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A Close friend said "The Perfect Woman"
is much like a shark.

if I am greeted in this ocean,
by a woman
I will allow her to look at me with all primal intent.
splay my wrist open and watch her

as she smells the little turn of blood
floating now in spirals between us

I'll have done it not for the pain, or shock
but for the honesty.
to watch a creature struggling to hold onto their facade
and the tears that start to bloom in the pink
above their sharp teeth.
Look, I know sharks don't cry.
it's not about the crying,
I crave the visceral emotion.
want to give my body to the indulgence
the electric moment where
I feel them feel conflicted
with my whole body
feel their suffering and internal struggle
in my entire manic smile
tight cheeked
all eyes on them like a paid performer
or Alternatively,
I would give them all this passion,
my body in anticipation of their opening
clenching to their masks,
They Devour me.
onlylovepoetry Jul 2023
how do you paint water, or clouds?

I could read poetry for the brief,
of my of remaining life, however brief,
and never be satiated, of love,
and streams of water,
never stilled, always running
in patterns that exist,
but for milliseconds,
admired by clouds born in, of,
a moment of re-formation that
is perpetuity long:
unending shape shifting,
like the freedom of flowing water
currents, forming, reforming and unthinkable, nay,
inconceivable that human eyes
or their spoken words
could capture their
shiny white foamy essence

But of love,
that we can do, paint, design, recreate its
endless loops of undulations, like the radiating circularity
of a pebble dropped gently
to its burial sight in a quiet pond.

Humans know, understand and excel at clasping and grasping
at the synapsing of human cells from differing bodies:
the exogenous erogenous of human touch that like the clouds
and the water,
who
could paint that,
who capable of capturing
said sensations that wrack
and enliven the body with invisible
interior chemical reactions. I

cannot.

Thankfully better men and women have treatised  their entreaties to the powers of the universe and been rewarded with the skilled delicacy of weaving human tapestries, the milliseconds of connectivity, eclectic and electrifying of different currents and differing amperage’s forming and reforming like water moving, just  like the clouds changing in response to the externalities of wind and gravity and all the forces of nature that encourage us to study
and stare at these flows,
hoping to entrance them into standing still for but a moment, and instead, mesmerizing us into standing motionless for hours in awe of their freedom.

Love’s undulations too mesmerizing, and freezing us into
place, or alternatively
caucus to run endlessly arms extending,
flying though not airborne,
rocketing us upwards while feet never budging,
but finding good wards, masterful metaphors to recreate and thus to share the fabulous mystery of this thing we know as love.


2:58AM
Friday
jul 22 (jewel 22) of the 23rd year of the 21st Century.


O.L.P.
inspired by the police of Oxford, Lewis and Hathaway
Breethyr Nov 2020
When i tell people about how i saw beyond reason, they tell me i'm not making any sense. Ironically, that's exactly the point. Something beyond reason can't make sense, logically, but it doesn't mean there isn't anything beyond logic.
We as people often act defying logic, although, arguably, the logic we live by is relative, and that leads to certain logical conclusions. What i am more interested in is, if all the relative points of logic can be seen as parts of objective, or even universal logic, then can i map it's boundaries? The answer is no. For the reason that if you can't see beyond a certain point you can't tell what's behind it. Say i stumble upon the logical end of my thought - it seemingly ends at a certain point, but what is beyond - i cannot know, that's why i can not tell if it's the logical end of it is relative to me or objective. But that is a logical mistake on my part. It's the relatively logical way to think, but objectively it's doomed for failure. For the same reason why we can't find the edge of our universe - not just because we don't see beyond the visible space region, but because it is impossible to reach such an edge in three dimensional space.
Allow me to logically explain why, on example of a two-dimensional space. Imagine yourself in a jar with water, you are swimming on the surface. The boundaries of the jar is your observable, or for better word - reachable universe. But the jar is not the entire universe, beyond the jar there is enormous amount of water. Whether it exists on a three-dimensional sphere or simply goes forever is irrelevant - you will never swim to the edge regardless. But if you were to be able to jump up from the surface of water then you would have understood that the true edge of this universe was actually vertical and you've just escaped through it into a new 3-dimensional one that is an extension of the two-dimensional one you previously were floating in. Now how do you then escape this 3-dimensional one you found yourself in? You know the answer, you jump into the 4th dimension - the logically only true edge of it.
Whether you can do it or not is irrelevant, what matters is what it tells us about logic - the exactly same thing - you can't reach the end of logic by simply looking around for it's borders, you have to fundamentally defy logic and go beyond it from the start.
Before we attempt that i have to lay down some things i kept secret from you until now. Why do i even chase the logical end? The answer is - i don't, i chase the fundamental understanding of the universe. "Whoah - hold up there" you might say, "what a perverse charlatan you are with your irrational methods, leave the universe to scientists!" And i will tell you - you are completely right. I don't understand anything a physicist or astronomer does when they examine what they can about the universe, but i believe, even though objectivity is not a matter of belief, to have a full understanding one can't study things from one aspect. Logic is the counterpart to fact, it is due to logic that facts exist the way they do, and it is due to facts available to us that we have the relative understanding of logic that we have today. Logic is the interpretation of the universe. And to reach a logical limit, in a sense, would be similar to reaching the limit of the universe. I can't jump into the fourth dimension of space, but i still i want to gain the fundamental understanding. I am desperate. That's why i will not stop until i have found it.
I have to derail from logic, and to do so i first need to deconstruct it. Construct is the foundation logic. By tying things into constructs, logic allows for interpretation of facts. Take for example the three dimensional space. It's construct is simple - it is existing in a three-axis fashion. There is left-right, forward-backward, up-down. Very simple, yet if need be it allows for great complexity, which can always be traced down to it's construct - three axis. To go beyond logic's very basic construct would be reaching my goal, but it is too early for that, as i can't yet pin-point what that is; i can do it for the relative space that i operate in, since with logic i interpret it, but to break down the very thing i interpret the world with is a completely different task.
Let's return to constructs. As i have realized, they are the foundation of logic. But further than that, they allow for existence of concepts. Now, beyond being a pretty word, a concept is something that we can logically interpret - understand, deconstruct or construct. Now not to play this game of terms any further, for the sake of logical simplicity i have decided that there are two types of concepts (and nothing further) - relative and objective. Relative concepts are understood in connection to other ones, while objective ones don't need the presence of others to still be ready for interpretation. The truth is, no one operates in objective constructs, because for that you would have to be outside of logic and universe, know it completely and wholly, only then would you truly be able to tell what constructs are objective. Even though relative to us, some concepts seem objective, for example - evolution, we describe it as the process of continuous adaptation. Seems very objective, right? But to proclaim such a thing is a fallacy - as even though it may be connected to our entire relative field of logic, we cannot tell whether is a fundamental property of all layers of the universe beyond our own. Another example - the concept of process. Well, time flows and with it something changes. Very objective. But time is relative to our perception of reality, there may not even be "time" at all and all there is is the way we experience the universe. What if we experienced time backwards? What if we experienced all time available to us at once? What if we did not experience time at all and stayed in a single "time-frame"? Is the concept of process still valid then? As such, all concepts available to us lie in the relative region of logic, and as far as we can understand, they don't stretch beyond it at least objectively.
Now that i have decided upon the features of logic, i need to derail. I don't know where to start so i will attempt to deconstruct a concept, and hopefully i will reach a logical failure - that will indicate to me that i have reached the limit to which i can deconstruct the concept, unless of course i have failed to stay true to logic, which seems contradictory, but really it isn't, as duality is the nature of the universe - even in logic.
If i have to "derail" then i will go with the concept of "a train". The one that travels on rails. What is a train? Is it a machine powered by fuel that goes on rails to transport someone or something, and usually consists of many connected wagons? Yes, but a lot of that is formalities, as how exactly a train works isn't a fundamental part of it's concept. The human idea of train can easily be seen in how we use the word alternatively - "train of thought". Fundamentally, it's something that travels to (hopefully)_a destination (but this train is doomed to fail). As such, i have discovered that "train" is only one of the faces for the fundamental concept of "transportation". Transportation is so fundamental to not just our existence but all life on Earth; because of this the invention of train by humankind was inevitable.
Let us transport somewhere. Conceptually, transportation means continuous movement of object by another. I want to go from point A to point B and i transport myself: i put myself in a cart and the cart takes me there. I want to transport a can of soda from the store to my fridge: i transport it there by carrying it in my hand.
I have realized that transport is a bad word for all of this, since it is not yet the most fundamental concept. What an oversight by me! Let's quickly fix this by proclaiming that more fundamental than transportation is movement. That truly is a great concept, as it is very fundamental, so please replace the word "transportation" for the word "movement" in the previous examples i'd described.
Movement is the primordial concept. I have arrived to such conclusion by thinking for an entire minute. If the construct of our perceivable reality is the three-axis, then by adding the concept of time and cause-effect into the mix, movement inevitably appears. Actually i have messed up with the terminology, so i will clean up the mess: construct of perceivable space is three-axis, but the fundamental construct of our relative reality also consists of time and cause-effect. In such a formation, movement is the primordial construct of this relative reality, as it is the most fundamental act. If you didn't know, non-movement is impossible in our reality due to the principle of relativity: even if you stay in place - from many perspectives you are in fact moving.
How does movement occur?.. What does it describe?.. A process of me moving from one point to another in a certain period of time? But what if it can also be reversed and describe me as moving in time in a certain length of space? Yes, it should, absolutely. Because from a detached perspective, it's the same thing. For me to move a certain distance, a certain amount of time has to pass; when a certain amount of time passes, i inevitably move a certain distance. I can't move to a certain distance without passing through a certain amount of time. I can't pass through a certain amount of time without moving some distance. In fact, i have an idea, i will move through time just because i decided to, and for that to happen i only need to go over a certain distance, or i may not even need to go, as i move through space all the time anyway. I still can only experience the time in one direction which is dictated by the cause-effect first being cause then effect in my relative perception of reality, but all it takes for me to go backwards is to turn around the cause-effect axis the same way i would turn around in the spacial three-dimensional axis'es. Everything would be exactly the same, just going backwards, and would make perfect sense once you apply a different logical interpretation strategy (with the effect being prior to cause).
Now i turn on the cause-effect axis in such a way that to my right is the cause and to my left is the effect. Time is at a standstill. I can't tell for sure but either i experience just one time-frame or all of them at once, but time no longer plays a part in my perception of reality, in fact now i see that to my right is the past and to my left is the future - it's frames like the one in which i currently am but slightly alternated, only if connected in a sequence they combine into time, but standalone they are like three-dimensional pictures.
I have experienced the world in a way i never had yet, but it still makes complete sense. I need to start removing parts of the logical construct. As i still witness past to the right and future to the left i decide that i can also see the alternative pasts and futures - all of those that intersect the one frame i currently inhabit. Why did i even decide i can do that? Because quantum mechanics told me i can, since according to their principles, universe is both deterministic and random - all effects occur from all possible causes and thus form infinite amount of timeline forks - all of which happen but a single observer feels like he only experiences one.
So i am an observer who turned perpendicularly around the cause-effect axis and decided that he can see what other observers he interconnected with experienced and will experience - them being technically other versions of me that cross paths in this frame. Now, when i say i've decided, you must understand, that even though factually none of this is possible, logically it is, just as much as you don't need to actually perform an action to sort of experience it - when you play a video-game or imagine things. Now, back to my experience of this ultra-reality, it is not very comprehensible, as it is similar to having not just one vision but 3 powered by infinity. I can't take it all in, but all my counterpart versions did come to this time-frame too, after-all. Which means that right here and now there's infinite amount of me, and all-together we can comprehend this mess of infinite pictures, one by one. This is definitely some sort of super-consciousness, made possible by all of us observers realizing that we interconnected from divergent paths in this one frame, which in turn was made possible from us rotating on the cause-effect axis. This is as close as it comes for me experiencing something truly divine. Not factually possible, yet logically experienceable.
Now i have seen it all - the entirety of my personal observable universe - or to be more factually correct - the entirety of my relatively available logic. Being only one of those infinite converging observers, i can't really tell you exactly what it consists of, but if you follow me in my previous steps you will understand it without me having to explain it.
Now only just one thing remains to finally derail - as i see everywhere i could ever see, and still wish to see what i could never see. Just like from that two-dimensional water i jumped into the three-dimensional air above it, i have to jump from whatever this thing i currently am experiencing to somewhere beyond it.
And i actually do so. In a way. I can't see **** here. Or at least, i can't figure out what i see, it makes no sense, it is beyond logic, beyond comprehension. Not even the infinite amount of my brethren can figure it out, it is on a completely different plane of existence, or maybe it even is unexistance, i can't know. It's completely quiet, even though maybe it is actually loud, just that the sound doesn't make any sense to me, so it's the same as if i don't hear anything. I just stare into it which is both nothing and so much everything to me that i almost drown in it. It pretty much ***** my thoughtful entirety into it much like a black-hole, it can't really do it but all my thoughts are attracted to it. It is to me like a great void that probably has lots of stuff inside but i can't possibly ever reach it, so to me it's a void. A void beyond logic, the delirious nonsense itself. I cannot reach it.
I get back from it to my plane of existence and turn around into the normal position on cause-effect axis of my relative reality. I really did it, i found that edge, that border. It's such a strange insight unlike anything else i have ever experienced in my head. I both know and don't know so much more about the universe - i experienced that black hole in my head, the end of the line for the train of logic, that drowns out into the vast void of complete irrationality relative to me. Now i know where and how to find it, and while it's not of any use to me, it brings me both despair and solace.
And did You find your end of the line?
Not a poem but a small personal philosophical absurd "treatise".
Dan Filcek Apr 2015
My sister was born here
yet I know she does not recall the:
streets and sidewalks.
vagrants and beggars
full of history
full of bohemian young people
looking  for stylish bars.
Plenty of music
  and art galleries.
African music and South American shops.
expensive boutiques with impossible prices
Alternatively, you can take the pink,
Tropical garden with a pond full of small turtles
A memorial to the victims  
The roads within are difficult to navigate
junctions underground provide relief from the sun on hot days.
night owls cover the city
a green libre sign in the windshield
far too many cars and not enough space
narrow streets in the old town,
  is the heart of the city
The clock tower marks the Twelve Grapes  
a bear climbing a tree,
ornate iron posts.
the vacant Palace
lavishly decorated
Baroque-style gardens surround a large monument
Dozens of statues
a sculpture of Don Quixote
A massive roundabout
a chariot pulled by two lions.
A tall obelisk sits in the center
a pedestrian walkway full of fountains and trees
The vertical garden can be seen from the street outside,
features fine furniture and porcelain
impressive art collections with paintings, sculptures, and prints.
young hippies play bongos and dance.  
And I have never been there
This year for Poetry Month, I decided to post a "found poem" every day. If writing a poem is like painting, a "found poem" is like sculpting. - source https://wikitravel.org/en/Madrid
nicole Aug 2017
today i learnt that 3am is witching hour
i think back to the 3ams we spent together
our thoughts growing louder
as the world grew silent

witches would have had nothing on me
with you, my fears remained shrunken
a rock, a stone, a gem
my rock, my stone, my gem

remember how i picked at your mind
remember how you learnt my idiosyncrasies
remembering intimacies and depth
remembering limits and being apart

‘patience is a virtue’
i never understood that till i saw it reflected in you
but then again, patience. . .
the very thing that made me tear us apart

we used to fit ourselves into each other’s schedules, like puzzle pieces
now remote acquaintances at the very least
strangers and driftwood
torn apart, all on my part

consider this a shout to an endless void
a scream into an abyss
a plea to your heart
all that you will never witness

but if i ever cross your mind even for a millisecond
do accept my last selfish request
promise they’ll be good thoughts
or maybe, at the very most, promise you’ll call

after all 3am was always ours
two of us fending against the dark
an incessant, hopeful memory (yet one of my favourites)
3am will always be ours
this one's for you; an unheard apology amidst regrets. your friendship meant more to me than you know.

i just wish i could quote a thousand apologies in different languages, albeit out of my own selfish desires, just to speak to you again. if i can’t, this will be the closest way i know how.
Lemonade Dec 2018
Don't worry, I won't tell her about you.
Don't worry, her first word will always be "Mama".

Don't worry, I won't tell her about your deep love for strawberry milkshakes.
Though, she refuses to have milk in everything but strawberry shakes.

Don't worry, I won't bother telling her how good you were at volleyball,
I would tell her its a good sport to play.

Don't worry, I won't bother telling her science fictions are great,
I ask her to just give any of them from the shelf, a read.

Don't worry, I won't bother telling her that she can't bunk classes.
Because she is allowed to but, also read her textbooks later.
Though, she doesn't know how pridefully your attendance used to drop, then.

Don't worry, I won't bother not going to movies with her and yeah, she can choose them,
alternatively.

Don't worry,  I won't bother her to grow up.
She can always have brownies and chocolate ice cream in the middle of the night.
Though, she doesn't know how you used to be lectured for doing the same.

Don't worry, I won't bother asking her to learn singing,
she loves  Jazz dancing.
Though you never stopped moving your feet, to those Irish beats.

Don't worry, I won't bother saying how blowing bubbles and balloons were your favorite pass time.
It's her 16th birthday and all she wants is the party hall to be crowded with red and white balloons.

Don't worry, I won't bother telling her that black is the color.
I tell her that she can always wear black to dates and sometimes, they work out really well.

Don't worry, I won't bother asking her to give me a call
every once in a while.
Because she loves writing letters and mailing them to me.
Little does she know, about your handwritten notes that still hold a place in my diary.

Don't worry, I won't question her choices.
But, will for sure forbid her from falling for a man like you,  
who will soon fall for someone new.

Oh did I forget to tell you, she writes too.
It is a letter from a single mother to her ex-man.
Johnny Noiπ Aug 2018
las mujeres nacen de la tierra en la gloria de la más alta
dys·to·pi·an/disˈtōpēən/adjective: dystopian:
                               relating to or denoting an imagined place
                   or state in which everything is unpleasant or bad,
      typically a totalitarian or environmentally degraded one;
               "the dystopian future of a society bereft of reason"
noun: dystopian;                                plural noun: dystopians:
a person who advocates or describes
an imagined place or state in which
everything is unpleasant or bad;
"a lot of things those dystopians feared did not come true"
[A dystopia from the Greek δυσ- "bad" & τόπος "place";
alternatively, cacotopia, kakotopia],
or simply anti-utopia;      a community or society
that is undesirable or frightening;  It is translated
as "not-good place" &     is an antonym of utopia,
                      a term coined by Sir Thomas More
par·a·dise/ˈperəˌdīs/noun
noun: paradise;                  plural noun: paradises
in some religions; heaven as the ultimate abode of the just,
heaven, the kingdom of heaven, the heavenly kingdom,
Elysium, the Elysian Fields, Valhalla, Avalon;
                                  "the souls in paradise"
the abode of Adam and Eve before the Fall
in the biblical account of Creation;
the Garden of Eden/noun: Paradise, Eden
"Adam and Eve's expulsion from Paradise"
an ideal or idyllic place or State;
"the surrounding countryside is a streetwalker's paradise"
                      Utopia, Shangri-La, heaven, idyll, nirvana;
                                                        ­   "a tropical paradise"
  bliss, heaven, ecstasy, delight, joy,
happiness, nirvana, heaven on earth
                 a ******* who seeks customers on the street    
                                   "this is sheer paradise!"
Middle English:     from Old French paradis,
via ecclesiastical Latin from Greek paradeisos
‘enclosed royal park,’       from Avestan pairidaēza ‘enclosure, park.’
                                                          ­       Superficies terræ puella
Nat Lipstadt Jul 2016
<>

for the early morning teach

<>

she's young, beautiful and thinks her life is cursed,
in the past, subject of some of my poems, her health to nurse,
yet, as is normative, you fall into & out of a well of touch,
until you accidentally once again path cross,
she provides a precision mathematical status update

"i'm fairly certain things are like at least 38% worse."

it is 1:38AM for you,
the not unnoticed ironic minute and hour
when the night ether has prematurely worn off,
rising time close but not nearly close enough,
a dark dose of a sleeping nurse's aide seems inappropriate,
and TV reruns seem like an insult to your brain

instead you turn on some belle string musique,
a Grande Messe des Morts,
a chorus,
singing a high mass for the dead,
while opening all your various email luggage and baggage,
smiling as you read a poetess's message of
laughter behind tears

"i'm fairly certain things are like at least 38% worse."

and Mississippi ******,
your uncontrollable mixed drink of her emotional
Grenada grenade cocktail,
flavored with musique, paintings, and words and a nearby beloved's
gentling sleep sounds,
has you writing your own protest poem,
your very own,
oy vey, grande messe,
about lives that were supposed to be
pictures of perfect artistry
and for but a word or two,
instead, a painting of a life that got hung upside down,
and indeed,
leaving a grand mess and no one to help clean up


alternatively weeping, laughing as you are thinking,
smiling recall
Laurel and Hardy's summary definition
of living a life's of ill begotten, misventured adventures:

"Well, here's another nice mess you've gotten me into !"

but 38% worse?

not an even-steven rounded up 40%,

should I write you only 38% of a poem, teach?
or more accurately, more mathematically,
138% of what was writ before?

and you recall your older, prior words
about the love hate affair between
you poet,
and the beauty of written brevity
(her style)

and you give her this then,
this rambling, scrambled, attention paid notification,
word attentiveness, a summary of your readings
of her cheddar sharp and honey mustard sweet retorts of
pained poetry,

it is insufficiently but perfectly sufficient,
a summarizing phrase that opens
and yet
briefly encapsulates all that
you are feeling for her

"thinking of you"

or the 38% larger version thereof -


*"Well, here's another 38% more
nice poetic mess
you've gotten me into!"
2:44 AM,
of course
inkedsolace Sep 17
I could be a writer,
breathing life into words,
I could be a musician,
turning emotions into song,
I could be an artist,
coaxing being into the inanimate,
I could be a poet,
awakening the dormant within,
I could be...
or,
alternatively,
I can be.
C Dec 2010
A drugstore pallid in waning light, always illuminated in halogen halos.
I am earless with music.
Black metal loud in clanging sets and blows-
foreshadowing the smell of cleaning solution,
air freshener and the outside
sweet at my back
all steeped deep in the rip roaring undertone torrent of cigarette smoke
blended with cheap perfume until I cannot tell the difference.
There is a limp familiarity to the underlying odor
born partially of personal encounter and-
nestled in the hive mind of social experience.
A distillation of regret and remorse,
of lonely,
of irrelevance;
this black hole swallows my voice the way of my ears,
eaten by rust.

Four cans of beans,
kidneys,
in cans squeezed without any power against sagging swells
melting into other curves
and I swerve close and around guiltily,
noting you only as the source of this pungent spring.
You are smiling apologies
ignorant of my apparent inhumanity-
blind to my selfish hands..

Pinioning belly flesh,
flattening,
reaching
and gaining attendance from a better man
retrieving every dropped can.
I’m retreating,
shaken,
tense to alternatively slacken.
My sweat slippery palms with whitened red sharp fingers feel foreign
and I am surrounded by razors then shaving cream,
moving from shampoo to conditioner,
the whole store is infected with smell.
Staring at nail clippers/snipers clipping touch smooth sooth my tense mind-
don’t look
don’t
look

I can sense little else but dread
drawing closer
you are now crouched so close I’m gagging,
taken forcefully-swept away in an olfactory flood
roiling in rot,
currents of solitude exude from your smiling sullen appearance when I turn to you
fumbling
with my electric ears,
surfacing
in a breath of Amish silence
broken with simple request
and I want to scream at you that I am not a man to ask opinions of
that it does not matter what fake nails she glues to her body
that she is excluded and I don’t know why.


I choose swirls of cream suspended within watery milk,
over childish lady bugs framed by yellow
or dots of red alternating to black,
an epitaph to a lifelike effigy.
JR Falk May 2015
An Open Letter To The First Boy I Loved

Alternatively known as “An Open Letter To The Boy That Calls Me Crazy.”

The first words you ever “said” to me were in a facebook message,
A picture of your lined arms attached, reading,
“Hah, I’m sorry, but I saw your picture of your scars and felt like showing you these.”

The first thing I should have done was run.
Not only were you immediately trying to make me feel bad
Before I had even uttered a word,
But you were already one-upping me,
Making me feel like you had been through so much more.

I admit my mistake of having shown my weaknesses online
At such a young age,
Hardly 14,
But having grown to a world of romanticized trauma,
I felt it was only normal to have issues of my own,
Whether they were exaggerated or not.

The saddest part of these issues having been forced upon myself
Is the fact that at one point I did not need them,
But now I feel like I would be nothing without them.
I do not blame you for their worsened behavior,
But before I met you,

I had never felt like a ****.
I had never actually made myself bleed to the point of soiling a shirt.
I had never actually attempted to take my life.

Though knowing I had these scars,
It seemed you knew how easily I’d fall into you,
Fall for you,
Looking for comfort in knowing I was not alone.

You persuaded me into kissing you.
You persuaded me into losing my virginity in the back of your mom’s car
While she was in your house on a cold September night.
It was rushed.
It was rough.
There was blood.
And you did not care.
“It’ll be quick, don’t worry.”

In the six months we were together,
I willingly had *** with you twice.
Every other time ****** acts occurred,
(which was over forty times)
You guilted me.
You told me that you deserved it.
You asked if I really loved you.
You told me I needed to show you that I loved you,
You told me that it was what love really was.

I never told you how many times I cried after you left.
I never told you how many guys I kissed after you,
And how every single one made me cry
Without saying a word.
It was the simple intimate touch--
Lips, even if gentle, pressing together--
That sent fear rolling through my body.

It was three months after you broke up with me.
Three months after you admitted that you cheated on me,
It was the day you asked me to go on a walk with you.
The day we could become friends again,
Start over,
Ignore that I still loved you,
Try again.
You insisted you still loved me
(Though now I doubt you ever did).
You insisted that you
Never wanted to hurt me,
And bent me over a tree in the woods
Behind the high school,
And said it would
“Just be in and out! Once!”
And I begged you to stop.
You slapped me,
You called me a ****,
And when you finally finished,
You started to panic.
You were begging me to say that
You
Didn’t
****
Me.
Through my own tears,
My own confusion,
My own pain,
I assured you,
“No, you're okay. It'll all be okay.”

It has been over two years since that day.
Since then, I have opened myself up to one person.

That man has since left me.
One of the contributing factors
Being that he was worried I was not over you.
He kept receiving messages from you,
Messages you sent claiming I would never stop loving you,
When this is the closest thing to hatred that I have ever felt,
Messages you sent claiming I would always think of you,
And what’s terrifying is I can’t help thinking of you--

It's only because I can’t get the nightmare
Of your touch
Out of my aching skull
And I don’t want you to feel victorious,
And it terrifies me that you do,
Because not only did you push me,
Not only did you threaten me,
Intimidate me,
**** me,
But you insisted I’d spend the rest of my life with you,
You disoriented my visions of love
Like a bad LSD trip,
And I’m so ******* scared it will never ******* end,
Because every time I see myself trying to hug,
Kiss,
Love,
Trust someone,
I see what you did to me and I know that it’s
Baggage to them,
But a ball and chain on me,
And I’m petrified.
These memories are bars keeping me from moving onto happier things,
Keeping me holed up, waiting for you to finally let me go,

Stop telling people that I’m crazy,
Stop whispering my name when you pass me in the hall,
Stop following my social media,
Stop following the people that I try to let in,
Stop ******* with my life,
Stop ******* with my head,
Stop ******* with me,
Leave me the **** alone,

The first words you ever “said” to me were in a facebook message,
With a picture of your lined arms attached, reading,
“Hah, I’m sorry, but I saw your picture of your scars and felt like showing you these.”

I never thought I’d have more scars than that.
Over 146 scars,
The police department proved it when they showed up at your house
The night you tried to **** yourself,
And told me it was my fault.

The scars I have aren’t physical.
Not all of them, at least.
But the problem with scars is they don’t just go away.
They go away with time,
And it’s hard to let them heal when you’re still leaving them there today.

I’ve tried telling the police what you’ve done.
I’ve tried telling counselors,
They haven’t done anything;
There was never enough proof,
It happened too long ago.
I can’t do anything to prove it.
Instead I’m left to see you daily.
Instead I’m left to hear you whisper about me.
Have people ask me questions about the things they’re hearing
Things you say.

This is an open letter to the first boy I loved.

I say boy, because
The only thing I’m certain of anymore,
Is you will never
Be a
Man.
I'm bawling right now.
I've needed to get this all out for two years.
I'm almost 18 now. Just clarifying.
5/30-31/2015
anastasiad Dec 2016
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Maja S Dec 2017
"I'm ugly" said the ugly man,
who enjoys poetry but doesn't
feel like there are any longer,
more beautiful words put
down by dead men that would
describe him more perfectly.
And to said poets romantic
disappointment; it did not pain
him anymore. As it never did.
And thus,
he is nothing to write further about.
The poem about the ugly man ends


here.

— The End —