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Riding backwards on a train
Leaning my head into the window
Seeing my own reflection – Clackity
Clack – Clickity Clackity Clickety Clack,
Don’t talk back, Clackity Clack.

What I see in the passing frames
Bridges, houses, brown fields
And rough terrains.
Clackity Clack, Clickity Clack
Don’t talk back, Clackity Clickety Clack.

There goes an old barn beside an Azores tree
There goes an Azores tree beside an old barn
My God there goes another one – that’s three
Clackity Clack, Clackity Clack, Clickity, Clickity
Don’t talk back, Clickity Clack.

Telephone poles all passing as one
Streets and warehouses, street signs
And red lights – green and now a nun
Clackity Clack, Clackity Clack
Don’t talk back, Clackity Clickity Clack.

Into the tunnel we clamber and scramble
Concrete walls all painted with daises
So close to the glass we go into this gamble.
Clackity Clack, Clickity Clack, Clackety Clickety
Are we coming back, Clackity Clack.

Deep under the bay we travel
As loud and deep as the devil.
All held back by nothing but gravel.
Clackity Clack, Clickity Clack
Please don’t crack, Clackity Clack

When all at once into the terminal we fly
We made it – me – myself and I
Slowing to almost a crawl - good-bye!
Clackity, Clackity, Clackity Clack
Next time I’ll check my Zodiac.
Me trying to describe riding on the San Franciso Bay Area Rapid Transit system. Better known as BART.
If you care to listen to my musical interpretation of this train ride you can listen to it on YouTube available at the following URL; You will need to copy and paste the URL into your browser and once it loads click on the arrow in the bottom left of The YouTube player to start up the music.

https://www.youtube.com/watch?v=Js4JzBmPY0c
SP Blackwell Mar 2013
I am sitting on a broken branch

under the drug addled canopy of insecurities and lies.

I am feeling the steady sway of an oxycontin daze.

Walking slowly through a ketamine daydream that pulls at my core

like a phantom puppet master controlling my limbs.

It crashes into my brain like the breaking waves on the shore.

Breathing in nicotine filtered filth as I wait to catch a breath of fresh air.

Lungs filled with recycled tar that prevents me from gasping.

In darkened corners where lies sleep and rumors are hidden,

I wait.

I dance on a tightrope between conscious and subconscious

that is held by reality and dreams.

Dark sunglasses on to avoid

the blinding stinging light of what is real.

Mirrored glasses are reflecting the reflections back at intruders.

Deflecting glances, shifty eyes, and dilated pupils

searching for a focus point of truth  

in a neon technicoloured blur of hypocrisy.

The background blaring horns blended with a steady bass line

mimics my heartbeat.

Thump thump. Thump thump.

The fading noises pass quickly,

highlighted with insults and curses of hate and gossip

that are forgotten before you can make them out.

Spun truths turned into lies

intermixed with resin

left from yesterday.

The litter paved streets break under my heels.

Click clack. Click clack.

Broken and cracked

like the false promises

And hopes

And dreams

of those who have walked here before.

The monotonous pace is repeated

only pausing to notice the gum under the stiletto

that fails to hold her in place

as she runs towards the wet cement that has replaced

another sheet of cracked concrete.

The wet cement that has covered another lie

in order to show the simplicity of fake appearances.

A reminder of how easy it is to replace and mask

the hate filled holes that get trampled on.

The flicker of hope is suddenly unseen

like the street light lined alley that is now dark.

The stench of garbage, decay, and rotting flesh

is mixed with expensive perfume, sweat, make-up, and spilled *****.

Garbage cans are filled with the leftovers of last night.

A *** stained dress with no owner draws no attention

as the sound of snapping latex is muffled

by the screams of ecstasy that rapidly fade

like the fleeting feeling of MDMA.

Thick white ****** fluid oozes out like human glue

in an attempt to mend the lack of connection.

Strangers intertwined in hasty conversations

waiting for human contact to forget

that they are in dark alleys.

To forget

that they live in dark places

where no one lays down wet cement.

The distorted reality of alleys deceive passer bys

into thinking that they are not menacing

has been weaved like a web by street sweepers and garbage men.

The pressing sense of the need to avoid the sweepers

is unsaid but felt.

They falsely clean what will always be *****.

The *** filled backstreets yearn for love

like the treacherous woman guarding its corner.

Daddy issue lined dresses are asking to be undone

just like her lost innocence that can never be mended.

The issues and clothing that can never be fixed

abandoned on top of garbage cans for someone else to pick up.

Patches of dead grass are left

untended, unwatered, and unwanted

waiting to be replaced by wet cement.

Wet cement that soon enough will crack and break

under the heavy heated pressure of the stomping heels

of lost Girls in a desolate city.

Blood trickled trails are left behind

that have dried into the cigarette lined streets that lead nowhere.

The injured egos of men are left to linger at back doors

that will never be opened.

******* induced insanity whirls around a flurry

of whispers and paranoia wanting to here the Truth

between the spewed anger and rage of the low toned hushed voices

that wish not to be heard.

Whiskey hinted murmurs pressing on the sidewalk cracks

knowing that they will never be heard.

Looking into the dark where

Truth will never be seen.

The constant beat of narcotic users searching

for salvation in pre-packed bags of white powder,

digging for redemption in empty bottles of multi-colored pills.

Screaming through the silence,

They are not heard.

The desperation can be heard through the whining moans

of the junkies that are tethered to addiction.

The over whelming sound of

Want and Need and Lust

move through the streets like the overflowing gutter water.

Heartbeats are replaced with the impatient pacing of

her stilettos waiting for her pain to cease.

Stilettos stomping on broken dreams

waiting to cross broken streets.

She gazes at the other side as if it is different.

Stilettos tapping on the street

waiting for the firm grasp of a sweaty hand to distract her from reality.

Waiting to be touched

And grabbed

And ******

                                              In hopes that love will arise from ****** ****** encounter with

strange men in uncomfortable places.

Clothes are feverishly removed with the promise of

flesh on flesh enveloped in a hazy cloud of body heat

that warns off the internal coldness.

Heavy breath and touch and kiss release chemicals

to replace the drug depleted emptiness.

The rhythmic sound of rubbing flesh mingles with

the moaning of the streets.

It fuses with the short lived pleasure laden moans of

lonely people and un-climatic *******.

Awkward silences are brief as the sound of her heels owns the street.

Click clack. Click clack.

The sound of stilettos on cement hurriedly walking away when there is

no longer a need for his body heat.

That unmistakable click clack click clack

on uneven, *****, dangerous streets.

Red lipstick smeared stains are the only trace of her that is.

That is the only trace of me that is left.

Click clack steady on the street.

Steady like mimicking bass line

Click clack heartbeat.

The crunch of broken glass under the stiletto

echoes her broken dreams.

Click clack.

Head held high never looking at the ground as she walks forward.

Click clack. Click clack.

Click clack.

The urban mud of

Wet cement goes

Squish!

under her stiletto.



V.Mata
AntRedundAnt Jan 2014
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times   dead   favorite   finally   minute   brain   hearts   getting   belly   far   rain   blue   knees   filled   stupid   woke   cream   fit   young   brown   se   fat   tan   cough   spoke   says   unlike   footprints   ******   rough   forward   buckle   blues   task   shoulder   grace   *******   reason   nostrils   firm   juice   palms   someday   mis   thumbs   screams   arguments   wobble   *****   elbows   *******   wrists   headaches   amo   pesky   ligaments   one-liners   thoughts   later   ash   clouds   lips   dreams   breath   mouth   hold   sense   taking   world   bit   speak   dance   gave   shall   ready   skin   air   single   breathe   button   peace   choices   hill   wrong   weak   close   use   quite   sky   phrase   darkness   justice   sound   unable   brave   holding   deep   grabbed   ****   try   building   paper   lunch   think   kind   stay   days   smooth   perfect   learned   care   fair   hard   grant   sweet   high   fruit   short   terms   kept   relationship   underneath   presence   water   looking   fool   sorrow   tree   second   delicate   nearly   happy   line   tall   tried   sad   satisfied   point   feels   falling   purpose   game   lazy   que   amor   agree   known   naught   loss   broke   failed   games   limp   grin   final   spring   act   south   flare   race   sake   car   large   wishes   neck   blink   knife   seeing   idea   steve   company   greens   spread   ship   lo   sally   sum   drowned   december   weep   sting   smiles   lessons   promises   successful   whistled   drowns   perfectly   pleasing   failure   brothers   cliche   harder   thirteen   ale   signs   limit   serenity   mundane   origin   chat   sapphires   handshakes   skinny   contagious   succeeding   super   refer   maturity   destination   civil   uncomfortable   collects   clack   liz   beatles   vez   attract   accomplishment   backside   throes   flaccid   audi   oneself   beastie   applesauce   naivete   bungalow   outie   there's   couldn't   isn't   they're   let's   'n   primos   primas   cantuta   fronton   redd's   mott's   innie   phallicly   tiny   fight   yo   para   walk   ****   hello   light   flash   silent   stone   does   forth   conversation   polite   green   minutes   ****   clear   flesh   couple   wake   anger   throw   torn   tangle   play   shattered   soldier   land   victim   carry   battlefield   came   darkest   blood   battle   warm   shine   reminds   lose   eye   dismay   hide   impossible   fast   earth   grab   stand   die   worse   year   people   white   story   hit   god   anxiety   realize   fall   asleep   dark   course   apart   morning   remain   beauty   ****   slowly   start   happen   remember   pray   past   easily   straight   mean   hand   driving   instant   thunder   messages   friends   old   coming   pen   seeds   shape   wasted   word   living   tore   shadows   knowing   bad   class   joy   trust   leaves   path   sun   ways   leave   meet   broken   head   weight   means   mountain   boys   true   stars   learn   sliced   naive   decided   player   actually   reality   ease   music   hood   desperate   promise   wishing   begin   miss   caressing   moan   thighs   heard   pretty   emotion   figure   floor   exotic   sand   hits   angel   awake   dreaming   probably   wins   seek   stretch   loved   tears   heartbreak   punk   walking   piece   furniture   unreachable   roots   near   deserve   simple   cats   tail   precious   lovers   loves   mother   tongues   clueless   share   taken   yesterday   faith   freedom   ripe   cursed   running   yes   unknown   feeling   going   stairs   opposite   wonder   afloat   packed   bones   acting   playing   wind   passions   dismissed   hourglass   reached   stares   mouths   singing   shaped   trapped   toll   dies   rock   trunk   discovered   especially   dull   choice   awful   patient   great   indoors   attached   thread   shoulders   warms   bright   bring   ending   drowning   sadness   winter   baby   looked   cute   beating   tight   kids   crying   ran   intoxicating   growing   saying   opposites   melancholy   gives   follow   clearly   dove   tu   soon   entwined   juicy   drown   laid   took   moved   bear   anyways   shirt   negative   clean   guide   sore   location   faux   nodded   glance   caught   chances   week   started   today   obvious   sweat   ***   quiet   laughed   worry   round   ladies   mama   smack   goodbye   rising   sides   wished   beds   infinite   positive   scared   admittedly   mistakes   meal   common   rises   toes   bullets   bound   suited   birth   clothes   belt   pounds   ground   barren   sitting   table   woe   swimming   stick   deepest   motion   cleared   sing   angry   action   sons   smiled   bedroom   wall   wiped   grins   mad   july   store   road   snow   pulse   important   adventure   exactly   foundation   trap   colors   floors   neon   outside   language   summer   north   fifty   served   wavy   kick   raw   thirty   row   changed   hanging   lied   drenched   companion   begins   strength   flies   direction   okay   stories   inky   stubborn   cloud   track   described   lover   replaced   pit   packs   circling   honest   wage   dinner   slave   paradox   faking   screamed   lightning   exterior   stopping   complete   deal   rifle   dependent   gifts   dancer   vision   students   horror   punch   anymore   pack   sagging   folk   honestly   tearing   prepared   creatures   listening   rhythm   unique   roar   card   glass   stage   desert   offered   fought   suffer   awoke   master   eating   furnace   glad   choir   graceful   *****   treasure   ships   bark   musical   strand   bee   finished   pink   slink   stronger   disclose   gravity   schedule   march   medicine   hates   weird   brush   laughs   helped   june   pitched   dumped   tense   sin   withdrawn   stem   proved   whispered   anew   amazing   louder   english   knocked   chilly   boots   false   mistake   toffee   whistle   smirk   gas   poised   buttons   bet   necks   elate  vi   bleak   decades   intention   plane   swollen   unseemly   en   sir   creeping   tells   success   doth   ***   balance   ant   fourth   fits   matters   pan   shook   tingle   dusty   reaching   thanked   careers   pile   tempt   ix   xi   xii   xiii   moms   hushed   spears   twinkling   works   fairytale   double   fighter   shocked   barriers   boot   thanks   solitary   lesson   owned   systems   groan   weekend   tomatoes   cider   calculating   drawer   partially   handy   stumpy   album   appealing   pet   unfortunately   jokingly   hotel   teacher   tag   eighteen   leg   dash   peep   betwixt   swear   attempt   inescapable   venues   worker   suit   coughed   remembers   rhyme   listed   chatter   stuff   assist   blocks   sheen   stanzas   jobs   cleaned   handshake   natural   moi   fantasy   cheers   smaller   curl   nay   leaning   frequent   eggs   cuando   el   desayuno   tus   beige   imperfections   difficult   darlings   overcome   oranges   keys   newfound   fairly   occasions   stats   ponder   pools   ablaze   rushes   fret   quell   breads   progress   comfortable   settling   desks   tile   trails   rainy   homemade   stunned   cemetery   plus   ideas   avocados   bananas   apply   latch   rocky   digress   experiences   vacation   sanctuary   earlier   rocket   precise   various   author   pie   explosions   *******   lighter   matched   plunged   isaac   jefferson   abe   measured   saturday   claw   welcoming   gear   trained   suffocation   leapt   gap   lee   disturbed   es   thrill   alarming   grill   frankly   importantly   una   fray   candied   amalgamation   nasty   american   optimism   guns   craters   contracted   rampant   unattainable   spilled   courts   carrots   shuffled   combined   blonde   forgave   artillery   sandwich   comfier   limitation   personalities   friday   strongly   crude   banana   tennis   limits   quaking   recesses   loot   andromeda   shells   playful   luckily   area   upwards   flail   largest   sappy   freckles   biology   fruition   cases   overtook   pinks   instruments   brownies   birthmark   reinforce   laptop   pirates   blinks   frontier   forwards   resonate   capacity   mumbled   marched   scraping   prompts   multiply   haiku   football   como   function   unfeeling   eighty   backsides   prompt   raced   blare   likewise   pro   chrome   gran   pears   puede   corazon   elated   indecisive   basketball   burgundy   synonyms   braced   effeminate   mutually   duties   companies   honeymoon   flailing   patted   mayo   headon   pero   misma   marveled   aforementioned   abhors   forefront   hesitating   identical   creepy   possessive   screeched   gotcha   infidelity   friction   barrage   nonetheless   disparate   itchy   apex   gettysburg   lunchtime   pickup   muchas   then   and   trading   distinguishable   pitches   bunk   ven   ladylike   encompasses   diagrams   underlying   spaghetti   soccer   trashcan   papa   disarming   finalmente   clashed   rosie   smirks   snapshot   pug   songbird   spitfire   yanks   thankfully   mesa   flexing   virginia   effectively   variations   eclipses   tambien   outrun   incident   vitamin   willpower   underdog   hardboiled   miniscule   checkerboard   entrust   siento   heavyweight   davis   thyroid   foreshadowing   frances   heresy   starburst   deficiency   sawing   peruvian   leche   antithesis   villanelle   alliteration   hora   vivir   clacking   droopy   whizzed   britney   futbol   parameters   disney   mangos   disproportionate   orbiting   tanka   stubby   intro   listo   goldilocks   teamwork   pbj   exemplifies   rey   retainer   tenia   triples   espanol   estuvo   castillo   ferrying   suficiente   racecar   dorky   garganta   veo   julio   peripherals   labios   rojos   foreseeable   frito   groggily   venn   macbook   inanely   hubo   goofball   you've   she's   weren't   wasn't   we're   others'   you'll   should've   haven't   what's   you'd   they'd   man's   boys'   god's   woman's   fruit's   orion's   newton's   lincoln's   adam's   momma's   ******   jackson's   audis   dulces   disproportionately   charon's   deseos   avocadoes   hailey   eran   beatles'   ingles   he   she   it   rackets   --   hashtag   sixty-three   duct-tape   joysticks   sherman's   15   6th   32   500   7th   2013   extraño   barenaked   tamales   6-year-old   tierras   derpy   ewell   rom-com   themit's   adan   mudpits   puddlepits   war--hell   culp's   shitpits   completaron   chocolatada   levantanse   duraznos   n'sync   huevo   cholitos   levantaron   manzanas   endurece   wozniak's   dispara   nuez   open-endedness   innies   cankles   dunder-mifflin   tunks   buck-toothed   outies   grief-blown   a-gawking
I uploaded all of my past work onto the site already, so everything from here on out will be new and original. This is sort of an experimental idea of mine: take all the words hellopoetry has tracked for me, put it down as if it were a poem, and see how it flows. It actually kind of works sometimes, but I'm not sure. I'm sure it's mostly terrible, but I wanted to try it. Let me know what you think in the comments below!
I'm on a train.

One of those red ones with black trimmed windows you can imagine rolling through the suburbs on the way to NYC. Not a subway car but a classier vintage with proper rows of cushioned seats and a lever to pull if there is an emergency. There are sparse shrubberies on one side of the tracks and the ocean on the other. Young trees and bushes stroll by.  A little wind is pushing off the ocean, massaging the car ever so gently back and forth as we move along. A gentle click-clack is on the tips of our ears.

We got on together. I hadn't known you for very long but the connection was stronger than anything I had ever felt or have since. You practically sat on top of me for the first few miles. Couldn't keep your hands off me,  staring in my eyes like you were searching for something lost but you couldn't remember what. The edges of your lips turned upwards permanently as if you were always at the verge of a laugh. You interlaced my fingers with yours and held on like you would be ripped away if your grip loosened for even a second. Slender fingers holding so tightly that they were becoming red.

You were excited to to be riding with me, about where we were going and all the things we would do when we got there. I would see you peer out of the corner of your eye, then lean over to brush your soft cheek against my budding stubble. Kissing and gently biting my lips insatiably. The suns rays coming in at an angle and lighting up your perfect smile and dimple.

I had to remind you we were in public.

I was lost in your blonde curls and the incense of your neck. I had fallen incredibly hard and so fast that my face hurt from smiling and my heart beat with vibrations I had never known. Not even a whiff of anxiety or neurosis. Some of the best memories of my life, as fleeting as they turned out to be.

I yawned and you put your finger in my mouth. I bent over to tie my shoe and you would poke my **** and laugh with your own reflection in the window, like this was the first and best joke of all time. Maybe it was and maybe it is.

The waiter came and informed us that a thing called "the bar car" existed. We both jumped at the idea. I didn't exactly notice at the time, during our excitement, but that's when the train started going faster and everything out the windows began to blur.

The bar car was a wild ride and we took advantage of our lo'cal. All kinds of fine wine, liquors and illicit substances were available. We tried them all. You were beautiful, your laugh infecting everyone around you, I was charming and held a captive audience.   It was a dark, loud and glorious blur. We were the life of the party and it chugged on till dawn.

We woke up in our seats, disheveled and discombobulated. It was dark out already. Did we sleep through the entire day? The train was slowing down, maybe approaching a station. The party was amazing but we were certainly paying the price for the black out. You moved over to the seat across from me to have some more space and lay down. I saw myself in the reflection. My hat, charm and smile from the night before had vanished. I must have left them in the bar car the night before.
      You had changed, beauty uninterrupted but different somehow. I couldn't put my finger on it. Irritated maybe? I invited you to cuddle and battle the hangover together but you ignored me. Like you couldn't hear me or didn't want to. I decided to let you be.

I got up to use the bathroom and thought I would go look for my scattered belongings. Maybe I could find a scrap of leftover dignity while you rested. I inquired to the conductor who directed me to the bartender in the bar car. He hadn't changed a bit, somehow untouched and unaffected by last nights antics that had effected me so dramatically.  Same black suspenders and white pressed shirt with impeccably slicked hair. I asked him what happened and if I had an open tab. While slowly polishing a rocks glass he looked up and made eye contact for a split second before looking away.
He said:  "Oh the bar car takes its toll. In the end we all end up paying one way or another". I still don't know what he meant by that or if he knew.
      I asked him if he found my hat and he said he would check the camera. We walked in to a small back room, while he was reviewing the tape, over his shoulder I noticed a tragedy.

We were drunk. I was going on to a group of new friends on one side of the bar, they were hanging on my words and I was eagerly explaining whatever nonsense they were drooling over. You were in the corner wearing that red dress I love, with your hair up in a tight bun. A few curls had escaped and brushed your high cheekbones, a thin line of pearls dancing delicately across your perfectly symmetrical collar. You were stunning and inebriated, swaying with each bump and motion of the train. A man wearing my hat put his hand on your side to keep you from swaying over and then he left it there.
I took a sharp breath.

It looked like you put your hand on his hand to move it but then it stayed and you both swayed together. As the air left my lungs and the blood drained out of my face I watched your lips touch the strangers. A small piece of my soul slipped away forever. I couldn't watch any further. When I asked the bartender how long it went on he fidgeted for a moment and uncomfortably muttered "quite some time". I never found my hat or the other part of me that left that day.  

The train slowed. I walked to the back, as far away from you as I could get, in utter disbelief. How could you? I thought to myself.
I mourned the loss of the you as I knew you yesterday, quietly and to myself. A tear  escaped my eye and rolled down my now fully formed stubble as I fell in to a random seat in mild shock. There were a few passengers back there so I had to pull together relatively quickly. After gaining some composure I knew it was time to get off. I knew we could never get back to yesterday morning though I would have said or done anything to do so.

The train had stopped. I went back to my seat and you were sleeping. I took my coat and gathered my things. The conductor looked at me confused as to why I would leave something so magnificent, I assume he had no idea what had transpired.   

I walked to the rear of the car and slid the door open slower than required. I stepped to the stairs and put one foot down on the step and the other on the ground. I stopped, rooted with my hand on the railing, lingering between two very different paths.
     I knew that it was time to get off, I knew this was the sensible thing to do, that I couldn't get past this offense regardless of how I had felt earlier the day before. The whistle screamed from the locomotive. The conductor looked at me and shook his head, I'm not sure if he was trying to tell me to stay or go but a decision had to be made.

The train lurched forward and I watched as the station slip away slowly. I sat in between the cars for a while and watched the ocean and birds. With a heavy heart and shoes I walked back to my seat. You were waiting. Crying. You knew. The bartender had told you. You didn't mean do do it, didn't realize what you were doing and thought it was me. He was wearing my hat and the whole world was blurry and dark.

I believed you. Self anguish mixed with alcohol was dripping from your pores. I knew you didn't mean it and were drunk, but could I ever forgive you or trust you again?

I loved you still.

I caught a glimpse of my reflection, a weaker version of myself looked back. As if an invisible chip in my teeth had developed and my shoulders lowered. The charming, confident man from the bar car the day before had been replaced. Something was off but not enough for anyone else to notice, just enough to know a change has happened.
       The train started to pick up speed again as we distanced ourselves from the station.  I second guessed my decision to stay but I didn't look back.

I found the man with my hat and punished him with a few blows in the dark. He knew he ****** up, apologized and took the beating like a man. I never got the hat back.

The engineer announced that we would be going through a tunnel soon and to turn on our lights and keep our hands in the windows.

It would be dark.  

We stayed away from the bar car for a while but the draw was irresistible. After a few hours we were there again but you never left my side.  Then you did. I was looking for you but you would disappear and not answer me when I called you name. The tunnel went deeper and darker and I didn't know where you were and I suspected you liked it that way. The train began to slow down again as we exited the tunnel.

I finally found you back at our seat, you had moved one row away from me. I asked you to come back, tried to hold your hands but you pulled away with vehemence. When I came back from the bathroom you had moved another row farther.
I knew I was losing you.
I begged you to return but you told me calmly that it was time for you to get off. At some point in the tunnel you had decided that you didn't want to go anymore . Your mind was made. You were going to catch another train at the next station.

When the train stopped I thought for sure you would reconsider but you didn't. Didn't even give it a thought. You just grabbed your coat and hat with one big bag under your arm. You kissed me on the cheek like a french stranger and were off. Going somewhere else on a different train. Just like that.

I rode the rails for quite some time by myself , many people getting on and getting off, passing me by. Every once in a while I would think I saw you at a station or in a **** though the window of another train. I often thought I could smell you but when I breathed deeper it was always gone. A ghost dancing on the edge of my senses.

A young girl in a headband got on the train. She was listening to headphones and dancing to herself as she bobbed along. She sat down in the seat next to me flashing a smile. She had a wedding ring on and I dismissed her immediately.  She didn't move from the seat or stop glancing my way. Eventually she confessed that she wanted to talk. I told her I wasn't interested but she persisted.  I hadn't talked to anyone on the train for quite some time and after some more mild persistence, I gave in.

We had a lot in common. We were both riding alone, desperately wanted attention and were thrilled to receive some.  After a few laughs she slid her hand in to mine and interlaced her fingers. I left it there. It was warm, comforting and wrong. She was married but I had been riding alone so long it felt good to have some company. She stayed and we talked. She was broken and I had a knack for fixing things. After a few hours of dramatic conversation I fell asleep with her head on my shoulder.

When I woke up  the train was flying up the track on the side of a mountain. Trees and rocks were a blur of green and grey. The engineer must be trying to make up for lost time I thought to myself.

The girl was asleep with her head on my lap. I looked down at her hand and the rings were gone. I woke her briefly to ask where they went. She said she didn't need them anymore and had thrown  them out the window.  She could of sold them, I said, but she said she just wanted them gone so she could be mine and fell back to sleep.  All of a sudden I couldn't breath. This train was roaring down the tracks, the once gentle click clack had become a loud hum. Suddenly too loud. This girl in my lap who had just gotten on the train wanted to stay. I considered her for a while as she looked up at me with big blue eyes, shining and wet, like a puppy in the shelter, terrified of rejection and desperate to be adopted.

At the peak of the mountain, just when the train began to even out, you waltzed back in to the car with a champagne flute in one hand and your bag in the other.

I don't know when or where you got back on, must have been a few stations ago when I stopped looking for you. Maybe you were wearing a disguise, who knows what you had been up to while you were gone. I'm not sure how long you were away but it was quite some time. That you had been through something was obvious, a new wrinkle had formed on your brow and you're once confident stride had changed to a cautious stroll. What actually happened out there I don't know.  I never asked and I don't want answers.

You looked at me and smiled. It was good to see that smile, like sun on my face on a brisk day.  You took a step toward me and then I looked down in my lap at the girl at the same time you did. I looked up. You and your smile were gone.

Everything I had begun to feel for this broken, head banded girl in my lap dried up like a puddle in  the dessert.  I quietly and gently nudged her awake and told her I had to use the bathroom. She put her head down on my coat and fell back into what ever trance she had been in, eyelids gently fluttering, eyes searching beneath them for what I would never give her.

I dashed up the isle and threw open the door, almost shattering the glass. The conductor glared at me and rolled his eyes as I barged past to the space between the cars.

There you were. Standing on the stairs with your head out the opening. The wind was blowing your perfectly formed curls around your head like a blonde explosion of familiarity. I yelled your name and you dove in to me. My senses erupted, my mind went numb as the train was nearing another station and I inhaled your essence greedily.

We moved to another car. I abandoned my coat with the married girl and never looked back. I hope she found what she was looking for. I  never could have been the answer she was so desperately seeking but I know I  helped steer her towards it.

You told me you had encountered some other people out there on the rails and they had reminded you of what we had when we first left the station. I never forgot.  

The train started to rock and get going again. We were back in the bar car and starting to brown out. We had to get off of this train right ******* now. In a desperate moment we looked at each other and put our hands, together, on the emergency brake cord. I looked in your eyes with your hand on top of mine. You kissed me while yanking down on the cord. Time slowed, the breaks squealed and everything exploded throwing luggage, people and the entire contents of the bar car in to a nondiscriminatory chaos . We got up off the ground, ran to the end of the car, dove off the side in to a soft patch of grass and rolled down a small incline. We watched as the conductor sifted through  the mess and interrogated the passengers, trying to ferret out the party responsible for pulling the brake. He spotted us off the side of the tracks and shook his fist while shouting every conceivable obscenity combination.

We laughed, held each other in the grass and kissed deeply.

We watched the train pick up speed and disappear in to the hills as relief spread over me.

You interlaced your fingers in to mine and we both looked out to where the tracks disappeared into the horizon, wondering how far of a walk it was to the next station.
R Dickson May 2016
Clickety clack clickety clack,
Suitcase wheels over the cracks,
Business men and business ladies,
Men and women some with babies,

The noise they make with heavy pacing,
Sends my heart heavily racing,
Pneumatic tyres would be better,
I'll need to send the makers a letter,

Small cases with high pitch sound,
Ladies with fast walking grace,
Heavy gait of business men,
Large cases with a steady bass,

Trip trap across the road,
Off the pavement to the gutter,
Checking left and right for traffic,
Straight across without a stutter,

Clickety clickety clickety clack,
Two abreast and walking past,
Clickety clickety clickety clack,
Like a train approaching fast.
Paul Gilhooley May 2016
Clickety click, Clickety clack,
The train it rolls along the track.
The kids all get restless the parents all natter,
But at least they aren’t crying, so that doesn’t matter.

Clickety clack, Clickety click,
A child hollers out “mum I feel sick!”
“What did I tell you about eating those sweets?”
“Don’t make a mess all over these seats!”

Clickety click, Clickety clack,
The guard sitting bored, in his cab at the back.
We thunder through towns and all of its people,
Passing by churches, and that old pointed steeple.

Clickety clack, Clickety click,
A drinks cart on the train? Ah just the trick,
A nice cup of coffee and a cold can of beer,
“How much?  You’re kidding!”  I won’t get much change here!

Clickety click, Clickety clunk,
Oops, sounds like that rail's missing a chunk.
We cross over bridges, spanning their rivers,
I must close that window, it’s giving me shivers.

Clickety click, Clickety clack,
I’m getting hungry; I could use a good snack.
Back comes the hostess with her goods laden trolley,
No chance I’m parting with even more lolly.

Clickety clack, Clickety click,
So many destinations, which one should I pick?
Should I stay local, or should I go far?
It’s certainly more peaceful than driving a car.

Clickety click, Clickety clack,
It feels like we’re speeding along a fair whack.
The seconds to minutes, the minutes to hours,
From towns and their houses, to fields and their flowers.

Clickety clack, Clickety click,
Wherever I’m going, I’m getting there quick.
Bright eyed young faces, an adventure, exciting,
The doddery old folk, complain when alighting

Clickety click, Clickety clack,
We pass many crossings and a ***** old shack.
How many golf courses and quaint country pubs?
And weekend gardeners out pruning their shrubs.

Clickety clack, Clickety click,
These seats so uncomfy, now my neck's got a crick!
Now finally I've reached my long journey’s end,
And I'm glad that I've shared it with you my dear friend.

© Cinco Espiritus Creation
2012
Robert Ronnow Aug 2015
How many poetry books = 1 Nissan Pathfinder exhaust
      system.
How many bluebirds? Money is how we thank people for
      what makes them special
How we express our love and gratitude.

Weight and moods, up and down, with weather and outcome
      of meetings.
I am so sick of humanity, people. Wouldn't I prefer
      chickadees?
Then I get home, that is the comfortable tree hole I've been
      longing for.

Aaron pitches and plays piano. Zach likes lacrosse and math.
The mound was soft, sand, with a hole big enough for an urn
      or to hide a plover
But Aaron pitched carefully anyway, slow strikes and the
      opposing team scored.

What would God's work be? Meaningless question. Today's
      schedule:
Write fund raising letters, conserve small farms. Local food,
      local jobs. Don't transport food coast to coast. Save fuel,
      less CO2.
In my opinion the dislocations resulting from climate change
      and global warming will be within man's adaptive capacity.
      On the other hand.
Also, green industry will open a vast employment market, a
      job for every grackle, crow.

The good life, unsustainable, we're poisoning our children
      although my children are not so poisoned. They're bald.
      Unusually bald. Good looking bald. Future of man bald.
      Happy bald.
Bald eagle. Nesting, mating near Karen Sheldon's, a
      conservationist, philanthropist, on the river, whose
      husband recently died. During romantic dinner on a
      second honeymoon in Paris, so I've heard.
That's Jake's spirit come home as an eagle, Karen said. Isn't
      that great, I said, and the she-eagle he's nesting with!
--I'm gonna **** that *****.

Compare Captain Carpenter and In a Prominent Bar in
      Secaucus One Day. In each case the hero's (heroine's)
      body declining
Under life's duress. Anything located in Secaucus, NJ could
      not be considered prominent, could it?
In the end, clack clack takes all. Hard to end a poem better
      than that. Clack clack the crow's beak, upper and lower
      mandibles meeting. From hunger, or it just does. Crows
      clack clack to communicate.
Whitman's greatest poem is Out of the Cradle . . . also
      involving communicating birds, in what is initially an
      embarrassingly emotional display. All that italicized
      moaning and yearning. Get away.
Then, clack clack, he turns on you. Death lisping, straight into
      your eyes. Suddenly you realize you should have taken
      him seriously, been paying attention.

In the meantime, traffic, corn, new exhaust system, ask for
      money, save farms, poor people, sun on garden, whole
      wide world, wars, stars.
I gave up long ago on a quiet world. Now going deaf. Then it
      will be quiet, too quiet.
No more birding by ear. "No more *******." I mean really . . .
      I was moved as anyone by Hall's honest poem about Jane
      dying and I guess ******* can be music to someone's
      melody, stand for living, but not me.
No more birding would have had more meaning. I'd rather
      bird than ****. No more *******, no more worry, no more
      war.

Which is why I'm gonna **** that ***** is so funny, such a
      life-affirming comeback.
At first I worried Karen really believed the eagle is her
      husband. Maybe she does,
But that punch line makes her the kind of woman I want to
      know.
www.ronnowpoetry.com
Clickety-clack
Clickety-clack
Here on the railroad track

Shadows dance around me
Unknown if they are real
Cool fingers touch me
Up my spine sending chills

But I hear nothing except the
Clickety-clack, Clickety-clack
As I walk down
The railroad track

Under a ladder
I have walked
A black cat in front of me did dart
the mirror I was holding
Fell and shattered
Now perches an owl in my path
Beak opening to speak
All I hear is *Clickety-clack


Clickety-clack
Clickety-clack

As I stand now
Upon the railroad track

Bright light in my view
I know what it's of
Horn blares into the night
It's sound envelopes me like a glove

But I am deaf to it
For all I hear is
Clickety-clack
Clickety-clack

As I lay down
On the railroad track

Silence is best
Laying here to rest
The last sound I hear
Clickety-clack, Clickety-clack
                    *my heart, give it back...
Katlyn Orthman Feb 2015
Click Clack
Click Clack
My throat is burning
My skin is dry; barely clinging to my bones
My eyes are glued shut by exhaustion
But I know I should open them
Click Clack
The rough surface of the floor beneath me
Scrapes my fragile skin
Help me
Click Clack
With the rest of the strength I harbor inside me
I open my eyes
Click Clack
A dim light looming above me, flickers as it swings side to side
The only source of light
The only source of hope
Click Clack
Time eludes me
There are no windows in my prison
Click Clack
No, there is only Time and Pain
My two closest friends
Click Clack
Exhaustion sweeps over my protesting body once again
And my eyes drape in defeat
My muscles sag their heads in despair
And my bones creak as they settle back into place
Click Clack
My mind flickers into a dream
Where I live vicariously through my inner self
Click Clack*
It's safer this way.
Rebecca Kane Jun 2012
It’s funny how when I see these guys I know who are really tall and skinny, their bodies are such that whenever they move,
    I expect to hear some sort of clack-clack noise of their joints and arms and legs
    as if they were marionette puppets being dangled by some unseen force and they go clack-clack in and out of rooms and doorways
    But they don’t go clack-clack
    Now that I’ve figured out what noise they should be making,
    I have to spend my **** time trying to figure out what noise they ARE making.
    But I’m not really close enough to hear.
1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.

I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen-
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.

Knock on the door,-and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,-
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.

2

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.

Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.

It is morning. I stand by the mirror
And tie my tie once more.
While waves far off in a pale rose twilight
Crash on a white sand shore.
I stand by a mirror and comb my hair:
How small and white my face!-
The green earth tilts through a sphere of air
And bathes in a flame of space.
There are houses hanging above the stars
And stars hung under a sea . . .
And a sun far off in a shell of silence
Dapples my walls for me . . .

It is morning, Senlin says, and in the morning
Should I not pause in the light to remember God?
Upright and firm I stand on a star unstable,
He is immense and lonely as a cloud.
I will dedicate this moment before my mirror
To him alone, and for him I will comb my hair.
Accept these humble offerings, cloud of silence!
I will think of you as I descend the stair.

Vine leaves tap my window,
The snail-track shines on the stones,
Dew-drops flash from the chinaberry tree
Repeating two clear tones.

It is morning, I awake from a bed of silence,
Shining I rise from the starless waters of sleep.
The walls are about me still as in the evening,
I am the same, and the same name still I keep.
The earth revolves with me, yet makes no motion,
The stars pale silently in a coral sky.
In a whistling void I stand before my mirror,
Unconcerned, I tie my tie.

There are horses neighing on far-off hills
Tossing their long white manes,
And mountains flash in the rose-white dusk,
Their shoulders black with rains . . .

It is morning. I stand by the mirror
And surprise my soul once more;
The blue air rushes above my ceiling,
There are suns beneath my floor . . .

. . . It is morning, Senlin says, I ascend from darkness
And depart on the winds of space for I know not where,
My watch is wound, a key is in my pocket,
And the sky is darkened as I descend the stair.
There are shadows across the windows, clouds in heaven,
And a god among the stars; and I will go
Thinking of him as I might think of daybreak
And humming a tune I know . . .

Vine-leaves tap at the window,
Dew-drops sing to the garden stones,
The robin chirps in the chinaberry tree
Repeating three clear tones.

3

I walk to my work, says Senlin, along a street
Superbly hung in space.
I lift these mortal stones, and with my trowel
I tap them into place.
But is god, perhaps, a giant who ties his tie
Grimacing before a colossal glass of sky?

These stones are heavy, these stones decay,
These stones are wet with rain,
I build them into a wall today,
Tomorrow they fall again.

Does god arise from a chaos of starless sleep,
Rise from the dark and stretch his arms and yawn;
And drowsily look from the window at his garden;
And rejoice at the dewdrop sparkeling on his lawn?

Does he remember, suddenly, with amazement,
The yesterday he left in sleep,-his name,-
Or the glittering street superbly hung in wind
Along which, in the dusk, he slowly came?

I devise new patterns for laying stones
And build a stronger wall.
One drop of rain astonishes me
And I let my trowel fall.

The flashing of leaves delights my eyes,
Blue air delights my face;
I will dedicate this stone to god
And tap it into its place.

4

That woman-did she try to attract my attention?
Is it true I saw her smile and nod?
She turned her head and smiled . . . was it for me?
It is better to think of work or god.
The clouds pile coldly above the houses
Slow wind revolves the leaves:
It begins to rain, and the first long drops
Are slantingly blown from eaves.

But it is true she tried to attract my attention!
She pressed a rose to her chin and smiled.
Her hand was white by the richness of her hair,
Her eyes were those of a child.
It is true she looked at me as if she liked me.
And turned away, afraid to look too long!
She watched me out of the corners of her eyes;
And, tapping time with fingers, hummed a song.

. . . Nevertheless, I will think of work,
With a trowel in my hands;
Or the vague god who blows like clouds
Above these dripping lands . . .

But . . . is it sure she tried to attract my attention?
She leaned her elbow in a peculiar way
There in the crowded room . . . she touched my hand . . .
She must have known, and yet,-she let it stay.
Music of flesh! Music of root and sod!
Leaf touching leaf in the rain!
Impalpable clouds of red ascend,
Red clouds blow over my brain.

Did she await from me some sign of acceptance?
I smoothed my hair with a faltering hand.
I started a feeble smile, but the smile was frozen:
Perhaps, I thought, I misunderstood.
Is it to be conceived that I could attract her-
This dull and futile flesh attract such fire?
I,-with a trowel's dullness in hand and brain!-
Take on some godlike aspect, rouse desire?
Incredible! . . . delicious! . . . I will wear
A brighter color of tie, arranged with care,
I will delight in god as I comb my hair.

And the conquests of my bolder past return
Like strains of music, some lost tune
Recalled from youth and a happier time.
I take my sweetheart's arm in the dusk once more;
One more we climb

Up the forbidden stairway,
Under the flickering light, along the railing:
I catch her hand in the dark, we laugh once more,
I hear the rustle of silk, and follow swiftly,
And softly at last we close the door.

Yes, it is true that woman tried to attract me:
It is true she came out of time for me,
Came from the swirling and savage forest of earth,
The cruel eternity of the sea.
She parted the leaves of waves and rose from silence
Shining with secrets she did not know.
Music of dust! Music of web and web!
And I, bewildered, let her go.

I light my pipe. The flame is yellow,
Edged underneath with blue.
These thoughts are truer of god, perhaps,
Than thoughts of god are true.

5

It is noontime, Senlin says, and a street piano
Strikes sharply against the sunshine a harsh chord,
And the universe is suddenly agitated,
And pain to my heart goes glittering like a sword.
Do I imagine it? The dust is shaken,
The sunlight quivers, the brittle oak-leaves tremble.
The world, disturbed, conceals its agitation;
And I, too, will dissemble.

Yet it is sorrow has found my heart,
Sorrow for beauty, sorrow for death;
And pain twirls slowly among the trees.

The street-piano revolves its glittering music,
The sharp notes flash and dazzle and turn,
Memory's knives are in this sunlit silence,
They ripple and lazily burn.
The star on which my shadow falls is frightened,-
It does not move; my trowel taps a stone,
The sweet note wavers amid derisive music;
And I, in horror of sunlight, stand alone.

Do not recall my weakness, savage music!
Let the knives rest!
Impersonal, harsh, the music revolves and glitters,
And the notes like poniards pierce my breast.
And I remember the shadows of webs on stones,
And the sound or rain on withered grass,
And a sorrowful face that looked without illusions
At its image in the glass.

Do not recall my childhood, pitiless music!
The green blades flicker and gleam,
The red bee bends the clover, deeply humming;
In the blue sea above me lazily stream
Cloud upon thin-brown cloud, revolving, scattering;
The mulberry tree rakes heaven and drops its fruit;
Amazing sunlight sings in the opened vault
On dust and bones, and I am mute.

It is noon; the bells let fall soft flowers of sound.
They turn on the air, they shrink in the flare of noon.
It is night; and I lie alone, and watch through the window
The terrible ice-white emptiness of the moon.
Small bells, far off, spill jewels of sound like rain,
A long wind hurries them whirled and far,
A cloud creeps over the moon, my bed is darkened,
I hold my breath and watch a star.

Do not disturb my memories, heartless music!
I stand once more by a vine-dark moonlit wall,
The sound of my footsteps dies in a void of moonlight,
And I watch white jasmine fall.
Is it my heart that falls? Does earth itself
Drift, a white petal, down the sky?
One bell-note goes to the stars in the blue-white silence,
Solitary and mournful, a somnolent cry.

6

Death himself in the rain . . . death himself . . .
Death in the savage sunlight . . . skeletal death . . .
I hear the clack of his feet,
Clearly on stones, softly in dust;
He hurries among the trees
Whirling the leaves, tossing he hands from waves.
Listen! the immortal footsteps beat.

Death himself in the grass, death himself,
Gyrating invisibly in the sun,
Scatters the grass-blades, whips the wind,
Tears at boughs with malignant laughter:
On the long echoing air I hear him run.

Death himself in the dusk, gathering lilacs,
Breaking a white-fleshed bough,
Strewing purple on a cobwebbed lawn,
Dancing, dancing,
The long red sun-rays glancing
On flailing arms, skipping with hideous knees
Cavorting grotesque ecstasies:
I do not see him, but I see the lilacs fall,
I hear the scrape of knuckles against the wall,
The leaves are tossed and tremble where he plunges among them,
And I hear the sound of his breath,
Sharp and whistling, the rythm of death.

It is evening: the lights on a long street balance and sway.
In the purple ether they swing and silently sing,
The street is a gossamer swung in space,
And death himself in the wind comes dancing along it,
And the lights, like raindrops, tremble and swing.
Hurry, spider, and spread your glistening web,
For death approaches!
Hurry, rose, and open your heart to the bee,
For death approaches!
Maiden, let down your hair for the hands of your lover,
Comb it with moonlight and wreathe it with leaves,
For death approaches!

Death, huge in the star; small in the sand-grain;
Death himself in the rain,
Drawing the rain about him like a garment of jewels:
I hear the sound of his feet
On the stairs of the wind, in the sun,
In the forests of the sea . . .
Listen! the immortal footsteps beat!

7

It is noontime, Senlin says. The sky is brilliant
Above a green and dreaming hill.
I lay my trowel down. The pool is cloudless,
The grass, the wall, the peach-tree, all are still.

It appears to me that I am one with these:
A hill, upon whose back are a wall and trees.
It is noontime: all seems still
Upon this green and flowering hill.

Yet suddenly out of nowhere in the sky,
A cloud comes whirling, and flings
A lazily coiled vortex of shade on the hill.
It crosses the hill, and a bird in the peach-tree sings.
Amazing! Is there a change?
The hill seems somehow strange.
It is noontime. And in the tree
The leaves are delicately disturbed
Where the bird descends invisibly.
It is noontime. And in the pool
The sky is blue and cool.

Yet suddenly out of nowhere,
Something flings itself at the hill,
Tears with claws at the earth,
Lunges and hisses and softly recoils,
Crashing against the green.
The peach-tree braces itself, the pool is frightened,
The grass-blades quiver, the bird is still;
The wall silently struggles against the sunlight;
A terror stiffens the hill.
The trees turn rigidly, to face
Something that circles with slow pace:
The blue pool seems to shrink
From something that slides above its brink.
What struggle is this, ferocious and still-
What war in sunlight on this hill?
What is it creeping to dart
Like a knife-blade at my heart?

It is noontime, Senlin says, and all is tranquil:
The brilliant sky burns over a greenbright earth.
The peach-tree dreams in the sun, the wall is contented.
A bird in the peach-leaves, moving from sun to shadow,
Phrases again his unremembering mirth,
His lazily beautiful, foolish, mechanical mirth.

8

The pale blue gloom of evening comes
Among the phantom forests and walls
With a mournful and rythmic sound of drums.
My heart is disturbed with a sound of myriad throbbing,
Persuasive and sinister, near and far:
In the blue evening of my heart
I hear the thrum of the evening star.

My work is uncompleted; and yet I hurry,-
Hearing the whispered pulsing of those drums,-
To enter the luminous walls and woods of night.
It is the eternal mistress of the world
Who shakes these drums for my delight.
Listen! the drums of the leaves, the drums of the dust,
The delicious quivering of this air!

I will leave my work unfinished, and I will go
With ringing and certain step through the laughter of chaos
To the one small room in the void I know.
Yesterday it was there,-
Will I find it tonight once more when I climb the stair?
The drums of the street beat swift and soft:
In the blue evening of my heart
I hear the throb of the bridal star.
It weaves deliciously in my brain
A tyrannous melody of her:
Hands in sunlight, threads of rain
Against a weeping face that fades,
Snow on a blackened window-pane;
Fire, in a dusk of hair entangled;
Flesh, more delicate than fruit;
And a voice that searches quivering nerves
For a string to mute.

My life is uncompleted: and yet I hurry
Among the tinkling forests and walls of evening
To a certain fragrant room.
Who is it that dances there, to a beating of drums,
While stars on a grey sea bud and bloom?
She stands at the top of the stair,
With the lamplight on her hair.
I will walk through the snarling of streams of space
And climb the long steps carved from wind
And rise once more towards her face.
Listen! the drums of the drowsy trees
Beating our nuptial ecstasies!

Music spins from the heart of silence
And twirls me softly upon the air:
It takes my hand and whispers to me:
It draws the web of the moonlight down.
There are hands, it says, as cool as snow,
The hands of the Venus of the sea;
There are waves of sound in a mermaid-cave;-
Come-then-come with me!
The flesh of the sea-rose new and cool,
The wavering image of her who comes
At dusk by a blue sea-pool.

Whispers upon the haunted air-
Whisper of foam-white arm and thigh;
And a shower of delicate lights blown down
Fro the laughing sky! . . .
Music spins from a far-off room.
Do you remember,-it seems to say,-
The mouth that smiled, beneath your mouth,
And kissed you . . . yesterday?
It is your own flesh waits for you.
Come! you are incomplete! . . .
The drums of the universe once more
Morosely beat.
It is the harlot of the world
Who clashes the leaves like ghostly drums
And disturbs the solitude of my heart
As evening comes!

I leave my work once more and walk
Along a street that sways in the wind.
I leave these st
Hasan Maruf Apr 2017
The last kiss from you
Lasted like a huddle in
The snow blitz
Rocking my anatomy
In the frosty glitz

The last words from you
That barged in my eardrum
You were in a hurry
To smell a new leaf
Draped in a diamond dew

The last gifts from you
Was an instrument
Which still I use
To recognize people
Or to refuse!

The last time
You said I love you
I remember I was laughing
Hysterically as if I was watching
Jared Leto’s jaded mimicry of Joker in YouTube

Intriguingly, when the last time I saw you ****
It felt like pretty Ivanka’s embarrassment
Noticing her dad is a lewd

The last time I was chatting
With you on Facebook
I was wondering why
I shouldn't hack your account?
To check your inbox

Yea, it was filled with the message of *******
F- Bombs, **** shaming and tagging you as harlot
All they were asking was your service of escort
Either in full discount or in hefty cash drops!

The last time I wrote
A letter of love to you
I discovered my Keyboard
Began to blurt out
No more, No more, No more…

The last time I had a chit-chat
With you in the Burger King or Pizza Hut
I listened to your hissing clack-clack
That someone else has become your puppy cat…

The last time I became sick
When I was with you
I heard you threw a party
Where you were whispering
To your besties, how
I become your double whammy!

The last time I was
With you in the bed
I felt like I was indentured
To **** a dummy toy
Sans spirit and flesh!

Loving you was like
Santa Claus gifted me
With a Pandora’s Box
As soon as I opened it
You decided to release
Our *** tape of your having ******
In pornhub’s forum of interracial!

The last time I heard of you
Is that you were giving an interview
To The Cosmopolitan’s board of review

Facing the barrage of inquisitions
You calmly joked, the series
Of latest uproar about you
In the social media or Internet
Is because certain people always
Love to rave about Women’s body
Shoving in and out of their pigeonhole
With their one night stand queen trophy
To flavor your form in their fantasmic mouth

You also smirked in a raspy voice
Defiantly declaring “we (women)
Have been locked indoors
With no air, no food, no water”
My last boyfriend is also no exception
He certainly thinks I came this far
Through ******* and deception
Slightly anti feminist but a poem representing contemporaneity in our life in a balanced manner of looking into male female relationship.
Stephen E Yocum Oct 2014
Fifteen years old and thinking I was older.
'Assistant Maintenance Man' at a Public School
Summer Camp. Billy Deitz had just graduated
High School, I thought him the coolest guy
I knew. The first week was ended, the little
kids gone home, a new batch in two days time.

We did our work, cleaned and swept, sweated
in the summer sun. Took the old surplus Jeep
over to the creek and plunged ourselves in.
Deitz had some beer in an Ice chest, I drank
one, my first ever. We shot his .22 for a while
and ate PBJs in the shade. Then we heard it.

A train horn in the mountains is a haunting
call. It does not seem to belong there among
evergreen trees and massive granite boulders.
We drove the hell out of the Jeep and found
our way to the down grade tracks. And there
she was maybe 50 cars long, snaking her way
from the summit of the Sierras out of California
into Nevada. Through the Pass over a hairpin
filled course hugging the skirts of the rock face
mountains, slowly rolling her massive load
pushing her four engines, breaks a screeching
in protest. "Click Clack, Click Clack", her steel
wheels clanging upon the rails, a rhythm like
her train heart beating.

Deitz grabbed his coat and tied it round his waist,
looped a canteen over his head, "Lets go kid!"
I did what he said, and then we were running
along beside the box cars, more a trot than a run,
"Do what I do!" Deitz yelled over his shoulder.
A flat car with some machinery approached and
He grabbed on to it and pulled himself aboard,
I copied his moves and he helped pull me up
and then there we stood on the deck of that
moving, mountain ship, with her grunting and
shaking under our feet. We could feel all her
massive weight and power vibrating up through
that wooden plank deck of the flat bed car,
entering our legs and spines. . . It was thrilling!

I had not had time to think all this through,
"Now what?" I asked some what perplexed
"Reno Kid." Deitz yelled with a grin.  

We climbed atop a Box Car, our rail bound
ship crawled out of the upper pass and we
started to descend towards Donner Lake far
below.

Looking behind and ahead it was hard to
understand how they had cut those tracks
out of solid granite rock and how the rails
maintained their frail finger tip grip on the
sheer mountain side.

We ducked nearly flat going through the snow
tunnels, the clearance was tight and it seemed
that a guy could lose his head. The diesel thick
air made us cover mouth and nose with our shirts.
Two tunnels in we noticed our faces getting
smoke blackened. We laughed at the joke.
Soot faced on a boxcar in a tunnel of wood.
Two city kids playing Hobo.

We reached the lower valley, passed the place
where the Donner Party met their grisly end.

Truckee was next and the highway grew close.
We got back down onto the flat car, hunkered
down by machine cargo, more or less out of sight.

I thought of all the down on their luck men that
had ridden those rails, not on a some lark. That
whole Grapes Of Wrath, Woody Guthrie period
of no joke, for real ****. Pushed by poverty and hope.

I must admit at that moment, I felt more alive than
at any other time in my life. I felt grown up, like a man.
Until my belly began to rumble, the speed increased
and the wind began to chill. The Click Clacks of the
wheels quickened and grew irritatingly redundant.
The loud wailing of the engine horn no longer exciting.
Now only hurt my ears.

It was dark by the time we hit Reno, we jumped off
before the train yard. Walked into town with its
bright lights calling the casino gamers to unholy service
and nightly prayer. Proceeded over by hard-bitten
dealers in communal black, with cigarettes dangling
from their unsmiling lips, possessing the empty
dead eyes of the badly used up and down-trodden.
Through the ***** windows, the people there seemed
to possess no joy in their sluggish endeavors.
Both players and dealers all losers, merely Automatons
of those despairing games of chance.

Reno was still rough-hewn in those days, a hard
scrabble place full of cigarette smoke, ******,
card tables, slot machines and not much else.
It seemed to reek of lonely desperation.

Having seen our soot ***** faces in the
window reflection, we washed up in the
cold river that runs through town.

We walked around, ate hot dogs,
Downed a Doctor Pepper.
"Now what Deitz?"
"**** I don't know kid,
first time I ever did anything like this."

"What?" My world collapsed right then,
I thought he was much more than
he turned out to be. Maybe everyone is.
I even started to get a little scared.
No money, no place to stay and apparently,
like most of the denizens there, **** out ah'
luck. I'd never felt that way before, from
mountain high to valley low in two hours.
All that excitement turned to Dread.

We hitched a ride with a long haired
guy of questionable gender, who kept
staring at me in the rearview mirror.
West, to a Truck Stop on the edge of town.
Found a trucker willing to give us a lift
back up to the summit.  Jumped in his rig
happy to find, that his cab heater worked.

Badly judged our get out spot, searched
and stumbled around in the shadowy dark,
dim moonlight looking for that **** jeep,
all that friggin' night.

When the guy that ran the camp returned
and found us sleeping at half past two,
in the afternoon in our tent, to say the least,
He was not amused.

Need I say, I felt much older that next day
and a little wiser too.
I wrote this memory for my kids.
may they never jump a freight train
out of ignorant curiosity.
Jayne E Apr 2020
I'm not a game to be played
when feeling bold
then quickly dropped into cold
once your nerve wavers thin
affection shifting to chagrin
looks like I am tricked again
as inauthentic you crept in.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels.

you are not some toying thing
to be cajoled to dance and sing
as my will does ebb and flow
this is it, there you go, there you go
you hot you cold you shy you bold.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels.

we are not we and never where
distant boy and gold hair girl
so I do you and you do me
across the sea to shining sea
if we could I think we would
it's written now so should be good
the feels were felt deep under hood.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels.

there still will be the filling up
your nectar unto my loving cup
I pulled you in you pushed away
the push and pull is how we play
a pretty glisten on the morn
did offer stickily sweet to adorn
fingers tips and lips did drip.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels

we switch it up we switch it down
in penners pens a friendship found
and so unbidden feels abound
I'm laid bare across your knee
my breath held pulse running round
I know you know I want it now 'la fessee'
this newly new thing sees me free

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels

© J.C.
This is a slightly tweaked rewrite of an older poem...brought back to mind after listening to train sounds during lockdown...go figure lolz.. (originally written on a train ride)
Terry O'Leary Mar 2016
The typewriters tap,
with a rat-a-tat-tat,
like a fourth estate rap
to provide us the pap
(that serves as a snack with a rat-a-tat-tat)
in a newspaper scrap
crammed with meaningless crap
from the editor's yap
(spewing flimflamy flak, booming rat-a-tat-tat)
after gashing a gap
in the daily recap
with a snip in a snap-
sounding thundery clap
crackng rat-a-tat-tat and a rat-a-tat-tat.

And the talking heads speak
with a rat-a-tat-tat,
of the news of the week,
tweaking tongue in the cheek
(with a click and a clack like a rat-a-tat-tat),
thus ignoring critique
'cause they're mild and too meek
in the midst of the reek
to report of the wrack (except rat-a-tat-tat)
whilst the pundits (oblique
when protecting the chic
of the upper class clique
at the top of the peak)
chatter rat-a-tat-tat and a rat-a-tat-tat.

The NRA ghouls
plug a rat-a-tat-tat
while their blood money tools
fill the Hill’s vestibules
(where deceit behind drapes drips a rat-a-tat-tat),
spreading folly that fuels
frenzied hands of young fools
bringing guns into schools
(at the drop of a hat there's a rat-a-tat-tat
splashing blood in warm pools)
for now anarchy rules
(which the hype ridicules
'til the temperature cools)
hailing rat-a-tat-tat and a rat-a-tat-tat.

Lawless cops, cutting loose
with a rat-a-tat-tat
spraying bullets profuse
without any excuse
(just a split second splat with a rat-a-tat-tat),
splay a rattled recluse
like a Thanksgiving goose
gushing cranberry juice
from six slugs in the back (with a rat-a-tat-tat).
To redress such abuse,
bend the branch of a spruce
with a neck in a noose
while Death's drums beat diffuse’
rolling rat-a-tat-tat and a rat-a-tat-tat.

War brings freedom to all
with a rat-a-tat-tat
(well, excluding the thrall
with fear, facing the wall
[ often smacked with a bat, throbbing rat-a-tat-tat ],
until feeling the call
to creep out of the kraal
biting back with a gall
[ with a *** for a tat and a rat-a-tat-tat ],
or to mangle and maul
if still able to crawl
and be part of the brawl
in a freak free-for-all,
midst a rat-a-tat-tat and a rat-a-tat-tat).

Holy warmongers praise,
with a rat-a-tat-tat,
any soldier that slays
and all rockets that raze
(the drones zoom with a vroom and a rat-a-tat-tat)
leaving smoky arrays
of gray ghosts in the haze
cloaking mute cabarets
(hushed, the hip and the hop, by the rat-a-tat-tat)
while ol’ Cerberus bays
with mankind in his gaze,
so society prays  
as it rots and decays
(Satan's trumpets of doom blare a rat-a-tat-tat)
until one of these days
in a flash through the maze
mighty mushrooms will blaze
with invisible  rays,
fin’lly braising the craze
of the rat-a-tat-tat,
   and the
            rat-
                 a-
                    tat-
                          tat.
English Teeth, English Teeth!
Shining in the sun
A part of British heritage
Aye, each and every one.

English Teeth, Happy Teeth!
Always having fun
Clamping down on bits of fish
And sausages half done.

English Teeth, HEROES' Teeth!
Hear them click! and clack!
Let's sing a song of praise to them -
Three Cheers for the Brown Grey and Black.
Louise Leger Mar 2014
Pens, tap.

Tap. Tap. Tap. Tap.



Heals, clack,

Click, clack, click, clack

Click, clack, tap.



Clocks tick

Tock-tick, tock-tick

Click-tock, tick-clack, tap

Tap, clack, tick-tock, click



Keys tack

Ticka-tacka, ticka-ticka, tack

Ticka-tacka clack, tick, tap, ticka-ticka, tack, tock, ticka-click tick

Tick, tock, tick, tock, ticka-tacka, clicka-clacka tick, tock, tap-tap-tap-tap, ticka-tacka-clicka-clacka-ticka-tocka tap—

Shhhhhhhhhhhhhh

Tap. Tap. Tap. Tap….
Nathan Squiers Jul 2014
Look, I was gonna go easy on you not to hurt your feelings, but I’m only going to get this one chance!
Something’s wrong… I can feel it.
Just a feeling I got, like something’s about to happen… but I don’t know what.
If that means what I think it means, we’re in trouble—big trouble—and if he’s as bananas as you say I’m not taking any chances!

(You are just what the doc ordered)

I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They said I write like a monster, so call me scribe-star,
But for me to write like a beast means I’m a demon at least;
I got a devil kept in my pocket,
On my shoulder’s when I rock it.
Talkin’ of killin’ and of thrillin’; won’t stop it!
Write a demon doorway, now knock on it!
Ever since the dark days when I’d just lost it,
Way back when the world would pace and chant “Nutcase!”
I’m a ******, but I’m charming;
Yes, a crude, rude dude, but I’m still disarming.
Using syllables to **** ‘em all with this
empowering empire of powerful vampires.
The writer-type clackin’ back with typewriters, like way back, right?
Clackity-clack!
Rockin’ stack after stack, clackin’ out more attacks,
Ideas tacked out while hacks hack out their crap (but ******* spew **** all the time),
so I perform written parkour tricks so you’re not bored; strike a chord.
Show you Stryker’s tortured life of suicide ‘n strife turnin’
to strength and a fiery passion burnin’ while readers’ guts are churnin’—
teary eyes all burnin’.
Their fears are returnin’ from a story I turned out when I got turned on
to my own life.
Now I drop F-bombs;
exploding real-life scenes—
these ain’t your G-rated dreams, so take your outdated themes—
It’s the **** I’ve seen; don’t make me obscene.
I’m mean, I mean, it’s my means to screen a scene between a matte sheen.

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They ask me to thaw out these oily blocks called ink-wads, ink-wads.
There’s a body in everybody , but not all bodies have a brain that makes them feel sane.
Like a train—just the same—
Might be runnin’ but we still cast blame,
The loading docks of our thoughts; they’re locked-up in a box,
And they’re stackin’ up like blocks
That turn the stacks to empty tracks (****!)
Trainees blame their brainees when it’s not easy training brains, see?
But the boarding isn’t boring—training brains; not trading pains—
Remember: the station’s self-exploration!
Me? I’m a hodgepodge! From train station to abandoned lodge;
Bully dodgin’, fully locked-in when I freaked out, fattened-up and then I geeked out,
Told “keep it down” but then peaked when I peeked deep down.
Creepin’ up, now, and keepin’ up (WOW!)
I swear it up and tear it up scribbled swords,
And now I wear awards for slingin’ words;
Offered praise; a chance to forget about the craze that once darkened all my days,
But I write that way—say “that’s okay ‘cuz it helps me write this way—each and every day!
And hacks think I act this way just to seem this way, ‘til come the day when the cray-cray takes the doubt away.
Demon obsessed? I’m possessed! Can’t own what you don’t possess!
“Hey, devil-lookin’ boy!”
So ***** for my honey I’m rockin’ horns, look here boy!
A Literary Dark Mass-acre,
Like the devil laid waste to a church on the page, looker boy!
They got a gold star, and a high five,
Felt so alive to see their own scribes make it to Momma’s fridge, ****** boy!
Hey, schnook-ah boy, looky here, looker boy,
I’m held up by The Legion, book-it boy!
Had to push for every word—every page—had to swallow all the rage,
Now you want out of your cage, schnook-ah boy?
I’m legendary—literary—and you’re literally just a *****, little boy!
So sell out while I’m bought out, ******-boy!

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
The way I’m burnin’ through these pages, call me Dark Lord, Dark Lord!
But they’d rather burn my books, so start a fire war, fire war!
Can’t get it through your head? Words are more than Edward! He’s dead! WORD!
Let me drag you off to meet Dracula; take you back to the dawn of the dark lord, yea?
Fast forward to the foreword where the F-word’s “fangs” (you’re welcome);
This is my Hell, come! Be free!
Part Morningstar; part Morpheus! I throw up a kiss and jot down the kills like they’re red-apple pills.
Go ask Alice back at my palace what you should read to feed your head.
Sentence structure so smooth they call me FE-line, and my cat’s got better plot lines,
That the hacks will all call “sublime” (it’s “sub-fine”)
But me?
My **** scenes are brutal,
And my romance? Not frugal. I don’t saturate—I arrogate—
But I don’t condemn my characters to *******!
I wanna make readers care—if readers dare—
To connect and feel and follow where they can find some hope and power there.
While also giving them a place somewhere that isn’t here—though filled with fear—
A place where they don’t feel jeered or feel weird.
Horror ain’t just movie monsters, or gore-****** scopin’ sponsors!
You speak French? C’est de la merde, monsieur!
You look unsure! But I have the cure in the written word!
And though you once were achin’ for a rockstar author cravin’ bacon,
The role has since been taken by your man, Squiers.
And like a pair of pliers, I can reach into readers’ brains and cross all sorts of wires!
I’m settin’ cranial fires behind the eyes of all my buyers!
And while I’m growing Ghost Riders—ridin’ shotgun on the bullet-train ‘tween the pages—
There’s a horde of haters harboring growing rages
With a narrow gaze of who scribes pages.
They say I can’t write ‘cuz of my tattoos or my gauges
So allow me to assuage this: y’all can’t cage this!
If you don’t like it, let me show you where the grave is!
You’re well-aged, but I’m ageless!
Like the undead through the ages!
And like Shakespeare took to stages you can find me where the page is:
I’m hip to a script, I’m at home with a poem and feeling groovy writin’ movies; and I’ll be EZ on your TV.
You write normal? **** being normal!
What a novel theory! So very dreary!
Why the **** are they so leery, they say “Writing fear? We don’t want to hurt no feelings.”
Feelings? Setting up ceilings! Just more limits! It’s life! Live it!
Set the roof on fire!
Plot is getting hotter than a 24/7 squatter on a ***** channel!
So what if some **** gets a hair up ‘er ****? Don’t make it ****!
They wanna say “Hey you, we’re here to stifle!”
‘Cuz I mentioned rifles? Do they really want to trifle?
So I say:
“Better bring a sweater ‘cuz this thriller’s gonna chill ya—sure hope it doesn’t **** ya—and ya gonna get’a fill o’ all the ***** that I don’t give, ‘cuz I don’t live to let ******* quip or give me lip about my lit.
I’m entertaining and elating and also demonstrating how devastating a stream of escalating scenes can be so penetrating—although frustrating—to a mind that’s celebrating what it means to be vacationing between the pages; wading through the stages of a war that forever wages; meditating through the escalations now that they know what TRUE rage is!
“Oh, he’s too ******!”
That’s right! Ain’t right. That’s life: not nice; it’s strife.
It’s not just me; it’s we.
I just found a better way to show it:
Monsters that aren’t monsters;
Abuse put to good use; bred virtues!
“I don’t know how to plot plots like that;
I don’t know what words to use.”
Did it really never occur to them that to read a book—just to take a look—and THEN take up the pen?
You read King if you want to be king, strictly speaking.
A writing mind that isn’t a reading mind is a weakling; a weak link.
I’m a scholar—not a bawler—so I’m a flyer where there’s fallers;
Raised on Goosebumps and Creepy Crawlers so I’d Stine while others whined.
Got a dark side, but that’s The Dark Side on my side; counter haters with my Vader:
“I would be your father… but your dog beat me over the fence.”
No offense. Pretense: incorporate comedy and film; common sense.
Suicide pushed aside, though I still burn inside. **** myself on
the page each day so my readers can feel what it’s like to be alive.
It’s okay to hide.
Only your own devil knows what’s inside.
I own mine; he’s my co-pilot when I write. My demonic side; my demonic scribe.
Flipping my words to the birds—‘cuz, you see, that’s how I wing it—and flipping the bird while I throw down and sing it:
“Tiger, Tiger, burning bright,
My words are my roar and tonight I write!”
The fights are in your sights like you were seated inside a movie theater;
You’d see Xander and Estella—wouldn’t you want to meet her—
Have a front row to the creatures in a feature presentation…
But ‘til then
Eat some Rice An’ read a piece by a man who
Had an “Interview with a Vampire”—
I’m a fiction author, why would I lie to ya?
Prince of lies? I ain’t Satan!
Close friends, but I’m Nathan.
Judged for appraisal—I’m priceless—I’m  nice: no; charming: yes.
Got a razor-sharp and Shining wit like a crown left
on a King… but not.
Why be a left king, when I’m a write god.
So I did a lyrical re-write of Eminem's "Just Lose It" that wound up being pretty popular, so when I heard "Rap God" for the first time I knew I had to do the same. While I hope it's entertaining on its own, I think those who have heard the song will enjoy that I remained true to the source material in terms of flow, rhythm, and syllable count (Marshall Mathers is really quite an astounding wordsmith in his lyrical writings).

Hope you enjoy ^_^
Jayne E Apr 2019
I'm not a game to be played
when feeling bold
then quickly dropped into cold
once your nerve wavers thin
affection shifting to chagrin
looks like I am tricked again
as inauthentic you crept in.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels.

you are not some toying thing
to be cajoled to dance and sing
as my will does ebb and flow
this is it, there you go, there you go
you hot you cold you shy you bold.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels.

we are not we and never where
distant boy and gold hair girl
so I do you and you do me
across the sea to shining sea
if we could I think we would
it's written now so should be good
the feels were felt deep under hood.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels.

there still will be the filling up
your nectar unto my loving cup
I pulled you in you pushed away
the push and pull is how we play
a pretty glisten on the morn
did offer stickily sweet to adorn
fingers tips and lips did drip.

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels

we switch it up we switch it down
in penners pens a friendship found
and so unbidden feels abound
I'm laid bare across your knee
my breath held pulse running round
I know you know I want it now 'la fessee'
this newly new thing sees me free

clickety clack clickety clack
does this train on the track
I did not leap under its wheels
I pushed them down the sickly feels

J.C. 08/03/2019
I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu
r Aug 2014
Out my window
the same world
different day, day after day

I want to grab my bolt bag
tie a red bandana
around my sweet mutt's neck
hop a train, act sane
for a change

Georgia's down the tracks a spell
and Birmingham's half-way to hell
New Orleans in September
sounds pretty good

Woof and me
living free
no cares to carry on our backs
singing clickety-clack, clickety-clack.

r ~ 8/13/14
\¥/\
  |.     Clickery-clack
/ \
Hello Sayer Mar 2012
Words were never spoken or exchanged.
"The GO Train is here."
The only five words anyone there ever thought they needed to hear
besides
they weren't words
they were mentality
the briefcases
purses
newspapers
click-a-clacks of heels
rustling of zippers and keys
scrapings of sandals
rollings of bags
sharp noses
blank eyes
all pointed at their exact target
click clack
click clack
a steady stream
of everyone and anyone
men with full black business suits
girls in Gouci and jeans
ladies in Reitmans
men in checkered shirts and khaki shorts
like ants they piled into the
green and white
snake
dreading the fatal announcement
"last call!  Last call!"
they accelerated
full grown men and women
whipping and thudding and click-a-clacking
the wind pushed them back to their cars
the ground screamed "Stop!"
but they didn't listen
a woman
all in blue
who could raise the dead
with her clacking
daintily ran as fast as she could
"DOORS SHUT!" the conductor's voice was muffled
and he followed through
in a spurt of perseverance
soundlessly
the doors closed
At least the adults knew one thing
no amount of noise could open them
so they didn't try
the blue-clad woman slowed to a stop
the GO train had gone
she slumped in the middle of the station
the wind urged her
but suddenly
the train came again
always there
always gone
CLICK CLACK
the heels revived
click clack
click
clack
clack
About the GO-Train to Toronto. I've always felt bad for the people that have to commute that way, because unlike a bus that can stop for the people running to catch it, it is unforgiving and will not stop or open its doors. Also I think if you are in the way of the door when it's closing, it won't move back, so it could easily cut people's limbs off. Scary stuff. The GO-Train is fun to ride, but also kind of evil.
TrueSun Nov 2014
Click clack POW POW there goes my gun
Second chances going out for some
***** doesn't mean that you'll be one
I'll slice your neck
Rip your ******* heart right out of your chest
****** you with my glock and behead the rest
Smash your head
Don't give a **** if your alive or dead
Smash till the ******* walls are soaked in ****** red
See your brain
Makes me lose it and I go insane
Now I see the world pouring blood as rain
Tie her up
Cut between her titts then down and out goes her guts
I'm a crazy ******* I don't give a ****
Hammer straight to your face
Make your ****** soul levitate
***** now you in a better place
Cut my wrist
Deep inside and I give it a twist
Feeling weak now im relaxing my fist
Man I wish my mom would of killed me during pregnancy
Now God gots me on this earth tryna start a new legacy
But I feel im the only one and its stressing me
Click Clack POW bullet through my head
Now that im dead
You cry and think of the things you could of said.
Amanda Jun 2019
Looking through the window
I am surging ahead, fast forward
Flying straight as a crow

Clickerty Clack, Clickerty

A rhythm like a heart beat
Takes me to a future not know
From a past I left incomplete

Clickerty, Clack

I am held, as the world turns below me
Frozen in time, I can stay
Where I can be hidden, No-one can see

Clickerty

Bags are heavy, but guilt is a weightier load
Left you, and your angry days
Sorry, I wont be there when your fists off-load

Clack
Lavender Joy Jan 2011
clink clink clank cling ding
ding-ding clack
ding ding clink clink clack

masquerade
pianissimo charade
heart strings pulled taught
by a known gentleman
transformed into an unknown savior

flying faces
other worldly in expression but not intent
all are drawn blankly lustful
craving distinction from
a sea of flamboyant feathers
stretched personas

masquerade
freedom is her trade
the light in your eyes
the corners of your lips
for a mask
and a fanciful freedom
alive in compartmentalized limits

clink clink clank cling ding
ding-ding clack
ding ding clink clink clack
ding ding

the song masked musicians play
isn't a song at all
but  a simple masquerade
Daylight 4U2C Aug 2014
I'm a little stuck right now.
I got some beans,
but lost my cow.
I was robbed,
but they dropped these here.
Thought it'd be something
I could persevere.
Mom's going to **** me
when she finds out.
I'm going to be cooked instead
there's no doubt!
Jack-o burger,
or Jack smoked-steak.
I can't go back home yet,
or I'll be begging to be baked.
:time passed:
Rain got on my seed
and it almost grew through me
it grew so high and loud
it goes right passed the clouds
It got too much attention
they think this is a plant convention.
I lost the other two seed
Well, I wonder where this leads
:time passed...again:
I..can..hardly....breathe..
this....climb was..too high..for me.
On my way up....my hand was run across by a rat!
And I almost jumped..but I didn't quite feel like..going "splat!"
Now I feel a little better.
But it's so freezing cold up here
now I need a sweater!
Where am I anyway?
It looks brighter than snow.
"Where are you?"
I WOULDN'T HAVE ASKED IF I DID ALREADY KNOW!!
"Where are you little creature?"
Oh wait a minute..wait.
"Where are you? You smell real bad."
What did he just say?!
"Thumpity thump
dumbity dumb
I smell something gross
and almost taste it on my tongue."
I looked around for a sharp weapon,
only finding some gold duck.
So I was going to grab it
when it woke and screamed
"Clack clack!"
I quickly thought to grab it
and swung it over my shoulder by the neck
then I realized mom would love this
and gave the giant a rain check.
I tried to just slide down the the vines
but it didn't go out well.
So I pulled the ducks feathers,
and rode down
until it fell. I hurdled to the ground
still holding tightly on the duck.
then I quickly grabbed a leaf,
and the duck yelled
"Clack clack clack!"
I brought it too my mommy
and she almost cooked it well
but she noticed a patch of feathers missing
and wasn't that just swell.
Comments? like?
Christian Bixler Nov 2014
I sit and hear the desert wind, sand hissing past,
winging by on the deserts breath. The moon hangs
still above the earth, enshrined in vaults of darkest
black, an infinity of stars to frost the sky. I sit here,
on the shifting crest of a tall and windswept dune,
contemplating the majesty of starry sky, and the silence
of the desert winds. My mind empty, wanders, and I
seem to hear, in the howling of the desert wind, the yipping
cries of jackals, and a strain of music, faint and thin, riding, on
the whisper of the desert winds. I look and see, a palace, light
shining from many windows, and colored pennants, whipping
in the desert breeze, spices seeming, rich and dry, waft around
me, caught, in the twisting zephyrs of the deserts breath. I stare, and
slowly, the sounds of the palace reach my ears, women laughing, singing, and the lilting tones of music strange and wonderful, lift me
from the desert sand, and set me forward, stumbling from fatigue and
thirst, towards that place of light and sound, a refuge surely from the
stinging sands, and the whispering voice of the desert, dry in its susurrations, as an empty skull, bleached and hollow, sockets set to the
contemplation of the desert winds, dessicated remnant of mortal man, till wind and sand consign it to the deserts breath. I stumble forwards, eyes locked on that vision held before me, and I, with all remaining strength and speed, run towards that deserts dream, and in my folly, I
strive for speed, even exceeding the desert wind. At last I halt, and in my weariness, stumble against a mighty gate, set with gold and jade and onyx, moonstone high, and amber low. I set my hands to wondrous gate, but lo! the gates are fast and strong. They do not yield to the feeble push of weary traveler, nor to the entreaty of dry and sand parched throat, imploring it to stand aside. I fall at last, defeated, and thought, to die here, before these gates of opulent splendour, would not be so tragic a fate, as the deaths of thousands, lost as I in the immeasurable vastness of the desert sands. But yea! There in the darkness of night as I made my peace with God and his angels and consigned myself to the inevitable fate of eternal rest, that near unnoticed, the gates swung voicelessly open, and through it I inhaled weakly, the scents of anise and cumin and cinnamon and allspice, all mixed with the intoxicating perfume of the daughters of the desert, scented waters and mulled wine. I reeled, dazed by the glory of light and sound and scent. I was lifted then by gentle hands, soft and cool, with the featherlight touch of sweet virginity. I fell, spinning, into the cool dark of grey oblivion. I awaken, rested, in the dark. Birdsong wafts in through arched windows. Below, I can hear the women singing, talking, as their needles clack in unrelenting harmony. And yet, this all seems to fade, to become less real. I listen harder, and yet, I hear instead of the singing harmony of before, the lonely song of the desert wind, faint and yet as if it had ever been, and this all some fantasy, imagined dream more true than life? I open my eyes. I lie there, back pressed to chill stone, jutting up into the heavens. The scents of man dissipate and are gone, replaced by the dry and whispering aura of the lonely desert, faint sage upon the wind. I close my eyes. falling, I slide to the cold sands and lie there, waiting only for death to take me, that I might once more approach that vision of holy beauty that awaits those that live and die in piety, and with the grace of heaven. A hand touches my shoulder. I do not look up. The hand remains, insistent in its immovability. I rise, slowly, turning, so I might see my unknown companion, with me, in the heart of the windsept sands of the great expanse. A man stands there, robed in white, black veil obscuring all save for dark eyes, set deep in his weathered brow, like jewels of onyx, set in a dark and seasoned stone, left to the desert, in years gone by. "Come. It is time" The man whispers through the desert wind. He beckons me, fingers set with jewels and stones, gold thread belts his waist. He turns and walks silently, out, towards the eastern sky. I follow him, seeming vision of guidance, sent to set my feet on the path of life. I follow him and yet, gradually he fades and is gone, vanished, beside a weathered stone, lonely in the great expanse. I fall to my knees, head bowed, strength gone from soul and body. I hear dimly through the haze of weary enervation, even as death enshrouds me, the trickle of falling water. I lift my eyes. water pools before me, gift of life, sent by spirit of guiding thirst. I drink and life within me lifts its head, water streams down wind partched throat, and even as I fall into cool oblivion, knowing that that vison of heaven awaits me, water soothes me, as I fall at last into darkness, and the shining vision of heaven around me, I close my eyes, darkness enshrouding, as I perish beneath the moon and frosted sky.
I am in awe of the infinite possibilities and horizons of the imagination.
This isn't a poem but I just wanted to share it. There is a poem at the end however.


Chapter 1: Kenzi


The room is dim. The only light emanating from the small desk lamp in the corner.

“Unhappy with the life I'm living,
Not finding anything to
Wash my ***** slate of emotions
And to keep me from crying.
Nothing to turn to when I cannot
Take anymore of this pain.
Each tiring day I 'm getting thrown
Deeper into the rainstorm.

Trying to find a peaceful way to
Escape contention and get
Away from this life I hate. I
Refuse to cry anymore.
Sunshine doesn't stay with me for long.”


A poem I once wrote. The words ran through my head like a melody.
As I rummage through disorganized desk drawers, I search for a paper and pen. After glancing at the time on my cell phone, 2:11 AM, I begin to write:


“Dear—“

...dear who?...

        “—Everyone,

                          If you are reading this—“


...what do I say in a note like this?...

                “—it means that I've finally released myself from this painful world. I'm   
                          sorry for any heartache that I have caused you and I want you to know
                          that I love you more than anything. Once again, I'm sorry...I'm sorry I left
                          like this.

          Kenzi Mullberry ”




After signing the letter I just sat there, staring contemplatively at the paper.
...am I really going to do this?...

I looked the time again, 2:25. I usually hear the train roll by around 3.
After carefully folding the paper into thirds, I laid it on my bed.
...I hope they see it here...

Peeking out, I slowly opened my bedroom door.

CREEEAAAAK

I froze, listening... All quiet. Cautiously creeping down the carpeted stairs I let out a deep breath of air and arrived at the front entrance. Then, hesitantly, unlocked the door and stepped outside. Standing in the cold night air, I scanned the empty street. Then finally took a deep breath, and started walking.

My thoughts quickly drifted to Adam, my boyfriend.
...would my family tell him about the note? I don't want him to worry...

I took out my cell phone and typed up a text. Staring at the words, a tear rolled down my face. SEND

I checked the time again before putting the phone back into my pocket, 2:43.
...I'd better hurry...
Picking up my pace, I wiped my eyes and then shoved my hands into my sweatshirt pocket.

It was crisply cold out and my pale nose was red and running. A quick shiver ran through my body as the chilled breeze whispered past my ears and fluttered my dark brown hair. I looked up at a car traveling across the freeway overpass. It's surprising that there are still people driving this early in the morning. It's like that saying, "The city never sleeps."
There wasn't a sidewalk on this road so I stayed on the grass, even though there were no cars in sight. I looked to my right as I passed the canal, dry and empty. The irrigation water has been turned off for the winter.
Slowing down, I approached the crossing and my eyes examined the rail line. I could hear the train getting closer. I stepped onto the tracks and could feel them shaking beneath my feet. The train was getting closer and I started to panic as the bright headlight grew and I heard the horn.
...no. I have to do this...
I closed my eyes, embraced myself, clenching my teeth and my frozen fists.
”I'm sorry...”



Chapter 2: Adam


Music ran through my ears.

“...I miss you and it still feels like I know you
I've got pictures of us side by side to show you
But it feels like I owe you so much more

And you will always be perfect
You'll always be beautiful
Our hearts will never forget you
You didn't belong here
And it's become so clear
Why heaven called your name

And it just doesn't seem right, was it really your time?
Are we dreaming?
We'll never let go of you
Wish you were here but it's becoming clear
That Earth's just not the place for an angel like you...”

BZZZZZZ

I paused the music and looked down from the bright laptop screen, picking up the bottom corner of my pillow to reveal my phone.

*               1 MESSAGE:
                 Kenzi

“Huh, what's she doing up so late?” I thought, as I waited for the text to open.

                *Hey babe. i...im sorry...i know i'm about to
break ur heart, but i just cant take it anymore.
When you wake up and see this, i'll be gone...
I Love You Adam <3 im sorry...



“What?”

I re-read the text...

“Kenzi! You idiot–“
I jumped out of bed and threw on my jacket as I burst out of my bedroom and around the corner to the front door. I quickly slipped my shoes on and bolted out, not caring if I disturbed the others sleeping in the house. I had to stop her.
I sprinted across the driveway, knowing exactly where she was going.
She had talked about it so many times before, she'd say, “Adam, I'm so depressed I wish I could get hit by a train.” She'd pretend it was a joke, but I always knew she was being literal.
The air was cold and thin, making my throat dry so it was hard to breathe. I heard the train whistle.
“******* Kenzi...”

I strained to make my legs move faster, they were burning.

After cutting through the park, I passed the cemetery.
“Don't end up there k?...not yet...”

My shoes we're untied, due to my rush out the door, and I stumbled, but regained my balance. All I could think about was running. I could hear the train rumble as I turned the corner and the tracks came into view. I saw her.
“Kenzi!...Kenzi get off!” I was breathing hard and my face stung from the cold. “Kenzi!”

I saw the headlight and knew I wouldn't reach her in time. But I kept running.

CLICK-CLACK CLICK-CLACK CLICK-CLACK TOOOOOOOOT

I finally stopped 10 feet from the tracks. Raising my hands to my head, I grabbed my hair, then threw my arms back down and placed my hands on my knees as I caught my breath.

“Kenzi...you...stupid...” I softly spoke, I could feel tears creeping out of my eyes.

The end of the train finally passed and I jogged over to the tracks. Her body was on the ground, limp; lifeless.
...I can't believe she actually did it...
I bowed my head and closed my eyes, taking in a deep breath of air, then gazed up at the sky in discouragement.

...why did she have to–…

-----------------------------------------------------

*He­ looks into her motionless blood-shot eyes,
and sees something he hasn't seen in years.

A pain so deep, it's stitched into her skin,
leaving dark scars she knew would never fade.

He wants to help, but can no longer feel
The life that once ran through her veins.

The cold has taken over her weakened soul
and left it in the troubling dark of her mind.

She can no longer see, no longer taste
The endless joys they once together shared.

In a world full of happiness and sun
Were only memories of things left behind.

She couldn't see, didn't want to feel, the light
that was softly beckoning her away.

And now he stares at her in a state of something
He knew he could never bare the thought of.

As he kneels beside her he plainly whispers,
“This heart wasn't made for suicide...”

— The End —