I appreciate your concern, and yes,
   I'm still very much alive.

I'm just a father with a full-time job,
   and an allergy to social media

I used to work on this in the wee hours
   and now I use those hours for....
   sleep

Your donations got the app started
   - and I'm so grateful -
But the app isn't ready to share yet.

I will get an app finished.
   I will.
      I will.
         I will.
            "But when?!"

I won't promise anything yet
    but I won't forget either

Sending you all love from
    the real world

They have an app for everything
Apply this apple application vigorously
I need an app for this confusion
Where’re all the apps for my delusions
Hallucinations seem pretty nice
But I rather control them with an app
Delirium is no friend of mine
They control it with an app
All of these buttons produce bad business
You’re the ones who push them, I’m the witness
They take their pictures with an app
Photoshop the eye of the beholder
It’s the witching hour
They shout it from the watchtower
They climb up and down the ladder
They train the cruelest adders
With or without an app

AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’ and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply
•
The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply
•
Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply
•
First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing

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The 9.6 million followers who tune in to watch Miranda Kerr having her hair done on Instagram — for this is how models spend most of their time — were treated to a rather more interesting sight last Thursday: a black and white photograph of a whacking great diamond ring.

Across it was the caption “Marry me!” and a twee animation of the tech mogul Evan Spiegel on bended knee. Underneath Kerr had typed “I said yes!!!” and an explosion of heart emojis.

A spokesman for Spiegel, founder of the Snapchat mobile app, who is 26 to Kerr’s 33 and worth $US 2.1 billion to her $US 42.5 million , revealed “they are very happy”.

At first, the marriage seems an unlikely combination: a man so bright he founded Snapchat while still at Stanford University, becoming one of the world’s youngest self-made billionaires by 22, and a Victoria’s Secret model who was previously married to the Pirates of the Caribbean star Orlando Bloom (she allegedly had a fling with pop brat Justin Bieber, leading Bloom to punch Beebs in a posh Ibiza restaurant).

Perhaps the union indicates that there is more to Kerr than we thought. More likely, it reveals something about Spiegel — and the way the social status of “geeks” has changed.

Since Steve Jobs made computers cool and Millennials started living online, nerds are king. Even coding is **** enough for the model Karlie Kloss, singer will.i.am and actor Ashton Kutcher to learn it. Silicon Valley has become the new Hollywood, as moguls and social media barons take over from film stars and sportsmen not just on rich lists, but as alpha men.

Being a co-founder of a company is this decade’s equivalent to being a rock star or a chef. And, if their attractiveness to models and actresses proves anything, then being a Twag — tech wife or girlfriend — is a “thing”. Sources tell me Twags are also known as “founder-hounders” because they like to date the creators of start-up companies.

Actress Talulah Riley was an early adopter. She started dating the PayPal founder Elon Musk in 2008. Riley, then fresh from starring in the St Trinian’s film, met Musk in London’s Whisky Mist nightclub after he had delivered a lecture at the Royal Aeronautical Society. I interviewed her shortly afterwards and she told me they had spent the evening talking about “quantum physics”. A month later they were engaged. Their on-again-off-again marriage lasted six years before she filed for divorce again in March. Currently Musk, worth an estimated $US 12.7 billion and focused on Tesla cars, is said to be “spending a lot of time” with Johnny Depp’s estranged wife, Amber Heard.

Model Lily Cole dated the Twitter founder Jack Dorsey in 2013. Later she had a son with Kwame Ferreira, founder of the digital innovation agency Kwamecorp. Actress Emma Watson is going out with William Knight, an “adventurer” who has an incredibly boringly sounding job as a senior manager at Medallia, a software company. Allison Williams, Marnie in the HBO television show Girls, is married to Ricky Van Veen, co-founder of College Humor website.

Could it be that these women are onto something? Dating a bro certainly has its appeal. They are innovative: how else would they invent apps that deliver cheese toasties or match singles based on their haircuts? They are risk-takers who must be charismatic enough to inspire investors and attract crowd-funding. They may not be gym-fit, but they are mathletes who can do your tax bill. They are animal lovers: every start-up is dog friendly. And they are fun: who would not want to date somebody with a ball pool in their office?

There is a saying about dating in Silicon Valley: the odds are good but the goods are odd. Nerds are notorious for peculiar chat-up lines and normcore clothes. Still, if geeks can be awkward, that is part of their charm. Keira Knightley, complaining that Silicon Valley was all men in hoodies and Crocs, described how one gave her his card, saying she should get in touch if she wanted to see a spaceship.

One Vogue writer recalled a Silicon Valley man messaging her via a dating app, in which he noted: “In 50 per cent of your photos you’re holding an iPhone. It may interest you to find out that I invented the iPhone. More accurately I was an engineer on the original iPhone . . .”

Most promisingly, some guys are astoundingly rich. It is suggested Kerr’s engagement ring is a 2.5-carat diamond worth around dollars 55,000. She has already moved into Spiegel’s dollars 12m LA pad. Between his money and her Victoria’s Secrets bridesmaids, no wonder sources claim they are planning an “extravagant wedding”.

It might rival even the Napster founder Sean Parker’s $US10m performance-art bash. He married songwriter Alexandra Lenas in a canopy among Big Sur’s redwoods decorated to look like an enchanted forest. Some 350 guests wore Tolkienesque costumes created by The Lord of the Rings costume designer Ngila Dickson. They sat on white fur rugs and were given bunnies to pet. Presumably rabbit babysitters were on hand when the disco started.

If such fantasies inspire you to become a Twag, the great news is you do not have to be a supermodel to be in with a chance. Such is the dearth of single women in Silicon Valley that one dating site, Dating Ring, crowdfunded a plane to fly single women to Palo Alto from New York.

Be warned, though: guys are single because they are married to the job.

No wonder most meet their partners at college or work — the Facebook chief executive Mark Zuckerberg met his wife, Priscilla Chan, at Harvard.

The Instagram co-founder Kevin Systrom met girlfriend Nicole Schuetz at Stanford. Melinda met Bill Gates when, in 1987, they sat next to each other at an Expo trade-fair dinner. “He was funnier than I expected him to be,” she said.

Kerr began dating Spiegel in 2014 after meeting him at a Louis Vuitton dinner in New York. You can bet he was networking. Shortly after Louis Vuitton showcased their cruise collection in a Snapchat story. Last season Snapchat went on to become the biggest new name at NY fashion week.

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Dating agency Linx — presumably a play on operating system Linux — is dedicated to making Silicon Valley matches. Amy Andersen set it up in 2003 after moving to Palo Alto and being “flabbergasted” by the number of eligible men. She claims her clients are “extremely dynamic and successful individuals’’: tech founders, tech chief executives, financier founding partners of large institutions and “tons of entrepreneurs”.

Andersen says tech guys make “fabulous partners”. Romantic and chivalrous, they write love letters, plan dates, “even proposing on Snapchat!” If you want to marry a tech billionaire, she says, “you need to bring your A game.” Her clients look “for women who are equally, if not more, dynamic and interesting than he is!”

There are drawbacks to dating tech guys. Before Google buys your amore’s business, he will be living on *** Noodles waiting for the next round of funding — and workaholics are dull.

Kerr says Spiegel is “25, but he acts like he’s 50. He’s not out partying. He goes to work in Venice [Beach], he comes home. We don’t go out. We’d rather be at home and have dinner, go to bed early.” Which might suit Kerr, but is not my idea of a fun.

You had also better be prepared to share your life. When Priscilla Chan miscarried three times, Mark Zuckerberg wrote about it on Facebook, while Chesky used a romantic trip with his girlfriend to promote Airbnb - uploading a picture of her in bed, with a note saying “f* hotels”. Besides all of which is the notorious issue of Silicon Valley sexism.

It has a chief exec-bro culture that puts pick-up artist/comedian Dapper Laughs to shame. Ninety per cent of women working in the Valley say they have witnessed sexist behaviour, 60 per cent have experienced unwanted ****** advances at work, two thirds of them from their boss. Whitney Wolfe, a co-founder of Tinder, took Justin Mateen to court for ****** harassment. Her lawsuit against the company alleged that Mateen, her former partner, sent text messages calling her a “*****”.

Spiegel has tech bro form. He apologised after emails from his days at Stanford emerged: missives about stripper poles, getting black-out drunk, shooting lasers at “fat chicks”, and promising to “roll a blunt for whoever sees the most **** tonight (Sunday)”. After one fraternity Hawaiian luau party, he signed off emails “f*bitchesgetleid”.

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There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours


He then realised what the date was . . . and slowly let his hands fall to his lap.

Anxiety is not stress.
Anxiety is not some umbrella term you can use to describe how you feel when your favorite character in a book is in an intense battle unless you can somehow feel how fast their heart is beating until you can feel how hot their blood is until you can feel what it’s like to be that character in that situation the weight of the world on your shoulders
Anxiety is not finding lighting candles to be the only solution, candles are another problem. Another long paragraph to your list of “Things That Can Easily **** Me” example: “I didn’t leave any matches out, did I? I blew out the candle right? I need to check. Do I smell burning?? PUT THE CAP WHEN IT’S DONE! Will set off my fire alarm? Does my fire alarm work? Where’s my fire alarm??? Where’s somewhere I can put it so it doesn’t hurt me. THIS IS OK THIS IS NORMAL THIS IS RELAXATION.”
Anxiety is not stress.
Anxiety is horrible flashing images, constant reminders, the most negative form of “what if” imaginable.
Anxiety is wasting all your time thinking about an 8 page paper due for class in a week but instead of bringing yourself to writing it you are sobbing on the floor thinking of how bad for your grade this will be.
Anxiety is having a crush on a girl and trying out makeup for the first time.
Anxiety is having a crush on a guy and wondering if your sense of humor is funny enough.
Anxiety is not stress.
Anxiety is downloading an app that checks on your health and leaves you wondering how long this has been going on for.
Anxiety is wondering how to fix your eating disorder instead of actually fixing it
Anxiety is outing yourself to fit in
Anxiety is always wearing pants because you’re too afraid of your own scars
Anxiety is staying up countless nights crying crying crying you cannot yell your thoughts are no longer your own
Anxiety is writing a list of pros and cons to killing yourself
Anxiety is lighting a candle so you can slowly burn the list because
Anxiety is telling you if someone finds out, you will die.
Anxiety is not stress.
Anxiety is having making a friend and losing them in less than a year
Anxiety is wondering if all this help is helping or do I need to help myself
Anxiety is your friends questioning you non-stop are they really questioning you or do you question yourself?
Anxiety is memorizing the suicide prevention hotline
Anxiety is beating yourself up countless times “How could you forget something as simple as a Birthday?!”
Anxiety is “I only have three friends and one hates me, one I’m trying not to lose, and the other I love too much to tell the truth”
Anxiety is “It’s only a matter of time before we all die!”
Anxiety is “Congratulations! Two of your friends have died this year alone! One ******* hates you! Oh! HAHA! Wait! They all ******* hate you!”
Anxiety can turn you from “Wow. I look kinda good today.” to ”DYSPHORIA! DYSPHORIA! DYSPHORIA!”
JUST ******* KIDDING!
ANXIETY IS STRESS!
AND MUCH
MUCH
MORE!!!!!!!!

1995 saw the start of Generation Z,
the ‘iKids’ with a knack for this new-fangled technology,
Millennial 2.0,
caught in the limbo of the World Wide Web development and Rose Gold iPhones.
They say we’re adaptable,
but apparently we can’t make our own decisions about anything.
They say that we don’t care about anything
except for our tiny little screens,
but they forget who put them in our hands,
and they forget who they run to for help
when they forget how to troubleshoot.
They forget what kind of technology we need to keep sustaining life in the Information Age,
Caught in a crossfire because
Yeah, we’re 90s kids—but the 90s never really actually ended until 2006,
the only difference between two decades being
how much neon versus how much chrome,
and just how expensive accidentally opening the internet app on your mom’s blackberry phone was.
We’re nostalgic for all the things we can’t quite remember,
and half these high schoolers weren’t actually born until 2000 or 2001.
Most of us aren’t old enough to even remember 9/11, nothing outside of the news clips that our teachers show us in history class every single September.
I was born in the same year as the Columbine shootings.
The United States has not been at peace for a year of my life.
We are always fighting— fighting for everything.
Human equality,
posing arguments about micro aggressions and refugees, seeing the inhumanity in the past that we’re living.

None of us are older than 21,
under such hard scrutiny while Baby Boomers Wave 2 still run our country.
We inherited the Millenial’s exhaustion,
the generation before us spending our childhood fighting for all the things that we have never really believed in.
Fairytales.

Generation Z.
The ‘iKids’ who are going to one day be making leaps and bounds with technology,
the generation to nurse this dying planet back to health,
Millennials 2.0 who know how to learn from our forerunners’ mistakes,
who know how to adapt from Sidekicks to iPhone 6S Plus in less than a decade.
We’re the kids who have realized that fun is found in safe spaces rather than invading each other’s personal spaces.

They say we’re too sensitive,
but at the same time they claim that we’re desensitized.
And I thought we were the generation that couldn't make decisions.

step number one: read the book wintergirls.
tuck away every detail like you're cramming for a test.
dog-ear the pages and carry it with you like a travel guide.
decide that with your fingers and toes always icy cold for as long as you can remember,
you were destined to be a wintergirl.
reread it periodically, for inspirational purposes.

step two: download the myfitnesspal app.
use it to track every calorie you put into your body.
memorize that an oreo has seventy calories, an apple has one hundred, a cup of hot chocolate has eighty,
a bagel has two hundred seventy (a number that terrifies you),
and on and on and on.
let numbers float behind your eyes just before you go to bed,
and let them stay there as you throw off the covers to do guilty pushups and situps in your room
for twenty minutes (burning one hundred and twenty calories).
ignore the warnings shouted at you in red text
when you eat less than twelve hundred calories per day.
look at the projections it gives you for five weeks from now
with weights that seem both too small and too large at the same time.
when your net for the day hits the negatives after weeks of trying,
feel the slightest pang of satisfaction.

step three: find your "thinspiration".
make a tumblr just to look at pictures of jutting-out spines and thigh gaps and ribs.
hold your phone up next to your reflection in the mirror
and pick out everywhere your body differs from hers.
when the girls on the fitness blogs start looking too heavy for your goal,
find the eating-disorder blogs.
obsess over their bodies almost as much as you obsess over yours,
but not quite as much.

step four: begin losing weight.
imagine yourself floating away, feather-light.
imagine yourself becoming skin and bones.
imagine this as you drag your heavy body from class to class,
as your muscles waste from malnutrition.
imagine this as you have to clean your hairbrush out
three times while you work tangles from your hair.
imagine this as you snap at anyone and everyone,
as you spend hours locked in your room.

step five: become a poet and write about yourself.
romanticize your own demons, just by calling them demons.
use as many metaphors as you can,
to avoid the harsh language of the truth.
and especially avoid writing about the crippling guilt
that hits you when you eat too much,
you're fat you're worthless you'll never be anything,
and hits you when you don't eat enough,
what's wrong with you how did you let it get to this point
voices in your head never abating.
avoid writing about your lack of motivation and constant exhaustion and always,
always, use words that imply mystery.
describe your mind as foggy, call your body diminishing.
never say it how it is, because you could convince yourself to quit.
never say that it's torture and you're in pain
and you just wish you were eight again, never considering this path.
never say that you need help but you don't want help.

if you have the urge to say these things,
say only that this disorder is not one you would willingly give up,
because you finally have something to control.
because it is the truth,
but it is also the romanticized truth.

for pennies, an app
to do the heavy lifting,
rhymes, pentameter,
all the quatrains ya ever needed

strained fever, emotions rampant,
insufficient and unnecessary conditions
for poverty poetry evocation,
even autocorrects insipid
really bad tiresome love poems,
après endless generation (degeneration?)

who needs you

you think
no such animal

you be write

for the art of life
cannot be mechanized

wrote a poem,
a wistful sad lament
on mothers losing children,
a prayer, a yelling, a condemnation,
the app was,
on this subject
uncommunicative,
un étranger
of silence
in all languages

you can buy love
but you cannot buy pain

too costly and
3D printers
give you plastic, disingenuous
wholly unsatisfactory

for a lousy $1.99
I'll write you customized,
supply the situation,
a few descriptive phrases,
60 minutes later,
et voila!

am you app,
am your scrivener,
don't do roses or violets
but yes to
rhythm and blues

will take
PayPal
PenPal
but no credit cards

you may take my words
as you own,
take my credit,
but I won't take yours...

I am app human,
bring me your lush, winsome,
plain vanilla, tutti frutti,
all acceptable,
for where the real stuff
comes from

I have only mined
the surface,
the veins beneath
richness for the asking

Drunk, we staggered home.

Aware of having been
some
other where
a while

That woman, she could answer

any question rebbi axt,
Ohhhhmyyy

she laugh and say, Dude, I got the Intent-net,
in my hand

That's more than a list of numbers, this
accounting idle words going on, on going, as fast as

lightning, at the scale, of, say

cat-ions ifiying an-ions
at random,
seen systematical, from a distance
zoom out
at the scale, of, say
Great Deep Field.

Center you, I'm no matter.

synchro
now

zoom out
Use that steam program
Universe Sandbox,
you gotta see that to imagine this, right,

and next is what you keep saying is unbelievable,
but its not.

Good things come to them
to whom
good makes more sense.

Earth from the moon POV

Confusion flux, spurtual,  caused by the solar flare of all solar flares,
one side

Whooshing the Ice left from Patton's flood
into steam, the stuff, not the app,

which swooshhhesssssssssss smack
into the freezing repurcussions
from the daark side…

The Noah event, that was bad,
This one, the last one, this just previous one,

was spiritual. Magnitudes incomparable
(save in parable and example, exemplar gratis,
says the bodiless being, with a roll of  my wrist and a bow)

At that very time on the side away from the flare,
the daark side of the planet, this one…

a Donald Patton nitrogen snow ball
that nearly breached Roche's limit,

too not nearly enough,
dis -integration
The atmosphere freezes
to the quark level, snap,

the cold
explosive
forward momentum
booms a nitrogen bubble now
minusminusminus
solid nitrogen
melting

any heat locked in flare fired steam,
what was once the water
that washed away the gods and locked their cities
of ivory under the ice

on the sunny side,
where now, then,

a solar flare like legends build empires upon
has passed, fires rage

there were survivors who lived to tell

and old stories never die. Old story tellers do,

Only miners survived, gold digger mostly,
few alchemists who knew the mystery in mercury,
Lost was all knowing but to a very few,
who truth be told had been the owner's
well kept servants, ministers of this and that
they perished with all the fires touched

we diggers, we only marvel

How bits of time, exact as ours, can be seen happening
all in bubble of Mercury. Cooked out red rock like these.

"Blood o' the gods of old, swat I'astold."

Messages from the gods, grandma, said, "Mercury calls for gold, gold listens, when fire's hottern fire can be,
unless
the breath of men blow on the coals", we all said that last part and blew out the light. G'night


but a story told a wee bit here a qubit there
here a little, there a little
line upon line,
precept upon precept,

'cept no body knows what I know about cept,

capere, a story starts, a provisioning tale. Wait.

it means grip. like a tool. rock breaks nut.

Paper covers rock, but scissors are so far in the future
that now, my time, my mind wanders after whys

this authoritative telling of the story, in it,
none know the terminal tale.

As in times past, there were survivors who lived to tell

and old stories never die. Old story tellers do,

Tho' here's a clue.
Meek's not bad,
stupid, for no reason, is.

Living long for the sake of a song heard once,
in dream luring me on, promising right now, I'll

know what it's like to see, oh

POV I made this clear some time ago,
time is less predictable than any imagined, before 2018
when, you know…

Even those tales old drunk Hesiod sold
in the Hittite tavern at Delphi,

Chronos thought wrong in those,
he ruled but for the merest gleam o'

Time, then a bubble gen erated by the thought of
opposition to transition,
nothing to something,
pushing /pushing back
stretch/snap/spark
that takes power, pulsing power, throbbing power

push/stretch
glow/snap
you know, imagine, glowing - cheat, think 2018 CG
glow/snap
Planc time,
each time the bubble pushes back
a ripple
imagine a clock, later, if you believe then, you must.

Now, see the bubble of all men have imagined,
since the time when such a bubble was only evil,
continually.

It went viral.
Noah we know for sure, almost, survived, ? Cushites kept records. In Africa.
Akkad kept record, too.
Some Hopi survived somehow and they have a tale.

They say they know the story is ten thousand years old,
I've been to a crossroads
on their journey,
stories
tell of it, still, today.

Holy means marked for good reason.
Marked with clues, not riddles, maps

Sacred means secret means hidden away for use,
not common, every day, quotidian use, right use.

Time, the opposing force, is precious to us all.
In time, we do all we can and die,

in ever, we expand, in no time at all. I imagine.

You fill it. Now, Your expandable mind's time,

time pushes from the outside,
wisdom pushes from the inside,

And so it goes, life goes on and music grows on ya,

Amusing how they do that, teeny muses dancing
shiva on the tip of my tongue,

singings songs in tongues I've never known
if they
are words on tongues
or sounds on tongues,

notes,

Baysian Binary Cross Validation
still ends with some people thinkin'
"it is finished" left them with a ton o'weight,
that's wrong, insist resistance.

Some, heavy duty, leaders of lambs, they claim
power in their mouths, spoken from fixed hearts,

but fixed upon, is truly the song,
said, words are only
little bits of whole sym ulacrum of re-ify-ing

where broken things re-pair, and life goes on…

"fixed, my heart is fixed",
no, your heart is machine of the most magnificent design, perfected,
a time at a time.
Flexing, pacing time itself, faster slower,

try some time
alone
be still, pond still

I know the story broke,
I could not hold it.

In the night, bitter cold
Frozen fragile...

There are pieces scattered every

where, everywhere
there is time, there is at least, a point

a story may stand upon and ask an angel
to dance.
Dance, give it some flare, what do we care?

Nobody's watching, but that fly.

Some days, it feels like the only thing I need in life is a cellphone.

With a cellphone, I can spend my time flinging birds into pigs,
Slicing fruit, and collecting coins,
Never stopping until I get the high score.

I can swipe, poke, drag my finger
Across a screen of light,
Letting the thrill of technology override my soul.

With a cellphone, I can write lol a million times,
Without a single chuckle escaping from my lips,

And mask my life with a fake profile,
And an artificial smile,
And a status update every once in a while,
To show the World Wide Web my embellished life style.

With a cellphone, I don’t need to stop and smell the roses,
When there’s an app for that.
Why would I lay back and watch the vibrant colors of the sunset,
When it can be downloaded off the Internet?

Why would anyone bother to take risks,
To laugh with friends,
To cry alone,
To feel alive…

When there’s a cellphone in your back pocket?

Why am I so obsessed
With checking my notifications
If no one texts me
It feels like suffocation
That little red dot
Next to my application
It ***** me off
When it won’t work down at the station
I've got a mate who's into spontaneous flirtation
He met a bird on this app
I think she's Croatian
They went on two dates
And then went on vacation
Meanwhile I'm sat at home
Watching babe station
I fell in love once
Then realised it was infatuation  
She said I had no drive
But she had no imagination
When we go out
Theres no conversation
Even Siri
Gives me ******* quotations
My new phone
Is the new sensation
Checking Facebook
My only temptation
I check my phone
Just to know my location
**** it
I’ve had it...
With this nation

Whats app saved my mother,
I am truly grateful,
I always thought the app was a waste of time,
Never considered its usefulness.
On the contrary my mother was a big fan,
She had a huge list of people on her Whats app including me,
I never read her messages,
I was always busy travelling and making money.
Mother never complained,
I lived in a big bungalow with my wife and children,
Mum lived in a small apartment,
I paid her rent and all her bills by mail,
I never had time for her.
Her building had their own Whats app group,
Everyone had to be a member,
Sort of neighbourly bonding.
That day before mum passed out she  Whats app  SOS come ASAP.
Mum's neighbour who had an extra key of hers read the message,
She called an ambulance and mum was sped to hospital.
She was saved on time from a major heart attack.
Thanks Whats app.

An app for this
An app for that
An app even,
To feed your cat.

Mesmerised by mobiles
All these zombies shuffle along
Nearly getting run over
So internet throng.

Scanning with their debit cards
No time for cash
But I don’t trust these things
With their laser flash.

All this social media
Where is it going?
So much information
Toing and froing.

Good to keep in touch
And so easy to Google
Want to make a noise?
It’s better than a bugle.

Better check in on Facebook
So you all know where I am
Time to check my emails
To bin the latest scam.

But whatever happened to talking?
It’s now a forgotten art!
The cyber revolution:
This is just the start.

Paul Butters

© PB 19\3\22.

Oh Language, where hast thou hid thyself?
Thy once-bright spires decline to dust.
The calm, well-reasoned flow of wisdom
a bygone memory. I’ll not trust
these tween-to-twenty-something’s prattle;
endless babble of self-absorption
centered in pleasure-maximizing:
narcissistic thought-abortion.
Dude—they’re SO not app’ed for language
used by dad ten years ago.
I’m totally DONE with their, like, verbiage
They’re all: Smartphone Teenage Show.
It’s just, like, TALKING—without words
in language ghettos; texting proud . . .
Their lack of precision offends my brain—
They ought to be ashamed (out loud).

Vygotsky’s vaunted Z.P.D,
and Bakhtin’s heteroglossic crack
along with Roland Barthe’s pet parrot
Are SO like totally talking smack.

Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide

Im not a good poet but I want to get this off my chest.
Maybe this is too much of a blog. If so, I am sorry.
Nobody has to read it!
I don't mean to misuse this service or to make anyone mad.
I am just not good at poetry
But I believe my words have a rhythm to them.

This is a long and boring post.
Making this post is part of my healing
Even if nobody reads it.

I met a psychopath, I don't use that term lightly
He had been in prison for ****** against his 7 year old daughter
A monster and what most people often call a baby ******.

What was wrong with me, that I did not bolt away like a wild horse?
What made me stay? Is it my Tao to be in their spell forever?
I mean the pedophiles that abused me now forty years ago?

How could I have blocked out his crime?
Where was my outrage for the victim?

He is in Seattle, I am in Minneapolis
But we played cards for 7 months
When he showed me his hand,
I suddenly realized who and what he was.
And I was struck with a sense of horror.

Psychopaths are always charming, at first.
They fool a lot of people. He fooled me.
And I can't get over it.

I broke free, galloped away, but had irreversible damage.
I could not eat or sleep. I was on edge.
I felt polluted, I felt ashamed, I felt gullible
It is why I have the diagnosis of PTSD
because my entire childhood was filled
To the rafters with abuse and this psychopath
Touched upon that in a major way.
They call it a "Trigger" in psychology.

I thought I had burned that house down
But my naïveté and poor boundaries led me
From the paradise of my home
To this psychopath's perverse thinking.
What a sick *******.
I can't even describe
how perverse it got towards the end
So I won't even bother.
Why dwell on a psychopaths sick mind?

I was very sick and in a crisis for ten days
When I broke it off with him.

My last email to him was that,
God is real and that he is going to Hell.
He excuses his behavior with
Bible verses.
That's not going to help him
On judgement day.
He also will suffer karma until
He learns his lesson.
Prison was not enough to teach him

Im starting to sit back and take in the lesson
I've decided that for my own safety
I need to get a lot more paranoid because
Baby rapists and evil people do exist
And I have no radar and no set of boundaries.
Because I was abused so much as a child.

I downloaded an App that lists all
The ****** predators near your home
There are a lot of them and some look like
Your average guy, like the pedophiles who abused me.
Nobody next store but in Osceola, 5 minutes away.

And what about Jared Fogel? Is everyone a pervert?
Why do adult ( mostly men ) need to sexualize children?

I am restricting my easy going temperament
He took what was left of my innocence.
My heart is healing and I have vowed
Not to let him or his sickness
To ruin my good temperament.
Nor my Peace of Mind.

Lastly, I realize that it was by the Grace of God
That I found a loving husband
A man who truly cares, truly loves
In a way I never felt as a child.

As an abuse survivor, the statistics
For me to find a suitable relationship
were slim.
But my mother always told me
To respect myself.

But here we are, 31 years together
Or what my science mind calls
60% of our lives. We are 53.

I don't know how I found "the one"
A broken heart is so visceral and
With so much angst that I feel fortunate
That I've been spared that experience.

We met in Martial Arts class
I had met him at age 19 and he asked me out
I took him up on that offer when we were 22
I worked for my black belt in Tae Kwon Do
He was working on his 2nd degree blackbelt
We trained together for many hours
We hung out.
Ha ha, our first date was to see
The Karate Kid! Also plenty of Bruce Lee!
My husband began martial arts because
Of Bruce Lee.
I started martial arts for self defense
Having been abused by so many men
Made me want to never happen again.

Nice trip down memory lane
Back to the psychopath.
I don't have children and
I am not around any children.

I went to the State Fair, and saw some girls
Only 7 years old, like the psychopath's daughter
When he started his predation on her.  
I felt physically ill that a child of that age
Would have to deal with a grown man
And her father, on too of that.
It is beyond imagination.
I was abused at age 11 and 7 seems
Awfully young. Poor girl.

I felt a sense of nausea when looking at these little girls
That I had befriended a ****** perpetrator
Entirely negating his victims experience.
What was I thinking?

I feel almost like I am guilty because I associated with him.
I feel horrible that I had any relationship
With such a dark and bleak soul.

God bless his daughter out there somewhere
She is now in her 20s
His children are in their 20s and I think
When he has grandchildren he might re offend
I need to stop this and have decided
To contact CPS, and write a letter of concern
Every six months until he has grandchildren

It's the very least I can do.
I've taken a personal interest and
I vow to protect his future grandchildren
From ******, a crime he is not sorry about
He has no remorse, he does not repent
And in that way he can reoffend

Let me go back to my life now
It is almost Fall
And the trees will be brilliant
Thank God, that I realize
I need to out much tighter boundaries
Around myself because being gullible
Is going to get me killed

Thankfully I am not being stalked
Thankfully my life is not in danger
Thankfully we live half a continent away

Let me hold my husband's hand
Let me remember what's important
Let me remember that Im safe
Let me recover from the emotions
Of horror and dread, that have kept me
From eating and sleeping.

Im a bit of a yogini
And I do yoga Nidra
I do meditation
I take refuge in Buddha
I have a faith in Christ
These things all help.

Let the heavens forgive me
For ever getting involved
With a psychopath and for not
Giving his daughter's abuse
A second thought.

This has altered my personality
I am now an activist for victims
Of childhood violence.

I will hear their voices in a way
That is healthy and safe.

Safe. A good place to be!

If you've made it to the end of
This post, I give you my sincere
Thanks and if you did not read my post
I also give you thanks.

~Arianna

Here they Sit
Like the Wizard Behind the Curtain
Hitting a Poetry Writing App
And Hoping for a Strike
True Angler
Throwing out a Line
In Whatever Form
Possible

HR Mgr:  So, Amber, you're applying for the file clerk position?
App: "Yea."(Keeps brushing her hair off of her right eyebrow)
HR: "You didn't fill in the space for your last name. Does Amber
         have a last name?"
App: "Yea."(giggle). "Dexterous."
HR: "Amber Dexterous, interesting." and you say your former job
         was "entertainment dancing."  
App: "Yea."(Brush-brush!)
HR: "Poetry in motion, I'm sure." "Amber, are you a stripper?"
App: "I'm not a "Strip-AH! I'm a Dan-SAH!"
HR: "Okay, okay! So, do you use poles in your dance routines?"
App: "Nooooo, I don't do thaaa't. But, I do like the Canadians!"


copyright: richard riddle February 14, 2015

The news that Jonathan Anderson — a.k.a. J. W. Anderson — would live-stream his fall men’s show exclusively on Grindr, the gay social-networking app, has been the whispered, and then not-so-whispered, talk of the first days of men’s fashion week here. “Now there’s a show that would’ve looked good on Grindr,” one showgoer cracked to another about a collection that featured men in cutout trousers and one very visible pair of thong underwear.

On Sunday, just after 10 a.m., Mr. Anderson’s collection hit the runway and the Internet. Those unsuspecting souls surfing Grindr for lust or companionship were offered the chance to see his show unfold: its polka-dot furs and knitted trousers, appliquéd snails and boxing-boot shoes.

Whether it was what the virtually gathered crowd came to the app for or not, Grindr personnel were sanguine. “You know as well as I do, there are the fashion gays,” Landis Smithers, the company’s vice president of marketing, said in an interview last week. “They love them a show and an exclusive.”

Not everyone was as eager. In the immediate aftermath of the announcement, rumors circulated that model agencies were leery of sending their charges, many of them underage, to participate in the show. (To be live-streamed via Grindr is not the same as to use Grindr, though the company’s terms of service restrict use to those who are at least 18, and in some places, 21.)

But if there were holdouts among the models, it wasn’t immediately evident from the runway, and Mr. Anderson said that he had experienced pushback from potential collaborators only at the outset.

“I think at the beginning there was a bit of unknowingness, which was stressful,” he said. “But I believe in this project. I think it’s very important that brands explore media; I think it’s the only way forward. I don’t see any differentiation between Grindr and Tinder or any sort of dating app, or Instagram. I feel like people now can use any sort of social device to meet people.”The show’s final casting, he added, was “exactly the way it should be.”Among those who saw the show live, without having to resort to the app, the idea was largely popular.The rapper ASAP Rocky, waiting a turn to congratulate Mr. Anderson, expressed an appreciation for the silk pieces in the collection and the good vibes of the Grindr partnership. “I heard about that last minute,” he said. “Gay people supporting gays. That’s what it’s all about: support. I support everybody.”Some wariness persisted. “It is what it is, you know?” said one young model from the show when asked how he felt about appearing on Grindr, before reversing himself and declaring that he was uncomfortable answering the question. He declined to give his name.

“Some people don’t get it,” shrugged Michel Gaubert, the in-demand D.J. who provided the show’s thumping score, “But it’s the gay Facebook.” He called the idea to live-stream the show on the platform “fantastic.”

Certainly the possibilities are large on a platform that engages millions.“Every single person I know is on Grindr,” said Bryan Grey Yambao, better known as the blogger Bryanboy, after the show. (Even assuming some mild hyperbole on Mr. Yambao’s part, the numbers are formidable: seven million users by Grindr’s own estimate, as many as a million or more users are on the platform at any given moment.)He added: “I think it’s a great audience to tap into.”He said that he had downloaded the app that morning but had already deleted it.Whether that suggests less overlap between fashion obsessives and would-be couplers than Grindr might like remains to be seen. But according to Mr. Smithers, by Monday morning (an edited version of the video remained accessible via Grindr for 24 hours following its live debut), Mr. Anderson’s show had been streamed about 100,000 times, about a third of them during the event.

read more:www.marieaustralia.com/red-carpet-celebrity-dresses

www.marieaustralia.com/formal-dresses-adelaide

Lord:

no bequest requested.
no grant, no teach,
no need or greed asked
just a hey listen up,
if your attention is elsewhere

this is an
all-on-my-own
prayer that
my eyes only utter,
my tongue,
self-silenced,
can only watch
and must approve

in fact,
this is more
of a post
than a prayer,
updating you
on the state
of what we Earth temporaries
call the heart, mind, soul
and even our,
your-designed
crafted carrier,
my body

Mine enemies call me
cursed, embittered,
they are right - but fools,
they are
so much more than wrong,
for in this they err grievous,
for they cannot see their own
bile provisioning their end

ask for no interference
from the sidelines
neither from the
sapphire mother sky
that raised me up gloriously
this morning

nor the emerald earth
that this day
both gives and gets
common bounty
gives me sustenance,
as much spiritual
as grained cereal delights

lest you think this
just one more
me-centric rants,
let us recall this prayer,
is his very own,
prayer of gratitude

woman's head
rests on my chest,
her blonde highlights,
highlight our bed
and our
life

take and tuck her tresses
from eyes and forehead,
gentle them into place,
behind her ear,
and my hand journeys on
to the skin,
flesh of her backbone,
where my fingers
spread wide,
five messengers unique,
advising all of the 120 provinces of her
heart, mind, soul and body,
she is my beloved,
and I pray,
I am hers

learning still to
live with my means,
such as they are,
sometime mean,
sometimes extraordinaire

even this skill,
to express

is a gratitude
that though
comes and goes
like summer breezes
that as now we pray,
cools my AM coffee
while studying the
patterned mystery
of the bay's
Ave Maria waves
from that
dock-by-his-name

where my heart, mind, soul
drink wet inspiration
from the still-oak-tree'd-strong-surfaced waters,
the blue glue of
our common delighted,
uncommon existence

this skill,
at this moment mine,
to share and
not to keep,
for have I not,
been blessed,
by comrades-in-arms
that kneel beside me,
asking, imploring
to be stronger yet,
for their sakes,
for them!
I pray for
best they-can-muster
sustenance of peace
of heart, mind, soul
and body

here now,
my shills,
my failing skills
cannot help express
in new ways,
a gratitude
that has a shapeless shape,
no measurement app enabled
for their comfort,
our comfort,
best grasped as
an unbounded divinity,
how so I wish I could pray for them better

focus this prayer
on the good ones,
who so greatly honor us
with a greater-than-a-creator,
gift glorious of
friendship

this walnut crack'd shell,
this container ship of
heart, mind, soul,
here there,
a few leaks sprung,
no nicotine patches
to cover

this dented car,
this dented body,
new dent every day
from only-you-know-where
still gets me there,

but
other than taking care better,
it plods along and houses
the rearrangement of this prayer's words,
and that is what is called
plenty good enough,
self-sufficient

prayers that are too long
go to the back of line,
so here we be,
but here we do not wait!

for prayers of gratitude
are instantaneous fulfilled,
and thus granted even before
they are completed

I have read so many wonderful poems,
haiku's, 10 words, so many more, and none are alike!
But we tend to forget about spoken word poems,
Hello Poetry, can you make it possible to share our spoken words as well as our massive pile on's of endless poetry. Spoken Words would add to the sight, and only make it better.
I wish I could also Use Hellopoetry on my mobile phone, in an app,
I'm not sure about anyone else, but that would maybe add to HP

Please consider what I've had to say, c:

Written on 11/20/2017

That awkward moment when someone flirts with you on a dating app and says "I like that you look masculine."

You see,
I never saw masculinity as a part of me.

My identity was always flamboyant,
wearing pink shirts and sashes,
crop tops with styling gelled eyelashes,
sparkling headbands and dazzling bandannas,
snapback hats featuring giant bananas,
I dressed with the raging flamboyance of flamingos!
Sporting a certain type of femininity that only a gay man knows.

All the trimming and cutting, and shaving and nairing,
for hours,
as time and body hair intertwined in the showers,
washed masculinity off my body down the drain,
Experienced electrolysis burns, but the pain
had infected my thoughts,
like each hair is unnatural.  

Purge it all,
Scorch and torch it all,
Leave nothing at all!
No trace
of evolution's flawed attempt to grace
me with an adaptive advantage to take on the world's harsh climate.  
I admit,
this hair entangles me and strangles me,
it also oozes out of me like pimples from a pore,
a ***** to testosterone,
poor me - a victim of nature's masculinity.
What a hairy situation I've gotten myself in.

--

Femininity.
Its bestowed upon me by society.
When I sashay or say hey gurl hey,
society recognizes these things as girly and gay,
not a very masculine way to walk or talk.  

Stereotypes about *** and gender are so easily manipulated.
Like a circus performer on the tight rope,
the suspense keeps people wondering where will I fall?

But hold me under a microscope and you will see it all,
a million molecules that makeup my femininity.
I wear skinny jeans and tank tops,
then get complimented on them by dude bros,
like yo that's tight- where'd you get it boss?

I bought it in the girl's section at Ross.

My toe nails painted and displayed for public view,
flip flops emboldened with matching turquoise hues,
Femininity is worn on me like a fabulous armor plate.

--

Fast forward to a fateful date during No-Shave November.
I remember,
growing out my ****** hair for the very first time,
I wore it like a mask,
portraying a fictional character who was masc-uline.
Bathing in manliness at this masquerade.
It was through this charade,
that I grew
... temporary happiness for me from all of you.

The compliments they poured in.
My once smooth canvas of a face,
waiting to be crafted into the Mona Lisa,
had been turned into an artistic masterpiece,
'Gay Man with Amnesia',
of who he used to be.
A painting of someone society wanted,
someone whose masculinity was outwardly flaunted.
But inside, I felt taunted,
each time they complimented
me and my newfound masculinity.

--

Then, it happened on Grindr,
a gay dating app.
This masculine mishap.

A stranger's message read, "I like that you look masculine."
It sounded even stranger in my head.
Their profile description read,

"Masc 4 Masc
Masculine man seeking other masculine men to hangout with."

That's when I felt it.
My mask had made me masc.

This particularly manic morning brought me to ask
myself in the bathroom mirror,
"Who the hell am I looking at?"

In sheer terror, I teared-up,
scanned the portrait of 'Gay Man with Amnesia',
and then decided to tear it up!

I grabbed my electric razor,
grum grum grummm
as these blades grazed my face and chin,
I was offered sweet, soft, porcelain skin - my absolution.

pause

heh heh
When I came to and snapped out of the amnesia,
eager to see results of this restorative procedure,
the mirror was fogged with steam and slop.

I tried logging in to my laptop's webcam,  
for naught.  
The ****** recognition feature -- didn't recognize me
... but finally, I did.

Once again, I see the man behind the masc-ulinity.