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Mari Gee Mar 2013
beats.
bass.
bass beats.
bass beat bass beat.
the bass beats along with my heart.
the beat baselining my emotions.
the bass beats my body against yours.
the bass beats me.
unrelenting
my emotions run wild

Am I in a club dancing to beats
or dancing while the club beats me?
beats. beats. beats me.
hypnotized by beats and bass
mind and body control
out of my own control
beat bass beat bass.
bass beat. beat. beat.
its beating me.
(edited version)
Klvshp0et Feb 2016
****** and bass
****** and bass.
All she want in her face
is ****** and bass.

All she wanna do
is **** ******
kiss *******
and listen to Future.
**** that's why
I won't pursue her.
Love and the essence of life
don't get through to her.
She is an addict.
Running from life
and abusing ****
to get away from it.
So much beauty and potential
but he she wanna be a dumb *****.
She wanna be that *****
or some *****
that gotta man that's rich
and follow the crowd.
Blowin loud.
Poopin xans
and sippin lean.
She ain't never seen
a trap but
She listens to Future
and shes stumblin.
Choppin it the **** up
and mumblin.
Lickin her lips and giggling
because my sub in the trunk
is tickling her pearl tongue
and both lungs.
We are both young
but that's no reason
to act so dumb
and walk around all numb.
When I kick her some philosophy
she doesn't care
all she can think about
is her on top of me.
All in her soul.
All in her face.

****** and bass.
****** and bass.
All she want in her face
is ****** and bass.

All she wanna do
is **** ******
kiss *******
and listen to Future.
The Promethazine King.
The codeine connoisseur.
You can't be a loser
if you wanna get
through to her.  
She needs your dollar signs
and expensive ****
before you even see the ****
or a *** or an *** cheek.
She's fine as hell but
If you ask me
she ain't no Ashley
from Fresh Prince.
She's nasty.  
Freaky and far from innocent.
She wants it blasted
in her face
until she can't see straight.
She wants the force from the back
till she feel it
in her stomach and her back.
She listens to Future
but I'm no codeine cowboy.
She's mistaken me for him
because I'm
as fresh as an altoid
and my eyes are as low as
the unemployment rate.
I set the bait
and there is the prey.
Now she is
all in my face.

****** and bass.
****** and bass.
All she want in her face
is ****** and bass.
OnlyEggy Feb 2012
Story time children
gather 'round
for the tale of the man
consumed by sound

It all started with the turn
of a stereo ****
and a CD of a step left dubbed
that allowed the bass to explode
in the place
in the face
of a man innocent to the sub

When he awoke, slightly dazed
bass in his ears
eyes slightly glazed
he listened closely, intently
and was amazed

at the length of the drop
and the strength of the bass
tried to cover ears to make it stop
but found broken wrists rapping
tapping
to the beat, bass, and pounding space

heart attack, heart attacked
by bass and beat and beat and beating
of feet as they started to move
fleeing, fleeting, as they started to groove

Shocked by the abuse his brain was taking
he didn't think of stopping the movements
his body started making
hips popping, arms locking,
twisting, contorting, spastic
as his body was dropping

And as the bass rocked, so did his mind
each length had resistance dropping
each bump of bass had adrenaline pumping
jumping
coursing, pushing the drug through veins, so right
making him feel so, so light
despite

the heaviness his chest felt
keys on keyboards run, leaving him winded
lungs on fire, ready to implode
and when he couldn't take any more
the music silenced, rescinded

Lying broken on the floor
he begged and begged for
the speakers to speak no more
but as his shaken voice left his mouth
his fingers did reach
and with an addictive touch
and he knew what the rest of the night held in store
(AIP)
Slap da bass right up mon.
Slap da bass down low now.
Bump ya sweet ting a little closa.
I just wanna get to know ya.

Gettin' all blem on ya vibes.
You gettin' knocked down by mine.
Bend down, turn 'round, back it up right.
Wanna puff what I'm puffin' all night.

Me nose burns with wit smoke.
Me body's empty, waiting for ya touch.
The bass is slammin' in me ear drums.
The bass slappin' makes me face numb.

Beat poundin' as I slide over
Boombastic rydems like no otha'.
You da noicest ting I ever did see.
Lemme take ya home. Slap da bass wit me.

*Slap it riiiiiight up
Slap dat ******* bass, all up in my face, you tasteful patty-licker.
Why I’m not “All About that Bass”
So I’m in my car cruising down i-49
When I hear a song with a kickin-baseline
I'm all about that bass,bout that bass no treble, i'm all about that bass
I'm bringing ***** back go ahead and tell them

STOP
Excuse me?
When did ***** leave?
How did ***** get there?
Was ***** on vacation?
Where they at tho?
Yeah my moma she told me don’t worry about your size*

But not because in a patriarchal society I am valued  for my ratio

Of hips to thighs as handle bars for my man to

“keep me grounded”

But because I was beautiful anyway

I am not the number sewn into society like the waistband of my jeans

I am the number of times I look into the mirror and say “hey ****”

And if society is too lazy to know that beneath  these eyes but above these hips

And behind this full chest theres a heart

Lets be real

Were not going to blame Meagan trainer

She probably didn’t even write this song
but why are we idolizing these who only look to sexulize the femaile body instead of holding us to
a higher standard

and just think

you are perfect, thank you pink

we can be stronger, thank you Kelly

And no matter what we are beautiful, thank you christina

Why aren't these the women we are idolizing?

Because according to hot 107.9 its all about the *****

I am not something you can put into a box something you can stereotype

Just because i have big thighs and a ***** to match doesn't mean i want it to be pointed out

or catcalled every chance there is.

my body your body everyones body is their own

and deserves to be treated like its own perfect stronger more beautiful self.
i am strong

i am perfect

i am beautiful

my hips don't belong to you

my ***** does not belong to you

i do not belong to you

And thats why im not all about that bass
Arlene Corwin Dec 2020
Bass Deluxe: Ron Mathewson

Bass stands against a wall.
A singing, dear, expensive bass
Unused and tall,
Its agoraphobic player on a chair he calls his ‘throne’,
Alone, with daily cigarettes,
Watching TV, living in, on the touring pasts.
Half understanding - just half understanding
How great and talented he was.
Perfect recall, perfect pitch
All he broods about is what he’s done -
What was attained long, long, long, gone.

Life’s contradictions:
Great gifts. great restrictions.
One feels the ache of disappointment:
Talent that resigns from life with that great depot of accomplishment,
Finely filed on disc and film.
Not to be bettered, that bass with its singing-ness.
Like men of genius gifts and neuroses,
Ron’s bass was divine, a mine of nuances,
Shades, silken tones, harmonies endless.
That sensitive ear!  What chords he would hear!
Phrases he’d play on!
A multi-boxed crayon.
He could pluck, he could bow .
Did his intellect know why, what, how?
He just did it!

The box of wine, that pack of smokes.
The emails, phone calls, stockpile of anecdotes;
Remembered peers, recalled remarks,
The names of tunes leaving their marK;
The taste and technique, the recall
Combined, his all.

Yet all that one can say
Is that one of the ‘chosen few’
A treasured, master jazz bass player
Lived his last day
On a Thursday, 3rd December, 2020.

Bass Deluxe: Ron Mathewson 12.9.2020 Vaguely About Music II; Birth, Death & In Between III; Special People, Special Occasions; Arlene Nover Corwin
like know just time mind life feel world lost say we're things think love there's does people night away way thought got words long reality want better left make end eyes day man human dark experience remember really right death memory going place high good live city thoughts soul meaning great pain home sky believe shall change living oh fall light choice god consciousness existence years cause hard feeling thinking fear times 'cause dreams ask alive heart need past felt days dream sensation truth true use power knowledge wrong stars understand baby tell state thing face wave broken old you'll wave new broken nature you'll **** mental look far ah drug moment best ago air lose sleep dare try leave beautiful blue born lives escape sublime doesn't body dawn friends waiting feels young daze game control perception gone story mean sun head given writing act difference reason poetry philosophy psyche little trying touch deep greatest wonder choose drugs exist we'll moments score hold play 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job romantic gazed envelope elements identity group sell foolish lucid dimensions brothers owe education november difficult recognition express properties glitter considering illusion appreciate discover resonance derived transcendental buzz notion risk scares riot rainy teaching drizzle direct experiences elation normality quote evolution versus lamplight method reflective endeavour cloth eats teenagers eventually haul club result relative breed threat subjective concerning solstice interpretations allows rational ultimately basis aligned numbness hypocrite charade morality dope chaser continuum undead exploits aeons research freeman appropriate ion ****** teachings dilation binge beatific intuitive transcendent escapism psychedelia metaphysical beta untitled mescaline otherworldly dreampt contextual experiential symbiosis codex dissociation cybernetic weren't life's let's mirror's well-being any-more entheogenic junkiedom signifiers mescalito zero-summing won't 'pataphysics window 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Composed on 00:53, 21/09/2016 using Hello Poetry's 'Words' algorithm. We don't assume this means something.
like know just time mind feel life world say people things lost we're does love think there's away long way thought night got words want better day human left right remember man dark end reality memory experience going make really eyes place 'cause good death tell great feeling soul home high consciousness live pain thoughts fear understand fall thing city sky believe god meaning thinking lose change oh felt hard ask heart times years shall need past light living existence choice use dreams power days cause poetry talking state we'll alive knowledge **** true moment little hope old wrong mental stars wave ago gone broken look brain dream far given truth feels head you'll best sensation baby try leave forget young sleep face stop escape blue dare drug lives wish doesn't drugs work earth new acid game nature bad sublime gods break beautiful ah writing hold born trying coming friends hold writing ah space daze burn body reason rain real moments wonder music memories exist psyche control 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won't medium empathos essence events reflect apotheotelos actual determine house issues worked begging virtuality swore gleaming sly gentleman wicked abyss feed lands tea moon miracle honest streetlights tale lust nights early chained allow placed life's actions emotional plant plan drizzle speaks spin hypocrite conviction watching rules jump application chains forged angel fail reflections lot illuminating flag grip fly sick wonderfully create freeman shine job supposed eggs draw pupil dripping tremble mescaline singularity subjective darkens alpha needed atlas orange discover rabbit warp joint wonderland perfection ponder souls silence ahead roll magic ease bag sorrow escapism sake chest magnitude chaser cloud infinity replaced revelation survived vs carry yearning school slip games begins curiosity heavens powerful typhoon furious theory hypothesis apathy serenity mind's marks window humankind cybernetic fraternity liberate cut movement excuse stopped thunder tire apparent mastery occurs motion paper masses throes falling race hanging bear follows sardonicism endless burning idea ideas burden court ya verse consume kick method stood temporary flash realized eat kindness occur advice shades properties shores hang shining ink rolling minutes street deem tools autumn empatheon entheos reach echoes remix diamonds gets worthy identity thoroughly stuck happens recall conclusion choices fiend dealing finding gun son stimulant experiencing depth twice starshine whilst chosen thereof hooked confused enables painful desires serotonergic teleology prey loop wishing relation neural animal hallelujah ultimately projection communication actuality significant experiences remind transcendention notion proposition works illusion puppet offers chalk series occasion calling degrees ended sin figure slick ending ash sentence glance rend november eve drum rainy destruction romantic drawn shadow observe ghosts bodies wandered atmosphere box familiar children honor road serve beliefs strong avoid lessons returns poison relax exhale whispered intention liquid stare dope needs ****** smoking club relative glitter reached fractured stones junkiedom aspect ketamine heavenly scares domain excess robes vast euphoria grass thrall elation buzz renew dr waste let's morality wanna bottle immortal owe intuitive wouldn't teachings transcendent nocturnal education eternal divinity drive aligned illegal lamplight sell sail insomnia curious beatific seeing insane continuum kiss beta void soar roar fog basis **** town cost regrets appropriate brave threat using emptiness fountain short stole shield riot shade ghost numbness stained steam dreampt october ion derived hazy money message sing quote metaphysical scene swept plain colors nirvana alright unlike dear low teens nonetheless pick considering teenagers beneath door electronic kids build pulse teaching kid mistake teach tear contextual political civilization vision dissociation completely tells normal nevermind raised brings laughed melody spot streets holding coffee praying violence appreciate vengeance law trust exploits slowly trouble mirror's refrain compassion eats recognition discovered blaze otherworldly pieces darkest angst brothers sit win buckfast vicious binge breaks undead forgot demands able notice lucid dimensions evolution sunrise plans philosopher killing produce working cloth produced painter gazing favourite track bunch haul arrives started chemistry prevent awaits definitive strive versus rule dread bare slow stayed onward altered helps lifestyle losing followed woke fight event innocence charade child ventures higher y'all acceptance pay any-more bay vicissitudes codex cannabis pleasures planes doses awareness steal beat zero-summing narcotic lest strength matters reading easy sons drift solstice half formed normality weren't hungry hopes declare research tales envelope regret tired breed release honestly haven't it'll blow entheogenic stories amidst insofar technology direct binary pushing gotten patience danger symbiosis dilation gleam untitled risk remembering aeons contemplate suppose allows goal certainly virtues well-being popular regard result tornado mescalito usually distant creating skyglow behold manifest psychedelia representation endeavour excitation transcendental resonance odd growth hedonism possibly focus proper assert formation described interpretations reflective determination rational consuming cherish expressed pathos psychoactive eventually significance dissociative strings author experiential specific oxytocin loves glimpse frames loneliness elements created 'pataphysics craft betrayal typical built wall wonders concerning critique signifiers books failing assume effect 'auld subject-object lethe scorn wants shroud understands enhanced ascend tides finality collapse lake reclamation beach proclamation justify junkies hood teen streetlight caressing lips other's comprised harvest midnight blink aching lesson responsible native fortune mistakes nurture grown healthy test mock especially badly boring walked gorgeous innocent villain giveth benediction stone rictus nightmare skystruck insignificance struck **** nothing's thrown unspoken den shatter loss subjugated angels myth fallen demon temples reborn irrelevant thousand clothed plains whispering insert telling everybody's ultimate expand immortality small rapture bound dry comedown starlight whispers contained watched attack mechanism questions palindrome perpetual surreal theme perspective bane heathen basking singular physics sighs rhyme deity sincerely goodbye fit asunder naught comfort adrift -the radiance plunge rock planet twine applause current enhancement zen profit terrible ill weary leaving fierce alchemy luck speed opportunity men arose prophecy steadfast captured sage demand weird estates gathered distance all's foretold sold wrath kinda relentless advance coil anybody columbine ocean drown spoken ancient eden wet blessed crimson concepts yesterday evening deeply whisper flicker enter book apathetic streetlamps trespass spun turned clean underworld disguise viewed despair tunes melancholy reverence unsaid noise o' groups turning swallow dropped lead confident veracious offend talked switch teenager shouldn't paying allure variable humane inspiring ex 11 matrix flickers offering receive signal news chant exhaustion access background commence summer's arcadia deja vu complex realization vivid stick sublimeoblivious deliverance belonging creed symbionts pendent sane smiling rumination plane glint resembles conversation web corporeal solace theft burned they'll sensations shivers satisfied enslaved mire comfortable shattered arch medina's fragmented plead achieve woman stage swaying dismiss entire numb lord type chapter infamous conquest aspects proving leads bloom floating precipitation artificial renewal spill beating midst petrol mad hands exploit movements examine women sublimation occurred eternally notes dizziness perceptive guys haunts spark poems poetic pull remained gazed vagabond presented blanket cried stranger glad lucidity turns sum details pour valuable exceed represent surprise continuity occasionally relinquish gravity likes weeks wrought gathering entirely reaper rays aging root laid balance four-twenty provide double-edged ceased exploration mates world's walls alteration faces breach million grey tidal unknown price absolute garden haunting train jungle aloud allowed habits closed syntax difficulty alter scratch glimmering drifting quenched explained forfeit in-between clearly ideals ubiquitous chemicals happening abandon supreme drifted soothing reveal alcohol stimulants psychonautes indescribable conscience closest dying andor travel gentle foodstuffs tree worried demons pair recognise inability ensure including hey graciously prove logic rhetoric 15 galaxy lately hearth ethereality forsake wanting steps memorable 'round player moves del you- encourage finished suspect frequently intoxicants acts aer veil qualities animals remembered karma kissed burying shooting bold scattered input howling design forsaken banish seraphim wide cola united democracy meandering -one zed's hot commit self-sufficiency thought's psychosis flows unreality immersion aesthetics realms struggle wisely immanence absolutely member add writings coin avoidance naturally boys inseparable standard convinced concerns passed prudence quick external suffer choosing produces letter proclaimed myths pains shroom bright absurdity awhile prospect sad distribution recreation responsibly ghb adrenergic minor neurotransmission cyclica lonesome foolishness cometh 5-ht2a beings golden pitch cathinone suggest conclude cognitive motions ethical condensate precious abuse compound underlying adult bask push damage attachment originally determinative heaviness concept facts today's regress detract step ugly absence cosmic note imagination psychedelos noumena noumenon reader haunt determining error questioning habit measured limitations manifestation learning arcadian joke hallucinogens material diethylamide mysterious exists 'twas response proportionate quantized nervous anyways identify qualify device analysis moderate moderation alterations accompanying totality fascinated gradually 'the represented brief juxtaposition played t'was resides tribe stead vote period liminality delete recurring mirror-neurons alexithymia craic ar positive drank maelstrom pharmahuasca wondered reflecting lovely facebook typing quale implicit dispute occurring fallacy treasure exactly reduction distinction discussion man's construct couple contain lovers failed confidence writer's integrity worst psychiatrist sesh rare chronology scale drug's definitely title sesh-heads who'd asks unable tomorrow plucked picture alphabet named coherence task pretends inevitable contemporary trips graces wrote entertain vice elicit psychoactives feens conform deface replace grin h-bomb atomic bleeding 20 bloodless unequalibrium following quench hunger bent euphoric display interstellar vertigo influence waited sunlight explored paradise soaring faded sitting unafraid aqua tinted source itches optional differently stem rich greed forbidden negative privacy react earned ails charity gift couch courage endlessly fascinating boyfriend phrase movies hopelessly loud admission inherent hypocrites intoned devil laconic sinful vein surrounded movie contempla
Composed on 01:33, 27/02/2017 using Hello Poetry's 'Words' algorithm. We still don't assume this means something.
Dallas Phoenix Apr 2015
Her tone,
Crispy like new pair of headphones,
Screams when I finger down her *G string
,
Love hearing her moan,
Get over here and lay on my lap,
One hand down your neck while the other's ready to smack,
She's a brand new model,
My pick up line was immaculate,
Coke bottle modelling body,
Fuzz pedal throttled and jacked you in,
You fret all day and no one to hammer your strings,
******* Brew in Chili Peppers but I'm willing to make you Cream,
So lay across my leg and let me do the rest,
All that phat bass and no one to properly make you wet,
Rubbing across your curves making sure your knobs are turned,
Steel strings tight and ready to give this spanking you deserve,
Tease and deceive till your ready to sing,
Slip my fingers down your A and I'm ready to B,
Playing your scales,
Hitting that tail,
Your mahogany curves scrumptious as hell,
Maybe I'll stand up and ****** my hips,
Into that back of that phat bass while loving the notes you hit,
Strap you on because the way I like to hit it is hard,
Octaves ****** and quiver on my fingers,
Your heart,
The shape of that wide, seductive and sumptuous ***,
All that bass you have can make any guy..........
Lauren Nicole Apr 2011
Static...

A snap.

A low and slow wuub wuub wuub

In the distance

And a faint note arising

Slowly but surely,

Turns to a chord

And then moves to make a melody

Neatly rested in the hills

Of the constant wuub wuub wuub

Then I hear a gliding crescendo...

And

The bass. It pounds. Every blast. Like bombs.

I can feel my stomach wriggle

I can feel the power through

Oh god it's empowering

Like sweet, sweet *******

Oh, feel the air

The bass. Constantly pushes. Makes waves. In the air.

It is solid around me

I feel the music

But I live for the bass
A cardinal sings-
Its own melody drags it down, preventing flight
A bass filled tune that echoes in a cage of bone

Every day it cries
A hot spring that reflects its color
Streaming onto the rest of the massive prison

A grey man
Older than the prison, as old as the cardinal
Asks “Why do you cry in your lonesome, tender bird?"

The cardinal sings-
Its own melody deepens its intake of air
With a bass filled tune it says: “Because I am alone."
Read more of my works on www.brixartanart.tumblr.com
The front man does the singing
The drummer provides the beat
Then there is the lead guitarist
Still the band is incomplete.
There is a certain member
Who we often underrate
He's there in the background
The one who plays the bass
Sometimes he goes unnoticed
By the audience and the crowds
And can easily be forgotten
As the rest all play out loud
But he holds the band together
The band should all be proud.
If it wasn't for the bass player
They would be gone like a passing cloud.
People often fail to realise that in most cases the bass guitarist is the structure and holds the band together.
Lark Train May 2016
I fear the bass and treble.
The Stuka's nasal voice ringing out.
The tremulous earth beneath two treads.
The planet itself was set to tremble.

I fear the detonation.
A whistle in the darkness.
Harmonizing bass and treble.
Imminent inflammation.

I fear the bass and treble.
AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
Michael Pham Feb 2018
he and i met up at my place
and chilled and talked for a bit.
i began to feel warmth as i listened to his voice,
then looked at his smile,
his eyes,
his dimple on his cheek.
i gave him his gift:
a t-shirt from his favorite band and album.
he said thank you as he continued smiling,
and it made me feel warmer than i was before.

moments later,
we walked to the green line.
i was going to take him to
one of my favorite coffee shops in the west loop.
he told me that we would probably be late to get in.
the coffee shop closes at 5 while
we got on the train at around 3:40.
i told him that we were gonna make it.
i was surprised i would be the optimistic one
since i was a huge load of a pessimist from the past week.
luckily, we got to the coffeeshop an hour before it closed.
he ordered a cappuccino,
i ordered myself a hot chocolate.
we then grabbed our drinks and found a table
in a faraway corner near the restrooms
and began our conversation from there.
it was a nice one and i still felt the same amount of warmth
as i looked and listened to him.
i knew that he had a girlfriend
and that i shouldn't keep my hopes up,
but ****, is he a gem.
i just couldn't help myself.
i was also kind of surprised how we kept looking at each other
in the eyes for long periods of time.
don't know if that's a sign or anything, but, it would be frequent.

an hour later, we decided to head out to my place again.
i took some pictures of him outside the coffeeshop
with my 35mm camera and laughed when i
saw a customer almost photobombing my photo
through the window.
minutes passed and we were already back at the green line,
waiting for the train to arrive.
the sunset was so amazing,
but seeing the view of him made it better.

we made it back to my place
and relaxed for a bit once again.
he remembered that he saw a bass guitar
leaning against the wall and asked
if he can play it.
it wasn't mine but i asked one of my roommates
if he can play it and he said as long as he knows
how to set it up.
he, of course, knew since he plays bass himself.

i heard the notes he played and i began to feel mesmerized
with every note that he played.
although his rhythm was a bit off since he
wasn't used to my roommate's bass,
he was still pretty good.
the low frequencies coming from the bass amplifier
softly vibrated my ears as i was hypnotized by
his fingers moving as he presses on each fret.
i guess the vibrations made me feel a bit warm, too.

the day finally ends as i was about to walk him out of my dorm.
when we got to the front door and before he left,
he said thanks again for the gift.
and then he hugged me.
he hugged me.
i finally felt his warmth for a second or two.
it was a friendly hug, but, it still felt nice.

i remember him saying it would be cool if he can hang
every other weekend when i'm free.
i'm gonna keep that promise for sure.
i really like this guy that i've met in college and have known for six months. and even if he has a girlfriend and says he's straight, he would just give me mixed signals whenever we see each other or go outside our school campus in which we did twice now. i really hope he doesn't see this or know this website exists, but either way, i had a really good time with this guy and that he made my weekend so much better.
Will Mercier Aug 2012
Am     E    G
Turn   it   down.
           Am      E             G
There's no time to clown around.
Em                     G
Don't spill any beer,
        Em                             G             (G string bass note, and  strummed chord x3)
And pass another can over here.
      
Am        E            G
Make   Up  Your mind.  
Am.          E            G
Do.. you want to find God?
Em                 G
I've seen his face
       Em                                    G.                        (­G string bass note, and  strummed chord x3)
He's breathing hard, like a runner in a race.

Am        E            G
Turn     off    the light
Am      E                G
Its       time to say goodnight.
    Em                     G
The roads are all clear,
             Em                       G    (G string bass note, and  strummed chord x3)
And we haven't got a care.

C.            G
Get.....  Ready...
        C              ­     G
And pack... your bags...
             C                  G
You're in.... for the best trip...
C              G    (G string bass note, and  strummed chord x3)
Of...your life.

Am      E              G
I......   can't go on this way
Am            E          G
Each and every ******* day
Em                             G
I think I need some-one
            Em                              G   (G string bass note, and  strummed chord x3)
To help show.. me... the way
I wrote this when I was sixteen,  so the vocal may seem odd for me. Since someone reached out and showed me the way already. It is one of the first songs I ever wrote, when I first learned these rudimentary chords. The new layout makes it ten times harder to post songs. Putting in periods, and capitalizing...Since when do poems require periods, and capitals at the start of a line?
Peace and Love,

Will
JS Clark Aug 2018
The mantle of dusk
Is being cast upon a heat weary
Northwestern Missouri countryside
As a young man stands upon the banks
Of a pond making casts.

He’s been at this for some time
With little to no luck whatsoever.
His favorite quarry, the largemouth bass,
Has eluded him successfully thus far.

He’s been wandering this pond’s banks
For a coupl’a hours now,
Certainly an eternity when the
Fish aren’t attacking the lure.

The youth knows one can’t catch
The bass just standing in one place,
So he scans the smooth pond surface
For activity.

He gets teased by flopping fish here and There
As they feast upon a mid-summer’s smorgasboard
Of bugs and worms and frogs that chose to Zig
Instead of zag.

He finally spots a place he thinks
Will afford him the greatest chance at Landing that
Largemouth he knows he can catch,
And so he posts up for just a while longer.

He looks to the west and sees
A final sliver of the Sun hug the horizon.
The light is fading fairly quickly, and he’s All but done.
The trek home isn't far, but he has no Lantern
And has had enough of the mosquitoes.

One more cast, he thinks to himself, just One more.
He draws back, flicks his wrist, and lets fly.
He cranks on his faithful Zebco 33
And just as he is to bring in what’s
Always been his lucky beetle spin,

WHAUMP!!!

A bass akin to Moby **** himself Explodes
The pane of glass surface and
Devours the lucky lure.

In sheer delight, the young man and bass Begin to fight,
And what a fight this pond monster Provides!
The young man’s line strains, his pole Cranes, yet holds with the thrashing and Convulsions that only a bass can deliver in Its ****** attempts to divorce Itself from The hook.

The young man was prepared for this fish-
He had waited since he first learned to bait A hook for it--
Prepared with the right pound test of line,
The right rod, and the right reel.

The youth lands the prodigious Largemouth
And takes him off the hook.
Wrapped in twilight, there the teen stands,
With at least a six pound bass in hand,
Grinning and looking west at the Sun Goin away.
Micah Fagre Oct 2014
the planets. the peaches.
pruned. picked. for the reaches.
the centuries. a second to the eternities.
you can have it. say laugh when. you hear the jazz note.
the voice of all that i spoke. the saxophone.
like dialing digits of truth. on the telephone.
come on. say one and two. up and down. the diversity in one single crown.
upon the ears of sound. it's the heart's listening device. toss it like rice.
at a wedding. human genes get paired up. and twisted.
so simple. it comes in flavors of licorice. red and black.
off and on. check the track. when the needle skips.
we find all these differences.
let me bring it back. for diversity.
zeroes and ones. spread the spectrum. across high and low frequencies.
it's so easy. let the record speak. can you stay on beat.
the principles of the high. the sincerity of the meek.
whatever lies between. is one or the other. blended across the centuries.
and all mothers. give birth to the last. man to the first.
follow that. discussion of high low.
mid ranges get blown. saxophone pace the flow. get pricked by the tweeters.
soul from the bass feeders. save the appetite. for the words that i write.
and then speak. you you. not me. splitting hairs. atoms. quarks. and light.
beams. like a smile. across a broad spectrum. either off. always on.
high low. then get gone.
Megan Jan 2013
The bass makes me weak.

                                      All I knew
                         was that I wanted to know
                                 e v e r y t h i n g

                   about you.

Caress the inner corners of your mind, with mine.

Hold your hand
               as if to learn
                      something new
                                        about myself.

Second period— I only knew what I had heard—

you smiled, eyes twinkled, brown met blue.

Never had I been so grateful for assigned seating.

                                                       ­                               You never
                                                           ­                              would have chosen
                                                                                                                                     me.

Our whispers became muddled by “shhs”
as others tried to hear the teacher
over our l a u g h t e r

this was my favorite part of                                              us.

But here I am
                   in over my head,
out of my league.

I can’t remember ever not wanting

                                                        ­                        you.

But there you are,
                    sharing your heart with her.

I thought that year would never end.


I never left your side.
We talked every night.
I hope you don’t  mind,

                      I

f
   e
   l
l

                     for you.

I’m sorry I’m so inconvenient.
I tried to be what you needed.
You only wanted a close friend.

They say,
that a girl and a guy cannot stay friends because one will eventually fall for the other.

“Eventually” came quick with you.


The bass makes me weak.

You were the
f
i
r
s
to break down
           the walls
                         I cowered behind.
unclog the arteries
                                                       of my
                                                   w i l l
                                           and
                                   beg me into
                                   e
                                    i
                         ­          n
                                   g
You tricked me into believing I was worth knowing.

We fit like two words in a crossword puzzle—

not obvious at first but it makes sense in the end.

You know me better than I know myself.
                     I have dreams
                                                          ­                         that play
                                                            ­                hopscotch
                                       ­                         on the corners of my mouth,
                                                          ­                  when they see you

they float.

                                                         ­           when you smile

they fly kites.

The bass makes me weak.

I almost lost you, twice.
Due to
           tripped up tongues,
                              too much waiting,
                                                & “friends.”


You can’t use that you never knew as an excuse.

The bass makes me weak.
You never even gave me a chance.
The bass makes me weak.
You
make
me.

the distance between you and I was
                          the distance of our proximity to
                          our emotions—

                                       I was too close.

You fall for girls who don’t want you

I’ve convinced myself that’s why you haven’t fallen for me.
CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l
Ken Pepiton Dec 2018
Taken, gotten, or made, the point of anything
can pierce through everything…

slow
Slow think,
make real

re-al-ize
what fighting for life is…
this is the only
try,
it is not a test.

Take your time, use it wisely,
if that means anything.
Wise, I meant.
No offence, if wise is anathema to your kind,
die,
die if I knocked the reason for being right
outa you,
did you hear cognitive dissonance?
did it sound like
this. LOUD?
listen,
rolling rolling rolling
crash crumble rolled in nurse rime frosted
fables of monsters and maids
Thor, witharoar likka Lion King?

or the light brigade,
CHARGE?

thunder words from lost generations of
reasonless riddles for children,

Why did Peter Pumpkin-eater have a wife, but
couldn't keep her here?
Was that okeh? Oh, wait.
Ah, I see, I say,
they never tell that whole story any more.

Know why? They forgot it. In the war.

Duck'n'cover,no
crying, how long?
When begins forever? Did no one tell you, child?

Taken or made, the point of anything
can pierce through everything
like it was nothing, given
enough pre-sure-sup
poser-power

War, as a game, has a reason.

Battle, hitting, slapping

stop touch, stop now slap
slap back

or cry
oh no no ma

waddayahsay?  A theist or atheist
who started this war?

space case, or
lover of wisdom, met on the road
to Emmaus, discussing Wiles's proof
firming Fermi's connection to the matter of fear,
3, 2, 1

Kaboom, but with a whump you feel in your teeth

1, 2, 3 Fermat's last theorem ,
easy as pi an no re me

ABC to
Michael Jackson to
Howard Bloom because he

inadvertently, began
an-ionic converstatic re-vibe time warp
meme,
which vibe, started the legendary Sixties. I was alive.
Radioman,
a sixty cycle white-noise humm heard every where these days

There was a gospel song, "Turn Your Radio On".
my theme, open the window in the top of your head,
as it were,
a new,
as new as

a novel-state of water, H three Ohs, re-al-ity ification,
Ah, a shared Oh, I remember now, how this works…

like a poem

at the edge of a water vapor bubble in a boiling body of water,
at the edge of the bubble, water becomes a wall of water,
not vapor, not flowing liquid,

but a wall, insulating the vapor in pressing opposing force
to permit, from permission,
meaning with a message same as the message,

is that the right word? per-mission-grant, is power given,
agency,
that idea….
wait for the sign….?

By sharing an ion ic bond as a quest to make a point
for a free story to go,
the question marks you. Let the snake dance.

Press your point,

whetted edge,

slice through ties holding worthless axioms
with withered dendrites dangling disconnected
in participles
unfired for centuries muttering,
enchanting, enthralling enchained melodies
of ambitious syllables vying for idle minds
to rope in,
unbranded, wild
bucking ideas,
whip-twig, slap-face,
tanglewood  thicket, catclaw and mesquite,
willow,

wait.
And the old man remembered the willow whistle,
so He asked Grandfather,
How is such a whistle made?
And when he knew,
he made one.

A willow whistle with two notes,
like an Oscar Meir Wiener one.

-- and that was a different time
I got lost here, bucked up…
maybe
--- listen, way back--- we-ain't whistlin' Dixie---
we ain't marchin', as t' war.

D'thet mean some sign to pro-phet -ic take?
Tophet?
Ancient cannon fodder shield walls,
a moaning
Pro-phy-lactic warning of the danger of not
knowing exactly
what a war is for?

Get back on,
relieved of any idle baggage words believed
to mean other than I say.

Nullify
Idle words with cultural meanings from
what you thought you knew when you feared hell.

Loose
those peer-locked memes
made of meaninglessness, per se,

shaped and molded into fashions
of expression, once needles and awls,
now, dull as tinker's damns for swearing,
with any effect.

But tools, none the less, a stitch in time took a tool.
An awl or a needle, and a thread, thick or thin,
dependin' on the mendin' needed
to redeem an idle word,
its meaning all bloodied with the tyranny of time.

An awl or a needle,
a tool for a task, mending a tear
where curses, never meant, spent
the entire dark ages, lying, lying, lying

powerless, pointless aimless, proverbial proverbial proverbial
verbiage, vaneless shafts launched at unseen marks,
signs, as it were, a spark,
triggers,
rumored since the sixties,
the first sixties, when Cain killed Able.
Howard Bloom was but a mere gleam
in our mito-mother's eye,
but, no doubt,

his role is real,
in loosing the forces Ferlinghetti locked in
City Lights mystery of secret meanings room,
which un
mystified and blew away upon opening
the door to
meanings mapped on
scrolls rolling and unrolling
idle ideas,
rites of passage, as it were,
Pre-bat-bar-mitz vah
as a fashion
like VBS,

to tickle little minds and make em wiggle.
MEMEMEME, I did it,
mea culpa,

the holy place
Here we are…

On Vacation, leave a message.
-----

See, wee hairs in your ears wiggle, making,
signaling, the need

to scratch that itch, that itching hearing feeling ear… hear that

don't scratch, listen

listen

60 cycle humm, steady, bass, but no thump whumpwhump;
soft, deeep.
ooooooooo or mmmmmmmm or in betwixt, steady thrumm
hear another, and another… sixty in a second,

one in every million ambits twisting,
threading qubits, radiating signals in the field
wireless, blue-tooth... satellite...

can you feel that?

hummmms, all around us, since the womb.
We are not the children of the greatest generation,

We are the children of the last generation of
**** sapiens sapiens non-augmentable-us.

We, the augmented, recycled ideas,
possessing
minds of Adamkind,

is that a secret or a sacred?
Is this
a new thing, an
unknown unknown known known now?

Ah,
novelty.

Whose is fear? Who was afraid of Virginia Wolf?

Should I remain in fear of her now, if I knew why then?
God would know such answers.
Proving my imagined AI guides are not God,
but lesser beings,

haps I recall.
I defined these things,
these thoughts that shape themselves,
forming words and phrases
I saw
shiny. Crow-like,
gleams seen, captured and claimed mine,
I tucked them away,
a sign in a thought in an imagined image made 4
real once more, to be seen from the shore,
new land new world
a fourth for some, a fifth or more for others...

haps happen, I'm not sure how,

Born or emerged, as a bubble, what do you say?

Reserve judgment.
Grant me your grace for now, until you solve my riddle.

Ah, the old way.
Right. Which way,  'ere, 'ear
and do we roll the rock with silent haitch or harsh, shhh

someone's waking up,
a bit grumpy,
don't you dare oppose me in this, the kid is certainly my son

Michael went stark raving mad when I told him, Billie Jean knew better all along...
the link, axiomatic,
the fatherless child has been claimed

hence, the thread to Howard Bloom, meme-ic,
meme-ic, like the Roadrunner,

but with the real Coyote, as the hero in this bit of
whatever, such meandering maundified maun maund  
mound

wind blown crystal silicon dunes
mounded up to that point where granulated
beens and dones

begin to slide at an angle,
a ***** deter-mind by the weight of the rock

We made it.
I know where this is.

This is a novel that has Sisyphus being happy
as the main premise behind the idea of anyone ever being
able, en abled, or un-dis-abled or un-dis-enabled,
if one of those is right,

Sisyphus being happy
is the main premise behind
the idea of anyone ever being glücklich,
happy, blessed, lucky.

How happy is your ever after?
When did forever begin?

"A man is as happy as he makes up his mind to be"
Abe Lincoln, is said to have said,
after the seance, maybe.

You push on, dear reader, make some sense
re-ligare or relegare, but take a stitch,

pull-tight,
do what works the first time as far as it goes, and try each, as needed,
it may be that we invented this test.
To make us think it is a test,
to sort ourselves out.

Get back on,

see who went crazy and who found the thread, if the same thread
this is that, right,
the same train of thought,
the same idea
spirit wind
sign
?
A snake facing west standing tippy-tail on a singularity;
a point in time?

Why are you reading this?
Curiosity Shoppes trade in interesting, alluring, click-bait

Pay attention, watch, you shall see

imagine this is the dream,
the stream, the flow, the current, the cream

in a dime coffee at the drug store on the corner

the rounded-corner, in a square-cornered town,
the most right corner of the twelve that quarter what it was

Punctuate, wait, imagine you read ancient Hebrew or Greek and there
are no dyer diacritical's who can twist one's
end tensions into knots

dread extensions, we could sell those,
is that an idea? did somebody
sell white folks dread extensions and black folk dolly pardon wigs?

Did that happen the real real?

-----
Battlefield Earth, oshit
scientology ology ology ology

allaye allaye outs in free

WE we wee every we you imagine you are good in, we

We have a war to win again, we heroes rolling from your
myths of Sisyphus torn from minds trampled
in the mud beyond the Rhine,

Mushrooms. magi are aware, you are aware, of course,
this course includes Basic Mycelium Net Adaptation or Augmentation
BMNAA, eh? So you know.

Camus and many of his ilk were ill-treated, the questions
they asked were memorized, maybe in our cribs ala
Brave New World.

We are all Alphas, always were, of course, you know.

Shall we imagine

more? Re-legare, eh, sistere. Point .(Back to the top.)

or agree? Make peace.
Practice, like Eazy-Bake,
the cook must swallow the first bite. May the best cook win.
A continuing examination of opposing forces when good is the goal, who could be against that? The old word war is festering, inflaming evil to start a try, therefore,  I whet the edge and swing wide
Megan Feb 2013
The bass was here.

I remember
late nights,
phone pressed against my cheek.
Your whispers lit my soul and I awoke.
I saw myself in your smile,
heard my voice in your heartbeat—

but found the strength on my own.
I needed to believe you.
You liked being needed.

But here I am,
digging up flowers
amidst headstones— I couldn’t let this rest.

But there you are,
a wandering tourist just looking for a home.
And I, a speed bump.
You tripped—
while trying to catch the Sun.

I’m sorry my attractions weren’t worth capturing.
You were too scared to use the camera slung around your neck—
what if you dropped it?
Well, it broke anyway.

I gave you too long to be honest & overstayed my welcome.

The bass was here.

We live in different worlds, but found each other in our past.
You liked Woodrow Wilson,
                                                             I should have known it wouldn’t work out.
I found myself in poetry
                                              

                               you taught me that.
Couldn’t you see I was new at this?

You didn’t want to repeat history—

you never gave me a chance.

Time tables turned— turn tables over time.
You twisted your essence to fit my definition—
                                                               you

                                                               loved
                                                            

                                                                how

                                                                 this

                                                                 felt.
To finally be on the other side.

The bass was here.

Your lies became the music I danced to, alone in my room
I loved how we sounded together.
But I never listened to the lyrics
space,

                                     time,


less.
The bass was here.
I didn’t mean to make you leave.
The base was here.
You
were
here.

Word is bond, but your words
left me bonded. Blinded.
Like my horoscope— I used to believe in you.

[Hi(s]tory) changed when the planets aligned and she became
i
l
   l
     u
       m
          i
            n
              a
                t
                  e
                    d.
His home.


History still repeats for me.

Distance played a part in this equation—
       you never let yourself get close.

But you got close enough to save me.

The bass was is here.
It just sounds different now.

— The End —