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amanda cooper Jan 2012
when the earth makes a complete orbit around the sun,
it is called a revolution.
when people stand up for what they believe in, enough to make a change,
it is called a revolution.
when you save something, preserve it for yourself,
it is called conservation.
when you told me you were leaving and i couldn't come with you,
we held what is called a conversation.
when i followed you across the country, train ticket in one hand and your hand in the other,
it was called love.
when you left me with nothing but a note on a hotel pillow,
it was called hate.
they say a picture is worth a thousand words, but words and pictures, slip-ups and homographs, grammar and literature and math and science,
none of it matters anymore.
none of it matters when nothing is changing and time stands still.
none of it matters when preserves run dry and talking turns to silence.
none of it matters with notes on a pillow that doesn't belong to you, thousands of miles from home.
1/27/12.
Donall Dempsey Jan 2017
ATLASES OF THE MIND

an Atlantic ocean of a sky
clouds creating creatures
from a crazy Book of Kells

all carved from the pages
of the living Now
Mind is an island.
Setting sail on conceptual ships with charts of stars and atlases
only limited by imagination.
We look to the sea and our reflection shows in calm or turbulent waters.
Waves of wonder crest and pause
in the moment when the sea sees it’s reflection in us.
Peering out at the horizon
pondering ways to reach the other islands.
Feelings bloom into language used as planks in our ships.
Taking magic and turning it into science.
Growing into a symetrist seeking balance.
Trying to stay afloat in a jolly boat
to breach interpersonal moats.
But a parched heart wants to get wet.
Eyes turn from where the sun sets
and into the self.
Unflinching, I abandon ship.
Care for a swim?
Deborah Lin Jul 2013
My body is not poetry.
My spine is curled up
into a question mark
from centuries of insecurity
and the weight of the
worlds trapped in my skull.

My thighs are canvases for
atlases, road maps, and
interstate highways that lead to
nowhere. Or everywhere.
They’re big enough for both.

Not when my hands
are the kind that are meant to tremble
not the kind meant to be held.

My hips are not made
for you to skim
your hands over.
They are guideposts:
between (here) and (here)
lies a dreadfully broken girl.

My body is not poetry.
Because it won’t last as long as
dried ink on yellowed, musty pages.
Because it breaks more easily
than the cracked spines
of a beloved, well-read book.
Because it is not something that
soothes the soul and
makes my heart ache all at once.

My body is not poetry.*
Mostly because I’m
just a little afraid
of anybody who would be able
to read me so well
to put me into words.
SANTA'S GETTING OLDER AND HIS EYESIGHT'S NOT SO HOT
HIS MEMORY IS FADING TOO, THERE'S LOTS THAT HE'S FORGOT
LIKE WHERE HE'S BEEN, AND WHERE HE'S TO AND THE THE HELL IS HOME?
AND WHICH WAY IS INUVIK WHEN I TAKE OFF FROM NOME?
THER'S PLACES THAT HE'S BEEN TOO, THAT NOW HE CANN'T FIND
IT'S NOT THAT HE'S FORGETFUL, I THINK HE'S LOST HIS MIND
THE ELVES ALL STAY AWAY FROM HIM WHEN HE'S AROUND BECAUSE
HE'S ALWAYS GOING ON ABOUT THEIR RELATIVES IN OZ
THEY TELL HIM HE'S MISTAKEN AND THAT OZ IS NOT THERE
THAT IT WAS JUST A MOVIE, BUT SANTA DOESN'T CARE
HE SITS AROUND AND MUMBLES AND TALKS ABOUT THE PAST
ABOUT HOW THINGS ARE CHANGING AND KIDS GROW UP SO FAST.
"BEFORE COLUMBUS SHOWED HIS FACE..I HAD THIS THING DOWN PAT"
"I NEVER MISSED DELIVERIES BACK WHEN THE WORLD WAS FLAT"
"THE TIME ZONES HE CREATED WHEN HE PROVED THE WORLD WAS ROUND"
"GET ME HOME TWO HOURS PRIOR TO THE TIME I LEFT THE GROUND"
"I LEAVE AT TWELVE, DO MY TRIP AND I GET HOME AT TEN"
"I CAN'T REMEMBER IF I'VE BEEN...SO, I GO OUT AGAIN"
"WITH ALL THE MAIL THAT I RECIEVE, IT'S GETTING RATHER TOUGH"
"SO LAST YEAR I COMPUTERIZED TO ORGANIZE MY STUFF"
"I DESTROYED ALL MY INFO AND STORED IT ALL ON DISC"
"I LEAPT INTO THE FUTURE AND I TOOK A MAJOR RISK"
"MY ATLASES I TOOK AND BURNED, MY LISTS I RIPPED UP TOO"
"I DIDN'T NEED THESE THINGS NO MORE, NOT WITH MY IPAD2"
"WAY BACK IN MID DECEMBER THE PLUG SLIPPED FROM THE WALL"
"I DIDN'T HAVE A BACKUP, AND SO I LOST IT ALL"
"MY ELVES THEY CANNOT HELP ME, IN FACT THEY SIT AND LAUGH"
"BECAUSE LAST YEAR WHEN I AUTOMATED, I CUT MY STAFF IN HALF"
"IT'S GOING TO TAKE A WHILE, IT MAY BE A FEW YEARS"
"BUT I'LL DELIVER EVERY GIFT WITH A LITTLE HELP FROM SEARS"
"YOU SEE, I'VE GOT A CATALOGUE AND I'LL ORDER FROM THEIR SHELVES"
"WHO CARES IF I GET MY STUFF FROM THEM, OR IF I GET IT FROM MY ELVES?"
"I THANK YOU ALL FOR LISTENING, BUT NOW I'VE GOT TO SCOOT"
"YOU SEE, I DROPPED SOMETHING OFF WRONG AND YOUR GIFT'S IN BEIRUT"
"DON'T WORRY YOU'LL STILL GET IT, JUST CHECK BENEATH YOUR TREE"
"IT MAY TAKE A LITTLE WHILE, BUT I'LL GET IT THERE....YOU'LL SEE!"
aviisevil Nov 2021
the ripe winds
perch upon the threads of
western disturbance

trading through the
vastness of liquid turmoil

flowing and cutting
across the narrowest
of vengeance

that has laid upon
this land flourishing
under a disguise:
of mere nothingness and
certain similarity;

for who knows
what converses with the
frigid north

and talks to the
passes of the mighty
peaks of middle Asia

walking past the grandeur
of the Himalayas, and it's
many ancient towns

where no other
has been of any importance
whatsoever

there in the sweet solace
of solitude and crisp sunrises

i find myself dreaming
of the tranquil winds, and
ancient passageways:

far from Nazareth and
the cradle of men

where the old brick
roads now sleep in dusk

and there's nothing
left to conquer

built upon the spectacular
-- on this olden earth

i find myself yearning
for little things.
I really hope you enjoy this poem.
Sean Yessayan Aug 2013
Planet silhouetting atlases
of worlds we'll never know.
Their histories repeat,
through mushroom clouds
of soft pink explosions,
crying their fears for us to feel.
We watch them live and die,
admiring the beauty of life and death;
only I weep when light eminates through their wars.
Clouds n stuff
La Jongleuse Aug 2013
And there we were,
just the same
Metal hooks, green leaves,
& doors that don’t shut
you left yours’ wide-open!
So I walked right in…
I don’t need a key after all

On the walls,
of a delapidated city home hung
atlases & art
Memories taste sweeter in ink.
You want to put a map of Buenes Aires
on your body
I said your belly
& made you laugh

I like the way your smile
reaches the corners of
your ember amber eyes.
It dances about the ledges of your lips
Soft & corporal Hermes of oxytocin
You light up, oh well I do too

Fireflies, summer heat
blades of grass & midnight dips
in shallow pools of abandonned hotels
In the gentle release of a humane kindness
I remembered that it’s a falling
& not a pushing that we’re all after

sing to me
tell me your secrets
feed me beets & chardes
brown sugar
leave your window open all night
I’ll love you in the morning
redemptioneer Sep 2015
I’m measuring heartbeats and gauging miles across torn atlases and
each space between the intakes of breath while saying I miss you
feels like my lungs are freezing over or decaying or burning

I’ve been pacing around my room for so long that I think
my floorboards are starting to form fault lines
and some nights I miss you with the magnitude of an earthquake

I’m digging trenches in my chest because
my heart holds more use as a graveyard
and I’m burying your memories there

It’s midnight on the first day of autumn and I don’t know
if the thunder cracked again or it’s just my voice
begging and screaming at God to bring you back to me

except no one can hear prayers over the silence
that’s fallen over me since you left so I keep missing you
until heartbeats can keep up with distance
aviisevil Oct 2021
the ripe winds
perch upon the threads of
western disturbance












days dissolve in sadness
find me when this ends

tell me about your
experiences

lets go for a walk
before it's too late

i'm awake just
for you

and i never sleep when
you are not looking

i stay still until the
alarm rings

and it is your time
to leave

early morning when
the songbird sings

there you are
never here

you've loved me in
the spring

and i've been in love
with you ever since

dying of sadness on
a tuesday








trading through the
vastness of liquid turmoil

flowing and cutting
across the narrowest
of vengeance

that has laid upon
this land flourishing
under a disguise:
of mere nothingness and
certain similarity;

for who knows
what converses with the
frigid north

and talks to the
passes of the mighty
peaks of middle Asia

walking past the grandeur
of the Himalayas, and it's
many ancient towns

where no other
has been of any importance
whatsoever

there in the sweet solace
of solitude and crisp sunrises

i find myself dreaming
of the tranquil winds, and
ancient passageways:

far from Nazareth and
the cradle of men

where the old brick
roads now sleep in dusk

and there's nothing
left to conquer

built upon the spectacular
-- on this olden earth

i find myself yearning
for little things.
Mitchell May 2013
In tired atlases the doorman in pressed uniform
Outstretches his left hand to the ladies right
The rich waver in snare drum vibration as the
Will seekers unnerve the puppy parade behind door #42

And when with you, I wish to be away
And when far, I only wonder where you are
Peddling rose craning over dusty text books
See the light of the sun across the prodigal meadow

Around the peso saloon under a half smiling moon
Every man you pass can't help but whistle to salute you
There's no reason to fight
And there's no reason to whine
With you and this moon, there will never be enough time

We are the fortunate young running wild half interested
Ignorant and wanting the next death, ******, war
Laugh tract addicts and screen dragging junkies
Pushing social standings to the edge of digital ego insanity

When the sick die, they are released to the Earth
When they ****** die, they are released to their past
When the blessed die, they are released into eternity
When the rest die, they are released onto the back pages of newspapers

I look out through these eyes I have
Seeing the world through a perception tainted, beaten, and enriched
To seek change, is only natural, but in the end, futile
Escaping myself would be my ultimate creation
Court Jan 2018
Selfish.
The only word that could replace my name
Because I’m never happy for anyone.
Yes I might be there for someone when they’re sad but when it comes to someone’s happiness, I don’t care.
And maybe that’s why I’m so angry all the time.
Not because I wish to be as happy as other people
But because when it came to you I wasn’t that person.
I wanted you to be okay. Happy.
I would cross oceans and search atlases to find you when you needed me.
I wanted you to be happy.
Because if you were happy that made problems seem a little lighter. They would be absent, even if it was just for a second.
I even stopped writing because I didn’t remember what it felt like to hurt anymore.
You made me hate that me that never wished anyone the best.
I said I’d always love myself more than anyone. I’d always care about my problems more than anyone else’s.
But I knew you were suffering so I did the unthinkable. I went against my instincts.
I let you go.
Because my selfish, jealous heart only held love for you.
And I needed to see that smile again even if I wasn’t the reason for it.
And I hope you feel free.
Cali Jul 2014
I used to think
that everything would be
easy;
that my pallid brain conveyed
some intricate foreshadowing
of a life unseen, but beheld
like landlocked love.

What I know now is this:
love is a place
without maps or atlases,
where the sea smolders
gracefully into
the horizon,
and my eyes are too tired
to look past the shore.
I miss you in more ways a simple human being could

I miss you entirely, from the whole of you to your smallest parts

I think I’d still miss you even if I didn’t know you

a part of me would always reach out and yearn for you

The deepest parts of my mind would try to make sense

of the maps I continually make, of atlases of impossible longing

I am missing you over and over, perhaps I’d still miss you

even when I already find you standing right in front of me
Cait Harbs Jan 2017
My body is not beautiful -
it shows every row of dirt plowed,
every callous axe handle held
irreverently between the hands
that are swollen and cold;
my fingers, the puffy soldiers who smoked
one too many cigars in the
valleys of their webbed hills.

My body is not beautiful -
it is pitted with dirt entrenched in my pores
and craters of microorganisms
embedded in my flesh,
sending red fires into neutral skin,
a war beneath the surface
with smoothness being a casualty.

My body is not beautiful -
it has hair growing in places I hate,
thick layers of clinging calories
and expanded fat cells that
refuse to expire no matter how many
suicides I run or deaths I die
daily in an attempt to flatten them.

My body is not beautiful -
it is strong as hell.

My shoulders, firm and balanced,
tauntingly mock Atlas for complaining
of holding the world on his -
what he calls a tragedy, they call Monday.
My back has always carried whatever
burden I laid on it,
and though it's strained and torn
has yet to break beneath the weight
of the sorrow and the memories
living has given to me.

My legs, short and wide,
have lunged with mountains
by their sides,
moving forward through infernos
I can only describe as
"liquid fire as heavy as lead,"
traversing continents
and rushing rivers
knowing they were not going to give.

My arms are atlases,
traversed for countless miles
by vein-y highways
that lead to the ghost towns
I've gotten tattooed on my skin
to remind me that my
vagabond blood is pure
and my bones are made
of wanderlust.

No, my body is not beautiful,
but it is strong;
it has been places,
seen and done things.
It allows the universe
to make its home in my spinal
chord,
midnight to seep into my pores
and sing my heart to sleep
with starry melodies,
to leave behind the cement parking lot
I was born and raised in
and chase the horizon
no matter where it leads.

My body is not beautiful,
but it still deserves respect
for all it's done,
and all it holds,
regardless of my cellulite
or fat rolls.
and I will choose to love it.
Gabriel burnS Nov 2017
cities with their
glass skin
iron bones
gray flesh
of concrete
and a soul of
light bulbs
silhouettes,
the skylines…
the giants that
swallow us whole
because
we didn't know
how to stop
the magic of
the beanstalk
and now
that we have raised
our titans to unite us
we gave them will
we gave them back
the gift of fire
and it returns
to **** the life in
to burn the bridges
throughout and within…
our Atlases...
are they home
the shelter, still,
or are they now
the labyrinth
and the Minotaur
Wk kortas Sep 2017
Well, the maps were quite ghastly, you know;
We’d assumed the Frogs would have a pleasure cruise,
All baguettes and brioche, up the straits.
We’d no idea the Turks had dug in as they did,
As the spooks and their charts
Revealed sheer cliffs,
Harmless as Dover.
Nor did we fare much better on dry land,
The topographical atlases we had in the field
Might have been compiled by Mercator himself.
The Turks fought quite well;
One gives them a measure of credit for that, one supposes.
Frankly, we’d have been better served
If we’d just waited for the de rigueur internecine slaughter,
What with the ease they’d hacked each other to bits
Over some ancient family squabble or inconsequential tribal matter
(Can you imagine civilized peoples
Fighting to the death over such trivia?)
I suppose such cruelty and boorishness
Should have not been surprising.
They wouldn’t take prisoners, you know;
Just shot our boys *****-nilly,
With no regard whatsoever to honor or military convention,
Though it should have been no surprise
That the swarthy ******* would not play by the rules.
c Jan 2018
There were a pittance of days she did things for herself.

She liked the way an orange could be peeled to its barest form, made each peel a journey to something.

She enjoyed knit sweaters pulled past her knuckles while barreling through wisping city winds.

She found much joy in closing her eyes among a crowd of strangers.

The mounted sky sheds opens above her. What a pleasure it would be to see and feel all at once.

These were human moments. Like the ones you read about in those poem books, those romance novels, those 500-paged atlases. They sat shallow and sweet in the valley of her tongue, a pinch of raw sugar.

She recoils as the taste fleets swiftly, melted away like each moment before last.

--
c
Making sense of a random woman I saw on the train
Our minds and bodies aligned with memory
history wavers against the odds
I sold my arms and burned my farm
and grieved for a million years of tyranny
Treasure chests in your necklace
set like rubies in a fire
Treat me lover like a muscle
and don’t be afraid to stretch me
You know how I struggle with atlases
and am challenged by arithmetic
balancing fractions out of fear
Still I hear you darling and know that I am near you
whenever the Doer of Nothing
(0) is given a chance to steer
Cassie Schweizer Mar 2017
You asked for me
to write you a sentence,
so I wrote a poem about why
I couldn’t live without you.
You asked me to write a short story
about our love,
so I wrote a book with you
as the plot, ******, and
my falling action,
and binded it
with my bare hands.
You wanted a novel,
so I wrote a trilogy with
thousands of pages,
and I still felt as though
I could not capture
how much I cared for you.
But you told me
you wanted more proof,
because you didn’t yet understand
that I could write entire encyclopedias
about your eyes
and create atlases
filled with maps and charts on
the perfect curves of
your smile.
You didn’t get that
I could, and would, write
anything
for you, about you,
that would let the world know
how incredibly
in love with you
I was.
I didn’t want to stop until the
trees were gone
and I ran out of paper,
or every pen and printer
ran out of ink.
I didn't want to stop
until I had written
enough for you to
comprehend the
amount of love
I held.
I tried and tried,
and wrote and wrote.
But,
it seemed there weren’t enough words
in the dictionaries
I created,
or myths and legends
in fables and fairytales
that provided the
analysis of my love
for you.
And you kept asking for more
and more
and my hands grew tired and cramped,
marked with papercuts
that wouldn’t close,
trying to keep up
with your confusion
and inability
to understand.
I found myself running out
of things to write
and words to write them with,
the ink was starting to fade,
and my mind began to
draw blanks,
straining to find the reason
as to why I started writing
in the first place.
Aditya Roy Aug 2019
Hey, can we talk
I get anxious
You are my source of remedy
I am hooked on to you
Like once everyday
I am needing you
Like twice for a weekend
So my Monday are artful
And Sundays paint the sadness
My days are losing colors each Friday
Saturdays move by on islands
Without smilingly or lively holidays
Hey can we speak to ourselves
Or do we need a break
Can you stay or does
The phone seek any use
Maybe, we could talk uselessly
Over poetry and power of penned words
Summing our daily grievances
On social media’s phone
Hanging up the calls
Rather than allowing bluer atlases to chart our conversations

— The End —