Submit your work, meet writers and drop the ads. Become a member
Kurt Philip Behm Apr 2024
My Heart Was Saying One Thing, My Mind Another ...

Some things you just know — like the feeling I get when looking at my children or the way I felt the first time I looked into the Grand Canyon. Some experiences are too strong for reason or words. There are some things, that even though they defy all conventional wisdom in your heart and your mind — you just know.

Never dying on a motorcycle is one of those things. I can’t explain it rationally, it’s just something that I’ve always known. It’s a feeling that has been deep inside of me since I first threw my right leg over the seat of that old powder blue moped. I knew I was never going to die as the result of a motorcycle crash. In many ways, I feel safest when I’m back on two-wheels and headed for points previously unknown.

Lately Though, I’ve Been Made To Feel Differently

I now had my daughter on the back of the bike with me. I’ve started to wonder whether my premonition covers just me, or does it also protect all who ride as co-pilot and passenger? Would the same Gods of 2-wheeled travel, who have watched over me for so long, also extend their protection to those I love and now share my adventures with?

Our flight from Philadelphia had arrived in Idaho Falls five days ago. We hurried to the dealership, picked up our beloved Yamaha Venture Royale, and then began our quest of another ten-day odyssey through the Rocky Mountain West. This was Melissa’s third tour with her dad, and we both shared the intense excitement of not knowing what the next week would hold. We had no specific destination or itinerary. This week would be more important than that. Just by casting our fate into the winds that blew across the eastern slopes of the great Rocky Mountains, we knew that all destinations would then be secure.

Then We Almost Hit Our First Deer

Three days ago, just South of Dupoyer Montana, two doe’s and a fawn appeared out of nowhere on the road directly in front of us. Melissa never saw them as I grabbed ******* the front brake. The front brake provides 80-90% of all stopping power on a motorcycle but also causes the greatest loss of control if you freeze up the front wheel. As the front wheel locked, the bike’s back tire swerved right and we moved violently into the left oncoming lane just narrowly missing the three deer.

They Never Moved

The old axiom that goes … Head right for the deer, because they won’t be there when you get there, wouldn’t have worked today. They just watched us go by as if it happened to them every day. Judging by the number of dead deer we had seen along highway #89 coming South, it probably did.

Strike One!

We pulled into Great Falls for the night and over dinner relived again how close we had actually come — so close to it all being over. Collisions with deer are tragic enough in a car or SUV, but on a motorcycle usually only one of the unfortunate participants gets up and walks away — and that’s almost always the deer. The rider is normally a statistic. We thanked the Gods of the highway for protecting us this day, and after a short walk around town we went back to the motel for a good (and thankful) night’s sleep.

The next morning was another one of those idyllic Rocky Mountain days. The skies were clear, there was no humidity, and the temperature was in the low 60’s with a horizon that stretched beyond forever. If we were ever to forget the reason why we do these trips just the memory of this morning would be enough to drive that amnesia away forever. We had breakfast at the 5th Street Diner, put our fleece vests on under our riding jackets, and headed South again.

We had a short ride to Bozeman today, and my daughter was especially excited. It was one of her all-time favorite western towns. It was western for sure, but also a college town. Being the home of Montana State University, and she being a college student herself, she felt particularly at home there. I loved it too.

We stopped mid-morning for coffee and took off our fleece vests. As I opened the travel trunk in the rear to put the vests away, I noticed that two screws had fallen out of the trunk lid. These were the screws that secured the top lid to the bottom or base of the trunk. I had to fix this pretty quickly, or we were liable to have the top blow off from the strong winds as we made our way down the road. We spent most of that afternoon at Ackley Lake, in the Lewis and Clark National Forest, before continuing South on Rt #89 towards Bozeman. I was still worried about the lid falling off and was using a big piece of duct tape as a temporary fix.

It was about 5:45 p.m. when we entered the small Montana town of White Sulphur Springs. They had a NAPA automotive store and by luck it was still open until six. I rushed inside and found the exact size screws that I needed. Melissa then watched me do my best ‘shade tree mechanic’ impersonation. I replaced the two missing screws while the bike was sitting in the parking lot to the left of the store. We then had fruit drinks, split a tuna salad sandwich from the café across the street, and were again on our way.

The sun was just starting to descend behind the mountains to our west, and we both agreed that this was truly the most beautiful time of day to ride. We were barely a mile out of town when I heard my daughter scream …

DAAAAAD !!!

At that moment, I felt the back of the bike move as if someone had their hand on just the rear tire and was shaking it back and forth. Then I saw it. An elk had just come out of the creek bed below, and to our right, and had misjudged how long it would take us to pass by. It darted across the highway a half second too soon brushing the back of the bike with its right shoulder and almost causing us to fall.

This time my daughter saw it coming before I did, and I’ll never forget the sound of her voice coming across the bike’s intercom at a decibel level I had never heard from her before. She is normally very calm and reserved.

We had actually made contact with the elk and stayed upright. If it had happened in front of the bike, we wouldn’t have had a chance. Thank God, with over forty years of experience and some luck, I didn’t lock up the front brake this time. That would have caused us to lose control of the front tire and as we had already lost control of the one in the back, it would have almost guaranteed a crash to our left.

Strike Two!

We rode slowly the rest of the way to Bozeman. We convinced each other that two near misses in less than a week would be enough for five more years of riding based on the odds. At the Best Western Motel in Bozeman, we unloaded the bike and went to my daughter’s favorite restaurant for Hummus. As the waitress took our order and then left, Melissa stared at me across the table with a very serious look in her eyes. “Dad, I don’t think we should ride anymore after about four o’clock in the afternoon. The animals all seem to drink twice a day, (the roads following the rivers and streams), and it’s early in the morning and later in the evening when we’re most at risk.” I said I agreed, and we made a pact to not leave before 9:30 in the morning and to be off the road by 4:00 in the afternoon.

This meant we wouldn’t be riding during our favorite part of the day which was dusk, but safety came first, and we would try as hard as we could to live within our new schedule. Our next stop tomorrow would be Gardiner Montana which was the small river town right at the North entrance (Mammoth Hot Springs) to Yellowstone National Park. There were colder temperatures, and possibly snow, in the forecast, so we put our fleece vests back on before leaving Bozeman. At 9:30 a.m. we were again headed South on Rt. #89 through Paradise Valley.

After a few stops to hike and sightsee, we arrived in Gardiner at 4:10, only a few minutes beyond our new maxim. It had already started to snow. It was early June, and as all regular visitors to Yellowstone know, it can snow in the park any of the 365 days of the year. We hoped it wouldn’t last. There was not much to do in Gardiner and as beautiful as it was here, we wanted to try and get to West Yellowstone if we were going to be stuck in the snow. We had dinner at the K-Bar Café and were in bed at the motel by the bridge before nine. All through the night, the snow continued to fall intermittently as the temperature dropped.

When we awoke the next morning, the snow had stopped but not before depositing a good two to three inches on the ground. The town plow had cleared the road, and the weather forecast for southern Montana said temperatures would reach into the high 40’s by mid-afternoon. The Venture was totally covered in snow and seemed to be protesting what I was about to ask it to do. I cleaned the snow off the bike and rode slowly across the street and filled it up with gas. I then came back to the motel, loaded our bags, and Melissa got on the bike behind me.

“Are we gonna be alright in the snow, Dad?” she asked. As I told her we’d be fine if it didn’t get any worse than it was right now, I had the ******* crossed on my left hand that was controlling the clutch.

We swung around the long loop through Gardiner, went through the Great Arch that Teddy Roosevelt built honoring our first National Park, and entered Yellowstone. As we approached the guard shack to buy our pass, the female park ranger said, “You’re going where? There’s four inches of snow at the top. We plowed it an hour ago, but you never know how it’s going to be until you get over it.”

‘OVER IT,’ is where we were headed, and then down toward the Madison River where we would turn right and continue on to West Yellowstone. Even though the Park is almost 100% within the state of Wyoming, two of its entrances (North and West) sit right inside the border of the great state of Montana.

“If you keep it slow and watch your brakes, you’ll probably be fine.” “Two Harley riders came through an hour ago, and I haven’t heard anything bad about them. They were headed straight to Fishing Bridge and then to the Lodge at Old Faithful.” “Well, If the Harleys can make it we certainly can” I told my daughter, as we paid the $20.00 fee and headed up the sloping, and partially snow-covered, mountain.

We made it over the top which was less than a ten-mile ride headed South through the park. This part of the trip didn’t require braking and would be easier than the descent on the backside of the mountain. As we started our way down, I noticed the road was starting to clear. Within ten minutes, the asphalt on this side of the mountain was totally dry and our confidence rose with each bend of the road. It was just then that my daughter said, “Dad, I need to stop, can you find me a restroom?” A restroom in Yellowstone, not the easiest thing to find. If I did find one, at best it would be a government issue outhouse, but I told her I’d try. “Please hurry, Dad,” Melissa said.

In another mile, there was a covered ‘lookout’ with three port-a-potties off to the right. I pulled over quickly, and my daughter headed to the closest one on the left. I then walked over to the observation stand and looked out to the East towards Cody. As most Yellowstone vistas, the beauty was beyond description, but something wasn’t quite right, and …

Something Felt Strange

I looked off in the distance at Mt. Washburn. The grand old mountain stood majestic at almost 10,000 feet, and with its snow-capped peak, it looked just like the picture postcards of itself that they sold in the lodge. I still felt strange.

Then I Understood Why

As I looked off to my right to walk back to the bike, I saw it.

Standing to the left of my motorcycle, and less than thirty yards in front of me, was the biggest silver and black coyote I had even seen. Many Park visitors mistake these larger coyotes for wolves, and this guy was looking straight at me with his head down. As I walked slowly back to the bike, he never took his eyes off me with only his head moving to follow my travel. I got to the bike and wondered if I should shout to my daughter. I knew if I did, it would probably scare the Coyote away, and this was shaping up to be another of those seminal Yellowstone moments. I wanted to see what would happen next.

I slowly opened the trunk lid on the back of the bike. We always carried two things in addition to water — and that was fig-newtons and beef jerky. The reasoning was, that no matter what happened, with those three staples we could make it through almost anything. I took a big piece of beef jerky out of the pouch and showed it to the hungry Coyote. His head immediately rose up and he pointed his nose in the air while taking in the aroma of something that he had probably never smelled before.

I don’t normally feed any of the animals in Yellowstone, but this encounter seemed different. This animal was trying to make contact and on instinct alone I reacted. As I walked slowly to the front of the bike, I ripped off a small piece of the beef jerky and threw it to the coyote. He immediately jumped backwards (coyotes are prone to jumping) while keeping his head and eyes focused on me. He then took two steps forward, sniffed the processed beef, picked it up in his jaws, and in one swallow it was gone. He now looked at me again.

This Time I Was Two-Steps Closer

He was now less than fifteen feet away with his head once again down. He was showing no signs of aggressive behavior, and as I still had my helmet and riding suit on, I felt like I was in no danger. I didn’t think a fifty-pound coyote could bite through Kevlar and fiberglass, and I was starting to feel a strange connection with this animal that was getting a little closer all the time. I threw him another piece.

Was It About The Beef Jerky, Or Was It Something More?

Again, he took two steps forward to retrieve the snack and then raised his eyes up to look at me. At this close range I started questioning myself. What if it is a Wolf I asked, and then once again I looked at his tail. Nope, it’s a Coyote, I convinced myself, as I held my ground and continued to extend my hand out in the direction of my new friend. This time he didn’t move. It was now my turn. I was down on both knees in the leftover snow from last night and started to inch my way forward by sliding one knee in his direction and then the other. He took a small step back.

I then started to talk to him in a low and hushed tone. He moved one step closer. The beef jerky at the end of my hand was now less than five feet from his mouth. We stayed in this position for the longest time until I heard a loud “DAD!!!” coming from the direction of the port-a-potties. My daughter was finished and saw me kneeling down in front of the ‘Wolf.’

When she screamed, the Coyote bounded (jumped) again and ran off in the opposite direction (East) from where I was kneeling. He ran about fifty yards and then turned around to take one more look at me. He then slowly entered the tree line that bordered the left side of the road up ahead.

“Dad, what were you doing?” my daughter asked. “Do you think you’re Kevin Costner in Dances With Wolves?” I laughed and said no, “just trying to communicate with a new friend.” My daughter continued to shake her head in my direction as she put on her helmet. I started the bike, put it in gear, and we headed again South down the park mountain road.

We had gone less than a quarter of a mile when something darted right out in front of the bike. It was that same Coyote that I had tried to feed just minutes before. He was about twenty yards in front of me and thank God I didn’t have to do any fancy maneuvering to miss him. I didn’t even have to use the brakes.

Still, this was now three encounters in less than a week. Or was it three? I convinced myself that running over a Coyote wouldn’t have been fatal. Painful maybe, but we would have survived it.

Strike Two And A Half!

We couldn’t help but laugh as we wondered if the Coyote had done it on purpose. Was he trying to scare us for not leaving the rest of the beef jerky or just saying goodbye? We’d never know for sure, but I wanted to believe that the latter was true. I will always wonder about how close he may have come.

As we got to the bottom of the long mountain descent, the sign announcing the Madison River and the road to West Yellowstone came up on the right. We made the turn and then spent what seemed like forever marveling at the beauty of the Madison River. It looked like an easy ride into West Yellowstone until it started to snow again. We crested a large hill with only ten miles left to go. At the bottom of the hill was what looked like a lake covering the entire road. The bottom of the road where the hill ended was lower than the surrounding ground and was acting like a reservoir for the melting snow from the hills that surrounded it.

This Low Spot Was Right In The Middle Of The Road

We approached slowly and stopped to survey the approaching water. We needed to decide the right thing to do next. The yellow line that divided the road was barely visible through the water, and we both guessed that it couldn’t be more than twelve to fourteen inches deep. I decided guessing wasn’t good enough and put the kickstand down on the bike. Melissa held the clutch in to allow the motor to keep idling. I then walked into the water in my waterproof riding boots. The boots were over sixteen inches high. “Yep, no more than six or eight inches,” I yelled back to Melissa. “It just looks deeper. If we go slow, we’ll be fine to go through.”

I walked back, got on the bike, and retracted the kickstand and then put it in first gear. Just as I started to approach the pool, I noticed a huge shadow to my right. Two large Moose were standing just off the apron on the right side of the road. It looked like they either wanted to cross the flooded asphalt, or drink, as they stood less than twenty-five feet away from where we now were. Every time I moved closer to the water, they did the same thing. Three times we did this, and a Broadway choreographer couldn’t have scripted it better. The two Moose moved in concert with our timing getting closer to not only the water, but to us, each time we moved.

Moose, like Grizzly’s, have no real natural enemies except man, and unlike all other members of the deer family, they have a perpetually bad disposition. They seem to be permanently in a bad mood and are not to be trifled with or approached. Even the great Grizzly gives the Moose a wide berth. I stopped the bike again unsure of what to do next.

It Was A True Mexican Standoff In The Woods Of Wyoming

“Melissa then said, “Dad; Let’s try banging on the tank and blowing the horn like we do with Buffalo. Maybe then they’ll cross in front of us, and we can get outta here.” I thought it was a good idea and worth a try. I again put the kickstand down and told Melissa that if they charged us not to run but to get down low beneath the left side of the bike. That way, the Venture would hopefully take the brunt of their charge. I started banging on the tank, as I pushed the horn button with my other hand …

Nothing, Nada!

Both Moose just held their ground stoically looking at the water. It was a true ‘Mexican standoff,’ where we were Speedy Gonzalez faced off against the great Montezuma. No matter how much noise we made, the Moose never budged an inch. After fifteen minutes of this, we decided to go for it. I put the bike back into gear, and going faster than I normally would, I entered the reservoir on top of the still visible yellow line. With a rooster tail of water shooting out from behind the bike over twenty-feet long, we crossed the flooded road.

Once across, we went fifty yards past the water and then stopped to look back. Both Moose had turned around and were headed back into the woods from where they had come. They either had no more interest in traversing the water or had been playing with us making our crossing difficult, while at the same time memorable, and another great story to tell.

Strike Three!

We pulled into West Yellowstone, and the snow was coming down in blizzard like sheets. We spent the next two days touring the shops and museums and even visited the Grizzly Bear ‘Habitat,’ which neither of us will ever do again. Grizzly Bears belong in the wild and not in some enclosure to be gawked at by accidental tourists. We also talked about our past four days ‘communing’ with the animals. We both agreed that we had been lucky and that we would continue to live within our 9:30 to 4:00 schedule as we continued our trip.

I lay in bed that night both thankful and in wonder of all that had happened. I thought about the deer, elk, coyote, and moose that had crossed over into our world. As hair-raising as it had been at the time, I wouldn’t have a changed a thing. I also thought about my over forty years of motorcycle riding. It was just then that a familiar maxim was once again forefront in my mind — as well as my heart. I repeated the familiar words over to myself as I slowly drifted off to sleep …

“When I Die, It Will Never Be On A Motorcycle”
judy smith Oct 2015
She's been enjoying her time while living and working in London.

And Nicole Kidman was clearly thrilled to be one of the star guests at The 60th Women Of The Year Luncheon & Awards in the British capital on Monday afternoon.

The 48-year-old actress - who is currently starring in West End play Photograph 51 - cut a beautiful figure in a multi-tonal lace dress as she arrived at the prestigious event, held at the InterContinental London Park Lane.

The willowy beauty covered her slim figure in the mid-length dress, made up of several different lace panels in pale lilac, purple, yellow, black and white.

Cinching in at her slender waistline, the dress billowed out into a full A-line skirt, and also included long sleeves.

A Victoriana-style high-necked black lace section finished off the gorgeous garment, giving her a serene, ladylike air.

The Australia actress teamed the eye-catching dress with a pair of strappy black heels with pointed toes, and a tiny black box clutch.

Her pale red locks were swept back into a chic updo, her mid-length fringe framing her face.

The actress' bright blue eyes were highlighted with just a touch of mascara, and her beauty look was pulled together with a pretty pink shade on her lips.

Nicole was one of many star guests at the annual central London event, held to honour amazing women across all industries.

The famous event, which paid special tributes to six remarkable women from all fields, saw plenty of other star guests in attendance, with 400 in total at the luncheon.

After rising to fame as the winner of this year's The Great British Bake Off, Nadiya Hussain was one of the star attendees at the highly-significant ceremony.

The talented baker and busy mum, 30, rocked a simple and chic ensemble of slim-fitting black trousers and a crisp blue blazer, and bright turquoise heels.

Another familiar face was singer/songwriter Katie Melua, who opted for a cool androgynous ensemble.

The Call Off The Search hitmaker showed off her lovely long legs in a pair of black leather trousers, teamed with a sheer white blouse, a blazer and a cute black ribbon ******* around the collar.

Writer-comedian-actress Meera Syal rocked a typically unconventional ensemble as she arrived, cutting a striking figure in a bold patterned shirt dress with a lovely long black scarf and a jacket thrown over the top.

Princess Diana's glamorous niece Lady Kitty Spencer channelled a power-dressing 1980s vibe in a standout black shirt dress with bright, colourful buttons donw the front.

The pretty blonde finished her luncheon look with a chunky white clutch bag and perspex heels.

Choreographer and former Strictly Come Dancing star Arlene Phillips was a chic addition to the guest list in a figure-hugging red dress, and TV presenter and journalist Julie Etchingham wowed in an understated taupe dress with an origami-folded skirt and matching cropped jacket.

Also in attendance were the likes of Dame Esther Rantzen, TV's Lorraine Kelly - who was glorious in a gold lace frock - Maureen Lipman, Mary Nightingale, Jo Brand and

The Women of the Year winners were whittled down and chosen by a panel of notable, accomplished women: Sandi Toksvig CBE, Sue MacGregor CBE, Dame Tessa Jowell MP, Baroness Doreen Lawrence OBE, Jane Luca, Ronke Phillips, Eve Pollard OBE, Lisa Markwell, Gill Carrick and Sue Walton.

And viewers of popular morning programme, ITV's Lorraine, were also able to vote for their Inspirational Woman of the Year via a phone poll.

Sandi, President of the Women of the Year Awards, said: 'Women of the Year has celebrated the wonderful achievements of women since 1955.

read more:www.marieaustralia.com/mermaid-trumpet-formal-dresses

www.marieaustralia.com/formal-dresses-perth
Poetoftheway Dec 2023
(when first I learned my
intellect paled by compare,)

I,
did not weep,
for my eyes
with love keeps

reminding with
every glance,
my intuition
is where my
value lay…

<>

of course, it a genius creative choreographer,
Lar Lubovitch,
to remind of the obvious
I forget
Miguel Diaz May 2016
I am jiggling on that stage.
The egoless strut.
The humorous tap.
The spectacular trip.
Fall over,
over. and
Over
again.

Get up,
find a ballroom
Dancer.
Find a hand holding
Partner.
Play "Spice Up Your Life".
Spice Girls,
listen to the bridge.
tells you to Salsa.

Watch that scene.
Billy Elliot,
With the pianist.
Dancing Billy.
He loves it.
Just do it,
you love it too.

Cheesy pop,
You don't need to
embellish yourself.
No grace notes.
No flat 7th.
You don't need
to sugarcoat,
the truth.

Let loose to riddims.
live on the dancefloor.
Feel the *****,
and the reggae.
Feel the triplets.
Rocksteady your way.
Dancehall to sounds.
Bounce and echo.
Side to side.
Left to right.

And we'll slow it
right
down.
The ballad starts.

Your beautiful structure on the left of your head,
the one called the ear.
The that ear controls aural empathy.
Let love be the choreographer to your moves,
Play the concept album, your heart.
Place it onto the record player and watch it spin
Start the track track with an International groove.
End. Replay.
There are a lot of pop culture and music reference here.
Flat 7: A musical interval, this can make melodies or chords bluesy or "****" depending on how it is used.
Grace note: Passing notes used in music to add flavor, its like a musical sprinkling of pepper or parsley.
Riddim:
Triplets: Very commonly used in carribean jamaican music, dancehall, reggae, swing, gypsy jazz.
*****: The backbeat in reggae music.
MC Hammered Oct 2016
A well-rehearsed dance,
the waltzing waitress tosses The Times
on table 1 as if she’ll actually finish
the Sunday crossword this morning.
She won’t.

Grease lined lights flicker on one
by one.
Like spotlights on a stage.
It’s show time.

Twostepping while taking down chairs,
she flows to the rhythm of ritual,
across a worn checkered dancefloor.
No applause.

In a dining room of Astaire’s and Rogers
she is the coffee choreographer.  
Pirouetting to the ***,
then a sidestep, quick! Quick!
Slow.

Warming up now, she stretches.
Switching on the metal machinery.
It grinds and growls as if it prefers
decaf.

Rings from rusted bells
hanging from the door chime
to the beat. This is her
cue.
Sameer Denzi Nov 2014
Like in a ballet of Bolshoi
She dances round and round
Lost in a galaxy of glittering stars

Like a shaman by a feverish fire
She goes round and round
The sun for her warmth and glow

Like a smitten little puppy
The moon goes round and round
Her for love and in utter devotion

But in the midst of it all

Like a whirling dervish
She spins round and round
In a dance of venerating trance

To the Grand Choreographer;
Never seen, but always conducting
In response to Born's challenge... but not exactly :) I'm afraid I can only go where my inspiration takes me.
Sonder through suburbia,
Distort reflections in the glass,
Slow the frame rate on the film,
Saccadic masking, bridge the gap.

Focus closer, narrowing aperture
See cerulean wondering past
Heart murmur, tempo change
The choreographer sits back.

Rigor mortis sit's deep behind
A clock-tower's frozen hands
Obscured, in the clouds above
A backdrop of smog and ash.

First printed, never copied
Light swamps the negative.
Lucidity - luxury of the present
Rarely present in the past.

As the hanging shadow lifts
The clock-face remains steadfast
Witness hands skip a beat,
Background characters advance.

Step after step, strangers move along;
Each vivid moment lost in sepia
But she, the blue eyed girl glances
Back at you, frozen, stiff, aghast.
Nat Lipstadt Jul 2017
asked the gathered dancers of the choreographer?

This was back in the 70's,
when we naively thought the revolution had been won,
and a gay black man could walk the streets of
NYC
holding hands with his  
white jewish partner

The choreographer,
a gay black man,
pauses before answering
considering
what he believed,
and what he knew to be reality.

"How much freedom can you afford?
How much freedom are you willing
to die for?"


 In the days
when men thought freedom was everywhere just for the taking,
freedom for
daring to just be,
meant
new wars on new days.

The choreographer was/is
Bill T. Jones.  
He related this story to me tonight.

<•>

wikipedia.org/wiki/BillT.Jones
Daniel Wetter Sep 2015
It’s crazy how relatable  
mistakes can be.

I'll put it all on the table,
you can take from me.

If you can’t take the heat,
don’t go putting out my fire.

The desires that I’ve had,
haven’t always been inspired.

Man, I’m way too drunk to drive,
stuck on the curb.

I’ve been swerving in my life,
bust out the herb.

Gotta find another woman,
luck out on her.

I’m not a poet
just a word choreographer...

Your problems when you got em,
will fuel the gossipers.

So profit off the topics
that are coming out of hurt.

The pain inside the struggle,
shaped this word philosopher.

Paint my pain in letters,
just to try and stop it first.

Then I let it fly
like hell-i-cop-ter-er.

I'm higher than the sky when,
the limits start from earth.

Winning by the minute,
watch my hits and clocks emerge.

Having too much fun,
time is gonna stop the verse.
Some wordplay
Nat Lipstadt Jun 2016
And The Hungry Ocean Spoke:

sea the human modifier,
each wave,
a dance choreographed,
a fomented friction, a whitecap invitation,
dispelling man made fictions,
repititiously reminding to:

remember, ascertain, fail, try again,
to reckon the imprecise place
you occupy upon this Earth
and be ever wave grateful

you-man, speck sized,
suffer tenderly these unceasingly reminders,
provisions of stiff winds,
soft slaps of gusting humility
coming from a roughened atmosphere

perspective, not selective,
sea how much loss I have
eons stored for you-man

has time's tenure insufficient
to yet teach you-man,
to the one conclusion bring,
kindness towards a living thing,
is the life's solitary methodology
to survive upon our shared principality?

oh desperately,
this hungry ocean, inquires:

what advantage does
your kingdom of the shore provide,
upon both the soft soil and the hard boil water,
doth not life and death mutually coexist
beneath my watery bounds,
yet killing for pleasure
here has no measure,
unlike your cursed you-man
internecine interactions

you, man, every-one, and each
a cornerstone, an etched mark so slight,
footprint in the sand, a shifting, imperfect, yet lasting,
molecular impression for all time

all time,
till the next second, the next air lifting, the next wave,
our creator's begging method of commanding,
surrender your Babel Tower's mortal arrogance

I am not human, yet I am modified.

each wave an accusation.

Oh Orlando!

what have you-men become,
infinitesimal but universal,
sparking containers of miraculous
creation breathing,

what justifications
do your bloodied solutions
that be no answers, provide?

here you-man
come once more to my irregular edges,
to replenish regularly my stores.
with your unwanted salted tears,
the sullied bodies of thy children,
mourning deaths you have fostered

Oh Orlando!

weeping, weeping,
even as your pulse's fury speedth,
every dance must end,
for to time subservient,
even as time ever forwards,
living men must slow weaken...

live by the sea,
die by the sea,
come unto me only as,
unruined mortals,
worn only by happy ending of
molecular disintegration,
the sweetness of time's decay,
a recording completed,
your resolute dancing resolved

come unto me
only from deaths
which one cannot void
but come concluded peaceful

Oh Orlando!*

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Shakespeare­ Sonnet LXIV

When I have seen by Time's fell hand defaced
The rich proud cost of outworn buried age;
When sometime lofty towers I see down-razed,
And brass eternal slave to mortal rage;
When I have seen the hungry ocean gain
Advantage on the kingdom of the shore,
And the firm soil win of the watery main,
Increasing store with loss, and loss with store;
When I have seen such interchange of state,
Or state itself confounded to decay;
Ruin hath taught me thus to ruminate
That Time will come and take my love away.
This thought is as a death which cannot choose
But weep to have that which it fears to lose.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“Wild animals never **** for sport. Man is the only one to whom the torture and death of his fellow creatures is amusing in itself.” James Anthony Froude (British historian, 1818-1894)

~~~
June 12 ~ 18, 2016
Shelter Islamd

also inspired by Jessica Lang,
Choreographer
Lee Jan 2013
Its rare that I hear
the words truly express
things that seem so truly indescribable.
How am I to describe?
How am I to relay such thoughts to men?
It's impossible to imagine the dark from the suns point of view
It would take true pride
and blistering ignorance
to see oneself in such collosal
and lonely shoes.
the first wind chill spells geese in the sky
and the squacking made me think of you
so i took out my old 30 aught 6 and fired away
they said the stuffing was bad
but that the rest was perfect
and i think about the sky blue
but for an instant splattered red during some southern migration
good god himself was once a paradox
I'm sure something that has existed forever must be bored by now
worthless ******* that he is
Does heaven really sound that good?
i want debauchery and drunken laughter
and want my heaven to run red with immortal blood testing the limits of new found power
i want to be able to keep things strait
what am i talking about again?
wait
with who?
do i know you?
can i kiss you?
are you as drunk as i am?
Am i drunk?
no
no I'm not
**** a dog
a family insult by any standard
handed down through generations
of the worthless ******* in my family
******* too
but then again they weren't
do ******* get to go to Cornell?
yes
yes they do
I am lost
or confused
do you have a map?
i need a choreographer
Google maps hasn't made it here yet
that sky is still blue
the geese blood fell to earth
good gravity
cute gravity
why does gravity get its own laws?
spoiled *******.
How does this end?
wouldn't everyone like to know
wouldn't we all like to get our one on one
with some benevolent ****** in the skies
**** him
i would
in my one on one
its a power trip thing for me
I'm not gay
where was i going?
not here.
not ******* god.
I hope gods a woman.
Impossible
a woman couldn't **** things up this bad
unless her period was in proportion to eternity.
Men have drunken periods induced by testosterone flushed brains
We are ruthless, and indolent.
I miss the sun and beaches covered in drunkenness and freedom
I'm missing something
right
reason
who?
******!
Well at least I got that over with.
Deliberately chaotic and lewd.
Jason Drury Jun 2012
She is the pedal
they come to gaze upon
her slow dance
where she will meet the ground
the music starts this custom
filling the air with a hypnotic trance
she begins her decent
bending and twisting
the wind her choreographer
she beautifully floats
not one scuff of her feet
she has honed this skill
the stage is set
with a glow of orange lanterns
and perfect wood detail
frames her exquisite shape
as she gets closer
the instruments grow faint
in slow time lapse motion
the pedal has reached the ground
Jude kyrie Oct 2016
Stella

She awoke up on a bench in times square
She tried to remember who she was but nothing no name or family nothing.
Panicking she looked for a wallet or purse something with a clue to her ID.
She could say words in English but no familiar memories.
A beer truck passed by it had big advert even the side for the beer it contains
It said STELLA ARTOIS she needed a name she would use Stella as hers until she remembered her own.

A man came up to her and said you alright lady
you been sat there all night.
Err ...yes I think so I just can't remember anything
Nothing? he said  she shook her head.i have no ID nothing in my my pockets and no purse.
I see he said do you want me to take you to the hospital or police.
Just the mention of police brought a resounding NO not the police.
He was handsome and kind
he said look I can take you to my place if you like.
It's just two blocks walk.
Perhaps after you eat and rest you will remember
I can't leave a pretty lady like you out here.
She looked into his kind face
he was about thirty five handsome and well dressed
with piercing blue eyes.
She said would you mind I am so hungry and tired.
He took her arm gently and they walked to his apartment.
Then she looked into his bathroom mirror
her face was pretty her hair neatly styled
and dark red lipstick and grey eyes
with carefully applied eyeshadow she was pretty if not beautiful
yet she was a stanger to her.
She told him to call her Stella he introduced himself as Adam.
She slept all night
after her fed her a large plate of spaghetti with meat ***** it was so good. she drank a glass  of wine and they talked four a while.
He said he was divorced and single and if she liked she could stay at his place until her memory came back and she went home again.
The mention of home scared her she told him.
Home and police sent shivers.
Six weeks turned into three months and nothing changed.
Well almost nothing he fell in love with her.
He did not tell her of course
she was way too pretty for him out of his league really.
But she liked him that's for sure
she even kissed his cheek
when he took her shopping
and bought her several dresses and a coat.
It was not the kiss  he craved from her but still a kiss.
They walked together in the city
went to the theatre and movies
and took drives out of the city
to have a picnic lunch or eat at a wayside cafe.
He did not remember feeling as happy ever.
It was Christmas tide they watched
the tree being lit in the city it was beautiful
and he took her to watch the christmas show at radio city.
She was watching the leggy showgirls
and she said I know this place I am  remembering it.
His heart sank what if she remembered and then the biggie
What if she had to go home and leave him he was desolate.

But he smiled and said that's a good sign stella it's coming back.
She went back to the radio city the next day and waited at the stage entrance a group of pretty showgirls arrived for practice.
One came over to her Janie she said? Stella looked up and half knew the girl.
They are looking for you honey everywhere
Who she said I don't remember
Your husband and the police
she gave her her name Janie Evans.
She told her where she lived
she was a dance choreographer at the radio city.

She went home to her own place taking a cab
It was an apartment in a old walk up
She started to remember
fear caught her chest as she knocked on the door.
A big man answered he was angry looking.
Well well lookie who's  here it's back.
A drunken woman was in the room in her bra and pants.
Who's this she yelled it's just a ***** a  I married he sneered.
Who have you been ******* ***** he yelled.
You gone Nine ******* months without a word.
She did not see the fist as it hit her face.
Blood flowed from her nose
she fell and he kicked her in her ribs.
Then threw her down two flights of stairs
She lay at the bottom a woman screamed as the Brutish man came down the stairs to continue her beating.
A young policeman heard the scream
and went inside the man was kicking the prostrate lady in the ribs.
He drew his weapon and shouted
stand back but the man drew his boot back
and went to kick her head a deadly blow.
He shot twice the first a flesh wound in his arm
the second passed through his heart
he fell on the floor in a heap
he had hit his wife for the very last time.

She was in a coma at the hospital for six days
Her face bandaged she had four broken ribs a dislocated shoulder and a broken arm and leg.
When she awoke the room was empty she thought where am I but it all flooded back in waves she had been late from work he was angry where you been you ******* ***** he hit her and she fell back banging her head on the wall
Then she ran and ran not even picking up the purse on the table.
Then the park bench in times square
the truck Stella Artois ….Stella.
And Adam
oh her Adam her gentle friend she loved him so much.
Then she saw him he had sat with her on vigil all night every day since he phoned all the hospital in new York city and found her when she did not come home.
He had tears in his eyes and finally said what was overflowing in his sweet heart. Oh Stella thank God I have prayed for you made deals with God to save you. I love you honey
She looked into his beautiful eyes and saw all the love that heaven can bestow on one heart. I love you too my darling my sweet adam.

A year later

They went for the lighting of the Christmas tree now a new York tradition for them.
Adam  held his beloved  wife
close to him no one could ever hurt a single hair
on her head ever again.
She felt protected and loved.
Then as the first snowflakes fell in New York
Silent night was sang beautifully by a children's choir.
the magical Christmas  lights too many to count lit up the sky.
Their baby girl stirred in her stroller
...Stella... Janie cried to her little girl
look at the beautiful tree

And way way above them a wise old moon looked down on the old city
And added another beautiful love story with a happy ending
to its everlasting collection.*that it kept hidden deep inside his tender heart
Aww is it me but don't you love happy endings
Jude
Andrew Wenson Nov 2014
Just 'cause I eat don't mean I waste
Didn't they pick the brain best for me
'fore I came out into the big sterile box?

Anyone speaking anything:
Look at, glare, scowl
Sniff palms before dance party
a little talc, not scary no more
Personality a *****, shoes too big
won't buy new, no new new no!
I'm faking it for a ticket to ride
source my quotes and I pretend
to tolerate your music blog monologue

Come on with me to manifest dreams!
space behind the couch where kief is free!
Couple decades to spare and the **** stacks high
Playing the bucket like a drum
Fair-trade hand-made local organic counterfeit bills
No Mama, I don' wanna punch card.
Dad, I ain't payin' rent 'er union dues
Tax man's comin' eat the root strike it too!

If I was a hippie don'tcha think I'd giggle?
I'm a good choreographer but this costume's threadbare
All the chakras in the world can't melt cold bars
The Black Iron Prison is bigger than God.
I become small, let me be the breath......
The baby's first laugh.
Poetoftheway Nov 2017
"looking at the future of your creation...
when creation is the art of being in the moment"

~program notes from the Grand Finale, a dance by Hofesh Schecter, choreographer, composer~

<•>

as one who makes their living, affirms their existence,
by staring at the blue-white screen,
a blank black backdrop, an empty stage,
a blue lined spiral-notebook, stationary store fresh

thinking only of the inky black commandment of
what next -

a contradiction comprehended with perfect understanding,
for the composition unborn unimagined yet
shaping, chafing, child birthing, will be seeded thru
many tiny moments of webbed connected secretions,
imaging the whole, yet the future arrives serialized as drops,
slow and singular, additive and adhering, even addicting

throw them all up to the ceiling tableau,
a letter, a note, a visionary imagery
of many dancers bodies
in photo time-lapse time captured

what sticks, what returns, the returns
needy of refurbishment, a fresh dice throw,
the retrofitting of a new combination moment

thus the future forms, the wet moments fill the crystal glass,
spilling over, spilling out from within, when all spent,
all the next moments are silent, water stilling,
le futur est arrivé,
but the individuals that are its construct,
wave friendly to you, asking do you remember me,
tenderly, parentally, I concede to each their birthright,
how they transversed from the past,
presented into the future, only to arrive in
the here and now,

as a present to us all

11/11/17 8:55am
Erica R Garcia Dec 2016
No pain no gain is an understatement

Pushups are a form of punishment

You respect your captains every single day

And trust your choreographer to lead the way

You leave the field sweating, makeup in your eyes

A fire burning in your heart... and in your thighs

Practice every day, dripping with sweat

That six-foot pole no longer a threat

Working hard to be the best

Every weekend is your test  

You gain new family and friends

With each other till the very end

Bonds that last all year

People to project all your fears

This is where you throw it all down

Because in the band, you're the crown

You make the show

And you need to know

To hold your head up high

And don't you dare be shy

Cause the countless hours you have spent

Can't be bought with any cent

Cause Denise's bleeding hands

And Beave's constant demands

Always changing

Always rearranging

Working hard to make the show great

Making sure to keep your posture straight

This. Is. Colorguard.

Which will always have a place in my heart
This was a prompt from a good friend of mine. Colorguard is also known as Flag Corps and other fun names.  Beave is our band director and Denise is the Colorguard sponsor/choreographer/guard mom.
Natt Rozanska Jul 2012
i walked up the drive,
and was reminded
of how little attention
i actually paid to the place
when i had the luxury
of being there.
i never walked the drive,
far too lazy.
just twice,
once there, once back,
two separate occasions.
both at night,
both with company.

i debated hitchhiking,
still lazy.
i picked someone up once.
a third year choreographer.
she was late for a tutorial
and smelt of alcohol.
everyone i walk past has grey hair.
i look out of time.
two years late.
there's no room now
for an art student with a suitcase.

i walked the halls again,
because the door was propped open,
framed with familiar white handprints,
that fit comfortably under mine.
it smelt just as i remembered,
musty, and comforting.
with the paint still peeling on the stair rail,
from where we'd sat for hours,
pulling it off in strips.

i wrote a letter to my room.
the room in which i fell in love,
lost my mind,
and changed my life.
it's just a room.
just a place,
a space.
but so much was shared,
with the air in there.
and i can't explain the relief
that it isn't in rubble.

i hitch hiked back,
or i'd have missed my train.
a lovely man picked me up,
and i felt the drive from a car,
how i remembered it.
we talked about the place,
about it what it did.
he was as upset as i was.
he was the type of person
i'd forgotten existed.
someone who wasn't one of us,
but understood our loss.
a stranger on the street
who felt what i felt.
Nat Lipstadt Mar 2023
Fri Feb 10
8:12 AM


“As artists, we are exposed to a heavy level of scrutiny, mostly from ourselves,” adds Villarini-Velez. “At times we might be insecure when a choreographer asks us to do something that takes us away from our usual, classical vocabulary. I felt like some of my peers who aren’t exposed to this movement would feel insecure at times, but nonetheless, rise up to the challenge of exploring new levels of artistry. It’s easy to rely on our usual bag of tricks, but I enjoy the risks of detaching from what looks good and moving in a way that feels good. It’s our responsibility to rise to these challenges and expand our artistic horizons.”(1)

<>

guilty. as charged.
so, incorporating new words,
differing styles.
do what does not come naturally.

“detach from what looks good,
moving in a way that feels good”

make radicalization your ethos
make new-for-you your eponym.
give your name to what you create,
a mere signature insufficient, it is not part of the work!

taste the wet words upon tongue and lips,
let the saliva linkage be to the following morseling phrase,
the mouth sac moist be where verbal embryos are birthed.

hear them spoke in your voice, but,
silently, in your mind, and yet, speak-say them inside
with the shocking thunderous force of a newborn’s first cry.

and when you read them assembled,
weep with pleasure, relieved, this, your child,
looks exactly like no one, with but trace elemental traits of you.

but it is all yours, sinew and cell, fiber and skin,
drawn unformed, ejected from the intramural hollows of the body,
then and only then, mark them at last as truly

*mine..
(1) https://www.nycballet.com/discover/stories/dancers-on-keerati-jinakunwiphats-fortuitous-ash?utmsource=wordf­ly&utmmedium=email&utmcampaign=FY23MKTRELBalletBriefing-February&utmcontent=version_A&uid=1075607&promo=58231
Josh Koepp Sep 2013
So i met a someone who doesn't walk but glides somewhere between her wings and her feet
And i find myself completely enthralled that her words dance like she does
Like her lips are a stage
Each word a tiny dancer falling in line next to each other
While you in the audience can only marvel and think
Whoever put this show on must be a brilliant choreographer
With a mind that weaves like they move
And breathes on the sound of a violin string
Thus the energy builds
And you leap from your seat to join them
Then you open your eyes
And there you are
Your lips locked with hers
Breaking character with reality
Drenched in the spotlight
Mane Omsy Jan 2017
I hope there's a music playing
To dance along, in this farm yard
I wish everyday was peaceful, wavy
Like the breeze is the choreographer
The lengthy plants dance along
And confess, we will heal your pain
Just look at us, how happy we are
This evening will cherish my mind
By these dancers in the field, so green

I must feel the vastness inside me
Coz everything I worry, has vanished
I feel no more remorse, wasting time-
Here, I could fling into this lovely view
She gets the goosebumps everytime
The wind fondles on her belly, so soft
Must admit the show was enchanting
Poetoftheway Sep 2024
this,  their-poem, emitting their call-sign,
those who once checked the box
of in love..a status of joyful revelation,
for all to see, all passerby’s, all witnesses
to the outstanding glowing skin,
the perms-frozen half smiles that
never are erased, you secret it not
so much,
for your body entire expels
the scent secreted of a world
in orbit
around
each other

then the unexplainable, threads go worn,
a slower tearing, one by one, till there
is not one, nary more any, you then
check the invisible box,
“not in a relationship”
and it feels like
a load has
been dropped onto you
from on high, flattened,

now cloaked in a demeanor
that cries out
they
put a load
right on me,
and you seek
excuses to recall ecstasy and

you start dancing to forget,
like a centrifugal whirlpool’s vortex,
whipping up the air surrounding

to heat a forgetting, till the until,
of collapsing shame offers up
arms to drown you, a relief offering,
and the words to “Yesterday”
are everywhere
reverberating


walking down the street
a somebody smiles to at, just,
for you,
without cause,
but a causal triggering
a singular event,

just a smile with edged up corners,
and suddenly you feet golightly,
and inexplicably inextricably
in the moment it is
all you can see,
and one starts to dance
to well
remember

and a poem
forms upon your silently moving
lips,
and a dance to remember
is finished,
starts up
a new one,
with similar familiar steps
a dance to believe  in~

and laugh when
you say your name

out loud

you!

are the poet of the way,
a new word choreographer


and there will be a way,
always another way…
I press play
and let the music completely transform me
I am no longer just attached to the sounds through a chord
I am a dancer, fluid and powerful
I see intricate choreography that my body can no longer replicate
pause
my leg throbs from the nerves
the temperature rapidly changing
as it has done for over a year
the expulsion of molten earth- Vesuveus
mingles and transforms
the frozen winter of Russia, where no army can win
my leg throbs
play
I try to memorize the world I am taken to
I practice ways to explain what I see
maybe I can't translate this world
but somebody else can.
I recently have had a flare up of my nerve damage, and am unable to perform with my dance crew. I am still determined to play a role, and find ways to show my world, to the world. If not through my body, then somebody else's.
Sol oh paniter of visions, curator of those under your light. Your passion is easily confused with fury and your momentary absences are known to be a time of danger and chaos
Basting the blessed and decimateing the ******,a infernal bliss.
General of the soil, those born from it follow your call under you they toil. maestro of the bloom and birds their harmonious notes in the air ,smelled and heard, from the plains to the berg but at the coast is when that celestial sovereignty ends.

Enters,a vision, Oh Luna; soft yellow dipped and dyed in the honeied hues of the horizon or a radiant alabaster, stark and chilled. cut from the heavens, apart of the city resting on that which scratches the sky but only visitors in the sights, you Nobly looking over. Teach me as you are, not as they say ,cold but ever observing seen every day.
You the Choreographer of the waves they dance by your direction, beautifully and brutishly birthing rainbows from their violate bombardments, for the birth of Brilliant ideas they have been the midwife.we lose and find ourselves in your teachings

Raising higher as you we age, as one should, on the path of the sage.
Stayed by the sea for a few days and got to know sun and moon a little better
Lewis Bosworth Oct 2016
Dancer: tune up
your body’s chords,
swaying strategically
to the rhythmic commands
of an ancient age.

Princes, kings, and
courtesans:
mark time until the day
when your dance is
recorded on the scroll.

Laughing hyenas:
grimace a yep and a yowl,
and shed your tears
stealthily as would
the muses pray.

Corrugated wrinkles
don the happiest face
when one dares look
upon the choreographer
and turn away.

And we believe
that the chorus is one
and the prima donna
creates a world unknown
where no one pulls the strings.

© Lewis Bosworth, 10/2016
Clarissa Jun 2021
There’s this little person inside me,
who tells me all this
There’s this whispering voice in my head,
which makes me feel like this,
There’s this way unpleasant shiver inside me,
which makes me question all this
They all come from somebody else
But at the same time
I am
This person, this voice, this shiver
I am
All of them
While being
The exact opposition
I try but I don’t
I stay, then I go
I care but I don’t
I scream while being silent
I ***** up to make up
Don’t even know who
Does my mind belong to
Anymore
james nordlund Jan 2020
As an oak will not grow in another's shadow,
so too our struggles, solutioning with reality
while as one and three, a couple in harmony,
must also be independent to whatever degree.

Thus, being as water, yin, and as air, yang, we
find a dance gestured by seasons of romance.
The choreographer's mind's path undefined,
like last moment's awe makes way for this one's.

A canvas with frameless frame and reality
as the brush painting us, even it's shadows
speak of light.  Beingness as gleaned meanings
for all to share, seen through, if we were there.

A cacaphony, symphony heralding
song of the Universe, Earth and spheres.
From adagio, staccato, through to avante-garde.
Life sung accompanying the abundance of joy's Spring.

As poetry's music fathoms the depths of our heart,
heights of our intellect and imagination,
breadth of our spirit, well of our soul,
alluding to the unknown saliently.

Also, climate crisis demands a bond of Earthlings
stronger than ever before, and he or she
must be at the fore', if they want their progeny
community, partner, humanity to even live.
First draft.  Few love song titles come to mind to inspire   :)   'looks like we made it'; 'you're still the one'; 'no ordinary love'; 'aloha'; 'this love'; 'love stays'; 'i won't go for more'; 'concerto de aranjuez'; 'white flag'; 'thank you'; 'i can't make you love me'; 'love's in need of love today'; 'could  you be loved'; 'bring me your cup'; 'soldier of love'; 'rise'; 'the rose'; '**** i wish i were your lover'; 'oro se do bheatha bhaile'; 'nothing compares to you'; 'candles in the rain'; 'woodstock'; 'for free'; 'all about our love'; 'power of love'; 'my heart will go on'; 'crazy'; 'i will always love you'; 'i want to know what love is'; 'Merry Christmas mr lawrence'; 'either or both'; 'never letting go'; 'love don't live here anymore'; wishing on a star'; 'first time ever i saw your face'; 'i love you just because'; 'through the fire'; 'sweet love'; just the two of us'; ''ain't no sunshine when she's gone'; 'this will be'; 'got to be real'; 'angel'; 'this is it'; 'in your eyes'; 'what i am'; 'i do'; 'love like we do'; 'always on my mind'; 'shout'; 'in the air tonight'; 'the pina colada song'; 'all around the world'; 'un-break my heart'; 'ain't nobody'; 'just be good to me'; 'fire on babylon'; 'love's a battlefield'; 'don't dream it's over'; 'warpaint'; 'words weren't made for cowards'; 'sangria'; 'i hope you dance'; 'cowboy take me away'; 'lines in the balance'; 'colour of your dreams'; 'now and forever'; 'only love is real'; 'one more try'; 'like a prayer'; 'reach'; 'if'; 'what if'; 'higher ground'; 'river of souls'; 'torn'; 'one'; 'pride'; 'great love'; 'you were meant for me'; 'what about love'; 'love is blind'; 'you are love'; 'ghost dance'; 'huron beltane fire dance'; 'natural mystic'; 'less os more'; 'hissing of summer lawns'; 'forgetting ohio'; 'thank you (2)'; 'break your heart'; 'you've gotta be'; 'everybody hurts'; 'go your own way'; 'holding back the years'; 'the look of love';'as i lay me down'; 'the jungle line'; 'the beat of black wings'; 'pull up to the bumper'; 'rolling in the deep'; 'one man one vote'; 'together we rise'; 'smile'; 'feelings'; 'when we were young'; 'make you feel my love'.  May this New Year find you All new, everyday, all the way through   :)   reality
Mary Bennet May 7
When your  fear dies; expect to feel alive.
I am jumping with figure skates expecting not to survive.
In a rush hour of figure skaters to feel the insane drive.

There is another figure skater rushing behind my spiraling blade.
The graceful competition of a skater moving
among robots in a parade.
To figure skate on glitter was like receiving an accolade.

I am a powerful skater wishing to be myself in a scraping serenade.
In my world only rags are made.
Through the words of a choreographer a princess would be made.
Swaying like a leaf off a trembling blade.

Dreaming into a jump unable to wake up before its to late.
Its just a dream that reality set for  a different date.
I am leaving behind a rink set like a magnificent diamond of light.
If this is cringe I don’t care. It’s one of the poems I posted a long time ago when poet freak website was still around.

— The End —