Submit your work, meet writers and drop the ads. Become a member
Mary Gay Kearns Jun 2018
I come from sunlight,
      The sweeping of leaves,
      South London streets,
      Lurburnum seeds;
      Hot semolina,
      A spoonful of jam,
      Hands full of gooseberries,
      That's who I am.

      I come from rose petals,
      The sound of the fairs,
      The smell of candyfloss
      Mist in the air;
      I come from warmth,
      My parents hands,
      Outings to parks,
      Both small and grand.

     I come from knowledge,
     True and false,
     From nursery rhymes,
     And stories and pictures of God;
     I come from gentleness,
     A quiet afternoon,
     From visions of loveliness,
     Sewn on a spool.

    I come from two worlds,
    With different ways,
    A threaded pearl necklace,
    And sensible soles
    A mother and father,
    I think I knew,
    I came and I wandered,
    I looked at the view.

       By Mary **
Poem inspired by the Slam poets on BBC
The man decked in blue
     sits quite content
          on a sofa
               and observes wealthy offspring

               waltz in flashing their brilliant teeth
          glossed with potent peppermint.
     These teens
don't know love,

lust is all it is.
     While the Jazz bops away,
          more whisky is poured
               and they zip out to get jammy.

               The man, mid-twenties,
          kind of blue, dapper apparel,
     has one on the rocks.
Sees them

walk in most evenings,
     cute blondes with flawless skin,
          guys in suits, bow ties, the works,
               gaze into each other's pupils.

               There are regulars,
          Robert, the chap from Yale,
     Quentin, sly guy at Harvard
and Carly, still at school the man believes,

who's coquettish, fresh,
     these two want to have her
          but she's astute,
               knows just what she wants.

               They're all after her in fact.
          Every male in the room
     turns their head,
can't blame them,

she's like Candyfloss,
     all the men want a taste
          but there's not enough for everyone
               and they don't look like the sharing kind.

               The man in blue
          just grins to himself
     thinking how grand it is
that he's single, sensible, secure.
Written: June 2012.
Explanation: A poem written in my own time. The characters and situation are made up, with the girl's name suggested by a friend of mine. The title refers to the man, who is dressed in blue, and the reference to the girl being like Candyfloss.
Francie Lynch May 2017
I absorbed,
Blotted misery,
Lapped with eyes,
Soaked-up transgressions,
Mopped-up history,
Was steeped in trials,
Ingested triumphs,
And truly assimilated.
But the ground is saturated,
My prints fill
With the brine
Squeezed out.
I am the salt on the earth,
Parched and cracked.
You preferred candyfloss;
I dripped the last drop.
I stared at the big blue cloud,
It was in my hands,
It was so blue that it depressed me
But it was only fluffy candy

I picked a piece from the cloud
I digested it with my eyes and soul,
It was the brightness to a child's life
It was my only happiness

You look at candy,
As sweetness to your life,
but to me it was more,
It was the only freedom I had in the world

I bit into the blue sweetness
As it dissolved in my mouth,
It dissolved my pain,
I was sure everything would be fine again

Then, when the cotton got stuck between my teeth,
So did my hopes and dreams.
I felt like a fool for believing
A fool for trying

A tear slid down my cheek
Making the candy bittersweet
No Cotton Candy can make it go away
Rewrite my story

When they fought and screamed,
I'd try find my happy place,
Eat my sweet Blue Candy,
And just pray it away

I've tried everything
Clovers to Rabbit's Feet,
But this heavenly cloud
was the only price to pay

If my life was all drunk and dead
Would it **** to find my demise-free zone
And just eat some Cloudy Candy instead?

If wishes came true,
With every bite I took
I would have father with me
A Mother to love me

I kept eating the candy though
Even if it didn't taste heavenly anymore
Tears kept streaming down with every bite
I kept the harshness inside

The faster I ate, the more it hurt,
I couldn't swallow the lumps in my throat,
The pain developed inside of me,
Like a tumour, I was a waste, never needed.

You eat all the Candyfloss in the world, it won't work.
It just sweetens the pain, lessens the hurt.
This is dedicated to two people. First, being Nicole Ann Osborn because she is the most amazing poet, to me. I look up to her, and please check her out, she's really good.

Second being Tawanda WT Mulalu, because he loves this poem and he's an amazing friend.  Check him out too, he's also a great poet.
Simon Soane May 2013
Sign in the staffroom at work.
Stay positive they said,
Stay positive I read,
Stay positive in the work you despise,
Turn a blind eye as your life goes by,
Leave your thoughts at the door,
Don’t think they implore,
Pretend there is no sun,
Look out of the window at your life on hiatus for eight hours,
Can’t get rid of the smell of this jail even after a thousand showers,
Take solace it’s for the money that I didn’t even want to use,
The books you could be reading now will only get you confused,
The songs you could be listening to now won’t speak to you anyway,
Silence your mental jukebox and toil for your pay.
Stay positive today,
The cash they flash,
I can see on my face a fiscal rash,

They can say put down your pens,
Strip your pencils of lead,
Tell creativity to slumber,
Put your canvas to bed,
But can’t stop us drawing in our heads,
Stay positive,
Like don’t start on that waitress and treat her with chagrin,
Cos she doesn’t bound over with your pie and chips with a leap and a grin,
“We’ve paid for this food, she better start smiling,”
Or the tip it is non and the polite police I’m dialing “
Have a word with yourself shes working,
And more than that she could be hurting,
Cos John in the kitchen isn’t flirting,
Or she could be wearing that frown,
Cos shes realised she only got £30.00 for her night out in town,
That’s not much when you consider the taxi back,
Plus after shes done serving you shes got dishes to attack,
But no she has a grimace,
Shes finished,
We have all felt like that, bit lonely and that,
Stay positive.
Stay positive,
Cos sometimes words cling to the air,
Like candyfloss to hair,
And birds sing for their bread while the cat bosses just stare,
At the endless charade of hierarchy,
John then Paul then George then Starky,
But star key unlocks the door to the skies,
Hope is life, I summarise,
There’s beauty in your summer eyes,
Don’t count the calories in pies,
Dietary information often lies,
Distracting from the truth with garish rides,
That only seek to compromise,
Our promise and delightful ties,
Forged from friendship not to buy,
Feel your waist and touch your thigh,
Dietary information often lies,
Love is all,
No chance to take,
No dast to cie,
Be brilliant and hear them sigh,
Stay positive.
I feel like,
Tintin going exploring,
Paths opening up, new days dawning,
I’m done with yawning it’s a waste of breath,
I don’t feel lethargic, I don’t feel bereft,
Heads down dive me a test,
About anything cos this beat in my chest,
Means I’ll beat Kasparov at chess,
Armani couldn’t make a sexier dress,
Allivate stress quicker than Prozac,
Cut the beanstalk down faster than Jack,
I can stretch my mind more than that guy on the rack,
Cos I think if our lips locked together we could throw away the lucky heather,
No more boring days of monotony,
Fingers crossed watching the national lottery,
Not just waiting around thinking I’ll chill,
But striving for the horizon over the hill,
Stay positive.
But the best thing I saw recently,
Was when I’d just finished my tea,
And I saw these two old folk who live near me,
One about 89 the other 93,
Twilight of their lives to say the least,
Real hunched and stooped over, all false teeth,
But the way they held each other’s hands the tenderness was palpable,
Cradled and soft the care undoubtable,
Cos some things are not withered by age,
They stick through this life to every page,
Decrepit vocal cords that would have a job to sing,
But there demeanor hit the high notes bellowing loves the greatest thing,
And whatever they think the next life is, earth, air or above,
At least the opening gambit can be, “we ended that one with love”
And everybody wants that, everybody,
Everybody with this life to live,
Peace be with you and bless you
And stay positive!
Here are my eyes
my fried eggs
teal lily-pads floating
on white albumen.

Here are my elbows
like deformed peaches
my knuckles the peas
wrist corn on the cob.

Here are my teeth
my frosty Stonehenge
a ring of slabs
solid halibut.

Here are my ankles
four gobstoppers
cracking as rocks
under her size-five feet.

Here is my nose
fastened to my face
the garbage chute
meets hoover hybrid.

Here are my knees
two wrinkled potatoes
mashing in their sockets
as waves crumble on me.

Here is my hair
my straw candyfloss
unlike her buttered popcorn
curly-wurly waterfall.

Here are my tonsils
squashy strawberries
wedged at the back
of the cave I once made.

Here are my lips
azalea-pink sweets
flecked with salt
from our slice of sea.
Written: May 2014.
Explanation: A poem written in my own time that does (sort of) fall into my ongoing beach/sea series. Could've been stronger, but I am satisfied with the end product. Note 'size-five feet' refers to the UK measurement. The full-stops were a late addition, though I left out the commas.
The subtlest nuance of cherry blossom,

Drifting down into the banks of my memory,

Twisting miniature pirouhettes.
I'll ask you not to turn off the lights,
I want them to blind me
with their brilliant filaments
until the bulbs break
like a vase on a tiled floor,
the walls, the door go back
to being charcoal black
as they have been so many times before.

I have started to abhor
the roads that define me,
the words that describe me
and my traits,
the way I must walk in wintery air
to a migraine inducing wilderness
to be squashed into old moulds,
will this be adequate for you now and when?

What is this fall,
does it affect you, your actions,
your jumbled jigsaw piece thoughts?
These bruises are purple,
this brain is strained,
inject me with zest
until my wrist pains
so much it must combust.

Out of the glass is nothing,
a candyfloss cloud, a tree, a lawn,
it bores me,
an artist is needed,
paint a new canvas
swathed in colour
and things from my weekend dreams
lucid and intense.

I am a ******* up ball
of paper, unfold me, still legible?
Fold it again, an airplane
chucked into an angry breeze
or please,
if the lamps are tough enough,
watch my words illuminate,
drool across the table.
Written: October 2012.
Explanation: A poem written in my own time, also available on my WordPress blog. An excerpt of this piece was uploaded as a Facebook status update.
MereCat Nov 2014
they lived
like the only customers at a funfair;
weeks caroselling
with swollen rise and fall,
like the horses forgot
to gallop in circles.
they had their own world
of haunted houses
and helter-skelters
but the stalls were all out
of candyfloss
and, as they slotted coins
into cork-rifles,
they shot themselves
to pieces
without winning
a single prize.
I am sorry
That I was hungry and you were weak

I was insatiable
What I had was not enough
And you were there
Irresistible
Sweet and perfumed
As coy and cloying as candyfloss
I had to consume you
And throw away the paper stick
Damp from my tongue
I wrote this poem in less than a minute as an exercise about writing from the perspective of someone whose viewpoint you disagree with but empathise with.
LJ Chaplin Jun 2016
I watched the sky transform
Overhead,
As the sun set
It flourished more than ever.

I watched in awe
As it changed colour,
The clouds shed its white washed skin
And boasted an undulating opalescence
Of pink and lilac,
Soft like candyfloss,
I felt compelled to reach up
And sink my teeth into it,
Only to let the rain fall
Onto my lips and seep
Into my skin.

I traced the clouds
To the horizon,
Where fiery hues of
Orange burned bright
Like wildfire,
An irresistible iridescence
That filled my belly with
An inferno
Not even the Seven Seas
Could tame.

Before long,
The stars filtered through
The kaleidoscopic creation,
Illuminating the Universe
Like the London Skyline.

I pick one amongst the
Palette of scattered clouds
And wish that I can witness
This masterpiece
*The same time tomorrow
© L.J. Chaplin
David Moule Jul 2010
Her lips scream
" KISS ME "
Then whisper
" kiss me now "
At once
a thousand nerve-ends wake
electricity
rampant beneath
tender
sweet
candyfloss skin
Anticipating contact
her inner rhythms quicken
from ‘ bump-n-grind ’
to ‘ swing-beat ’
Hearts play along
to the new tune now
She smiles with those eyes
the message of her mouth
Delight
I understand at once
Replying
without reaching for a word
No second thoughts invade
the privacy of spontaneity
I just move to accept
this luscious invite
In a flash
ecstatic urges awaken
erotica in our minds
as we close
our telltale eyes
a split second before
the precious
perfect impact
Seems magnetically
heads tilt
Moving closer
till our silently screaming
half-opened mouths
knowingly meet
in once vacant space
Intentions projected
instantly accepted
Mouths
express new feeling
Tongues
take on new meaning
Suggestions
of intensity requesting
passions
yet to be fulfilled
The warm silk
snake of temptation
reacts to vibration
Twisting
Rolling
Curling
*******
Chewing
Playfully biting
Unspoken promises
Exciting
She plays a sensual game
Active / Passive
Strong / Soft
Control / Yield
Secrets revealed
Releasing for a moment
our mesmeric communion
Poised in breathlessness
we stare
as we subtly swallow
the essence
of our watery endeavour
Eyes smile
that insatiable smile
Still thirsting
chemical reactions
conceived by our emotions
Speed of light sensations
send shivers down our spine
Time
sleeps for a moment
Lost
in a fragment of dreamscape
we too escape
“ Mmmmmmm ”
The gentle sigh
waves through the air
We lose contact
with our unwelcome surrounds
as once again we entwine
to re-enact
the passage of our bliss
A repeat
of erogenous stimulation
replays the symphony of desire
in a higher vibration
Mouths in motion
mirror dancing
Automatic reactions
assume control
Whilst my mind
Is with her mind
my Soul
is with her Soul
Her grip tightens
Wanting more
wanton more
Red-hot
lava in the veins
seeking to surface
in a fiery eruption
Our watery essence
Seems to feed the flames
Yearning
I hear her
Burning
I feel her
Softening
Stiffening
Pulsing
I'm in her.
© Verso - 8/7/95 (D.N.Moule)
nivek Sep 2015
I live within green and blue
Today, blue with white candyfloss.

Somewhere unknowable
unknown and alone,

But full of companionship.
The enigma of living.
mit hjerte er stadig skrøbeligt
plukker flere liljer end sidste år
men hvem skal det skrøbelige
hjerte, der er meget mindre end
normalt
forære blomster til
jeg ved det ikke længere, men
dengang var solen også varm og
dagene føltes blødere og duften
var som candyfloss og dine årer
var så tydelige og næsten smukke
mit hjerte var ikke skrøbeligt dengang
der kunne du sige alt til mig
der kunne mit hjerte bære alt fra dig
nu er mit hjerte lille og skrøbeligt
og gemmer sig bag liljer jeg vander
med rød saftevand
mit hjerte er stadig skrøbeligt
det har det været lige siden den dag
hvor du sagde, du elskede mig lidt
højere, end det var passende
- digte om alt det, der vandaliserer os
Georgie Jan 2020
You occupy my brain like candyfloss
My thoughts feel cloudy
My words become a jumbled mess when you're around
But it eventually fades away
Until the next time we meet

You occupy my brain like candyfloss
People are confusing
phalaenopsis Nov 2015
dionysus,
i beg,
plague me with your drunken spirit,
free me of my heavy heart,
let me revel in your happiness,
i beg,
let me,
let me.


dionysus,
king of the party,
spirit of the drugs,
protector of the drinks,

make me high
higher
than ever before

take me to ecstasy
let me taste your amphetamines
let me feel and feel
until i can feel no more.

feelings are boring now,
and they only feel like a deep, brooding ghost
waiting to pounce on me
and weigh me down.

DIONYSUS,
how long will i scream your name?
how long will i be tormented by your silence?
come to me with your fun spirit of party,
plague me with the spirit of relaxation,
i want what you can give me.
release,
sweet release.

i want it all,
i want to dream of trees turning into lollipops
and hydrangeas looking like candyfloss.

i want to be far away,
so far away,
that i can never come back down.

but,
but,
only for a bit,
only until i feel better,
only until i am happy again.

can you do that for me dionysus?
can you?

because, you see,
i can't do without help,
i need help to do everything.

i need help to be happy,
and you have what i want.

it feels like i am chanting the same thing over and over
you are just like everyone,
you all never listen.

YOU NEVER LISTEN!
you just sit and watch.
watching me drown.
i am plummeting,
and the most all of you can do
is to record my downfall.

and dionysus you have my cure,
but you won't give it to me.
falling.
Donall Dempsey Aug 2016
YADA TASHY ( "Originator Stone" )

Outside the first snow falls.

Her wounds are photographed.

Spoken of.

Described in detail.

Technical.

The overhead microphone
takes it all in.

Being dead she is
more naked

than she ever was.

Stripped of her
humanity.

She had ceased to be
who she used to be.

She is now
merely a cadaver.

The autopsy can not tell
her name.

She is Kuzuku.

Her mother called her
KuKu.

She had been born
with a caul.

KuKu was pregnant.

She was going to call
the child if it was a girl

. . .Yuki.

She couldn't conceive what
she would call it if a boy?

It was always going to be
a girl.

She liked candyfloss
and her hair up.

Now her hair is down.
It touches her shoulders.

As if her hair were
still alive.

The autopsy
wound by wound

tells of the hell
of her dying.

The voice is
deadpan.

Mechanical.

The coroner
breaks for coffee.

Bitter.  Black.

"Ya da!"
as the Turks say.

"...with nothing..."

*

Kuzuku was named after the flowering plant/rampant ****. Her mother always drank a tea made from it. Only her mother called her her pet name; "Kuku!" Her blacker than black hair always seemed like a living entity in itself as it danced upon her shoulders or splashed over her clavicles. She always wore off the shoulder dresses or tops even in winter cold. I once told her she had the cutest clavicles( "rekishi no naka de kawaī sakotsu" )in history which....always made her laugh. I told her she had well tempered clavicles and she laughed even more when the pun was explained to her. She had been born with a caul...a red caul. She it was who told me the Turkish tale or the Yada Daşı and of the Yadachy.

She had just met the man who would eventually stab her to death and she was greatly in love with him and his culture.

All these little scraps of humanity could not be disclosed by the autopsy which could never tell of how beautiful she was and what a joy she was to be around.

Her death was a horror tale told by a friend of a friend of a friend and hard to comprehend or believe.
Yada Tashy (Turkish: Yada Taşı; Bashkort: Йәй Ташы, Azerbaijanese: Yada Daşı, means "Originator Stone" or "Rain Stone") is a legendary folkloric substance said to be capable of summoning rain. For many centuries, it was the single most sought-after item in Turkic folk legends. Yada Tashy was a central symbol to the mystical terminology in Turkic mythology, symbolising interference to and control over natural phenomena.

Yadachy (Turkish: Yadacı/Yadaçı) in Turkic tradition, were men believed to have an inborn supernatural ability to protect their estate, village, or region against destructive weather conditions, such as storms, hail, or torrential rains. It was believed that the souls of these men could leave their bodies in sleep, to intercept and fight with demonic beings imagined as bringers of bad weather. Having defeated the demons and taken away the stormy clouds they brought, the protectors would return into their bodies and wake up tired.

Yadachy of an area usually fought together against the attacking Yadachy of another area who were bringing a storm and hail clouds above their fields. The victorious Yadachy would loot the yield of all agricultural produce from the territory of their defeated foes, and take it to their own region. Although Yadachy could be women and children, most were adult men. Their supernatural power was thought to be inborn. In many regions it was regarded that the Yadachy were born with a caul—white or red, depending on the regional belief. The mother would dry the caul and sew into a piece of garment always worn by the child, such as a pouch attached under the child's armpit. Adverse weather such as a storm or hail could devastate crop fields and orchards, and thus jeopardise the livelihood of farmers in the affected area. A role of Yadachy, according to folk tradition, was to lead storms and hail clouds away from their family estates, villages, or regions, to save their crops. A Yadachy could take the storms and hail clouds over the territory of another Yadachy to destroy its crops. The other Yadachy would fly up to confront the bringer of bad weather, and there would be a fight between the Yadachy.
Poetic T May 2015
Upon candyfloss clouds
You rest your soft head.

Gurgling, smiling as
Innocence plays out.

Taken from life, only
A breath breathed out.

You are on candyfloss
Clouds, peace in your
mind, eyes look down.

Little one, angelic one,
Taken before your time.

Look down and know, that
You are loved even though
On candyfloss clouds, you
Are and will be in the hearts
And minds of everyone.
Haydn Swan Oct 2014
To drift in the wind on the edge of a dream,
chasing our thoughts on the back of a moonbeam,
candyfloss mornings and effervescent nights,
cascading  rainbows in a box of delights,

pretty girl smiles and puppy dog tails,
candy stripe slugs and polka dot snails,
ride the light on a sunlit wave,
into the void of the crystal cave.
howard brace Apr 2011
The fairest hair, peroxide blond
beer shampoo feeding the roots
primped and pinned with paperclips
blown and set as candyfloss sticks.

Hydro-pack cream erasing the pouches
colourful lashes, stuck to the lids
with copyright brows by electrolysis
both almond eyes are now penciled in.

Lines of life filled with putty
trowelled in layers, foundations built
delicate cheeks, powdered, pampered
rouged and shaded, giving them youth.

Clinical lips, Botox injected
tattooed outlines guiding the brush
the budding artist colours by numbers
pouting, she paints in weatherproof gloss.

Turtleneck sweater hiding the wrinkles
genuine paste, drawing the eye
both purl and knit-one inside the jumper
pulled and snagged by glued on nails.

High heel shoes, stretching the sinews
of Lycra clad legs, holding them taut
a girdle of whalebone hugging the figure
gently molding, the form to behold.

With grace we age throughout the years
a time filled life, craves respect
hairs of grey are marks of distinction
an occasional blemish, a beauty spot.

Tiny crow's feet, signs of good humour
experience of life, lines proudly worn
for with laughing eyes and glowing smile
who need wear a plasticine face.**

...   ...   ...
Ben Jones Nov 2013
Grimsby, a murky wee northerly town
And lousy with houses of seedy renown
The ladies wear only a loose fitting gown
Transactions are furtive and quick
And every street corner is coated in brass
With a ****** for every discernable class
In a spectrum of hues and selection of mass
All awaiting a dip of the wick
Diseases are spreading and taking a hold
With pimples and blisters and, finally, mould
But just when the punters are starting to fold
A saviour arrives in the nick

Doctor McNaughty, King of the Kink
And his brothel of many surprises
A welcoming smile, a comfortable bed
And some help with whatever arises
The rooms are fantastic, the ropes are elastic
With feathery leather and spikes
It wanders the street on mechanical feet
And it scoops up the punters it likes

There’s something to suit almost every wish
With strawberries and freshly whipped cream in a dish
There’s a bucket of springs and a kettle of fish
And the manacles, shackles and chains
A selection of ******* and optional clamps
There’re pulleys, tackle and half-pipe ramps
A physio suite for reduction of cramps
And the treatment of ****** strains
A marshmallow room with a candyfloss bed
And hookers of platinum, purple and red
And for those who are hankering after the dead
There’s a room full of human remains

Doctor McNaughty, Lord of the *****
A magical, mystical ****
With wonders galore behind every door
And occasional chicken or gimp
His visits are brief, but of major relief
To the multitude often attending
Then he’s off in a flash with a bundle of cash
He so loves a happy ending
I lie and listen to her breathing
like the whisper of seduction.

The murmur of a promise
the sigh of a summer breeze.

The scrape of the chair
the roar of an engine.

The sand in my trainer
water gurgling through the pipes.

The turn of the wheel.
The meaning of my words.

Back to tranquillity
and she is once more

the wine in my glass
the cork in my bottle.

Marks to my Spencer
my chip ‘n’ pin.

The stone in my cherry
the warm breathe of the oven door.

Candyfloss at the fair
Blood in my veins.
Obadiah Grey Oct 2011
Cleethorpes


Shoveling sand up Sally's ***
n passing gas in the Lido,
Fitties camp n a loose hipped *****;
somefuckers dog named Fido.

Oh yeah; shove-halfpenny with gennyreny
and pitch n toss in big alley,
candyfloss, Bruce Lee's Big boss
n slurping on Sally's valley.
ju Oct 2011
Bad news falls from his mouth before I can catch it. Hands and knees on the floor, searching, bad news escapes me. It buries itself in the carpet like hundreds of little black fleas. I claw at the fibres but words wriggle deeper into the floor. I try to crush them with pounding fists but they are strong.

On the edge of my vision I see them in clusters that make sense but, as I turn, the words scatter and squirm back into the carpet. Some of the words jump, biting. They leave me stunned and itchy. Some climb up my neck and make me shiver. I can feel bad news crawling over my scalp, feeding and laying eggs. I try to rake it out with my fingers- end up with nothing except hair.

I remember the man then, so I stand. I see my children playing with train track. Around them the floor is alive with bad news. Outside the Sun shines. The pavement, the trees, the grass, are crawling with nothing except happiness and summer. I tell the man that we are going to the park. These words are candyfloss pink and butter yellow. They drift like confetti at a wedding and bad news is scared of them.

I talk more and more about the park, swings and river while I get my children ready to go. The man says something about identifying a body. I catch these words but drop them quickly to the floor. They wriggle down into the carpet and I leave them there. The man pours instructions into his radio. Navy blue worker ants, easy to ignore.

I keep talking the happy words which hold bad news at bay. Bad news can't get me now. But I can see the man looks sad and cross. Bad news is feeding on him now instead of me. I notice the words he tips into his radio are infested with little black fleas. Somehow this is my fault. If I tried harder to catch the bad news and contain it the man would be safe. I care about that. Then I look at my children, bad news scrabbling around their shoes looking for a way in, and I care about that more.

I try to explain to the man that we must go. These words are deformed and don't make sense. Their wings won't work. They fall to the floor and bad news feasts on them. The man says we can go to the park, so we do.

My children run ahead. Bad news hasn't spread this far yet. I speak to friends in words of lilac and blue. Children's voices ring out over the river like silver dragon flies. Little black fleas are biting me under my clothes, no one can see them.  

I see the police car out on the road, the man watching. I can ignore them. But my children are tired and hungry. It's chilly and we didn't bring jumpers or coats. Friends have gone back to their houses. It's getting dark and starting to drizzle. It's the happy words that escape me now.

It's time to go home and be eaten alive by bad news.
Red Mint Jun 2014
Nowhere in the textbook does it say
How to get up in the morning
So that shivering of the ventricles
Wouldn't turn into flaming butterflies
As the rhythm whips
Last wails of the bell tower
In the blink of an eye
Rushes through your hair
And you are left alone
With a deflated pillow
That leaks the dream of
Candyfloss in the sun
Ultraviolet rays
Stretching
Through the desert of longing
Thirst satisfied by chemicals
Then you drag your feet to learn
From your mistakes
(without a permission to live)
As the cancer itself -
Backwards

— The End —