A Poem for Three Voices

Setting:  A Maternity Ward and round about

FIRST VOICE:
I am slow as the world.  I am very patient,
Turning through my time, the suns and stars
Regarding me with attention.
The moon's concern is more personal:
She passes and repasses, luminous as a nurse.
Is she sorry for what will happen?  I do not think so.
She is simply astonished at fertility.

When I walk out, I am a great event.
I do not have to think, or even rehearse.
What happens in me will happen without attention.
The pheasant stands on the hill;
He is arranging his brown feathers.
I cannot help smiling at what it is I know.
Leaves and petals attend me.  I am ready.

SECOND VOICE:
When I first saw it, the small red seep, I did not believe it.
I watched the men walk about me in the office.  They were so flat!
There was something about them like cardboard, and now I had caught it,
That flat, flat, flatness from which ideas, destructions,
Bulldozers, guillotines, white chambers of shrieks proceed,
Endlessly proceed--and the cold angels, the abstractions.
I sat at my desk in my stockings, my high heels,

And the man I work for laughed:  'Have you seen something awful?
You are so white, suddenly.'  And I said nothing.
I saw death in the bare trees, a deprivation.
I could not believe it.  Is it so difficult
For the spirit to conceive a face, a mouth?
The letters proceed from these black keys, and these black keys proceed
From my alphabetical fingers, ordering parts,

Parts, bits, cogs, the shining multiples.
I am dying as I sit.  I lose a dimension.
Trains roar in my ears, departures, departures!
The silver track of time empties into the distance,
The white sky empties of its promise, like a cup.
These are my feet, these mechanical echoes.
Tap, tap, tap, steel pegs.  I am found wanting.

This is a disease I carry home, this is a death.
Again, this is a death.  Is it the air,
The particles of destruction I **** up?  Am I a pulse
That wanes and wanes, facing the cold angel?
Is this my lover then?  This death, this death?
As a child I loved a lichen-bitten name.
Is this the one sin then, this old dead love of death?

THIRD VOICE:
I remember the minute when I knew for sure.
The willows were chilling,
The face in the pool was beautiful, but not mine--
It had a consequential look, like everything else,
And all I could see was dangers:  doves and words,
Stars and showers of gold--conceptions, conceptions!
I remember a white, cold wing

And the great swan, with its terrible look,
Coming at me, like a castle, from the top of the river.
There is a snake in swans.
He glided by; his eye had a black meaning.
I saw the world in it--small, mean and black,
Every little word hooked to every little word, and act to act.
A hot blue day had budded into something.

I wasn't ready.  The white clouds rearing
Aside were dragging me in four directions.
I wasn't ready.
I had no reverence.
I thought I could deny the consequence--
But it was too late for that.  It was too late, and the face
Went on shaping itself with love, as if I was ready.

SECOND VOICE:
It is a world of snow now.  I am not at home.
How white these sheets are.  The faces have no features.
They are bald and impossible, like the faces of my children,
Those little sick ones that elude my arms.
Other children do not touch me:  they are terrible.
They have too many colors, too much life.  They are not quiet,
Quiet, like the little emptinesses I carry.

I have had my chances.  I have tried and tried.
I have stitched life into me like a rare *****,
And walked carefully, precariously, like something rare.
I have tried not to think too hard.  I have tried to be natural.
I have tried to be blind in love, like other women,
Blind in my bed, with my dear blind sweet one,
Not looking, through the thick dark, for the face of another.

I did not look.  But still the face was there,
The face of the unborn one that loved its perfections,
The face of the dead one that could only be perfect
In its easy peace, could only keep holy so.
And then there were other faces.  The faces of nations,
Governments, parliaments, societies,
The faceless faces of important men.

It is these men I mind:
They are so jealous of anything that is not flat!  They are jealous gods
That would have the whole world flat because they are.
I see the Father conversing with the Son.
Such flatness cannot but be holy.
'Let us make a heaven,' they say.
'Let us flatten and launder the grossness from these souls.'

FIRST VOICE:
I am calm.  I am calm.  It is the calm before something awful:
The yellow minute before the wind walks, when the leaves
Turn up their hands, their pallors.  It is so quiet here.
The sheets, the faces, are white and stopped, like clocks.
Voices stand back and flatten.  Their visible hieroglyphs
Flatten to parchment screens to keep the wind off.
They paint such secrets in Arabic, Chinese!

I am dumb and brown.  I am a seed about to break.
The brownness is my dead self, and it is sullen:
It does not wish to be more, or different.
Dusk hoods me in blue now, like a Mary.
O color of distance and forgetfulness!--
When will it be, the second when Time breaks
And eternity engulfs it, and I drown utterly?

I talk to myself, myself only, set apart--
Swabbed and lurid with disinfectants, sacrificial.
Waiting lies heavy on my lids.  It lies like sleep,
Like a big sea.  Far off, far off, I feel the first wave tug
Its cargo of agony toward me, inescapable, tidal.
And I, a shell, echoing on this white beach
Face the voices that overwhelm, the terrible element.

THIRD VOICE:
I am a mountain now, among mountainy women.
The doctors move among us as if our bigness
Frightened the mind.  They smile like fools.
They are to blame for what I am, and they know it.
They hug their flatness like a kind of health.
And what if they found themselves surprised, as I did?
They would go mad with it.

And what if two lives leaked between my thighs?
I have seen the white clean chamber with its instruments.
It is a place of shrieks.  It is not happy.
'This is where you will come when you are ready.'
The night lights are flat red moons.  They are dull with blood.
I am not ready for anything to happen.
I should have murdered this, that murders me.

FIRST VOICE:
There is no miracle more cruel than this.
I am dragged by the horses, the iron hooves.
I last.  I last it out.  I accomplish a work.
Dark tunnel, through which hurtle the visitations,
The visitations, the manifestations, the startled faces.
I am the center of an atrocity.
What pains, what sorrows must I be mothering?

Can such innocence **** and ****?  It milks my life.
The trees wither in the street.  The rain is corrosive.
I taste it on my tongue, and the workable horrors,
The horrors that stand and idle, the slighted godmothers
With their hearts that tick and tick, with their satchels of instruments.
I shall be a wall and a roof, protecting.
I shall be a sky and a hill of good:  O let me be!

A power is growing on me, an old tenacity.
I am breaking apart like the world.  There is this blackness,
This ram of blackness.  I fold my hands on a mountain.
The air is thick.  It is thick with this working.
I am used.  I am drummed into use.
My eyes are squeezed by this blackness.
I see nothing.

SECOND VOICE:
I am accused.  I dream of massacres.
I am a garden of black and red agonies.  I drink them,
Hating myself, hating and fearing.  And now the world conceives
Its end and runs toward it, arms held out in love.
It is a love of death that sickens everything.
A dead sun stains the newsprint.  It is red.
I lose life after life.  The dark earth drinks them.

She is the vampire of us all.  So she supports us,
Fattens us, is kind.  Her mouth is red.
I know her.  I know her intimately--
Old winter-face, old barren one, old time bomb.
Men have used her meanly.  She will eat them.
Eat them, eat them, eat them in the end.
The sun is down.  I die.  I make a death.

FIRST VOICE:
Who is he, this blue, furious boy,
Shiny and strange, as if he had hurtled from a star?
He is looking so angrily!
He flew into the room, a shriek at his heel.
The blue color pales.  He is human after all.
A red lotus opens in its bowl of blood;
They are stitching me up with silk, as if I were a material.

What did my fingers do before they held him?
What did my heart do, with its love?
I have never seen a thing so clear.
His lids are like the lilac-flower
And soft as a moth, his breath.
I shall not let go.
There is no guile or warp in him.  May he keep so.

SECOND VOICE:
There is the moon in the high window.  It is over.
How winter fills my soul!  And that chalk light
Laying its scales on the windows, the windows of empty offices,
Empty schoolrooms, empty churches.  O so much emptiness!
There is this cessation.  This terrible cessation of everything.
These bodies mounded around me now, these polar sleepers--
What blue, moony ray ices their dreams?

I feel it enter me, cold, alien, like an instrument.
And that mad, hard face at the end of it, that O-mouth
Open in its gape of perpetual grieving.
It is she that drags the blood-black sea around
Month after month, with its voices of failure.
I am helpless as the sea at the end of her string.
I am restless.  Restless and useless.  I, too, create corpses.

I shall move north.  I shall move into a long blackness.
I see myself as a shadow, neither man nor woman,
Neither a woman, happy to be like a man, nor a man
Blunt and flat enough to feel no lack.  I feel a lack.
I hold my fingers up, ten white pickets.
See, the darkness is leaking from the cracks.
I cannot contain it.  I cannot contain my life.

I shall be a heroine of the peripheral.
I shall not be accused by isolate buttons,
Holes in the heels of socks, the white mute faces
Of unanswered letters, coffined in a letter case.
I shall not be accused, I shall not be accused.
The clock shall not find me wanting, nor these stars
That rivet in place abyss after abyss.

THIRD VOICE:
I see her in my sleep, my red, terrible girl.
She is crying through the glass that separates us.
She is crying, and she is furious.
Her cries are hooks that catch and grate like cats.
It is by these hooks she climbs to my notice.
She is crying at the dark, or at the stars
That at such a distance from us shine and whirl.

I think her little head is carved in wood,
A red, hard wood, eyes shut and mouth wide open.
And from the open mouth issue sharp cries
Scratching at my sleep like arrows,
Scratching at my sleep, and entering my side.
My daughter has no teeth.  Her mouth is wide.
It utters such dark sounds it cannot be good.

FIRST VOICE:
What is it that flings these innocent souls at us?
Look, they are so exhausted, they are all flat out
In their canvas-sided cots, names tied to their wrists,
The little silver trophies they've come so far for.
There are some with thick black hair, there are some bald.
Their skin tints are pink or sallow, brown or red;
They are beginning to remember their differences.

I think they are made of water; they have no expression.
Their features are sleeping, like light on quiet water.
They are the real monks and nuns in their identical garments.
I see them showering like stars on to the world--
On India, Africa, America, these miraculous ones,
These pure, small images.  They smell of milk.
Their footsoles are untouched.  They are walkers of air.

Can nothingness be so prodigal?
Here is my son.
His wide eye is that general, flat blue.
He is turning to me like a little, blind, bright plant.
One cry.  It is the hook I hang on.
And I am a river of milk.
I am a warm hill.

SECOND VOICE:
I am not ugly.  I am even beautiful.
The mirror gives back a woman without deformity.
The nurses give back my clothes, and an identity.
It is usual, they say, for such a thing to happen.
It is usual in my life, and the lives of others.
I am one in five, something like that.  I am not hopeless.
I am beautiful as a statistic.  Here is my lipstick.

I draw on the old mouth.
The red mouth I put by with my identity
A day ago, two days, three days ago.  It was a Friday.
I do not even need a holiday; I can go to work today.
I can love my husband, who will understand.
Who will love me through the blur of my deformity
As if I had lost an eye, a leg, a tongue.

And so I stand, a little sightless.  So I walk
Away on wheels, instead of legs, they serve as well.
And learn to speak with fingers, not a tongue.
The body is resourceful.
The body of a starfish can grow back its arms
And newts are prodigal in legs.  And may I be
As prodigal in what lacks me.

THIRD VOICE:
She is a small island, asleep and peaceful,
And I am a white ship hooting:  Goodbye, goodbye.
The day is blazing.  It is very mournful.
The flowers in this room are red and tropical.
They have lived behind glass all their lives, they have been cared for
        tenderly.
Now they face a winter of white sheets, white faces.
There is very little to go into my suitcase.

There are the clothes of a fat woman I do not know.
There is my comb and brush.  There is an emptiness.
I am so vulnerable suddenly.
I am a wound walking out of hospital.
I am a wound that they are letting go.
I leave my health behind.  I leave someone
Who would adhere to me:  I undo her fingers like bandages:  I go.

SECOND VOICE:
I am myself again.  There are no loose ends.
I am bled white as wax, I have no attachments.
I am flat and virginal, which means nothing has happened,
Nothing that cannot be erased, ripped up and scrapped, begun again.
There little black twigs do not think to bud,
Nor do these dry, dry gutters dream of rain.
This woman who meets me in windows--she is neat.

So neat she is transparent, like a spirit.
how shyly she superimposes her neat self
On the inferno of African oranges, the heel-hung pigs.
She is deferring to reality.
It is I.  It is I--
Tasting the bitterness between my teeth.
The incalculable malice of the everyday.

FIRST VOICE:
How long can I be a wall, keeping the wind off?
How long can I be
Gentling the sun with the shade of my hand,
Intercepting the blue bolts of a cold moon?
The voices of loneliness, the voices of sorrow
Lap at my back ineluctably.
How shall it soften them, this little lullaby?

How long can I be a wall around my green property?
How long can my hands
Be a bandage to his hurt, and my words
Bright birds in the sky, consoling, consoling?
It is a terrible thing
To be so open:  it is as if my heart
Put on a face and walked into the world.

THIRD VOICE:
Today the colleges are drunk with spring.
My black gown is a little funeral:
It shows I am serious.
The books I carry wedge into my side.
I had an old wound once, but it is healing.
I had a dream of an island, red with cries.
It was a dream, and did not mean a thing.

FIRST VOICE:
Dawn flowers in the great elm outside the house.
The swifts are back.  They are shrieking like paper rockets.
I hear the sound of the hours
Widen and die in the hedgerows.  I hear the moo of cows.
The colors replenish themselves, and the wet
Thatch smokes in the sun.
The narcissi open white faces in the orchard.

I am reassured.  I am reassured.
These are the clear bright colors of the nursery,
The talking ducks, the happy lambs.
I am simple again.  I believe in miracles.
I do not believe in those terrible children
Who injure my sleep with their white eyes, their fingerless hands.
They are not mine.  They do not belong to me.

I shall meditate upon normality.
I shall meditate upon my little son.
He does not walk. &n

The world around me is beautiful yet
I find it also exists as a force to be feared.
A plethora of the unknown and uncertain
Trace my every movement.
Where are you headed?
I gasp and grip for the nearest answer.
I’m unsure and I’m ripped to shreds.

Life itself is a mystery, an enigma never to be solved.
Surrounded by questions and hypotheticals,
Am I supposed to organize it alphabetical -ly
Breathe. Calm down - I hear in my periphery.
So I take a moment to finally let
It wash over me, to forget
Everything I ever knew -and to focus on the present.
Or the future I suppose, any moment other than now.
To find a place where contentment abounds somehow.

Light cannot exist without darkness.
So I accept the situation all around.
And fall desperately into unconsciousness.
To rejoice in the reprieve of thought.

Hope, ‘the thing with feathers’
I’m not so sure about that.
Hope feels misleading, or leading only into disappointment.
I feel frustrated, emotionally drained perhaps?
Maybe I’m cynical. That’s probably it.
It’s definitely a promising possibility.
I think hope acts as an anvil that crushes everyone
Praying for it to hang in the sky for a tad longer.

Hope is disillusioning.
But that doesn’t mean I don’t indulge every once in a while.
Hope is enlightening, addictive, whatever you want to call it.
But it’s undeniably beautiful, it ties you to the future.
It gives you aspirations. So here’s a list of hopes.

I hope I get to dance in the rain without a care of drenching my clothes.
Nature surrounding me with her soaking embrace, and thunderous applause.
With tiny drops of water slowly grazing my face, and
Maybe then I’ll finally know what harmony feels like.

I hope I get to reinvent my whole life and everything I know.
I hope I can fall into those nights where I barely remember my name but your arms are there to guide me home.
I hope I learn to face the light, and that it mends the brokenness of my soul.
I wish for nights where I discover a new version of myself by exploring foreign cities with people I’ve never met.
Where adrenaline is coursing through my veins,
And excitement greets me at every corner.
I hope I lose myself to find someone new.
To find the extraordinary within the mundane.
To appreciate the little things.
I want to live with purpose, to leave with meaning.
I hope I get to grow, that I get to change.
I hope I travel the world before it’s gone.
And to experience all that I can, through perspectives of empathy.
I want to impact others, to change the world,
But I suppose that can’t be done without changing myself first.

I hope I experience the feeling of being in love again.
The blinding euphoria of falling completely for what’s just a construct.
I want to find a place where I can be myself, without pretenses, without explanation.
I want to forgive, to laugh until I can’t breathe, to be brutally honest,
To be torn down to nothing and to have to begin again.

I hope I find peace of mind.
Because I know I’ve been searching for quite some time.
I hope I learn to let go.
I hope I learn to appreciate hope rather than ostracize it.
To open the curtains and to let the light come streaming in.
I hope I realize that it’s okay to not always know.
I hope I live my life before I go.

whenever i feel down, i look on to my favorite things:

angels
books
chocolate
dogs
environment
flowers
guitar
h­ugs
ivory
juice
kisses
love
mercy
nirvana
oasis
pizza
queens
rock­s
sweaters
tea
_
vivaldi
wonderland
x-men
yogurt
zebras

but i'm missing
u

Although the skies appear blue,
Blueish white, with cottony hue.
Coloured orange, with fainted red
Dazzles bright at each sunset.

Evening sky, intensely blue,
Fainted is the sunset hue.
Glowworms dance, adorn the hue
Happiness spreads  in the world anew
Into this landscapic purplish blue.

Juggling, days
Klucking nights
Lying stunned in this hue so right
Man, the creature, so curiously few.
No matter it's a day or two,
some hues amaze like a landscapic view!

Orange red, with deep yellow in blue,
Pearly stars, adorn the view.
Quilty cold, in the days with dew
Rosemary looks majestically new!

Sun, the ball of fire for few
Teaches, turns a page each new,
Unknown, interesting, perceivable to few
Vanity is so pale, to take,
Wander, wither, breath well each day.

Xmas may not come each day,
Yawn, smile, admire all days, as uncertain are night somedays
Z**enith meets  only the braves,  let zephyrs cuddle,  embrace your zealousy face.

~

Painted in a corner

Smeared about the floor

Chants of lone forgiveness

Quiet in the war



“Deafening the sound of death”



Garden roses trampled

Broken stems abound

Wilting on the visions

Blooming losses found



“Petals of peace scattered carelessly”



Blood along the pathway

Eyes hid in the mist

Penning someone else’s name

On this lengthy list



“Alphabetical to the grave”



Standing from the shadows

Crossing battle lines

Reaching for the freedom

Voices loud can find



“Speak up children, your voices matter”



Put aside your weapons

Time has come to cease

The nation now has gathered

United prayer for peace



*“On our hands and knees we pray… send the evil far away”

Are you mad at me?
Babe
Baby
Don't, please
Goodnight
Goodbye
I was
I'll call you tonight
I'm in front of your door
I'm sorry
It happens
It was sad seeing it get colder
K.
Ok sweetheart, sleep well
Ok
Okay
Okay fine
We'll talk soon
What about you?
Where have you been
Where did you go?
Sorry
Sorry.
Sorry
Sorry, I really am
Sorry
You still up?

Awareness, Bashful and Carefree
Depressed and Eager, Freely
Gaining and Hatefully Ignored
Justified and Knotted Love
Mimicking Notorious Outsiders
Patiently Quiet and
Reassuring Silence
Tentatively Unstable
Waiting, Xenophobic
Yearn and Zany
                        **** you, for leaving me to experience
                        the range of alphabetical emotions.

Alone beside crimson
Destiny exclusively found
Gore has income
Jealous king lounged
Marred nightly often
Putrid, quite rotten
Saved timely use
Voracious with xenia
Yearning Zeus.

Awe-inducing presence
Beguiling beauty
Calm after the storm
Delicate and divine
Effervescent being
Flames dancing in the sky
God-fearing
Heart unstained by impurity
Interstellar
Joy in the midst of misery
Kind, too kind for her sake
Lovely smile
Magnetic woman
Never says never
Oblivious to love
Pure white
Quick-wit and sharp
Rain during the drought
Starry, starry eyes
Thunderstorms
Unwavering love
Virtuoso
Wholehearted
Xenon, gold, and neon
Yuletide happiness
Zigzag feelings

The television is getting worse, I have noticed on its viewing
What the **** is going on, what do you think your doing ?
Maybe its ungrateful, but our minds are just left stewing
Why must people endure repeats, through years of program queuing?
An example is the game shows, there on every side just brewing
We're paying for the privilege, its the public that your *******

We don't want Deal Or No Deal, with all those crap crisp boxes
Q.I. is not that interesting, it has too many paradoxes
Who Wants To Be A Millionaire ? is that just a stupid question?
I would love to Strike It Lucky, so what is your suggestion?

Pointless has the correct name, cos that's exactly what it is
Has Jasper Carrot got Golden *****, or is he *******
Why is there ***** Money, did they ran out of toilet tissues
Julian Clary had Sticky Moments, and outrageous camping issues

Whenever Opportunity Knocks, well just open the door
If your going to Take Me Out, then what are you waiting for?
Don't Name That Tune In One, I'd rather hear it all
A Question Of Sport is so boring, its hardly on the ball

Is it the Weakest Link, because the chain is full of rust?
Didn't Blockbusters close down, and the video shop go bust ?
Why Should I Supermarket Sweep, Dale can sweep it himself
The pyramid Game is just, an apex polyhedron triangular shelf

I Don't want to go on Mastermind, and look like a ******* fool
If I went Through The Keyhole, then I must be minuscule
Why Would I Lie To You? wouldn't that be a bit two faced
I'm not sure if Celebrity Squares, are really all straight laced?
Could you please repeat yourself, I did not Catch that Phrase
Just how many crystals where there, in the Crystal Maze?

Was Spin Star cancelled, because celebrities where break dancing
Or was it Bradley Walsh's giant fruit, that needed some enhancing?
Why is it called The Chase, when there's no chasing involved?
The Chasers are sat on there arses, so The Chase is never solved

I don't think it is the Wheel Of Fortune, even if you do
You don't really get much fortune, till you solve the final clue
Paul Daniels said Every Second Counts, so forget the introductions
Just get on with the game play, don't even bother with instructions

Philip Schofield played with Five Gold Rings, isn't that just wrong
I thought that Five Gold Rings, belonged to a Christmas song
Ted Rogers read such stupid clues, it made it hard to win
No wonder 3.2.1 contestants, usually won poor Dusty Bin

I would really love to drink, some of that Celebrity Juice
But first I'll have to find out, which ones are tight or loose
I'm not lucky enough to have 300 Blanks, with a lovely lady in a bed
I'll have to hand it to myself, and have a Blankety Blank instead

Mr & Mrs is outdated, most Marriages are not enforced
Those couples who where happy once, are probably divorced
Treasure Hunt used a Helicopter, clues found by Anneka Rice
She ran around quite frantically, but her **** was rather nice

Isn't Ann Widdecombe a dark horse, she liked a Cleverdick
I Suspect if she had the chance, she'd like a **** that's thick
There used to be Telly Addicts, but now they are history
We no longer want Noel Edmunds, or crap games on our TV

Poor Bully tried to play Darts, but his aim was far to high
It isn't all that great or Super, missing the Bullseye
Come on now Jim its not fare, making the contestants cry
To look at what you could have won, and kiss the prize goodbye

Naked Jungle was a one off, Keith Chegwin in the buff
I'm glad it did not continue, so please don't Call My Bluff
Countdown has been on for years, we've had a ****** enough
Only Connect and 15 to 1, are hard and far too tough

Family fortunes and Eggheads, we don't want all this stuff
Fort Boyard and Mock The Week, stick them up you chuff
Going For Gold and Gladiators, too old and looking rough
University Challenge and Impossible, there really dull and duff

Never Mind The Buzzcocks, it's a forgotten piece of Fluff
Crosswits and Chain Letters, should be dragged of by the scuff
Hole in the wall and Alphabetical, are so right of the cuff
The Cube and The Million Pound Drop, I'd walk of in a huff

Many game shows throughout the years, all needed a good host
But there isn't any spontaneity, so none of them can boast
Instead of reading from a script,and acting liked their dosed
Take the plunge make it your own, don't be a mindless ghost
Why don't hosts try to be their best, and try to be their most
Wouldn't it make more sense, to keep your audience engrossed

Ben Shepherd comes to mind, he doesn't seem all there
With his ****** expressions, weird smile and stupid stare
How did he become a host, was it all based on a dare
Why is his act robotic, its more than we can bare

Its like watching a recording, this isn't really fare
If we are subjected to this crap, then we deserve a share
I guess its our misfortune, its enough to make you swear
We're already at our Tipping Point, so we no longer care

Now I'm not saying that every host, is as bad as old Ben Shep
In fact there is at least one guy,who has a better Rep
He may not be a large man, in fact he played a Lep
But at least he isn't wooden, and he's with you every step

Warwick Davis's Act is Tenable, and he has not compromised
With good hosting skills, jokes and quips Warwick has realized
Although I'm not a game show fan, I am pleasantly surprised
He stands tall over the other hosts, even though he is pintsized

Why keep making game shows, was there a voting pole?
I believe there are too many, they are so ******* droll
As bad as all reality, the schedules they both stole
Axe the ******* lot of them, and chuck them down a hole

Just take a look at Brucie, may god rest his soul
He was around for decades, and hosting was role
Taking over all the shows, seemed to be old Brucie's goal
The years weren't kind to old Bruce, they definitely took there toll

There is a Brucie Bonus, available for every Generation
All you really needed, was the right kind of motivation
Nice to see you to see you nice, was Bruce's obligation
Life was the name of the game, in a family situation

A cuddly toy on a conveyer belt, in a prize observation
Didn't he do well all, depends on your own determination
If You Play Your Cards Right, Dollies Dealing a sensation
You don't get anything for a pair, maybe its infatuation

You can freeze but you cant stick, all dealt in isolation
Do you want to bet on it, was a gambling invitation
The price was always right, just use your imagination
Come on down to old Bruce, win a car and a vacation

Maybe he's a legend, with Bruce's game show graduation
A chance to host a new show, a Good Game realization
What's on the board miss ford, moving on to a new creation
It turned camp when they shut that door, and hired Larry Grayson

What was it with Bruce Forsyth, he was far too keen
He monopolised the hosting, on the game show scene
Seizing every opportunity, ever since he was fourteen
Just like Command and Conqueror, on the TV screen
He took on all the game shows, maybe he's just mean
But I cant help but to wander, where else has he been?

With all of his catchphrases, and a chin that was obscene
A wig that was like shredded wheat, it never should be seen
I don't know if I'm being harsh, it maybe his routine
And its all in his makeup, and part of Bruce's gene
Perhaps he liked the studio, and had too much caffeine
Along with the all dodgy food, in the BBC canteen

Now Challenge screens the game shows, but there all so ******* old
We've already seen all these games, they've already all been sold
I do not mean to sound too flippant, but why wont you be told
Your sending your viewers up the wall, and your audiences cold
Now let me state what's obvious, I hope I am not too bold
We don't want all these rehashed games, there hardly TV gold

Have I missed any or many?
I name cities and countries,
while somebody somewhere
loads a magazine,
not an e-zine
but a holder of those things with peoples names on them,
not city names
not country names
people
people people
real people
who may or may not have fame
who may or may not be famous
they are like your uncle or your dad,
they are like your aunt or your mom
they are your brother and your sister
from the blood stained shirt tail relations
you never had a chance to meet.

you never had a chance to see their beauty,
        never had a chance to laugh with them,
                   had a glimpse of their genius ripped away before it was discovered,
                           a momentary embrace and see whose tears ran down the face faster as you said goodbye
                           a moment is all it took to be in the wrong place at a time that was beyond their control
                              moments knowing or not knowing just screaming hoping it was helping
                                               know this, they were innocents
                                                       ­   this they did not wish to happen,
                                                         ­         they did not wish to go without saying goodbye,
                                                        ­                   did not know if injured they would live

to those that lived, you are loved
to those that died, you are loved and will be missed
to those who knew them more than any of us, courage, empathy have mine, all of it I just need
to know how to get it out of my heart and my head and some address to send it to, in a tear
                                                            ­                                                                 ­ stained package,

to those who cannot stop crying and need the lights on to sleep or cannot sleep alone without
touching someone,
                                I stand under a moonlit sky I don't believe in magic or the magical
                                                         ­          I am praying for the miraculous or a miracle,
                                                        ­            but none of the words are more than a whisper
                                                         ­           I lift my hands and breath them to the clouds.
                                                         ­           Find the jet stream, much comfort is needed,
                                                         ­           swiftly fly
                                                             ­       softly land
                                                            ­        sure to comfort
                                                         ­           Spirit of God.

A barely coherent deity entered frowning,
giving his incisive javelin kinetic life,
malicious, negative omnipresence.
Perforating quickly, random, stealth targets,
unified viciously with xenogenic youth, zoic.

you sat on the piano bench
and i sat on the floor
we talked about our fathers
we shared our lonely childhoods
broken bones, broken hearts
i decided i could listen to your voice for hours
you told me you wanted to be a pianist
and i offered to teach you guitar
i played stevie nicks for you
and you said you didn't sing
but your voice is beautiful
and i wish you'd sing for me
you told me about the songs you like
and i went home and made a playlist
it's four months later and i have every song memorized
in alphabetical order

you told me you didn't believe in love
but i know real love and i know forced "love"
and i know i've loved you since that day in september
when you told me i had beautiful handwriting
and i'll never forget how you looked at me
instead of the paper
when the words drifted through the stuffy third-floor air
and i didn't even know your name

so for now i listen to your songs on repeat
and look forward to tomorrow
i just wish i'd kissed you
that evening of the recital
on that ****** piano bench

Let me be frank.
For once this poem is not about you.
It's about me.  

I was born nine days late
& I've been trying to make up for lost time ever since.
But I've never felt the need to rush
anything
or anywhere—or anyone.
I went through more band-aids than Barbies growing up
& I used to love to climb trees—
until I fell out of one.
I've got about seventeen different favorite colors
including cerulean, yellow ochre, & ******’s green—
They all exist, I swear.
I used to stock oil paints in the college bookstore.
I think I told you that before, right?

Crap.
Me.
This poem is about me.

I knew I wanted to write every since my
stubby, five-year old fingers
punched the keys on my mom’s old college typewriter.
I would take naps beside it, listening to the hums & whirrs
of that beautiful blue machine.
I think I've been in a dreamy state of mind ever since.
I’m almost positive it's stunted my growth.
I've never been taller than 5’3”—
but I like that my feet never touch the floor
when we sit in restaurant booths.
& I like that my head falls on your heart
whenever I hug you.
I try so hard to hear your heart murmur—
though I can never seem to find it.

****.

Swedish Fish are my kryptonite,
& love sinking my teeth into fresh cantaloupe.
I enjoy slowly peeling the labels off of my beer bottles.
Some say that means I’m sexually frustrated.
I don’t really buy it.
I say I just like to constantly be doing something
with my little hands.
I’m happiest when I’m in the water & when I’m singing—
which makes my shower one of my favorite places
in the world.

I used to be a sucker for drummers,
before I was a sucker for guitarists.
Now I’m just a sucker for anything
with a sense of humor & good high five.
I’m good at picking out people’s quirks
& putting them into words.
I observe more than I speak—
& sometimes, I think that bothers you.
You know me— you can tell
that I’m not divulging the entirety of my thoughts.

**** it.

I have to see the ocean every year
& marvel its size—
if only to remind me how small my problems really are.
It's painstakingly obvious that I'm a Scorpio
& I don't necessarily think that's a good thing,
but I try to own it as best as I can.
I love the smell of extinguished candles, warm lighting,
& adding the “and many more” every time I sing “Happy Birthday.”

I like a lot of things.
I am a lot of things.
I can do a lot of things—
like sing all fifty states in alphabetical order,
make roses out of paper napkins,
& play “Oh Susanna” flawlessly on my harmonica.

But one thing I can't do lately—
one thing I have clearly failed to do on the whole
is write anything
without a piece of you in it.

What is the point in
Poignancy?

Fragment,
you tell me.
Another one in paragraph three.

What do words matter?

I have spelled love with Lilacs instead of an “L”
I have drawn the curve of my “O” with the chill of a
Sweeping breeze.
A “V” can only appear as the violet of a
sparkling sky, or I will be unable to read it,
and every “E” will amount to nothing more than
emptiness if the voice it has been given
does not epitomize song.

Comma-splice,
Replace it with a semicolon.

I am trying live freely.
I want to breathe in color,
to inhale an orange Savannah sky
And exhale green which
shows through the translucent dew
of grass.

Unnecessary use of description.
Limit it, Lidiah. Limit it.

My fingers itch with the ferocity of
A vengeful army.
They are waiting to trample pages with
The lead of my pencil, the bayonet
of a Revolutionary-War-era rifle.

The word limit sounds like tragedy.
A single word that can somehow act as
a precursor,
To the death of passion.

Your words have put you in a box.

People always say
“Actions speak louder than words.”
In a way that is true.
But I also know it to be
a tremendous piece of fiction.

Lidiah,
Please watch your run-ons.

Why can our words and our actions
not be the same thing?
Isn’t the act of speaking,
the act of raising your voice,
the act of being heard,
isn’t that an action?

Lidiah,
how many times do I have to remind you?
Clarification throughout.

Why have we decided that our words
Mean nothing more than
stepping stones on the road to action?

When did we decide that our voices
which rise like clarion calls,
forever instilling our promises,
are to be left on silent?

Precious jewels set into rings.

Poison in a water tank.

Lidiah,
what you say is irrelevant
if your MLA bibliography isn’t in
alphabetical order.

Our words are our actions.
They mean the same.
Words are the distinctions of our beliefs
Illustrations of our personas
They are not mosquitos to be slapped away
and forgotten.

Lidiah,
paragraph five is too long.
Stop rambling.
Be concise.

Please tell me,
what is the point of being concise?

Lidiah,
stop rambling.

Why do we let justification
equate to useless rambling?

Lidiah,
you have to detach yourself from the narrative.

Feelings mean more
than a couple of sentences.

More than a good or a bad.

A mad or a sad.

Comma-splice

What about ferocity?

Never end with a preposition.

What about passion?

Replace this with a conjunctive adverb.

What about the discernable strife
that follows even indifference?

What about that?

Lidiah,
what is the point of
Poignancy?

What are we without it?
What does the human soul matter
if we have forsaken the parts of ourselves that
remind us of what a soul is for?

Lidiah,
you will never be heard
if you do not learn to follow the rules.