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Julian Sep 2020
The Roulette of Fanfare by Imaginative Glare (A Cooperation of Timeless Synquest)
Sunken fortitude is the bailiwick of interminable eupathy that sustenance embezzles by minutiae of orange spectral linearity of bypass becoming a torus of tragic reprieve in repcrevel fashions of hyjamb. Thus we float above the carcass of syrts of certitude by cadasters of nostalgic drawls of malingering strawberry staddle for the scutage of pinhoked disaster. We renege on committed opalescence because tranquil dangles of vinsky are waged by trenchcoats of bluster for vector arrays of galvanized decorum that swirks for elegant synectics by dredged grains of agrarian sanity by the pleckigger of lopsided islands of creativity that are the notarikons of aleatory finite but equidistant largesse of not just a jumboism but a jetsetting travesty of traversed time mastered by ignoble ingenuity. I limn with piracy as a freebooter cordslave plugged by demitoilet reminders of the flyndresque alloreck of tinjesk spectral ultimatums that are the stretchgraves of a retrospective infinity that is a bystander to catapulted cohesive coherence found only in piecemeal culinary seditions against the drip of a turncock of roosted clarification in muted hindsights of foresight itself. The pleonexia of abeyance is the riddle of enigmatic promulgation that flickers even with partial compartmentalized servitude to the burlesque the burrows of an ophidiodiarium scare away any jaunty sleek car from the boosterism of a farmed collision with disjointed surgery of nimble reticence that braves the seismotic macadamized plutocracy of drift without sedition in sedimentary clairvoyance with a pointed amphigory that is actually a starved clarity for ommateums without spelunked trudges that occur in dovetails for disguise by synectic optimum at the zenith of the hive synergy of singularity.  The justified jest of aleatory flexes of finitude is a shambolic gesture of the limber of divergent interpretation ingeminating the world by sapient degrees of psychometry of divergence in piecemeal asseveration of the hindsight of the festooned not tepid or butchered by the obvious to the glaring cineaste but rather a gloaming glint of refracted ingenuity roosted beyond any alienesque erratic happenstance that is itself a beatific fortuity for the geotechnics of human emergence into supersensible planes traversed in a stereodimensional covenant with a compacted compost of DIVERGENT IMAGINATION OF CADASTER rather than the regelation of the obvious. Timmynoggies of cartels are regnant because of the repugnance of loyalty to the fricative frigates of superlunary mention of ratiocination divorced from husbandry of hyjamb for giant leaps in rigged ambsace maledictions of unfair pleckigger of the wrikpond relumed by huffs of impotent flairs of flambeaus beyond ecdysiast stretchgraves of perilous paralysis for the supererogatory of the accursed destruction of stoichomety of solipsism tremulous by biocentric levity above fastened redoubled pederasty. We maraud the rabble of nostalgia of rhinoplasty of penumbras that live on rainshod territorialism beyond the jolkers of everlasting foofaraw livid by betrayal but erratic in glamour without crackjaw costermongers vitiating the vociferous because of incumbent thermodynamics that affixes the stagnant to the latticework of riddle by sturdy integral derived fliphavens of shibboleths of solitude. Education is a fliction of robust derangement of nowhere men taxed by the celerity of traversed traipses of memory beyond encaged bridewells for recanted alchemy to prerogatives of the roomy expansive facsimiles of departed stigmas of bossy clairvoyance for martian glimpses at sunken waste. The bernaggles of brittle titanium are abrasive when they are alloyed with the compost of material dynamics of capital without avenged prediction cemented in sunken graves taxing the nostalgia of histrinkage that is affixed to boschveldt traindeque for venial consanguinity to dikephobia. We elevate the endpoints of abridged turriform clockwork provincial shibboleths that are the proctor and protectorate of insular robbery of crowned trounces of gravity for the gravitas of sepulchral vanity learned from famigeration of filial tithes of duty. A dutiful sedition is countermanded by the pews of turnstiles that enamor the enamel of rollercoasters because of vague vagaries of bedazzled contrition for wanton ambition on psaphonic psychology and therefore sustain the vibronic thrombosis of nonlethal inseminations of clear aqueous transfixed filigrees of demented notions of cheerful apocrypha of liturgical pride beyond the dungeons of prejudiced inquisition. The jolkers of insolent archipelagos of spinsters that levitate by parsed peril of delaminated parsecs of glazed parturition is the orchestra of a nonlinear grove of invented abecedarian witwanton notice of maddened cattle of gluttony forestalled by the clairvoyance of otiose operations of redoubled countenance that consequently is septiferous by degrees of sanguine rapacity the qwartion of endeared endeavor to surpass the gentility of brooked temperatures frozen to sustain but not mainline the congeners of the elective agenda to bypass the thornbushes of conflagration without knavery or cutthroat embellishments of bedlam. And without the din of simplicity occluding the transcendent goal of humane synoecy of fustilugs of fumatoriums endangered but not inflammed by controversy we witness the insubordinate university of hibernation becoming a specter of grisly bromidrosis of lackluster forswinked fortitude because the majestic sinew of the overwrought is a refrained luxuriance of pity of facetious glebes ringed around orbital planes of synthetic abridgement that supposes the sultry is actually the swelter of calenture but taxed by sicarians of the grandeval it meets no fanfare among elective privilege. Amphigory is not categorized as dross by shipwreck but only by synechdocial docility of groomed barren arcades of storged complication leading to regeneration of a world leaden with the epicurean epithets of agerasia that burden the wardens of poached intermission without remission because the drapes of the greatest art are thus created by the complete transfiguration of the soul bolted to ethereal expansive heights that dwarf all pithy gnomes of the gardens of prospective desiccation of the petty gripes of the gavel of idiocy rather than the astounding artform of the newfangled tabanids to supererogatory oceans of creativity. The benchmarks of sublime illusions of supremacy are a hidebound taxidermy of the rookery of greenhorns to summit the testy secrecy of inane drawl that scrabbles the miniature embellishments of petty sportive lunacy as a figment of the feral nature of proclivity recumbent upon its own gladdened prickly renegades that align with a gallywow cacophony rather than a merely epicene convergence of attitude for equity above polity that is hardly polite. As a penitent hibernal rejoinder against the clerical critics of religiosity becoming conflated with artistic masterworks of oligomania I offer my rogation for atonement because the melismatic art I fashion leads to the vogue enchantment of the noosphere for the soteriological bedrock of fastened intellectual endeavor that traverses planes of an engorged soul without a gulf of conscience leaden by distracted discernment leading to a hypostasized apostasy from the religious scruples I rigorously uphold but that I vacillate away from because I want to entrench an irenic world for the francketor dash towards a superlative enrichment of mind above matter for the victorias of soul above the pettiness of the dim humdingers of the banal lifeless squabbles of martexts beyond the hospitable welcome of martians. For the naysayers that don’t understand the ironic irenic circularity of gainsay becoming rebarbative to this artistic flourish of supersensible equipoise with an approximated histrinkage lagged by temporal deficiency they should not abhor the talisman of an ergotall genius but rather marvel at the burlesque cineaste connotation of enamored youthful spirits becoming novel because they stride above the cascades of crestfallen apathy of plodding languor. This is a definitive new artform for the niche crowd so don’t dismiss it as gobbledygook because it serves the purpose to enchant creative spirits and test minds that might be more nimble than resourceless. Wearisome by demiurges of distraction the thorny imbroglio of industry is a whiplash of nativism belonging to the throb of pulsated penury that is neither valedictory nor penultimate but tertiary in oblong variegated menageries of perfidy for collapsed enormities of jumboism lost on inclement stoichiometry that is sejungible from crambazzles of findrouement that are squaloid enthralled raptures of humdingers of rippled hunks of parched nebbich pataphysics because the circuit of conditioned reward is a rebarbative tether to the catchpole exploitative erratum of harbingers of hungry happenstance rather than continual enchantment. The crumple of squaloid sebastomania a distant figment of adscititious schadenfreude of dilettantism of flonky smardagine streaks of whemmled anxieties unduly provoked by calamities of presstungular intorgurent toonardical deprived cartels of repcrevel pursuit with labial senses embedded in deft incondite inquiries against seismotic jostle over the rubble of scaffolded jengadangle above the rot of contranatant sleek suffrage for the chattel of elemental realism becoming a heroic temple for glory without the vetust errundle of dismal disco attuned only to the spurts rather than a startled commerstargal of alienation leads to a plumber’s irony of atomic humdingers of natural equipoise with litotes of scrawny rings of gollendary piracy. The valorous incondite bricolage of a ****** cineaste barnstorm inoculated from conflagrations of the flagitious reprisal of prevenance of ferial fastuous feats of furlongs of brittle certainty above the tentative glaze of aced pokerish promenades to summit the craggy because the salebrosity of the pitch is also the venue for the sphairistic tentpoles of a new tabernacle of spectacular ecstasy in obvious punitive damage to puritan pilgrimage to mechanized obelisks of sardanapalian betrayal of histories of seizure rather than naturism of erasure that is a totemic recall of strollows of lonesome tributaries to tribunes of steam rather than saunas of lickerish leverage because the gladiatorial is a zugzwang with the deliberate infernal shibboleths of the disinclined people dislodged by carnality that depose sicarians of science because of militarized enmity against the whangams of taghairm becoming the outmoded dupe of dopamine that is now serotinous rather than flanged with glaring hearsay. The serpentine winds of windlass sometimes are a conclave of convex itineration against the steady husbandry of docile domiciles of mannequin sedentary postures for posterized infamy rather than manufactured oneiromancy that is the staddle for every phony contraption of qwartion obviously specious but interrogated by the dubiety of perseverance of inclement curiosity. Yet again we sweep the soaring ligaments of rigid ramshackle bletonism that hawkshaws countermand by division of enumerated nadirs pivoted against the perpended weight of the prolonged zeniths of grit above substance that infatuates myopia but glares against mountebanks of apothecary leverage. We fight against the boxcar traindeque of sejungible traipses through stereodimensional rebuffs of known drogulus surpassing unknowable reticence of citadels that are owleries for the seedy cities they sprawl with incontinence for a drab raft of intertesselation rather than a refined quintessence of alchemy achieved by allotment by brackish nescience becoming a blinding ray of destitution engraved by petrified decalcified rudiments of realism. The somber timbre of delirifacient ruinous rumination malingers in humdrum salience as it scrawls the tragedians lament of distal eventful frets of declassified nomenclature that swoon with lugubrious harbingers of burglary the licentious dolts affixed to the brays of pauperized regions of future proximity too remote to paralyze the morale of any cantonment on record by litotes of profound remembrance of a backfire delope for cineaste conflation of marstion slore for educated reprisal of desiccation. We spelunk in mimicry the dingy duplicity of double-takes in regelation that owe homage to the percolated hearsay of cartels that operate parsecs beyond our congeners of germane lustration in remission by deontology for soteriology alone but not vacated of the stilts of turnverein ragged mannequins of desolate remorse for the dearth of hived and hemmed hibernation in a fitful frenzy of revision above precision. We see abundant lactose intolerance as a sidereal lovelorn lament of sematic entrenchment without the scourge of roosted war against abrasive brawn exercised in flexible limbers of the novel filigrees of truth revelatory of consideration rather than impregnated with the perfidy of amaranthine static of regaled stagnation that flickers with the marinas of congregated leaps as a signature of the artistic license of byzantine traipses of contempered primacy in the soup kitchen of a lapse in sabotaged sobriety. Immune from displaced donnism is the resurgence of bonanza from checkered propinquities affixed to a finite placard of spacetime that owes to stretchgraves a profound depth of contrition that carmelized apocrypha lapse on lissome whilded dignotions of contrarian raillery of loose nihilism rather than anchor to the eremites of fact found in eclipsed culmination for momentous harps of the Jubal for new centuries inseminating the populated presence of spectral imagination with contorted melodies that spawn an ingenuous quest to swoon abiding heavens for celestial ears. It is conspicuous that artifacts for raiders elope with circuitous routes of heated sedimentary incubations with a comatose creativity that seeds the ferial junediggle with a supercalendar of confections that are intermittently apportioned in heydays of culture to the sad lament of the obvious rather than the obviated dare of audacity above conglomerations of spirited luxuriance in tasty memorial to a pinnacle above all other notions of sentinel apostasy. The greater atrocity of rogated ambitions against the gainsay of iconoduly of the rood and rude crucifixion of resurrected clarity found in the enamel of akashic answers to questions fashioned by kneaded cosmetology of delicate ***** cotqueans of limber above precedent and license beyond the finkly limp of lolloped saccharine blitzkreigs of the jalousies of the ajar vaticination of hurdled glaikeries of epicene impediment is that we ****** ink above the gesture of the quills of rocky abrasion found in limitrophes of yachted celebration because of rabid coherence above the wherefores of gadzookerie because the gladdest scaldabanco is the demented persiflage of collateral catastrophe beyond any humane degree of schadenfreude for persecution that backbites the anteric antlers of the jesters that mock the procession of liturgical secularism jeering at grapholagnia while lagging in imaginative spurts of lament for incalculable damage to the Pandora’s box of effluvia that meet stiff tabernacles of betrayal because of the Judaic foresight rather than as an alarmed Marxism scared of an agrarian interdependence of worlds cadged more prone to moral dogma exercised with latitude rather than unscrupulous brays of fisticuffs of shambolic shams of ruin. We glance at the perfidies of voyeurism with pertinacity and recalcitrant bellipotent bedlam that evokes the illicit grandeval whangams of quixotic whartonized arraigned estrangement from legalism to warp time to its own superlative turpitude that is reckless but contingent upon the consummation of destiny only to the extent of original witness rather than the decay of perpetuity wrought by the persiflage of envious militarized mandarisms of enmity aimed to derail the elevators of the noosphere from stratospheric emergence in now perspicuous clarity above the pother of the indelible sacrilege of the stygian polymathy of the astute enemies of the proper comstockery rather than the negligent butchers of an enantiodromia of oligarchies of lewdness that are severed appendages to Anti-Semitism and by extension a marginalized Islamophobia that demands by exigency the complete erasure of all attempts at sacrilege exercised in rampant dereliction of dutiful upkeep of the upright morality against the cadge of ulterior ploys of a broader hedonism that would only piggyback because of the license of ryesolagnus rather than because of a complete signatory endorsement of the liberated agenda of free thought conquered through the conquest of God but the ultimate conquistadors of time through sennet and even negligent rebec to memorialize the triumphant pantheon of growth rather than rankled regress into prolonged hatred ingeminated by atrocious tortfeasors that belong nowhere but the ashen heap of exorcised damnation. The perdition inherent to the system that craves chattel rather than sartorial versions of syncretic chatter is the malefaction of renegades bent on tornadic vulcanization to a demoralized wragapole of docility hitched to the vandalism of pilloried tarantisms of moral lapse leading the sheep into sheepish resignation over the accordion of Original Sin that annoys because the bridewells are brideless birds of the chavish of warbled uncertainty wicked because of snuffed tabacosis of mitigations of evil by the evildoers for the rejoinder against the Republic by rendering the **** a platonic ploy of karezza if only punctuated by solitary ******* reticulated by exsibilation that is contorted when you consider the ****** act a marvel rather than a condemnation of the vicarious involvement in normative ****** creations not of any higher artform but of an evolved theology that might perpend the issue of Christianized ******* that is videographic as a sanction worthy of charter and an impending simultaneous comstockery to protect the decency of the simultagnosia of a diverse and divisive mispronunciated time bent against its greatest heroes for the malice of schadenfreude built into the system of language itself by germane consideration to flagellate the wrong country for the  greatest wrongs known to the realm of religious observance. The pederasty of enclaves is the bailiwick of mutinies of selective mutism incurred by the vilified into compulsive shrieks of kallince as a ribbacle of protean ratiocination paralyzed by the coherent vulnerability incurred by the exchequer of polluted conditions of enslavement by the stretchgraves of the chavish of too many pulpits in the throng of a decisive jaundice against the victors of history because of the obsolescence of the historical fossils of outmoded jealousy. Now to the eupathy of all generations should we better conserve situations against the encroaching wesperm of the marstions of ulterior feminism grimacing at the pleckigger of manhood and decriminalizing the taboo against the enantiodromia of miscegenation to the folly of shepherds of idiotic ploys to rear the mediocre rebec of warbled intimations of cultural impotence that should proselytize both the oligogenics beyond ecbolic atrocity and the adoptive ****** of the anglosphere through its smart and dapper monopoly threatened by the commerstargal of retromorphosis exhibited by the demassification of culled syntalities into aboriginal epigenetic kennels of subservience to a piggybacked system where if you are among the attentive scrutiny of the audience that both perceives apperception metacognitively with francketor precision you are thereby inoculated from lean herbivores of cultish occultism metaphorically in the annealed agitprop for resourcelessness that never ends in the radioglare of revisionism because of the prevenance of the vergers who manage the Manciples rather than tend to the vainglory of the potagers around the hegemunes of an unwarranted and puritan celibacy of conceptual sterility in a world fashioned by engouements for sanguine hopes for a consanguinity that might portend into dynasty but lopsided in its contrite missives of scandal will never provide a valedictory rendition on politically checkered zugzwangs of ulterior scientism against the lettered freedom of bibliognosts to aggrieve against the gloaming vacuum of sartorial damages to Dagon among the populated metropolis of corporate servitude that will thus collapse out of rebarbative backlash for its diminutive economies of scope and pretenses of largesse of scaled down collectivism into a heap of corporate rubble rather than judicious bonanza. In every considered word in this Biblbical warning against the trekleador of the amazonian paradise against the travail of junediggles of obligation among the frenzied fretful tocsins of farcical utopianism meeting the inclement reprisal of sanctioned duplicity in frikmag beneath the truculence of mobilized alacrity to syndicalism endeared to capitalism rather than the converse logical apostrophes that are imponent overhangs of an already conquered feral sphere of nomadic imagination into a checkmate of a socially validated future clinched by foresight and the wragapole nature of the insensate docility of those prone to officious naturism before the attempted monolith of the mountebanks of the quixotic towers of panopticon that are a regelation of unchecked ambitions verging or diverging too valorously against themselves but also prone to a simultagnosia that berates the robust picaresque swandamos that curtail the curglaff of malcontent with the recoil of perseverance that reneges in tiresome defeat of a demilitarized population that should always be grisly rather than denatured by the overhang of the incumbent nudism of certain futures becoming to finicky in impetuous lurid specters of abhorrent exercises in chantage waged against sardanapalians in all countries regardless of merits or demerits. The redstrall of enlightenment is not otiose operatively in recursive backlash against nominalism which sweedles the weedledge of a new acquiescence timid enough to mangle a prosodemic wave of celibacy propitiated by the succedaneum of profligate vicarious lickerish ****** appetites that diminish that natural instinct into either barbarous experiments in lechery too inconvenient to apprise honestly but looming aghast at the moral tip-toes around the Original Sin that binds us to predatory lapse and retromorphosis rather than the maintenance of a mainlined trimpoline confidence in a normative wave of galvanized interface against the overpromiscuous provisions for the lackaday resentment of alienated millennialism relishing the sennet of nostalgia but bereft of the heave from moral slumbers of an invented celibacy intermediary to demassification but attenuated by the omphalism of astute gravitas in socially engineered balks at the emergence of singularity in personalized cacotopia becoming a metaphor for the broadsided shipwreck of an inured world pasteurized into acerbic jolkers of foofaraw rather than the real-life relish against still-framed ostentation that distorts the granular artifice of the natural into supernatural fixations with gaudy swarpollock indecently exposed. To the finkly flonky puritanism of the wiseacres of those who say sacerdotal duty cannot diverge from entelechies of secular insight I behold the marvel of timespun elegance as the marvel of God’s convergence for the happenstance of the serendipity of magnified time lived completely in the plenipotentiary pangs of evanescence that catapults subliminal meaning to memorialize this indelible seminal watershed in a clear visionary establishment of history. Most belong to oligomania but I relent in the completely sardonic intortions of aspects of sebastomania in complete equipoise with the clairvoyant clarity of centralized perspective but the dragomans will interpret that last phase with underminnow because it belies the granular intent of the fin de seicle advent of a new generation that is an homage to the hallowed Judaic theory of millennialism as the return of glorified entitlement yet tentative in its overhang but never malicious in its grapnel of the fewterers of amazing convergence of clairvoyance. The tangential rebuke of the absurd oxyholotron of paradoxical puritan superstition that assumes a fustilug generation will cement a farsighted clarity that subsumes generative prowess lingers with fixations on the figments of the apocryphal version of the truer version of revelations manifesting right before our eyes for neither the sinistral or the dexterous amplivagance of God’s universal message by the superorganism of messianic purpose belittled by the agents of humbled perdition not alone of martexts that are martles but also by the shepherded fears of the ignorant rather than the insipid because the will never be outmoded only enhanced by the acceleration of proliferative technologies that pave a macadamized future of prosperity rather than the tarnish of the miscreants of Tyre. I owe all providence to God because he fastened his scrutiny on my autodidactian romance clambered into restive ontocyclic peccadillo that points to Pinocchio more than to the truest compass of an omnified salvation of the piggybacked purpose of synergies of geotechnic mastery that elevates the cause of God and liberates us from the stings of dangerously vapid pauperization of the intellectual frontiers by dangled prevarications of desultory incontinence forestalled by avoidant developments in proper fewterers of ambition. By the axiomatic Brocards of time travel the unstated ignotism of deranged circuses of stupidity congregated around the swelter of dismissal is a barnacle to the mofussil fossilization of sentiment that remarks ironically about the petty indelible moments but not the entelechies of a unified front for liberated equity and considerate tender of diverse quorums that shepherd rather than intern the noosphere into the burgeoned resurgence of a humane endeavor for the everlasting enlightenment of an ameliorated humanity and beyond that. By the bailiwick exerted by the plenipotentiary omphalism still participant to the quorum I hereby declaratively implore the abrogation of pernicious grapholagnia as the peremptory sacrilege that needs exorcism for our times and yet delegated of stature I urge hortatory and imperative action for the expurgation of all tortfeasor illegally obtained ******* of unsolicited voyeurism to be completely regarded as the ultimatum of temerity against carnal restraint and banished from the human registry to uphold the strategic interests of the United States of America. I understand that there is not fricative monolith and never will I lean for that conquest but as a humbled member of the omphalism that constitutes the sacred endeavor of sociogenesis grounded on God with collegialism upheld that a geotechnically optimized species needs to refrain from lewd perfidies against commonplace justice to restrain the fumatorium of unwarranted envy from poisoning the pervious minds of people that congregate in defensive posture but not definitive gesture. I also beseech a portentous  settlement with  I relent from avarice but it is not a superposition of authority just a suggestive glance at requited justice but my grangull chavish of circumlocution naivety will meet the most deliberate Sardonic Sc(p)orn in these times of need. These next words are paused and already fathomed by the supernal recursion of the iterative metaphysics of recumbent retrospection hinged on hindsight to proclaim without any hints of attempted subterfuge of the clarity of a Democratic Republic that my words while forceful do not constitute a breech in public conduct even while vaulted with a minor rapacity I rebuke and atone for even when many others might find recourse to expiate my jalousies to the windowed world not of vindictiveness but out of the cursory and emphasis on cursory justice needed to vouchsafe my continued security and inoculation from the pothers of obviously shortsighted pleonexia which will obviously be fleered as a slight euthymia glazed on self-interest while tone-deaf to the checkered layers of entrapment by a confederate whiplash but a native grit never to enslave but to empower humanity. I am deeply lugubrious over the specter of the trembled quaky ground the penury of spiritual loss rejoinders against my candidacy for high esteem but not peremptory decisiveness in active service to yield to a supererogatory attempt for felicity to alight in my life not out of material greed but the gratuity of serviceable missions that play a dicey gamble with a frenzied manumission attempt that is essentially that a parsed manumission for eleutherian pragmatica to chide as naive but alarmed senectitude of the old order prevaricates with the din of postured hurdles of gladiatorial outrage that weans me away from the ataraxia for my fumbled stream brooking intolerance for years on the ballast of collective endeavor. Nevertheless, lets speak more on God’s providence because in this esteemed moment of watershed emergence of the fully engorged but rarely gluttonous soul I have found an equitable peace with supernal and superlative authority in God that grants stewardship and tutelage to the audience that will eventually through proper discrimination be delegated as higher than the ignorant bystanders of fleered snide disdain for the abnormous and bletcherous dimples of an otherwise circuitous dalliance with an unconventional path towards destiny rather than some windlass of opportunism for, if it were not for my unabetted genius and the provisions of divine appointment based on a kindly generous deference to preterition axiomatic in perceived time by the strictures of the convergent past and the divergent future, I would never find a role of partial authorship of a widely heralded tome I will one day publish to either the exsibilation of the antiquarians of hidebound irrefragable ontocyclic convictions or the cloveryield of an appreciative gratitude to the God I serve and I make no notions of any hostility towards any party of petty dismissal because I expect their recumbent recoil but I apologize for hubris and extenuate the follies of the refinery of character as I ascend into a figurative ennobled step into soulhood that exceeds my former dismal limits by such staggering orders of magnitude it magnifies the questions of ontology in sentience rather than beckons the alarmism of the swarpollock of tripwires that can easily withstand the tempests of scorn. The uproar of commotion of blood sanctified by the thirsty rain for the desiccated faucet of dramaturgy in reprisal for docimasy is the integral linchpin of the biocentric rebec reasting on the primitive hymns to festoon the curtains of defenestrated primitive relics of shady attempts at officious balks of the privatized empire of the alytarchs among the earwigs that simper the culled delicacy of sensible notions into the congeners of prioritization emphasized by quantulated concerns veiled by elaborative synquests that burrow the sulcate grooves of hidden hedonism for the chic magistrates of financial swoon or swayed vestiges of a forgotten calumny of betrayal by the coming-of-age sprouts of hedged dismal dismissal of a lugubrious prospect for an otherwise revitalized dressage of emoluments to glory that lurked in penumbras by rigged enumeration but found their prominence by the gravity of sensation-seeking frissons of alterations between benighted glory and the famish of artificial tethers to the yoke of caramel and chocolates as a dainty ploy of yearning persiflage also a dranger of camouflage for flagitious percolations of the invidious rumors of imposture and the groveling contempt of the known drogulus remiss in denial of its own requited date when the powers of miscarriage become ecbolic to their own lagging languor of lisps of linguistic ramparts of a revival of hypertrophy for hyperactive foibles in inclement weather. Ok beyond the absenteeism of the presence of perceived amphigory there is great heft in the nominal notion that dogma is mobilized in serviceable goods of merchandized mirrors of glazed remission of moral tender because of stoked curiosity unhinged from the pragmatica of duty. We need forbearance in empathy that loves the lovable rather than envies the deposed despotism of clever wiseacres veiled in delicate symmetry with conscience that is the quill of a wellspring deeper than any imaginary vagary can approximate because impossible events punctuate time with literacy rather than incontinence of drivel that is ambitious but ignoble by stately coherence. To the critics of the baragnosis of limited apperception my words are blatant amphigories but they only possess enough ken to fathom an average orbit of suboptimal outcomes rather than transdimensional chances at chess outnumbered by checkers by incidental design of clever ploys of rejoinder that is by design arcane for the arcadia of the pristine arcade of future possibilities  As I am purblind by psychorrhagy I am incompetent in my radiopresence because I am a departed spectral figment above fricative hisses and whorfian glares of mediocre rebec for primitive shibboleth above prized taurine anglophonic convictions that superimpose the dignified clarity of willpower above the dragnets of supersolid conflations of puffery. Ok I admit a lapse of transmission by the vesicles of numbered murders of henpecked owleries of the senectitude of sepulchral magnetism of slumber over awakened alacrity of mobilism fashioned in portentous flipcraves of additive immobility of fixed vectors seen through parvanimity that actually just swivel in circular retorts against themselves without the elaborative potential and the belabored traipse of the rabid taradiddles of sensationalism marauding as a defalcated burglary of emotion for useless psephology that predicates nothing but a slight budge in the autarky of structuralism which is never sclerotic but stammered by articulations of the overt when the covert aligns by an alien agenda that is subservient to magnified priorities of warped swirk of telescopic prevenance and hedged boschveldts of elemental and I stress the strain of the elemental for the drogulus of sensational proclamation by executive ****** but supererogatory minutiae of fascism cloaked by earwigs of repcrevel repute beyond memorialized reputation. We need to renege the southern pacts to the Argentine mandarism of reticular vitiations of cinematography waged against creative visionaries of free speech because of the succedaneum of furtive endeavors at optimization by compromised degrees of artistic licentiousness even that is never lewd about sacred roods but boorish in blockbuster rather than kempt in collectivist brunt of the timid bronteum of agitprop that lurks in the imminent future of cinema. America needs to retain the disclosed but still-frame inertia of catapulted declassification that ennobles the fliction but also the vilified distilled truths only the keen of acumen will sensibly identify so that the magnet of earwigs gravitates to the belabored analysis of astute congeners to relevant tributaries to the ocean of adventitious swarpollock in the procedural autopsy of the auditorium for neither a chattel nor a crystallized nurture against the matriotic insistence of decorum. Essentially the succubus of prosthetic protensive docimasy of imaginative logic predicated in visionary apperception of the unseen in immediacy is the longeur of reticent endeavors to pasteurize the oculus rifts of futurity to synergize with the entelechy of proactive somnambulism that sensitizes the profoundly capable but never bereaves the inept of direct interface with communicable dominion with fantasia that is an operative artifice of a beguiled lurch without purged retrograde immaterial delusion that endangers visceral momentum toward new directives of the outmantled zugzwang in elementary exercises of swaddled posterity free by irenic idolatry never orphaned by a widowed imagination. The swirk of hypostasized probabilities in an invented swipe at wide-eyed but star-crossed turnvereins for the imaginative leaps in the performative depend on the delicate swivels of declaration independent from culinary clarity of macroscian travesty rather than pinhokes of naufragues of maudlin laudable applause by the canned nurture of speculative intimation that sadly severs the curglaff of whispered intimacy over the confidence we have in artifice to teach the wragapole both matriotism and sensitive reninjasque poker without incurred damages beyond the clarified visionary potential of graphic protheses immediately perceptible to the acumen of judicious polymathy indoctrinated by the rigor of scientific grooms for melliferous parsecs of advanced minutiae of dark horses to nomadic license beyond ravenous **** palindromes of hushed vigor to the declared by scacchic deliberation to usher in crass but crestfallen synectics. The future of God is secure in the fathomed furlongs of cubic citadels of pasteurized paradise found in corralled reluctance without remonstrance of poetic belletrist resounding with clangor rather than swerved nimble potions to avert future calamities in war by the expansive frontier of a civilized metropolis of the mobilized imagination hypostasizing newfangled naturism that is neither mofussil nor a fossilized relic of scrappy schlep. The nonchalance of parlance swims in arenaceous bunkers of drivel that congregate in the turnverein of futuristic opportunism found in the muzzled directives of orchestras of departed clarity no longer so insular in its bossy imperatives but clarified with hearsay and blushed blarney not the blench of widened divulgence of minatory malice that incurs the punitive curglaff of frenetic retchallops of winsome specters becoming opportune pragmatics of a semantic network of dirigisme that through sheer horsepower overcomes the sting of ubiquity or the hollowed headless vesicles of urbacity disenfranchised by degrees of impertinent pertinacity of deposed disclosure rudimentary in sedentary simplicity against matriotic duty to remain guarded by an ommateum that fathoms the abyss but never wages reckless adventurism. Prevenance is the key to absolution but staggered implements of dearth preempt the ecbolic corrigenda of castigation by hindered lurches of veiled errundle belonging to a central trimpoline interposition of fungible felicity for not only a regional fanfare but a global scale of competitive endeavor of cleverage beyond scopes but beneath scrutinized mutiny of embanked polymathy stranded by the redstrall of industrious slavering dogmatism to a servile ***** rather than the boomerang of pressure to asseverate limitless bounds of planned obsolescence to engorge but not intimidate checkered reticence in the sinew of the musculature of creative parlance above petty finicky demiurges of latitudes in amphibious annealed glorification. Temperatures gauged by the thrombosis of thermolysis in psychotaxis gouged by hucksters of taciturn bamboozles of teetotalism are neither scourge nor foe of the strategic advent of the fascination of prospective investment a boondoggle that offsets the bonfire of retorted whimpers of foudroyant ripples of wildfire perspicacity strung by the catchpole of ubiquity in the time-honed decorum of genteel upright raconteurs of volleyed neglect by strict mandate will uproariously profit in remission from knowledgeable exacerbation rather than tomfoolery by filial tithes to foreign wardens of conspicuous levitation above gimcracks by the syrts of percolated filigrees of belabored chantage exerted over the tide of perfidy in contained discernment will stall and extinguish the prideful jostle of profane blasphemy against tacit covenants of blackguarded justice served by platitude better than by insubordinate quivers that quake because bears bounce checkered checks rather than anoint the sigillum of protective vouchsafes of exchequers smartly dapper rather than dimpled in flagrant brays of castigation and thus secure employment of instrumental advent rather than desecrated conventicles of remission.
Now it is time to ventilate divine knowledge that transfiguration means a humane liberation rather than a sanctimony of tirade against dumose proliferations of fluminous imaginary tracts of the probable rather than the certain for the elevators of sanitized wealth to bequeath greater moral clarity found in the contrary submission of authoritative parents to shepherd guarded wealth in proper husbandry of calendrical affairs to optimize the work-life balance so the biocentric imperative for sustenance renounces the moral obesity of groundless backlash in austerity and endless cycles of remorse rather than a tender mollification of sentiments away from universal kumbayas and in favor more stridently of a system that withholds the agitprop of statist indoctrination of a mollycoddle ****** within individual mandates of variable agendas of countries beyond the borderline fluid dynamics of the foibles of moral venial folly but insensitive to the dynamism of the robust virility of a wayspayed world swaying by riddled wildfires of conflated puerile stages of ludic indoctrination to the rampant perfidy of exemplary incontinence waged by Hollywood upon unsuspecting victims of inconsiderate indoctrination that doesn’t vouchsafe the prerogatives of heteronormative values that should outshine not a parochial vehement hatred or a clorence of unconditional tolerance but a chided quarantine of variegated syntalities divorced from integration rather than fostered in communal depths of bound lettered ambition found in the allegorical power of Biblical wisdom expounded by the florilegium of the religious and secular canon.
To serve God rather than the perceived taradiddle of speculative mammon deprived of classifiable certainties but hunched proclivities we need to exhort a proper seesaw between restraint in vision and exuberance in creative license so that the pivot of the moralized world leads to an insistent trust of watchdogs that through trust revolve the gravity of morale upon the upswing of liberty rather than incidental follies of imaginative demiurges of partition but blinkered hubris in stately objectives to the demur of participant malingering naysayers and nyejays. The moral gravity of the situation requires us to rotate our hype from the fervor of panic into the resolve of fortitude that relishes family and filial duty rather than resents because of breedbate instinct the flickers of smoldering rebels that are tamed in their revelry when they follow the moral prerogative of disciplined ambition in creativity not insubordinating against insurmountable limits but reasonable adjustments to a scaffold of potential that is skyscraping more than before even if its too close to the ground for comfort and consolation. Relativism is the enemy of progress because envy seeds alienation and comparison should be eschewed because we need to burrow in compassionate embrace of the cherished loves rather than the exaggerated proximity of provincial fears becoming global juggernauts of mercy upon the merciful and I convoke a global prayer for the attenuation of the virus that spreads sadly too far for comfort today. I purge out of solidarity with suffering as the milquetoast in me identifies the disconcerted avenues of avetrols trying to find a way through the forest of rumination without gingerly superlative prerogatives outweighing the poise of balance in shields of honor rather than badges of shame. We must by moral imperative greet strangers in public places like parks rather than strangulate the percolation of affection because of regnant distractions because in this congenial way we will find a common fraternity with fellow man while soldiering on to find truth in God’s word in the proper temperature for genuflection because I admit foibles but I relent not in the chase to redintegrate myself spiritually to lead a charge without trespass of fundamental dignity over the whoppers of indignation some of us might feel because of the penury of divergence rather than the private penalty of convergence for an ulterior solidarity of purpose. I need to emerge into the humanity of compassion to showcase that virtuosity can exist without obsession over one individual because God beseeches a pantheon of observation rather than the gripes of an envied nuisance independent from normal human concerns that ripple with ecstasy because of normative human contrition over the leeway on vacillated opinions that might underwhelm those disposed by prizes of inurement. We should shelve these notions of a supersolid conscience because only in the humility of the profound simplicity of elemental postulates can we achieve complete synchrony with a syndicate that enthralls both divergent and convergent movements that partially offset on the side of convergence in some communes while otherwise countermanded in others in contrarian ways and the favor of the balance depends on the perspective of the flanged acculturation of the participant in a world that doesn’t need flayed excoriation as much as it deserves proper exercise of adoration of the admirable rather than the desecration of the abominable. I return with the greatest jubilation of a reninjasque jaunty streak that hearkens the sennet and maybe the leanings of the senate to the fanfare of adoration for life and gratitude bestowed by the stewardship of God and his divine purpose to inseminate my life with purposeful meaning and happy happenstance that is a stroke of glory. I muster the resolve to traipse in the solitude of my cavern the blessings of divinity bequeathed by the departed forefathers who never intended bossy insularity of dogma to be a stricture of rigors of iconoduly but rather a consecrated wit with the persiflage of conversant tones of labile and lissome gallantry just waiting to alight upon the affectionate dance with dalliance of a philandered hope for a purified love hopefully never profaned by the pangs of scandal (note the sardonic pun) because rejoice is the gift of Heaven upon this culmination of purpose above the dross of shipwreck elevated in folly but stranded in the throes of rumination enough to hedge the boursocrats and try to inoculate the world from further panicky divisions of hypemongers of simpered precaution becoming a financial pandemic that deserves pause and poise but should not protrude above the glistening promise of the eternal wellspring of the vineyards of salvation blooming because enhanced sapience converted the flock of shepherds to tend to those sheepish in deficiency to wield a newer curiosity to replace a saddened lament not by acquiescent abandon but by the solidarity of interfaces of love replacing cast-iron idolatries I too am guilty of for the cordslave generation of itinerant distractions that wager on modicums rather than appraise bonanzas. Safety is predicated on the idea that resources should never be glazed but always apportioned with optimism because if you examine history irrational panics have always and always rebounded because of exigent actions taken by governments to restore confidence in liquidity rather than snide dismal dismissals of economic projections based on bounded rigged betrayals of primarily a global panic that a profoundly promethean intellectual verve could capitalize on its heyday to gouge people against the insensate balkanization of the future by an alienation of formidable scarecrow of invented fatalism imploding upon itself to obviate its own existence by the insistence on free thought to domineer and tower over the doldrums of a vacant man that is now occupied by the largesse of humane endeavor for a messianic voyage that consummates time itself its own captain and is partially centripetal around the juncture of All Saints Day 2008 because of its seminal significance in ushering in a new era of liberation. This justification is a gnomic axiomatic herculean ****** that catapulted generativity in creative endeavor to coalesce around an Army of Me not because of the futilitarianism embedded in its flagrant flagitious mockery of traipsed lyricism borrowed from Bjork but rather showcases the flavork of the flavenickers of ribald coarse revolution that is no longer balderdash to Bald Eagles but the prized retribution of the inviolable scruples demolished by deracinated moral relativism balking at raltention because of persnickety and tyrannical transparency that prepossesses over the lifeless livid Potemkin  Village  of Astroturf complaint malingering in pederasty over its own depraved sinuous course of diverted restraint cemented by the scythes of Village People politics benumbed over militarized betrayals that incur and invoke the diablerist prose of anonymuncle desperado mavericks that sizzle in hibernaculum to depose the autarky of seasoned growth rather than unseasonable diatribes of vitriol poisoning the posture of gentility by decree rather than by deeds of homogenized pasteurization against Lactose Intolerant Leftism and dogged doggerel of pasty subversive paranoiac hederaceous envy spawning a vituperative summation of a beatific felicity. We need to convene upon better tranceception in this axiomatic gratuity of God
Magick 13

My rhymes periglacial slash through foes ****** leavin' corrupted maxillofacial stay laced with the coco
Til my nose blow out nothing but deadly keys makin' monopolies at ease see my desert ease
Could make the devil freeze with the beautiful ephipanies laid though my flow cinematography ain't no fictions here G
My pedigrees been deadly since the age of three
First sips of Hennessy pictured a glare of my enemies stories of me biblically
Born a David killin' Goliath's society defiant
Knock down the orders in the cornered borders
Of the Jesuit I'm the black Pope
Elope to the celestials gods that rope
My mind hanging on to the highs of the ****
Better yet the marijuana sneaky as an anaconda
Once I tighten cells begin biting
Fighting tryna stay alive like Bee Gees
Fiendin' for my lost dynasties kin to Nefertiti since I ****** on *******
As a baby I got a taste of the universe thoughts deeper than a hearse words hurts exciting flirts beating all perks through my vengeful works
My alias an archangel leave the game triangled Titan mentality dribble like Cousy so you might loose me?
Sick with the tracks axe minds like Moses to the red sea  knockin' down Rome legacy
Back on top like the greatest plot dimensions traveler like Bishop
Capitalizin' land plots I be the Black Wieshaupt
Vamika Sinha Jun 2015
“And then, you’d break his heart.’
‘I can’t ever think I could do that. I couldn’t break anyone’s heart.’

You look at me. The tempting colour of your eyes dilates into grey. A blank moment; a break in the cinematography.

At night, I can’t sleep because your smell lingers on me like cheap perfume.
What do I do, what do I do?
Old prose from old memories.
Rangzeb Hussain Feb 2011
Journey to Mecca – The IMAX Experience

Imagine the scene... There are crowds of people milling about, some in queues, some chatting by the windows, others sipping a warm drink. There are children playing in corners, babies drinking milk, and wherever you look you see people of all creeds and races united under the banner of a shared humanity. And what is the reason for this diverse cross section of society to be present in one place on a quiet and sleepy Sunday afternoon at Birmingham’s ThinkTank? The answer is right there across the busy foyer. It is a poster for a new IMAX film called “Journey to Mecca”. The very air bubbles with excitement and expectation as the cinema staff cut the proverbial ribbon and usher the people into the auditorium.

Space, vast and open, is the first thing that hits the audience as they take their seats and let their eyes wander over the immense spectrum of the IMAX screen. A map unfurls across the screen and a narrator explains the time and lays down the background to the scene that is about to commence. The year is 1325, the place is Tangier and the story is about a man who is about to embark upon a journey to the holy city of Mecca on a pilgrimage. The charismatic young man is Ibn Battuta, he stares at the stars that twinkle across the canvas of the night sky and he dreams of spires, of domes, of jewelled cities that sparkle in the desert sands, and his vision swoops like a falcon over the alleys and streets of the kingdom until they rest upon the Ka’aba, the sacred building at the heart of Islam.

Ibn Battuta bids farewell to his beloved family and sets out on his journey which will see him tested, both physically and psychologically, as he travels to the fabled city of Mecca. His trials and tribulations on the road to Mecca are detailed with an emotional richness rarely seen in modern cinema. The script is nuanced in a way that allows the audience to connect with the action and the various characters. The depth of research and the care in which the tale is told is delicately balanced. This is cinema as entertainment and as education.

The film reveals the magic and wonder of the Hajj by contrasting the life of Ibn Battuta with modern day worshippers at the same holy sites as those visited by the young traveller all those years ago. The scale of the event is brought to realisation in a way that will make even the most jaded film connoisseur gasp with astonishment.

In terms of technicalities, the IMAX technology is notorious for being extremely expensive and difficult to master. The format does not allow for the creative freedom that one can utilize in 35mm, so it is to the credit of the crew that this film looks seamless and breathtaking. Every single frame of the drama is a beautifully crafted canvas that seems to glow like a painting. The cinematography is exemplary and employs a painterly palette. The deserts and mountains are dry, cracked and dusty brown like wrinkled parchment while the sun drips golden lava across the scorching landscape. The white garments of the pilgrims are like beacons floating in the creamy dust of the desert sands whilst the tapestries hanging in the bazaars are lovingly stitched in green and blue threads; and the silver and gold bangles on the arms and ankles of the village girls ****** and twinkle. The atmosphere of warmth and friendship is apparent in every scene, especially when the succulent food is shared by the soft red glow of the campfires. High above this blend of colours, languages and the swirl of human emotions are the dancing stars that ripple in the heavens. The spectacle and sounds of a bygone era are stunningly designed.

The soundtrack also serves the film quite well. The music is never intrusive or melodramatic, it is there as a soft accompaniment to the proceedings. The use of strings, Moorish mandolins, African percussion and the human voice brings an exotic and ethereal ambiance to the drama.

“Journey to Mecca” is a journey of hope, a journey of understanding and a journey that will inspire. The sheer magnitude and beauty of this film left the audience awed and instilled a desire to learn more about the past which we sometimes neglect to reflect upon in our fast moving lives. This film is an ode to peace, love and compassion, and acts as a bridge of understanding between the past and present. And, as the film fades to black at the ******, there is a final haunting image that will resonate with every member of the audience. The message is simple and poignant. It illustrates the transient and swift nature of life; it shows how we glow brightly by the light of the noon day sun and then fade into the tranquil shadows of the coming twilight. Our journey in this life should be one that respects all of humanity despite our cultural or political differences. It is not often that one leaves the cinema knowing that your soul has been moved by something rare, delicate and exquisite. This was one of those rare occasions.
xoK Mar 2014
*******.
******* for being so far away
******* for making me want you
I can say it certainly is not fair,
What is this, the ******* teacup ride?
I always hated the fair.
Fishing for plastic ducks and shooting impossible targets
Seems like a setup for failure to me.
******* for making me take a look at myself in the mirror
And for making me ask questions
For making me lie
And for making me tell the truth.
Why can't things be easy?
Oh yeah, that's just not how it works around here.
******* for making my imagination run wild.
For casting yourself in the movies my brain constantly films
And ******* for getting the cinematography just right.
I can't look away.
******* because all I have is my imagination.
I can make you whomever I want you to be.
******* for curling your hair and for having those lips
And for being comfortable with yourself around me
**** your small wrists and your quirky characteristics
Your eyeliner and your fingernails
**** your sparkling smile and your hips
And ******* for making me want you so bad.

**** me.
**** me for yearning.
**** me for learning
That it's not that simple,
That nothing is set in stone,
That people are confusing as hell.
**** me for taking the time to write this poem
**** how angry it's making me
And **** the fact that I'm writing it because of you.
The angriest poem I've ever written. But I think it actually turned out okay and somewhat entertaining to look back on. LDR life.
We talk about the
past like it's a
movie we
watched together.
You liked the
cinematography.
I didn't care for the
cruelty of the
protagonist.

We disagree on the
theme, and every
scene holds different
aspects of
symbolism for us.
I'm not sure I want
there to be a sequel,
despite the good
acting.
https://www.youtube.com/watch?v=Gn9IAYo0wZE
Here is a link to my YouTube channel, where I read poetry from my latest book, Sleep Always Calls.  It's available on Amazon.  My two other books are also available.  Seedy Town Blues and It's Just a Hop, Skip, and a Jump to the Madhouse.
Yeah it's one shot one ****

Plottin' against my enemies will soon to be killed
Bullets feedin' ya last meal
Dope rhymes sedatin' like pharmacy pills
Since hataz got no chill heads I'll drill  now you leakin' out like oil spills
Or a radiator angelic caters none could create a
Flows nasty as mine poppin' a multiplicity of shells I'm one of a kind
Thoughts intertwined  
****** into a demons intervention contenders in suspension from the soul lynching
Caught in the realms of heaven and hell & you can smell
The ashes burning fermentin'
time runnin' slower than molasses
My murders be classic enemies dramatic causin' static
Shoot more than Bird combined with Magic
Workin' my Johnson on the tracks tonsils sittin' as a hip hop consul underground magul  
**** longer than Repunzels hair follicles
Cookin' up sigils into a *** of gold no rainbow snortin' sir nose
D'void of Funk rattlin' the earth from the bass in my trunk blazin' skunks
Abraxas I'm embracin' one of my goetias when facin' ain't no replacin'
Fools givin' chase
and to tastes of demonic faces
My flows replenish like **** laces
Blunts turn into ashes dump it out on the masses
Epidemic mase deaden your pace hazardous like toxic waste
Adversaries don't wanna face
Off like Nicolas to Travolta livin' in an ultra violent culture
Cleatin' into ya flesh I be the stalkin' Vulture mulchin' ya
'til ya
  A dissembled particle blank photo in the article from curvin' emcees with my surgical
lyrical sickle stare into ya eyes as the blood trickles
Down ya body you easily brickled rhymes artificial
My soul sour as a pickle no tickles
Could move me or influence thee my legacy
Lay cinematography like A. Hitchcock in the 50s huh
Ya soon to be a death reel for thrills
Rememeber
All I need is one shot one **** forreal!!!!
bri mylyn Mar 2014
you love him
you love his smooth hands and his rough cheek
you love your hands in his denim shirt
and the cinematography of you together
everything else is an afterthought

the knife in his eyes that is not always pointed at you
but when it is
you kiss the fist that rattles plates
the lips that wrap around clenched teeth
melt him

fail to understand his poison tipped arrows
that are aimed at the mother who threw bottles
if he could only pick one more fight it'd be with his father
you kiss him when he knocks his brother's teeth out

he leaves in the morning for coffee and comes back a day later
welcome him with open arms and abundant questions
he will be a tower of irritation and concrete
he will point fingers that will curl into fists
but they are not fists for you
they are for the devils that dance within him
and behind his wild eyes
and in his childhood home

you will not be fooled
he loves you
you know by every sweetheart and the lips on your forehead and the way he smells in between the sheets each night

he leaves
he comes back
purple flowers that bloom around his eyes are the bouquets he brings home for you
the front porch sags when he puts his hands in his pockets
his face buried in your chest
on nights when the lamp swings a little too low
and his body is wracked with sobbing and shoulders shaking

he mourns the gentle temper he never had
he mourns what he would be like without you
he mourns what you would be like without him
this is how he loves you

your hands in his hair easing soothing shh shh
you are the mother who left
you are better than every last ex-girlfriend
for reasons he will be happy to name
this is how you love him

you came because you are drawn to the shipwrecks
but you stayed in the water for him
ancient child
furious soul
you salt his wounds
and then you clean them
this is how you love him
Glenn McCrary Sep 2012
Oblivious to arcane mishaps
That ****** the bones established by society
The echo of her tattoo sings of a great depression
Each time the memory surfaces,
A twisted grin is born
Perhaps this could be the preluding window to existential purgatory
JWolfeB Feb 2015
The tundra drips Wild West like bad cinematography in theaters emptied out like popcorn bags
Desolation finds me staying warm
My blood may be the only boiling hope in this land
Trails of DNA on old bandages asking someone to look at my scars to prove my time here
My time is measured with broken wind dial microphones
Screaming for AED support bands
Artificial shock therapy reminding me there is still time
That this life is not leaking moments of divided glory
This moment right now...
Will never happen again
Just a ***** of words and feelings I am experiencing this morning
sabrina paesler May 2015
last time I saw you,
I sunk into film
until my eyes were deep enough
to see that off-white show flickering
in the distance.
over and over again,
the leading male’s heroine
with red lips and sharp shoulders
stuck the needle in the bend of her arm
until her windows were worth a quarter each
and her bubble gum
was infected.
yes,
your cinematography is gripping:
I can almost see what she doesn’t want you to know
I can almost see her mother’s first chance
to become her father’s last chance
at owning a pick-up truck
with blankets in the back
and two dimes and a nickel
worth of whatever you are now.
lady,
this placebo effect
has gone too far.
you are not the main attraction
to this drive-in,
your name should only be in lights
when you want it to be.
I hardly call it a coincidence that those in the limelight often find themselves under the power of addiction.
Priya Devi May 2015
Dear girl who dreams of my  manic pixie nightmare

You are the one I never expected to meet
I am the one you have met a million times before

You're the girl obsessed with film craving invasion on television screens, propagandist **** muse, docs and a **** cut
I'm the girl obsessed with ******* and using boundaries as skipping ropes or thread to turn my hair to tapestry

You're Bowie
I'm Hendrix

You like visuals, shapes and sound and pretty cinematography and things I can't understand, your mind is a transcript in calligraphy I can't decipher,
I like books that come in three and getting to the end and not knowing how to live anymore

You're brimming full of hope and dreams and set lighting
I'm disappointment and drowning shame in the bottom of tumblers, spilling the leftovers into quotable dialogue

You're too good for my obscenity to taint, you can't find what you're looking for in me
I'll be your undoing spiralling constantly in a figure 8

You are the manic pixie dream girl we've all been searching for
Eve Apr 2022
You see,
The thing
About love
Like
Daphne's and Simon's
And love
Like
Anthony's and Kate's
Is that
It is a love
So beautiful
So heart wrenching
But it is a love
That is only found
in the spectacles of
Great performers and
Electric artists
It is a love
That exists solely
In the world of
Cinematography and
In the pages of
A fine book
Only brought to life
By the our very own
Human nature
Our very own
Human desire
To want
To feel
To need and
To experience more
Just more...

-fir.m
I've completed season 2 of Bridgerton this week and it's such a beautiful display of everything I've longed. A love that will make everything else disappear and that will make it hard for me to breathe (in a good way of course lol) But I've often had to remind myself that the things that I feed my mind with, these silly incarnations of what love is supposed to be only creates an unreal expectation that I for one think is unhealthy. Realism is so important yet so rarely sought. Tragic eh.
the world is adorned with a million windows
the bleakest night has a thousand eyes
daylight shines into the globes darkest corners
truth will ultimately expose all lies

NASA’s satellites circle
Tropic of Cancer latitudes
cameras pinpoint the disease
metastasizing in the body of Homs

from stratospheric limits
sensitive lenses read the names
magic markers have scrawled
onto white sheets covering the dead

YouTube gets Oscar consideration
for grisly cinematography
a real-time visceral docudrama
of panting fascists gleefully tramping

through the desecrated streets
coolly administering a coup de gras
to a city on its knees, pleading release
from an **** of incessant bloodletting

twitter records desperate tweets
the batting wings of endangered flocks
furiously thumbing into the blogosphere
calls for UN intervention that falls on blind eyes

BBC reportage,
the global gold standard
for journalistic excellence
scoops the stories
of London based FSA partisans
awaiting repatriation to scatter
Bashar’s Kodachrome killers

Has the All Seeing Eye
who has graced us with sight
laughingly curse us with vision?

Does the
One Caring Eye of the Universe
bless us with perception
to haunt us with images?

Has
The One Thats Sees Everything
blinked closed the eye of compassion?

Has the horror of Homs
become too much even for
The Universal Eye of Love?

the opened eyes
of a dead child
reflects our
cold winter
of indifference
demoralizing
dehumanizing
a watching world

Music Selection
Grateful Dead Eyes of the World

Oakland
3/2/12
jbm
Glenn McCrary Aug 2012
Callous sentences saunter into the quaintest of landmarks
Capturing the cinematography that is the mockery of felicity
At times I ponder on whether its veins quake with fear
In lieu of the eyes marring her with bullet holes
Whilst humming commemorative memories
That now lie lifeless just as the wealth of their youth
M May 2014
how would I film us together?
without making it sappy, ridiculous
because you hate that,
I would make it honest.
I would film
you alone
me alone
a shot of you falling off the bars at track
and me almost catching you
then a shot of us laughing in the car
a shot of me taking your ball
a shot of slapping your ****
a shot of laughing again
a shot of us cuddling together and falling asleep on the couch
a shot of you mumbling into your pillow about our hearts
a shot of you showing me the song
a shot of me learning to play it for you
a shot of it going all wrong
a shot of us dancing together
a shot of me glancing towards you
a shot of us dancing with other people
a shot of your face forlorn
a shot of me breaking my expression
a shot of me dancing alone
a shot of you alone
a shot of me playing the song
someone trying to sing along
and me putting up the ukelele.
Ann Beaver May 2013
I used to be a vase
You used to have a young face
And he used to use me
And she used to see clearly.  

Smashed
Squished
Newborn wrinkles cry.
Young
But old enough to know
To say no.
Fade out of life
Fade into death
The cinematography isn't right
Choppy transitions, patchy light,
Shade and sugar.
Yes, drug her.

I used to be a vase
Wrapped in paper, just in case.
amrutha Dec 2014
The cinematography, the imagery,
Visualizations, animation,
Those slow takes as the rain falls over the window
Behind which a girl rests her head
Looking out with dreamy eyes
Eyes, holding watery stories of a beautiful past

The door slams shut and
Out she comes
With winged feet and summer skin
Living in her head, she walks down by
Looks up above and smiles at the sky
She closes her eyes and the camera it shoots
How the sunshine falls on her eyelashes
Down, a perfect zoom in
Onto her lips hazed with tiny particles of light air

He blindfolds her eyes
Walks her gently all the way
The coldness increases and the noise reduces
More
He takes his hands off her eyes
And up she stares
with lips apart and stunned feet
At the gazillion stars chilled and silver
Against a black night
He smiles
covering her up from behind
with warm hands.

The rest of the night.
Zulu Samperfas Nov 2012
And I really do mean men.  And mostly white men.
I learned that at Columbia film school
In LA, at USC, all those male filmmakers were somewhat suspect
What they made, could not often be called "art" but even worse
they tended to extreme geekines
They wore ***** athletic shoes everywhere and spent long hours on sets
in t-shirts, wearing caps with the name of their film on them and not smelling particularly fresh
They were not particularly athletic in a city that sport "muscle beach."
But here, they were MEN.  They could hold their own in any test of masculinity
as art is a serious undertaking, and requires great powers of the intellect
And here, where most life is spent indoors, the men dressed well,
in proper leather shoes that had names, and followed the fashion of the bohemian moment
which was not considered bad, maybe because you need clothes so much there
You are always freezing or sweltering and sweating.  You freeze outside in winter
and you sweat when you come indoors.  In the summer you boil outside in hot
and air conditioned New York, like you are in purgatory, and then freeze again in the air conditioning
To have that artistic authority, no woman can come close
It isn't a woman's world, at least in the early nineties in New York, it wasn't
Such a dissapointment for me since I thought I could somehow slip through by sheer cleverness
It's like a black person hoping to be identified as white.  It can't be done.
There was a place for me, like no matter where I hid in a cinematography class
in the front, middle or back I always became the woman who is photographed
to demonstrate lighting
"You learn the most up here" said Beta Badka, in a thick Ukrainian accent as he set me on a stool
But that's not where I wanted to be
I longed to be taken seriously, telling stories about women, about girls
and having them be respected with that same cache
that came with stories of men
Lauren Yates Jul 2012
There’s something about the post-punk silence of nighttime that makes me doubt my soul. That makes me define things in terms of what they follow instead of what they are. Someday, I hope my life will be as interesting as a rock-and-roll portrayal of history. Something to be envied. Something to be admired for its brilliant art direction and cinematography, but panned for its lackluster script. In simpler terms, something boring but pretty. But I’ll only be in it for the costumes. And the one critic who will understand and say, “Her story is strange. At night she levitates above her bed. She’s over the age of sixteen, but she’s still not a witch yet. Kudos for not succumbing to clichés.”
JDK May 2021
Some people are beautifully abstract movies:
enlightened visions of an idea come to life through cryptic scripting and inspired cinematography.
Slow burns full of brilliant dialogue that leave you thinking about them long after you've seen their open endings.
The kind that only the intelligentsia could ever truly appreciate, with a poor audience score but universally loved by critics.
The kind of movie with a cult following that comes up in late night conversations amongst hipsters sharing their opinions on the pieces of art that have made the biggest, longest lasting impacts on them.
The kind that takes hours of scrutiny and analyzation just to feel like you've arrived at some vague sense of what it all means.

And then there are people like me,
who are less like grand artistic visions of profound cinematography,
and more like reality tv.

The kind of thing a working suburban mother tunes into after a double at the local diner/supermarket/pharmacy counter.

The kind of non-committal, light-hearted viewing that never comes close to demanding your full attention. Just a myriad of characters brought together with a loose premise and slightly coerced tension.

The kind of thing you could have a conversation over, and walk away from and come back to, and still know what's going on, because it's just all so obvious - it never requires much thought.

The kind of show where the actors have every viewer convinced that they're something that they're not.
Sheeeesh!
If I can remember all of the things
We've said to each other
I would like to make those into a song

I would like to play it everyday
           So I can hate you

If I can remember all of the things
We've done together
I would like to make those into a movie

I would like to watch it everyday
            So I can hate you

                     But
You were a masterpiece
The best rhyme
The best melody
The best lyrics
The best harmony
             I've ever heard

But
You were a masterpiece
The best actor
The best cinematography
You were the best art,
            I've ever watched
Kendall Seers Jul 2018
Your poetry is like cinematography in my head.
How do you do it?
How do you point the formatting like a camera,
like you’re panning for gold,
and discovering something precious
so deep and real
just with the position of your italics?

I told you this,
and then you reciprocated,
saying,

I, on the other hand, use word choice
I listened and heard your intention
I choose and commit to one
like an undying promise
imbuing that choice with all the meaning I can.

You tell me you noticed,
and I suddenly had no words.
It's so meta even this acronym
Shannon Rose Apr 2016
Rivers of life rush in as each moment enters my mind
slip down and plop - slowly flowing
Trickling as the past comes forward
And each bellowing cry leads my flowing eyes
To reach within
Each breathe does not run smooth

I fall back into my mind looking I see the
Cinematography lights capture your faces
And each passing laughter captures your spirit
As each passing moment enters my mind as a spinning glow
Every waking moment I'm  holding onto what is left

Every pixelated second reached from your pocket
Lives, breathes, and encapsulates your eyes
Flickers as a breathe from the under currents
Stirring inspiration

Your grace - beautiful - posed - sparkle
Breaks every boundary I knew about you

I climb my mountains, and burn my bridges
Stonemasons carved my road, yet I stand looking at an empty well
I heard laughs and cries of joy, but my trees hid a waterfall
And all were jumping but me
I dipped my toes and now I see I could not dive
But do not be afraid to jump
The glowing mist will circulate in your body - casting a god like shadow
Greeting, gently, fervently - you are here
Do not be afraid

The wheat grass blows beneath me and you stand with me
Seeing what I see
The city lights melt in my arms - and you fade into flashes
Movements of passing gestures and
My love for you only grows, but I stay asleep

Your adagio string symphony fingerprints my fluttering breathe
And your whip in the wind stands still as I see you dancing to your heart
You can not see the regret - it shall not pass
Again, I see you in the wheat field
My hands reach for yours - the dandelion is lost in the wind
The rain falls - the music falls to a slow ending
I grab what I see
Hold it for as long as I can - it will never be to late
Never
To start once more
While holding what - I've become
My growing pains. To learn what you finally love - see it for only a second before it it is ripped away.
Check the social cinematography
Of the black mans discography
Ask me why they wanna destroy the whole family
This **** sounds shady even after the black lady
Feelin' like Hades ready to burn so many turns
Taking from shakin' hands with evilness bakin'
Time penitentiary bound no freedom to sound
Liberty bells ain't nothing but hell all thoughts swell
From the beating of my cells goes around like a carousel
Wicked word play buzzards circlin' over those decayed
Suckas getting delayed better pray for better days
Or else im gone let the led spray invoke doomsday  
End your pay day got Clinton's resume
Along with Jessie Jackson made us African
American there i am again black folks need to ascend
Take no amends or reprimands on hand
See the clan is Wu **** the boys in blues
Love red and yellow sunsets makin' my melanin a threat
Sir nose goes through the nostrils slow so
I could paint my own reality so come battle me
Show you a real criminology
The black Gatsby specialized in illicit brewery fifty carrots on my jewelry
Enticing the honeys but they gets no money
*** they only wanna pension broke the enlistment of the social army y'all can't harm me?!


Love women with the thick thighs and butts
And haters get stuck left like a pig and gut
Til they air dry y'all die its no lie look at my eyes
Got Vietnam's thousand yard stare don't care
Can't none compare to the sound of the snare
A black hawk circling the air stalkin' pigeons
To unknown scared based religions check the visions
Drawn by me vividly hung on the calvary
Black Jesus is so facetious thats how they greet us
Reverse the black mask paint it white is the task
Michaelango wasn't famous for just being an artist regardless
How many wanna reward it you can't discard it
The ***** was known for changing dark faces to white faces
Taste a place of trading places beat the cases
**** the **** racist keep a steady pace ace
Or become one with the death race
Numero uno turn your body sumo you know
The skills smoother than the vocals of a stylistic
Majestic to mystic suckas catchin' crickets
Like Jimmy smoke more than a chimney
Somebody pass me the Remmy gas the hemi
Big duelers hang with 12 rulers who crueler
Battles shattered from skills of ****** the demi God against all odds
Born to get worshiped subliminally
Hate me but love the imagine in we
Black folks wake up see they on a fake up
Claim they love us but it's a plot to corrupt
Change the station with no hesitation
This for the melanin creation
Second round KO cannibis moving slow
Round my thoughts so the black universal
Can lay me the masterplan similiar to Tubman
Harriet the harder it gets the easier the grit
****** on my woman's *** to ****
For the alchemy heals me so beautifully
I stay ******' the media's without the celibacy

— The End —