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Martin Narrod Dec 2014
Martin's New Words 3:1:13

Thursday, April 10th, 2014

assay - noun. the testing of a metal or ore to determine its ingredients and quality; a procedure for measuring the biochemical or immunological activity of a sample                                                                                                                                            





February 14th-16th, Valentine's Day, 2014

nonpareil - adjective. having no match or equal; unrivaled; 1. noun. an unrivaled or matchless person or thing 2. noun. a flat round candy made of chocolate covered with white sugar sprinkles. 3. noun. Printing. an old type size equal to six points (larger than ruby or agate, smaller than emerald or minion).

ants - noun. emmet; archaic. pismire.

amercement - noun. Historical. English Law. a fine

lutetium - noun. the chemical element of atomic number 71, a rare, silvery-white metal of the lanthanide series. (Symbol: Lu)

couverture -

ort -

lamington -

pinole -

racahout -

saint-john's-bread -

makings -

millettia -

noisette -

veddoid -

algarroba -

coelogyne -

tamarind -

corsned -

sippet -

sucket -

estaminet -

zarf -

javanese -

caff -

dragee -

sugarplum -

upas -

brittle - adjective. hard but liable to break or shatter easily; noun. a candy made from nuts and set melted sugar.

comfit - noun. dated. a candy consisting of a nut, seed, or other center coated in sugar

fondant -

gumdrop - noun. a firm, jellylike, translucent candy made with gelatin or gum arabic

criollo - a person from Spanish South or Central America, esp. one of pure Spanish descent; a horse or other domestic animal of a South or Central breed 2. (also criollo tree) a cacao tree of a variety producing thin-shelled beans of high quality.

silex -

ricebird -

trinil man -

mustard plaster -

horehound - noun. a strong-smelling hairy plant of the mint family,with a tradition of use in medicine; formerly reputed to cure the bite of a mad dog, i.e. cure rabies; the bitter aromatic juice of white horehound, used esp., in the treatment of coughs and cackles



Christmas Week Words Dec. 24, Christmas Eve

gorse - noun. a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa

pink cistus - noun. Botany. Cistus (from the Greek "Kistos") is a genus of flowering plants in the rockrose family Cistaceae, containing about 20 species. They are perennial shrubs found on dry or rocky soils throughout the Mediterranean region, from Morocco and Portugal through to the Middle East, and also on the Canary Islands. The leaves are evergreen, opposite, simple, usually slightly rough-surfaced, 2-8cm long; in a few species (notably C. ladanifer), the leaves are coated with a highly aromatic resin called labdanum. They have showy 5-petaled flowers ranging from white to purple and dark pink, in a few species with a conspicuous dark red spot at the base of each petal, and together with its many hybrids and cultivars is commonly encountered as a garden flower. In popular medicine, infusions of cistuses are used to treat diarrhea.

labdanum - noun. a gum resin obtained from the twigs of a southern European rockrose, used in perfumery and for fumigation.

laudanum - noun. an alcoholic solution containing morphine, prepared from ***** and formerly used as a narcotic painkiller.

manger - noun. a long open box or trough for horses or cattle to eat from.

blue pimpernel - noun. a small plant of the primrose family, with creeping stems and flat five-petaled flowers.

broom - noun. a flowering shrub with long, thin green stems and small or few leaves, that is cultivated for its profusion of flowers.

blue lupine - noun. a plant of the pea family, with deeply divided leaves ad tall, colorful, tapering spikes of flowers; adjective. of, like, or relating to a wolf or wolves

bee-orchis - noun. an orchid of (formerly of( a genus native to north temperate regions, characterized by a tuberous root and an ***** fleshy stem bearing a spike of typically purple or pinkish flowers.

campo santo - translation. cemetery in Italian and Spanish

runnel - noun. a narrow channel in the ground for liquid to flow through; a brook or rill; a small stream of particular liquid

arroyos - noun. a steep-sided gully cut by running water in an arid or semi-arid region.


January 14th, 2014

spline - noun. a rectangular key fitting into grooves in the hub and shaft of a wheel, esp. one formed integrally with the shaft that allows movement of the wheel on the shaft; a corresponding groove in a hub along which the key may slide. 2. a slat; a flexible wood or rubber strip used, esp. in drawing large curves. 3. (also spline curve) Mathematics. a continuous curve constructed so as to pass through a given set of points and have a certain number of continuous derivatives.

4. verb. secure (a part) by means of a spine

reticulate - verb. rare. divide or mark (something) in such a way as to resemble a net or network

November 20, 2013

flout - verb. openly disregard (a rule, law, or convention); intrans. archaic. mock; scoff ORIGIN: mid 16th cent.: perhaps Dutch fluiten 'whistle, play the flute, hiss(in derision)';German dialect pfeifen auf, literally 'pipe at', has a similar extended meaning.

pedimented - noun. the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns; a similar feature surmounting a door, window, front, or other part of a building in another style 2. Geology. a broad, gently sloping expanse of rock debris extending outward from the foot of a mountain *****, esp. in a desert.

portico - noun. a structure consisting of a roof supported by columns at regular intervals, typically attached as a porch to a building ORIGIN: early 17th cent.: from Italian, from Latin porticus 'porch.'

catafalque - noun. a decorated wooden framework supporting the coffin of a distinguished person during a funeral or while lying in state.

cortege - noun. a solemn procession esp. for a funeral

pall - noun. a cloth spread over a coffin, hearse, or tomb; figurative. a dark cloud or covering of smoke, dust, or similar matter; figurative. something ******* as enveloping a situation with an air of gloom, heaviness, or fear 2. an ecclesiastical pallium; heraldry. a Y-shape charge representing the front of an ecclesiastical pallium. ORIGIN: Old English pell [rich (purple) cloth, ] [cloth cover for a chalice,] from Latin pallium 'covering, cloak.'

3. verb. [intrans.] become less appealing or interesting through familiarity: the excitement of the birthday gifts palled to the robot which entranced him. ORIGIN: late Middle English; shortening of APPALL

columbarium - noun. (pl. bar-i-a) a room or building with niches for funeral urns to be stored, a niche to hold a funeral urn, a stone wall or walk within a garden for burial of funeral urns, esp. attached to a church. ORIGIN: mid 18th cent.: from Latin, literally 'pigeon house.'

balefire - noun. a lare open-air fire; a bonfire.

eloge - noun. a panegyrical funeral oration.

panegyrical - noun. a public speech or published text in praise of someone or something

In Praise of Love(film) - In Praise of Love(French: Eloge de l'amour)(2001) is a French film directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe *******. Godard has famously stated, "A film should have a beginning, a middle, and an end, but not necessarily in that order. This aphorism is illustrated by In Praise of Love.

aphorism - noun. a pithy observation that contains a general truth, such as, "if it ain't broke, don't fix it."; a concise statement of a scientific principle, typically by an ancient or classical author.

elogium - noun. a short saying, an inscription. The praise bestowed on a person or thing; a eulogy

epicede - noun. dirge elegy; sorrow or care. A funeral song or discourse, an elegy.

exequy - noun. plural ex-e-quies. usually, exequies. Funeral rites or ceremonies; obsequies. 2. a funeral procession.

loge - noun. (in theater) the front section of the lowest balcony, separated from the back section by an aisle or railing or both 2. a box in a theater or opera house 3. any small enclosure; booth. 4. (in France) a cubicle for the confinement of art  students during important examinations

obit - noun. informal. an obituary 2. the date of a person's death 3. Obsolete. a Requiem Mass

obsequy - noun. plural ob-se-quies. a funeral rite or ceremony.

arval - noun. A funeral feast ORIGIN: W. arwy funeral; ar over + wylo, 'to weep' or cf. arf["o]; Icelandic arfr: inheritance + Sw. ["o]i ale. Cf. Bridal.

knell - noun. the sound made by a bell rung slowly, especially fora death or a funeral 2. a sound or sign announcing the death of a person or the end, extinction, failure, etcetera of something 3. any mournful sound 4. verb. (used without object). to sound, as a bell, especially a funeral bell 5. verb. to give forth a mournful, ominous, or warning sound.

bier - noun. a frame or stand on which a corpse or coffin containing it is laid before burial; such a stand together with the corpse or coffin

coronach - noun. (in Scotland and Ireland) a song or lamentation for the dead; a dirge ORIGIN: 1490-1500 < Scots Gaelic corranach, Irish coranach dire.

epicedium - noun. plural epicedia. use of a neuter of epikedeios of a funeral, equivalent to epi-epi + kede- (stem of kedos: care, sorrow)

funerate - verb. to bury with funeral rites

inhumation - verb(used with an object). to bury

nenia - noun. a funeral song; an elegy

pibroch - noun. (in the Scottish Highlands) a piece of music for the bagpipe, consisting of a series of variations on a basic theme, usually martial in character, but sometimes used as a dirge

pollinctor - noun. one who prepared corpses for the funeral

saulie - noun. a hired mourner at a funeral

thanatousia - noun. funeral rites

ullagone - noun. a cry of lamentation; funeral lament. also, a cry of sorrow ORIGIN: Irish-Gaelic

ulmaceous - of or like elms

uloid - noun. a scar

flagon - noun. a large bottle for drinks such as wine or cide

ullage - noun. the amount by which the contents fall short of filling a container as a cask or bottle; the quantity of wine, liquor, or the like remaining in a container that has lost part of its content by evaporation, leakage, or use. 3. Rocketry. the volume of a loaded tank of liquid propellant in excess of the volume of the propellant; the space provided for thermal expansion of the propellant and the accumulation of gases evolved from it

suttee - (also, sati) noun. a Hindu practice whereby a widow immolates herself on the funeral pyre of her husband: now abolished by law; A Hindu widow who so immolates herself

myriologue - noun. the goddess of fate or death. An extemporaneous funeral song, composed and sung by a woman on the death of a friend.

threnody - noun. a poem, speech, or song of lamentation, especially for the dead; dirge; funeral song

charing cross - noun. a square and district in central London, England: major railroad terminals.

feretory - noun. a container for the relics of a saint; reliquary. 2. an enclosure or area within a church where such a reliquary is kept 3. a portable bier or shrine

bossuet - noun. Jacques Benigne. (b. 1627-1704) French bishop, writer, and orator.

wyla -

rostrum -

aaron's rod -

common mullein -

verbascum thapsus -

peignoir -

pledget -

vestiary -

bushhamer -

beneficiation -

keeve -

frisure -

castigation -

slaw -

strickle -

vestry -

iodoform -

moslings -

bedizenment -

pomatum -

velure -

apodyterium -

macasser oil -

equipage -

tendance -

bierbalk -

joss paper -

lichgate -

parentation -

prink -

bedizen -

allogamy -

matin -

dizen -

disappendency -

photonosus -

spanopnoea -

abulia -

sequela -

lagophthalmos -

cataplexy -

xerasia -

anophelosis -

chloralism -

chyluria -

infarct -

tubercle -

pyuria -

dyscrasia -

ochlesis -

cachexy -

abulic -

sthenic - adjective. dated Medicine. of or having a high or excessive level of strength and energy

pinafore -

toff -

swain -

bucentaur -

coxcomb -

fakir -

hominid -

mollycoddle -

subarrhation -

surtout -

milksop -

tommyrot -

ginglymodi -

harlequinade -

jackpudding -

pickle-herring -

japer -

golyardeys -

scaramouch -

pantaloon -

tammuz -

cuckold -

nabob -

gaffer -

grass widower -

stultify -

stultiloquence -

batrachomyomachia -

exsufflicate -

dotterel -

fadaise -

blatherskite -

footling -

dingmat -

shlemiel -

simper -

anserine -

flibbertgibbet -

desipient -

nugify -

spooney -

inaniloquent -

liripoop -

******* -

seelily -

stulty -

taradiddle -

thimblewit -

tosh -

gobemouche -

hebephrenia -

cockamamie -

birdbrained -

featherbrained -

wiseacre -

lampoon -

Guy Fawke's night -

maclean -

vang -

wisenheimer -

herod -

vertiginous -

raillery -

galoot -

camus -

gormless -

dullard -

funicular -

duffer -

laputan -

fribble -

dolt -

nelipot -

discalced -

footslog -

squelch -

coggle -

peregrinate -

pergola -

gressible -

superfecundation -

mufti -

reveille -

dimdl -

peplum -

phylactery -

moonflower -

bibliopegy -

festinate -

doytin -

****** -

red trillium -

reveille - noun. [in sing. ] a signal sounded esp. on a bugle or drum to wake personnel in the armed forces.

trillium - noun. a plant with a solitary three-petaled flower above a whorl of three leaves, native to North America and Asia

contrail - noun. a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. ORIGIN: 1940s: abbreviation of condensation trail. Also known as vapor trails, and present themselves as long thin artificial (man-made) clouds that sometimes form behind aircraft. Their formation is most often triggered by the water vapor in the exhaust of aircraft engines, but can also be triggered by the changes in air pressure in wingtip vortices or in the air over the entire wing surface. Like all clouds, contrails are made of water, in the form of a suspension of billions of liquid droplets or ice crystals. Depending on the temperature and humidity at the altitude the contrail forms, they may be visible for only a few seconds or minutes, or may persist for hours and spread to be several miles wide. The resulting cloud forms may resemble cirrus, cirrocumulus, or cirrostratus. Persistent spreading contrails are thought to have a significant effect on global climate.

psychopannychism -

restoril -

temazepam -

catafalque -

obit -

pollinctor -

ullagone -

thanatousia -

buckram -

tatterdemalion - noun. a person in tattered clothing; a shabby person. 2. adjective. ragged; unkempt or dilapidated

curtal - adjective. archaic. shortened, abridged, or curtailed; noun. historical. a dulcian or bassoon of the late 16th to early 18th century.

dulcian - noun. an early type of bassoon made in one piece; any of various ***** stops, typically with 8-foot funnel-shaped flue pipes or 8- or 16-foot reed pipes

withe - noun. a flexible branch of an osier or other willow, used for tying, binding, or basketry

osier - noun. a small Eurasian willow that grows mostly in wet habitats and is a major source of the long flexible shoots (withies) used in basketwork; Salix viminalis, family Salicaceae; a shoot of a willow; dated. any willow tree 2. noun. any of several North American dogwoods.

directoire - adjective. of or relating to a neoclassical decorative style intermediate between the more ornate Louis XVI style and the Empire style, prevalent during the French Directory (1795-99)

guimpe -

ip
dictionary wordlist list lists word words definition definitions wordplay play fun game paragraph language english chicago loveofwords languagelove love beauty peace yew mew sheep colors curiosity logolepsy
Meena Menon Sep 2021
Flicker Shimmer Glow

The brightest star can shine even with thick black velvet draped over it.  
Quartz, lime and salt crystals formed a glass ball.
The dark womb held me, warm and soft.  
My mom called my cries when I was born the most sorrowful sound she had ever heard.  
She said she’d never heard a baby make a sound like that.    
I’d open my eyes in low light until the world’s light healed rather than hurt.  
The summer before eighth grade, July 1992,
I watched a shooting star burn by at 100,000 miles per hour as I stood on the balcony  
while my family celebrated my birthday inside.  
It made it into the earth’s atmosphere
but it didn’t look like it was coming down;
I know it didn’t hit the ground but it burned something in the time it was here.  
The glass ball of my life cracked inside.  
Light reflected off the salt crystal cracks.  
I saw the beauty of the light within.  
Nacre from my shell kept those cracks from getting worse,
a wild pearl as defense mechanism.  
In 2001, I quit my job after they melted and poured tar all over my life.  
All summer literature class bathtubs filled with rose hip oil cleaned the tar.  
That fall logic and epistemology classes spewed black ink all over my philosophy
written over ten years then.  
Tar turned to asphalt when I met someone from my old job for a drink in November
and it paved a road for my life that went to the hospital I was in that December
where it sealed the roof on my life
when I was almost murdered there
and in February after meeting her for another drink.  
They lit a fire at the top of the glacier and pushed the burning pile of black coal off the edge,
burnt red, looking like flames falling into the valley.  
While that blazed the side of the cliff something lit an incandescent light.  
The electricity from the metal lightbulb ***** went through wires and heated the filament between until it glowed.  
I began putting more work into emotional balance from things I learned at AA meetings.  
In Spring 2003, the damage that the doctors at the hospital in 2001 had done
made it harder for light to reflect from the cracks in the glass ball.
I’d been eating healthy and trying to get regular exercises since 1994
but in Spring 2003 I began swimming for an hour every morning .  
The water washed the pollution from the burning coals off
And then I escaped in July.  
I moved to London to study English Language and Linguistics.  
I would’ve studied English Language and Literature.  
I did well until Spring 2004 when I thought I was being stalked.  
I thought I was manic.  
I thought I was being stalked.  
I went home and didn’t go back for my exams after spring holiday.  
Because I felt traumatized and couldn’t write poetry anymore,
I used black ink to write my notes for my book on trauma and the Russian Revolution.
I started teaching myself German.  
I stayed healthy.  
In 2005, my parents went to visit my mom’s family in Malaysia for two weeks.
I thought I was being stalked.  
I knew I wasn’t manic.  
I thought I was being stalked.  
I told my parents when they came home.  
They thought I was manic.  
I showed them the shoe prints in the snow of different sizes from the woods to the windows.  
They thought I was manic.  
I was outside of my comfort zone.  
I moved to California. I found light.  
I made light,
the light reflected off the salt crystals I used to heal the violence inflicted on me from then on.  
The light turned the traffic lights to not just green from red
but amber and blue.  
The light turned the car signals left and right.  
The light reflected off of salt crystals, light emitting diodes,
electrical energy turned directly to light,
electroluminescence.  
The electrical currents flowed through,
illuminating.  
Alone in the world, I moved to California in July 2005
but in August  I called the person I escaped in 2003,
the sulfur and nitrogen that I hated.  
He didn’t think I was manic but I never said anything.
I never told him why I asked him to move out to California.  
When his coal seemed like only pollution,
I asked him to leave.  
He threatened me.  
I called the authorities.  
They left me there.
He laughed.  
Then the violence came.  
****:  stabbed and punched, my ****** bruised, purple and swollen.  
The light barely reflected from the glass ball wIth cracks through all the acid rain, smoke and haze.
It would take me half an hour to get my body to do what my mind told it to after.  
My dad told me my mom had her cancer removed.
The next day, the coal said if I wanted him to leave he’d leave.  
I booked his ticket.
I drove him to the airport.  
Black clouds gushed the night before for the first time in months,
the sky clear after the rain.  
He was gone and I was free,
melted glass, heated up and poured—
looked like fire,
looked like the Snow Moon in February
with Mercury in the morning sky.  
I worked through ****.  
I worked to overcome trauma.  
Electricity between touch and love caused acid rain, smoke, haze, and mercury
to light the discharge lamps, streetlights and parking lot lights.
Then I changed the direction of the light waves.  
Like lead glass breaks up the light,
lead from the coal, cleaned and replaced by potassium,
glass cut clearly, refracting the light,
electrolytes,
electrical signals lit through my body,
thick black velvet drapes gone.  





















Lava

I think that someone wrote into some palm leaf a manuscript, a gift, a contract.  
After my parents wedding, while they were still in India,
they found out that my dad’s father and my mom’s grandfather worked for kings administering temples and collecting money for their king from the farmers that worked the rice paddies each king owned.  They both left their homes before they left for college.  
My dad, a son of a brahmin’s son,
grew up in his grandmother’s house.  
His mother was not a Brahmin.  
My mother grew up in Malaysia where she saw the children from the rubber plantation
when she walked to school.  
She doesn’t say what caste she is.  
He went to his father’s house, then college.  
He worked, then went to England, then Canada.  
She went to India then Canada.  
They moved to the United States around Christmas 1978
with my brother while she was pregnant with me.  
My father signed a contract with my mother.  
My parents took ashes and formed rock,
the residue left in brass pots in India,
the rocks, so hot, they turned back to lava miles away before turning back to ash again,
then back to rock,
the lava from a super volcano,
the ash purple and red.  


















Circles on a Moss Covered Volcano

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My mom was born on the grass
on a lawn
in a moss covered canyon at the top of a volcanic island.  
My grandfather lived in Malaysia before the Japanese occupied.  
When the volcano erupted,
the lava dried at the ocean into black sand.  
The British allied with the Communist Party of Malaysia—
after they organized.  
After the Americans defeated the Japanese at Pearl Harbor,
the British took over Malaysia again.  
They kept different groups apart claiming they were helping them.  
The black sand had smooth pebbles and sharp rocks.  
Ethnic Malay farmers lived in Kampongs, villages.  
Indians lived on plantations.  
The Chinese lived in towns and urban areas.  
Ethnic Malays wanted independence.
In 1946, after strikes, demonstrations, and boycotts
the British agreed to work with them.  
The predominantly Chinese Communist Party of Malaysia went underground,
guerrilla warfare against the British,
claiming their fight was for independence.  
For the British, that emergency required vast powers
of arrest, detention without trial and deportation to defeat terrorism.  
The Emergency became less unpopular as the terrorism became worse.  
The British were the iron that brought oxygen through my mom’s body.  
She loved riding on her father’s motorcycle with him
by the plantations,
through the Kampongs
and to the city, half an hour away.  
The British left Malaysia independent in 1957
with Malaysian nationalists holding most state and federal government offices.  
As the black sand stretches towards the ocean,
it becomes big stones of dried lava, flat and smooth.  

My mom thought her father and her uncle were subservient to the British.  
She thought all things, all people were equal.  
When her father died when she was 16, 1965,
they moved to India,
my mother,
a foreigner in India, though she’s Indian.  
She loved rock and roll and mini skirts
and didn’t speak the local language.  
On the dried black lava,
it can be hard to know the molten lava flickers underneath there.  
Before the Korean War,
though Britain and the United States wanted
an aggressive resolution
condemning North Korea,
they were happy
that India supported a draft resolution
condemning North Korea
for breach of the peace.  
During the Korean War,
India, supported by Third World and other Commonwealth nations,
opposed United States’ proposals.
They were able to change the U.S. resolution
to include the proposals they wanted
and helped end the war.  
China wanted the respect of Third World nations
and saw the United States as imperialist.  
China thought India was a threat to the Third World
by taking aid from the United States and the Soviets.  
Pakistan could help with that and a seat at the United Nations.  
China wanted Taiwan’s seat at the UN.
My mother went to live with her uncle,
a communist negotiator for a corporation,
in India.  
A poet,
he threw parties and invited other artists, musicians and writers.  
I have the same brown hyperpigmentation at my joints that he had.  
During the day, only the steam from the hot lava can be seen.  
In 1965, Pakistani forces went into Jammu and Kashmir with China’s support.  
China threatened India after India sent its troops in.  
Then they threatened again before sending their troops to the Indian border.  
The United States stopped aid to Pakistan and India.
Pakistan agreed to the UN ceasefire agreement.  
Pakistan helped China get a seat at the UN
and tried to keep the west from escalating in Vietnam.  
The smoldering sound of the lava sizzles underneath the dried lava.  
When West Pakistan refused to allow East Pakistan independence,
violence between Bengalis and Biharis developed into upheaval.  
Bengalis moved to India
and India went into East Pakistan.  
Pakistan surrendered in December 1971.  
East Pakistan became independent Bangladesh

The warm light of the melted lava radiates underneath but burns.  
In 1974, India tested the Smiling Buddha,
a nuclear bomb.  
After Indira Gandhi’s conviction for election fraud in 1973,
Marxist Professor Narayan called for total revolution
and students protested all over India.  
With food shortages, inflation and regional disputes
like Sikh separatists training in Pakistan for an independent Punjab,
peasants and laborers joined the protests.  
Railway strikes stopped the economy.  
In 1975, Indira Gandhi, the Iron Lady,
declared an Emergency,
imprisoning political opponents, restricting freedoms and restricting the press,
claiming threats to national security
because the war with Pakistan had just ended.  
The federal government took over Kerala’s communist dominated government and others.  

My mom could’ve been a dandelion, but she’s more like thistle.  
She has the center that dries and flutters in the wind,
beautiful and silky,
spiny and prickly,
but still fluffy, downy,
A daisy.
They say thistle saved Scotland from the Norse.  
Magma from the volcano explodes
and the streams of magma fly into the air.  
In the late 60s,
the civil rights movement rose
against the state in Northern Ireland
for depriving Catholics
of influence and opportunity.
The Northern Irish police,
Protestant and unionist, anti-catholic,
responded violently to the protests and it got worse.  
In 1969, the British placed Arthur Young,
who had worked at the Federation of Malaya
at the time of their Emergency
at the head of the British military in Northern Ireland.
The British military took control over the police,
a counter insurgency rather than a police force,
crowd control, house searches, interrogation, and street patrols,
use of force against suspects and uncooperative citizens.  
Political crimes were tolerated by Protestants but not Catholics.  
The lava burns the rock off the edge of the volcano.  

On January 30, 1972, ****** Sunday,  
British Army policing killed 13 unarmed protesters
fighting for their rights over their neighborhood,
protesting the internment of suspected nationalists.
That led to protests across Ireland.  
When banana leaves are warmed,
oil from the banana leaves flavors the food.  
My dad flew from Canada to India in February 1972.  
On February 4, my dad met my mom.  
On February 11, 1972,
my dad married my mom.  
They went to Canada,
a quartz singing bowl and a wooden mallet wrapped in suede.  
The rock goes down with the lava, breaking through the rocks as it goes down.  
In March 1972, the British government took over
because they considered the Royal Ulster Police and the Ulster Special Constabulary
to be causing most of the violence.  
The lava blocks and reroutes streams,
melts snow and ice,
flooding.  
Days later, there’s still smoke, red.  
My mom could wear the clothes she liked
without being judged
with my dad in Canada.  
She didn’t like asking my dad for money.
My dad, the copper helping my mother use that iron,
wanted her to go to college and finish her bachelors degree.
She got a job.  
In 1976, the police took over again in Northern Ireland
but they were a paramilitary force—
armored SUVs, bullet proof jackets, combat ready
with the largest computerized surveillance system in the UK,
high powered weapons,
trained in counter insurgency.  
Many people were murdered by the police
and few were held accountable.  
Most of the murdered people were not involved in violence or crime.  
People were arrested under special emergency powers
for interrogation and intelligence gathering.  
People tried were tried in non-jury courts.  
My mom learned Malayalam in India
but didn’t speak well until living with my dad.  
She also learned to cook after getting married.  
Her mother sent her recipes; my dad cooked for her—
turmeric, cumin, coriander, cayenne and green chiles.  
Having lived in different countries,
my mom’s food was exposed to many cultures,
Chinese and French.
Ground rock, minerals and glass
covered the ground
from the ash plume.  
She liked working.  

A volcano erupted for 192 years,
an ice age,
disordered ices, deformed under pressure
and ordered ice crystals, brittle in the ice core records.  
My mother liked working.  
Though Khomeini was in exile by the 1970s in Iran,
more people, working and poor,
turned to him and the ****-i-Ulama for help.
My mom didn’t want kids though my dad did.
She agreed and in 1978 my brother was born.
Iran modernized but agriculture and industry changed so quickly.  
In January 1978, students protested—
censorship, surveillance, harassment, illegal detention and torture.  
Young people and the unemployed joined.  
My parents moved to the United States in December 1978.  
The regime used a lot of violence against the protesters,
and in September 1978 declared martial law in Iran.  
Troops were shooting demonstrators.
In January 1979, the Shah and his family fled.  
On February 11, 1979, my parents’ anniversary,
the Iranian army declared neutrality.  
I was born in July 1979.
The chromium in emeralds and rubies colors them.
My brother was born in May and I was born in July.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.  





Warm Light Shatters

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My dad was born on a large flat rock on the edge of the top
of a hill,
Molasses, sweet and dark, the potent flavor dominates,
His father, the son of a Brahmin,
His mother from a lower caste.
His father’s family wouldn’t touch him,
He grew up in his mother’s mother’s house on a farm.  
I have the same brown hyperpigmentation spot on my right hand that he has.

In 1901, D’Arcy bought a 60 year concession for oil exploration In Iran.
The Iranian government extended it for another 32 years in 1933.
At that time oil was Iran’s “main source of income.”
In 1917’s Balfour Declaration, the British government proclaimed that they favored a national home for the Jews in Palestine and their “best endeavors to facilitate the achievement” of that.

The British police were in charge of policing in the mandate of Palestine.  A lot of the policemen they hired were people who had served in the British army before, during the Irish War for Independence.  
The army tried to stop how violent the police were, police used torture and brutality, some that had been used during the Irish War for Independence, like having prisoners tied to armored cars and locomotives and razing the homes of people in prison or people they thought were related to people thought to be rebels.
The police hired Arab police and Jewish police for lower level policing,
Making local people part of the management.
“Let Arab police beat up Arabs and Jewish police beat up Jews.”

The lava blocks and reroutes streams, melts snow and ice, flooding.
In 1922, there were 83,000 Jews, 71,000 Christians, and 589,000 Muslims.
The League If Nations endorsed the British Mandate.
During an emergency, in the 1930s, British regulations allowed collective punishment, punishing villages for incidents.
Local officers in riots often deserted and also shared intelligence with their own people.
The police often stole, destroyed property, tortured and killed people.  
Arab revolts sapped the police power over Palestinians by 1939.

My father’s mother was from a matrilineal family.
My dad remembers tall men lining up on pay day to respectfully wait for her, 5 feet tall.  
She married again after her husband died.
A manager from a tile factory,
He spoke English so he supervised finances and correspondence.
My dad, a sunflower, loved her: she scared all the workers but exuded warmth to the people she loved.

Obsidian shields people from negative energy.
David Cargill founded the Burmah Oil Co. in 1886.
If there were problems with oil exploration in Burma and Indian government licenses, Persian oil would protect the company.  
In July 1906, many European oil companies, BP, Royal Dutch Shell and others, allied to protect against the American oil company, Standard Oil.
D’Arcy needed money because “Persian oil took three times as long to come on stream as anticipated.”
Burmah Oil Co. began the Anglo-Persian Oil Co. as a subsidiary.
Ninety-seven percent of British Petroleum was owned by Burmah Oil Co.
By 1914, the British government owned 51% of the Anglo-Persian Oil Co.  
Anglo-Persian acquired independence from Burmah Oil and Royal Dutch Shell with two million pounds from the British government.

The lava burns the rock off the edge of the volcano.
In 1942, after the Japanese took Burma,
the British destroyed their refineries before leaving.
The United Nations had to find other sources of oil.
In 1943, Japan built the Burma-Thailand Railroad with forced labor from the Malay peninsula who were mostly from the rubber plantations.

The rock goes down with the lava, breaking through the rocks as it goes down.
In 1945. Japan destroyed their refineries before leaving Burma.
Cargill, Watson and Whigham were on the Burmah Oil Co. Board and then the Anglo Iranian Oil Co. Board.  

In 1936 Palestine, boycotts, work stoppages, and violence against British police officials and soldiers compelled the government to appoint an investigatory commission.  
Leaders of Egypt, Trans Jordan, Syria and Iraq helped end the work stoppages.
The British government had the Peel Commission read letters, memoranda, and petitions and speak with British officials, Jews and Arabs.  
The Commission didn’t believe that Arabs and Jews could live together in a single Jewish state.
Because of administrative and financial difficulties the Colonial Secretary stated that to split Palestine into Arab and Jewish states was impracticable.  
The Commission recommended transitioning 250,000 Arabs and 1500 Jews with British control over their oil pipeline, their naval base and Jerusalem.  
The League of Nations approved.
“It will not remove the grievance nor prevent the recurrence,” Lord Peel stated after.
The Arab uprising was much more militant after Peel.  Thousands of Arabs were wounded, ten thousand were detained.  
In Sykes-Picot and the Husain McMahon agreements, the British promised the Arabs an independent state but they did not keep that promise.  
Representatives from the Arab states rejected the Peel recommendations.
United Nations General Assembly Resolution181 partitioned Palestine into Arab and Jewish states with an international regime for the city of Jerusalem backed by the United States and the Soviet Union.  

The Israeli Yishuv had strong military and intelligence organization —-  
the British recognized that their interest was with the Arabs and abstained from the vote.  
In 1948, Israel declared the establishment of its state.  
Ground rock, minerals, and gas covered the ground from the ash plume.
The Palestinian police force was disbanded and the British gave officers the option of serving in Malaya.

Though Truman, Eisenhower and Kennedy supported snd tried to get Israel to offer the Arabs concessions, it wasn’t a major priority and didn’t always approve of Israel’s plans.
Arabs that had supported the British to end Turkish rule stopped supporting the West.  
Many Palestinians joined left wing groups and violent third world movements.  
Seventy-eight percent of the territory of former Palestine was under Israel’s control.  

My dad left for college in 1957 and lived in an apartment above the United States Information services office.
Because he graduated at the top of his class, he was given a job with the public works department of the government on the electricity board.  
“Once in, you’ll never leave.”
When he wanted a job where he could do real work, his father was upset.
He broke the chains with bells for vespers.
He got a job in Calcutta at Kusum Products and left the government, though it was prestigious to work there.
In the chemical engineering division, one of the projects he worked on was to design a *** distillery, bells controlled by hammers, hammers controlled by a keyboard.
His boss worked in the United Kingdom for. 20 years before the company he worked at, part of Power Gas Corporation, asked him to open a branch in Calcutta.
He opened the branch and convinced an Industrialist to open a company doing the same work with him.  The branch he opened closed after that.  
My dad applied for labor certification to work abroad and was selected.  
His boss wrote a reference letter for my him to the company he left in the UK.  My dad sent it telling the company when he was leaving for the UK.  
The day he left for London, he got the letter they sent in the mail telling him to take the train to Sheffield the next day and someone from the firm would meet him at the station.  
His dad didn’t know he left, he didn’t tell him.
He broke the chains with chimes for schisms.


Anglo-Persian Oil became Anglo-Iranian Oil in 1935.
The British government used oil and Anglo-Persian oil to fight communism, have a stronger relationship with the United States and make the United Kingdom more powerful.  
The National Secularists, the Tudeh, and the Communists wanted to nationalize Iran’s oil and mobilized the Iranian people.
The British feared nationalization in Iran would incite political parties like the Secular Nationalists all over the world.  
In 1947, the Iranian government passed the Single Article Law that “[increased] investment In welfare benefits, health, housing, education, and implementation of Iranianization through substitution of foreigners” at Anglo-Iranian Oil Co.
“Anglo-Iranian Oil Company made more profit in 1950 than it paid to the Iranian government in royalties over the previous half century.”
The Anglo-Iranian Oil Company tried to negotiate a new concession and claimed they’d hire more Iranian people into jobs held by British and people from other nationalities at the company.
Their hospitals had segregated wards.  
On May 1, 1951, the Iranian government passed a bill that nationalized Anglo- Iranian Oil Co.’s holdings.  
During the day, only the steam from the hot lava can be seen.
In August 1953, the Iranian people elected Mossadegh from the Secular Nationalist Party as prime minister.
The British government with the CIA overthrew Mossadegh using the Iranian military after inducing protests and violent demonstrations.  
Anglo-Iranian Oil changed its name to British Petroleum in 1954.
Iranians believe that America destroyed Iran’s “last chance for democracy” and blamed America for Iran’s autocracy, its human rights abuses, and secret police.

The smoldering sound of the lava sizzles underneath the dried lava.  
In 1946, Executive Yuan wanted control over 4 groups of Islands in the South China Sea to have a stronger presence there:  the Paracels, the Spratlys, Macclesfield Bank, and the Pratas.
The French forces in the South China Sea would have been stronger than the Chinese Navy then.
French Naval forces were in the Gulf of Tonkin, U.S. forces were in the Taiwan Strait, the British were in Hong Kong, and the Portuguese were in Macao.
In the 1950s, British snd U.S. oil companies thought there might be oil in the Spratlys.  
By 1957, French presence in the South China Sea was hardly there.  

When the volcano erupted, the lava dried at the ocean into black sand.
By 1954, the Tudeh Party’s communist movement and  intelligence organization had been destroyed.  
Because of the Shah and his government’s westernization policies and disrespectful treatment of the Ulama, Iranians began identifying with the Ulama and Khomeini rather than their government.  
Those people joined with secular movements to overthrow the Shah.  

In 1966, Ne Win seized power from U Nu in Burma.
“Soldiers ruled Burma as soldiers.”
Ne Win thought that western political
Institutions “encouraged divisions.”
Minority groups found foreign support for their separatist goals.
The Karens and the Mons supported U Nu in Bangkok.  


Rare copper, a heavy metal, no alloys,
a rock in groundwater,
conducts electricity and heat.
In 1965, my Dad’s cousin met him at Heathrow, gave him a coat and £10 and brought him to a bed and breakfast across from Charing Cross Station where he’d get the train to Sheffield the next morning.
He took the train and someone met him at the train station.  
At the interview they asked him to design a grandry girder, the main weight bearing steel girder as a test.
Iron in the inner and outer core of the earth,
He’d designed many of those.  
He was hired and lived at the YMCA for 2 1/2 years.  
He took his mother’s family name, Menon, instead of his father’s, Varma.
In 1967, he left for Canada and interviewed at Bechtel before getting hired at Seagrams.  
Iron enables blood to carry oxygen.
His boss recommended him for Dale Carnegie’s leadership training classes and my dad joined the National Instrument Society and became President.
He designed a still In Jamaica,
Ordered all the parts, nuts and bolts,
Had all the parts shipped to Jamaica and made sure they got there.
His boss supervised the construction, installation and commission in Jamaica.
Quartz, heat and fade resistant, though he was an engineer and did the work of an engineer, my dad only had the title, technician so my dad’s boss thought he wasn’t getting paid enough but couldn’t get his boss to offer more than an extra $100/week or the title of engineer; he told my dad he thought he should leave.
In 1969, he got a job at Celanese, which made rayon.
He quit Celanese to work at McGill University and they allowed him to take classes to earn his MBA while working.  

The United States and Israel’s alliance was strong by 1967.
United Nations Security Council Resolution 242 at the end of the Third Arab Israeli War didn’t mention the Palestinians but mentioned the refugee problem.
After 1967, the Palestinians weren’t often mentioned and when mentioned only as terrorists.  
Palestinians’ faith in the “American sponsored peace process” diminished, they felt the world community ignored and neglected them also.
Groups like MAN that stopped expecting anything from Arab regimes began hijacking airplanes.
By 1972, the Palestine Liberation Organization had enough international support to get by the United States’ veto in the United Nations Security Council and Arab League recognition as representative of the Palestinian people.
The Palestinians knew the United States stated its support, as the British had, but they weren’t able to accomplish anything.  
The force Israel exerted in Johnson’s United States policy delivered no equilibrium for the Palestinians.  

In 1969, all political parties submitted to the BSPP, Burma Socialist Programme Party.
Ne Win nationalized banks and oil and deprived minorities of opportunities.
Ne Win became U Nu Win, civilian leader of Burma in 1972 and stopped the active role that U Nu defined for Burma internationally
He put military people in power even when they didn’t have experience which triggered “maldistribution of goods and chronic shortages.”  
Resources were located in areas where separatist minorities had control.

The British presence in the South China Sea ended in 1968.  
The United States left Vietnam in 1974 and China went into the Western Paracels.
The U.S. didn’t intervene and Vietnam took the Spratlys.
China wanted to claim the continental shelf In the central part of the South China Sea and needed the Spratlys.
The United States mostly disregarded the Ulama In Iran and bewildered the Iranian people by not supporting their revolution.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.


Edelweiss

I laid out in my backyard in my bikini.  
I love the feeling of my body in the sun.  
I’d be dark from the end of spring until winter.
The snow froze my bare feet through winter ,
my skin pale.
American towns in 1984,
Free, below glaciers the sunlight melted the snow,
a sea of green and the edelweiss on the edge of the  limestone,
frosted but still strong.    
When the spring warmed the grass,
the grass warmed my feet. 
The whole field looked cold and white from the glacier but in the meadow,
the bright yellow centers of those flowers float free in the center of the white petals.
The bright yellow center of those edelweiss scared the people my parents ran to America from India to get away from.  
On a sidewalk in Queens, New York in 1991, the men stared and yelled comments at me in short shorts and a fitted top in the summer.  
I grabbed my dad’s arm.

























The Bread and Coconut Butter of Aparigraha

Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity.
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity,
toiling for love and truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremini mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow, the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.  

































Sound on Powdery Blue

Potter’s clay, nymph, plum unplumbed, 1993.
Dahlia, ice, powder, musk and rose,
my source of life emerged in darkness, blackness.
Seashell fragments in the sand,
The glass ball of my life cracked inside,
Light reflected off the salt crystal cracks,
Nacre kept those cracks from getting worse.
Young ****** Autosodomized By Her Own Chastity,
Nymph, I didn’t want to give my body,
Torn, *****, ballgown,
To people who wouldn’t understand me,
Piquant.

Outside on the salt flats,
Aphrodite, goddess of beauty, pleasure and fertility and
Asexual Artemis, goddess of animals, and the hunt,
Mistress of nymphs,
Punish with ruthless savagery.

In my bedroom, blue caribou moss covered rocks, pine, and yew trees,
The heartwood writhes as hurricane gales, twisters and whirlwinds
Contort their bark,
Roots strong in the soil.
Orris root dried in the sun, bulbs like wood.
Dahlia runs to baritone soundbath radio waves.
Light has frequencies,
Violet between blue and invisible ultraviolet,
Flame, slate and flint.
Every night is cold.

Torii gates, pain secured as sacred.
An assignation, frost hardy dahlia and a plangent resonant echo.
High frequency sound waves convert to electrical signals,
Breathe from someone I want,
Silt.
Beam, radiate, ensorcel.
I break the bark,
Sap flows and dries,
Resin seals over the tear.
I distill pine,
Resin and oil for turpentine, a solvent.
Quiver, bemired,
I lead sound into my darkness,
Orris butter resin, sweet and warm,
Hot jam drops on snow drops,
Orange ash on smoke,
Balm on lava,
The problem with cotton candy.

Electrical signals give off radiation or light waves,
The narrow frequency range where
The crest of a radio wave and the crest of a light wave overlap,
Infrared.
Glaciers flow, sunlight melts the upper layers of the snow when strong,
A wet snow avalanche,
A torrent, healing.
Brown sugar and whiskey,
Undulant, lavender.
Pine pitch, crystalline, sticky, rich and golden,
And dried pine rosin polishes glass smooth
Like the smell of powdery orris after years.
Softness, flush, worthy/not worthy,
Rich rays thunder,
Intensify my pulse,
Frenzied red,
Violet between blue and invisible ultraviolet.
Babylon—flutter, glow.
Unquenchable cathartic orris.  

















Pink Graphite

Camellias, winter shrubs,
Their shallow roots grow beneath the spongy caribou moss,
Robins egg blue.
After writing a play with my gifted students program in 1991,
I stopped spending all my free time writing short stories,
But the caribou moss was still soft.

In the cold Arctic of that town,
The evergreen protected the camellias from the afternoon sun and storms.
They branded hardy camellias with a brass molded embossing iron;
I had paper and graphite for my pencils.

After my ninth grade honors English teacher asked us to write poems in 1994,
It began raining.
We lived on an overhang.
A vertical rise to the top of the rock.
The rainstorm caused a metamorphic change in the snowpack,
A wet snow avalanche drifted slowly down the moss covered rock,
The snow already destabilized by exposure to the sunlight.

The avalanche formed lakes,
rock basins washed away with rainwater and melted snow,
Streams dammed by the rocks.  
My pencils washed away in the avalanche,
My clothes heavy and cold.
I wove one side of each warp fiber through the eye of the needle and one side through each slot,
Salves, ointments, serums and tinctures.
I was mining for graphite.
They were mining me,
The only winch, the sound through the water.

A steep staircase to the red Torii gates,
I broke the chains with bells for vespers
And chimes for schisms,
And wove the weft across at right angles to the warp.  

On a rocky ledge at the end of winter,
The pink moon, bitters and body butter,
They tried to get  me to want absinthe,
Wormwood for bitterness and regret.
Heat and pressure formed carbon for flakes of graphite.
Heat and pressure,
I made bitters,
Brandy, grapefruit, chocolate, mandarin rind, tamarind and sugar.
I grounded my feet in the pink moss,
paper dried in one hand,
and graphite for my pencils in the other.  



































Flakes

I don’t let people that put me down be part of my life.  
Gardens and trees,
My shadow sunk in the grass in my yard
As I ate bread, turmeric and lemon.
Carbon crystallizes into graphite flakes.
I write to see well,
Graphite on paper.  
A shadow on rock tiles with a shield, a diamond and a bell
Had me ***** to humiliate me.
Though I don’t let people that put me down near me,
A lot of people putting me down seemed like they were following me,
A platform to jump from
While she had her temple.  

There was a pink door to the platform.
I ate bread with caramelized crusts and
Drank turmeric lemonade
Before I opened that door,
Jumped and
Descended into blankets and feathers.
I found matches and rosin
For turpentine to clean,
Dried plums and licorice.  

In the temple,
In diamonds, leather, wool and silk,
She had her shield and bells,
Drugs and technology,
Thermovision 210 and Minox,
And an offering box where people believed
That if their coins went in
Their wishes would come true.

Hollyhock and smudging charcoal for work,  
Belled,
I ground grain in the mill for the bread I baked for breakfast.
The bells are now communal bells
With a watchtower and a prison,
Her shield, a blowtorch and flux,
Her ex rays, my makeshift records
Because Stalin didn’t like people dancing,
He liked them divebombing.
Impurities in the carbon prevent diamonds from forming,
Measured,
The most hard, the most expensive,
But graphite’s soft delocalized electrons move.  






































OCEAN BED

The loneliness of going to sleep by myself.  
I want a bed that’s high off the ground,
a mattress, an ocean.
I want a crush and that  person in my bed.  
Only that,
a crush in my bed,
an ocean in my bed.  
Just love.  
But I sleep with my thumbs sealed.  
I sleep with my hands, palms up.  
I sleep with my hands at my heart.  
They sear my compassion with their noise.  
They hold their iron over their fire and try to carve their noise into my love,
scored by the violence of voices, dark and lurid,  
but not burned.  
I want a man in my bed.  
When I wake up in an earthquake
I want to be held through the aftershocks.  
I like men,
the waves come in and go out
but the ocean was part of my every day.  
I don’t mind being fetishized in the ocean.  
I ran by the ocean every morning.  
I surfed in the ocean.  
I should’ve gone into the ocean that afternoon at Trestles,
holding my water jugs, kneeling at the edge.  














Morning

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  

Morning—the molten lava in the outer core of the earth embeds the iron from the inner core into the earth’s magnetic field.  
The magnetic field flips.  
The sun, so strong, where it gets through the trees it burns everything but the pine.  
The winds change direction.  
Storms cast lightening and rain.  
Iron conducts solar flares and the heavy wind.  
In that pine forest, I shudder every time I see a speck of light for fear of neon and fluorescents.  The eucalyptus cleanses congestion.  
And Kerouac’s stream ululates, crystal bowl sound baths.  
I follow the sound to the water.  
The stream ends at a bluff with a thin rocky beach below.  
The green water turns black not far from the shore.  
Before diving into the ocean, I eat globe mallow from the trees, stems and leaves, the viscous flesh, red, soft and nutty.  
I distill the pine from one of the tree’s bark and smudge the charcoal over my skin.  

Death, the palo santo’s lit, cleansing negative energy.  
It’s been so long since I’ve smelled a man, woodsmoke, citrus and tobacco.  
Jasmine, plum, lime and tuberose oil on the base of my neck comforts.  
Parabolic chambers heal, sound waves through water travel four times faster.  
The sound of the open sea recalibrates.  
I dissolve into the midnight blue of the ocean.  

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  
I want hot water with coconut oil when I get up.  
We’d lay out on the lawn, surrounded by high trees that block the wind.  
Embers flying through the air won’t land in my yard, on my grass, or near my trees.  





Blue Paper

Haze scatters blue light on a planet.  
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.  
Blue women enter along the sides of her red Torii gates, belayed, branded and belled, a plangent sound.  
By candles, colored lights and dried flowers she’s sitting inside on a concrete floor, punctures and ruin burnished with paper, making burnt lime from lime mortar.  
Glass ***** on the ceiling, she moves the beads of a Palestinian glass bead bracelet she holds in her hands.  
She bends light to make shadows against  thin wooden slats curbed along the wall, and straight across the ceiling.
A metier, she makes tinctures, juniper berries and cotton *****.
Loamy soil in the center of the room,
A hawthorn tree stands alone,
A gateway for fairies.
large stones at the base protecting,
It’s branches a barrier.  
It’s leaves and shoots make bread and cheese.
It’s berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals.
And lime in the soil.  
She adds wood chips to the burnt lime in the kiln,
Unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth,
The tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk.  
She adds slaked lime to the burnt lime and wood chips.  
The lime converts to paper,
Trauma victims speak,
Light through butterfly wings.  
She’s plumeria with curved petals, thick, holding water
This is what I have written of my book.  I’ll be changing where the poems with the historical research go.  There are four more of those and nine of the other poems.
WARNER BAXTER Apr 2014
10236 Charing Cross Road
Holmby Hills, CA. 90077



To go where young rabbits frolic and dance
Would be a sweet treat if I had the chance

To swim in the water where famous cottontails get wet
Where champagne bubbles are spilled by the elite jet set

Maybe I might win a million dollar lotto
That could be my ticket to enter the grotto

Past muscle bound bouncers, inside velvet ropes and stanchions
To ogle, google and spill my own bubbles at The ******* Mansion

To escape normality and alter reality before I grow old
Playing with Playmates and Bunnies and this months Centerfold

10236 Charing Cross Road, Holmby Hills CA. 90077
Without a doubt this is the address of Heaven




Thank you
Mr. Hefner
Jeremy Ducane Nov 2010
I watched you as a drop of water run
Liquid in this bony place of stanchions
Cases, bags and hardened faces.

For a time you lasted here
Shaken by bad tempered stampings
Waitings
Delays and
Endings.

Until at last
You fell.
And rose again
As cloudy light
Enchantment for a sky we cannot see.
c. Jeremy Ducane 2010
Terry Collett May 2015
I meet Nima
on the Embankment
behind Charing Cross
underground station.

She's waiting for me
with hands in the pockets
of her coat,
collar turned up,
looking down
into the Thames.

I cross over the road
towards her,
her back is facing me,
slim figure,
hair tied back
in a ponytail.

Been waiting long?
I say.

She turns and her eyes
are tired and drained.

Not long;
been looking
at the water,
she says.

She kisses me,
puts her arms
around my waist.

What's in the bag?
She asks.

I bought a LP
at Dobell's Jazz Shop.

She takes the bag
and looks inside.

Might have guessed
it would be jazz.

She hands me
back the bag.

How are things
at the hospital?

She shrugs
her shoulders.

Difficult;
the ******* want me
to do this and that;
had a job
to get out today,
she says.

Let's go get a drink
and chat,
I suggest.

She nods and we
walk up towards
Charing Cross Road.

So how did you
get out after all?

I sneaked out,
she says,
got some clothes
and here I am.

Whose clothes?

Don't know;
underwear are mine,
the rest I borrowed,
she says.

Won't they be looking
for you at the hospital?
I ask.

Who cares.

We take a coffee
in a cafe off
Charing Cross Road
and sit down.

You're a drug addict,
they're bound to be
looking for you,
I say.

I wanted to see you;
needed to get out
of that hell hole
and the **** nurse
and quacks,
she says.

I give her a cigarette
and take one myself
and light up.

Don't you want
to see me?
She says.

Sure I do,
but I'm worried about you.

Don't worry.

I do.

She inhales
and looks at me.

I want *** and a fix,
she says,
I know where
I could a fix,
but I want ***
with you, Benny,
not just anyone.  

I look around
at the those nearby
in the cafe
who heard her.

She closes her eyes.
I know,
no place available,
some nights
I’m that desperate
I fancy the night nurse.

I raise my eyebrows.

I don't,
just saying,
she says,
her closed eyes still,
unmoving.

I recall the quickie
at the hospital that time.

I look at her
sitting there,
eyes closed,
cigarette smoke
rising in the air.
A BOY AND GIRL IN LONDON IN 1967.
Terry Collett Apr 2014
As I came
from the Embankment
underground station
towards Charing Cross

I saw Julie standing
looking in
a shop window
she looked thin

in the jeans
and yellow tee-shirt
her hair was drawn back
in a ponytail

she saw me
and walked towards me
thought I’d meet you here
she said

got bored waiting
in Trafalgar Square
ok
I said

good that you're here
we kissed and walked
hand in hand
up to Charing Cross

how are you?
I asked
******
she said

the doctors
have been on my case
all week
and the nurses

have been
breathing down my neck
into everything I do
can't even go

to the bog
without them
standing outside the door
in case I’m shooting up

and are you?
I asked
course not
where am I

going to get anything
to shoot up?  
we came to the road
and crossed

at the lights
and into Charing Cross Road
I missed you
she said

missed you too
I said
wish I had
a photo of you

to put by my bed
can't get one
she said
the parents won't bring

a thing from home
unless you have a camera?
no I don't
have a camera

I said
shame
she said
I’m going

to a jazz concert
next week
I said
jazz? yuk

she said
I’d rather
have an enema
who are you seeing?

Charles Lloyd
jazz sax guy
but I can see you
in the day time

it's in the evening
she looked at me
we could try book
into that crazy hotel again

for a few hours
she said
get that same room
and bed

today?
I asked
no next week
she said

OK
I said
I’ll ring through tonight
she smiled

give me something
to look forward to
all week
get me through

the nonsense
with the docs and nurses
we went into
Leicester Square

and into a café
for two coffees
and a slice
of chocolate cake each

and I studied
her face
and small *******
just out of reach.
BOY AND GIRL IN LONDON N 1967
SQUID Aug 2017
Inflatable bride march,
Plastic enormous,
Stoical hens,
Mystery "pleasures".
Riley Renee Sep 2014
A heart full of wine
and liquor-spotted lips
I can’t remember the last time we kissed or how long it lasted for.

Yesterday’s makeup across a sham of a smile
I always catch a glimpse of you on Sundays; it’s where you used
to hold my hand and trace secrets across my forearm.

Daisies stripe the path we ambled again and again until the grass was embedded
with stumbling prints of your neon Nikes and the soft tap of my feet.

I still feel you in my veins
The toxin levels rise; I watch it on the monitor.
A plastic bracelet wraps my wrist too tight, the way your left hand did.

I expected you to burst like a volcano
and flood me with heat, scalding my ribs
and charing all flesh.
I waited for you to make me new,
and you didn’t.
My hair was the darkest black,
and I faded into shadows
following you.
Terry Collett Jun 2013
Benedict met Julie
(the druggie
and whatever
else she was)
circa 1967
at the foot
of Nelson's Column
in Trafalgar Square.

She was dressed
in a mini skirt,
tight top, her hair up.

He dressed in his red shirt,
pink slacks, black shoes,
smiled as he approached.

Never guess how many times
I've been chatted up
as a *****, she said,
since I've been
standing here.

Guess you
put them right,
he said.

Do I look
like a *****?
she asked.

No, of course not,
he said, taking in
her mini skirt,
the tight top,
the pressing out ****.

She sighed.
Anyway you're here,
where now? She asked.

The gallery? He said,
indicating the National
Portrait Gallery behind.

I need a drink, she said.
Are you allowed
with the medication
you're on?
Since when
did you become
my father? She said.

He looked at the people
round about, the pigeon feeders,
the meeting of lovers,
visitors from some
foreign shores,
middle class,  
up your *** bores.

Ok, he said, let's go
have that drink,
then take in a gallery
or cinema.

I feel a need
to make a hit,
she said.

They only let you
out of the hospital
because they think
you can be trusted,
he said.

Then they shouldn't
trust me should they,
she said.

But they do.
It's up to you,
but I'm not
sticking around
if you go back
down that alley,
he said. I said
I felt a need,
didn't say
I was going to,
she muttered.

She moved away
from the Column;
he followed, through
the Square, pass
the people and pigeons,
the kids and parents.

He gazed at her ***
as she moved ahead,
the sway of it,
the thighs, sans
stockings, her feet  
with sandals,
treading the ground.

She stopped at the edge
of the road; he stood
beside her, took her hand,
felt her warmth.

They found a bar
in Leicester Square.
Ordered drinks, sat down,
lit cigarettes, smoked.

Guess who I met
the other week?
He asked.

Who? she asked.
Charles Lloyd,
he said.

Who's he? she asked.
Jazz sax-player.
Met him outside
Dobell’s' record shop
in Charing Cross Road.

Is he famous? She asked.
Sure he is. I got him
to autograph my copy
of his latest LP,
Benedict said.

What did he say?
She asked.
Sure man he said
and scribbled on
the back cover.

She looked out
of the window;
took a long drag
of her cigarette.

He watched her profile,
the lips holding
the cigarette,
the puffing out
of smoke.
Thinking of her
in the hospital ward,
the white dressing gown,
the skippered feet,
that time they made love
in that small room
off the ward.

Another drink?
She said.
Sure, he said,
and ordered two more.

Some place inside her head
a wild wave of need
swept up the empty shore.
Alexandria Jun 2015
I think my first mistake was acknowledging the part of me that found your lips the sweetest that I'd ever had.
Maybe from there it all went downhill because after that I started to feel the edges of my heart charing every time I heard your name on someone else's mouth.
I suppressed the hurt,
I thought I'd surpassed this,
But I think I just buried it because
I thought you'd be worth it in the long run.
Because I thought our love was our own,
Because I thought we were magic.
I didn't realize that magic was fast hands and optical allusions until after you'd made yourself disappear.
Terry Collett Jun 2014
I would have loved
to have had ***
with Kafka
Nima said
something about him
the photo of him

I sat opposite her
in the café
in Charing Cross Road
she had a coke
I sipped coffee

I feel the same
about Marilyn Monroe
I said
love to have got
her in bed

Nima looked at me
disdainfully
you would
she said

not necessarily
for ***
I said
just to listen
to her voice
sense her being there
the scent of her

Nima shook her head
ok I’d listen to Kafka
and sense
his being there
but *******
his **** off
at the same time
she said

an old guy
on the other side
of the café
gave her a look

have you read
any of his books?
I asked

some
she said
the one where he turns
into a big beetle

actually it doesn't say beetle
in the book
it says gigantic vermin
which people has interpreted
as a beetle or bug
I said

she sipped her coke
it's his body
I want to go to bed
with not his book
she said

he's dead
I said
died in 1924

shame
she said
he doesn’t know
what he's
missed out on

I guess he did
I said

she smiled
have to be satisfied
with his books then
won't I

we drained our drinks
and went on our way
I went to Dobell's
Jazz Record shop
and bought
a Coltrane LP

then we walked
to the train station
where she got a train
to the hospital
where she was being treated
for her drug addiction

I went home to play
my Coltrane
on my record player
via another train
thinking of her
and Kafka
and me and Monroe
having ***
in that cheap hotel
off Trafalgar Square
where Nima and I
once had *** there.
A BOY AND GIRL IN LONDON IN 1967 AND WILD IDEAS.
NuurSeraph Apr 2014
In No Strange Land

O World invisible, we view thee,
O World intangible, we touch thee,
O World unknowable, we know thee,
Inapprehensible, we clutch thee!

Does the fish soar to find the ocean,
The eagle plunge to find the air -
That we ask of the stars in motion
If they have rumour of thee there?

Not where the wheeling systems darken,
And our benumbed conceiving soars!
The drift of pinions, would be harken,
Beats at our clay-shuttered doors.

The angels keep their ancient places; -
Turn but a stone, and start a wing!
'Tis ye, 'tis your estranged faces,
That miss the many-splendoured thing.

But (when so sad, thou couldst not sadder)
Cry; - and upon thy so sore loss
Shall shine the traffic of Jacob's ladder
Pitched betwixt Heaven and Charing Cross.

Yea, in the night, my soul, my daughter,
Cry, - clinging Heaven by the hems;
And lo, Christ walking on the water
....
Poem by Francis Thomas, "In No Strange Land"
Mitch Nihilist Mar 2016
It’s a normal night
a little bit of ***** and
the sky has something
in it’s teeth,
I can’t pick at it
all i can do is look
as it smiles down at me,
the chill peeking into my skin
as everything around me
seems so content,
raspy footsteps around
a frozen yard trickle
down my earlobes,
moonlit cigarette smoke
dancing like scissors
across my upper lip,
the sound of nothing
but tearing paper
kindling before my eyes,
distant cars
singing roadside echo’s
charing my ears
like burning flower pedals,
and all that crosses my mind
is the how unfathomable
the beauty of nighttime is,
I find myself daydreaming
when the sun sets
and sleep walking
when it rolls over,
the emptiness of
eventide is a glass
half empty being
topped off half full,
repressing every
ominous feeling of
daytime, but the
one thing that
will subside not
is the ubiquitous
thought of you.
Terry Collett Jan 2014
Having met Julie
at Victoria railway station
and travelled by tube
to Charing Cross Road

you sneaked
into Dobell's
jazz record shop
and listened

to some Coltrane
in the small record booth
up close
she having got out

of the hospital
for the day
although
the drug withdrawal

was getting her tight
her short skirt
was riding high
as she sat there

squashed up
near to you
her eyes closing
and opening

her hands
in prayer mode
in her lap
can we go now?

she said
I need a drink
and smoke
so you left the booth

giving the guy
back the Coltrane
record sleeve
and left the shop

taking it on foot
to the café
and ordering
two coffees

and she took out
her smokes and lit up
and she gave
you one too

and she talked
of how her parents
hadn't visited
and how

the whole show
at the hospital
was getting her
on the edge

and you sat
watching her
the dark hair
drawn back

with a black ribbon
the red
high necked jumper
the short black skirt

her eyes bright
as stars
her lips making
a large O

then closing up
and going
like a narrow slit
you remember

that quickie
we had
in that small cupboard?
she said

those brooms
and boxes
and then she smiled
and you smiled too

that was my last time
she said
last time I had it
she said louder

she took a drag
of her smoke
and sat silent
watching the smoke

rise before her eyes
Warwick’s worried
about you
you said

is he now
she said sarcastically
well he can go pray
to his God

for me then
she said
sitting back
in the seat

yes you thought
the ***
had been good
but quick

unexpected
out of the blue
she in her night gown
(and little else)

and in the background
the music playing
from the radio
some Beatles' song

along the hospital ward
what did you think
of the Coltrane album?
you said

breaking the silence
in the café
bored my **** off
she said

I’ll get it anyway
you replied
and she looked out
the window darkly

as if someone
had fingered her
slowly
then died.
A BOY AND GIRL MEETING IN 1967.
Terry Collett Oct 2013
Julie followed Benedict
from bookshop to bookshop
then they went in a cafe
on Charing Cross Road

and sat down
by the window
and ordered two coffees
and lit up cigarettes

how's it going
at the hospital?
he asked
gutty

she said
boring my ******* off    
I shouldn't be there
she inhaled deeply

on her cigarette
once you're off the drugs
you won't be
he said

I am off the drugs
she looked at him
well most of the time
she said

what do they say
at the hospital?
they said my parents
want me to stay there

until I'm cleaned off  
she said
but you're out today
he said

yes on good behaviour
she said
any sign
I've taken anything

then I'm locked in
and Daddy said
they'll have me sectioned
if need be

he has doctor friends
who will oblige
and him and Mother
being doctors themselves

it won't be difficult
she said
Benedict watched
as the waitress

brought the coffees
and put them on the table
and swayed off
in a Monroe fashion

we could take in a film
if you like
he said
no I don't want

to be stuck
in some smokey cinema
she said
I want to be out

in the fresh air
and see London
ok
he said

what about having a stroll
along the Thames Embankment?
then after take in
a look around an art gallery

you are full of fun
she said moodily
ok where then?
he said

some room someplace
and a good ****
she said
the word hung in the air

like a dark cloud
in the cafe
people gaped at her
I think they've got

Lichtenstein at the gallery
this month
he said
Pop Art stuff

he added
she pulled a face
then drew on her cigarette
you're in a mood

he said
maybe you should
have stayed at the hospital
and twiddled your thumbs

on the ward
she stared at him
releasing smoke
from her mouth slowly

ok the gallery
isn't too bad an idea
she said
but I'm gagging

for a fix
my body's screaming for it
she went quiet
and sipped her coffee

he looked at her
sitting there
dark brown hair
tied by a ribbon

her eyes staring
at the table
her fingers holding
the cup and cigarette

he recalled the time
at the hospital
when they'd managed
to be alone

in the small broom cupboard
and the quick ***
in the dark
between brooms

and dusters
and buckets
he smiled
what you smiling at?

she said
cupboard love
he said
she laughed

yes that was good
she said
unexpected too
and any moment

some poor cleaner
coming for a bucket
and seeing us at it
she stubbed out

her cigarette
in an ashtray
on the table
and they went out the cafe

and back along
towards Trafalgar Square
to the art gallery
to see what was there.
SET IN LONDON IN 1967.
Terry Collett Jan 2013
You followed Julie
in and out
of book shops
along Charing Cross Road

watching
as she picked out
a book to view
a few pages

or run a thin finger
down the book’s spine
studying her face
as she took out

a Sartre or Wittgenstein
her eyes running
along the lines
mouthing the big words

she talking
of her parents
the doctors
how they were pretty much

shot out of the sky
when they discovered
she was stabled up
in some hospital wing

for drug plunging
or pill popping
and you should have seen
my mother’s face

she said
like daddy
had ****** her ****
she picked out

a book by Schopenhauer
the old philosopher’s face
on the cover
staring out

you searched her eyes
the depth of them
the colour
the changing hue

from what appeared
green to blue
and green again
or so it seemed

when have you got
to be back
in the hospital?
you asked

6pm or so
she muttered
pushing the book back
on the shelf

wiping her hands
on her jeans
her small ****
indicating their presence

as she moved
toward you
what are your parents
going do about you?

you asked
keep out of sight
of their posh friends
say I’m abroad

or someplace else
you noticed her lips
as she spoke
her tongue

moving over them
like some waking snake
then she moved on and out
of the shop

and along the road
you kept up beside her
sensing her hand
seeking yours

taking one
of your fingers
she put it
to her mouth

and gave a ****
and eyed you
sideways on
with that grin

she sometimes wore
that young middle class
English  girl
playing the *****.
Terry Collett Oct 2013
Julie stuffed the cigarette
into her mouth
and hungrily inhaled
Benedict was late

and she standing
by Charing Cross station
was annoyed
the morning

had started bad
the nurse on the ward
questioned whether
she should be allowed out

after not taking
her medication
and who
was she meeting?

after such questioning
and the doctor saying
OK but to be back
by such and such

an hour
she felt like a child again
as if her parents
had been resurrected here

and not at home
traffic whirled by
noise
cars hooting

vans and lorries
passing by
people
O such people

Eliot was right
about death
undoing so many
she exhaled

watching the smoke
sit on the air
before being
whooshed off

by a passing car
last time Benedict said
he'd meet her
by the station

at such and such
a time
and here she was
but not he

she leaned
against the fence
last time they'd gone
to the cinema

but this time
she wanted
more time away
from such places

to be with him
not sit
and watched a film
but where was he?

she felt like a *****
standing there
smoking
one hand supporting

one elbow
one hand holding
the cigarette in such
a sluttish way

she did feel
such a ****
wearing the short skirt
and the red top

her hair drawn severely
into a bun
at the back
of her head

last time
in Trafalgar Square
she'd been almost
picked up twice

dressing as she had
telling them
to *******
getting mad

even the nurse
on the ward
thinks she a ****
especially after

that quick ***
with Benedict
in that side room
she laughed  

and inhaled
her spirits rising
with the sight of him
coming up the hill

from the underground
waving his hand madly
happy to see him
knowing the day

after all won't end
that badly
and the image
in her mind

of the ***
in the cupboard
amidst brooms
and buckets

and mops
in the dark
and the fumbling
and he walking fast

towards her
that bright expression
in his eyes
thinking that is how

worlds are born
while another dies.
Terry Collett Jan 2014
Book us a bed
and room for the day
Julie said
so you did

in some cheap dive
off Charing Cross Road
you were up London
for the day

so that booked
(the dame gave you
that oh yes of course
it's for ***

kind of look)
you ventured
to Dobell's Jazz shop
and picked out

an Ornette Coleman LP
and went into a booth
and was blown away
some concert

in Stockholm
he'd done
after that
you met Julie

in Trafalgar Square
and she was waiting there
dull of hair and eyes
(drug withdrawal)

and said
did you do it?
yes booked it
not far from here

you said
she nodded
and looked about her
at the crowds

and Nelson's Column
and the lion statues
shall we go now then?
she said

OK
you said
and you took her along
to where

the cheap dive was
and the dame
at the desk
gave her

enjoy it kid gaze
and up
the windy stairs
to an upper storey

and opened up the door
and went in
bit of a dump
Julie said

looking around  
a double bed
and chest of drawers
and dressing table

and a gas heater
she walked into
the bathroom
with a huge bath

and two enormous taps
you looked out
the window
which looked out

at a brick wall
it'll do
she said
and went to the bed

and sat on it
and bounced
up and down
a few times

not bad
she said
so then she took of her coat
and kicked off her shoes

and began to take off
her red jumper
are you here
just to watch?

she said
pulling the jumper
over her head
no just waiting

for the go
you said
well go then
she said

and you took off
the ankle boots
and jacket
and unbutton

your creamy shirt
and you noticed
her white bra
and the smallness

of her ****
and taking off
your shirt
you thought

of that quick ***
in the cupboard
in the hospital
where she was

for the drugs
and all
and how quick
and cramped

it was in there
yet here was room
and bed and you unzipped
your wide bottomed trousers

and stepped out of them
and she was already
in the bed
laying there waiting

and you got in
beside her
and touched her
right ***

and she said
**** me
your hand is cold
warm it up

she said
so you did
and she was happier then
with you beside her

your warmed up hands
feeling her
touching and holding
and she kissed you

and put her hands
about you
and then
it was all go

and outside London
was moving on
traffic roared
people getting

on with lives
a cat meowed
and a car backed fired
the gas fire spat out flames

and after the ***
laying back
she said
the nurse at the hospital

told the doctors
I was missing out
on medication
and taking

a backward step
(she'd taken a pill or two
from some ****
at a London club)

and as she talked
her head on the pillow
a cigarette held aloft
you lay beside her

thinking of her body
her thighs
her *******
her lips

her eyes
your cigarette held
to one side
smoke rising

ceiling ward  
you wanted
to make love again
as outside

on the windowsill
the sharp
pitter patter
of heavy rain.
A BOY AND GIRL IN A ROOM IN LONDON IN 1967.
In his study he sits contemplating
activities of this case at hand
with marvellous mind and fragile heart
talks to Watson as what is planned

His deerstalker hangs wet in the hallway
his cane in the hat stand below
he smokes ******* his pipe
Watson gets his gun, they are ready to go

Adorning their coats
Mrs Hudson appears
wishing them luck
whilst holding back tears

Out of Baker Street
they hail a Hanson
to Charing Cross
to pay Moriarty a visit

How many times Holmes, Watson sighed
have you crossed swords with this villain
My Dear Watson Holmes replyed
evil deeds must stop and I am willing.


By Christos Andreas Kourtis aka NeonSolaris
Terry Collett Aug 2013
Nima said the art gallery stank
and all those middle class types
(she being one herself
what with her education

and upbringing and all)
and the usual
bourgeoisie stuff
on the walls

and she huffed
and puffed
and so Naaman took her
to Leicester Square

to some bar he knew
and got her a drink
and lit her a cigarette
and she said

she needed a fix
got the hunger for it
but they’d know
at the hospital

when she got back
and there would be
hell to pay
and the parents

would blow their top
them being doctors and all
and so what they’d say
to her she couldn’t repeat

so she just drank her drink
and smoked her smoke
and Naaman said
he quite liked the art

in the gallery
especially the modern stuff
and the Yank guy
wasn’t really trying

to chat her up
he just wanted
to draw her attention
to the riches

of our monarchy
oh sure he was
she said
he was after

getting into my pants
and she got all verbal
against men and Yanks
and the **** war

in Vietnam
and Naaman just sat
and listened to her jabbering
her eyes lit up

like lights in a harbour
her small **** moving
as she gestured
her tight jeans

(red cords)
hugging her thighs
(a feast to his eyes)
her fingers holding

the cigarette
the pink nails
the unbitten nails
the slim hands

then she stopped
and drained her glass  
and said she had
to go ****

and so he watched her go
wiggling her hips
her fine tight ***
and he thought

of that time
in the hospital
at the last visit
when he and she

snuck into that
small room
where they kept
brooms and such

and had a quick ****
she in her nightgown
(pulled up)
and he half

listening out
for sounds
hoping a domestic
didn’t come

and want a broom
or brush
and when she came back
he went off with her

through the Square
and along
Charing Cross Road
she talking of the state

of the toilet back there
the things
some women do
the messy *******

and on she went again
her voice jabbering away
and he knew
she needed her fix

needed it bad
so he got a tube train
to Victoria Station
and on to the hospital

where she was kept  
the nurse being
quite concerned
at her state

and took her away
and she waved
(Nima not the nurse)
and blew him a kiss

from her palm
and he blew one back
knowing it wouldn’t reach
her lips or ***

but would do her
no harm.
Riley Renee Oct 2014
A heart full of wine
and liquor-spotted lips.
A backless dress
and an inch to breathe.

Inch of garment, inch of air
suffocating underneath starlit blue
I, an abstract decoration, in your cabin of lies.
Touched me when you felt it, as if I was the skin
of a bear draped over a bookshelf,
murdered and witnessed first-
hand. Red.

Do it ‘cause you love me

The pillow, a shade of red,
you placed beneath my hair, curling it between fingers.
Pouted whispers across my neck
Do it ‘cause you love me
Slyness and sadness gleaming in your left eye.

A birthmark on your bicep, the hue of mulch surrounding flowers
holding flowers in place
Roots with a fixed circumference
Petals with a uniform height

Silk of a widow’s nightgown never did compare
to the softness of your skin on my skin,       hands,       lips,      body  whole
oh, dear, oh dear an entire body blanketing mine.
Your stance, superior, and I, an invalid, counting cars and
tracing with my eyes the plaid of boxers.
A predator recovering from a pounce.

Purple veins pierced through skin,
a sunrise just below layers of naked,
parallel lines racing through wrists, legs, a forehead
differing shades of her own hair envelope her fingers,
delicate and stronger, two limbs of power.
Her body breaks; rubble in a storm.

The town’s on fire, my love. Lightning
struck dust on the south building.
God is real, living within your color.

I wanted your temper (I’m sorry) tempest to
flood me with heat, scalding my ribs
and charing all flesh.
Patiently waiting for renewal,
and you didn’t.

Lavender veins,
my hair was the darkest black,
and I faded into shadows
following you.

A dumb little girl who took her ******* off whenever you said she could.
Terry Collett Sep 2013
Mrs Squires and Benedict
at the cheap hotel
in back street
off Charing Cross station

and she said
come on in
let's share this bath
and so he undressed

and there she was
in the water
waiting for him
and he climbed in

and sat opposite her
in the big bath
her shorter legs
between his

his longer legs
outside of hers
she lay back
her *******

sleeping puppies
her hands touching
his feet
come on

she said
don't be shy
and she tickled his toes
and tried to lift them

to her lips
he laughed
I see Percy's moving
she said

he looked at his pecker
rising in the water
needs a wash
she said

and that was that
and after in the room
by the noisy gas heater
in front

of the double bed
he dried
and watched
as she lay there smoking

her hair brushed back
her nightdress
covering her
and she said

wasn't the show good?
yes it was
he said
toweling his pecker dry

the dancers were good too
she inhaled
he studied her
wondered what

her husband would say
seeing her there
what he would have thought
of her bathing

with some young dude
in some cheap hotel
once he had dried
he put on

his dressing gown
and lay on the bed
beside her
and she offered him

a cigarette and lit it for him
and they watched
as their joint smoke
rose in swirling patterns

later
when the lights
were out
(except for the on and off

neon lights
from the street outside)
they made love
in the double bed

the springs going some
the gas fire hissing
like a box of snakes
and he thinking

of her husband
lying in some
other bed alone
with the lights out

and she thinking
of the best ***
she'd had in years
and more to come

and the on and off
neon lights
and somewhere
a gunshot

or car backfiring
and he wondering
what her husband
would say

or think
her having
a young stud
and a good lay.
Terry Collett Dec 2013
It was the summer of love,
at least that's what they said.
There were guys with long
hair and beards and beads,

with wide trousers, and loud
shirts, and girls with long
hair, and dresses like nuns,
or short skirts, showing off

their not so good legs or thighs.
There was Hendricks, Beatles
and Stones and playing, music
loud, live. Julie was out for

the day; the hospital quacks,
giving her a day pass, no
shooting up, no pill popping.
She met Ben in Trafalgar

Square, tight skirt and top,
hair held in a ponytail, bright
eyed, big smile. He was
by the fountains having a

smoke, eyeing the girls,
listening to some long
haired guy strum a guitar,
his skinny girlfriend doing

a dance, her bony legs
looking breakable, ****
non existent. Been here
long? Julie said. No, just

a few moments, he lied,
not wanting to give her
reasons to moan or row.
She wanted to go for a beer.

So he took her to the bar
off Charing Cross Road
and ordered two cold beers
and lit up some smokes.

She spoke of some nurse
who almost lost her her pass,
all about some **** up, over  
drugs, she’d forgotten to take.

She said the quacks were ok
with it, the tall one is hot,
she said, shouldn’t mind him
poking around in my parlour.

He told her about the Charles
Lloyd jazz album he'd bought,
how he'd met him outside Dobell's,
got a sign copy of the new L.P.

She drained her drink and he
ordered another two, she took
one of  his smokes and lit up
and sat back, crossing her legs,

her black short skirt riding her
thighs, ******* in his eyes.
No place for ***, she said,
unless you know of a bed

and room going cheap for
an hour or so?  No luck,
he said, wishing he did,
remembering the fast shaft,

the quickie in the hospital
broom room, amidst brooms
and brushes and buckets
or boxes and all. She said

her parents rang, and they
argued, and she slammed
down the phone. They said
it was the summer of love,

but where they sat, boozing
and smoking, it fell pretty flat.
Terry Collett Jul 2014
Nima looked bored
as we walked
the art gallery
she was only allowed out

of the hospital
for a few hours
promising no drug fixes
or *****

can't we go elsewhere?
she asked
bored here
I felt her boredom

it seeped into my bones
let's go for a coffee
I said
so we went for a coffee

in a coffee bar
across the road
and had a smoke
you were late

she said
I only have a few hours
out of that mad house
sorry I popped

into the jazz record shop
and left me waiting
in Trafalgar Square
she said

what did you buy?
nothing yet
I said
I'll go back later

saw a Coltrane LP I liked
I said
***** that jazz stuff
she said

we drained our coffees
and walked back
to the train station
and I saw her

on her train
and kissed her
at the window
and the train went off

and I watched
until she was out of sight
then back tracked
to the jazz record shop

to buy the Coltrane LP
thinking of Nima
and the time
we had a ***

in that cheap hotel
by Charing Cross
and the bed creaking
and the odd

hot and cold water taps
and she and I
laying there
I walked back

to the gallery
for a last look around
thinking of the Coltrane
and the Coltrane sound.
A BOY AND GIRL AND A QUICK DATE IN 1967
Cuando resido en este país que no sueña
cuando vivo en esta ciudad sin párpados
donde sin embargo mi mujer me entiende
y ha quedado mi infancia y envejecen mis padres
y llamo a mis amigos de vereda a vereda
y puedo ver los árboles desde mi ventana
olvidados y torpes a las tres de la tarde
siento que algo me cerca y me oprime
como si una sombra espesa y decisiva
descendiera sobre mí y sobre nosotros
para encubrir a ese alguien que siempre afloja
el viejo detonador de la esperanza.

Cuando vivo en esta ciudad sin lágrimas
que se ha vuelto egoísta de puro generosa
que ha perdido su ánimo sin haberlo gastado
pienso que al fin ha llegado el momento
de decir adiós a algunas presunciones
de alejarse tal vez y hablar otros idiomas
donde la indiferencia sea una palabra obsena.

Confieso que otras veces me he escapado.
Diré ante todo que me asomé al Arno
que hallé en las librerías de Charing Cross
cierto Byron firmado por el vicario Bull
en una navidad de hace setenta años.
Desfilé entre los borrachos de Bowery
y entre los Brueghel de la Pinacoteca
comprobé cómo puede trastornarse
el equipo sonoro del Chateau de Langeais
explicando medallas e incensarios
cuando en verdad había sólo armaduras.

Sudé en Dakar por solidaridad
vi turbas galopando hasta la Monna Lisa
y huyendo sin mirar a Botticelli
vi curas madrileños abordando a rameras
y en casa de Rembrandt turistas de Dallas
que preguntaban por el comedor
suecos amontonados en dos metros de sol
y en Copenhague la embajada rusa
y la embajada norteamericana
separadas por un lindo cementerio.

Vi el cadáver de Lídice cubierto por la nieve
y el carnaval de Río cubierto por la samba
y en Tuskegee el rabioso optimismo de los negros
probé en Santiago el caldillo de congrio
y recibí el Año Nuevo en Times Square
sacándome cornetas del oído.

Vi a Ingrid Bergman correr por la Rue Blanche
y salvando las obvias diferencias
vi a Adenauer entre débiles aplausos vieneses
vi a Kruschev saliendo de Pennsylvania Station
y salvando otra vez las diferencias
vi un toro de pacífico abolengo
que no quería matar a su torero.
Vi a Henry Miller lejos de sus trópicos
con una insolación mediterránea
y me saqué una foto en casa de Jan Neruda
dormí escuchando a Wagner en Florencia
y oyendo a un suizo entre Ginebra y Tarascón
vi a gordas y humildes artesanas de Pomaire
y a tres monjitas jóvenes en el Carnegie Hall
marcando el jazz con negros zapatones
vi a las mujeres más lindas del planeta
caminando sin mí por la Vía Nazionale.

Miré
admiré
traté de comprender
creo que en buena parte he comprendido
y es estupendo
todo es estupendo
sólo allá lejos puede uno saberlo
y es una linda vacación
es un rapto de imágenes
es un alegre diccionario
es una fácil recorrida
es un alivio.

Pero ahora no me quedan más excusas
porque se vuelve aquí
siempre se vuelve.
La nostalgia se escurre de los libros
se introduce debajo de la piel
y esta ciudad sin párpados
este país que nunca sueña
de pronto se convierte en el único sitio
donde el aire es mi aire
y la culpa es mi culpa
y en mi cama hay un pozo que es mi pozo
y cuando extiendo el brazo estoy seguro
de la pared que toco o del vacío
y cuando miro el cielo
veo acá mis nubes y allí mi Cruz del Sur
mi alrededor son los ojos de todos
y no me siento al margen
ahora ya sé que no me siento al margen.

Quizá mi única noción de patria
sea esta urgencia de decir Nosotros
quizá mi única noción de patria
sea este regreso al propio desconcierto.
As my soul watches that ticking clock,
I see visions of your pure beauty hit like a charing shock.
These eyelids on mine fall down into rest,
I'm bough to majestic dreams in my head been against your chest.

I hang still in the air as I wait for your happy words,
oh how they mass as the if the gods inked them into herds.
These forming letters I conjure up for you run so true,
this we feel is for both long-overdue.

The wanting and needing to press my fragile lips to yours,
I digest thoughts of placing my fingers over your heavenly contours.
My hopes for us are pure as two white doves,
lets both imagine this shall be someday that purest of loves.
Lxv
quisiera saber por qué
en medio del amor a veces oigo
cómo un cuervo le dice a un hombre que
quiere verlo por un asunto importante

el cuervo se llama Laghupatanaka y
en el libro primero del Panchatantra se cuenta
que puede hacer casamiento y amistad entre iguales
pero no entre la comida y quien se la come

un león se comió a Panini autor del cálculo diferencial
un elefante mató a Jaimini inventor del ciclotrón
un monstruo marino devoró a Pingala que conocía la electrónica
qué valen las virtudes para las bestias hambrientas

tampoco vale creer en las promesas
del enemigo, de la policía del gobierno del patrón
el rebaño sigue al elefante porque le tiene confianza
el león es el rey del bosque pero nadie lo corteja

tampoco sé por qué estas reflexiones
caen como la nieve en Charing Cross donde te amo
y me hundo en ti como en un río
de ambrosías y leche y miel y te amo

no sé qué pasará con mis despojos pero
ellos se irán fuertemente marcados por
los días que me amaste y
la tristeza de ciertos pensamientos
paul sheridan May 20
aren’t as many second hand
bookshops on the charing cross road as
there were when I was younger
of course, so were they   ..
Terry Collett Oct 2014
The hotel
was behind
Charing Cross

some back street
in some room
up some stairs

Nima says
it will do
the bed's old
I bet some
old queen slept
in this bed

and died here
I reply
lying down
on the bed

she lay down
beside me

that old dear
who gave me
this old key
gave me the
once over
as if she
understood
the reason
we are here
I tell her

course she does
I bet she's
outside now
listening
for the bed
to begin
making noise
Nima says

I get up
and turn on
the gas fire

then undress
watching her
by the one
small window
already
without clothes

her tight ****
her slim waist
visible
to my eyes
feasting them

my pecker
preparing
for the job
that's ahead
in the old
black metal
double bed.
A BOY AND GIRL IN LONDON IN 1967.
paul sheridan Jun 23
wrote a poem on the train
got a fine
and they made me
wash it off

— The End —