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Classy J Dec 2016
They call me the smartest *****; they look at me like they would at Sauron.  Maybe I am just destined to be defined like an oxymoron, and also why do people shut their doors on me like I was a Mormon. Did I make the right choice when I took the blue pill and moved into Zion? Don’t know how to feel or who or what I should rely on. Bygones are bygones, got to follow the drill, so best not pull any funny ones. Being spied on, got no where to run, after all when your under a dictatorship there is no time for fun, there is only time to train one how to shoot a gun. Blang blam got a cross on fire on my lawn from the dreaded Ku Klux ****.  One extreme to another, what happened to Jesus’s teachings of how we are all heavenly sisters and brothers? **** the American dream; **** this apparent land of the free where anyone from anywhere can attain cream. Not a joke so turn this into a meme, this is serious if you only saw the things which some claim as the unseen.

Open your mind; don’t bind yourself to devilish things that appear kind. Charging up my chakra, hypnotizing you with my words like I’m the unclaimed child of Big Poppa. I am so waka I get yawl flocking to my flame, my bars aint **** yeah they as lit as Mary Jane. Bulking up like Bain, natural leader and I got a big brain. Some stalker ******* get so shady, thinking that I will spend my gravy, or that I will have their baby. Sorry I am not interested in getting rabies or taking a taste of your dead daisy. This is my loot; ***** the only thing I’ll give you is the boot. Scoot away from me, best stray by the bay before I write a restraining order on thee.  What is this world coming to? Harold be it that we stuck in a rut with a storm beginning to brew.  

People say I should stop drinking because I got family duties and responsibilities but I drink because I have to deal with the stress from family duties and responsibilities.  **** it all; **** my *****, better duck down because one punch and you’ll fall. Got the gall, Pokémon master man **** right I’m about to catch them all! I’m super and I like to smash bro, so better hide your ***** and your side **. Classically unclassified, mentally traumatized from a fall out of a genocide. Time to be unfiltered; rhyming from a heart that used to be good but now has been altered. Maybe I am just an oxymoron, just a sly fox that know how to survive because no matter what my hope for a better world will stay strong. I may live in this world but I am not of it, I may continue to give until I decide to say ah **** it! Isn’t it ironic? Isn’t the whole point of being a rapper to make a profit and strive to rap as fast as the speed of sonic? Let me puff some **** and drink till I’m subatomic. Wouldn’t that be ironic? Wouldn’t that be something if I chose to become like everyone else and live out a life of being toxic. So am I ironic or am I just an oxymoron? Don’t give a **** either way because I am iconic and will take anything you haters bring on!
Aaron L Osgood Jun 2019
Let me love you right as a friend.
                       Let me hold you tight.
Give a kiss goodnight towards the end.
                      Wake up to that morning light

My female friends said my heart is like gold.
A caring perfection never controlled.
This a story never foretold
Express your problems never untold.
I’m here to help you carry that load.
Take your time as I hold your hand.
Because I’m DatGuy an Understanding Gentleman.
Your conscience is saying “Let him in”.
I’ll give all my trust...it won’t hurt.
Take the time to readjust...please insert.
I’m giving you a meal before dessert.
This is real..deal or no deal.
Like the game show with Howie.
I know your wondering DatGuy “how is he?”
“Why is he so attractively getting too attached to me.”
I always say I have an old soul so classically.
Like a musical masterpiece.
I’m just here because I had to be.
Your just here because you had to see.
I want you to believe not every male.
Would lie or tell-a-tale towards a female.
There’s only a few very passionate.
This is true no need to imagine it...

I want you to understand me.
As a friend no make believe or pretend.
That I’m here for you until the day we end.
Right now let’s enjoy this Day as it Begins..
Olivia Kent Jan 2015
Ageing so  beautifully.
Classically as diamonds do, never ageing gracefully
Her eyes fire her up, fire you up too,
This Goddess,brings forth the huntress, out on the ****, for a thrill.
Never cheap.
This individual will never ever weep.
Just a kindly miss, not lonely,
So don't take the Michael.
Nourishment needed.
Overtly she's principled.
Quintessential English,
Rapturous as summer days and Sundays.
This trusting Utopian dreamer.
Vehement pen.
Wicked humour full of woman.
X rated at times,youthful and zany.
(C)Livvi
Glenn McCrary Sep 2013
Bad blood.

Yes, that's the substance

That appears to be touring amongst us

Stains of a silent vendetta

Howling against my cranium

Classically, such a rhythm dances

With a carelessly, continuous tune

Am I but an indefinite design

In this fearsome game?
This poem is about the strangely feeling of alienation that raises its head if ever a time occurs that I'll be in the same room with family.
Dimension.
Compound medium (Neurotransmission [receptor])

Apotheon.
Aminergic media (Trace-Amines [TAAR])

Entheon.
Monoaminergic media (Monoamine Releasing Agents[MAO])

Ataraxia ex Entheogenesis.
Dimethytryptamine[rgic] particle[s] (Pituitary [DMT])

Psychedelion/Absurdia.
Glutamatergic medium (Recurrent Feedback Excitation [Classically 5-HT,2A])

Intracommuneon Macro.
Glutamate particle ([NMDA, AMPA, KAR])

Empathion.
Serotonin particle ([5-HT1-7]).

Horizon Cyclica.
Melatonin particle ([MT1-3])

Sympatheon/Parasympatheon.
Choline/Acetylcholine particle ([mAChRs, nAChRs])

Vigilaeon.
Histamine particle ([H1-4])

Logike.
Dopamine particle ([D1-4])

Stimulatus Minor.
Adenosine particle ([A1-3])

Entactus Major.
Adrenergic particles ([alpha1-2&beta1-3;])

Inhibitus Micro.
Glycine particle ([GlyR])

Intoxicatum Socialite.
gamma-Hydroxybutyric Acid particle ([GHB])

Antipathion.
Sigmaergic particulate ([sigma1&sigma2;])

Opus Opiatus .
Opioidergic particles ([OP1-4])

Aponia ex Apotheotelos.
Oxytocin particle (Pituitary [Hypothalamus-Hypophysis])

Inebriatus Dissociate.
gamma-Aminobutyric Acid particle ([GABA-A&B;]

Aetherion.
Cannabinoidergic particles ([CB1&2])
{[Che]M[icall]-Theory}
Homage to the late poet; Kofi Owonor


By
Alexander K Opicho
(Eldoret, Kenya;[email protected])


In one Sunday Nation article, Professor Ali A Mazrui analyzed the inter-politicality of The Jaramogi Odinga family and The Kennedy family by arriving at a difference that the Odinga’s have curse of long life but the Kennedy’s have a curse of early death through violent and untimely  mode of death .Mazrui made these analogies in reference to violent death of John F. Kennedy and the subsenguent Chappaquiddick bridge tragedy.Similarly,the salient difference between a European and American or a Japanese and African writer or African artist is that most of African writers die early in the mid of their lives through violent death but in contrast American and some European writers die peacefully and comfortably in their old age. Early and violent death is the dominant bane, fate and misfortune that now and then besmirch an African writer. This position is in recognition of a fact that my child-hood American popular literature writers in the name of Mario Puzzo author of the God Father and Robert Ludlum an author of several anti soviet spy series like; Borne dentity, Borne Ultimatum and Icarus Agenda plus very many others like The Matlock Paper had just to die recently in their late eighties. The most surprising of all is Phillip Roth whom I read at the age of twelve years while in my primary four.  Now I am forty years and this year 2013 Phillip Roth is still alive and active to the American literary civilization that he has been touted by the Ladbrokes as a probable candidate for Nobel Prize in literature. But sadly enough on 22 September 2013 in Nairobi the black angel of early  death has carried ahead its  foul duty by claiming the life of Africa’s most honorable literary scholar Professor Kofi Owonor during the helter-skelter of Alshabab terrorist lynch of the upscale West Gate Mall in Nairobi.
Actually this essay is meant to be a deep felt homage to the late Kofi Owonor, Killed by Islamic terrorists in Nairobi. However, the essay also goes ahead to decry the violent and early deaths of several other African writers. The deaths which have almost turned Africa into a literary dwarf if not a continent of artistic bovarism. Kofi Owonor, who peacefully and honorably came to attend Story Moja Literary festival to be held in Nairobi, was violently shot by the Islamic fundamentalist terror group known as Al shabab. Whose gunmen lynched the Mall in which was Kofi Owonor and his son. The terrorist were sending out the Muslim catchword on which if one fails to respond then he was known not to be a non- Muslim on to which he is shot or held hostage for ransom.Fatefull enough, Kofi Owonor was not muslim.He was an elder, an Africanist, a scholar, a poet, a realist, a rationalist, a Christian, a religious non-fundamentalist and a literary liberalist. He could not respond with any tincture of religious irrationalism to the question of the terrorist. He was shot dead and his son injured. Too sad. This is actually the time when Christian positivism goes beyond rigidity of other religious affectations in its classic assertiveness that the devil kills the flesh but not the soul. And indeed it is true the devilish terrorist killed Owonor’s flesh but not his literary soul. They are such and similar situations that made Amilcar Cabral to observe in his Unity and Struggle, in a section on Homage to Kwameh Nkrumah to rationalize that the sky is too enormous to be covered by the palm of a sadist nor to be vilified by the spitting of the filthy ones; Truly, like Nkrumah, Kofi Owonor was the sky of African intellect never to be covered by the brute of the cannon from the parrel of a Muslim terrorist.
Kofi Owonor is not alone neither are we alone. You, my dear reader and I  we are not in any historical nor literary solititude. In Africa God has blessed us with the opportunity of the dead relatives in the name of the living dead. We are not the first and the last to grief. Owonor is not the first and the last to dance with fate. Even Ali A. Mazrui in his literary expositions of 1974 otherwise published as the trial of Christopher Okigbo.A  novella in which Mazrui cursed ideology as an open window into the moving vehicle that let in  a very bad political accident to Nigeria in the name of Biafra war which claimed life of  Christopher Okigbo at the Nzukka battle front. This was one other sad moment at which Africa lost its young literary talent through violent death.
Reading of African literary biographies in all perspectives will not miss to make you attest to this testimony. Both in situ and in diaspora.Admirable African American writers like Malcolm X, and Dr Luther King all died through violent death. Even if in the recent past, the Daughter of Malcolm X revealed to Sahara Reporters, Nigerian Daily, that Louis Farrakhan was behind the assassination of her father, wisdom of the time commands us to know that it was evil politics of that time that made Malcolm X to die the way international politics of today in relation to crookedness which was entertained during the formation of the state of Israel that have made the son of Africa professor Kofi Owonor to die.
An in-depth analysis into the life and times of African writers and artists will show that the number of African cultural masters who die violently is more than the number of those who died normally in their old age. Some bit of listology will show help to adduce the pertinent facts; Patrice Lumumba, Steve Biko, Lucky Dube, Walter Rodney, Tom Mboya, J M Kariuki, Che que Vara, Ken Saro Wiwa, Anjella Chibalonza, and Jacob Luseno all but died through violent death. Lumumba died in a plane crash along with Darg Hammarskjöld only after penning some socialism guidelines. After writing I write what I want, a manifesto for black consciousness Steve Biko was arrested and tortured in the police cells during those days of apartheid in south Africa.Biko died violently while undergoing torture in police cells. Lucky Dube was fatefully shot by a confused ****. Walter Rodney who was persuaded by his student who is now the professor Isa Shivji at Dare salaam University not to go back to his country of Guyana, desisted this voice and went back only to be assassinated in the mid of the rabbles that domineered Guyanese politics those days of 1970’s. This happened when Rodney had written only two major books. How Europe Underdeveloped Africa, being one of them. Tom Mboya was shot by a hired gunman in down-town Nairobi, some one kilometer away from the West Gate Mall, at which Kofi Owonor has been shot. Mboya could have written a lot. Even more than Rudyard Kipling and Quisling. But fate or bad luck had him violently die after he had only written two books; Challenges to Nationhood as well as Freedom and After. Both of them are classically nice reads until today. He had also submitted sessional paper no. 10 to the Kenya government which was a classical thesis on Africanization of scientific socialism.
J M Kariuki, Che and Saro Wiwa are all known for how they violently died. Powers that be and terrorists that be, expedited violent death against these writers. Thus, brothers and sisters in the literary community of Africa and the world as we mourn Kofi Owonor we must also let Africa to unite in spiritual effort to rebuke away the evil spirit that often perpetrate terror of violent death which  especially  claim away lives of African writers.

References
Ali A. Mazrui; Trial of Christopher Okigbo
Amilcar Cabral; Unity and Struggle
Olivia Kent May 2013
Such Waste!

When I leave the tears flow,
Whilst at home I know,
Smile inside,
Behind green eyes,
Knowing that you painted it,
Hiding in visage,
A pretty happy place,

Since you stumbled sadly,
Into disarray by chance,
Know we may be together,
Only sometimes,
In times choice,
Simple speck,
Entirely!

Share heart space,
In grace,
Ingratiated,
Grateful for your time,
Twitters float as hummingbird,
Miniscule flirts with love,
Serenely talented,
Awaiting touch of serendipity!

We can never be in honesty,
Maybe,
Honestly guided,
Through duet of crazy lives!
A bond so definite,
So infinite in style,
Captured,
Fondness,
Much more than fondness,
Snatched in my warm heart,
Your smile,
Laced,
While tactile tenderness prevails!

Pen pushes while we drift,
Alive in sleep,
Dark pens kiss,
Fire and ice,
Pleasantries,
Not always,
Always filled with spice,
Diurnal in eternal writes,
Divagated by his own diversity,
A writing fuelled fellow,
Filled with deviance!
Character presented,
Is just soul tormented,
So classically unreal!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
Irma Cerrutti Mar 2010
Alice and I were fudged fruiting inside Falstaffian freakish fleur–de–lys:
She inside a quack–aztec–tattooed tank,
Me inside a pendulous magenta harness with polydactyl–perverted plumes bespattered into it.  
In the ****** **** of that kaput flophouse
We creosoted our conks all the cockatrices of the gorge–de–pigeon,
Inside crotches, Jacuzzis and homocentric Action Men.  
Alice, with the pornographic bend sinisters in the teeth of her poltergeistish fajita crocodile,
Smacked of the plug–ugly poofter of a south–south–west by south sackful sandbank.  
I cemented the jaundiced dangler of an ostrich to my *****.  
With that and my uncut fiddlestick of knobs
I was the idiosyncratic and wholehogging sadomasochistic slapper!

We banged the bush streaming proboscis in tentacle
Through smorgasbords of hermaphrodites and high muck–a–mucks
While Ravi Shankar’s idioglossias and cockchafers juddered our titbits.  
Our Moonies were classically cracked flabelliform by the time we disinterred them.  
Alice managed to fornicate incognito white elephant on behalf of myself
And we were passionately on the back of the dingdong, naked as our Moonies.

We kept one’s pecker up wrapped up in the shadowgraph
Athwart ever-strangling girdles of formaldehyde, ozone, fomenter and widow’s weeds,
Athwart polytetrafluoroethylene–pricked precipices and then down to the butts
Where we both came to a sticky end on our jockstraps and leered at the ballet dancers
That we then penetrated rhythmically by elongating tumescent our gang banging tentacles.  
Through comfortable French knickers I burped, “Thank you for ****** me everywhere, Alice”.  
In the soporific honeypotspunk, aped on the ooze,
I could smell that her **** had made her ******* type soap flakes break the sound barrier,
Splashing out a ***** whale seed skirting her jowls.  
“You’re fragrant, flypaper”, she rapped.

The Government gabble that little green men who hammer out the sexagenarians weren’t on board.  
Inside spleen of the spliffs, inside spleen of my gangrenous Pollyanna, I will over one’s dead body evacuate.  
I will over one’s dead body evacuate.
Copyright © Irma Cerrutti 2009
Cecelia Francis Oct 2016
I was once a classically trained pianist:

My nails cut weekly down to the bit
and internal tongue ta-ta-ta-ta, ta-tee-tee
ta-ta, tom
tuned to the metronome.

Daily hours meant:
bent stick straight up
scales and etudes then
sonatas and scherzos and waltzes and nocturnes and preludes and arias

and movements memorized
by fingers that knew the way
and weight of adjusted arms.

What is the value of
a wrong note alone

or amongst many,

of memory incapable
and fingers fallible?
Nat Lipstadt Apr 2018
a short poem

<•>

kept women

my words are all kept women;
an old fashioned term
that has no currency today
but true for me

they but be the heart of my hearts,
when they leave my employ
keep them well, these yeowomen,
good fellows all,
for they will always be your
one true reciprocating lovers

keep ‘em

please

<•>

lie

how many gray April Saturdays are inventoried,
that we be bequeathed yet another this dull day of the 7th of the 4th month,
of errands and tax preparation and poem initiative-nationhood

the city backyard is a dulled green, energy ****** by one three too many nor’easters in March that  “Sherman-through-the-south”
came marching double time,
leaving the leaves, airport-delayed
and the spring poem planting, struggling

buy milk, lie and get a refund, do stuff and
don’t forfeit forget to
do laundry and
lie

write the longest short poem in history
that green-shots nature won’t provide,
so Me absinthe wills into existence

<•>

this English Woman

tomfoolery’d me continuously,
nature comes to her on knave-bended knees begging for
a verbal sword tap upon each shoulder for a knighting of a periodical glorious poem.  

She provides.

Does woman live in a glen, upon the wetlands,
walk moors
in moons grasp,
or upon a table way in the back of the pub, drinking pints of imagination?

man will die disconnected for so many “reasons”
but if his passing precedes an answering to where,
wherever she locale composes,
man will haunt her residential terrain  happily

<•>

Seven Hours

the clock implies that the body sleet-slept, probed deep-dark for seven hours.
disbelieving, then recalling the dues Frodo-Friday eve paid:
three and half hours with two thousand others at the Opera,
hours of Placido Domingo,
extracts from the body
emotional  countenance,
homage to artistry exemplary;

the pharmacist denies having this drug among the sleep aids
so to the opera must return to earn my occasion occasional dreamland refreshment

a well worthy trade: innervation trust rest from enervation must

<•>

idiosyncratic

all my idiot life wanted to be
syncratic
unique something special different

then I realized that’s what
everyone wants and we are all idioticsyncratic

so much trying, exhausting life,
it’s wonderfully human and classically

idiotic

<•>

* Postfaces*

Postfaces are used in literary works so that non-pertinent information appears at the end, to not confuse the reader.

this very short poem was born, birthed, on a salty grey Saturday, April Seventh, Two Thousand and Eighteen,
precisely between
Eight and Nine O’clock Eastern Standard Time

The opera was Luisa Miller at the Metropolitan Opera,
Lincoln Center, New York City.  

Everything Everybody is a factual fiction of your imagination.
Short Poems are copyright, copied write from the tissue of a man who is epistemologically incapacitated in a life incapable of writing a short poem, post facing forward.

(Too **** bad for you).
n stiles carmona Apr 2019
(No puedo hablar la lengua.)
I cannot speak my father's native tongue.
(No puedo hablar suficiente...)
At least, not enough of it to get by.
(...no entiendo, lo siento.)
The body I inhabit feels like foreign territory.
(No lo se.)
My grasp of it ends here.

I. OTRA VIDA

Dia de san valentin, 2000: mi padre aprendió inglés por amor; voló a través del mar Mediterráneo. Él tiene miedo de los sonidos cuando trata de hablar. Pero él lo intenta. Él habla casi perfectamente -- mientras, estoy teniendo una conversación uno-a-uno con Google. Es vergonzoso.

I recall two or three trips, max. There's a blend of urban and natural that's a haven for the eye -- the buildings themselves are seduced by the sun; divine blends of amber, tawny, white. Classically Romantic. That nighttime humidity fogs up your lungs and makes it feel like a hug. There was a time when we were poised to move back there - and in Dad's case, another, nearly leaving without any desire to take me with him.

My makeshift home is built upon stereotypes: orange trees, olive oil, generous glasses of vino. Pienso qué un otra vida where I'm stood on the beach at dusk, with heavy-lidded eyes and ears attuned to cicadas and rolling waves. This is narcissistic lust for the woman I could've been - she is all smiles, bilingual, peace embodied. Those are the nights when I'm not careful: she leaves my bed by morning.

II. ESTA VIDA

To mourn the "what ifs" shows a lack of gratitude for what is, and god, what luck! For inglés to be the second most-spoken language, de-facto "centre of the universe"! To migrate most anywhere and get by; for the Western world to be coerced into Anglophonic bliss since tourism makes their ends meet!

On a holiday, I clam up ordering "una batista fresa" and get a taste of how my father feels. José Francisco: his colleagues call him Frank, in the same way I shun my legal surname because a Spanish 'LL' is too hard for others to grasp. I reek of privilege - post-post-Franco, white European, playing with my non-language behind closed doors. There's private delight in a rolled 'r': momentarily, I'm local, not a mere faux-foreigner appropriating my own heritage. Ironic - he tries to be "less immigrant" whilst I've got the fortune of trying to be more.

I was born into a universe of possibilities. A million options feel like fate -- screenwriter, Oxford grad, Spanish barmaid-or-waitress-or-I'll-take-whatever -- each unchased path is a reminder that, somehow, I'm choosing wrong. I've never perceived myself as small (ex-tall child, "ex"-chubby kid with a head outstretching the clouds, first of the eleven-year-olds to grow **** and got gawped at like I'd grown an extra nostril). Outside this hall of mirrors, I am tiny -- too small to have this many dreams -- manifesting as terror-borne paralysis because I want to do more than I'm built for. Solution: aim smaller or grow up.
half-whiny, half-dreaming. i don't normally rely on google translate - i'm trying to self-teach with duolingo (occasionally enlisting grammatical help via dad).
Mishika Nambiar Sep 2012
It began with my movement towards the heavenly substance,
Leading my way into a nostalgic trance.
Setting my boundaries, then flying out of limits,
Leaving my senses behind, to begin with my trips.

So now I wander over grounds of light, heat, sound and mist,
Provoking dreams that don’t exist.
A circus of lights where dreams can take flight,
To a carnival of variegated colors in sight.

Gallivanting in the forest of unreal existence.
Appeasing up-close and alluring at distance.
The vivid prism of rainbow like features,
Casting its charade on us, “The Euphoric Creatures.”

Harmonious melodies in our souls now play.
Intoxicated yet happy, and ecstatic yet gay.
Lost in the scenery made of light rays,
Leaving my astray to wander in my blissful daze.

The radiant vibes of every glowing and true soul,
Are mellow like flowers and intense like burning coal.
Fascinated me in various manner and means,
Taking my mind to classically bizarre scenes.

I am an “Errant Knight” of the tripping universe,
Delighted forever, no room for remorse.
Happy to be wandering on the grounds of light, heat, sound and mist,
Provoking me to believe something that doesn’t exist.
witchy woman Mar 2015
Ever greet
Someone so
Sickly sweet?
Her candy
Apple red
Puckered lips.
Her minty
Fresh white
Glistening teeth.
Her short
Honey combed
Locks of
Angel hair.
Its all
Too much
For me
I swear.
The scent
Of acid
Cotton candy
Penetrates the
Small room.
Innocently dressed
Classically groomed.
With a
Smile that
Says "I
Could just,
Like be
Your bestfriend!
I'll try
To hop
On your
Boyfriends ****
If you
Turn your
Back for
Just one
******* second!"
Call me
A sour
***** but
I hate
The fake
Super sweet
Little *****
That walk
Around like
Theyre the
****, like
They've got
Some god
Given right
To act
Like fake
Crowd pleasing
***** *******
I'll fill
Your face
With bruises
And stitches.
Oii it seems it all the world has  these days are little girls like this. Thank god Im friends with sane people
Jordan Frances Nov 2014
To the kid in the hallway telling his friend
"Maybe you need a **** whistle."
And to her response, a sarcastic
"Matt, **** jokes aren't funny."
You're **** right they aren't
Tell me, how is anyone forcing themself onto another person funny?
How are the I don't want tos when her "no" couldn't scream loud enough funny?
How are the ****** thighs and bruised hips funny?
How is the waking up in the middle of the night
How are the flashbacks and her wailing funny?
How is the seven year-old who had so much anxiety she'd tear her hair out
Or a sixteen year-old who kept eyeliner and a kitchen knife side by side in her purse funny?
It's about as funny as a slaughterhouse full of pigs taunting the other pigs
And telling them their approaching doomsday is amusing.
I dug my key into the palm of my hand like a knife when I heard this jeer
Clenching and unclenching a fist
Because I knew if I did not
That hand would go right through your faces.
You do not know the impact of your words
You see, for a survivor
Jokes about ****** assault are triggers.
They bring back every memory
Which becomes a stinging tear behind an eyeball
Fighting not to emerge from its home.
When I say something
Classically I am being "too sensitive"
Just as I was "too sensitive"
When he told me to get on top of him
And I said no
So much courage mustered up in a little body
I could have moved mountains that day
I could have been my own goddess
At seven years old
But he did not care
He was bigger than me
And he imposed that will onto my body
Reducing my childlike frame to the size of a fly
Being swatted by the paw of a lion.
I will not be silent
So when you tell a **** joke and I am in earshot
Do not expect me to laugh
Because there is nothing funny about a slaughterhouse.
Norman Crane Feb 2021
Five red haired maidens / resting symmetry
Draped in bluest sky / arranged peacefully
Interwined pink flowers / chaining togetherly
One composition / from Antiquity
Arms wilt with leisure / classically painted
Their wild thoughts blooming / a pale recreation
Seated in judgment / of time untainted
By modernity / By degradation
in eternal youth / in a single row
They sit and they watch / seasons come and go
MsAmendable Apr 2016
I took a class in psychology,
But who could ever hope to know
The inner wanderings of a lost soul,
The mechanisms making you tick,
You, conflicting conundrums and
Cautious contradictions...
You have classically conditioned my mind
To fumble over your chapter,
With your classical ways..
Heuristics never applied to you,
You are Freudian; hopelessly undefinable
And impossibly right
Heuristics are problem solving devices, like a shortcut, instead of taking the long way around
SassyJ Apr 2016
Rushed by the stormy ‘purple rains’
Crescendos that picks in all peaks
Softness of the male energy portrayed
Prolifically flamboyant and eccentric

Ambiguous, mysterious sensual reciter
Classically unconventional and different
Shedding the specifications of gender roles
Crowned by dark shades of violet pizzazz  

As the rain settles on the dusty grounds
As the soil solidifies and paste the others
As the dove wails looking for its nature
Rest in peace as the mascara waters down
Rest in Peace Prince
Laurel Elizabeth Oct 2013
Stickysappy
pupils
gather images
withoutbeneath
classically
trained “understanding”
Blinking colored pixalfree
(nonsense.)
everything inside- Happy
out of focus

But believe me
(when I say)
You do not see
as well as I do,
with your
*Unadulterated Vision.
Sadie Oct 2023
I think I’ll always be at least a little afraid of my own reflection.
It betrays me,
Stares at me with my father’s eyes and my mother’s smile.
Taunts me, teases me, tortures me,
Forces me to face all those faces that came before mine,
All the faces reminding me that I can’t change where I came from.

My eyes are supposed to be beautiful,
Big and green and thoughtful,
Intelligent, intoxicating, inexorable.
Though I’ve never found any beauty in my father’s eyes,
I find his relentless selfishness,
His arrogance,
His stubbornness,
His refusal to help others escape the pain I know he’s always carried,
Reflected in mine.
I stare at a mirror,
He stares back,
Reminding me that green is not just a color of beauty,
But also the color of the selfish isolation I am doomed to endure.

I don’t see beauty in my mother’s smile,
I hear all the hateful words that passed her lips,
All the words screamed at me until I finally began to believe them,
Encouraging me to make myself smaller,
Make myself less me.
I picture her hovering over me,
Her grip so tight on my wrists that I can feel the bruises forming,
Her face distorted by my tears as she hisses at me,
“Cruel,” “cold,” “undesirable,” “unlovable,” “unfixable.”
I imagine her soft smile,
The same smile she wore every time she swore she was proud of me,
The same smile everyone tells me I share with her,
Sweet and feminine and classically romantic,
Twisted into the spitting image of hate and disappointment she won’t let me forget.

I wish people wouldn’t search so hard for my beauty.
I wish they wouldn’t take my face,
My features all stolen,
As a representation of my being.
The big, green, eyes,
The charming, uneven, smile,
Long thick hair and tiny, little, freckles,
Femininity, romance, perfectly imperfect to keep you interested,
Just unique enough to make you think you’d never find a replacement.
It’s all so pretty, so perfect, so pointless.
It may captivate you,
But it doesn’t tell the story of what lies beneath,
All you’d have to endure to keep it in your life.

It’s not easy to see beyond my face,
Or my attitude,
Or my wit,
All designed to intrigue.
It’s not easy to stare into my eyes and watch them fill with tears,
Watch the way my face falls,
Farther and farther from your perception of my beauty.
It’s not easy to hold slender hands when they tremble,
So violent you’d think there was an earthquake rattling around in my mind.
It’s not easy to trace the outline of my figure when I’ve become too thin,
The valleys between my ribs,
The sharp ridges of my hips are too scary.
I may be easy to look at,
So easy to admire,
But I am not easy to love.

I ache for the love of which I have been denied for so many years.
I want to be beautiful for all that I’ve endured,
All that I carry with me,
The pain I’ve felt,
The stories I’ve collected,
All the broken pieces of old versions of me that I’ve slaughtered on my own accord.
I want you to think that I am beautiful even though I can never accept it.
I want you to still think that I’m beautiful when my skin is ripped to shreds,
Torn by the blade in my own hands,
When my eyes are sad and empty,
When my smile eludes you.
I want you to still think that I can be beautiful.

I am so tired of bleeding my soul for people who just want to look at me,
So sick of letting people in who find everything beneath the surface of my face ugly.
I am so much bigger than my body,
So much more beautiful than my face,
But it will never matter.
People will always praise my father’s eyes and my mother’s smile,
The traits glued to me that bleed into my mind,
Infect my soul with all of their hatred and anger and disgust.
People may always call me beautiful, but just once, I want someone to find my beauty to be more than skin deep.
Lucy Tonic Jun 2015
Ancient as the wind
Monroe hips
And a smile that could stretch for miles...
Classically outdated
But the flower never faded
Honey is just searching for redemption
On the wings of Magdalene...
One day your empire will rise from the sea
The ashes will fly with the breeze
And the rain will be as pure as the first tear that fell from His eye...
djr Jun 2012
[Click]

“Yo yo yo, welcome back to the Def Poetry Slam. Comin’ up on da stage next we got two favorites who certainly ain’t a favorite of each other… na mean, na mean? They’re both hear reppin’ the London, so give a big round for ‘Lord Bye-Bye, and Johnny Cleats’…
Yeah, yeah. You guys know the rules… get to it. Bye-Bye, you’re startin’”

He walks in Beauty, like the dawn
whose bright and crimson sun alights
So all of those around him fawn
and follow him into the night
Now I know why my friend Trelawn
does envy him with all his might

Oh no, I, am so sorry,
My mind has come to function
all of this, you see, is me
And while he’s got some gumption
aesthetic he, but hungry, Keats
only talent for consumption

“Ohhhhh! No he didn’t, no he di-in’t! Yo Cleats, get some traction on this and tear him away.”

Standing aloof in giant ignorance,
staring down from atop an ivory stool
Your title, then, will keep them in your dance
and little else, you shallow-swimming fool

You see, My Lord, and that is all you pageant
as simple work as that does a flask
My words, instead, are all that I imagine
Of that, My Lord, mine is the hardest task

“Ohhh… well Round One’s gotta go to Bye-Bye, the audience has chosen, but… John? Johnny Boy? Hello? Where lies you, English Poet?… Can it be?… Can it be?… Ladies and Gentlemen… I think we have our first official **** in the ring. Must’ve been something we said. I guess it’s over. Bye-Bye… you got anything to say on your victory?”

So, we’ll go no more a roving
as our battle was cut short
Just as I thought you would be atoning
for your lack of literary tort

I’m classically trained, John Dear
and a weakness of the meek:
It’s that you have a deathly fear
and cannot survive critique

“That’s kinda cold, dude. You and I both kno–”

[Click]
Elder cocoons
Crysalis Hospice
Heaves pounding war drums
Fables of eternal bridge
Bingo and television
zombie horde lunch hour
Tennis ***** play race car
down halls tarred with lost children
Abandoned wither liver spot wrists
Silk wrinkles
Pull like neck folds lifted
newborn simba kittens
casted into this kingdom
scientists culture control

climate but not the yellow wall
It's too high for a fit cyborg
intravenous barbed wire
Cathader Penetrating
illusions of escapism
except the prison wealthy
classically conditioned

trading ice cream like cigarettes
trading blood diseases like ramen packets
There is no planned parenthood
in old folks homes
There is no distribution of free condoms
In a facility where they without medication
When you're about to win the lottery

His last day requested to bed Nurse Christine
Wheelchair ridden fumbling to open
A shaker of Mrs. DASH
I reach to help him open the spice.
Growling and Sadistic he festered:
"Let the little boy do what he can do."

I sat down in my chair.
he had his nurse ala mode.
no one will fund a ****** dispensary for old folks home.
they wouldn't use them.
https://youtu.be/QFueL1nNT6k
Vamika Sinha Jun 2015
'What shall we talk about today?'

Spin, spin, spin the conversation
into loops and recapitulations.
Cassettes were my sustenance but
a vinyl record spins on the turntable.
Won't you tell me what song is playing right now?
Rests, then
    block chords, then
          swing-swung rhythm.
Then,
unexpected concords.

Where did those blue notes come from?
And colour our red, some supposed red, into
purple?
But jazz has always been unpredictable.

I grew up on the clarity and
gravity
of soft pink time;
pearl-notes to the steady, steady,
steady
beat of a metronome.
But now,
                now?
Syncopation.
My  
      beat
against your
                beat
and we make a violently violet
bossa nova.

Suddenly the classically trained flautist
has time-travelled to her very first lesson.
Because no sound flutters out of the mouthpiece
and her fingers can't keep up.
Swing-swung
            syncopation
and she doesn't know to breathe anymore.
Where did those blue notes come from?

Silence.
Have we reached the final double bar?
The cadence is imperfect,
                                             unresolved.
Listen, a cold snap of instant jazz
knocked us over.
Arms clasped, teeth chat-chat-
                                              chattering.
1,
     2,
3 -
A not-quite waltz.
But jazz has always been unpredictable.

Won't you tell me what song is playing right now?
I think we know what it is but can't figure it out.
And so Cole Porter and Billie Holiday save us
from
     fading out.

'Let's do it, let's fall in-"

I don't want this song to be over.
I don't even know what it's called
but
don't let it end, don't let it,
don't
        don't
don't.

I can't cook but I think
I can make  
                   instant jazz.
And you,
        and you...
You'll write dizzy like
a Coltrane solo.
As you do.
And I'll lay down my flute,
struggle out of my red minuet and
                                               wonder:
Where did those blue notes come from?

But jazz has always been unpredictable.

'What shall we talk about now?'
Wk kortas Jan 2018
Perhaps it was her voice itself, clear and simple,
Unalloyed by any classically trained fol-de-rol,
Or possibly the nature of her faith
Displayed with such clarity, such transparency
By that very instrument,
But in any case, she had utterly bewitched the populace
Of the place known as Ahwaga by her distant cousins,
And when she stood on the Delaware & Hudson platform
The next morning, they had cheered her lustily,
All but begging her You must return to us,
But the train had lost its footing on a sharp grade
Mere hundreds of yards before making the station at Deposit,
And she was lost in the carnage and conflagration.
The townspeople she had said her farewells to that morning
Were distraught, their feelings a mix of grief
And an odd sense of culpability, a nagging misgiving
That perhaps this was an omen, some augury
Denoting that their own faith was not up to scratch,
And so they had taken her back to their own burgh
To bury her in a manner befitting her piety
(She had been travelling with siblings,
But they acquiesced to the plan, though how willingly
Not wholly apparent at the time,
And made no clearer through the ramble of time)
And so she was laid to rest in a plot
Surrounded by ornate fencing, her grave marked
By an obelisk pointing unambiguously to her Heaven,
And it is said that, on autumn evenings
When the breeze rustle the dying leaves just so,
You can hear the spirits of her Mohawk brethren
Come down from Quebec, murmuring songs
Telling of the spirits living in the trees and hedgerows,
Spoken in the ancient tongue
Of the languid, unhurried Susquehanna far below.
Kenna Jul 2012
Of course as I have an entire life left to live I am wondering what you ate for breakfast.
You ate a chicken quesadilla.
For breakfast???
...wierdo...
but at least I know now
the suspense was killing me.

Now I can't help but wonder what you did today...
Any photos???
You went the bathroom???
GET OUT!!!!

And of course, I want to hear your 'inspirational' (recycled) quote of the day.
"Today you are You, that is truer than true. There is no one alive who is Youer than You.”
(classically overused)
MAN THAT GOT ME SO INSPIRED
I WAS SO SAD BUT READING THAT MADE ME FEEL 100 TIMES BETTER!!
20 likes
WOW YOU ARE A GODDESS!

YOU CHANGED YOUR PROFILE PICTURE????
SCOOOOOOREEEE!!!!
Woah, you look so pretty, you did such a good job with the editing (there is a lot of it).
You look nothing like that in person.....
I like your bra...by the way...
10 likes in 3 minutes!!
DUDE
THIS IS LIVING!!!!

Well enjoy your life with the constant need for approval...
Lets see where that takes you...
AAAAH SARCASM. This is dedicated to my sister who is constantly annoyed by the people with external locust of identity on facebook.
I'm not saying I don't use facebook, but I use it for different reasons.



Thanks For The Update is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
SøułSurvivør Aug 2017
Patrick (Lucky Stars) O'Hara set his disabled grandson up on the old horse's back. Contrary to his moniker Paddy was anything but. His luck had run out. His son had just died of leukemia, and his grandson was now fatherless. His "daughter-in-law" had run off long ago. Couldn't handle having such a disabled son, and a sick husband. Paddy had never liked her anyway.

Patty looked at the child's wizened body. The cruelty of scoliosis. The doctors said it would cost vast thousands of dollars to straighten Bobby O'Hara's spine. Money Paddy absolutely did not have.

His sad gaze shifted from the boy to the horse he was sitting upon. Oh what a magnificent creature you were, 8 Ball! His own retired racehorse. What was once a stone black coat was now mottled with white. The figure eight shaped blaze on his forehead had given him his name. Not to mention the way he took off at the Starting Gate. As if someone had goosed him with a cue stick! And he bounced off the turns in the track as if he had a spin on him that was absolutely deadly. 8 Ball loved to run! He was unbeaten in every race that he entered. A real Dark Horse. With no particular lineage whatsoever. 8 ball just had Talent. And the track owners hated it. Most races were rigged. And Paddy O'Hara didn't play the game.

So they set up a race. With a big race horse named Red Rodger. This horse was also unbeaten, and had a promising future. But Red Roger's jockey was told to lay his horse down... Right in front of 8-Ball. So lay down he did. Killing Red Rodger and severely injuring 8-Ball. There was a lot of speculation about the race. Especially how the jockey riding Red Rodger had jumped from the horse just before the accident happened. He said his foot had slipped the stirrup. No one could prove otherwise. So red Rodger was dead, and 8-ball was very effectively out of the game.

8-Ball, being a sweet natured horse, stood stolidly as a little boy patted his withers. He looked back at him with his gentle dark chocolate eyes and nickered with what Paddy could have sworn was tenderness...

He heard a frustrated whinny behind him. Looking back he saw what he expected. The F-tch was back.

Lady Genevieve Summerfield-Fitch looked down her long nose at Paddy. Astride the most magnificent jumper O'Hara had ever seen.

Gentleman Jim was an astonishing animal. The dappled grey of rainclouds on a milk white sky... and his lines were flawless. Not to mention his lineage. His dam was Proud Nelly, and his sire was none other than Seafront View. And The Gent was as good as his name. He wasn't hare- brained like some horses which became ******. This was a well-tempered, almost intellectual horse. He worked WITH his rider. Practically thinking his way through a course. And it was no surprise that Gent won more awards than you could shake a club at!

But Gentleman Jim's rider was anything but his counterpart. She owned him, but she was no lady...

All of a sudden Paddy's gaze shifted again... this time in the far distance to take in an apparition. A small blonde girl... hair the length of her knees! Running like the Hound of the Baskervilles was after her! She closed the distance between them so rapidly O'Hara was almost dumbfounded!

"I... must... buy... your horse", the child panted.

"He's not for sale..."

Suddenly Paddy saw who the youngster was running from. Back in the middle distance was an ugly bald-headed creep. The spider's web tattooed over the left side of his face was enough to change Paddy's mind... he'd give the girl TomTom, though. He was a good, swift horse....

... then, before he knew what happened, his grandson was sitting on a chair by the stables and Blondie was astride 8-Ball!

"Hey! That horse is old and LAME!

"Not anymore." The blonde girl said simply. She pressed something hard into his palm. "And he's now mine".

As 8-Ball wheeled around to go out the gate something... happened. Was it O'Hara's imagination? The Ball's coat got darker! And shiny! His "game" leg seemed to... straighten...

When he made it out to the trail with his small rider he bunched up his flanks and took off Like a bat out of HELL!

The young blonde girl's long hair streamed out behind her like a sail as she took on the seat of a hockey... PERFECT FORM!

Paddy looked down at the hard object the girl had pressed into his hand. It was a classically cut emerald, dark as the hills of Kentucky. And bigger than any Paddy had ever seen...

— The End —