Joker is confined at Arkham State Hospital--he's an amalgamation of: Nicholson, Ledger, Phoenix.
the essence of these portrayals will fluctuate as would a possession.
the following will be written with all three in mind (no specification)--the reader is free to infer which, there is no incorrect imagining in this case of psychosis.
greener to the pasture hair, cropped short & feathered on the right side--shoulder length scraggles, that stream oil from a receding hairline on the left.
**** pillow talk padded walls, an experimental recording studio--millenia of disassociative voices.
institutional-white disciple wear, beneath a straitjacket that can be tricked open.
he takes to contemplatively stalking the room's perimeter like John Nash's doppelganger outlining university grounds for sanity.
suddenly sawing himself into boxed halves, the pros & cons of junked minds.
then stands at attention as if absorbing the insults of a commanding officer.
he's unmuzzled, but his iconic makeup was polished off as an immaculate castration.
licking his lips like a perverted lizard, hot for his cold bloodbank--a cleaning product salesman's ear-engulfing grin.
a: Try Again mouth swallowing beanbags.
an overdeveloped feature, circled red over & over like a happy accident--boo!
a cosmetic surgeon's: Project X, a scorned *****'s unevenly applied lipstick spread around by a passionately hateful kiss.
now just a presentable choirboy with a hardon for the whole mass.
a choppy quack rolling into a chainsmoker's weepy guffaw, self-heckling giggles of bozo persistence.
a hung jury of tears snorting & spitting out antecedent laughter--reeled in by a forced seriousness that believes its deadliness.
as comfortable with one-way humor as a malfunctioning parachute, that dead silence that breeds bat symbols.
contrary to the funny wastelands of his surveillance footage, a notoriously unprivate life turning cameras on themselves.
three of a kind, says he without saying--each having explosive dance offs, while cutting into unrelated dances.
the lighting in his room is as changing slides, that look for patterns of behavior,
with a misleadingly stark evidential buildup.
a Joker--that Joker needs a smoke, that Joker stares up at the cameras, motioning to guards.
his eyes are dead set askant, with a backtracking deviance slyer than a meat hook without a carcass.
a drowsy pick-me-up, melting with baby's candy, a cocky knower of inner names.
whites like wet dreams of glory-holes.
a feminine ruefulness that signals overkill before the ****, eyes that victimize rehabilitation.
brass that will be unaccountably drawn to them like Poe's: "The Tale-tale Heart."
a gaurd un-maximizes security enough to slide a cigarette into the Joker's mouth, then removes it.
the Joker looks up & disentangles a plot of smoke--then smiles sheepishly at the gaurd.
*"Three of a Kind", Joker's trilogy.
