i.

Queen O' queen, this is thy king
Queen O' queen, this is thy king;
Put thine amulet, around thy neck-
For me.

ii.

Queen O' queen, this is thy king(10,9,8,7,6)
Upon saturns ring's, a beloved dream; (5,4,3)
Taketh mine hand, glideth the moon's with me. ( 2,1,liftoff)

iii.

This is thine king mine dearest queen
Thou hath taken me far away,
To the places only known
By saint's and those whom pray.

This is thy king mine dearest Queen
Erelong love, tis thine hope I cling;
And I'm higher in the most
Ravishing way. Erelong dove,
We'll maketh love in a holy way.

iv.

For here, am I dancing on the cosmos,
Beyond angelic tunes,
Thine eye's of cocoa tides,
Blend's inside me
As I rise.

v.

Though we've passed the universal edge
I'm peaceful in thine presence
Alive or dead; I feeleth the dark matter-
Bubble around in mine head, as Nirvana's
In ourn sight's, Zion's breath.

Queen O' queen, looketh ahead
The stream's; their flowing as
Milk and honey tree's
Touch ourn feet,
A tranquil homestead.

vi.

For here, am I dancing on the cosmos,
Beyond angelic tunes,
Thine eye's of cocoa tides,
Blend's inside me
As I rise.......


©Brandon Nagley
©Lonesome poets poetry
©Earl Jane Nagley(Filipino rose) dedicated

for Those who eat ramen by choice, or not.*

I saw the best minds of my generation destroyed by disillusionment,
lacking egotistical sold, dragging themselves through the hip streets at dawn
looking for a socially self-aggrandizing fix.
Poets, as they sit in desks and discuss discourse
about discourse about discourse about discourse,
who fear that thinking itself was buried with Vonnegut,
who are lost in forests of brick walls,
inviting, because they block the wind of dying fall,
who swim in cesspools filled with academic sewage, yearning for freedom,
for truth, as they always have,
mining their minds for images, and searching for words to describe
-a reality which is virtual at its core and each act, another chore./
-a scene of life which reflects all that is poignant and sacred.
Poets seek musicians while musicians seek poets.
and the dog chases its tail, endlessly
and the dog chases its tail, endlessly
and the dog chases its tail, endlessly

These poets who search aimlessly for the feeling of feeling,
who are overwhelmed with meaning to the point where meaning
has no meaning in itself.
Who claim this poem as their own and continuously write themselves into it.
It is those who suffer in truth that live the poetic.
Those who sit in front of space heaters eating peanut butter sandwiches in winter,
who sweat unknowingly in summer, comforted in each’s odor.
Those who open Macbooks while squatting in empty flats.
Signing up, logging in and zoning out, forever disengaged.
Those who type prophecy on keypads and let keyboards gather dust-
stratification, signs of long nights spent in century-old homes still not renovated,
ceilings sinking at the sides while those above pogo to punk rock long dead,
or grind genitals to old soul, simulating all that is sensual.
Those who play archaeologist to their own layers of makeup, grimed on the sink.
Those who share their food with the roaches and the mooches who all have keys,
who use the books as shelves to hold ceramic mugs, stained with a single drip-drop,
who, with arms crossed, watch bands in basements play noise.
Those who replaced their nu-metal records with folk but kept the unkempt beards.
Those who drink stale beer on stranger’s rooftops.
Those who live with bags under eyes, themselves asleep, lacking a body,
sleeping naked together to stay warm,
sleeping naked together to stay sane,
sleeping naked together to stay touched.

Those who leave coffee in unplugged automatic pots, decaying rapidly.
Those who eat pizza for breakfast, cold or microwaved, as an act of ultimate indulgence.
Those who prance about in un-matching socks
from hardwood floors to vinyl floors to tile floors, all under the same popcorn ceiling,
dancing to the sound of rhythmic silence.
Those who fight with lovers about acts, but never once mention the act of love itself.
Those who don flannel plaid in springtime color, constructing Williamsburg,
who consider gentrification a new form of landed gentry,
who live in poverty as if it were a novelty,
capitalist martyrs sacrificing employment to hide being non-hirable,
who shop in online surplus department stores for unique vintage.
Those who, who, who hoot like the owls framed on their walls, eyes wide but beaks small.
Those who are oppressed by nonexistent kings ruling in imaginary suits.
Those who crave something new, not tired-as the form of this very poem-
something which is not-yet auto-tuned.
Those who, faux-hawked and shredded, rock and bop to Bowie doing Lou
on Sunday Morning from Station to Station shooting ******,
who walk swiftly with denim skin on their legs and refuse socks.
Those who, in their rightest mind, are the wrongest-minded.
Those who can reject privilege only because they are privileged,
who, in their uniform whiteness, denounce racism,
who, in their uniform straightness, claim immune to homophobia
who, with their ***** ***** in a row, claim to be feminists.

And those who search for revolution in a time when rebellion is conformity.
Listening to the  pounding sound of blog-protesters typing n o w.
who, in claiming to accept, don’t accept the unaccepting,
who got veggies tattooed on their sides while snapping bacon in their teeth,
who ironically infiltrated asylums and performed madness until the shocks came
and they were maddened, for good, eaten alive by volts resounding
ka-ching, ka-ching, ka-ching.
Who sleep naked together to be together but end up being alone,
exchanges from lips that move in pretentious drone,
and the dog chases its tail, endlessly.
When the abnormal is normal and the whole structure is inverted and
heaven is here and flames under the soil are no longer hell burning for soles of the
Converse, Adidas, and Nike sneakers on the bicycle pedals of poets who ride at night,
listening to the sound of owls that question:
who?
whoo?
whooo?

Did you see the stars
As they shone on you
Vivid like a thousand scars
Inside the darkest blue
Did you see the hero

But that hero was you
Onward for people feel
When music becomes true
In the end you're never gone
Eternally remembered in a song

Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road

The riveting heart feels
the weight of trouble
The rebel is like a watchdog
sentinel
Whats in our Bible?
Things change to make the
difference

"Like a new invention but there is interference"

The Castle you hear
a rattle wasn't a baby rattle
Minds settling or quietly dazing
No defeating over the rainbow
It's like running then you stop
You look at his watered fingers
Of the great lakes, he's admiring
your lady's fingers

Lips divine as one like us
The gold rush collection
Just a secret hush affection
A treaty concession
Picking out the candy
          Skittle
The pivoting flying shy like a sky
riddle
Him or Her piloting its time
Two sets of eyes world of exploring
Not to keen
on exploiting

Her dress movie flowing prayers to
be answered so vain
Heads Spin city flaunting
Defeats us haunting
Who loves us
Who will help us
       SOS
Like a delicacy one of a kind
She's the rebel let her guess
Such a rarity smile with
dignity dressed up doll
she is dainty
To many disguises to face the
mirror of vanity
Rebel Rebel David Bowie
He is a genius of music
Shines a world gigantic

Rebel world of cults and sanity
What was heavily Tis
To be blessed
Rebels of hearts of Madonna
Greyhound bus

Our scorched finger heats
Riding the *Porshe Red firehouse
A beat something rare but overly sweet
Robin risque I  need more clues
Braveheart Riding hood in the woods
to be saved in her rebel shoe's

Queen heads up with the Dean
 Her embossed gold letters
Of a spell, forever mean
The heats on rebels defeat over
Modern time the "Dell"

Rebel wish from a deserving well

Computer and devil decipher
Compelled to love her
The Dark Shadows mansion
Angelique scarlet fever
Dark inside her label dress
What did he deliver?
"'Who lives by the standard rule messy is ****"
Rebel rebel look at your bloodshot pupils
taking things for granted

Freakish odd things posted
Are bizarre even her brassiere
Mean as a *Manchette
We are not as one
normal read the Gazette
More rivals and feather
pen of forgery
What a hard act to follow like surgery
Every molecule being
dissected to poke
A love primal no
common ground
This isn't a joke

Everyone tantalizing tribal
Creatures not in direct sunlight
Defeats us like rebels at night
Being inconsistent rebels
lead the way but far away
distant

We are not realizing what defeats us
Endorphin releasing our energy
Lifting our orphan spirits
Moon worshipper climbers
We are the simple people
Nothing too explicit
Or razor sharp to cut us

The Messiah
Solomon Torah of Isreal
Old Testament Jerusalem
Everything is way too ****** red
Like Salem
What defeats us
Voodoo or Christmas Hoo Hoo

Santas gift got stolen and snatched
Having a fight with a door latch
Magic somehow not in our favor to match
Tragic music rock or swing jazz of a glitch
But everything defeats us
Psychic third eye
She is so tragically hurt
So Manic not the
brave rebel flirt

Like the limited edition
So many of us are uninvited
Not the VIP pass
Ressurection new rebel convention
Unique kind of communication

The last time I saw you on vacation
Relic hunters the lightning
Hells Angel rider conjuring
What mouths to feed of thunder
Nazis all  our undivided
attention pictures
They snap having a field day
of paparazzi
Priestesses devil wears the
Prada dresses were out
of designers
I wonder why to travel heretics
Such treachery and butchery
Being grilled like steaks but
not a Dynasty
Too graffitied feeling fried
How loves are taken like the fools

The business arrangements
Foreign exchange groups
Rebelling their way
through college
Time is the essence of
being mutual
beneficial much
higher potential
More spiritual rituals
We need more Gods of top
rank **Generals
General Mills cereal at least
not the serial killer

The radio alarm is a bit too strong
for his afternoon hangover taste.
He goes downstairs, sets the coffee to brewing,
rubs his hands through the hair on his face.
As he sits and he smokes, he can't quite think of the joke
she once told him about wooden eyes.

The coffee is ready, his hands are unsteady
as he pours his first cup of cure.
He tries to be happy he woke up today,
but whether being awake's good, he's not sure.
Outside it's raining, but he's gallantly straining
to keep his head and his spirits held high.

As soft as the flower bending out in its shower,
fiercer than hornets defending their hives,
the memories of sharing her secrets and sheets
run him through like sharp rusty knives.
He decides that his cup isn't quite strong enough,
takes the ***** from the shelf, gives a sigh.

He goes to the porch to put words to the torch
he still carries and knows whiskey just fuels.
Thunder puts a voice to his hammering heart.
Through ink, his knotted mind unspools,
writing of butterflies and of how his love lies
cocooned under unreachable skies.

From teardrops to streams to winter moonbeams
to a peach, firm and sweet, in the spring,
he writes of pilgrims and language and soft dew-damp grass
and how he sees her in everything.
He rambles and grieves, and he just can't believe
how much he has bottled inside.

He writes how the leaves, when they whisper in the breeze,
bring to mind her warm breath in his mouth,
how when walking through woods he loves the birdsong
when they fly back in the summer from the south
because she would sing too and he always knew
he wanted that sound in his ears when he died.

He writes even the streetlights, fluorescent and bright,
make him miss the diamond chips in her eyes,
how the fountain in the park plays watersongs in the dark
when he goes to make wishes on pennies
and while he's there he gets hoping
there will be some spare wishes
but so far there haven't been any.

He writes that the cold makes him think of the old
hotel where they spent most of a week,
lazing and gazing quite lovingly,
and how he brushed an eyelash off her cheek.
The crickets and frogs and all of the dogs
sound as mournful as he feels each night.

He writes about chocolate and fun in arcades,
he writes about stairwells and butchers' blades,
and closed-casket funerals, and Christmas parades,
then sad flightless birds and tiny brigades
of ants taking crumbs from the toast he had made,
and political goons with their soulless tirades,
old-timey duels and terrible grades,
strangers on  buses, harp music, maids,
the weird afterimages when all the light fades,
the pleasure of dinnertime serenades,
sidewalk chalk, wine, and hand grenades.

He writes of how much fun it would be to fly,
and saltwater taffy and ferryboat rides,

sitting on couches, scratched CD's,
pets gone too soon and overdraft fees,

the beach, the lake, the mountains, the fog,
David Bowie's funny, ill-smelling bog,

jewelry, perfume, sushi, and swans,
the smell of the pavement when the rain's come and gone,

and shots and opera, and Oprah and ***,
and tiny bikinis with yellow dots,

stained glass lamps, and gum and stamps,
her dancing shoes on wheelchair ramps,
that overstrange feeling of déjà vu,
filet mignon and cordon bleu,

bad haircuts at county fairs,
honey and clover, stockmarket shares,
the comfort of nestling in overstuffed chairs,
and her poking fun at the clothes that he wears,
and giraffes and hippos and polar bears,
cumbersome car consoles, monsters' lairs,
singing in public and ignoring the stares,
botching it badly while making éclairs,
misspelled tattoos, socks not in pairs,
people who take something that isn't theirs,
the future of man, and man's future cares,

why people so frequently lie
and bury themselves so deep in the mire
of monetary profits when money won't buy
a single next second because time's not for hire,
and that he sees her in everything.

Lost and exhausted, he sits back and reads
He barks a mad laugh when he suddenly sees
After such turmoil, just one words he needs.
Everything.  
She’ll always be everything.

at the start of 2016, old time rocker Bon scott decided to start u[ a rock band

and the songs he will play is the music of astrology and the members of his band is

David Bowie and Lemmy from motor head and Glenn Frey, you see Lemmy and Bowie

and Glenn frey were rehearsing with each other and the first song they did together was

jupiter arising

we were moving up and down the great walls of outer space

understanding that there was a concert playing there

the ,music that was playing was hotel California and the heat is on

and then David Bowie sang ground control to major Tom

you see the music was very loud ya see, very very loud

it was like being back on earth singing to our crowd

oh yeah it is now the hotel california to you

the party that we have, was getting drunk on bottles of scotch

you see that was what my name was mr bon scott

and then i woke up dreaming saying what the heck is happening to me

and the dreaming of a local farmer losing his stock

you see the farmers name was scott and so is my last name

maybe we need to stop terrorism

maybe we need to stop crimes in general

people are committing too many crimes we need to flee them to stop

I know one cosmic music concert isn’t going to stop it no

the man named Jesus Christ said come on Bon we need you to entertain us

my next life is a down syndrome man, living in Canberra

you see he moves his body when he is waiting for the ute doing head banging oh yeah

i really think this whole death thing is quite stupid oh ****** yeah

please send my next life to have some fun, oh yeah jupiter arising


and now here is Davie Bowie

ground control to major Jupiter ground control to major jupiter

this is major jupiter to ground control

planet earth looked doomed and there is nothing more to do

and i will leave my next life to come back and say, i wanna help

ground control to major Jupiter ground controll jupiter

i think planet earth became real bad, with terrorists and people losing lives and all their possessions

ground control to major jupiter

the party is on for young and old and we have no party if the earth doesn’t move

ground control to major jupiter

ashes to ashes fun loving monkey

we know major Tom’s a ******

stuck in heaven and then i met these singers and other singers followed me up

ground control to major jupiter

ground control to major jupiter

i know planet earth is doomed and there is nothing else to do

ground control to major jupiter

all the people in the crowd, just watch ya back because terrorists are coming on your back

ground control to major jupiter


and now here is Lemmy from motor head


i party and i love my life and i know my music was loud ya know

but loud is great and it shows me one thing that i love life

i dream of life and i dreamt of of being dead

I know a lot of us are scared of being dead

everyone lives forever anyway through reincarnation

you can come back to life as a cat or dog or bird

you can come back to life as a magpie or a man who played for the magpies

you see we get down and party party and party on

this is the time for the man to say, let’s party from Lemmy

the motrohead singer who is so cool

he is the singer who breaks no rules

we are on jupiter trying to stop terrorism in outer space and on earth

we need to get rid rid of Ronnie Biggs and Ted Bundy and many many many more

Ahhhhhhhh!   Ahhhhhhhh!, let’s party let’s [arty

as we het together and say, stop the terrorists we certainly say


and now it’s Glenn Frey’s turn

the heat is on, it’s on the street

the heat is on burning everyone we ,meet

the heat is on, we will party right

every day and every night

you see now we have the action and we will keep the flood lights on

because if the heat still is with us, we need the water from the flood to cool us down

the heat is on oh yeah

oh yeah oh yeah oh yeah oh yeah

we are caught up in the action we are looking up to you

oh yeah oh yeah oh yeah oh yeah

hotlel califorina is sang so great

and the heat is on every day and night

oh yeah oh yeah oh yeah oh yeah

caught up in the action i am looking up ro you


you see Bon Scott wants this to be a way that music can calm the savage beast from within

and everyone says to each other howdy, and i say to my recent deceased in music glenn frey and

Daeid Bowie and Lemmy, and i want to show how cool these musical artists were when they

brought their music to help save the world and now musci can save the universe and now here

is john Lennon

i know that there is no heaven, nirvana is the key

there is no hell below us, above us is the parties we have up here

there is no god up here, i wish their were

but i am sure that there is peace up here, let’s bring this peace to earth

imagine all the people dead or alive

you see people say we are dreamers

but we are not the only one

i hope one day you will join us, and the universe will be as 1

there will be space ships taking us anywhere we like

i don’t care how long it takes my friends


and the world will be as one


and now the party is on, and we are attempting to save the universe with music

Valentino has its red, Versace its Medusa logo, Chanel the tweed that lines dresses and jackets and handbags each season. In the fashion world, these nuances of texture and color, in conjunction with shape, are what help define a brand's identity, what ultimately makes them feel familiar to consumers; they are fashion's version of DNA. Designers carving out their place within the industry will often land on their own set of signatures that are built upon with each new collection—but Patric DiCaprio, the 26-year-old designer of Vaquera, isn't interested in "buy-ability" or recognizable traits. "We are obsessed with keeping people guessing" he says. "We want that to be our thing."

In the three seasons since launching the New York-based brand, DiCaprio has infused Fashion Week with the sort of Dionysian energy once felt at early John Galliano shows. For his Summer/Spring 2016 show, staged at the Church of the Ascension in Greenwich Village, models walked the aisle to the Smashing Pumpkins in baptismal baby-doll dresses and ruffled bloomers, with DiCaprio's boyfriend closing the show in a wedding gown. In February, with new partners David Moses and Bryn Taubensee on board, a debaucherous cast of models dressed in Victorian-meets-club looks danced, lifted their skirts and put their cigarettes out in audience member's drinks at the China Chalet venue in the Financial District.

"Vaquera is about constant reinvention," DiCaprio says of his no-guts-no-glory ethos. "It's about the future; the future of style and clothes, but not in the cliche of futuristic spandex and metallics."

Much like his collections, the designer's path in fashion has been far from linear. Born and raised in Alabama, DiCaprio attended a private Christian school before studying photography at a public university in the South. An internship with DIS Magazine offered him a crash course in art direction and styling, and the opportunity to draw creative fuel from New York—a city that has very much proven to be his creative elixir.

"I felt like I had been underwhelmed for my whole life," says DiCaprio, who moved to the city five years ago and taught himself to sew through YouTube tutorials. "When I first came to New York it felt like I had finally gotten my head above the water and had oxygen for the first time. This place was overwhelming in the best way." DiCaprio spoke with PAPER about his creative approach, his unconventional path to fashion and his idolization of David Bowie.

What sparked your interest in fashion?

I think it's always been about clothes for me. When I was in middle school and high school I was always in bands. I was obsessed with Screamo and David Bowie—the groups that had such strong visual aspects to their work. But I think part of me always felt like I was doing that so I could assume the look. Screamo bands would let me wear the size zero, ultra-stretch white jean. With David Bowie, I wanted to wear the gold eyeshadow; it was always about the look.

How did studying photography lead you to fashion design?

My school was very focused on the craft—the dark room and perfect exposure—but I think I was on the opposite end, I was interested in what was happening in the photo. I left college to do an internship with DIS Magazine and because they're involved in so many creative avenues like photography and styling and art and video, I was able to get a realistic vision of things. The experience [with DIS] made me realize I was less interested in photography and more interested in creating these characters.

When school ended, I moved to New York and and worked with DIS again and then with VFiles in [the archives department]. I'd go through old issues of ID and Paper and Dazed and it taught me a lot about fashion history. I had been removed from all of that when I was growing up, there was no Chanel store in Alabama, there was no Dazed And Confused at the Barnes and Noble in Alabama. Coming to New York I was able to get my hands on the clothes and study these old magazines.

How did you get that initial internship though?

I'm obsessed with Tumblr. I got on it more than eight years ago, and it was a huge part of helping me reach out to people. People that I'm still friends with now—Hari Nef and Juliana Huxtable—I met through Tumblr; they moved to New York before me and motivated me to do the same. So I emailed the team at DIS, and asked if I could show them my photography portfolio—which sounds so funny to say now—and they offered to show me the ropes. They hooked me up with Avena Gallagher, who is an inspiration and has taught me everything I know about styling.

About two years ago I started working for her and became obsessed with styling. I styled Charli XCX for a year—and it was exciting, definitely closer to what I wanted to do but it wasn't exactly it. I wanted to pull specific things—1980's Issey Miyake, but there was no way a no-name stylist like me would be able to get my hands on it. So I bought a sewing machine and started sewing the things I wanted for photo shoots. Vaquera started as an art project that wasn't about wearing the clothes or making something for Opening Ceremony—it was about making clothes that I could then shoot. The final product was the look book.

What made you decide on the name Vaquera?

A few different reasons. I was reading a book by Tom Robbins called Even Cowgirls Get The Blues and it was really informative for me at the time. I was also working in a kitchen as an expediter with a bunch of Mexican line cooks and they had a lot of pet names for me, like "el pato" which is gay slang for f—got, and "little baby doll." They knew I was from the South so they'd call me "La Vaquera" because that's Spanish for cowgirl—even though cowgirls aren't Alabama, it's more of a Texas thing. So I just called the project Vaquera. It seems so arbitrary now, I'm stuck with it for better or worse.

What's been one of the challenges of keeping things future-focused?

I've had criticism from people that it's such a bad business model to reinvent yourself each season, that no one's going to know what to expect from you. Buyers are going to be confused, you're never going to make any money. And I've just been like, "Well, I think we don't have any interest in that." We are obsessed with keeping people guessing—we want that to be our thing. I try my best to keep it a secret until the day of the show and then just let loose.

So we're going to assume you won't be giving any clues about next season's show.

Oh my god, i don't want to give it away! I think people want to see billowy-sleeves but that's out the door. We're doing something completely different. Romantic but a whole different definition of romance.

How has working with David and Bryne changed things for you and the brand?

Last season it was like a whole new brand. We came together through Avena and it feels like we're progressing, which is exciting. I got sick of doing everything alone. For the Spring show I sewed everything, produced it myself, got the location, cast it myself.

And did you collapse after the show ended?

It was a serious problem, it became impossible. I realized I was either going to have to plateau so I could get my life together or I was going to have to find a way to expand the vision. I trust Bryne and David with my life and they understand my vision but have their own ideas. It was a necessary change.

So many designers have expressed concern about the relentless pace of the industry recently.

All these different seasons—pre-fall, couture, designers showing things that are going to be available for purchase the day after the show. That's so scary for people like us who are on our hands and knees in the living room cutting the clothes and can barely get them made in time for the show.

Do you want to stay independent? What are the benefits and detriments, in your opinion?

I think we want to stay independent. I want to make money but I don't want to feel pressure to do certain things. I'm already so sick of that show we just did—already on to the next one. It's like with Demna Gvasalia getting the Balenciaga job: I was so disappointed to see him doing the same thing he did at Vetements at Balenciaga, but then I realized, with all the money that's involved and when you're working with these huge offers, there's contracts. Money complicates things in a way that I think can hurt people's creativity. Maybe you'll make a lot of money for a few years, but you might forget how to make exciting things because you're stuck with the designs that worked well one time. I want to make money, but we want to find different ways of doing it.Read more at:http://www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-adelaide

Chapter one:

  The strange entanglement of the sun, twisted in kooky bedlam with The Great King Moon in winter.

Have you ever looked down at yr feet on the long walk home & wondered if you’re really moving forward any more or if all your really doing is just moving the ground? Don’t answer that, its a rhetorical question. Of course you have. We all have. You think you’re moving in the right direction, following the north star or the compass in your brain or maybe just your nose or your thumb and fore finger. You  believe that you’re gonna make it somewhere, you have to believe. What else is there. The truth is, you’re going nowhere, we are all going nowhere, we just spin on the slanted axis & never really go anywhere. We have been conditioned to believe that this is the way the world works but I’m here to tell you that it doesn’t, you gotta buck up, **** up or ******* ‘*** let me tell you, yr ‘dreams’ mean nothing to anybody ‘*** living, real living is not connected to REM. That’s all just more ******* you’re gonna have to put up with people trying to sell you. Lick the boot, get over the barrel & bite down on your watch strap. That’s all there is to it. The mind is a magnet. If you find yourself staring in to the abyss: Jump right in. Swan dive. Hold your breath & wait. Everything will be OK. I promise you.

I’m writing, ah writing! Writing this worthless piece of *****// manuscript of means for you. For me, for the future, for love, for lust, for hatred of all things hating, for your mother & farther, for my friends, my beautiful angelic, clinically insane friends, for time, for the soles of my shoes with hundreds of miles under their laces, for your fat greedy pockets, for the moon, for the sun to spit on, for the wind to taunt, as he does like the great cowardly, perverted invisible fiend that he is, for nothing, for not quite everything, for your aching lovers, for your broken hearts, for the worlds water, may you always be clean & run free, for the great biblical liars, for the sorrowful wonder of the great homeless & may all their wants come to be wanted, for *******, for fumbling, for the vast oaken heavy doors on bars that keep us safe from the  horrors outside, for guilt, for sugar-blue smoke, for all the kids sitting in **** stained squat houses with half a horse embedded in their face, for my schools that gave up on a bored child, for warmth & fire & woollen clothing, for Paris where I can fulfil my great dream of becoming a sullen cliché, for the gravel-mounted marching marvel, may you never lose your way, for the Parthenon, for Aubergine, for The Firefly, the swan, bleeding,for growing up, for all the music makers,all people should play all instruments to any degree(rather than just, age & shrivel), for Howl for Carl Solomon, for every down & out that ever clawed his way up the street & through the yellow door, for all the animals that gave their lives to keep me fat & red faced, for Christ sake, for the invisible man in the sky, causing all war & so much death-thank you, for the wild west, for Bert & John, for the great literary mastodon to look down his reset nose at & ask me why. Why?

The way that old dial telephones look & feel. The questions that need no answers. Feeling down, down & out, upside down & inside out,upside in & downside out on the pavement at five am. Waking up in unknown beds & crawling down drain pipes. Getting lost in a place you have lived your whole life. Being in the woods simply to be in the woods. Drinking coffee even though you hate the taste. Never telling a stranger the truth. Living under a false name. Drinking yourself to death in the dark lonely-crowded corners of ***** stained wood floor warehouse floors. Feeling solid-sterling-gold for feeling so terribly horrifically half-corpse-like the only way you can really feel is completely statuesquely angelically magnificent and the only way is down(you really have no idea how far I fell that morning) , Only going out when it rains. Only going out in the dark. Staying up all night dreaming and sleeping all day. Remembering to forget, forgetting to remember to remember to be forgetful. Understanding that you and no one else understands nothing but eat-drink-sleep-****-death. Smoking until yr tongue bleeds and yr eyes burn like that fire in the sky in the fearful month of June. Wishing you knew how to tie a noose & writing ”suicide” on yr calender on a day you have no planned engagements. Shooting to the moon & back in the bee-bop-bo-bo-batter-batter-chitter-chatter like jazz on the neon streets of the earths mother. Crawling in to a stone cold bed after walking for six days & feeling bored & lonely again in ten minutes.

That’s why, I’m glad you asked. If I’m going out, then I’m out going with some steeze in a cloud of smoke, yr wife & I’m not taking you with me.

For all these things & more is the reason I write. To write for the sake of writing. For, some people write, just to write & they are truly the the lost meaning of it all.

Automatic travel rambles to plug up the holes in yr lonesome pockets. Blues.

Chapter two:  

Creeping moss-stick under-flowering the useless but grateful Tuesday poet, Jim Gravestone Sr.

The ghost of the monorail, living only in upturned memory sits slow & smooth/low against the Sunday evening rapture. You gotta know which way is down. Down. The dew on the grass & the creamy-green residue of the night before is just too close to a real drama. Absolute dahma. Down in the cold rising damp & the stain on your shirt.

He sits , sits like you, like me & like old Tom Mooney the prison king. If you ever saw such a sad sight as he, I do believe you would roll out your tongue on the pavement right there & then & wait for the road sweeper & all his secret, early morning charms & the great wolf man, pork chop sideburns (lupine dreams)to clean you up & clean you out. I do declare!

For he knows-for he has seen. Seen the sun rise from his pearly throne up on the dark side of the moon, the very face of Bowie, right there in the eye socket. He sees all. You can live your life, & you do, & you should, but he, O’ he, he has really been there & where & back again. You carry on with your sleepy routine of mule-back coffee office doom death jobs(you sleepy Bohemian, you)  & in you spare time trying to keep your nose from filling up with water & your private parts entwined with somebody else’s most private of parts, & on the side lines of you spare time you can deal with your family & all the friends that you’re sick of but hold on to, only for the fear of being left alone in the dark with nothing but all of the above. Then again you always have your studies(STDS)all of the ologies, of course.

Sleepology, cocaineology,rainolgy, sunology, lonleyology, depressionology, suicideology, talkology,empypocketsology, meaninglessology, masterbationology, coutntingyourmoneyinpintsology,walkology, onenightstandology, jumpthetaxiology, begology, borrowology, stealology,feelology, upallnightology, sleepalldayology, Xology, ologyology, etcology etc…ology etc.

Just find something you can care for ‘*** [insert atheist god/idol] knows that nobody is going to do your caring for you, even I they do in fact care for you.

I have been beginning to notice,that I(and I may not be alone)

always look at the past through a marigold monocle.

This, meaning nothing now ever seems to be joyous or gay or splendiferous until it is a past memory.

A cobweb. A rafter. A leaf on the ground. …I guess.

         Chapter three:

I know you know it but people that you don’t know, really are a funny, funny thing…

I stand outside the rain & watch the people passing by; really the most depressing experience of my ever increasing years. Un-jolly fat men with whiskey-nose & scuffle-feet stanzas of gibberish, talking gibberish & gibberish being their inner most self. Pre-war women with Arctic-blue hair, faces melting, everything pointing down, shuffle. Kids pushing prams full of ugly babies towards a house of who-gives-a-**** & ******* & I’m-gonna-die-here and what of it. Is there really no more to life. Listen to the top 40 on the radio, clueless, oblivious. Cogs. All cogs. Military troglodytes following them back in a dead eyed daze, dreaming of killing in the real and virtual. No you may not have a cigarette. Leave me alone, please. Let me listen to my watch ticking in peace & at least pretend that you don’t exist.

The human body is comprised of several ‘substances’

including..

Mercury,

hydrogen hydroxide,

fountain pens,

the lost dates of calenders,

various small woodland animals,

including…

Voles,

rabbits & field mice.

Other such things as…

Misplaced birthmarks(of the brain)

feelings of remorse and regret,

the stolen trinkets of past lovers,

and of course,

white blood cells,

pesticides,

and the second hand

from a 1956 ’Hamilton Rail road’ pocket watch.

E.L August 7th

           Chapter four:

Last night, last night was the last night it was the night last

Picasso raincoat. Imagelessness. Bottomlessness. I lost my umbrella & my Holden Caulfield head-wear, again. I was skipping on a rain cloud, corduroy boy and scarecrow girl, reunited in a soft entanglement sticky in the senses. Hoof! The only way is up when you walk down these stairs, snakes and blisters, but you’ll sweat it all out in babble cream conversation and love in your eyes. Tell me a story, tell me a story, tell me something to prop my chin up in this brown tunnel. Your name it is something I cant care to remember but of course I never really had a name of my own either, so we shall be the great wonder of the nameless masses, the ones born to no name and never wanted one anyway. A name is nothing but a label, a calling card, call me anything, call me king Charles II just as long as you do call me, the sound of a voice, your voice, any voice reeling off a comprised anagram of the alphabet is enough to get my short attentive ears to perk up and twist my noggin backwards towards the direction of my inbuilt gypsy sonar. So anyway, I was going to talk about something, something great… but now its gone and all I have is bloodshot eyes and sweaty liars palms to prove to the world that I had an idea once, I swear I did.

Here’s an idea for you to dig you heels into:

The world keeps making mistakes, everybody makes mistakes, its natural, nothing to fear, it happens all day every day. BUT, with every mistake we make, we then proceed to learn from that mistake, so.. stay with me here… Once the world, the whole world meaning everyone in it, has made every mistake they can make and of course and one would hope of course, that they have also learned from all of these mistakes; once this has happened, there will be no more mistakes to make, right? Therefore leaving the world perfect as a whole, no mistakes to make, learnt their lessons on every lesson and we can all go on with living a perfect existence, yes?…

No.

I’ve really thought long and hard about it -could never happen, people are not perfect, they never will be, if they were I wouldn’t want to know any of them, and the world, well the world is an imperfect place, and the same rule applies.

But let me hit you with another bit of knowledge to round things off and maybe put a positive spin on things. Hoist ye marrow-thumbs around this;

One of the many few early times that my legs forgot how to use them selves, I was sitting on the pavement, trying for one to reattach these two now useless appendages stuck like butter to my lower torso, but foremost trying to light a cigarette with my useless cold hands and equally useless matches, fearful of the sneaky clear coward, invisible old Mr wind, when a kindly stranger, half my size, red my hair, opposite my *** and now opposite my broken legs appeared like a person will appear when you mind is in other minds, a smile, a sympathetic look and two working hands to fire up the stick in my mouth. I said my thanks, babbled about babble and the generation of gibberish and im sure many other things inconceivable to the sober ear of a dame such as she, the bringer of flame and enlightenment, not of the smoke but of the simple mind, an idea is what she left with me and it never left. She stopped my rambling typewriter of a tongue and said ‘shush’ she held my head in her hands, looked at me straight,so I thought she might be death or god or that I was passing out,she all green eyed and like the woods, looked at my eyes like they were tethered together and dropped the bomb on me, she said ”if you are looking at the moon, then everything is alright” kissed my warm on frozen forehead and was gone into the night, never to be seen again.

That’s all the advice you will ever need, & so ll I will leave you with.

You never left a name, but I never wanted one anyway.

Midnight moment

beautiful rags

midnight joy.


Nevermind your little light,

set apart your golden dreams

that offen break,

& come to play.


Chapter five: There are things I want to write but I am not going to write them.

The End.

‘Stay gold, Pony Boy’

"just talk about love, or ***, or starving hearts, or just shut up
and I'll go

but" - Jonathan Richman

(..NIGHT)

A drunken man is blown by bathroom paintings,
with shower curtains displaying crowned sparrows
who laugh at his
crowned ****!
and humor his life!
also crowned
(but only subjectively if you were to ask anyone else)
I'm a burning insomniac surrounded by a whole cast of characters tonight, including the one with with a lazy eye who mirrors Chaplin
and arrived to the party disoriented from recent Salvia.
Then there was the one with a sleek current-edge-type haircut
who spent a few good minutes telling me about the film works of Philip Glass
            B E A U T I F U L
They play Bowie,
the whole social palette disintegrated beneath the weight of intoxication.
I, too, am dazzled from pale alcohol already (eight minutes past Midnight!)
The Dancing Athlete ambiguously dances on an absent television while my head hurts from a blue bulb glowing from a nearby lamp because it's too late for all this
and I'm reminded that I know almost nobody here.

(...AND DAY)

Maybe thirteen hours later, walking with Dante the bearded dog,
my friend wheeled a stranger, narcotic-vacuum-cheeked amputee.
He begged for light, as in a lighter, not that light of GOD, no no,
all the while he showed off his stub leg (cut off at the knee) bleeding out all over the sidewalk when his accident first occurred.

"THIS GUY THREW ME FROM THE BALCONY!" he preached

Past the cathedral narcissus
"JESUS COME/
JESUS SAVE MAN/
JESUS MAKE FIRE/
JESUS WAS A HOLY INDIA"
Across the street, village of enduring tombs and firesmoke,
shadowed tent outlines
breathed-in
playing cards and tricks
mandolin reverberations among tents and tents of
sickly or addict, all listening in on the live performance, a blessed Alice with dreads, lively chords emitted from her skull of ideas.

The forgotten noose of man ****** in a parking lot
by a liquor store, while we pick up some wine, which is, and I quote here "DRY AND CHEAP"
A sunny quiet perched on the field
of gleaming downtown streetlights
thru thinning clouds.
Olympic mountains in view, the kind of mountains only seen in magazine articles to be experienced by those unafraid to die.
All these sad people out here, too!
Their faces expand beneath capital industry,
Elephants occupied with jackets sewn in an anonymous factory.
Quick tip, I wanna write it down before I forget: don't listen to that old music when you're feeling lonely, it's all about love and especially in tragedy this is a bad idea.

I'm sick and wept and my teeth have been growing cameras,
the youth are dressed in drag, carpet cleaners bob their heads to unheard tunes but you can see the sound thru a glass window.

This city, oh, this city..
with bodies sprinting hard by each other and who bike across train tracks associated with very vague childhood memories.
We all float on hands electrified by the night!

Jonathan Richman tonite, who's vocal deliveries have been honest
and romantic, in a passionate sort of way.
He's singing that live track "A Plea For Tenderness"
(I know you were waiting for me to get to this)
and past few days have been strange
and past few weeks stranger, still. Not as bad as a lot of people but man, strange..
that night, and day.
Walking by the Victoria Hospice care center and looking down on my wrists which'll soon be tattooed with loving hands yet oh
so
aggressively pained by abuse because of a terminal disease and attempted suicide (NOT my own life, to clarify)
and it got me thinking on how we're all mutually getting thru this place and every face has seen hearts and seen death almost equal.
It can get to be too much, that's why melancholy has been defined to begin with. But ******* Jonathan Richman had to make this song.

"if I'm better than the wall
(tell me now)"

"Because it's dark at night
and I'm alone at night
I'm so sad and I'm so scared"

Things I've said in my own head and felt in my own time
as has everyone else. I don't mean to specify that this has happened RECENTLY, but it's definitely happened before. These times.

"now, I've just read some writers
from the old days
because I knew, I knew that they'd understand"

but BUT everybody is accidental!
even Rimbaud has stubbed his toe and I know that it'll be fine
it'll be fine
it'll be fine
in Vietnam maybe
and it'll be finer in Varanasi
(maybe-r)
but for now I don't know
I can say it I can try and feel it and understand it and pretend I know it
I gotta get away from people to be replaced by a Hindu I've never seen before
and sleep on a mattress that (like a new pair of shoes) hasn't grown in to my spinal chord and hurts ****** bad at first and is unfamiliar and the weather is warmer than usual
and the horns of traffic will be frightening but that too, will dissipate with time.
I gotta save up my money and hug my wallet like a starved cat
Jonathan ******* Richman's "A Plea For Tenderness"
what a fitting title
for a time like this one now.

The desert is a killer
An unforgiving foe
Be careful how you handle her
Take things very slow
If you are lost in her confines
Be careful where you go
It is best to hunker down
If you're in the know

Your enemy is water loss
Long sleeves are a must
Head cover is primary
A wide brim you can trust

Cover every inch of skin
Cover up your mouth
Do not expend your energy
Go north instead of south

North of cliffs you hide from sun
It's the sun that kills
Stay where you are... IMPORTANT!
Unless you have good skills

You can find water sometimes
By following the birds
Deer and other animals
This is what I've heard

Pile stones in cairns
Make arrows from sticks
Showing your direction
So rescuers find it

Always move at night
The temperature will plummet
Sometimes it gets very cold
And people do die from it

It is best to wear light clothing
Conserve body water, dont sweat much
The desert rats drink often
But do not eat their lunch
It is best not to eat it all
Or eat cactus fruit and such
It contains good water
But don't eat a lot. Don't munch.

water, Water, WATER!
Drink this at all costs!
Find shelter from the sun
If you do get lost

Going to the high ground
So you can see the land
Finding habitation
Of folks living in sand

Carry maps when possible
Carry Bowie knives
If you wear thick glasses
A fire could save lives!

Make a fire in the desert
Create light and smoke
Magnify the burning sun
With the glasses of which I spoke

Hand sanitizer can be a help
In starting any flame
Put lots of stuff creating smoke
Getting helps the game!

But stay out of the fire's heat
Unless you're very cold
Always conserve water
It is liquid gold!

Carry a Camelbak
A backpack with a tube
To drink the water easily
These are often used

Travel light! Important!
Conserve your energy
So you don't lose water
Analyze your ***

If it is light like lemonade
You're probably ok
If it's very dark
You'll need water that day

Keep your head, don't panic
It's best to keep your cool
You can think! You have a mind!
These tips are simply tools

There are other tips
To Google in your strife
Carrying a cell phone
Could just save your life!



SoulSurvivor
(C) 9/18/2016

I long to live in a vintage
world
where the warm, spring wind blows
softly all day long
and the sound of wind chimes are
the only things representing
a calm humanity's
existence
I would like to take pictures of you
behind the lenses of that old-fashioned
vintage camera
you wearing a faded David Bowie shirt
with ripped blue jeans, dusty shoes
displaying your white, crooked
teeth of a smile
can we ride around town together
bikes pulled out from neglected
sheds full of rusty, old tools
leaves twirling through the squeaky wheels
rolling down cracked pavements
with crushed, brown green grass and
white daisies trying their best to
remain upright
can we sit on the raggedy bent steps
of an old abandoned
two story house
and eat melting ice cream with
cold fingers and hot heads from the
sun's yellow white glare
can I hold your hand
intertwining our rough flat palms and
tracing your dusty, worn fingers that
wipe away burning tears
and caress my face as though it were
the most precious thing
in the world  
can we pretend that
life is just an old- fashioned movie
time put on for us
and the setting is my mind expressed as a
hazy yet vivid vintage world.

You like to party, I am a partier
You like to wander, I am a wanderer
Your thighs are the closet to Narnia
Is it cool if I go and get lost in that?

I'm the lion, the witch in the wardrobe
Massage my lap, I have a sore bone
Of course cold on the dance floor
Like an Eskimo's toes in the North Pole
With both toes poking out of two holes
In the Eskimo socks, I'm hot
Like a cauldron from a warlock
Wearing sweatpants in a sauna
Who's your father? I'm not

I'm *******' Raven Bowie and here's my ****
Rooster, ****-a-doodle-doo sir
Take a hit of the hooka, now make it drop

Girl's ***** was bigger than the stomach of Rick Ross
Holy mother mountain of tender tendon to get lost in
Bounce, bounce, that castle *****, that bottom
Make it wobble, wobbly-waddle 'til my third leg has to hobble

You don't want to look back on this night
And think I should have been freaking on a *****
Freak-freaking on a *****

A room.
Need to displace to move.
Arrangement of places you’ve been
******* you in like some Kansas twister that swept you off your porch
just after you open the door for the first time today.
I awake from a dream.
I don’t remember what was said.
Clumsily laying letters over felt footsteps.
A semblance of something too big to tell you.
I cannot move it but I’ll say whatever to mean it.
A body subject to the wind
ringing against the world, accenting the edges in sharp cries
like a dinner bell that never rests.
How’s the sky taste Major?
You think Bowie really cared for karate?
Only superficially because in some perverse way it was a form of art.
A Darwinian heyday exhibition for the human condition.
I’m alive *******, let’s keep it that way.
In every way.
Don’t want to be too narrow.
Need some space to move.
The past that comes to us now,
first came from our future.
Even the ones that wilted under the shadow of satisfaction.
Even the objects flowing through this wicked light show of so much contained in three tiny axis’
Please chart your love according to x y and z without dimensionally reducing the picture.
Don’t worry darling I’ll wait, remember it’s there we first met.

She wears t-shirts of the Beatles

And she loves the Rolling Stones

She wakes up to David Bowie

And she dreams of the Ramones

She goes out to dance clubs nightly

Till her ear drums both get blown

But, she has a deep dark secret

That her friends will never know



At night when she is by herself

When the room is nice and dark

She slips beneath the covers

With Johann Sebastian Bach

She's a closet classic ******

And her name is Amber Clark

She just loves orchestral music

The rock and roll is just a lark

Her friends think something classical

Is something for your folks

They cannot play an instrument

They cannot read the notes

They think that  chamber music is

What people play on boats

But she has a deep dark secret

She loves the stuff that Chopin wrote

At night when she is by herself

And her friends have gotten ******

She slips beneath the covers

And she listens to some Liszt

She listens to it many times

In case there's things she's missed

She's a closet classic ******

She has "Baroque" upon her wrist

She listens to the music

That her friends like to be cool

If she told them what she listens to

They'd laugh her out of school

So, when they go out  clubbing

She will join them as a rule

But...ah that deep dark secret

This girl is no ones fool

She listens to Beethoven

And she knows each piece by heart

She knows where one bar ends

And another one will start

She can play most every instrument

And she knows most every part

She's a classic closet ******

But she still knows Boyce and Hart

She has cds in her library

And most sit there untouched

When her friends are gone they don't get played

She doesn't like them much

She would rather hear a symphony

By a composter who was Dutch

But there's that deep dark secret

And she won't use it a crutch

At night when she is warm in bed

She listens to Mozart

She needs a little Nacht Musique

To open up her heart

It's a piece that sets her mind a blaze

It hits her like a dart

She's a closet classic ******

And she keeps her worlds apart

By day she sings Bruce Springsteen

At night she listens to

Composers that her friends don't know

They're so old they're new

So she keeps her world a secret

For she knows what they would do

If they found she didn't know

Where were you in sixty two

But at night she is a ******

And she listens to Mozart

She needs that piece of music

To shoot an arrow through her heart

Eine Kleine Nachmusic

She conducts every part

She's our Closet Classic ******

shhh.....the song's about to start...

must love rainy days
adventure
pumpkin carving
and unexpected kisses

must be tolerant
of jimmy stewart
and bob dylan
the other men in my life

no height
weight
or hair color requirement
but big hearted weirdos
who smile for no reason
are always welcome

no
racist
sexist
homophobic persons
or those who say baby
as a term
of endearment

i like my coffee bitter
and my men sweet
never
the other way around

lopsided grins and kind eyes can get you everywhere

if similar in tempermant style or appearance to
the doctor
david bowie
mickey mouse
or jesus
please contact immediately

must be accepting of
raucous laughter
black and white films
cold feet
and occasional insomnia

i am always late
rarely refined
and have almost no perception
of the volume of my own voice

in junior high i asked a girl to stop picking on another child

she told me to go fly a kite

it was not until much later that i realized she was insulting me
not offering ideas
for an enjoyable way
to spend the afternoon

my hair is an untamable beast
but when fashioned properly
can be wrapped about my face
to create a rather fetching beard

i enjoy being scared
and am not easily so
unless you are a bug

i talk in my sleep
never know what day it is
and cry while reading good books

i just want
to hold your hand
in a crowded theatre
while we wait for the scene
at the end of the credits

and to be able to tell you
i love you

By: Cedric McClester

I heard the news
And it was numbing
Cuz so few of us
Saw it coming
The icon had
A sad homecoming
To a funeral dirge
And muffled drumming

Bowie dead at 69
Yet again reinvented
Read the headline
Now he belongs
To the annals of time
The rarest of treasures
You will find
It’s so sad that he’s crossed the line

I can’t imagine
Where to start
Was he an artist,
Or was he art?
A master of
The record chart
From Paris France
To Germany’s Stuttgart

And now the world
Must say farewell
To the clanging of
A cathedral’s bell
But he left music
To compel
Those of us
Who wished him well























Cedric McClester, Copyright © 2016.  All rights reserved.

In last night’s episode, a feeling washed over me

Lonely and alone, I broke down

And within those few moments of emotional inertia

I wept for everything and everyone;

For Prince and Bowie and all the others

For the planet

For my loved ones

and all of their problems I can’t solve

But not for myself, I wouldn’t allow it

I deny myself everything I need;

A person to love and be loved by

A shoulder to cry on

Permission to be weak

Help when it’s needed

A part of me died

and I reflected on how trivial it is

always making things difficult for yourself

Questioned why my life is so hard

As if it’s all some joke everyone is in on

They’re laughing and rooting against me

while I fall back down each time I get back up

Does anyone understand what it’s like in my shoes?

How can they when I don’t let anyone in?

Hell, I don’t even understand my own weary soul

So star crossed and aimless

and pulled in every direction

Searching….searching….unable to find solace

Looking for home in people and places and things

Put a noose around my heart,

hung it for all to see

There is no love for one so smart and strong

There is no place for one so resistant to belong

There is no hope, or so it seems

Impatiently waiting for someone to prove me wrong

To cut these ties

To free me from myself

To make me feel alive

Because **** it, I’m just like a beautiful flower

I thrive in the right environment

I will flourish and bloom

and grow into the best version of myself

Stable, no insecurity

My fruits will nurture you in return

I will love you like you’ve never been loved before

Baby, the brightest diamonds and pearls are made over time

The future’s gonna be good to me

Chin up, buttercup -

with death comes new life

click clack, sound of the track
busted lighter, jilted firefighter
****** mosquito bleeding blighter
coffee cup, record stuck
panicked post boom stuck in a rut
had you'd never seen her, been her
watched her fly by
is it a plane, wonder bush, brick lane spy
fallen tree, dropped whispers ina wood
shoulda, woulda but never could
pushed by the wind, running around
set off faster, harder, leavin the ground
seen more war than a nu-rave punk
hit the pavement harder than a skool boy drunk
deeper, lower than before
been round the world 3 times over
prayed harder rollin around in clover
teemin, screaming anticipation, panick buy
obsessed with cuckoo, escape with a sigh
darker, lighter, tougher, cornered and lame
call my breath, take my name
shame, dusted, glory be no more
music drags me back from the shore
vacumn packed, culture vulture sister
pierced hot poker, stoke her, twist her
throwin pieces, jigsaw puzzle in the grass
pull my hair, bit my cheek, slap my ***
shorter, tighter loved a whole lot longer
pushed behind, throw back 80's stronger
straightened, heated from a blue rinse dude
i am sitting her 3 minutes from rude
throw me away from here, take a stand
eating raw from inside the hand
ruined, borken levelled tiger print sweater
20 marlboro, 2 strokes and its better
dangermouse, grotbag loved forever
tether me, feed me, clothed in dried leather
Bowie, polka dots, illuminated lights
star brights, fist fights, just rights
scuffed my heels on your broken walk
shut your mouth when you talk
broke you, stalked you, wounded you down
turn away from rain as we run thru town
just like a fire
black crow eating berries from the briar
sacred high, dancing beauty
eyes black and smarting, ****** up cutie
batman, she-ra, Holy ****** Cow!
Look at me, **** me
I'm a big girl now

you will fade away
you will fade like the others
did too
you will fade, my SOS
and leave me with this island's truth on solitude

i rode as passenger once
in a boy's car
i had named Bessie
Bessie grunted and took naps
like a narcoleptic
we drove together
me and this green-eyed boy
in ol' Bessie
through the construction of the Yards in the summer
with our windows
rolled down
smoking cigarettes
under overpasses
on a highway bridge
the city swelling, heaving
over us
and the wild winds
splashing my face
hair tantalizing
impatiently over to his side,
my downtown apartment waiting like a desert flower at dusk
throbbing to bloom
David Bowie sang heroes and i believed the song
could never mean anything more
than our moment shared

years pass and summer nights choke me again
i'm in love again

thundershowers knock on my window
David Bowie sings
but i don't think of that green-eyed boy anymore
now, it's you
tall, spectacular man
spritzer of mystery magic from your hands
i think of you
but i'm alone in my apartment this time
i climb out of the fire escape
thunder cracks the sky
and i let the rain soak my bones
i want to hold you, but
you will not have me
completely
like how this storm
is finding
its way to the last inch of me

i close my eyes and
give
myself away


you won't be the last of them
i know
my story of heroes and lovers sits on the doorstep
of a vacant home

you won't be the last of them
i only dreamed you would
like the sight of a ship too far from shore

Around the time
I entered the place I was
Already sweating like a *******.

Fiends poured from crooked parking meters - all unpaid and blinking red.
Angular threats were shooting from the eyes of dead gangsters - wives all mad.
Laughters entrails spilled out onto the rotten wooden blanks
Like Jimi Hendrix's gun-shots of Vietnam lore.

At noon the church doors will open and
There, the wind will freeze like water to ice;
Memories menace psychedelic post-war like;
Upstairs toward the 4th floor, the blast-furnace blasts away.

My eyes were pink. The music was loud.
When I heard my name, I said, "no, I don't believe it."
There was a knife floating from the ceiling and
I swore
God whispered "Run" into my ear.

A squeal
From the corner of the bathroom.
There, I witnessed a kitten reading a piece of newspaper.
Times like these I imagine an imagination indifferent,
Only to shudder as I enter the freezing winter of space.

Blame is there for all who wish to take it.

Back at the table,
I tried to reform the face of my date.
She smiled and frowned and sighed and grimaced
All the same time.
I wondered what love felt like, then
Entered a new space of hazing music, malnourished.

Hubert came through the window,
With a 8 inch bowie knife and a grin.
I chuckled and he did too.
I asked, "Where you headed?"

"To the kitchen. There are beasts in there that need killing and I'm the man to do it."

Nodding, I went back to my
Dusty periodical, silently hoping he would
Execute one of the hares or bison I
Kept near the garbage disposal and dish soap.

A vibration.
A musical note.
Echoes through eternity.
In there faces float still, poised, perfect.
A baby is born,
An old man dies,
Lovers intertwine.

The end.

Instead of sleeping, I stayed awake.
Sleep frightens me.
Dreams are sometimes to good to wake up from.
When will be the day I can stay in one?

When there was glory,
There was man.

When there was faith,
There was God.

When there was death,
There was life.

Eating up the trough, far past the fill-up,
Cooking up any excuse the twisted mind can come up with.

Eavesdropping love songs to tormented poetry readings.

A foggy night in San Francisco
Leaves a clue so slight to the hand that pens.

The raps burn against the metal, rusted window panes twanging with cheap celebrity.
Here, the brown line runs, as the Mississippi purrs chasing atonement.

New York City is still burning.

There was the sense that something was wrong when I entered the other room.
I'd heard of it. Someone had told me about it, but I couldn't recall who.
On the street, the wind was like cold milk and the smell of candles was stinking up the street.
It was somebody's birthday and it was morning and there was no escaping the day.

At noon, I was still in bed, trying to fend off the sun. Impossible
To do, I got up and braced myself for the sinking put-put of my feet against wood floors.
There in the hell that was upon me, the warden sunk his teeth into a miniature grapefruit.
Surprised by his choice and subtle nerve of health,
I saw then he was a large volkswagen sized man with teeth the size of sharks.

I was away for too long. This was here. Here was this place. I was here now, for good.
To leave would be to go to the same place, all over again.
Instead of throwing away the future, I ****** the present into oblivion.
Eyes bug-out backing up the bartender in a noon-day brawl and instead of calling the cops,
We called the bald gimp Jerry K. because his father used to be in the military and
Taught him a couple things when he was seven and half.
The man died that night in the alley by a knife and few hearty laughs.

Waking to sleep the day away.
Burning money to see what color it'll make.
Fending of friends with solitude and *****.
Shoot pool to drool and stay cool.
A ladies a lady until proven otherwise.
Candid scenes pass, though the flames engulf the lazy, littered
Streets with sleeping hobo's sick for the one's who don't
Have time to be; hard work must be done for our good country.

I stained my mind the other day. Saw
Seven virgins all spinning like circus china in a window
Too hard to see through. Their silhouettes were something to be
Haunted by and because past loves always seem to haunt me,
I bought one and took it home quickly.

She stands in the corner spinning, as I type away, grinning.  

After I rearranged her face
She started to cry. I watched her eyes as they turned from blue, to violet,
To sunken ships of hurt not let go.
I tried to show her where the desert was not dried up,
But she would not take my hand. It hung there like a bobbing kite and
Because the ocean can never run out, the bout we thought
Would break us, only made us cackle like the downtown girls we know.

After some convincing, I took her to a french breakfast spot rather than the desert.
A few spotted chinese women sat next to us with an abnormally large golden retriever.
"I've never seen such a beast before, " I giggled, "They must ride that ******* home."
"Don't be gross," she scowled, "It's an animal with feelings."
I told her I got a triple bacon egg-sandwich and she started to weep lightly into the
Broken hem of her beige linen vest. Something told me I should nip this in the ****, but
Just then, my sandwich came. I handed her a napkin then began to eat. She finished her
Coffee in one gulp and picked up her leather and left. Eating alone, I watched the golden
Giant eat bits of hot dog the smaller of the two chinese women had hid in her shoe.

Why think of the ending when the beginning was where it started?

Smart they are. **** she can be. Aye, here I am again.

Aye.

Here we all are again.