inspirations.
Craig Verlin Apr 2014
I'm digging a knife
into my prosthetic limbs,
imploring my body for a reaction.
--like a prayer;
calling out for an
answer though one
is never expected--
There are these gashes
down my shin, in my mind
I see angry cuts that bleed
out, pouring sweet hemoglobin
onto the tile floor below, coagulating
into a beautiful scar.
It is only a vision; fantasy of the mind.
A quick look downward reveals
only chiseled tendrils of plastic.
Yet I'm still digging.
Knife after knife.
Limb after limb.
--first the left arm,
then the other,
both the legs, soon
up towards the torso--
The knives get larger
now they are serrated,
and sharpened to the death,
begging for a wince of pain,
a drop of blood
to quench that thirst.
Each **** holds new hope;
a magnificent anxiety.
Each knife holds a gleam
of excitement deep in the steel
that draws cursive across
my corpse.
Still, no spillage ensues,
naught a flinch from my tense
anticipating nerves.
But you, my new knife,
are quite exquisite.
Could I, perchance,
entreat you to gut me?
To slit me open?
Dig out my corpse, knife,
find me something worth hurting for.
Lou Nov 2017
Mirrors stand on trial.
As my reflection has become treason.
Iris' clawing itself out of their sockets.
Screaming for blindness.
This cannot be who I am up close.
This isn't who I am on the inside

As touch becomes apocalypse.
Finger tips shaving and ripping
romantic runs down a spine
into an escape from hell.
The monster, applauding my imagination.
All fears confirmed by reflection.
The monster is me, stalking to taking stage.
Every pulsing orifice oozing out reality,
bites and endures flesh.
Pieces of everyone I try to get close to
becomes food.
Leaving the gluttons pink-red and full.

No dimension displayed without cauterized scars.
Deformation of the mind and DNA
Playing jazz backwards as the big band
Scolds its tune from the inside
I can hear the power tools of natures orchestra.
Brackish change, Chimera's blushing to proposal.
This is my favorite song
And it ends with anxiety of a new face.

The mirror telling it all.
Clumps of hair,
Eyes in hands.
Festering humanity in fetal position begging for death
after birth.
Blowfly meals for two lovers, eaten alone.
God's hands in face peeking through her fingers.
Blood dripping from immortalities ugly head.

Tremors of night and knocks on the door.
Coagulating depression finally answers.

Come in.

This is what I am on the inside, up close.
Make a plate for your eyes.
Anxiety is on the menu.
I'm relating depression to horror. I thought what if my depression took form?
Stanley Wilkin Nov 2015
UNANSWERED



How strange it was to see her there
After so much suffering. Her dying marriage
A bleeding and untreated smear,
Disguising a love neither would salvage.
The music played, the guests danced
With savage partners whose love retreated and advanced.  

His awkward lover lingers quietly in the room
By turn shade, shadow, and silhouette,
She sways slowly to each repeated tune
Too triumphantly passionate to experience regret.
Mistress and wife exchange no glance, assuming ignorance
Of each other’s uncomfortable presence.


The loss of another’s love can wound
More brutally than the lover’s death
The secession of an intimate bond
Becomes a winding, coagulating mess.
When lovers connect they forget
What broke when they met.


A slow guitar riff makes her weep.
She takes my hand. She calls me friend.
I smile, with thoughts of my own to keep,
My own unanswered love to tend.
I kindly wipe away her tears,
But not my own. Those I’ve kept for years.


Beautiful songs, erratically played,
He glances towards her, smiles and leaves,
She turns away, both destroyed and dismayed,
Stands silently in the septic light and grieves.
I take her hand, but she pulls quickly away
I offer her a drink. She declines and will not stay.


I buy another whisky at the bar, tossing it down.
In a cruelly dissipating cloud, her fresh perfume lingers
Mimicking her constant image.  My phone rings and I frown.
My forgiving wife is calling. With guilt and regret, my fingers
Tighten around the glass. I say: “Honey, I’ll be home soon.”
And, like others, leave the signifying gloom.


Touched by the sharp morning light
Half-empty glasses, abandoned halls,
Breaking out from the hasty coition of the night
Love radiates, caresses, falls.
When ubiquitous lovers combine it highlights briefly
How lonely it leaves those who grasp at love weakly.

— The End —