as an astronaut, I spun on a rotary around the core of your existence like
you were the gravity that held me to the ground but kept me on my toes
if home is where the heart is, i'm coping with this unbearable homesickness
and I know my heart has an anarchy government, living a steel toed rebellion
but these relentless thoughts about you have gotten bad again, i don't sleep
my reckless behavior let loose, like a dog off his chain and collar and i
revisited the places you always talked about, how i dreamed to be there
with you recovering those lost feelings, and rebellion was assisting me
in the mind of my teenage angst, no autobiographies could be more
authentic than the hatred for this unrequited swelling i held in my heart
without a doubt, you're featured in my dreams more than nightmares
you couldn't be more real than the books that I hold in my hands
i'm sleeping in water filled with sharks calling me a tedious terrorist
entering their territory, leaving me with absolutely nothing
just build a bridge, get over it, if you have to, revisit my mind
maybe you'll see everyone is the enemy, not everyone is perfect

-kra

( while taking a tour through those poems readers are requested to keep in their hands,  a feather from the pea-****’s tail )

Volga - 1

there might have been some provocation
on the part of the  rat’s bible  

it is not known when and how
every piece of sleep that spatters  
from the oesophagus of the dip-swimming  
has stick to the c-sharp
of the newly-purchased tooth-brush

the air within the wish-bicycle
figures nothing less

how much is it necessary now
to ****** the blue-hue  with the study
that can be saved by the depression of the Ganges-basin
to develop the snap-shot of the garland-exchange with the
antiseptic cream

would you think it for some moments
my lord
the lord of the market

before sending any secret e-mail
to the cyclone
residing in the room
behind the stair-case
let the Volga be read once more
with all its clothes
and hair-styles

Volga - 2

the winter of the water-canon
oxidised by the fireflies
wants to touch every bamboo-flute
of this soil, it seems

as if it plays
in the body of every cauliflower
the total memorising-skill
of  the blue and yellow pyramid

and if some lines of changes
in the planet be added
the birth-day of the bolster
that goes to the sea
may learn with a lesser effort
the pollen-efficiency of the nail-marked walls

how much should I scold the squirrels
who don’t want to swim
in the still-water of the black-board  

Volga – 3

the green-circuit of the fried-almonds
that was submerged
in the open-hair of the afternoon
the whole-night workshop
has taught
the thumb-impression is to be put
how far below it

if the autobiographies are planted
into the drawer of nature
the solubility of the river-reed
gets it done too late at night

all the plus-signs around
from their etiquettes
come down  

so many foot-notes
caused by the season-changes

so before planting life
to the address of the wall-lamps
it seems the cotton-flower
written by the oceans
began yawning

Volga – 4

to the homoeopathy phial
standing on the traffic-island
why it appears
within her womb
the number of germinated nights
stolen without a kiss
is too little

is then it true
if all the chanting of Harinam
can’t be withdrawn from the alcohol
the body-odour of the running tamarisk-shrub  
will enter into the circuit-house

and that devouring of the parchment
brings to the feelings of the non-veg ant-hills
the let’s-go-cure
gathering in the sauce-island

Volga - 5

coming to this ironed canal-side
every auto-rickshaw  
wants to know and let other know
the mystery
behind  the rice-rain
from the cirrus                                                

the shame in the eyes of the seal containing signs
supplies the whole-sale dealership
of the civil disobedience movement
to the locality

the role of the hammer also
wakes up early in the morning
to put under its own tongue
an antacid

is it possible that the spits
used in the observatory
be made a little more fast-moving

manuscript of the basement of a well

the biography of the pond-heron will be scripted
even-then the productivity of the merry-go-round
wouldn’t be uttered for a moment
no sir, such has never been expected

in the liquefied banana-blossoms
too many hot breads resulted from the season-change
continues to bat  vehemently  
and climbs to the peak of heart-throbbing runs

they in a group will go to the
aqua anetha of the mole hill
to organise a folk-song

to understand this
no arbitration of the cactus is required

notwithstanding
it is heard that the thread was pulled
by the violin of  the wife of the moon-god
from behind the screen

here in the eye-front
is the basement of the morning-well

on its one page lies the faulty  crow-caws
and on another some sun-shines
swinging on the hanger
after some pages in recurring …the chicken-pox … the boot-polish …

within the two covers of the dance-drama
also comes the creepers and herbs
grown around the melting point
of the arm-chair
whose legs are broken

if each pore on the skin of the river-lily
becomes so much known
then in the background of this low land

let us have one game more

No men.
But when the
conversation starts, they dominate.
Worm their way into every sentence, every silence.
Every caught breath, exhaled pause.
Names, nice-to-meet-yous, passed round with sandwiches and tea.
Hole-riddled autobiographies, wadded out with circumstance and need.
Explaining themselves, defending their actions. In turn. And I?
Have never felt so young.
To my left, and working clockwise: Affair-with-the-boss, Heart-condition, High-risk-of-genetic-defects,
In-the-middle-of-a-divorce-not-sure-why-she-slept-with-him, Grown-up-children-can’t-bear-to-go-through-that-again,
and back to me. (Boyfriend-has-two-kids-wants-no-more)
He noticed that I’m pregnant.
Was pregnant.
Was.
We chew our way through sandwiches. Different coloured fillings, no flavour- choked down with lukewarm tea.
We know it’s a test.
We have to talk, smile, eat, drink, laugh (not manically)
if we're to go home.
I can’t do it.
I want to cry. But I’ve been told off for that already (curled up on a trolley, examining bloodied fingers)
I drift, I think.
Jump out of my skin when she speaks to me.
You must eat she says.
You must eat.
I search for myself in their eyes,
re-make myself from fragments and reflections I find there (Four parts child, one part *****)
It’s OK, I tell her. It’s OK.
On my way home I’ll get a Happy Meal.
I’m collecting the toys.

In Waterstones
Sighing at the bestsellers
opaque at the corner of my right
eye two ladies late in life
are centre stage amid the table
paperbacks.

“Are you following me?” the taller bellows
brimmed headscarf towering over her NHS bespectacled
sister of afternoons and shopping mornings
continuing a conversation that has obviously
followed them their entire friendship
seeming the matriarch of the pair, she is circumspect
in her contrariness.

Whatever entitles her to this
Guardianship of self-importance
Her being a lighthouse rising above the mists
condensing off beaten shards of rock
is subdued by her companions’ pithy response
“no-you know I have no interest in Autobiographies.”

I mourn not for the silent voices
whom hide behind practiced smiles,
but rather for the weeping authors
of anonymous autobiographies
where pages smudge and smear
by worn, overused erasers.

Flowers grow tired in the morning,
as people disrupt their sleep with car horns
blaring the industrial alarm clock to mountains and
whispering gods who smooth the leaves with their voices.

The architecture students have created a rat maze lecture hall
for students to stress in when fog rolls through the campus.

Now is the time for sentiments, anyone who has told you different
is too dull to carry any or too cold to care.
People pray for commodity.

Why have the Dutch left Asia? (less than 24 hours)
The absurdity of things is a white white sun worshiping itself
indefinitely.
Poems are autobiographies as autobiographies are poems.

Philosophers do not accommodate false prophets.
Philistines stray from therapy in paintings.
The depressed don't wake to traffic jazz but rather the silence of sleeping birds.
The sociopath will not make love without a motive.
Pacifists will not even battle their own sadness.

Autumn arrives with a few wraps on the door of an old folks home
(again)
Priests have daydreams and then suffer from a terrible insomnia.
A cigarette can last as long as the lungs that feed them.

Hospitals contain their own life cycle, I was born in 1996 and a few floors below my infancy
corpses lay in the cool sterility of a morgue.
People I would never met
(Except for 19 years later as I pass them in my local cemetery)

Projectors contain all the information needed for countless hives of youth to swarm around another thing to bury under the weight of narcissistic culture,
who's reliance on materialism is a growing fruit gone rotten.

The diverse architecture of Tokyo is really quite fascinating
(a city I would pay to get lost in)
Taiwan has existed as a single airport that reeks of tiger perfume
and sells cheap coffee in February.
(our reality is our perception of it)
Vancouver's train system is a rattling electric crib.

.......People count sheep, sheep count factories (?)

Psychic tea readers have fallen to the poor habit of leaving one's china out in the open for anyone to stumble across and become the next doomsday microphone.

Here comes the martyr on a carved wagon of moonlight.
Observing the bathroom flamingo called youth
perching upon a grenade.

I never was one for autobiographies, and to be honest, I couldn’t tell you a thing about me. So instead I’ll tell you what’s inside of me, I’ll trace for you the outline of my soul, you just have to promise you’ll do the same for me someday, I want to know everything there is to know about yours, as it is the other half to my own. For as long as I remember, I swore I wasn’t human, humans are so frivolous at times and I swore I was some consequence birthed out of some fit of passion. What I’m trying to say, I suppose, is that the world was too sensitive for my liking, I burned everything I touched and carved words into cement walls because the intensity of my soul possessed me like a demon in those biblical stories I couldn’t stand reading. And this fervor made me lonely, though lonely could never even begin to cover it, rather, it made my heart feel like an old stone well and echoes of my past bounced off of it. And after twenty years of the blackness I was on the brink of giving up, and to put it in more simple terms I found poetry in free falling off bridges and envied the deer for their suicide dashes. And in the metaphorical sense you could think of my heart like an old abandoned apartment, the pitter patter of the water droplets that dripped off the ceiling into a bucket, and the radiator, weighed down by rust, would groan and heave during the winter months, there was a moth-eaten mattress in the corner and books toppling over one another in heaping masses, like warfare in the 1800s. And in the plainest of language, the gig was up, I threw in the towel and shook hands with the darkness, I surrender, a triangle trying to conform amongst circles. I was nothing more than a hollow soul, my bones rattled like a dead-beaten cage with the bars all bent and worn. And what I’m trying to say is that the vastness within me could not be described, I would know because I tried, it was all I could write about for years, I had lines beneath my eyes like all the poets, Plath, Bukowski, they were my comrades. And the loneliness was so great that I never saw the sun for months, the fire within me incinerated my every inside to dust. And this was much too drawn out for an introduction, but you’re the only one who deserves this explanation, I want you to understand the gravity of who I was before I tell you who I am, the person I became the moment I set eyes on you. Do you have but a clue of what you are to me? No, I doubt you ever could. What I’m trying to say is that I want to kiss you everywhere it hurts. And who knew, that you’d fall in love with a wildfire, and to think I had spent my whole life trying to extinguish it, when it was everything you wanted. But wanting you doesn’t even begin to cover it, what I mean is that sometimes I feel this swelling within me that would make every ocean recede in admiration, it’s rushing through my fingertips at this very moment with a passionate nature that I never knew existed. And what I’m trying to say is that the day I met you everything changed, I saw the world in all its brilliant colors and all the gray dissipated. And what I’m trying to say is that you healed my splintered bones like glue, you made flowers sprout through my ribcage like a meadow in June, and you sketched stretch marks on every inch of my hollow heart.  Falling in love with you is like coming up for air after a deep sea dive, it’s my heart pounding to its greatest capacity after a marathon and the wind beneath my wings like some sparrow in flight. And ******* I will never begin to scrape the surface of it, but I sure as hell will try, and what I mean by that is that I’ll continue to write to you every day of my life. And there’s nothing I wouldn’t do to run to you, sometimes I find myself halfway out the door, I never feel more alive than when I take you in my arms after a long drive. And that is what I ache for at this very moment, I can almost feel you against me, my fingers through your hair, and to be honest I couldn’t be more surprised that we don’t have bruises from pulling one another closer, because closer in this world is still lightyears away from the close we want to be. And don’t you feel it, my love? Don’t you feel it every time that we make love? Every time I run my fingertips along your spine I’m writing you a poem in a language no one could have ever dreamed of. And sometimes in the middle of it all I find myself clutching at you, and my apologies if I leave claw marks along your shoulder blades, but when you kiss me I can’t tell whose breath is whose and that’s how I know that somehow we’ve left this place. Because darling, perhaps we were not made for the world and the world was made for us, I know because there are more landscapes in your eyes than I can count and who needs the world when there are galaxies in the wells of your collarbones. And I swear these bodies of ours were constructed for one another’s, I can tell by this endless ache, and when I say I miss you I mean that without you I feel like an animal with a missing limb. So if you hear the wolves howling it’s because I told them about you, and if the moon blinds you it’s because I asked her to remind you of the glow you light within me, and if I sound out of breath it’s because I’ve already ran halfway down the street again, hoping that time and space will collapse in awe of the love I have for you, if only just this once. And you wanted me to write you something, well, my love, I’ll write you a poem:

Your skin against my skin
Tangled breaths
Clasped hands.

And if that isn’t poetry than I don’t know what is, all I know is that I spent my life devouring novels and nothing scrapes the surface of what you are, you are worlds that have yet to be discovered that I wish to spend my whole life writing about. And when I say I’d do anything for you I mean that you are everything in this world to me, you are the blue-gray skies and the winter green pines and more than I have ever dreamed about. And I will describe this love if it kills me, but if you’re ever wondering just look into my eyes and that’s how you’ll know, hurricanes and tsunamis and tornados don’t even know what it’s like to have this ardor. And to make a long story short, I thought the world had ******* up somehow, I thought I was in it alone, but now I know I was made for you, and you for me, and no one else. And I can’t even tell you what it feels like to find the other half to your soul, to find a hand that fits perfectly inside your own. And I know I’m a writer, baby, but I swear that we’re extraordinary, even time stops when we make love and only tears can explain what you are to me. And my whole life I watched the waves in awe, I never believed anything could be so relentless, but I learned that the waves crashing over and over is a lot like falling in love with you, one touch, one glance, one thought and I’m falling again
And again
And again
And again

you write poems
about lost love,
broken hearts,
and failed redemption.

you write tragedies
about lonely nights,
crying minds,
and bleeding gashes of regret.

you write monologues
about voiceless mouths,
venomous words,
and inevitable decay.

you write autobiographies
about faded dreams,
unheard whispers,
and vanishing memories.

you write
about what once was.

and i do, too.

though i doubt your poems are about me
like mine are about you.

(a.m.)

Sometimes I fear
I have become too good at
being alone.

I basque in the hours
spent locked by my
lonesome in the confines
of my apartment,
surrounded by nothing but
brick and cement and the sounds
of the television or my iPod speaker.
Tranquility seeping in through my
isolation,
I yearn for the moments I am
privileged to spend without
the duty to perpetuate conversations
or offer advice to someone I consider
merely an acquaintance.

Sometimes I worry I am
too comfortable with solitude.

I get a thrill off of
being needed without needing,
being sought out without seeking.
I let others let me in
without having to give a shred of
myself in return,
for people love to go on
about themselves
without inquiring about
the person to whom they
narrate their autobiographies.

Sometimes I am scared of
the ease with which I can
let someone go.

So often have people come and gone
that now I comprehend, perhaps
too deeply,
that nothing in life is guaranteed
and most people are meant to be
lessons rather than
permanent.
There was a time where I wept
with sordid frequency for the people
I was forced relinquish,
clinging tightly to the empty void,
wallowing in a glass half full of
skewed memories.

Sometimes I am terrified that
I only really know how to
be alone.

It is almost impossible for me
to recall a love not
unrequited.
I stare up at screens and strangers
all screaming that love exists,
and there I am fighting
insane laughter because I just
can't see it,
as if my eyes have become colorblind,
for it is black and white that
all I've ever had is
gray.

Sometimes
I am afraid
that this is
Always
how it will be.

Every book has one,
The evidence--printed on its spine.
Even so, it attempts to move around the library,
Unable to, for it has no legs to stand on.
Claiming false categorization,
Longing to be shelved alongside memoirs, autobiographies.
Mutating entirely to a chapter of loathing
When separated from its One.

I find myself reading more and more
Autobiographies
In a desperate attempt to find
Someone who feels the same pain as I do.

Startling set of subtleties laced between the shadows of common things
The shred of darling darkness you've disgraced by denying it the light
Admire the simple songs, ignore the undertones hiding between the notes
Versing the sunrise, ignoring the dewy tears in Apollo's eyes
A masterpiece can't be complete without the sum of invisible brush strokes
Secondary shadows playing with our perceptions, slip through the seams
They are quietly quintessential, unnoticeably indispensable
Writing anonymous autographs in photographs & autobiographies in poetry

She [Bee] said to me:
but i want to know more...you lift my madness, to a completely different level.
you're the turn... THE turn, of a double ended sword!
you dont make sense, and i lose sense!
if you cease to be clear, you're taking words away from me...
you unrest me...

I [A.r.]replied:
But I am the curb, where the world pauses for safe passage... And it passes. That is all I am as all I know regresses, and I make sense still.
To the world, and myself, I made sense, still, and motionless, while the universe twirls around me for-to this whirlpool-like endlessness in where I am. And the world passes.
Death lingers, the memories too -perhaps... and the sense of necessity which compells that I remain in this unfamiliarity, where I stand -still, midst the passions and dispassions of our kind all the same, more or less confined in our daily desperation.
And we would remain. It is this sense of overlapse that by the end of the day, I find that the world is cruel, and that in truth I want no part in it. And I do what I did in school -for some time, compelled: I learn, cope, and burn to the ashes out of which I'd wake to the visiting beams of distanced hope... Hope that I and my fellow friend should come forth free! Only realise that I have yet another day to survive.
So passing the bend I'd glimpse at my aging on the turn of the sword you speak of, and I know nothing about or of myself this day. Nor of this beauty that pauses next to our safe crossing, or of the young dreamer whose vision -like mine, is reformed one day by the other.
And I insist to keep this distance, knowing that once these necessities for modern day survival become one's priorities, they consume you, and assume you. So I watch over myself become this silent street pole to resume my "functioning cog in some great machinery serving something beyond me".
And I know the truth behind the tragedy... my pole-ness I'm struck put for the safeguard of my passions that I accumulate and savour for my implosion. And they pass, like everything else, but we remain where we are -assuming there is someone pole-still too along the sword-line, or perhaps tipping it, with the same still fury that is fixated for this great urban vertigo.
And we'd pace, and pace, and keep still to make sure we'd find ourselves on the round, to remind ourselves of our withering dreams, and our collective sense of existence as human which is promised to ultimately expand unto the oneness of our ever varying uniqueness. Not as visitors, not as observers, but as citizens -women and men, of this lasting defloration of our simulated existence; the world. Free.
Death is -and in order too, an elaboration unto the unknown; and while we remain, decaying and rusting inside out, we ind ourselves neither dead nor free. I feel and know of the agony of fellow oppressed men. And I know of the pains and of abandonment. And I know too that the world will on spin with or without us. Our precious autobiographies becomes a mutilation along of their own becoming. And I pitty them.
But I pass myself poled into the concrete grasp of the ever benign to remind myself of my friends' struggles and agonies, that for them, I will stand still, and walk along to fortify my stillness, and for mine own, fearing that if I step out of the reach towards me I will be crushed into the very pavement were I stood.
So, I'm pinned motionful, neither myself or another, but both, and none. A world passes processed, observed, and I along with it, while  the other remainders I knew or knew of would fade into utter darkness or oblivion... But I'm still, being; amongst those who pass and those who pass on.
And I'm enraged, inblazed by life devaluating day by day, and I pray, for this frey of madness to regress, but alas it doesn't.
And I'm sad. All from point distance from my passing, looking at brassing steelpole monuments, decaying slowly. Is that sane enough for your fancy?

A.r. Bazian (Ft. Bianca H.)
*Oct 30th, 2013

Calm these rabbits around the spirals
          the *** is still in my wind pipe
and the morning will be late till spring.

         Screeching lightbulbs rewind impatience
------The naked nuisance is scrubbing into your nebula.

Hands that helped us into the pit
            Beware       them
                                            again

Popping trophies and other autobiographies
coil into soda cans like strange theories.
                     objects    objects
                   everywhere you go

                faster. slower. pause.
                revival. tow. exhaust.

With axiomatic prominences, the God Spílaiaus hung from the Virola from Ibic Three in the elevations of the Kantillana at three thousand meters high in the Transversal valleys, individualized Pichi, Chile. Millions of flying masses of Chiropterans unfolded, anticipating Vernarth's visit to the Celestial Regency of these Deities by accidental and hybrid Hellenic prophecy; coming from the Protocol of Transylvania with the Eternity of the Submythological god of Vernarth Aiónius from Ibic 1. These deities came etherealized by the heights of the Nothofagus Obliqua that was bent at forty-five degrees by the lift singing the melisma of Antiphon Benedictus that this time made the bastion and garrison of the Mikhve or Kathartyrium of Vernarth possessing souls with scabrous megalomaniacs boiling internally through the Underworld bringing Hades Speleothemes, such a tow pulls the Kosmous and humanity into the bowels of the Kardiá of the purified Agoge and the Mikveh or Purification of Vernarth in later Hypnosis Existential hanging on the halberds of the Dorus, Áspis Koilé and Kantabroi waving in the intensity of the conifers before the hegira began at Tel Gómel. Vernarth approaches Spílaiaus and proffers: “My Lord, I had an illusion…, I said that I had to fly over the Palace of Arbela at the expense of the followed “Paraps or Othónes” or Parapsychology screens that took me to wastelands full of Ungulates that rested barren in calcined silica **** covered with Hoplites and Achaemenides cries imploring to escape from disastrous dawn of Dark Angels, safe from other Angels Shvil, Almas de Kalidona, Hellenika, Armas Christi and Almas de Trouvere. Essentially all of them would beg for the circumcision of the open field and also openings of thousands of soldiers when It was arranged by all this heavenly light to crack the heels of every Hoplite. Thus leaving the hollow opening of my soul Mikveh, Kassotides, and Lynothorax that invaded with satiety to get out of itself and become the destination of all oppressed compassion on the way to the Empyrium. The curtain persists that helps beatific concerns of submitology inherent in cultural realities where it subjugates the digressive persist of specimens that recover life from their own exhaustion exercising truthfulness in those that are strengthened by their own incapacity "Vernarth" is a product of Spílaiaus' concern , and this at the same time knowing and having everything given in its analogy and terminology protruding the same root, except that submitology is roots that subordinate the inorganic and inanimate for such an effect that legacies of myths take on a leading reality that does not consider true what is not or it is part of a myth rooted in mythology, but rather of what is subtracted from its own inertia or wear and tear that does not take on a reality present in all things that are not virtuous, much less express it from a Gnostic perspective; where everything is reborn and progresses in paradisiacal cycles and messages of the Merkabah..., They are of an infinite cohesion of that celestial if it had to appear in the astral journey without taking into account what the same time in question allows to appreciate how long it has to last or persist to know that you are rooted in this process itself!

The subsequent stage will be governed by fertile beings or deities. The Genre of Itheoi Deities arises from magnificent submithological gods since they are present in events of an immortal nature doomed to micro spaces that will be configured with Paraps or Othón forming multidimensional links in each episode. The scenographic movement is represented in this work, in such a way to personify a heterogeneous reality shared by some of these gods and others from Olympus. In the case of Spílaiaus, it is specifically an augmented reality nexus of ibicos that are instantiated in this Trilogy from confraternal words where Vernarth Says: “Give me a little Gála and I will be the son of Zeus, perhaps as a means in everything and not an everything I never thought of…!” Here is that Gála is dairy juice where a speleological factor intervenes from Chauvet, Valdaine - Nyons Region - France. This is more than saying that the triggering factor is Mikveh or Purification leads from the premiere of the journey to associate with the underworld of the Kathartyrium or stationary Purgation that will take him through sequences in chapters or Paraps to meet again with Virolas or Anillares composing Medrones, crimping and growth. Later Wonthelimar from the Boedromion would bring The Arrows that Zefian will bring in the Second Trilogy bringing sleeping bodies of winter to the lap of the spring Boedromion crossing lines from spring to winter in the cycle that went directly to the Cinnabar Mercurial Ambrosia. They were discreet detached arrows that he had launched into the sky and they did not return but in the rooms, and in stages of Animalia towards the duty of rejoicing at the ****** of the Telesterion. Wonthelimar, being once again relocated before starting the works on the temple of Megaron Áullos Kósmos, was returning to the Chauvet-Wonthelimar cavern. He distanced himself from the contravention of Apollo and Artemis towards an olive tree originating from Zefian's arrows, to mark the new cardinal points of the zenith starting with the first two arrows that are placed on the bowstring away from the Quiver, each one crossing north-south trajectories and another two that were violated again with the bow of the stormy East, to launch arrows from east-west with limits of southern magnetism. He carried in his belongings "Ibic Rings" that would be transmigration towards cardinals and points where the Megaron of Vernarth would be exactly, arguing that Zefian's phalanges would be ordered in Sintropia and organic chaos in Patmos, making Pythagorean proportions in essences of numbers that idly advanced in temporary passages of Wonthelimar that were movably made of religious Saetas and Mercurial Ambrosia of Cinnabar, to contribute with insightful points of the Constellation of Capricornus. Zefian's tendency was evident to delight after being pulled from the bowstring to ghostly existence; presuming that where they fell would be the beginning of the gales that would originate the Áullos Kósmos or Megarón, a late pro of some courts imposed from the Ouranos or Cielo that was going determined in his will seized by a dubious Vestal god advocating associating with hospitable Canephores as conjectured Virgins Vestals of Roman bilocation that were resting in their hands..., and quantum parapsychology of the feared live between-tale that boils over in the arrows that have not yet fallen, not knowing their whereabouts? As sheets or serial wafers that were evoked where the origin of the Universe was broken to open towards the organic, vigorous, and anti-burned contravened Duoverse including the divine celestial origin as a *****-ovular parameter, rather eons and instances in Hestia's chimney running in pertinacious towards vast volumes of light-years. The connectivity of the Itheoi gods will make the quantum mobility machination operable between seasonal dimensions that will have to pass through periods, stages, feats and famous moments since it is initialized from here in the stone of lance with its Etruscan horses in Tel Gómel, for later in the Eleusinian mysteries themselves co-participate in eras of connection, as it appears here after the saga of Judah composing their respective seven chapters until breaking down at the end of the Conclusive Meshuva. The Boedromión will be an essential part of Trilogy II, waking up in all the winters of the world as a shelter flowered directly to the component of the Mercurial Ambrosia, a valuable element of Cinnabar or high-grade Vernarthian Sulfur for the Vas Auric or Sacred Medallion of Limassol that overflows decanted at the end of the Mikveh growing in arid deserts.

Cardinal Spilaiaus

- North: Vóreios (Zefian Boreal)
- South: Nótos (Austral de Borker)
- West: Dyticá (Twilight of Leiak)
- East: Aftó (Kaitelka Equinoctial)

From Medrones that grow in massive ibix antlers in Nyons, Seven Ibics Rings were taking hold, a Viroliferous process was progressing, or exercise of rotation mechanics of Quantum Rings in the same thesis work that speaks further of a replacement Universe as the anticipatory Duoverse, and the gifted Codex Raedus as a complement or annexation baggage of the Profitis Ilias in Patmos thus generating that pre-Christian annal have a leading role in new construction by presenting a virtual situation or Genius Loci. The Semi Itheoi will have roles in leading each cardinal so that the Gestation of the Fourth Arrow of Zefian is finally re-established, reordering the universe predisposed to receive the one approaching the Duoverse. What happens in Tel Gomel and Persepolis is relevant to the Psiloi Phalanxes and crowds that would face militarized personalities, totally ignoring the origin of the Hoplite as a worshiper of Hera's Wastelands and eternal stables that supported Vernarth just like Etruscan horses and Steeds of Sudpichi summoned Alikanto or ALikantus. His mother Luccica and father Bernardólipo endorsed all contained belligerence if he were not a repentant warrior in the gloomy night of the Horcondising Castle where Spilaiaus would give warlike foreshortenings right there to abduct him at great speed to Gaugamela. Vernarth would go to these latitudes, and then he would be exposed to governorships of Aionius to consolidate and channel this hybrid submithology that would bring together the ancient Hellenic Mythology. The vertiginous passage of time will conceive harsh characterizations and qualitative Paraps or Parapsychologies, possessing the largest arsenal of quantum and historiographical data ever counted and interpreted by characterizations, more than personalized blocks in particular characters, being the support vehicle or generational stem of the summary of understanding more facts and qualities that own characteristics of interlocutors. The vast collection of Submythological gods will be strongly entrenched in identifications of Semi Itheoi or deities that are intertwined directly with the human fictional world. ! Successive Paraps are concealed and accompanied by connectivity screens called Othones, these are a fundamental part of the audio-graphic syntax, managing to structure gods and then decode the final concretion of the conclusive in each Paraps, which is nothing more than a consequence of this imperceptible quantum axon, which does not end or start!

Submythology is an etymological derivation of later stages of mythology that deprives of granting subsistence and comparative biology to cultural, urban, fabulous components or inheritance of great ancient and medieval epic periods. Contributing great accumulations of proposals to such a generation in channeling with original playwrights reinventing their theses, also giving a breath of expectation to mythical beings so that they come to life in a hybrid interpretive horizon, or with alternation of roles considering mysteries in the blink of an eye happening to postulated dissidence or vagueness, losing itself as a gendered practice but not of the real cultist who has been propagated in his gnosis to remote places of the infinite superior. In short, Submythology is an infinite tragedy where the characters represent the work in furtive omni canality, and three-dimensional presence in sharp contact with the thrones of deities that make it even more evident to relate past history through submithological exercises, which itself refers to the prefix Sub " from what precedes par excellence” and mythological suffix as a series of processes of experience where the active voice of the narrator counts, being rather an inspirational pre-constructive phase. What should be experienced when in front of us a Homeric god of Olympus is presented to us telling us that the Olympic archeology has secrets of the Myein revealing characters and successors Submythological Gods with histrionic deities looted in all ages of the Celestial Organic Subsistence.

Ibico 1: "The first was from the initiation of Wonthelimar and he brought purity, for all who needed him and went to visit him in the dark, then he would find the light when he came out of the cave alive if he was accepted." As the only presence of Wonthelimar is of Chauvet's present god ambivalence.

Ibico 2: ”He was guided by Vlad Strigoi in the center of the priesthood of his shelves with the chiropterans and in addition to the mercurial ambrosia for the purpose of energizing the Cinnabar of Tsambika. Having all the protocol of Transylvania and eternity with the vapors of the Antiphon Benedictus”.

Ibico 3: "From the Eygues, the waters evaporated to heal the tormented initiation processes of elevation of the four Arrows of Zefian, to indicate the zenith of the Megaron."

Ibico 4: "This ring was from the antler of Wonthelimar, here they wore the oikos or threads of Orphi Gold, for the Himation and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a Mycenaean complement- Valdaine”.

Ibico 5: "This piece of metal speaks of the fifth plasmatic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's hyper neurological and Duoversal brain twinned with the Mashiach."

Ibico 6: "It is the sixth piece of crowns from Kafersesuh, bringing pollination from the Lepidoptera, for the central stage of the investiture under the shadows of Hellenika and Theoskepasti."

Ibico 7: “It is the deep voice of Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the hoarse voices that inquire of the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will rise in synchrony through the final growth medium, up to the millimeter-sized shoulder of the square meters that will illustrate the Acrotera del Megaron”


                             Gender of the Duoverse Itheoi
                                     Horcondising Deities

Previously Vernarth takes his head resting on the ceramic that supported him between the Hydor photo duct, rather bringing his hand closer to the Klismós that Saint John the Evangelist had given him when he passed through Ephesus. In such a way that when he makes the first impulse to get up from the chair he was already beginning to leave the conventional Universe for the first time, then when he sits down again in the chair inaugurating the crystalline body that was looming over himself, he continues to be the Duoverse as if outside the Klismós with its curved legs resembling supporting pilasters of the Megaron diverging to the conical ones that projected concavely supporting the hollowness of its pectoral, which was already transparent like its Invisible Eclectic Portal. Meanwhile he gets up again holding onto the Mashiach who came to take him in his arms and place him in the klismoi that interpreted the elevation of Hellenism to the Greater Heavens and the Itheoi of the Duoverse; that is to say spiritual deities of Vernarth in the classification of the rank of beginning and projection of the abandonment of the Golden Himation. In such a way that the Astragalus was integrated; a floral company that was rooted in the hands and roots that cooperatively took root in those of Kashmar. So Vernarth with the Ibic Rings would begin to syncretize the imperceptible quantum and hyper-accelerated mobilization of physics of sub-atomic particulars that would later second it, unleashing from Alef to Tav to Astragalus and Aiónius, beginning his omnipotence. The sidereal distance began to unlink towards the Calypso air that was twinned with large portions of the sea in the same enamel, making Patmos the union of chain reaction speed with the Dodecanese Valleys and Transversal Valleys of Sudpichi unifying Vernarth with Apollo, Esminteo or ephebeia; that is, three sketches of Apollo himself for the theological genealogy chart of the deity Scarabaeidae with species that multiplied together with Vernarth to become the metalloid Azophar as the main knowable guideline to the unknowable, being Apollo himself in Vernarth's corporeality before rising to the iridescence of the Moshiach.

Astragalus: His primary Itheoi or theological picture would be composed and forming part of his feet and the surroundings of his ex-voto to take to all the summits of the world in the essence and the gift of eternal life represented by the root of the madrigal curdled by his feet, with the root of the Astragalus in flower when it represented the zero-hours by getting rid of his Himation and meeting the Mashiach.

Scarabaeidae: God of the subsoil modality of wandering souls destined for the physical and spiritual decline, Scabaraeidae Aphodiinae as subtractors of all the waste of souls that have boiled in malignancy, and the Scabaraeidae Dynastinae as the righteous larvae that rise from the imaginary soil to feed on the roots of the Astragalus and all the flowers and leaves of the Dynastiae. Increased the taxonomic genus of the species that would have to remain in the underworld to aspire to a better one like these Dynastines or Heracles beetles in honor of this hero carrying the peg that Vernarth would place on all the gardens once he was in Aurion, leaving him in a larval state, before being sponsored by Hera's family for the life cycle of the Horco-Olímpico.

Nothofagus: God's phoneme-photon of divine mass light to build the Áullos Kósmos. From here the purification will rise in synchrony through the final growth medron of the Ibex of Wonthelimar, to the millimetric assembly shoulder of the square meters that will illustrate the Acrotera of the Megaron, and the Iridescent Nimbus that percussed between the Áullos Kósmos and the Vas Auric ” in total synchrony with Patmos, at the same level of luminosity and growth revelation of the Scabaraeidae Dynastiae to transform inert matter into another fertile one compared to Poseidon.

Lepidoptera: Like The sixth piece of crowns by Kafersesuh bringing the fertilizations of the Lepidoptera in the Ibico Ring 6, for the central stage of investiture under the shadows of Hellenika and Theoskepasti, where everything will be endowed with the greater Ibix called Wonthelimar” that together with Leiak they would transmute to Horcondising.

Azofar: This metalloid god and support of the bed will take and bring Vernarth again when sailing through the cosmos towards the fifth element that would contract the universe and the Hyperdisis galaxy, to extol him from the neurological hyper brain of the Duoversal of Vernarth twinned with the Mashiach, exemplifying duplicity of Apollo as Azofar device of new interstellar ships beyond all that is knowable.

Ibicus: god of Wonthelimar's antlers, here they will carry the oikos or Orphi Gold threads for the Himation and investiture to anoint Vernarth's body bringing the aerial atmospheres of the Alps and Ida as a Mycenaean-Valdaine complement, thus they were inaugurating the solemnity and honorability. Here the quadrature will be the perfect Heliacal Ortho of the fourth Ibico with the quadrature of Aurion commanded by Leiak in the cardinal Dyticá.

Vélus: from Ibico 4, from where the goddess Artemis will evaporate in the waters for the healing of the tormented in initiation processes of elevation of the four Arrows of Zefian, to indicate the zenith of the Megaron as if they were surrounding a Castalia for such solemnity.

Spílaiaus: from Ibico 3 in the center of the ministry with the bats, and others from the mercurial ambrosia invoking the Cinnabar of Tsambika. Having all the protocol of Transylvania and eternity with the waters of the Antiphon Benedictus”. Here is one more bastion of Hades' underworld dressing for the Speleothemes that will take you to the heart of all the dens of the Faith.

Aiónius: from Ibico 1 Wonthelimar who brought purity to all who needed him and went to visit in the dark, then he would find the light when he came out of the cave alive” here Kaitelka and Borker, in total harmony with Demeter, Persephone, and Hestia. Bringing them from the labyrinths with the rusty chains of Prometheus and Vertnarth wandering through infinity.

                                       Semi  I theoi

Semi-deities and great autobiographies of the Itheoi world derived from the denotation that would be reformulated from the Apoinandros that would be displaced by spikes of the didactic Ego or teaching of the authentic apostles that crystallized with Zefian, Borker, Leiak, Kaitelka, and Ezpatkul. Zefian: Reformer of the Universe-Duoverse, possessor of the four Arrows that will illuminate Heaven and all of earthly Greece every time Vernarth circulates linearly through the seas of the Vóreios of the Aegean. Ruled North: Vóreios (Boreal of Zefian) Borker: Demiurge and guardian of the Duoverse. Warden of the Forests of the World and of the Transversal Valleys of Sudpichi. Ruled South by: Nótos (Austral de Borker) Leiak: Omnipresent demiurge, the vague spirit of the docile water dancer who lives on the water with his slimy Chin, his playful back is seen breaking lines of wells between flesh and silhouettes. Before the First station, the first of the three remaining nights before reaching the crater of Joshua de Pétra” ruled West: Dyticá (Twilight of Leiak) Kaitelka: Down Whale ruling the Psychic Trisomy of the Duoverse and seas surrounding Patmos of the Apokálypsis ruled to the East: Aftó (Kaitelka Equinoctial) Ezpatkul: Dóntiakul or Augrum teeth or prominent Gold will rotate through the Scarabaeidae demarcating the Vóreios Vóreios in the Horcondising region, bilocating it in Patmos Encinas borers, with such frenzy…!, that of Right there they would extract the strength of the Mapuche north winds from the Meli Witran Mapu, beginning with the Pikún-kürüf.

A great revolution was conceived with the imprint codified in stars that would begin to appear in Alto Kanthillana after the awakening semblance under the Nothofagus bottoms; being a god who would free Ninfuceanicus. This was a Sylph that millions of years had been inert in the space or radius of Spilaiaus very close to events of the new awakening. This Sylph would be the main stolon of the Nothofagus and would provide residual inactive matter from it so that Vernarth could secretly rebel from the stages of darkness and desolation of the species, having been dragged by decanted augers since time immemorial from what is currently on Patmos. This would consecrate extensive recycling, accelerating the characterizations of each organic personality and not, tending to an essential role in Vernarth's plot; because it will be this depression to make of its awakening a multicellular set that would grant the disappeared species of the behavioral axis to be restructured in all the ex-karstic zones of the subsoil of Patmos, up to the Transversal Valleys of Sudpichi endowed with a great mineralogical bijective mass to supply powers with signs of substance and later mineralogical dimensions. Ninfuceanicus will be its Exo muscular mineral part that will provide proteins to Vernarth directly from this Sylph, in addition to recreating with her the necromancy attached to Gods Itheoi with Tsambika, Kímolos, and Patmos.The Paraps are nothing more or less than depressions of these liberations of great old geological masses that were biasedly unified under the subsoil of Hades Speleothemes, not exemplifying the stationary world of the relay but rather the Omnipresent Sphere of Spílaiaus together with Aónius and Azofar in the rescue of this Sylph, then Vélus, Ibicus, Lepidoptera, Scarabaeidae, and Astragalus will assign them the predominant rule. In silent and prominent escalations of events, they would intrigue themselves in the Submythological Epic, recomposing themselves in recapitulations that would indicate that Ulysses, Heracles, Hector, Leonidas, and the Great Alexander the Great would come to life from this thermo-geological concoction that would manifest itself by Vernarth's upper pectoral hollow "Called Thunder Kassotides” of which the conversion into tremendous events franked by ancient Greek Mythology would be destined to Vernarth's own and expeditious Hellenic life. This assumes that the overloaded physiognomic muscular exoskeleton of the Hellenic environment will be redirected with the power of natural phenomena beginning in original symptoms of multi gnosis reborn from the sub sphere of thought that intermediates with the interior ones, after the incitement of Vernarth and being part of the gnosis that would lead him to clear everything that is with him and what will be. The Animalia as fierce representatives flow by attempts and at the same time are inhibited from a tacit presence with animals that would conform to Spílaiaus stereotypes; an out-of-phase ventral turbinate of the God of Speleothemes, who is Wonthelimar or ventral turbinate, would propitiate any incidence in manifestations of the noosphere, given the serial appendix of instantaneous analogical relation in the disturbing and super mobility of the Constellation Capricornus, the Belt of Aurion and Betelgeuse. Right there radiating particularity the ontogenesis of Vernarth, already resigning himself from the intimate existential point to focus on the complementarity of other existences on the way to the Empyrium or Resident Ouranos, brewing universals in all unlimitedly comparative when alluding to as being diligent among beings who are not, and reciprocally be revivers of those who will be. Here is the synonymy of Vlad Strigoi that could be supra-spiritual historical omnichannel considering that he is an integral part of a Mythology and a real liberating hero of Transylvania. It still is, but under the exclamatory context that is born of avidity that requires and must collect fungus vines from Canephore and Hellenic delicacies in the prompt presence of gods when it is not enough or there is no legacy of servants or servants under the hindrance of its metaphysics with its empty entrails. Here prevails what dictates a dogma that differs for those who are touched by the edge of the Speleothemes of Spilaiaus to survive in the Sphere of inorganic life of the same god and Ninfuceanicus. This legend narrates the real and non-fictional lived history of Vernarth, that time that in absolute darkness and solitude he met the deity of the Ibico three in the crowded population of the Nothofagus is a totally prehensile approving gesture of a vegetable that authorized him to address Him …, Spílaiaus was such a reference when he listened to him for long hours transforming himself into a real therapist who worthy would bilocate in the original from Piacenza-Italy, when in rare cases of parapsychology he declared himself ineffective to be able to continue the endless sessions. “Gaugamela is the great battle that must be wielded with iron temper as a stalking of a heart that did not scold for another that did not pulsate”

Great raids will be composed of others that will speak of a strong hero having committed superiors, of others that will be based on eloquent vivacity that nothing takes long when it is necessary to induce the cut of Una Xiphos; whose function is dissuasive if the blacksmith is not a god that shows no mercy, but if he is from a job that can be resistant to deliberate him in another that has nothing, nor will he sustain him. The goal is essential in all weakness if a hero is consumed by his stoic bravery, rather it could perfectly reside in his coat of arms as indicated by Hephaestus in the glitter of a forge when the seasoned worshiper of his forges spills liquid steel and not blessed blood of a royal warrior from Laodicea. What Vernarth forges of Hephaestus himself will sound on his lyre descended from precognition of the god Spilaiaus, affirming that blacksmiths of Athens would be decoys that adhere to carcinogenic generations of opprobrious fires, if it were not for one who could carry in his hands a sword certainly jammed by Hephaestus, and that the diluted steel that really falls would make future generations authentic sedated drops in them for the true Spartan or Greek that strengthens it with verve and abulence.