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Rob Sandman Mar 2016
Here come the Irishmen,kilted up and celted out,
about to to take the mic away and throw a smack into your mouth,
think they're ready lads?(nah I don't think so man)

No-one really wants a ****** sleeper hold from Sandman,
that's a pity cos your ****** rhymes are out of time,
cutting your umbilical-severing your lifeline,
save the fairytales skitz is reading grimms books,
looked into your future it was two words "you're ******"!
so **** the atmosphere,biosphere,feel the fear,
Grim Reaper in your sleep,lullabyes in your ear
like an earwig earworm but positive,
even though half the time the time things say are negative,
never mind blood type,rip the bag drink it off,
A Celt vampire,not sparkly with me shirt off
If I get me shirt off I'm Skyclad painted blue,
howlin'cross the battlefield to stick an axe in you!

A haon, a do. The only way to go is
a belt of the Celt and we're here to let ya know.
Me word is me bond and me eyes don't lie.
And I've danced with the Seidh in the dead of the night.

A haon, a do. The only way to go is
a belt of the Celt and we're here to let ya know.
Speak truths clearly,me head held high.
And I've danced with the Seidh in the dead of the night


See your guts drop,fullstop flip flop
just like 99% of all new Hip Hop,
what a mockery,you **** your pants in fear a me,
you're all the epitome of me me me me me!,
did me best to to help you out back in the day,
you spat it in me face so now I love your blood spray,
all brats,all backstabbers,not Celts,
if I take me belt off,the buckle leaves a welt,
across your facebones,skull+bones smashed bones,
are all's left if you step into the thunderdome,
to take a one on one,**** it bring your mates too
dental records-only way to ID you,
ICU will be your last place last breath,
you're literally starin' in the face of grim death
cause all your hatred is fuel for the fire-man,
its just like Thor shooting lightning bolts at Ironman.

A haon, a do. The only way to go is
a belt of the Celt and we're here to let ya know.
Me word is me bond and me eyes don't lie.
And I've danced with the Seidh in the dead of the night.

A haon, a do. The only way to go is
a belt of the Celt and we're here to let ya know.
Speak truths clearly,me head held high.
And I've danced with the Seidh in the dead of the night


You're so illiterate,words are illegitimate,
the Old ***** ******* Skitz still spits raw ****,
try try cry,cause you'll never reach the top,
best sounds like you're throwing alphabet spaghetti up,
*******,philosophy-horrorcore-got em all,
the length and the breadth of my mind is immeasurable,
so while you're miserable,wishing for some company,
I'm x'ing off the names on the list of who's dissin' me,
keep ******' me off if you want to,
I don't need a glock to blow a hole right through you,
use my skill set hackin' you old school,
modem in my left hand,right holds a power tool,
run,run,fool 'fore I let the dogs loose,
hip hop strangle hold,Sandman with a noose,
take a lesson in,kid you got your cards dealt,
whipcrack,smack!-you got a belt of the Celt.

*A haon, a do. The only way to go is
a belt of the Celt and we're here to let ya know.
Me word is me bond and me eyes don't lie.
And I've danced with the Seidh in the dead of the night.

A haon, a do. The only way to go is
a belt of the Celt and we're here to let ya know.
Speak truths clearly,me head held high.
And I've danced with the Seidh in the dead of the night.
Yes I've danced with the Seidh in the dead of the night...
"A haon, a do"
is A one,a two in Gaelic.
hope you liked this...otherwise you'll get a belt of the Celt!.
Rob Sandman Apr 2016
I’m a Polyglot Polymath, Microphone’s a Polygraph,
Manners of a Sociopath-Rhymin’ keeps me on the path,
Else I’d be hackin you up like a cannibal,
Pullin the Chianti out-serve you up like Hannibal,

Words heavier than Elephants invading cross the alps,
Under Armour over Body Armour-waistline fulla scalps,
From the Belt o’ the Celt o’ the Schizophrenic Sandman,
You’re triple teamed by -EC- Raps new Xmen.

I broke me chains,some say I went insane,
But it’s simple,all I went and did was grow a brain.
be the Bane of your life,while Mal plays Dark Knight,
A rhyme Super Villain with a verse of Dark Light,

The searchlights on-watch the cockroach scatter,
We speak Dark Matter while your brain gets battered,
batten down the screws-worldviews get skewed,
Mal and Sandman's Positively Mental Attitude.


It’s the original Irish OG rough rugged and ready,
Battling me is futile keep your hands steady,
I’m no pacifist,and if you take the ****,
I’ll clap you with a fist like an obelisk,

That’s a grave warning,-global warming,
The Dragon of Eire ,skies look stormy…
Since cassettes and disks I’ve been spittin ****,
That makes wannabee’s wanna slit their wrists,

The Sandman’s calling,come in and take a mauling,
Rappin since clappin one two and yes y’allin,
from New Aulins to saint Pauls my kin,
Are gathering for the quickenin,pulse races,air thickenin'
Highlander in a land cruiser,take your teeth out like a dentist
E.C’s BRUISER.
batten down the screws-worldviews get skewed,
by Mal and Sandmans Positively Mental Attitude.
Don't expect subtlety here,just like it says on the tin.
Many a green isle needs must be
In the deep wide sea of Misery,
Or the mariner, worn and wan,
Never thus could voyage on—
Day and night, and night and day,
Drifting on his dreary way,
With the solid darkness black
Closing round his vessel’s track:
Whilst above the sunless sky,
Big with clouds, hangs heavily,
And behind the tempest fleet
Hurries on with lightning feet,

He is ever drifted on
O’er the unreposing wave
To the haven of the grave.
What, if there no friends will greet;
What, if there no heart will meet
His with love’s impatient beat;
Wander wheresoe’er he may,
Can he dream before that day
To find refuge from distress
In friendship’s smile, in love’s caress?
Then ’twill wreak him little woe
Whether such there be or no:
Senseless is the breast, and cold,
Which relenting love would fold;
Bloodless are the veins and chill
Which the pulse of pain did fill;
Every little living nerve
That from bitter words did swerve
Round the tortured lips and brow,
Are like sapless leaflets now
Frozen upon December’s bough.

On the beach of a northern sea
Which tempests shake eternally,
As once the wretch there lay to sleep,
Lies a solitary heap,
One white skull and seven dry bones,
On the margin of the stones,
Where a few grey rushes stand,
Boundaries of the sea and land:
Nor is heard one voice of wail
But the sea-mews, as they sail
O’er the billows of the gale;
Or the whirlwind up and down
Howling, like a slaughtered town,
When a king in glory rides
Through the pomp and fratricides:
Those unburied bones around
There is many a mournful sound;
There is no lament for him,
Like a sunless vapour, dim,
Who once clothed with life and thought
What now moves nor murmurs not.

Ay, many flowering islands lie
In the waters of wide Agony:
To such a one this morn was led,
My bark by soft winds piloted:
’Mid the mountains Euganean
I stood listening to the paean
With which the legioned rooks did hail
The sun’s uprise majestical;
Gathering round with wings all ****,
Through the dewy mist they soar
Like gray shades, till the eastern heaven
Bursts, and then, as clouds of even,
Flecked with fire and azure, lie
In the unfathomable sky,
So their plumes of purple grain,
Starred with drops of golden rain,
Gleam above the sunlight woods,
As in silent multitudes
On the morning’s fitful gale
Through the broken mist they sail,
And the vapours cloven and gleaming
Follow, down the dark steep streaming,
Till all is bright, and clear, and still,
Round the solitary hill.

Beneath is spread like a green sea
The waveless plain of Lombardy,
Bounded by the vaporous air,
Islanded by cities fair;
Underneath Day’s azure eyes
Ocean’s nursling, Venice, lies,
A peopled labyrinth of walls,
Amphitrite’s destined halls,
Which her hoary sire now paves
With his blue and beaming waves.
Lo! the sun upsprings behind,
Broad, red, radiant, half-reclined
On the level quivering line
Of the waters crystalline;
And before that chasm of light,
As within a furnace bright,
Column, tower, and dome, and spire,
Shine like obelisks of fire,
Pointing with inconstant motion
From the altar of dark ocean
To the sapphire-tinted skies;
As the flames of sacrifice
From the marble shrines did rise,
As to pierce the dome of gold
Where Apollo spoke of old.

Sea-girt City, thou hast been
Ocean’s child, and then his queen;
Now is come a darker day,
And thou soon must be his prey,
If the power that raised thee here
Hallow so thy watery bier.
A less drear ruin then than now,
With thy conquest-branded brow
Stooping to the slave of slaves
From thy throne, among the waves
Wilt thou be, when the sea-mew
Flies, as once before it flew,
O’er thine isles depopulate,
And all is in its ancient state,
Save where many a palace gate
With green sea-flowers overgrown
Like a rock of Ocean’s own,
Topples o’er the abandoned sea
As the tides change sullenly.
The fisher on his watery way,
Wandering at the close of day,
Will spread his sail and seize his oar
Till he pass the gloomy shore,
Lest thy dead should, from their sleep
Bursting o’er the starlight deep,
Lead a rapid masque of death
O’er the waters of his path.

Those who alone thy towers behold
Quivering through aereal gold,
As I now behold them here,
Would imagine not they were
Sepulchres, where human forms,
Like pollution-nourished worms,
To the corpse of greatness cling,
Murdered, and now mouldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch’s hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou ldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch’s hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou and they!—
Clouds which stain truth’s rising day
By her sun consumed away—
Earth can spare ye; while like flowers,
In the waste of years and hours,
From your dust new nations spring
With more kindly blossoming.

Perish—let there only be
Floating o’er thy heartless sea
As the garment of thy sky
Clothes the world immortally,
One remembrance, more sublime
Than the tattered pall of time,
Which scarce hides thy visage wan;—
That a tempest-cleaving Swan
Of the sons of Albion,
Driven from his ancestral streams
By the might of evil dreams,
Found a nest in thee; and Ocean
Welcomed him with such emotion
That its joy grew his, and sprung
From his lips like music flung
O’er a mighty thunder-fit,
Chastening terror:—what though yet
Poesy’s unfailing River,
Which through Albion winds forever
Lashing with melodious wave
Many a sacred Poet’s grave,
Mourn its latest nursling fled?
What though thou with all thy dead
Scarce can for this fame repay
Aught thine own? oh, rather say
Though thy sins and slaveries foul
Overcloud a sunlike soul?
As the ghost of Homer clings
Round Scamander’s wasting springs;
As divinest Shakespeare’s might
Fills Avon and the world with light
Like omniscient power which he
Imaged ’mid mortality;
As the love from Petrarch’s urn,
Yet amid yon hills doth burn,
A quenchless lamp by which the heart
Sees things unearthly;—so thou art,
Mighty spirit—so shall be
The City that did refuge thee.

Lo, the sun floats up the sky
Like thought-winged Liberty,
Till the universal light
Seems to level plain and height;
From the sea a mist has spread,
And the beams of morn lie dead
On the towers of Venice now,
Like its glory long ago.
By the skirts of that gray cloud
Many-domed Padua proud
Stands, a peopled solitude,
’Mid the harvest-shining plain,
Where the peasant heaps his grain
In the garner of his foe,
And the milk-white oxen slow
With the purple vintage strain,
Heaped upon the creaking wain,
That the brutal Celt may swill
Drunken sleep with savage will;
And the sickle to the sword
Lies unchanged, though many a lord,
Like a **** whose shade is poison,
Overgrows this region’s foison,
Sheaves of whom are ripe to come
To destruction’s harvest-home:
Men must reap the things they sow,
Force from force must ever flow,
Or worse; but ’tis a bitter woe
That love or reason cannot change
The despot’s rage, the slave’s revenge.

Padua, thou within whose walls
Those mute guests at festivals,
Son and Mother, Death and Sin,
Played at dice for Ezzelin,
Till Death cried, “I win, I win!”
And Sin cursed to lose the wager,
But Death promised, to assuage her,
That he would petition for
Her to be made Vice-Emperor,
When the destined years were o’er,
Over all between the Po
And the eastern Alpine snow,
Under the mighty Austrian.
She smiled so as Sin only can,
And since that time, ay, long before,
Both have ruled from shore to shore,—
That incestuous pair, who follow
Tyrants as the sun the swallow,
As Repentance follows Crime,
And as changes follow Time.

In thine halls the lamp of learning,
Padua, now no more is burning;
Like a meteor, whose wild way
Is lost over the grave of day,
It gleams betrayed and to betray:
Once remotest nations came
To adore that sacred flame,
When it lit not many a hearth
On this cold and gloomy earth:
Now new fires from antique light
Spring beneath the wide world’s might;
But their spark lies dead in thee,
Trampled out by Tyranny.
As the Norway woodman quells,
In the depth of piny dells,
One light flame among the brakes,
While the boundless forest shakes,
And its mighty trunks are torn
By the fire thus lowly born:
The spark beneath his feet is dead,
He starts to see the flames it fed
Howling through the darkened sky
With a myriad tongues victoriously,
And sinks down in fear: so thou,
O Tyranny, beholdest now
Light around thee, and thou hearest
The loud flames ascend, and fearest:
Grovel on the earth; ay, hide
In the dust thy purple pride!

Noon descends around me now:
’Tis the noon of autumn’s glow,
When a soft and purple mist
Like a vapourous amethyst,
Or an air-dissolved star
Mingling light and fragrance, far
From the curved horizon’s bound
To the point of Heaven’s profound,
Fills the overflowing sky;
And the plains that silent lie
Underneath the leaves unsodden
Where the infant Frost has trodden
With his morning-winged feet,
Whose bright print is gleaming yet;
And the red and golden vines,
Piercing with their trellised lines
The rough, dark-skirted wilderness;
The dun and bladed grass no less,
Pointing from this hoary tower
In the windless air; the flower
Glimmering at my feet; the line
Of the olive-sandalled Apennine
In the south dimly islanded;
And the Alps, whose snows are spread
High between the clouds and sun;
And of living things each one;
And my spirit which so long
Darkened this swift stream of song,—
Interpenetrated lie
By the glory of the sky:
Be it love, light, harmony,
Odour, or the soul of all
Which from Heaven like dew doth fall,
Or the mind which feeds this verse
Peopling the lone universe.

Noon descends, and after noon
Autumn’s evening meets me soon,
Leading the infantine moon,
And that one star, which to her
Almost seems to minister
Half the crimson light she brings
From the sunset’s radiant springs:
And the soft dreams of the morn
(Which like winged winds had borne
To that silent isle, which lies
Mid remembered agonies,
The frail bark of this lone being)
Pass, to other sufferers fleeing,
And its ancient pilot, Pain,
Sits beside the helm again.

Other flowering isles must be
In the sea of Life and Agony:
Other spirits float and flee
O’er that gulf: even now, perhaps,
On some rock the wild wave wraps,
With folded wings they waiting sit
For my bark, to pilot it
To some calm and blooming cove,
Where for me, and those I love,
May a windless bower be built,
Far from passion, pain, and guilt,
In a dell mid lawny hills,
Which the wild sea-murmur fills,
And soft sunshine, and the sound
Of old forests echoing round,
And the light and smell divine
Of all flowers that breathe and shine:
We may live so happy there,
That the Spirits of the Air,
Envying us, may even entice
To our healing Paradise
The polluting multitude;
But their rage would be subdued
By that clime divine and calm,
And the winds whose wings rain balm
On the uplifted soul, and leaves
Under which the bright sea heaves;
While each breathless interval
In their whisperings musical
The inspired soul supplies
With its own deep melodies;
And the love which heals all strife
Circling, like the breath of life,
All things in that sweet abode
With its own mild brotherhood:
They, not it, would change; and soon
Every sprite beneath the moon
Would repent its envy vain,
And the earth grow young again.
Tony Luxton Sep 2016
DNA
Are those tiny strands really me?
They say each set is unique
but no one is anonymous
like an inherited trace book.

I carry my history with me.
No wonder I'm overweight
celt viking or anglo-saxon
or two out of three a cross breed.

I even passed this burden to my kids
left slivers all over the place
though I was always told to tidy up.
Aaron LaLux Sep 2016
Lost in Lisbon,
just me and my addictions,
and when I say addictions,
I mostly mean my addiction to women,

caught in the same cliche,
but I can’t seem to get away,
like a dream that keeps repeating,
same place same case just a different day,

thinking that somehow *** can replace,
the actual act of acceptance,
thinking that regret can somehow set,
the pace for some sort of repentance,

but nothing changes,
except the weather and sometimes the faces,
found I’m still lost,
I’m a great shot but what’s the worth of a great shot that’s aimless?

No target,
no goals,
just a free market,
that’s completely uncontrolled.

There are no rules,
there’s no reality on which to base this face it,
we are all lost that is for sure,
only difference is most of us don’t want to admit it.

Addicted,
to the chaos it’s such a turn on,
even when I feel sick,
and my heart’s gone cold I’m still burnin’,

she’s turning,
her back on me,
says she doesn’t want to have ***,
and I understand her exactly,

sometimes I wish I wasn’t a man,
sometimes I wish we were all brilliant light,
want to leave my dull bland body so bad,
that if someone came to take my life I wouldn’t even fight.

I don’t fight her,
she says no so I sit up and ask her to leave,
it’s almost 4 o’clock in the afternoon already,
and she’s got a flight to catch that’s leaving for Italy,

and it is then that I see that she’s leaving me,
both figurative and literally,
which I guess I accept because one fact,
we all leave everyone and everything eventually,

even ourselves,
the cards we were dealt,
were bizarre as a guitar played like like a bagpipe by a Celt,
and even though we feel no more well hell at least there was a time we felt,

oh well,
I understand now that you’re timeless and your love is priceless,
fairwell,
we win some and we lose some I guess that’s what this Game of Life is,

blameless and shameless in Lisbon having a midlife crisis.

Living in cities of sin singing songs of wrong still trying to be righteous,
lost as a lark trying to parrot a song to carry us along and guide us,
flying through this civic blueprint climbing high we deny lies and define all aliveness,
and even though your iris is sublime and so is mine we can’t seem to see through our own blindness,
  
like trying to adjust to the distrust that we feel when we’re told that someone loves us,
and the ironic thing is that in your strangeness I see a similar likeness.

We lost us.

We lost us and our fondness for any sort of conscious conscience,
so now we’re in love with fervid thugs and hooligans that are heartless,
and when we’re asked why we’re in love with this life we say because we are artist,
which partially explains why I’m in Portugal in pain with a beauty that’s stunningly monstrous.

Lost in this,
constant concoction of consciousness,
lost in this,
city by the ocean caught in the North Atlantic drifts,

lost in Lisbon,
just me and my addictions,
and when I say addictions,
I mostly mean my addiction to women…

∆ Aaron LA Lux ∆

20/08/16
*** is a drug...
ghost queen Jul 2020
Séraphine, Vignette nº 7, Le Cercueil

I was on the phone talking to the museum. Ground-penetrating radar had found what looked like a coffin at the Lutetian layer, and they were in the process of digging down to it. I was telling Sylvain to use the new 4K video cameras to record every detail when the doorbell rang. I’d left the door ajar, knowing Madame Pinard, the concierge was bringing by an adjuster to inspect and cut a check for the repair of the leak in the ceiling that had washed away chunks of plaster, now laying on the hardwood floor in the bedroom, exposing the wooden rafters of the attic.

“May we come in Monsieur,” she shouted from down the hall in the foyer. “Yes, Madame, please come in,” I shouted back, with more exasperation in my voice than I wanted to express. “I am on the phone with the musee Madame, please show him to the bedroom.”

I saw Madame and the adjuster come in out of the corner of my eye and turned my head to see them as they walked the stairs to the bedrooms. The adjuster was not a man, but a woman, which was surprising in France. The first thing I noticed about her, was her wide round birthing hips, what the kids, called thick. She wore a long-sleeve white silk blouse, black pencil skirt, and the traditional, obligatory Parisian back seamed stockings. I didn’t make out her face but caught sight of her red hair tied in a tight bun on the back of her head, and the milky white skin of her neck.

“Damien, are you listening,” said Sylvain, the dig manager on the other end of the line. “Yes, I replied, “l was distracted by my landlady bringing an adjuster into the apartment. Yes, I’ll come down as soon as they leave.”

After a few minutes, Madame and the adjuster came back down. The adjuster walked into the foyer to wait. Madame came into the living room and said she’d have a crew out tomorrow to start repairs. As madame turned and walked down the hall, I got a better look at the adjuster. She was pure Celt, with red hair, white skin, dark brown doe eyes that looked black, high cheekbones, and the sharp straight nose of a Greek statute.

Besides her stunning beauty, I noticed her necklace, a traditional golden Celtic torc, which signified the wearer as a person of high rank. I’d never seen a person wearing one. I’d only seen one on a statue, The Dying Gaul in Le Louvres. How so very interesting I thought to myself.  

As she was talking to Madame and turning to leave, she made eye contact. She tilted in acknowledgment and goodbye. I nodded back and she was gone. I wished I could have gotten a chance to talk to her, maybe even ask her for an aperitif at the corner bistro. Oh well, c’est la vie.

-------

I went to the dig at the La Crypt at 12:30-ish talked to Sylvain for a bit and went down to the lower levels to see it for myself. The area was gridded out and several cameras on tripods were recording. The team was within centimeters front the top, and so put down their trowels and used a high-pressure water and suction hoses to remove the rest of the topsoil. The top came into view, the excess water was ****** away. Sponges were used to clear and clean away the mud.

The stone was obviously Lutetian limestone, finely sanded and polished. The lid was craved, which first glance, looked like Norse runes and one Celtic knot. “Take pics and send them to religious studies,” I said half to myself, half to Sylvain. How strange to have Norse and Celt iconography together I thought to myself.

It was late when I exited the metro station. The air was bitterly cold, my breath appearing and disappearing around me like a mystic cloud.

I was tired, exhausted from digging, and was seeing things in the corner of my eye that I chalked up to aberrations of a fatigued mind. That is until I walked past the Boise de Boulogne. In a dark recess, along the tree line, I saw what looked like a faintly glowing woman in a white dress. My first reaction was horror, remembering all the monster movies I’d seen as a child. Then quickly, my adult mind kicked in and rationalized it away as an artsy late night photography session, which is common around Paris. The sting of the cold refocused my attention and I hurriedly resumed my walk home.

I was tired, muddy, and had to take a shower before throwing myself into bed. I showered, dried off, and pulled back the new, thick duvet I’d bought for winter. The moon was full, beaming softly, barely illuminating the dark bedroom, as I cracked opened a window to let a small amount of fresh cold air into the humid stale room.

I slid under the duvet. I liked the cold, it reminded me of camping in the mountains with my old man and being snug in our down sleeping bags as we talked half the night away. I quickly fell asleep.

I half awoke, sensing a presence. I opened my eyes and saw a woman, ****, standing at the end of my bed, enveloped in a faint blue luminescence. She looked at me with big doe eyes. I watched her watching me, trying to figure out if I was dreaming or not.

She crawled on to the bed. I couldn’t feel her as she made her up the bed. She straddled me. I saw glint around her neck and saw she was wearing a torc, and realized who she was.

Her face was centimeters from mine. Her eyes burned with ferocity, intensity, and anger. I looked back up at her, fear welling up inside of me. She looked down at me. Her penetrating eyes, looking into my soul. I could feel her in my head, my mind.

She felt my fear, and without a word, just the look in her eyes, reassured me, calmed me, and my body and mind relaxed as if a nurse had given me a shot of morphine.

She touched her lips to mine, and felt the heat of her beath, smelled her dewy scent. I didn’t move. I knew I was prey. I knew what she wanted, and let her take it.

She slid her tongue into my mouth, and I gently ****** on it. She ****** up my lower lip, biting it playfully. She tasted sweet, fresh, like spring water. I couldn’t get enough of her. I wanted more. I kissed her harder, deeper, and felt myself slide to the edge of sleep, no longer sure what was a dream, or what was real.

She pulled back the duvet, grabbed my ****, and stroked it till it was painfully hard. She kissed it, put it in her mouth, and ****** it. Her head bobbing up and down. She’d stop, bite the head, and use her teeth to scrape up and down the shaft till I winched and yelled out in pain.

I started to moan, my body tightening, and arched, thrusting deeper into her mouth, coming as she raked her nails hard down the side of my chest. To my surprise, she didn’t spit out but swallowed my ***, licking excess from around her lips.

--------

I opened my eyes and was blinded by sunlight streaming in through the open windows and curtains. What the ****, I thought to myself, I never sleep this late. It was always dark when I wake. And the birds, chirping in the trees outside my window, were loud, and grating on my nerves.  

I slowly got out of bed. My body ached, my lower lip hurt, and my **** was sore. I grabbed my **** and immediately released it in pain. It was raw as if I’d had ***. I was definitely confused. My eyes darted from side to side as I tried to make sense and remember last night. I left the dig, came home, showered, and went to bed.

I trudged to the kitchen and made coffee, all the while, racking my brain for some clue as to why I felt like ****. I poured a cup, leaned back on the counter, and sip the coffee. I shook my head, placing my hand on my hip, and felt a sharp burning. I looked down and saw blood on my hand and side. I went to the bathroom mirror and saw fingernail marks down both sides of my chest. I just stared.

I had no idea, no clues as to how these happened. I jumped into the shower and washed off, bandaged up the bleeding scratches with paper towels and tape, dressed, and went to the cafe at the corner.

Despite the cold, I sat on the terrace, ordered coffee, bread, butter, and jam. I looked at my phone. It was 8:08. I looked at my text messages and emails for some clue as to what happened last night.

Breakfast came, and I sipped the coffee, staring out into the street. The waiter walked past me. “Oui madame, what would you like this morning,” he said. “Cafe et croissant,” she said. The waiter turned and walked back inside. I turned my head to the side for a quick look and blinked twice. It was the redheaded adjuster from yesterday.

“Bonjour M. Delacroix,” she said. “Bonjour Madame,” I instinctively replied. There was an awkward pause.  “I am Brigitte, Brigitte Dieudonné,” she said softly.

We small talked over breakfast and when I tab came, paid, and said, “I headed to the office.” “It is the weekend monsieur. “Yes,” I replied, “I work at an archeological dig on Ile de la Cite. The crypte.” “I am headed that way myself, do you mind if I walk with you,” she asked.

We walked to the metro station, down the stairs, through the turnstile, and onto the quay. The train came, the doors hissed open, and we strode in. The train was full of Chinese tourists and it was standing room only. I grab a pole and Brigitte did the same as she squeezed up beside me.

The train jolted forward and Brigitte bumped into me. As the train smoothed out, she kept leaning into me. Her derriere in my crouch. I could feel her body through her coat. I was getting turned on. As the trained curved around a curve, it rocked back and forth. Her *** bumping and grinding against my now hard ****. Could she feel my hard-on through the coats? She half-turned her head a gave me a coquettish smile. She knew I thought to myself.

We exited La Cité metro station, on to Place Louis Lépine. Before I could say anything, she said she’d like to see the dig. “Sure,” I said, and we walked to the La Crypt. We walked down the stairs to glass doors and pass the touristy exhibits and displays, to the back, behind the green painted plywood wall. Sylvain and several grad students were standing over and around the coffin. Two of them were in the pit setting up a portable x-ray machine, one with a still camera, another with a video camcorder, and the rest looking down at their tablets.

Brigitte and I walked to the edge. The coffin’s lid had been clean. The runes and Celtic knot were clearly visible. “Danger, death, mother,” Brigitte said. Sylvain turned his head, and said, “she is right, danger, death, mother according to the religious studies guys.” “How do you know that,” I asked. “It’s in all the teenage vampire movies,” she replied grinning.

“The top one is an inverse Thurisaz, which is means danger. The second one is an inverse Algiz, which means death. The knot is Celtic for mother, and the dot in the heart means she had one daughter,” Brigitte said trailing off.

“It looks you’ve got it under control Sylvain. I have an appointment. Brigitte can I walk you back to la place,” I said.

We walked to la place and stopped at the metro entrance. “Can I have your number,” I asked? “Yes, you may, if you promise to call monsieur Delacroix,” she said smiling girlishly. She took my phone from my hand and typed in her number and dialed. Her phone rang. “I have your monsieur, Delacroix. A bientot,” she said. We did la bise and she was off.
Prabhu Iyer Feb 2013
Holy yards of hallowed houses of prayer
rise in sublime chants and hymns
at this hour of the blessed dawn
when auspicious shades of light
grace the scabbards of swords
long sheathed and covered in shadows
of figures on the stained glasses

A divided land of long used to darkness
engulfing, rejoices: a saviour rises,
a hero who can unite and heal:
purple robe and the rag, Roman
and Celt: the long suffering realm
finds solace at last in order and justice;
A quest brews, of sacred chalices

In the noble hearts of faithful knights:
Alas, a tragedy in the shadows,
whither, famed Artorius, wise?
Hades schemes to ****** away
your Persephone to Annfwyn afar:
No mortal wounds could fell you alive,
But this, you carry on to Avalon.
Excalibur from the mists, peace with the Druids, Merlin, defense of Britain from invasions, Guinevere and Lancelot - who doesn't love this ever fresh tale of mystical heroism, magic and tragic love!

Piece in progress ...
Colin E Havard Mar 2014
This Anglo-Celt
Is blood and guts
Living. An ancient cradle
Harbouring the fugitive -
Wanted, Dead or Alive.
An asset untapped
In any official aspect,
But coming online
As we speak in tongues
Of this multi-flavourism
We call Australia.
Idiots are idiots
The world over -
They'll never learn
And we, the enlightened,
Can profit no end
By their foolish follies.
So sit back - relax;
The hard work's done.
7-8/3/2014
Enough is Enough, 5 of 9 (Night)
Poetry, the reason we are all here.
Writing words that we hope someone reads and hears
Hears in the sounds of the words, them coming alive
Vocally there is a potency to written words
Say them out loud, hear them, feel them form in your mouth
Soulfully continue this aged tradition of story telling
Poetry, is known globally, it transcends diplomacy,
it reaches souls, hearts and minds.
Like a minority,poetry is seen as weak and bleak,
but then life is not a bed of roses, there are thorns.
Reproachfully it is scorned, 'poet? Try writing a novel'
Wrongfully seen as the poor man to a novelist, poetry
at its best conveys, more in a few verses than a thousand
pages of a novel. Lonesome is the poet, that sees truth.
There is merit in poetry, the continuation of odes told by
the fireside, Viking, Persian, Celt, all historic bardic civilisations.
Purity in poetry leads down a path least travelled these days
but tales of yore still prevail, and Beowulf still roars.
Canterbury tales still elicit smiles, cries and woe.
Shakespeare, Dante, Poe, Neruda, Thomas, Petrarch all Poets with soul.
So, you tell me, and all of us poets are we the novelists poor relation?
Or, just reclaiming our station in life as the purest storytellers?
© JLB
Jonny Angel Mar 2014
Ross was good,
Part-Choctaw, Part-Saskatchewan,
he'd sniff the air for his direction,
could spot a pebble out of place,
understand broken twigs.

He loved to work at night,
backtracking was a skill,
garroting his specialty,
he had fourteen dings.

Part-Celt, Part-Heinz-57
I understood similar things,
my notches stand
at just under ten.
Rob Sandman Jan 2018
The Harbour quakes as we break your Boom,
The Nemesis Sails-Harbinger of doom,
A New Chapter - the Sly Celt Raptor,
Bain **** proceed us-Scream in rapture
As The Bodhran shakes your eardrums shatter,
Lightning rakes- your defences Scatter,

It's raiding season!-Take your Oars!,
Boats filled to the brim with Ores and ******
our targets-fat Merchants waddle,
Crimson seas as the Forces Battle

The Morrigan Swaddles our mind with the caul (call)
no Mercy asked(None Given!) SLAY ALL
Widows scream as they're dragged to the Ship
Towns burn to ash in our wake as we rip,  
A Blood red Swathe Through the Dawn in the east,
As the Nemesis Sails,The Harbinger Feasts...
This is the second of "The Nemesis Tales" (Number one is just called The Nemesis and is up here)
a Serial tale based around a Demon Ship called somewhat obviously The Nemesis,
there will be blood!
Heart-affluence in discursive talk
  From household fountains never dry;
  The critic clearness of an eye,
That saw thro' all the Muses' walk;

Seraphic intellect and force
  To seize and throw the doubts of man;
  Impassion'd logic, which outran
The hearer in its fiery course;

High nature amorous of the good,
  But touch'd with no ascetic gloom;
  And passion pure in snowy bloom
Thro' all the years of April blood;

A love of freedom rarely felt,
  Of freedom in her regal seat
  Of England; not the schoolboy heat,
The blind hysterics of the Celt;

And manhood fused with female grace
  In such a sort, the child would twine
  A trustful hand, unask'd, in thine,
And find his comfort in thy face;

All these have been, and thee mine eyes
  Have look'd on: if they look'd in vain,
  My shame is greater who remain,
Nor let thy wisdom make me wise.
Welcome Stranger come and hear
the words that draw the heavens near
and listen to it's breeze that blows from the East
of whose Ancient cast melody tames Man and Beast.

For Tis a song so old that time has forgot
the writer of its winds wherein it's Lyrics are caught
But it's secrets may be heard and it's power felt
within the heart and mind of a truthful Celt.

For its words though obscure hold the greatest key
for all the descendants to come and see
The place where verse and rhyme equate with time
to show man's greatness and his crime.

Tis a place where all may come to Ken
the song Of the Bard over Hill and Glen
Tis a song of Being, Of Life's joy and its pain
O'Blissful tender passions and tortures mournful slain.

Tis a Journey back into the past,a relic of times gone
and yet a journey into the future, O'Life's greatest song
So Welcome stranger into a World of verbal fantasy
and to the inspirations of this Bardic Rhapsody.

Alisdaire O'Caoimph
Seeing a swarm of flies
Seeping the sap of
A hand-deprived
Leaper's fresh wound
A good Samaritan
Disarrayed them with
A hand clap “Twa!” sound
Getting as close as he could
In vain expecting
“A thank you!” gratitude.

“You shouldn't have done that
When the former ones,
Who had their fills, depart
The famished ones come forth
For their part
To siphon my blood
To their hearts delight!”

The upstart incumbent
Closed a curtain
On at the-end-of- the-tunnel
-alluring light
Let alone warrant
The much-touted
Days bright—Democracy
Deepening
Across the board wealth sharing.

Revolutionary democrats
Who boast “Brave
In a guerilla fight
We have sent
Tyrants to a grave!”
Serving the people
Opted to forget
So as
From government's coffer
To line up their own pocket.
Tax-comafledged exploitation
Compounded by
Government-sponsored corruption
What is more intimidation
From one's land
Or abode alienation
Research aiming
At ethnic cleansing
Bureaucratic logjams
And maladministration
Creating a non stop
Hassle and tension
From fever-pitch
Brewing up
Political tension
To divert attention
Are the tactic
They use
To sustain
Their tenure
And advance
Bad governance.///
African politics © 23 hours ago, Alem Hailu Gabre Kristos   sad poems • society poems
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Likes: Alem Hailu, Peter the Celt
Alem Hailu - Thank you
8 hours ago   x    edit
Peter the Ce
Politics
Lawrence Hall Dec 2016
English and Celtic Poets

A Sassenach assembles words and lines
In order, disciplined, like hammer-falls
Upon reluctant steel in armories
The beat and off-beat in formation set

A Celt sings challenges carelessly into the eagle-skies
To soar among the storms in sorrow and in joy
Laughing among full cups of heathery vowels
Claidheamh-mor swinging against blank verse in English helmets

An Englishman sends words to fight and work
A Celt persuades wild words to fight and dream

— The End —