Why is it so cool to hate on a group
for their fashion sense?
Or that they like to be off the mainstream?
You are doing the same thing that
people were doing to the
grunge
goths
punks
hippies
beatniks
flappers

and they all did something with their counterculture.
Ever think that
ours is the hipsters?
Not really,
they've been around since The *** Pistols
actually
they started them.
They made it cool to go to a thrift store
and buy things out of comfort
then rip it up
change it so it looked brand new.

Punk
that made Hipsters.

But now they are just some fad
that people hate on.
Just because they like to talk about
indie bands
knowing them first
wearing band tee's of bands they listen too
wearing vintage and retro clothing
likes reading
being in a cafe
organic food
vegan.

Stereotyping a group is all people did.
Now I can't wear things or do things
because some ******* is going
to say
"Ha you're such a ******* hipster!"

Why don't we stop hating people on what they wear
because how do you expect to get past
racism
homophobia
sexism
ableism
fatphobia
transphobia
preju­dice
if we can't even get past how people dress?

(10/13/12)

At the beginning of “64” - I packed up my uniform
And walked out the door- it was the beginning of
The Vietnam war.
By August of that same year
President  Johnson started the draft
Under protests and jeers.

Then he made it a full scale war
And sent our soldiers to Vietnam shores.
The Beatniks in Greenwich village
With their long hair, beards, and
Flip flop sandals - wrote their poetry
About this undeclared war, and why
Our men were going to those shores.

This created a new generation called ‘HIPPIES”
The hippie generation was groups of protesters
Against everything that they found wrong
The draft , the war , pollution
And loved to stay high with ***, hashish
Coke and acid (lsd) which kept them blasted.

This also created the “ flower children”
Who like the hippies loved to be high
And on certain flowers they would fly.
But they spoke of loving one another
And gave out flowers as a sign of peace
Which to the president was a relief.

They all started painting this “53 Chevy impala”
With the words “ flower power”.
Now the “ flower children and hippie movement
Was in full swing, and everyone was doing their own thing.

They had  Greenwich village under their control
And not one coffee shop would ever be sold.
Every coffee shop had a poetry night
And going there was such a delight.

Then in AUGUST of “69”
The WOODSTOCK festival was on the rise
Over half a million people drove to that farmland
And set up tents , hammocks, sleeping bags and such
And the police found it was much to much
So they had no choice but to see it through
Because there was nothing else that they could do.

The WOODSTOCK  festival had become world wide
And to this day it still thrives.

© L . RAMS

They had begun to question consciousness,
turning solid matter into fuzziness in their brains,
rendering not atoms, nor photons, nor particles,
only cold energy, halucenogenic stardust joints.
For the exclusionary few to whom the material
had never meant **** to a tree or a **** to a rabbit,
it was the cash-cow of quantum reality,
ambiguous poetry for a Beat Generation,
Uncertainty in free verse chapbooks.
So they wrote of our interconnectedness ---
the Ginsbergs, the Levertovs, the Ferlinghettis ---
till the gravity of space-mind curved imagination,
a nation falling unheard without a whimper in the forest.

we're old souls you & i.
bound by a need to be something beyond ourselves.

i admire that in you.
your struggles, questioning
breathing new life into stale moments.

we're gypsies i'd say, you & i.
the new beatniks
pushing the boundaries of self discovery
fighting with ourselves & conceptions of identity.

we're moving, always
self destructing
running in search of any semblance of truth.

As a lifelong adventure I eclipsed the generation I was grown up with
felt so much that turned wrong and sad on November 12, 1934
should have been born different
I kept up to date and conceptually relate
I would have been honored to be at Woodstock it's like I was there
in my head and psychedelics and mushrooms
were my references and Beatniks along with
Carlos Casteneda influenced me from deserts .
My philosophy grew and reasoned, until now where I see greed and
possessions are so important.
I never lost the dream, though,
of Peace on Earth.

Antsy aardvarks all
accept ants accordingly
as an addiction

Bamboo bayonets
bought by barbaric, beastly
barons bite beatniks

Cloistered cobblers can
color candy-cane conches
concealing crooners

Daffodils doodle
daydreams down, debauchery
demons deafening

Every eon each
electric elephant eats
eleven elk eggs

For fun fantasies
file films filosophic'ly
filling filaments

Go get greens
Get grass grayer gal
goonie ghoul

Hello high hammock
how hooligans heave haddocks
heathenly hecklers

Igloos ixist in
icy islands interning
internationally

Jello jam jizzy
Jacks jostling jewels juney
jump jump joop jail

It begins brusquely in the dark, a hoary noise,
a tune which all the cats in town enjoy.
Yes, they stare at the stage for a sparkle of gold
to come forth from the shadows, the sound will take hold.

Rippling through the room, a devilish groan
rises, spirals high from an aged baritone.
The other musicians join in this depressing affair
and the men in their fifties are still fused to their chairs.

The sulky cello, whining trumpet slither into the mix,
the sadness fills the ears of several dozen beatniks.
Then with no caution comes a madcap flow
of music from the star performer, frantic yet mellow.

And it slows, then picks up, goes on for what feels like a year,
this rugged Jazz, no words but my, **** sincere.
Like something so eccentric that can't be left alone,
everyone captivated by the golden saxophone.

Crick crack click clap snip snap on the concrete
The city is on the move and to stand would be
The slapstick comedy of stopping a treadmill.
Acceleration animation gravitation from the rotation
Apathetic friction that is devil-may-care like your heart
Dragged down on the gym floor and the sweaty men laugh.
Tick tock nonstop the clock hops and bops away the time
Of the day and eternity seems like a fairy tale
Because this era is neverneverland faith, we are young.
And getting younger, we plan to die naked as we came,
Lounging in retirement, the summer that knows no end.

But sighing the dying are crying relying upon our move
And we move past, this blur of momentum that the city has become,
Because stillness is for the hippies and the natives and we are neither.
Capitalistic colonial conquering captains of industry we charge
Credit or debit because it isn't ours anyways and the bank is moving.
Down the street in the heat can't beat the beat of the sweet treat
That the homeless remember the memory of the taste of mercy.
Like dogs in heat they pant and beg and we shake them off our pantleg
Because it is designer and the label buys manhood cheap and sells it high.

We split hit and quit and never commit because we spit words like blessing
Out when we wash our mouths out every night and every morning
Because it is the only way to get the taste out of your mouth when you wake up.
As if the jacket I wear can't clothe a man from the cold or sell for more
And my closet is lined with the clothes I don't remember to forget about wearing.
It is not hate that congregates or abates the rate the weight is pulling me down,
But fear of the immensity of impossibility colliding with reality inevitably,
Because one man's sacrifice will suffice to pay the price of my vice.

Yessir hearts are racing toward the first heart, we are collaborating.
That the dying need not remain the dead but know life to the fullest.
The poor and the sore need not abhor or war with the rush of the city.
Because saints and saviors are not just bedtime stories as long as my life
Has the power, no the will, no just the faith, all it needs is faith.
The sick have been tricked that their wick runs quick
Like crick crack click clack snip snap on the concrete
These hearts are moving this city on a hill.

It was six in the morning**: I sat in a cab dangling on small-talk with a middle-aged white male cabbie basted in the demeanor of the over-friendly uncle. He asked me about school—I'm hyperawake, paranoid, body pulsing, feeling loose, depersonalized, and lightly psychedelic—my vision wavering as if someone had entered my skull to punch raw brain. I did a gram and a half of ******* that night; mixed lines with ketamine to simulate a proto-psychosis, but am convinced I may very well have driven myself past the point of no return. I'd been doing this strict mix for over 2 straight weeks, landing myself in out-of-body experiences and coked-out drawls on the floor like a sad, puckered monkey chewing on a lemon it mistook for an orange. Why I led myself to this existential precipice is both beyond me and totally within my rational sympathies if I pretend I am on the outside looking in.
When I was 18—drawn, for the first time—away from smalltown Powell River and into the Vancouver suburbia of Port Coquitlam, my only successful job-find was a McDonald's arched inside a Wal-Mart. The double-insult this presented me as a teenage anarchist pushed me deep into my first true emotional crisis which I only turned to accept after a particular phone call with my father in which he appealed to me to think of this stint as a 'temporary social experiment'; a chance to learn and breathe this proletarian experience from the inside out. During the pre-Christmas night-shifts, the only customers we ever had were the dark, apathetic silhouette-people Wal-Mart hired to greet the absolutely no one's walking through the door. I incessantly cleaned what was already a mirror-wet floor and made sad conversation with Rosario—the slightly autistic shift-manager with a prickly-shave of a face and an awkward sense of humor I could never come to appreciate and yet always managed to humor in polite obsequiousness. Regardless, it was a form of spread and endless boredom that began to fascinate me; it brought me to a darkness I had never quite known. It was an experience—like all experiences—to be had at least once, to the fullest and truest intensity. To be pushed with reckless sincerity.
Ever since, I have found myself pushing every limit to disembodied extremes—on occasion, to points of such profound irresponsibility or feigned responsibility that I break a particular streak and wind-up on the other dichotomous side of whatever line I unintentionally (or intentionally?) crossed (or broke?) because everything is a social experiment and I've touched the multifarious lives of overworked modernity, residential care aide, dishwasher, Christopher McCandlessesque wilderness jaunt, melancholic Kierkegaard, psychonaut, and now: a short-lived ****** inspired by the excess of Burroughs and the early beatniks all willing to **** their darlings for the sake of blood-stained posterity.
And yet meanwhile—in the cab—I can feel my headache grow perceptively wider from my left temple. Almost like a mushroom cloud over Bikini Atoll I am watching from as safe a distance as the physical body can withstand, according to some calculable hypothesis drafted by Oppenheimer himself. I am constantly amazed at how lucid I am in conversation with this friendly cabby; given that I feel as if I'm about to go ******, focusing so deftly on the way the streetlights glide across placid puddles moving only with our tires intervention—and the way I keep imagining insanity in the form of a zombie-likeness of myself strapped into an electric chair, skin melting and eyes rolling back in my head as I seizure to metaphysical death—I still laugh away short quips about the blind-leading-the-blind (he has no idea how to find my destination, and keeps pulling over to check a book road-map for 4143 Hessington Place). The only reason I am with him now is that I am venturing to see my girlfriend at her group-house past Uvic where the door is always unlocked for friends and friends-of-friends, she being the only solution to this crisis with her stash of .5 Xanax pills.
I remember those tense moments—with my body and brain as taut as a bow—he would pull over or pull out and my entire existence seemed to move through space and time as if against a wind that was perpetually in resistance—as if my entire consciousness was going to capsize into some form of overdosed darkness. Even when I exited the cab and waved a friendly goodbye to the old man, I could feel my dopamine receptors attempting to fire on empty. This caused a latent buzz that was only solved with two milligrams of alprazolam and my eyes wide shut until my head shut down.

I held her close. I knew she thought I was an idiot.

Los and Lettes,
the horrorcore fans,
the post-******* brats,
the goths,
the stoners,
the metalheads,
Phish fans with no regrets,
To Les Claypool high on toadstool, Reggaeton  block party vets,
To the cigarette carrying beatniks,
Hipsters in turtlenecks,
Fashionable Teens wearing fashionable things,
Armani and Diamond rings,
Business men in formal attire,
Old folks about to expire,
gospel musicians getting higher and higher.
***** alley banter bands, who find their lyrics at the bottom of cans.

At that I had lost my rhyme scheme knowledge dropped on every scene to which i thought i was superior.

Nothing said in so many lines, fines paid for literary crimes.
Like fines levied for a lost library book.

After years of bleeding
Seeing society retreating
On oil slick sands
On bible belts
And boy bands
The world is ovulating
Waiting for the impregnation
Of a dreamer’s nation
Intertwine
With an age of the mind

The birthing pangs
Blanking on the dark ages
Yet we cycle back
Again
Rising up from
The ocean’s foam
Then sinking
Deeply into
Their dark depths

Another age of greatness is due
Returning
From the spurning of
Science and poetry

FDR to McCarthy trials
Beatniks to Vietnam
The Roman Empire
To the dark ages
The last sages
Got trampled on the road to war
The great poets
Frequently ignored
But it’s time
For another revolution
Evolution
End of pollution
And the dissolution
Of our greed ran
System man

After years of bleeding
Seeing society retreating
On oil slick sands
On bible belts
And boy bands
The world is ovulating
Waiting for the impregnation
Of a dreamer’s nation
Intertwine
With an age of the mind

The birthing pangs
Blanking on the dark ages
Yet we cycle back
Again
Rising up from
The ocean’s foam
Then sinking
Deeply into
Their dark depths

Another age of greatness is due
Returning
From the spurning of
Science and poetry

FDR to McCarthy trials
Beatniks to Vietnam
The Roman Empire
To the dark ages
The last sages
Got trampled on the road to war
The great poets
Frequently ignored
But it’s time
For another revolution
Evolution
The end of pollution
And the dissolution
Of our greed ran
System man

I remember the lights going off in the brains of young poets.
Deep in the dank streets of New York or Columbia college.

When the blues and twos would come and round up
The beatniks snapping to the howl of a homosexual mind.

When the generational attitudes of those too old to know,
Control the ****** acts of “violence”, or
The deepening scars of our philosophies.

When the urbanization of historical prowess leads to
Gentrified gypsies of the diamond deserts and endless skyways

When the great in the country isn’t good enough
For the red hats and spray tanned millionaires.

When the stocks of corporate dragons burn down
The attempts of upstart knights and online kingdoms.

When the politicians of old become the scapegoats
For the ironically gerontocratic few.

When the female few who dared couldn’t find their lost primaries
Or control the lifeblood leaking out of the Strait of Hormuz.  

When the powerful and powerless fought in-between
The dejected and all too often ignored.

When the powered halogen lights flooded prison yards of
Wrongly convicted and murderously in need of help.

When the San Francisco clubs lit up with muzzle flash
And the dancers lay weeping in their blood.

When the schools became places to duck and cover
Or learn to trip a friend when running from a gun.

When parkland high became a manufacturing ground
For casings, tears, and candlelight vigils.

When the American dream came combo packaged
And supersized with obesity and unemployment.

When the education of the youth became about
The profit margin in a spreadsheet full of debt.

When the sun sets in the smoke filled horizons
And sleepless rest settles on the western front.

To be alone with you,
stuck together in a still-framed eternity,
to be unsure of where we're going
in a blacked out picture perfect life.
Whether I choose to star in our own film
or live in a beatniks' reality,
whether I'm able to separate myself from you
or remain bound in our love stained story

Caught in a momentary lapse of judgement
hung on a wall for all to see,
this is the life we have been forced to live.
No one wanted to inspect the negatives,
no one wanted to find any flaws
in our majestic lie of a loveless love

What’s new about Hipsters? It’s not that they're the first co-opted counter-culture, far from it. The Beats were co-opted. The Sentimentalists, over 200 years ago, were co-opted before capitalism was so industrious. It’s not even new that calling a ***** a ***** is offensive. “Hippies,” “Beatniks,” “Emos;” all insulting labels for youth that thought they were much more.

There it is, or some of it, perhaps. Does the current so-called counter-culture feel like they’re part of something much more? Even without labels, I don’t think they think of themselves as a counter-culture at all. The worst part about it is the Hipsters and  non-Hipsters are really much the same. Falling for a similar niche, but feeling like they ain’t.

We all like flannel, thick glasses, and good beers. We’re all killing Applebee’s. We’re the waitstaff there who laughs at ourselves, cause we’re just so low-down. Not the last, but toward the bottom rung of a ladder that once meant progress beyond our parents’ lives. We stand for nothing and everything, because a secure tomorrow seems unlikely and unwanted. Beget suburban kids like our parents did? Could I buy them as much as I had? A student loan on top of a mortgage, I think I’m better off paying exorbitant rent. Plus, it just feels more temporary, like everything else.

Late twenties, long passed the age my parents conceived, I’m getting old. Lack of full adult independence, still feel floated in embryonic fluid, trying not to give juvenile hopes up.  Qualified for that secure job, but is it open? Maybe I’ll have to move down South. Just like everyone else.

At least there’s always music. Nearly a century of recorded songs. Indie, Scene, and Emo; the last real counter-cultures associated with rock genres, and most practitioners scoffed at these labels. Why didn’t Punks or Metal Heads care?

More pressing, what is the newest rock genre? Emo faded nearly 10 years ago. Some formation of Americana seems sorta fitting now. Not far from that “Indie” umbrella,  it’s what Hipsters seem to like most, at least in the TV commercials. These more choral, sometimes bluesy bands. Some are good, but it’s nothing new.

Now, the algorithms anticipate evolution years in advance. All tastes like Styrofoam, so we spit it out fast. We keep skipping tracks to futility escape the same persistent hum. All the price for our growing clairvoyance. Telescopically, we are flying fast into a wall that ends originality. Too many citations needed. We enter them into software to manage. Our fear of plagiarism makes one uninfluenced instead of inspired. We just make homages. Turn anything creative into a list of allusions.

We forgot to forget
Suspend St. Anselm
patron of using rationality
to explain away one’s faith
in magic and mystery
God exists because
all we can imagine must exist
Your unicorns are but
a mind’s fusion of
horse and narwhal
and your culture is but
a culmination of has-been trends
So it’s all been done
Why try to change a thing?
Why try to be new?

This is the end. Not reflecting and absorbing past cultures with an eye to the future. But judging and consuming past cultures with with a carnal now. There are some niceties to be gained in solely present preoccupations. Yet, no Buddha abounds in these selfish meditations. We are no longer the bodhisattvas, suspending enlightenment to save all beings. “We’re woke, because we know we’re ******” Then we type a symbol for “laugh out loud,” while our mouths stayed closed. We take a morning slug and drive off to work. The complexity of our controllers v. the simple fleeting pleasures. What can I do? Why should I bat an eye at the way the world works?

our generation, drenched in nostalgia
clawing, desperate for a time we don’t even remember
romanticise the past, the simple times of genuine human emotion
no pressure when the only thing that mattered was pure devotion
to writing, art, travelling, dreams…
feeling free like the beatniks we hold up so high in our estimation
put on a pedestal, the lives we envy and wish we could lead
no expectations
whatever we once believed in
it’s been stripped away
and now we lie here naked and shamed
"a respectable career is the only way"
rapid change left us cold staring at static
blank screens
we’ve been born into the age of the void
no empathy remaining, no way or means
of expressing ourselves accurately
anxiety and sadness dominates
technically we’re developed but our minds are broken, falling into disrepair
in the end we just don’t ******* care
we just want to remember how to feel without numb indifference

I wish I was back
In the 1950s with
Jack, Neal and Allem

We  would be beatniks
Smoking tea and travelling
Grooving to free Jazz

But I'm here alone
Stuck in ****** Stoke on Trent
No cool​ beatniks here

No one cool at all
No jazz on the radio
No one cool at all

Beatniks got hip until hippies got beat
by their own rock’n’roll and by riot cops
as they made love and war in field and street:
spoiled rebel children, psychedelic flops
who thought their youth made them immune
to lies from gods that pipe that tune.

Beatniks leaned first toward hip existential,
breaking out of the fifties mental mold.
Culture’s Petri dish turned pestilential;
drugs, deviance and rebellion: dull as old.
Yet novel did it ever seem
to souls exploited for their dream.

The Hippies took that bongo tea-house scene;
added acid’s naked technicolor:
freak-outs, love-ins, the normalized obscene;
politics of outrage, now made duller.
Impulsivity their passion.
(Sin is never out of fashion.)

Youth’s dissident victory incomplete
they glimpsed on flowery fields of battle
kaleidoscopic visions of defeat:
the psychedelic baby’s death-rattle.
Allen Ginsberg’s perverted freak.
Now reached its Himalayan peak.

Trace back in time this cultural malaise;
the poisoned sources where doubt first enticed.
In retrospect we diagnose their ways:
anti-God, anti-family, anti-Christ.
Oh no, you say; that was just youth—
we had to follow our own truth.

What did we learn in your San Fran cafés
poetically dense in plume-clouds of smoke?
That arty nihilism’s just a phase
and transgression of morals a tired joke.
(The Man will always make a buck
off fools who live to smoke and ****.)

That mystic idols are not Truth . . .
blown minds will never save a soul;
Faith and Wisdom, both alien to youth,
in child’s-play, play a minor role.

That beats burn out and hippies age;
we’re no wiser for their excess.
Unwashed ravings, Bohemian rage
contain no truths—much less, success.

What did they teach us while tripping and ****** ?
Could it nourish at all, their cosmic brew—
their cult of youth, their dying gods bemoaned,
their howls, their road trips, their breakings on through?

Only this, Daddy-O — now dig my writ;
my be-boppin’ speed rant, my acid rock:
that drug-addled rebels who scrawl half-lit
fumble with a key that cannot unlock.