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taylor kathleen Jul 2014
life can deliver unexpected news
the way you handle the outcome is something to choose.

hazel grace was young when she was dealt her fate
cancer consumed her thyroid then lungs, she deteriorated at a slow rate.

she never did give up, even when hearing her mother's sobbing whispers of believing she would die
hazel regained strength enough to attend activities in the literal heart of jesus with the ball-less, guitar guy.

then one day augustus waters appeared out of the blue
blind isaac's friend without a leg and a half smile hazel viewed.

he stared at this sickly teen with compassion and curiosity in his eyes
hazel stared back wondering why anyone would fall for a person that would soon die.

augustus pulled out a cigarette and placed it in between his teeth
a metaphor that could never **** him but brought comfort beneath.

after the lesson he immediately made plans to watch a movie
he drove like a maniac but hazel thought he was pretty groovy.

the time she shared with this new soul was overwhelmingly amazing
the cancer was soon forgotten and their mutual desires were blazing.

she revealed her one kept secret- an imperial affliction
her favorite book and his the price of dawn- max mayhem's adventures became her new addiction.

he loved her natalie portman style, oxygen tank phillip and witty charm
she loved how he never let his cancer make him feel alarmed.

he was on a roller-coaster that only went up, that was his daily quote
hazel felt intrigued by this optimistic note.

she slowly relapsed when water filled her lungs
telling her dream guy to leave this grenade while their love was still young.

after a youth-cancer meeting, isaac grabbed monica's ***** and repeated two syllables to this pretentous ****
and when hazel and augustus listened to "always"- he knew he could never let his new soulmate run.

monica ditched isaac when hearing he would lose his sight
augustus let his best friend break his existentially-fraught free throw trophies and throw eggs at her car with all his pain and might.

phone calls/texts quickly showed "okay" was hazel and augustus' term
this was a word that portrayed their love could always be reaffirmed.

a swing set in hazel's backyard soon brings her to tears
augustus helps her give it to a new family to use for many years.

they fell in love with the way you fall asleep, slowly then all at once
their love grew unbreakable in those shortly shared months.

although augustus knew the world was not a wish-granting factory
he had a plan that he believed hazel would think satisfactory

hazel's dying wish was used in disney, augustus ashamed but still kept his for the perfect time
to see author peter van houten was a dream for hazel and he made it come true- they would see him in amsterdam while still in their prime.

a night in amsterdam hazel will never forget: drinking star-infused champagne and eating decadent food with a boy who wore a suit for the dead
later they shared intimacy and hazel grace left a diagram for her love- augustus was no longer a ****** with one leg and he chuckled at what she said.

the next day they went to see the genius van houten and hazel dressed like ana trying to contain her emotions
turns out he was simply a rude drunk and after calling him "******-pants" they stormed out but the ****'s stewardess came with a kind notion.

she took them both to the house of anne frank
sharing a kiss words cannot describe, they left and gave thanks.

before leaving back to the states, hazel could tell augustus holds back
he finally states the cancer lit his body like a christmas tree and hazel's heart felt attacked.

back in indiana she cares for her dying lover
she finds him trying to buy cigs and infected from his disease, he was trying so hard to cover.

augustus knows he is going to die so he asks isaac and hazel to meet him in the literal heart of jesus, each with a eulogy
he wants to attend his own funeral, hearing isaac crack jokes and hazel thanking him for their little infinity was stated so beautifully.

a few weeks later augustus dies
no energy for living, hazel cannot remove the tears from her eyes.

she did not share her heart-felt letter at his funeral because she wanted their love to remain within each other's hearts
she dictated kind words then was greeted by van houten, finding out his daughter was ana and died from cancer, drinking eased the fact that they would always be apart.

isaac relinquished to hazel that augustus wrote to her before his time ended
van houten e-mailed his writing and her heart was truly mended.

reading his ideology that he liked his choices of who hurt him and he wondered if she did too
taking in this precious letter hazel whipered, "i do augustus, i do".
#tfios #poetry #summerbook #hazelgrace #augustuswaters #truelove
Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
Gossamer Feb 2014
You scared me, Augustus, you really did;
I hate the feeling of smoke in my lungs, and yet
I found myself wishing I was cancer-free
So I could stand with you as you pulled out a cigarette.

But you just held it there between your lips;
It was the epitome of a metaphor,
And I stood there in utter disbelief,
Wanting more and more and more.

And the more I got, the more I loved -
Even your horrid driving (I’d drive with you
Until the end of time, Augustus, it wasn’t your
Time, Augustus, I’ll say it again, “I do.”).

These tears are a side effect of love,
And the fault was in our stars, but someday
We will unite again, Augustus, because our
Love is immeasurable and immortal, okay?
*contains spoilers
*Hazel's POV
*all quotes from TFiOS and belong to John Green
Madisen Kuhn May 2013
i know i am young,
i know i am only seventeen,
but when i think of him
and his incandescent smile,
my heart swells and beats in time
with the cadence of his alluring words

his mind is like no other,
filled with such deep
and captivating thoughts
that flutter from place to place
like a moth, and like a moth
i am drawn to his brilliance

i long to hold his face in my hands
and trace his lips with my fingertips
and when i close my eyes
all i see is the way he looks at me,
as if i’m the one who paints
the summer evening sky

i know i am young,
i know i am only seventeen,
but i think i could spend
the rest of my life searching
and never find anything
nearly as beautiful as
the way he loves me
Tommy Johnson Apr 2014
Winnie the Pooh is trying to think
As are Plato and Socrates
While The Little Rascals get rambunctious
And The Marx Brothers cause calamities
Jim Jones stirs the Kool-Aid
And Georgie Porgie makes his move
Bo Peep and Miss Muffett start to blush
Red Ridding hood just swoons
The Muffin Man does a deal
With Johnny Apple seed
These beings and people our real
In our Surreal Reality

******* lets the paint splatter
And Moses parts the sea
Belushi buys an eight-ball
Bruce is on trial for obscenity
Rorschach is on the case
Right behind Sherlock Holmes
John the baptist goes for a swim
Along with Brian Jones
Jack and Jill meet Hansel and Gretel
They're hungry, they're thirsty
These figments of imagination do exist
In our Surreal Reality

Rasputin was so evil
As bad as Captain Hook
Now was it ** Chi Minh or Nixon
Who said "I am not a crook?"
Mao Zedong looked at Stalin
With a shared murderous grin
Booth stormed the Ford theater
And shot President Lincoln
Kennedy and King we're both casualties
Of the process of the deciphering
Of our Surreal  Reality

Zeus said to Aphrodite
"Wow, you look real good tonight"
And Handel says "Hallelujah!"
As the Wright Brothers take flight
Baby Face Nelson
Teams up with Dillinger
Moe, Larry and Curly
Mengele, Mussolini and Adolf ******
Three bears, three little pigs
Along with three blind mice
Sit together, while Maurice Sendack
Cooks them chicken soup with rice
Charlie Bucket had a buy out
Wonka gave up his factory
Fiction or nonfiction it's all a apart
Of our Surreal Reality

Chicken Little tried his best
To warm The Little Red Hen
Of the sly trickster
They call Rumpelstiltskin
Rimbaud applauds Leonidas
And his 300's final stand
Da vinci  paved the way
For both Newton and Edison
Folklore and war heroes
And those with intellectual mentality
Are all just pieces
Of our Surreal Reality

Wee Willie Winkie's scream
Wakes up Rip Van Winkle
But not Sleeping Beauty who's been asleep for thirty years
But has no acquired a single wrinkle
Caligula has lost his mind
And Nero's lost his fiddle
What does Beethoven's hearing aid
Have to do the March Hare's riddle?
Abbie Hoffman fights for civil rights
Thomas Jefferson for democracy
Products of the conceptual
In our Surreal Reality

Berryman writes an ode
To Washington's wooden teeth
Manson speaks of Helter Skelter
Neruda damns the fruit company
Charles Schultz frames the story
And Seuss gives it rhyme
Some where far, far away
Taking place once upon a time
And the villagers all had omelettes
Thanks to clumsy Humpty Dumpty
It's all food for thought
In our Surreal Reality

Santa brings us presents
And Cupid bring us love
But we can never get back
The members of the 27 Club
Warhol makes his movies
And Buddha meditates
Joseph Smith reads the golden plates
Mohammed and Jesus save
Theses figures bring people hope
In life's dualities
Trusting faith
And our Surreal Reality


Han Solo is in carbon freeze
Don Juan's preoccupied
Sinbad sets his sails
Simple Simon didn't get his pie
Caesar looked at Brutus
Brutus looked at Saddam Hussein
Hussein looked at L. Ron Hubbard
Who prayed to Eloheim  
Dionysus can out drink us all
We cringe at Achilles fatality  
As Ra soars through the skies
Of our Surreal Reality

Aristotle says to Shakespeare
"Well Billy you old bard"
Frodo trades the ring of power
To Fidel Castro for a Babe Ruth Baseball card
Biggie and Tupac write their lyrics on paper
Ted Bundy is put in jail
They're making another skyscraper
For King Kong to scale
Hemingway is too far gone
Kant's take on morality
Einstein says it's all relative
In our Surreal Reality

Churchill said victory
John Lennon said peace
Judas gave back the silver
Then hung himself in a tree
Tojo and Kim Jong-il
Wanna be as cool as Brando and Dean
George Carlin warned us all
Now Hermes leaves the scene
So do the butcher, the baker and the candle stick maker
Followed by Old King Cole and his Fiddlers Three
As they make their way to find
A sense or Surreal Reality

Odysseus pines for Ithaca
Paul Bunyan chops the trees
The Jersey Devil has not been found
Noah herds the animals by twos not threes
Anubis wraps the mummies
And Augustus leads Rome
Bugs Bunny laughs with Pryor
All at the expense of Job
So what can we all make of this
Is this all actuality?
Symbolism or nonsense?
Realistic Surrealism or Surreal Realty?
Alyssa Underwood Jul 2017
by Augustus M. Toplady
(1740-1778)

Rock of Ages, cleft for me,
Let me hide myself in Thee;
Let the water and the blood,
From Thy wounded side which flowed,
Be of sin the double cure,
Save from wrath and make me pure.

Not the labor of my hands
Can fulfill Thy law’s demands;
Could my zeal no respite know,
Could my tears forever flow,
All for sin could not atone;
Thou must save, and Thou alone.

Nothing in my hand I bring,
Simply to Thy cross I cling;
Naked, come to Thee for dress;
Helpless, look to Thee for grace;
Foul, I to the fountain fly;
Wash me, Savior, or I die.

While I draw this fleeting breath,
When my eyes shall close in death,
When I rise to worlds unknown,
And behold Thee on Thy throne,
Rock of Ages, cleft for me,
Let me hide myself in Thee.

~ Augustus M. Toplady
~~~

https://www.youtube.com/watch?v=3qqDJVGPRdg
Pennsylvania, 1948-1949

The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.

Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.

Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.


But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.


Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.


To keep the oars from squeaking in their locks,
He binds them with a handkerchief. The dark
Had rushed east from the Rocky Mountains
And settled in the forests of the continent:
Sky full of embers reflected in a cloud,
Flight of herons, trees above a marsh,
The dry stalks in water, livid, black. My boat
Divides the aerial utopias of the mosquitoes
Which rebuild their glowing castles instantly.
A water lily sinks, fizzing, under the boat’s bow.


Now it is night only. The water is ash-gray.
Play, music, but inaudibly! I wait an hour
In the silence, senses tuned to a ******’s lodge.
Then suddenly, a crease in the water, a beast’s
black moon, rounded, ploughing up quickly
from the pond-dark, from the bubbling methanes.
I am not immaterial and never will be.
My scent in the air, my animal smell,
Spreads, rainbow-like, scares the ******:
A sudden splat.
I remained where I was
In the high, soft coffer of the night’s velvet,
Mastering what had come to my senses:
How the four-toed paws worked, how the hair
Shook off water in the muddy tunnel.
It does not know time, hasn’t heard of death,
Is submitted to me because I know I’ll die.


I remember everything. That wedding in Basel,
A touch to the strings of a viola and fruit
In silver bowls. As was the custom in Savoy,
An overturned cup for three pairs of lips,
And the wine spilled. The flames of the candles
Wavery and frail in a breeze from the Rhine.
Her fingers, bones shining through the skin,
Felt out the hooks and clasps of the silk
And the dress opened like a nutshell,
Fell from the turned graininess of the belly.
A chain for the neck rustled without epoch,
In pits where the arms of various creeds
Mingle with bird cries and the red hair of caesars.


Perhaps this is only my own love speaking
Beyond the seventh river. Grit of subjectivity,
Obsession, bar the way to it.
Until a window shutter, dogs in the cold garden,
The whistle of a train, an owl in the firs
Are spared the distortions of memory.
And the grass says: how it was I don’t know.


Splash of a ****** in the American night.
The memory grows larger than my life.
A tin plate, dropped on the irregular red bricks
Of a floor, rattles tinnily forever.
Belinda of the big foot, Julia, Thaïs,
The tufts of their *** shadowed by ribbon.


Peace to the princesses under the tamarisks.
Desert winds beat against their painted eyelids.
Before the body was wrapped in bandelettes,
Before wheat fell asleep in the tomb,
Before stone fell silent, and there was only pity.


Yesterday a snake crossed the road at dusk.
Crushed by a tire, it writhed on the asphalt.
We are both the snake and the wheel.
There are two dimensions. Here is the unattainable
Truth of being, here, at the edge of lasting
and not lasting. Where the parallel lines intersect,
Time lifted above time by time.


Before the butterfly and its color, he, numb,
Formless, feels his fear, he, unattainable.
For what is a butterfly without Julia and Thaïs?
And what is Julia without a butterfly’s down
In her eyes, her hair, the smooth grain of her belly?
The kingdom, you say. We do not belong to it,
And still, in the same instant, we belong.
For how long will a nonsensical Poland
Where poets write of their emotions as if
They had a contract of limited liability
Suffice? I want not poetry, but a new diction,
Because only it might allow us to express
A new tenderness and save us from a law
That is not our law, from necessity
Which is not ours, even if we take its name.


From broken armor, from eyes stricken
By the command of time and taken back
Into the jurisdiction of mold and fermentation,
We draw our hope. Yes, to gather in an image
The furriness of the ******, the smell of rushes,
And the wrinkles of a hand holding a pitcher
From which wine trickles. Why cry out
That a sense of history destroys our substance
If it, precisely, is offered to our powers,
A muse of our gray-haired father, Herodotus,
As our arm and our instrument, though
It is not easy to use it, to strengthen it
So that, like a plumb with a pure gold center,
It will serve again to rescue human beings.


With such reflections I pushed a rowboat,
In the middle of the continent, through tangled stalks,
In my mind an image of the waves of two oceans
And the slow rocking of a guard-ship’s lantern.
Aware that at this moment I—and not only I—
Keep, as in a seed, the unnamed future.
And then a rhythmic appeal composed itself,
Alien to the moth with its whirring of silk:


O City, O Society, O Capital,
We have seen your steaming entrails.
You will no longer be what you have been.
Your songs no longer gratify our hearts.


Steel, cement, lime, law, ordinance,
We have worshipped you too long,
You were for us a goal and a defense,
Ours was your glory and your shame.


And where was the covenant broken?
Was it in the fires of war, the incandescent sky?
Or at twilight, as the towers fly past, when one looked
From the train across a desert of tracks

To a window out past the maneuvering locomotives
Where a girl examines her narrow, moody face
In a mirror and ties a ribbon to her hair
Pierced by the sparks of curling papers?


Those walls of yours are shadows of walls,
And your light disappeared forever.
Not the world's monument anymore, an oeuvre of your own
Stands beneath the sun in an altered space.


From stucco and mirrors, glass and paintings,
Tearing aside curtains of silver and cotton,
Comes man, naked and mortal,
Ready for truth, for speech, for wings.


Lament, Republic! Fall to your knees!
The loudspeaker’s spell is discontinued.
Listen! You can hear the clocks ticking.
Your death approaches by his hand.


An oar over my shoulder, I walked from the woods.
A porcupine scolded from the fork of a tree,
A horned owl, not changed by the century,
Not changed by place or time, looked down.
Bubo maximus, from the work of Linnaeus.


America for me has the pelt of a raccoon,
Its eyes are a raccoon’s black binoculars.
A chipmunk flickers in a litter of dry bark
Where ivy and vines tangle in the red soil
At the roots of an arcade of tulip trees.
America’s wings are the color of a cardinal,
Its beak is half-open and a mockingbird trills
From a leafy bush in the sweat-bath of the air.
Its line is the wavy body of a water moccasin
Crossing a river with a grass-like motion,
A rattlesnake, a rubble of dots and speckles,
Coiling under the bloom of a yucca plant.


America is for me the illustrated version
Of childhood tales about the heart of tanglewood,
Told in the evening to the spinning wheel’s hum.
And a violin, shivvying up a square dance,
Plays the fiddles of Lithuania or Flanders.
My dancing partner’s name is Birute Swenson.
She married a Swede, but was born in Kaunas.
Then from the night window a moth flies in
As big as the joined palms of the hands,
With a hue like the transparency of emeralds.


Why not establish a home in the neon heat
Of Nature? Is it not enough, the labor of autumn,
Of winter and spring and withering summer?
You will hear not one word spoken of the court
of Sigismund Augustus on the banks of the Delaware River.
The Dismissal of the Greek Envoys is not needed.
Herodotus will repose on his shelf, uncut.
And the rose only, a ****** symbol,
Symbol of love and superterrestrial beauty,
Will open a chasm deeper than your knowledge.
About it we find a song in a dream:


Inside the rose
Are houses of gold,
black isobars, streams of cold.
Dawn touches her finger to the edge of the Alps
And evening streams down to the bays of the sea.


If anyone dies inside the rose,
They carry him down the purple-red road
In a procession of clocks all wrapped in folds.
They light up the petals of grottoes with torches.
They bury him there where color begins,
At the source of the sighing,
Inside the rose.


Let names of months mean only what they mean.
Let the Aurora’s cannons be heard in none
Of them, or the tread of young rebels marching.
We might, at best, keep some kind of souvenir,
Preserved like a fan in a garret. Why not
Sit down at a rough country table and compose
An ode in the old manner, as in the old times
Chasing a beetle with the nib of our pen?
The Naming of Cats is a difficult matter,
It isn’t just one of your holiday games;
You may think at first I’m as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there’s the name that the family use daily,
Such as Peter, Augustus, Alonzo or James,
Such as Victor or Jonathan, George or Bill Bailey—
All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter—
But all of them sensible everyday names.
But I tell you, a cat needs a name that’s particular,
A name that’s peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
Such as Munkustrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum-
Names that never belong to more than one cat.
But above and beyond there’s still one name left over,
And that is the name that you never will guess;
The name that no human research can discover—
But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Effanineffable
Deep and inscrutable singular Name.
Margar Nov 2014
I love you Augustus,
With my heart entire,
It is you,
I admire,
With all my heart.

It may not seem okay,
That you left me to stay,
With my heart broken,
But as you always say,
"Maybe 'okay' will be our always,"
So will be it.
Okay.

This is our token,
For the "third" space I felt,
And hopefully I'll feel.

Tell me, Augustus Waters,
What can I do when all I can feel is loneliness?
This is as if Hazel were saying it.
Nigel Morgan Dec 2012
‘This is a pleasure. A composer in our midst, and you’re seeing Plas Brondanw at its June best.’ Amabel strides across the lawn from house to the table Sally has laid for tea. Tea for three in the almost shade of the vast plain tree, and nearly the height of the house. Look up into its branches. It is convalescing after major surgery, ropes and bindings still in place.
 
Yes, I am certainly seeing this Welsh manor house, the home of the William-Ellis family for four hundred years, on a day of days. The mountains that ring this estate seem to take the sky blue into themselves. They look almost fragile in the heat.
 
‘Nigel, you’re here?’ Clough appears next. He sounds surprised, as though the journey across Snowdonia was trepidatious adventure. ‘Of course you are, and on this glorious day. Glorious, glorious. You’ve walked up from below perhaps? Of course, of course. Did you detour to the ruin? You must. We’ll walk down after tea.’
 
And he flicks the tails of his russet brown frock coat behind him and sits on the marble bench beside Amabel. She is a little frail at 85, but the twinkling eyes hardly leave my face. Clough is checking the garden for birds. A yellowhammer swoops up from the lower garden and is gone. He gestures as though miming its flight. There are curious bird-like calls from the house. Amabel turns house-ward.
 
‘Our parrots,’ she says with a girlish smile.
 
‘Your letter was so sweet you know.’ She continues. ‘Fancy composing a piece about our village. We’ve had a film, that TV series, so many books, and now music. So exciting. And when do we hear this?’
 
I explain that the BBC will be filming and recording next month, but tomorrow David will appear with his double bass, a cameraman and a sound recordist to ‘do’ the cadenzas in some of the more intriguing locations. And he will come here to see how it sounds in the ‘vale’.
 
‘Are we doing luncheon for the BBC men? They are all men I suppose? When we were on Gardeners’ World it was all gals with clipboards and dark glasses, and it was raining for heaven’s sake. They had no idea about the right shoes, except that Alys person who interviewed me and was so lovely about the topiary and the fireman’s room. Now she wore a sensible skirt and the kind of sandals I wear in the garden. Of course we had to go to Mary’s house to see the thing as you know Clough won’t have a television in the house.’
 
‘I loath the sound of it from a distance. There’s nothing worse that hearing disembodied voices and music. Why do they have to put music with everything? I won’t go near a shop if there’s that canned music about.’
 
‘But surely it was TV’s The Prisoner that put the place on the map,’ I venture to suggest.
 
‘Oh yes, yes, but the mess, and all those Japanese descending on us with questions we simply couldn’t answer. I have to this day no i------de-------a-------‘, he stretches this word like a piece of elastic as far as it might go before breaking in two, ‘ simply no I------de------a------ what the whole thing was about.’ He pauses to take a tea cup freshly poured by Amabel. ‘Patrick was a dear though, and stayed with us of course. He loved the light of the place and would get up before dawn to watch the sun rise over the mountains at the back of us.’
 
‘But I digress. Music, music, yes music . . . ‘ Amabel takes his lead
 
‘We’ve had concerts before at P. outside in the formal gardens by AJ’s studio.’ She has placed her hands on her green velvet skirt and leans forward purposefully. ‘He had musicians about all the time and used to play the piano himself vigorously in the early hours of the morning. Showing off to those models that used to appear. I remember walking past his studio early one morning and there he was asleep on the floor with two of them . . .’
 
Clough smiles and laughs, laughs and smiles at a memory from the late 1920s.
 
‘Everyone thought we were completely mad to do the village.’ He leans back against the gentle curve of the balustrade, and closes his eyes for a moment. ‘Completely mad.’
 
It’s cool under the tree, but where the sunlight strays through my hand seems to gather freckles by the minute. I am enjoying the second slice of Mary’s Bara Brith. ‘It’s the marmalade,’ says Amabel, realising my delight in the texture and taste, ‘Clough brought the recipe back from Ceylon and I’ve taught all my cooks to make it. Of course, Mary isn’t a cook, she’s everything. A wonder, but you’ll discover this later at dinner. You are staying? And you’re going to play too?’
 
I’m certainly going to play in the drawing room studio on the third floor. It’s distractingly full of paintings by ‘friends’ – Duncan Grant, Mondrian, Augustus John, Patrick Heron, Winifred Nicholson (she so loved the garden but would bring that awful Raine woman with her). There’s  Clough’s architectural watercolours (now collectors want these things I used to wiz off for clients – stupid prices – just wish I’d kept more behind before giving them to the AA – (The Architectural Association ed.) And so many books, first editions everywhere. Photographs of Amabel’s flying saucer investigations occupy a shelf along with her many books on fairy tales and four novels, a batch of biographies and pictures of the two girls Susan and Charlotte as teenagers. Susan’s pottery features prominently. There’s a Panda skin from Luchan under the piano.
 
These two eighty somethings have been working since 8.0am. ‘We don’t bother with lunch.’ Amabel is reviewing the latest Ursula le Guin. ‘I stayed with her in Oregon last May. A lovely little house by the sea. Such a darling, and what a gardener! She creates all the ideas for her books in her garden. I so wish I could, but there’s just too much to distract me. Gardening is a serious business because although Jane comes over from Corrieg and says no to this and no to that and I have to stand my corner,  I have to concentrate and go to my books. Did you know the RHS voted this one of the ten most significant gardens in the UK? But look, there’s no one here today except you!’
 
No one but me. And tea is over. ‘A little rest before your endeavours perhaps,’ says Clough, probably anxious to get back to letter to Kenzo Piano.
 
‘Now let’s go and say hello to the fireman,’ says Amabel who takes my arm. And so we walk through the topiary to her favourite ‘room’,  a water feature with the fireman on his column (mid pond). ‘In memory of the great fire, ‘ she says. ‘He keeps a keen eye on the building now.’ He is a two-foot cherub with a hose and wearing a fireman’s helmet.
 
The pond reflects the column and the fireman looks down on us as we gaze into the pool. ‘Health, ‘ she says, ‘We keep a keen eye on it.’
 
The parrots are singing wildly. I didn’t realise they sang. I thought they squawked.
 
‘Will they sing when I play?’ I ask.
 
‘Undoubtedly,’ Amabel says with her girlish smile and squeezes my arm.
This is a piece of fantasy. Clough and Amabel Williams-Ellis created the Italianate village of Portmeirion in North Wales. I visited their beautiful home and garden ten miles away at Brondanw in Snowdonia and found myself imagining this story. Such is the power of place to sometimes conjure up those who make it so.
Abigail Ella Jan 2014
though said to be golden like that of Eris,
the mores which you so savor are hollow with worms.
your stony statutes, finally crumbling, now
remind me of rose-colored saran wrap:
stretched too thin across the epochs
to bind each lawless Julia at present.
able now to be whole—free from your unadulterated peace,
spun, measured, and cut are your class lines at last.
and so with a sigh of relief so great that it could echo across
all of the Caucasus,
your Ovid, cast away, has returned.
Unrequited Love Jun 2014
John Green made me sad in the best possible way...

So thanks

Augustus,who taught me to love people no matter what.

Hazel,for showing me we are all beautiful.

Alaska,for saying its okay to be a bit mischievous.

Pudge,for proving that you don't have to have millions of friends to feel loved.

The Coronel, for teaching me to believe in myself,no matter where I had come from.

Colin,for my eureka moment.

Both Will Graysons,for showing me is okay to not know exactly who you are.

And every character in Paper Towns,who just made me really happy.

But lastly and most importantly I'd like to thank John Green,because you made my life a better place with your books, and for that I'm forever greatful
I'm so happy I found those books
Ashlei Cottom Jun 2014
You told me I was beautiful,
A cigarette between your teeth.
I raged at the careless gesture,
You laughed and smiled.
The first meeting,
A beautiful metaphor.

A first kiss,
A shared wish,
And the silent love.
A beautiful metaphor.

Happily Ever After came crashing down,
Our demise up in lights,
You held on 'til the bitter end,
A flickering candle in the dead of night.
A beautiful metaphor.

You'll live forever in me.
Augustus and Hazel,
Okay? Okay.
A beautiful metaphor.
A poem about "The Fault In Our Stars"


This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Said Myrtias (a Syrian student
in Alexandria; in the reign of
Augustus Constans and Augustus Constantius;
in part a pagan, and in part a christian);
"Fortified by theory and study,
I shall not fear my passions like a coward.
I shall give my body to sensual delights,
to enjoyments dreamt-of,
to the most daring amorous desires,
to the lustful impulses of my blood, without
any fear, for whenever I want --
and I shall have the will, fortified
as I shall be by theory and study --
at moments of crisis I shall find again
my spirit, as before, ascetic."
Hannah May 2013
There was a point
when i knew that i
was going to die.
And at that moment
i couldn’t help but
think of Hazel
and infinities
and breathing
and death.
I recalled the day
when hazel was sat
next to me and we
talked about
infinities. How
between one and
two there are many,
and even more
between zero and
two. Now, i can’t
help but think:
breathing is our
largest infinity. Like
the numbers between
one and two,
breathing never
ends. But like the
person who
eventually stops
counting the number
between one and
two, my lungs get
tired. And
eventually, they too,
must
stop.
Midway upon the journey of our life
I found myself within a forest dark,
For the straightforward pathway had been lost.

Ah me! how hard a thing it is to say
What was this forest savage, rough, and stern,
Which in the very thought renews the fear.

So bitter is it, death is little more;
But of the good to treat, which there I found,
Speak will I of the other things I saw there.

I cannot well repeat how there I entered,
So full was I of slumber at the moment
In which I had abandoned the true way.

But after I had reached a mountain's foot,
At that point where the valley terminated,
Which had with consternation pierced my heart,

Upward I looked, and I beheld its shoulders,
Vested already with that planet's rays
Which leadeth others right by every road.

Then was the fear a little quieted
That in my heart's lake had endured throughout
The night, which I had passed so piteously.

And even as he, who, with distressful breath,
Forth issued from the sea upon the shore,
Turns to the water perilous and gazes;

So did my soul, that still was fleeing onward,
Turn itself back to re-behold the pass
Which never yet a living person left.

After my weary body I had rested,
The way resumed I on the desert *****,
So that the firm foot ever was the lower.

And lo! almost where the ascent began,
A panther light and swift exceedingly,
Which with a spotted skin was covered o'er!

And never moved she from before my face,
Nay, rather did impede so much my way,
That many times I to return had turned.

The time was the beginning of the morning,
And up the sun was mounting with those stars
That with him were, what time the Love Divine

At first in motion set those beauteous things;
So were to me occasion of good hope,
The variegated skin of that wild beast,

The hour of time, and the delicious season;
But not so much, that did not give me fear
A lion's aspect which appeared to me.

He seemed as if against me he were coming
With head uplifted, and with ravenous hunger,
So that it seemed the air was afraid of him;

And a she-wolf, that with all hungerings
Seemed to be laden in her meagreness,
And many folk has caused to live forlorn!

She brought upon me so much heaviness,
With the affright that from her aspect came,
That I the hope relinquished of the height.

And as he is who willingly acquires,
And the time comes that causes him to lose,
Who weeps in all his thoughts and is despondent,

E'en such made me that beast withouten peace,
Which, coming on against me by degrees
****** me back thither where the sun is silent.

While I was rushing downward to the lowland,
Before mine eyes did one present himself,
Who seemed from long-continued silence hoarse.

When I beheld him in the desert vast,
'Have pity on me, ' unto him I cried,
'Whiche'er thou art, or shade or real man! '

He answered me: 'Not man; man once I was,
And both my parents were of Lombardy,
And Mantuans by country both of them.

'Sub Julio' was I born, though it was late,
And lived at Rome under the good Augustus,
During the time of false and lying gods.

A poet was I, and I sang that just
Son of Anchises, who came forth from Troy,
After that Ilion the superb was burned.

But thou, why goest thou back to such annoyance?
Why climb'st thou not the Mount Delectable,
Which is the source and cause of every joy? '

'Now, art thou that Virgilius and that fountain
Which spreads abroad so wide a river of speech? '
I made response to him with bashful forehead.

'O, of the other poets honour and light,
Avail me the long study and great love
That have impelled me to explore thy volume!

Thou art my master, and my author thou,
Thou art alone the one from whom I took
The beautiful style that has done honour to me.

Behold the beast, for which I have turned back;
Do thou protect me from her, famous Sage,
For she doth make my veins and pulses tremble.'

'Thee it behoves to take another road, '
Responded he, when he beheld me weeping,
'If from this savage place thou wouldst escape;

Because this beast, at which thou criest out,
Suffers not any one to pass her way,
But so doth harass him, that she destroys him;

And has a nature so malign and ruthless,
That never doth she glut her greedy will,
And after food is hungrier than before.

Many the animals with whom she weds,
And more they shall be still, until the Greyhound
Comes, who shall make her perish in her pain.

He shall not feed on either earth or pelf,
But upon wisdom, and on love and virtue;
'Twixt Feltro and Feltro shall his nation be;

Of that low Italy shall he be the saviour,
On whose account the maid Camilla died,
Euryalus, Turnus, Nisus, of their wounds;

Through every city shall he hunt her down,
Until he shall have driven her back to Hell,
There from whence envy first did let her loose.

Therefore I think and judge it for thy best
Thou follow me, and I will be thy guide,
And lead thee hence through the eternal place,

Where thou shalt hear the desperate lamentations,
Shalt see the ancient spirits disconsolate,
Who cry out each one for the second death;

And thou shalt see those who contented are
Within the fire, because they hope to come,
Whene'er it may be, to the blessed people;

To whom, then, if thou wishest to ascend,
A soul shall be for that than I more worthy;
With her at my departure I will leave thee;

Because that Emperor, who reigns above,
In that I was rebellious to his law,
Wills that through me none come into his city.

He governs everywhere, and there he reigns;
There is his city and his lofty throne;
O happy he whom thereto he elects! '

And I to him: 'Poet, I thee entreat,
By that same God whom thou didst never know,
So that I may escape this woe and worse,

Thou wouldst conduct me there where thou hast said,
That I may see the portal of Saint Peter,
And those thou makest so disconsolate.'

Then he moved on, and I behind him followed.
MB Aug 2013
Dearest Mr. Green,
It was an honor to have my heart broken by you. Your book, The Fault in Our Stars was one of the best recommendations I may have ever crossed. I thank you deeply for all the hours of pure giddiness and tortuous pain that you created in both Hazel Grace and Augustus Waters. However, I do have many questions about Hazel's future: does she ever loose her battle to her cancer? What happened to Augustus's parents soon after the loss of their son set into reality?

Your story honestly had my heart ripping slowly into pieces, the way you described how Hazel Grace and Augustus had crossed paths and went down a beautiful road into the hearts of all your readers... gave me the deepest appreciation of the young fighters of childhood cancers.

As a daughter of a cancer survivor, I've had my fair shares of visiting support groups with my mother while she was going through her treatments. I remember the panic I felt every time she went in for PET scans and Chemo, worrying for any ounce of her body to betray her. Thank you for making the pain and worry of cancer so beautifully worded, and the uncertainty of how quickly cancer can easily take the happiness away from someone.  
Thank you for the hopes given to me when you wrote the heartfelt words, “Some infinities are bigger than other infinities.”

You are truly an incredible soul with a heartbreaking habit of writing books with main characters who tend to die of some serious form of illness. I find you to be both evil yet so perfect when it comes to your stories. You are my inspiration. However, I am slightly upset that AIA is not a real book. It would be quiet a wonderful rollercoaster to ride.

“Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book. And then there are books like An Imperial Affliction, which you can't tell people about, books so special and rare and yours that advertising your affection feels like betrayal”  Yours, could not have put my thoughts onto paper in any more of a perfected way.

Yesterday, you gained a new fan. I adore you as an author and person. I really do.

Sincerely,
m.b
July 11, 2013- I have yet to hear a reply...
Zaynub Jun 2014
comfortable silences
are like a third space
found in the phone calls
of Hazel Grace
and Augustus Waters

they hold their own infinity
with the power of words
unspoken
because nothing needs to be said
in a place of mutual silence
mja Feb 2015
my mother told me
that I should take
great precaution
because some people die
of a broken heart

what she doesn't know
is I would choose
to die
in the most brutal
and grotesque ways possible
over and over again
just to have my heart
broken by
you.

Don't tell her I said that.


-m.j.a
Anais Vionet Dec 2021
(the birth of Christ - in Gen-Z slang)

Mary and Joseph were tight-ship.
Mary was a real-one, and no clout-chaser

One night Angel Gabriel overstreeted with word
that Cap-G made Mary chabby with soup-baby
Mary was shook and big-mad but Joseph
was baby-goggles for Cap-G’s quinlan fetus

so Mary was “okrrrrrrrrr”

A minute later Mary and Joe had to roll deep,
adulting to Bethlehem with tribute to Augustus,
the main character, but no mo-mo swerved em’
ghetto and asan Mary was Cap-G’s baby-mama!

Later these bchaps rfts biters brang Cap-J
some bag and herb to extra flex for Cap-G
while angels lay in the cut with lowkey bop.

———————- translation


Mary and Joseph were married and in love.
Mary was an average girl not into notoriety
.
One night Angel Gabriel appeared and said
that God made Mary pregnant with his child
Mary was shaken-up and and angry but Joseph
Was excited for them to have God’s beautiful child

so Mary was had no choice but to say “OK”

Months later Mary and Joe had to travel far together,
As citizens, to Bethlehem to pay taxes to Augustus (Caesar).
Emperor of rome, but a lack of motels caused them to
Stay in a manger and there Mary had God’s child.

Later these rich star followers brought Jesus
some money and herb as gifts to impress God
while angels gathered and sang to comfort the child.
Tis the season. Merry Christmas! =]
I got a letter from the government
A week back, Tuesday morning
It came in a grey envelope
It was stamped with a red warning

The envelope was tattered
And the words were inked in red
To be opened by recipient
That was all it said

I checked the name typed on there
It was mine, so I could see
John Augustus Reed
Beale Street, Unit 43

I opened it and sat right down
I had been drafted so it said
I had to report on Thursday
I heard a ringing in my head

I didn't understand it all
To me it made no sense
This plain grey mottled envelope
Sent from my government

I followed the instructions
And showed up promptly at the place
Something was asunder
I could tell from the man's face

I showed him my draft letter
Explained, I didn't understand
He looked at it and laughed a bit
This wasn't what I'd planned

He said son, is this you
Are you John Augustus Reed
I told him I'm John Junior
He said that's all the news I need

This letter is a glitch, boy
It wasn't meant for you
It was sent out to your father
Back in nineteen seventy two

Somehow it was mangled
Got lost along the way
Until somebody found it
And you got it on that day

I'm glad you chose to come here
Showed up exactly when it said
But, I think you now can go on home
I think it's best, instead

It's amazing how one letter
And you can take this to the bank
Can fill a man with honor
For that I must give thanks.
kylie Apr 2013
i. at seventeen, i should know that
the world isn't always beautiful and
that life isn't always lovely and
i shouldn't ever change the way i am
for the sake of a teenage boy,
but yesterday augustus told me that
there is something beautiful in death
and in that moment,
i wanted nothing more than to stand
on the edge of a cliff and feel my feet
get swept out from underneath me

ii. i have never seen something as
breathtaking as the constellations that
lit up the night sky. they shimmered
and sparkled in the same way that
augustus' eyes did before he kissed me
and i never had to ask him if he liked
the stars because i knew. they were *****
of old light from dead bodies that
floated around the universe and i hope
that even after i pass that i do not stop
floating around augustus' mind.

iii. when i die, i do not want to be
buried within the cold ground because
even though the earth is enchanting
and i wouldn't mind becoming part of it,
i do not want augustus to forget me.
i hope he scorches my body with the flame
that burned in our hearts for
so many years and that he keeps me
on the nightstand so that he will
be able to wake up every morning with
a smile on his face because he would still
be waking up to what he had once said was
the most beautiful thing a person
could wake up to.
007
lkm Aug 2014
(n.)
a nostalgic longing to be near again to something or someone that has been loved and then lost


January //
Your smile makes flowers grow in my lungs and I'm too busy taking care of the garden, pulling the weeds out for the flowers to live and bloom, I forget I need to breathe too


February //
They say addiction is a habit; kisses are drugs but your lips are rehabilitation and I keep coming back for more sessions because I need it; you're my "personal brand of ******"


March //
I write symphonies about the way a single touch from you defines the revolution of the Earth but I was wrong; it actually defines the whole galaxy


April //
My eyes are the same hue of empty, vacant, while the ocean is trapped in your eyes; there are more than meet those chocolate orbs, so let me explore every depth of the waters with you


May //
Your voice is the sound of the soft pitter-patter of the falling rain on the window pane after a storm, and the clouds don't hide the sun anymore


June //
I love the smell of books and coffee, especially with extra teaspoons of sugar and a story about looking for a place to call home as I long for the scent of belonging I only get from having you wrapped in my arms


July //
I fell in love with the way every novel I read has pages with traces of your footprints, your mark imprinted in my heart like how one is drawn to TFIOS; heartbreaking and tear-filled but it was true and the love is real, sort of like you and I; I like to think of it like that — you are Hazel and I am Augustus


August //
I don't believe in full-stops, I don't believe there could be an end to this love we have like how there is an end to a sentence; you might not have noticed that there is not a single full-stop here because our story is not ending, I'm not saying goodbye yet, and Augustus has not died yet; please do not leave me
Johnny Noiπ Oct 2018
ጆኒ ፖፕ
ጥቁር ሴቶች ብላክ ጥቁር ሴቶች ብላክ ጥቁር ሴቶች ጥቁር ሴቶች ብላክ ጥቁር ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ብላክ ጥቁር ሴት ብላክ ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ሴቶች ሴቶች ሴቶች ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ሴቶች ሴቶች Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women Women ሴቶች ሴቶች ሴት ሴቶች ሴት ሴት ሴት ሴት ሴት ሴት ሴት ሴት ሴት ሴት ሴት ሴት ሴቶች ሴት ጨረቃ አንበሳ ጨረቃ ሙሉ ጨረቃ ሆቴል በሰዎች ስብስብ ውስጥ, ልጁ ዩጅን ዔሊ ትምህርቱን አቁሞ ነበር. በገጣሚ አንድ ገጣሚን የተፃፈ ገጣሚያን መክፈት: እውነተኛውን አንድነት ያጡ የአይሁድ ወዳጆችን አንባቢ ማንበብ; አባቴ በጣም በሚያስደንቅ ተፈጥሮ, በጣም አስደናቂ ምስጢራዊ ሚስጥር እና በሩሲያ የሜክሲካዊት ልጃገረድ ጭፍጨፋ. [የወንጀል ተጓዳኝ ባህርያት ወሳኝ የመሬት ማእከል ኤጀንሲ እና የባህር ላይ ፍራፍሬዎች] ውሻ ውሻ, ለስላሳ ሽፋን እና ለቅዝቃዜ ከጭንቅቃሽ ጋር, የጩኸትን ቃላትን በመጠባበቅ, የእርሷን የእንክብካቤ እቃዎች የሚጠብቁ የእጅግ ችቦዎች, ለዚህ ዓይነቱ ልምምድ እና ማጨስን, ሳይንስ, ሮቦት, ቤቲ ዛፎችና የበረራ አካላት እና ጭማቂዎች መታሰቢያ ስብሰባ ነው. የጴንጤቆስጤ ክርስትና የኢሳያስ የነቢዩ ዘመናዊ የጠረጴዛ ሠንጠረዥ. ማዕከላዊ መልአኩ ከእሱ ከታላቅ እህቱ ጋር ግማሽ ልብ የነበራቸው የጓደኞቹን ክብ ቅርጽና አድርጎ ነበር. እንደ ጽጌረዳ የሚመስል ዘመናዊ የላቲን አይነት ማሽን-የመማር ልብስ ልብ በሚጥል ሰው ዓይን ውስጥ የተቀረውን የተቀረጸ ወረቀት ለማዳመጥ ይጀምራል. ባዶ የዘፈን ዘፈኖች የህዝቡን የቀብር ሥነ ሥርዓት እየገደሉ ናቸው. የሰዶም ውቅያኖስ የሳዳምን ግድግዳ, የኤቫ ልብሶች, የዴልሞ ጥቁር የስነ-ልቦና ጥላዎች, የቦክስ አሻንጉሊቶች በእውነተኛ እጆች, በወታደር አስተናጋጅ ጠብቃውን በመጠባበቅ, ወሊጆች አንዳንድ ሴቶች ሴቶችን, የሴሰኛ ሴቶች, የሴት የፀጉር ሙቀት ሙቀትን, ጃንጥላዎችን, ጃንጥላዎችን, የሴቶች ንፅፅሮችን ጃንጥላዎችን ይይዛሉ. በጉልበቱ አስገድዶ መድፈር በቆዳው ፊት ቅዱስ ነው; ጣልቃ ገብነት, ዝምታ, ሳንሱር, እና የፕላኔቶች አነጋገር መጨመር በችግር ውስጥ መሃል ላይ ናቸው. ኮርፖሬሽኑ አዲስ እጆቿ, የቧንቧ እቃዎች, ቢኮኖች የተለያየ የተለያየ እቃዎች ሲኖሯት, ብቻቸውን እና የተደላደሉ, ተከላካይ, የተጻፉ መድሃኒቶች "ጨለማ ክፍሎችን ወደታች ይመለከታል." || ጥቁር ሴቶች ብላክ ጥቁር ሴቶች ጥቁር ሴቶች ጥቁር ጥቁር ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ብላክ ጥቁር ሴቶች ሴቶች ሴቶች ሴቶች ሴቶች ሴቶች ሴቶች ሴቶች ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ከወርቅ, ከወርቅ, ወይም ከወርቅ, ከወርቅ, ከወርቅ, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት, ከሴት Moon Lion Moon ጨረቃ ሙሉ ጨረቃ ሆቴል በሰው ልጅ ግድግዳ ላይ ልጅ ኡጂን ዔሊ መማርን አቁሟል. ክፍት ፈረንሳይ የከፍታ በር መግቢያ ሰላምታ በ አባቴ እጅግ አስገራሚ ተፈጥሯዊና አስደናቂ ምስጢራዊ ምስጢር ነበረ እና የሜክሲኮ ነጭ ልጃገረድ [ግብረ ሰዶማዊነት] ጎልማሳ ልዩነት የአካባቢ መከበር የመሬት ማእከላዊ ኤጀንሲ የንብ ቀፎና ፍራፍሬ ዝርጋታዎች ሴት ውሻ, ውሻ ጥልቀት ያለው ሰው ከቅዝቃዜ ጭፈራ, ከጩኸት ቃላትን በመጠበቅ, የሕፃን ክብካቤ እቃዎችን የሚጠብቁ የእጅ ጣት, ለዚህ ዓይነቱ ልምምድ እና ማጨስን, ሳይንስ, ሮቦት, ቤቲ ዛፎች እና የበረራ አካላት እና ጭማቂዎች የዝግጅት ስብሰባ መታዘዝ ያስፈለገው የጴንጤቆስጤ ክርስትና የኢሳያስ ነብዩ የነብዩ (ሰ.ዐ.ወ) ነቢይ የነቢዩ ዘመናዊ የጠረጴዛ ሠንጠረዥ. ማዕከላዊ መልአኩ ከእሱ ከታላቅ እህቱ ጋር ግማሽ ልብ የነበራቸው የጓደኞቹን ክብ ቅርጽና አድርጎ ነበር. እንደ ጽጌረዳ የሚመስል ዘመናዊ የላቲን አይነት ማሽን የሚማሩ ልብሶች የተቆረጠ ልብ በተሰበረው ሰው ዓይን የተቀረጸውን የወረቀት ቁርጥራጮች ማዳመጥ ይጀምራሉ. ባዶ የዘፈን ዘፈኖች የህዝቡን የቀብር ሥነ ሥርዓት እየገደሉ ናቸው. የሰዶም የባሕር ዳርቻ የሳዳምን ግድግዳ, የኤቫ ልብስ, የዲፍሮ ጨለማ የስነ-ልቦና ጥላዎች; የቡድን አሻንጉሊቶች በእውነተኛ እቅዶች, በወላጆቻቸው ድብደባ, አንዳንድ ሴቶችን, የሴቶችን ሴቶች, የሴቶች የሴት የፀጉር ሙቀት ሙቀትን, ጃንጥላዎችን, ጃንጥላዎችን, የሴቶችን እንጉዳይ እፅዋት በጃፓን ያክላል. በጉልበቱ አስገድዶ መድፈር በቆዳው ፊት ቅዱስ ነው; ጣልቃ ገብነት, ዝምታ, ሳንሱር, እና የፕላኔቶች አነጋገር መጨመር በችግር ውስጥ መሃል ላይ ናቸው. ኮርፖሬሽኑ አዲስ እጆቿ, ቧንቧዎች, ቢከንዶች, የተለያየ መልክ ያላቸው ሲሆን, ብቻቸውን እና የተደላደሉ, ተከላካይ, የተጻፉ መድሃኒቶች "ጨለማ ክፍሎችን ወደታች ይመለከታል." ||Johnny Popey's Black Women & Black Black Women, & Black Women, Black Black Women, Black Women & Black Women, Black Women One Black Woman & More Black Women Women Women Women Women Women Women Women, Women, Women, Women, Women, Women, Women, Women, Women, Women, Women, Women, Women, Women, Women, Women, Women of Gold, Gold, or Gold, Gold, Gold Woman, Golden Female, Female, Female, Female, Female, Female, Female, Female, Female, Female, Female, Female, Female, Female Moon Lion Moon Lunar Full Moon Hotel In the wall of humanity, son Eugene, Eli stopped learning. Open French Open Door Summer Greetings John Sky on the Day Free, Day ****, walking time brown, brown. Writing a hometown poet written by a poet: Lost reading readers of Jewish friends who lost the true unity; My dad was dazzling in a dazzling nature, with a mysterious and mysterious mystery, and a Russian rock-massacre of a Mexican maiden [Homosexuality] GOSSAMER & MISCELLANEOUS FURS IN THE AREA OF DEMONSTRATIVE LAND-MACED AGENCY LIVESTOCK AND LITTLE LIPS The female dog a person with a deep breath in a sarong with frostbite dancing, waiting for words to cry, handcuffs guarding her baby care items; a memorial meeting for this kind of exercise and smoking, science, robotics, Betty Trees and Flying Bodies and Fumes Require |Pentecostal Christianity Isaiah's Prophet The Prophet of the Prophet The Prophet of the Prophet; A Modern Table Table. The central angel developed his half-hearted circle of friends from his older sister. Modern-day Latin-style machine-learning clothes that begin to look like roses start to listen to the engraved pieces of paper cut off in the eyes of someone with a broken heart. Empty song songs are killing the funerals of the public. *****'s coastline curtains Saddam's wall, Eva's suits, *****'s dark psychological shadows; real crazy arms of ***** puppets, Geezer waiter waiting for birth, beatings parents' touch some women women, **** women, women women's haircuts warm temperatures warming umbrella, umbrella, umbrellas of reality over women's mushrooms. Under the knees **** is holy before his skin; Interference, silence, censorship, and the rise of the words of the planets are all in the middle of a mess. The corporation has its new hands, plumbing, beacons, differentiated, she's still seated on different streets, alone and stunned, defended, written, drugs "looking down into the dark rooms partially." ||ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ጥቁር ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ጥቁር ሴቶች ሴቶች ሴቶች ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶች, ሴቶችና ልጃገረዶች መበለት ሆኑ. የብልግና: ረጅም ጓደኞች, እውነተኛ አንድነት ለማግኘት ቅኔ ያላወቅኋቸው ግጥም ግጥም, አባቴ የእኔ የተፈጥሮ ግጥም, አንድ ሚስጥራዊ ምሥጢር በተፈጥሮ ዘንጊዎች ነበር; እንዲሁም በሩሲያ ውስጥ የሜክሲኮ ሴት የተጋለጡ. ዜና ላይ ማሻሻያዎች [ሕይወት እና ሚዲያ ለ Media Deep Plan ኤጀንሲ ኤጀንሲ ኤጀንሲ], ለስላሳ ሕብረ መሸፈኛዎች እና ለስላሳ ቲሹ ጥበቃ, ስትሮክ ተዋጊዎች, ቆዳን ፀጉር, እና አንዳንድ ልማድ እና ጭስ አሰባሰብ, ሳይንስ, ሮቦት ለ. የምሽት ወታደሮች, የበረራ ክፍሎች እና መለዋወጫዎች. ጳንጦስ Augustus, ማዕከሉ መልአክ ያለው ሞቃታማው ሰብሳቢዎች ቡድን ተመሳሳይ ቡድን ጋር, እውነተኛ እጅ እኩል ነበር. ዘመናዊ, ዘመናዊ ዘመናዊ የሰው ሠራሽ ፈውሶች ለሽያጭ ለውጦች. ዋና ዘፋኞች ለቋሚ ዘፋኞች. የሰዶምና ጥላ ወደ ኮርቻ ማማ, በ ኢቫና ዎቹ የሽንት, ወደ ጥቁር ድንክ ጥላዎች, እውነተኛ እጅ, ወደ የጠበቃ የህግ ባለሙያዎች, ወላጆች, አንዳንድ ሴቶች ሴቶች, ያላቸውን አዳሪዎች, የሴቶች የፀጉር: ከድሪውም: ጎለዶላ እና የሴቶች ልብስ ናቸው. ጭራው ጀርባ ላይ ነው. በመጥፋትን, ዝምታ, ሴንሰርሺፕ እና እቅዶች መካከል ጣልቃገብነት. ወደ ኮርፖሬሽኑ አቅርቦቶች አዲስ ንጥሎችን, መጠጣት ኮንቴይነሮች, ዕቃዎች, የተለያዩ ዕቃዎች, መድኃኒቶች እና መድሃኒቶች, መድሃኒቶች, "ተንከባካቢ የቧንቧ አቅርቦቶች በማድረግ." ||Johnny Pop
Black Black Black Black Black Black Black Black Black Black Black Black Black Black Black Black Black Black Black Black Black Black Black Black Black Black Black Women Black Women Black Women Black Women Black Women Black Women Women Women Women, women, women, women, women, women, women, women, women, women, women, women, women, Women, women, women, women, and girls were widowed. *******: A Poem of Poetry For admiring poetry for long friends, true unity, My dad was naturally unaware of my natural poetry, a mysterious secret, and exposed to the Mexican woman in Russia. [Media Deep Plan Agency to Agency to Agency for Life and Media] Improvements to News, soft tissue coverings and soft tissue protection, stroke fighters, tanning hair, and for some practice and smoke collection, science, robots. Night soldiers, aviation components and accessories. The Archdiocese of Pontus Ausgustus, the center angel, was equal to the true hand, with the same group as the group of collectors. Modern, modern artificial healing for changing suits. Head Singers System for Head Singers. The ***** Shadows are the saddle tower, Ivana's diapers, the black dwarf shades, the real Black hand; the attorneys' lawyers, the parents, some women's women, their prostitutes, women's hairdressing, earrings, gondolas and women's clothing. The tail is on the back. Interference Between Interference, Silence, Censorship, and Plans. The corporation supplies new items, drinking containers, goods, various items, medications and medications, medicines, "Caregiver by Plumbing Supplies." || Johnny Pop || Black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black black Women, women, women, women, and women were widows. *******: Poets of Poetry For longtime friends, to appreciate the true meaning of the story, Father knew about poetry, a mystery, and a Mexican woman in Russia. [Media Deep plan Agency for Life and Media Agency] The news, soft tissue coverings and soft tissue protection, Irish fighters, haircut and some of the practice and smoke collection, science, robot. Night Fighter, Flight and Parts. Pontus Augustus, with the team of the hot summoners with the same group, was equally authentic. Modern changes to modern, cosmetic cures. Top Singers for Standing Singers. ***** and Gondola are the sockets of Sorgoma, Ivana's arena, black shadows, true hands, lawyer lawyers, parents, some women women, prospective tenants, women's hairstylists, gowns and women's clothing. The tail is in the background. Interference between Silence, Silence, Career Plan, and Plans. Supply to the Corporation's Supplies New Items, Drink Containers, Appliances, Various Goods, Drugs and Drugs, Medications, "Caregivers by Plumbing Supplies." ||

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