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I’ll not take your time, beyond what the need,
To relate to you a story and deed
As there’s no one else to plea this decree …
For just I survived, don’t you see.

I’m an old man, with a mind full of mist
But details of that night in my mind still exist
As vivid and clear, both sharp and exact
No, no mist there – all of it’s fact!

When I was young, and adventure routine,
With excitement and newness still unforeseen
I was eager to spread my wings to the world
And seek more adventures as those wings unfurled

Within my long travels I happened to meet
Two other men, with friendships replete
One was named Beckett, the other one Flynn
And better friends there never have been.

Beckett was tall – an athletic type
While Flynn, the scholar, more of pinstripe
Pinstripe or athlete – it mattered not
It was our essence together and that which it wrought.

Engaged were we in all daring do
High on the mountains, and under seas, too,
We crossed dry deserts, and jungles of green
And other adventures there in between.

We’d been together, t’was our sixth year,
And still our adventures made us cohere
To every madness – to every rave …
Until we decided to enter The Cave.

We discussed the encounter and planning for weeks
And assembled equipment – some new, some antiques
Until at last the day it arrived …
And our excitement?  It still there survived.

The map we used, was bought from a guide
Who told my friend, Flynn: “Don’t go inside”
When he had learned of our journey’s intent:
To enter The Cave, and begin our descent.

The guides’ words, had given us pause
We had thought: What was his reason or cause?
But … dismissed were his words of advice
We had each other … and that would suffice.

With ropes and lantern-hats and other such gear
It was into The Cave we then disappeared.
The light from our lanterns speared into the dark
We spoke very little - made no remark.

Onward, downward, in blackness we went
Placing out markers for our later ascent
The sounds of our footsteps, and scraping of walls
Reverberated ‘round us – as echoed recalls

In about six hours, or maybe ‘twas more
We encountered water upon The Cave floor
And there all around were beautiful shapes
Never were seen such gorgeous landscapes

Stalactites, stalagmites and mineral mounds
And dripping water with its’ “plopping” sounds
Pinks, violets and shades of green hues
And small salamanders made their debuts

We found a small dry spot and then we assessed
This was a place we could stop now to rest.
I turned up my lantern, and took off my hat,
When Beckett said: “Hey.  Did you just hear that?”

I moved not a muscle, and my ears went to strain.
All I could hear were the droplets, like rain.
Then from The Cave’s bowels came a loud din
I continued to listen – then heard it again.

We looked at each other, but said not a word
Confused and startled by what we’d just heard
It wasn’t a moan, it wasn’t a gasp
But more rather like a guttural rasp

One thing was certain, it wasn’t of stone
That could create sounds while standing alone
T’was our discussion, from which to derive:
The source of the sound was something … alive.

Then from The Cave’s deepened black hole
Came again sounds from a source with no soul
The sound was menacing, and one I despise,
I watched the fear grow within my friends’ eyes.

Instinctively, we three then moved as one
In that instant – our re-ascent had begun
I had been last in the line coming down
Now I’d be the first to reach the “above-ground”.

Quickly my feet in the lead, lead the way
Flynn, right behind had nothing to say
My friend Beckett, brought up the rear
And in that position had the greatest to fear

The lamp on my hat pierced through the black
And I looked for our markers to lead us back
To save our strength, nothing was said
Again - the loud sound that filled me with dread.

The sound became louder and closer it be
And I moved faster through the black before me
I could hear Flynn’s breathing, so close behind
I tried to concentrate on the markers to find

Somewhere behind me, then snarls I heard
Loud and vicious, run together and blurred
Close … so close … the beast was so near
Adrenalin rushed through me to react to my fear

T’was then I was hit with an overpowering stench
The smell caused my stomach to turn and to wrench
The odor blew past me, and I knew t’was the breath
Of the Beast of The Cave – its’ oder of death.

I was near running, but down on all fours
Sweat was streaming from all of my pores.
Then I heard those terrible screams
The ones I keep hearing in all of my dreams

It was Beckett I knew in his shocked agony
Midst the snarled snapping of jaws I can’t see
I heard bones cracking and squishing of flesh
And the fear within me gave new strength afresh

My fingers were raw from grabbing the rock
But on moving forward my mind had its’ lock
My stomach still queasy from the stench of the beast
I knew it was finishing its’ beastly feast

I knew, too, t’was only a matter of time
When the beast would return - I had to climb!
I heard Flynn say: “IT’S COMING AGAIN!”
Again was a surge of my fear deep within.

I heard once more the beast from behind
And fought the panic taking over my mind
Something heavy struck against The Cave’s walls
The kind of sounds that ghastly appalls:

A scraping of talons of heavy clawed feet
Caused my heart to double its’ beat
I had the feeling that Flynn lagged behind
I screamed my urgings loud and maligned:

“Flynn!  Flynn!  Catch up to me!”
But took not the time to look back and see
For the beasts’ crashing against The Cave’s face
Told me it neared – and was re-gaining the race

My knee hit a rock, and my balance was lost!
I fell to the ground, and then feared the cost
In losing the time in scrambling free
Again sheer panic stabbed into me.

In less than an instant, Flynn was there too,
His face in my light was of a strange hue
And as he helped me get back to my feet …
Flynn turned around – t’was The Beast there to meet.

The stench overwhelming, but the sight was much worse
There standing before us: The beastly curse
Of overlapping scales in shades of dark gray
The rest of its’ body concealed in umbrae

But its’ eyes … its’ eyes … I’ll never forget
Rheumatoid yellow, and deeply inset
Its’ reptilian lids blinked just one time
‘Fore its’ lips peeled back - revealing the slime

Glistening yellow over dagger-like teeth
Then oozed from its’ mouth to fall there beneath.
The beast reared up, then we saw its’ claws
Sharp and deadly within its’ forepaws

Towering above us, no sound the beast made
On beams of our light had his gaze stayed.
Unexpectedly Flynn then turned and faced me
… With less blinding light, the beast could again see

Why Flynn had turned I never will know
For the beast bit him in two, at his torso
And I was looking at Flynn – direct in his face
When the beasts’ bite his life did erase.

I screamed, and instantly away did I run
Away from the beast, and dead companion
Through the price of Flynn’s life, more time had been bought
To reach The Cave’s entrance – the goal that I sought

Running wildly, several times did I fall
Toppling did not my mission forestall
The beast I knew still somewhere behind
Drove me on forward with my frantic mind

I heard its’ clawed talons scraping the wall
And prayed I’d not again stumble and fall
Then, up ahead, a small opening I viewed
And I saw my chance, with hope there exude

Twelve feet … six feet … then it was three
But the beast and its’ stench was there behind me
I dove through the rock opening, scraping my head
But better that injury than ending up dead

I was elated, and about to rejoice
I then heard a scream – it was my own voice!
In my leg erupted intense blinding pain
Looking down I saw the bloodstain

My leg, through the opening, still was stuck out
There was but split-seconds, before I’d lose it no doubt
I pulled my leg back, and in but a flash
My shoe was removed by a clawed talon slash

I crawled back from the opening, then I could see
My wound was deep, from ankle to knee
Then suddenly through the opening came
A clawed talon whose aim was to maim

I quickly withdrew out of its’ reach
As claws shot through the openings’ breech
The opening too small, for continued rampage
And the beast began then to voice its’ outrage

It’s deafening roars assaulted my ears
Echoed Cave chambers and in my mind did adhere
I began attending unto my grave wound
Knowing I now was no longer marooned.

T’was another hour ‘fore I crawled out The Cave
But many days ‘fore I’d shed the shockwave
Of what had transpired, and what I had seen
And my damaged leg was lost to gangrene.

Now sleep evades me, for my horrible dreams
Show beams of light, and unearthly screams
Of Beckett and Flynn and The Cave we were in
I know tonight, I’ll re-live it again.

So, now you’ve the story, you’ve heard the deed
I swear is the truth I’ve herein decreed
And Beckett and Flynn are enslaved in their grave
And I lost my leg to the Beast of The Cave.
Joseph S C Pope Sep 2013
Childhood was the greatest time for Timothy, and he remembers it that way. No disposition on the fact that his parents divorced when he was eight. Just old enough to develop a mental connection with the idea of a union. So when he was ten, his father remarried, moved to a farm in the southeast, and tried living off the land. The topic of an ecological environment had hit the internet heavier than global warming hit the ice caps. And everyone was pursuing happiness with steep drops in city living, and an up swing in rural living.
Timothy's mom refused to believe it though. She wrote about such cultural climates, the invasion of neo-british pop boy bands, the decline of football, and the hippie lifestyle clawing its way back up the columns of big city papers. So when the recession hit, and it suddenly became cool to dress like a homeless person, she saw the disgust, moved overseas and focused on the world-political spectrum.
“Societal fads be ******! I'm going to do something that actually matters.” And she did.
Timothy Glasser, age 82 looks back on that moment with pride.
“There was a sense that she had the ***** to change the world. With Russia building up Imperial popularity, it was cool to be big. America was on the decline by the word of all the heavy-hitter magazines.
“That was when I started to take my life serious. She had shown me all the would-be Bob Dylans, Lennons, Hunter S. Thompsons. She would say, 'These kids have all the brass words of a ****** who can bite down ******* the world, but they don't have the actual brass. Men who are not recognized for what they've done have the brass. Hell, women have ten more pounds of that kind of brass!'
'I would laugh, but she was serious. I think she thought I was too masculine to understand what she was saying.”
When Timothy's father moved him and his little sister, Sunni Glasser out to the backwater community of Oggta-Cornelius, there was a certain relief in his demeanor. In a matter of months the country way of living had worn down his impatience to a sluggish pace.
“Greg was my father's name. He's been raised in a similar place in the Midwest, but the slowness of that life got to him in his teens so he left for the city. I guess when he met my step-mom he found the good ol' girl that he'd been trying to cling to since he left home. And it was Sunni's choice to come with us. She always had the same kind of 'brass' Mom had, but there was a closeness she shared with Dad that adventure couldn't break. It's a **** shame too. But once the slow pace of the backwater hit Sunni, she rebelled. It was a catastrophe to watch her and Dad argue over the most petty things you've ever seen. The way our step-mom, Claire would fold clothes or how early she had to wake up in the morning for school. Five o'clock, five days a week, and sometimes Dad would wake her on Saturday just to punish her for talking back. There was always blood in the water.”
Timothy's face settles, his lower lip curls, and his eyelids clinch for a moment before he changes his position in his chair.
“Is everything okay, Timothy?” I ask.
There is a pause, almost as if he is reliving what he was just describing.
“**** has always been real, you've been fantasizing.” I hear him say. He refuses to look at me, let alone answer my question.
“Mr. Glasser?” I ask again.
He exhales suddenly, eyes watery, and lets out a sigh.
“Let's talk about Sunni. I never really talk about her much, and I think now is a good time. Don't you?”
I nod in agreement and try to give him a smile.
He still refuses to look me in the eye.
“When Sunni was in first grade, she was beginning to prove to be a bit of a handful. There was a small patch of corn out back. Maybe half an acre Dad keep for us to put up for the winter. Sunni was about seven years old around this time and she had the idea to make crop circles. Now I was out with my friends, played football in those days so I didn't have the time to be home all the time. Dad and Claire kept themselves busy with the work about the place, so Sunni got bored real fast. One day during the summer, Dad went to the store to get some groceries. A friend of his came up to him and said, 'I was up in the plane yesterday and I saw something strange in your cornfield. Like some kind of crop circle. Weird ain't it?'
“This rattled my Dad's brain for a few minutes until he got home and saw the two-by-four with rope tied to either end of the thing. Sunni was staring at the clouds and Dad walked over to her, and yanked her up off the grass. 'What are you doing flattening my corn for? Don't you know that's goin' to save us money in the long run?” She just stared at him. Not dumbfounded, just intrigued.
“That was kind of the starting point of their bickering. She had blonde hair running to the base of her skull brushed down neatly. A subtle blush in her cheek from the sun. And she always wore a dress, especially if it had sunflowers on it. She brought life to that house.
“On her tenth birthday, Mom sent her a touch screen phone, an iPhone, I think it was called with a two-year contract. It was so long ago minor facts like that seem to hang on for no reason.”
Timothy shuffles in his chair. Then clears his throat.
“Would you like to take a break, Timothy?” I ask him.
“I ignored most of the arguments Sunni and dad had after I graduated high school. As soon as fall semester started at Cornelius College I fled the backwater and started by life near the OceanFront. Oggta-Cornelius was divided into two sections: the Backwater and OceanFront. And like a sports rivalry there was always trash talk about the tax bracket you were in or how much you worked. After the first few weeks for sneaking into bars and partying on campus, the fun died down because of the arrests. I almost got caught twice, but my sixth sense for trouble tingled at just the right time. When the middle of the semester hit I was over-booked with mid-terms and reading assignments. I actually lived in my dorm then. Never really left the place. And soon fall semester was over. Nothing worth mentioning now. Sunni and I texted often, but she had become a brat and I wanted alone time to learn what I'd read. For everything literary to go beyond just test and quizzes.
“But right towards the end of the semester, one morning I was walking to an early exam and on the ground was a kid, a little older than me lying there looking up at the sky. I had the urge to walk up and ask him what he was doing, but it felt too rude so I left him. I kept walking and heard a voice call back to me, 'Hey, guy.' I turned around, 'Yeah you, come here.'
“I walked up to him, he motioned for me to kneel beside him.
'What day is it?
I told him it was a Monday.
'Really? Wow, must've fell out watching the stars with this gir--'
He reached to his other side, feeling for a body, but no one was there. He never broke eye contact with me.
'Well, with his lovely imaginary girlfriend I have. Her name's Elsie. She's a charm.'
I helped him up and he left without much of a goodbye. A disrespectful mysteriousness. And I didn't see him again till the weather warmed up in the spring semester. Which was a repeat of the fall.”
Timothy asks me for some water. I started to feel like I'm one of his grandkids. How far in the trunk of memories is he going for this information?
“Thank you. Now the next time I saw Alan was in a smoking gazebo along a walking path on campus.
'Hey, guy!” he shouted, getting my attention. I walked back to the gazebo, coughing as the smoke roughhoused it's way into my lungs. He had those circular shades on, like the one John Lennon wore back in the day. A tie around his head, a light blue button up shirt that hung loose off his think frame. His hair was long and parted, and he sported a straggly red and black beard.
'Top of the morning, ta ya.' he said, putting out a cigarette on the tray. I opened my mouth, but all that came out was coughing.
'Course, the Irish don't really say that. It's actually quite racist, but I'm half Irish so no skin of my knuckles. I'm a mutt.'
“He smiled with such pomp. The arrogance was so natural, it fit him like his face. Other people around him were having conversations about Samuel Beckett, John Irving, Stephen King, and Jimmy Hendrix tripping acid together in the great T.A.R.D.I.S. in the sky. I remember laughing at that. They were all smiling at the ludicrous actuality of it happening. And it was late evening.
'Stay! Be silly and merry with us!” he shouted. I held my breath and sat down. I never made it to the rest of my classes that afternoon or for the next week. Alan and I chilled in my dorm, burned incense and plotted a protest. The whole time I was telling him he had to be literal with the cause. It couldn't be just because the college bookstore sold shot glasses, but confiscated any paraphernalia they found in the dorms.
'*******,I say. It's hypocritical and a scam. Like police pulling you over for going two-miles over the limit because they need to feed their kids. It's a Darwin rip-off.'
“Later that week he took my phone while I was sleeping, got my number, and Sunni's too. He never asked if he could come over after that night. He just did.
'I thought it was cool since we had a good time.'
"I didn't know what to say so I let it continue. His reason for stealing Sunni's number still baffles me. He said he thought she was a girl I was into. She was my sister, he was right in his own way. It was a while before he ever texted her.
“The next time I saw him he told me, 'I feel like a clockwork man running on thousands of gallons of caffeine.' I laughed at him and told him to stop reading Burgess.”
I stop Timothy for a moment. “Anthony Burgess? The author of A Clockwork Orange?” He nods and goes back to the story.
“You know, with the Second Cold War flaring up again I don't think it's wise to be worrying about an old man like me. This has been a century of second fillings. There are still Hipsters running about. This makes me feel no better. I want to go home.”
“Alright Mr. Glasser, but can we reschedule? I need to finish this article.” As he rises out of the chair, he agrees and goes for his coat.
“One more question, Mr. Glasser. Can you give me another quote from Alan? A bit of closing for this bit?
He turns around and looks me in the eye for the first time since the beginning of the interview. He squints his eyes at me and says, “When we would hang out at the gazebo where we actually met for the first time, and after that week I got back in the habit of going to class and doing my work. As I would leave I'd say, 'Alright man, I'm off to class, to learn and stuff.' He'd moan about it, and say, 'Look at him now, growing old and dying young.' Behind that same pompous grin."
Pardon that it is fiction, but poetry has inspired this short-short story. Maybe the beginning of work on my novel, but it is along the same lines as "This is why the Hipster dies".
Took 287 South
to a Borders
Goin Outta
Biz Sale.

Books may be
anachronisms,
relics from
yesterdays
analog age,
but literacy's
bankruptcy
does have
advantages.

Take an
additional
30% off on
any orphans
pleading
release from
the discount
racks.

Snooping down
the literature isle
Samuel Beckett's
somber face
arrested my
roving
eyeballs.

A stern stare
printed across
5 spines of
his shrink
wrapped
oeuvre
commanded
my arm to rise
to liberate the
face from the
dismal shelf.

In mid flight
my reach
was hijacked
by a Kris
Kringley red
snow flaked
trim tome
standing
open face
next to
earnest
Beckett.

It was "The
Christmas
Sweater"
by NYT
Best Selling
Author, Glenn
Beck.

Clasping at Beck's
book, it inflicted
a nasty paper cut
to my ring finger.

My mind recoiled,
thinking, "serves
you right. Like
Martha, I shoulda
chosen the better
thing."

I'll never
make that mistake
again.


Borders Books
Riverdale
2/20/11
jbm
Colt Jul 2013
Bury me in Paris, when my heart stops and my eyes open wide,
next to Beckett or Sarte & de Beauvoir, ménage à trois.
Bury me in Paris, where the tourists go,
on the Champs-Élysées, or near the home of Picasso.
Bury me in Paris where the Seraphs scoff and roll their brown eyes
and the saints sell paints on the edge of the Seine’s grime.
Bury me in Paris between the pavement and le Métro,
take my body to whatever stop, just go.

Bury me in Paris on a winter’s night,
beneath the Louvre pyramid light.
Bury me in Paris with Lady Liberty in tow,
make my bed next to de Balzac, next to Marceau.
Bury me in Paris at the foot of l’Obélisque
accompanied by pharaohs, exhumed.
Bury me in Paris, leave me there, I guess,
in the hotel room overlooking the Arc. I, fully dressed.

Bury me in Paris while listening to Robespierre’s final scream,
the silence drowned out only by the guillotine.
Bury me in Paris, Montrouge, your angel calls to me,
that one who serves macarons at the head of the Tuileries.
Bury me in Paris, with the Angel, unimpressed,
next to her, I, in eternal rest.
Bury me in Paris, toss me off Bir-Hakiem, splashing,
or under tour Eiffel in the springtime night, waking.
Bury me in Paris, my body yearns to be free and true,
but if I am to die in New Orleans, bon Ange de Montrouge,
Bury me there with the jazz worms, singing:
“Angel, come to me, come to me, Angel, come.”
Ian Beckett Nov 2012
After three drinks, I sit and focus
On the night in Santo Domingo,
Like Greene’s Honorary Consul,
It is “the right measure” for me,
Beckett reads Beckett remembering.
Where he strips man’s inexhaustible
Search for meaning to bare bones.


These thoughts aided by a smooth
Handmade cigar and Carlos Primero,
I wonder as I focus on this scrap of
Scribbles should I keep it, or leave it
On the table, for some ***** to read,
While he smokes the dog-end of
What was a reasonably good cigar?
Guido Orifice Dec 2016
You told me once that I am your favorite writer.

I was hesitant and unsure. Your innocence might jinx me this time. Then you laughed, as you always do, like a child giggling while waiting the rain from the summer sky. Everything becomes clear. After all, whatever comes from you is never you.

Of course, you are as always an empty being.

Your emptiness tells many stories. Your emptiness fools me. Your emptiness is the real vessel of soul. Your emptiness is a parchment for budding thoughts. Your emptiness is a magic.

No wonder, I fell in love with that emptiness. I just do not know if emptiness loves me back.

Or, was it me who stares at the abyss long enough that a centenary gone by.

1900: The Boxer rebellion begun. Freud published his Interpretation of Dreams.

1903: The Wright brothers marked their first flight. In turn, Curtiss decided to invade the sky.

1912: Titanic anchored to Atlantis, to its final resting place.

Two years after, the first World War broke out. Horses galloped to the killing fields.

1925: The first among many trials of the century began. That day, Darwin risen for the second time.

1934: ****** became Fuhrer. The world becomes a theater. “Absurd,” says Beckett. “Cruelty” for Artaud.

1939; 1941: Second World War broke out; Pear Harbor bombed. Asia Pacific meets its infernal fate.

1945: Three mushroom clouds seen: New Mexico, Hiroshima, and Nagazaki.

1960’s: Humanity becomes obsessed with multiple wars: cold, space, nuclear, music, universities; not counting the mutants who played major roles in between.

1986: Itay wrote a letter to Inay. The letter reached Manila after a few days from Jeddah.

1989: Capitalism won. Berlin wall fell like a paper plane after its victorious flight. My parents met for the first time. Months later, they decided to cut the cake and get married.

1993: The World Wide Web saw its day. I was born.

Twenty two years later, I met her. A year after, Phil Collins sang once again Separate lives.

That time, I know, I will never be your favorite writer.
JR Rhine Jun 2016
Twentysomething Emo
looks at teenage Emo
and laughs.

It was something purely aesthetic,
with brain chemicals churning
and wiry bodies yearning

under the guise of straightened bangs
and perched beanies,

skin tight black outfits
parading the dusty grounds of Warped Tour.

Twentysomething Emo is the real deal--
lamenting over high school salad days
because real life is so unsure,

college degrees and full-time jobs,
watching friends and lovers come and go in our lives.

After a long day of responsibility and groveling,
we drive home (or somewhere just as distant)
with our emo anthems blaring through the speakers.

We scream the songs back at them,
truly feeling the words for the first time.

I'm the same age as William Beckett, Adam Lazzara, and Pete Wentz
when they wrote these songs--
and though the bangs have receded
and the jeans have slackened,

I am perpetually Emo.

The unrequited love and the nearing distant future--
it's come too soon.

I hope thirtysomething Emo looks back
on my meandering twentysomething Emo
and laughs--

as he plays the melancholy tunes pouring out of the speakers
with some more of life fading away in his rearview mirror.

This town gets smaller every day.
"I got a bad feeling about this."
Brian Oarr Dec 2012
As a teenage boy I used to fall asleep at night
listening to the graveled voice of Ernie Harwell
fashion for me word-images of the exploits
by a band of superheroes called the Detroit Tigers.
In those semi-lucid moments before slumber,
I could see the shimmering outline of my destiny:
you see all American boys are meant to be Tigers.
So imagine my confusion, when I fractured
the right talus bone my Junior year of high school,
even putting on weight around the middle,
where no athlete worth his pin stripes would gain.
My karma had begun to take on mass.

I began to acquire knowledge, as the only perceived defense
against some parallel universe impinging upon reality.
Oh, I had everyone convinced, even my keenest teachers
believed I was destined to make my mark in scholarly pursuits.
But no one saw the crying ego of one meant to be a Tiger,
nor how that bottled up the emergence of the Man.
Never reconciled, the Man curled up in fetal dormancy.
Lifespan became synonymous with interstellar drift.
And every encountered star of knowlege was dwarfed,
having long ago collapsed of its own gravity.
Still the heavens of knowledge are auspicious,
so I looked outward, when all the answers lay concealed within.

Only as my life left the outskirts of occluded reality
did I then begin to inherit from my instinctual id,
begin to listen to disconsolate internal voices,
who had known me all along, perhaps better than myself.
The thing is ... the stage has long been set on middle-age,
what props lie about are encrusted with patina,
laden with a dust impossible to gauge or preempt,
made worse by the lack of cast, save one.
Neither Beckett, nor Pinter, could have absurded this.
So, when my acts strike you as quixotic,
when I cut with a penknife through propriety,
it's because I finally remember what it meant to be a Tiger.
"Matter is just energy waiting for something to happen."
          --- Dr. Walter Bishop, Fringe Division
irinia Jun 2014
Increasingly there’s more in my life
A life between barcode
SIM
Remote with apocalyptic news and dire pornographers

life among multiple camera teams
between several videos about a future that all sounds good

blocks of life between advertising and surveys on how
Europeans can achieve
the cosmic ****** and a more profitable single currency

living ever more my own life
inside an inland country
where in waiting and loneliness I see greetings
from where I hope to reach the Himalayas and write:
‘Life is no good with Coca-Cola!’

Dan Mircea Cipariu

[Translated by Jon a’Beckett]

New Europe Writers  Bucharest Tales, Contemporary Literature Press, Bucharest 2014
I have a little secret
It’s about the place I work
I’m supposed to be a teacher
But a school’s not where I lurk
I spend my weekdays cooking
Serving people tea
I’m not a chef though, in a classroom’s
Where I’m meant to be.

I think if I fry one more egg
Fill one more sugar ***
Spend one more minute worrying
If the ****** teapot’s hot
I might just lose the will to serve
At least the will to fry
I’m so tired of the ‘thanks so much’
The ‘have a good day’ lie

But please do not misunderstand
I’m not ungrateful for my job
It’s just not what I trained for
Being ******* to a hob
I expected to be in a class
Full of eager faces
Whose imaginations I could take
To so many different places

Instead I’m filling stomachs
Watching people eat and drink
I cook and serve, a faceless drone
So they don’t have to think
I know it’s not forever
This job I’ve grown to hate
One day I’ll take this apron off
Leave the café to its fate

The café will survive I’m sure
In fact I have no doubt
That’s why I don’t feel guilty
That I can’t wait to get out
The café will go on and on
Still serving up its tea
But next time that I see the place
What stranger will serve me?

Will I feel that they are in my place?
That their eggs are not quite right
That their service could be quicker
Their smile a bit more bright
Will I feel that I should tell them
How I once stood in their shoes?
How I thought if I fried one more egg
My sanity I’d lose

I think I’ll save those comments
Until she brings my tea
I won’t want to discourage her
While she’s still serving me
Besides she may enjoy her job
Who am I to wreck it?
Just because I missed the world
Of Austen, Keats and Beckett

She knows just where her future lays
I thought I knew the same
So why do I still keep a secret
Like it’s a source of shame?
I shouldn’t moan about my job
The wolf’s not at the door
It’s only bad days when I think
Just what did I train for?
The Wicca Man May 2013
mini

[=small car]

mal

[=preface
as in 'malformed']

minim

[=musical note]

al

[=aluminium]

minimalism

is

art
in
its
simplest
form­
its
fundamental
features

in
words

[start again from the top]
[read beckett]

in
art

[look at stella]
[look at judd]


in
music

[listen]
[hear]
[each]
[note]
Ok, this was an experiment in 'minimalistic' writing. I think it works quite well but I'd like to know what readers think. And a trip to Wikipedia may be needed, or not!
Jim Kleinhenz Aug 2010
Walter, I just want to sit on my *** and **** and think about Dante.*
—Samuel Beckett

All this fractures the Wolf. The ancient leaves
amid the ancient woods, wind riffling wind
in eddies she can see but she can’t hear,
the braying of a fatted calf which she
could eat, if she could hear thy call, O Wolf.

The tympani pretend to be a thunder roll,
the crashing cymbals mean to simulate
the distant lightning, all the strings—cello,
base, violin and viola—play the
pizzicato of rain commencing…

The Wolf sits to watch—what?—the floodlights fill
the stadium? the baton poised? the crowd
about to have their daily dose of not
quite silence served up yet again? She hates
that they have come to watch a prophecy.

It’s raining full blast now, the Wolf’s exchange
for music, how things balance out, how rain
fornicates in the forest, with its pools
and puddles, how it tenders lakes and rivers
and shadows… It can’t be! Ahead she sees him.

She sees Dante, the poet of the prophecy,
the one she has to drown.  It’s why she’s deaf.
She will not hear him wail. **** him so he will rot
in hell before the other poet comes. **** him
and spare the world another poem about

another world. The rain and music grow
so dense around her soul. She is so quick,
too quick for him to flee. She drags him still
alive, drags him to the lake of his heart.
Sink and die. In Paradise only bubbles rise.

The tympani pretend to be a thunder roll,
the crashing cymbals mean to simulate
the distant lightning, all the strings—cello,
base, violin, viola—play it soft,
so soft, as if the rain is about to start…

The Wolf and I walk the slopes of hell.
When Farinata and Cavalcante
rise up to ask her, ‘Who were thy ancestors?’
and ‘Where Is *****?’ she howls. O Wolf.
O Tuscan. She howls.
© Jim Kleinhenz
Josh Bass Mar 2015
Thank you Beckett.
Thank you Richard Lange.
I will fail better, next time.
Rahul Luthra Sep 2014
The names castle and I write books for a living
This talent of mine is completely Gods giving
The genre of the books I write is mystery
I love to explore my characters history
All was going well and I was making a living off the books
Until I learnt my plots were being converted into reality by some crooks
Of course, the police first suspected me
I knew I was innocent so I didn't attempt to flee
And that was when I first met gorgeous miss Kate
My meeting her was a game played by fate
Don't judge a book by its cover; she was a ******* cop
And to catch a criminal at nothing would she stop
So I helped miss Beckett with all the information I had
I really liked her and to have her as a partner I was glad
Ok so I'm going to start watching Castle soon. I've never seen an episode of Castle and this is just based off what I've heard from the fans so please don't **** me if I have got something wrong
wes parham Mar 2017
Our lot was not to stay all night;
In kneeling praise by bathroom stalls.
Alcohol numbed your honesty's bite,
wrote her destiny on the divider walls.

And we weren't the kind to cheat, don't believe,
All the loose lips half-cross town,
Last call patrons who watch me leave,
And shut this ****** down...

Like Zane and Beckett, so convinced,
Their **** would last forever,
Bad enough to make you wince,
If they spend one more second together.

Or Jane and Kinney, young, driven, and full,
Of lust or something similar.
Don't be surprised, you've seen this fire,
The end? ...all too familiar.

And pretty Syd had all the gall,
and Pony Boy thought he knew the score...
but he's just a **** like so much Pyrex,
Stuffed inside his paper *****.

But Ashtray Woman with ***** Mouth,
And monster's blood on toilet tissue,
Is just another frightened girl,
With real and dangerous daddy issues.

Now, here, at the close (I'm still glad to say),
You deserve almost everything, that you've won,
Our karma arose ( and, in time, took the day ).
Now I ponder regrets in the hours before dawn,
It wasn't the when, or with whom we may lay,
or the time in the morning before I should be gone,
It's more about how we desired to stay...
When we gazed into stars lying flat on your lawn.
I once craved your poison but, now, in my way,
I'm actually glad
to see you gone.
I don't write the darkness very well.  Need practice to make it less cliche.
~
March 2025
HP Poet: Mike Adam
Age: 66
Country: UK


Question 1: A warm welcome to the HP Spotlight, Mike. Please tell us about your background?

Mike Adam: "Slum east London, dysfunctional violent childhood, playing on bombsites. School, dungeons and kidnappings, sad little boy. Love of dogs and plants and rocks. School: Beckett Shopenhauer, work, college, work university, 1st love lost, travel Asia beaches and mountains, monasteries, monks, Bhodidharma. Work, work, work, Lady J (published collection), retirement, happy at last."


Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Mike Adam: "Began writing 10 years old, HP about ten years."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Mike Adam: "Poems gestate and arrive unbidden, laid like turtle eggs, a little hole, sand flicked and forgotten."


Question 4: What does poetry mean to you?

Mike Adam: "From 1,000 posts perhaps start with the latest few. I call them "mercifully short," easy to read but, given time, you may unpack a great deal."


Question 5: Who are your favorite poets?

Mike Adam:
"Ryokan:
Why ask who has Satori, who has not?
What need have I for that dust, fame and gain

Montale:
Life that seemed vast
Is briefer than your handkerchief"



Question 6: What other interests do you have?

Mike Adam: "Amidst the first suicidal mass extinction in history I am grateful to read new poetry and garner hope from young poets still expressing themselves in beautiful combinations of words so thank you all for that...

Who am I?
I don't know"



Carlo C. Gomez: “Thank you so much Mike, we really appreciate you giving us the opportunity to get to know the person behind the poet! It is our pleasure to include you in this Spotlight series!”

Mike Adam: "With gratitude, Mike."




Thank you everyone here at HP for taking the time to read this. We hope you enjoyed coming to know Mike a little bit better. We certainly did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #26 in April!

~
Milushka Oct 2010
~Still life

In the window frame
Empty stare
Through the self-imposed
Prison of glass -
On the windowsill
Candle never lit -
Souvenirs of the past

Painting -
An empty shell
Of a woman, staring
Chiaroscuro background -
Darkness, shade, hardly any light
To illuminate
The inside
Of the jail

Contemplating
Escape?
Suicide?

Waiting
For what
For the end?
Waiting for whom?

Waiting for God-ot!
He, who shall never come -

In vain
Still waiting
Years too late
For the bells to toll

In the window frame
Oil on canvas -
It is me
Through the window pane
Staring through the glass

Resigned

Lifeless

Still life

On canvas


Author Notes:
Waiting for Godot - Samuel Beckett's - absurd tragicomedy; Godot never shows up.
~This is not my Poem; this belongs to me Lamushkia; (Milushka) who is no longer with us.
Check out her other poems in her collection here.
She deserves to be remembered.
~Anna

~          ~          ~          ~          ~          ~

Prior Reviews:
Patti Masterman-Heterodynemind   Aug 25
Wow, this thing does something to you. It's like a spell, or a mood on a rainy day, that you can't extricate yourself from, but then you realize you would never wish to leave anyway if you had the choice?

— The End —