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Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
Thomas Thurman Nov 2010
I watched from Farringdon as Satan fell;
I’ve battled for my soul at Leicester Square;
I’ve laid a ghost with Oystercard and bell;
I’ve tracked the wolf of Wembley to his lair;
I’ve drawn Heathrow’s enchantment in rotation;
at Bank I played the devil for his fare;
I laugh at lesser modes of transportation.
I change at Aldgate East because it’s there.

The Waterloo and City cast its spell;
I watched it slip away, and could not care,
the Northern Line descending into hell
until King’s Cross was more than I could bear;
he left me there in fear for my salvation,
a Mansion House in heaven to prepare:
so why return to any lesser station?
I change at Aldgate East because it’s there.

Three days beneath the earth in stench and smell
I lay, and let the enemy beware:
I learned the truth of tales the children tell:
an Angel plucked me homeward by the hair,
to glory from the depths of condemnation,
to where I started long ago from where
I missed my stop through long procrastination.
I change at Aldgate East because it’s there.

Prince of the buskers, sing your new creation:
the change you ask is more than I can spare;
a change of spirit, soul, imagination.
I change at Aldgate East because it’s there.
Bother, I've got it wrong again. Ballades are ababbcbc, not ababcbcb. I think this can be saved anyway.
And it has been a hard days night,
too friggin' right mate,
started early
finished late,
get to the bus stop
had to wait, but now
I am satisfied,
tried my hardest
did my best,
If this was a test
I am sure
that I'd pass.

In the city and
the streets are wet
and *****,
Winter brings such things
I'm not at all surprised,
my eyes look out on desperation,
Liverpool. the street
and station, but I am heading home to where my heart and the beat awaits me.

Tired though not beaten yet
I have yet to get a midnight
Kiss.

Two hours late but how could I miss the thrill that chills me, thrills and will she **** me one more time?

Stepney and still late
no worries
the bus hurries me home.
Paul Hansford Aug 2016
Found in the churchyard of St Botolph's, Aldgate,
one distant lunchtime sixty years ago,
and saved perhaps from second burial
less ceremonial than its first had been,
would Hamlet have mused on this? A finger-bone,
less striking than a skull but just as dead.

I keep it now and wonder  
what skill he had possessed, the one who owned it.
Was he a tailor or a silversmith?
a carpenter? a weaver? or (none of those)
a lowly labourer, or a sly pickpocket?
Was it a woman's finger, a high-born lady?
or housewife (working her fingers to the bone)?

Did that hand long ago once guide a pen,
inscribe long lines of figures in heavy ledgers,
telling the tale of profit or of loss?
Did it write sonnets? messages of love?
or thoughts to pass on to an unknown future?
I cannot know, but still this humble bone,
the nameless relic of a city's past,
may have some little life, if only for me.
Saint Botolph, patron saint of travellers, had churches dedicated to him at four of the ancient gates of the City of London.  Daniel Defoe tells of two pits being dug in the churchyard of St Botolph's, Aldgate, that were filled with the bodies of 5,136 victims of the plague of 1665.  An ancient mystery?
Aldgate
not the old gate
because that's long gone
and so has
'that turbulent priest'

his association with the laws and taxation
are well documented and
divinely noted

I note also an 'Angel' on the
Northern line
passing time probably
until the pearly gates
open.
The blind beggar near Aldgate
a city gent at the Embankment
the Temple not meant for a psalm

this District line takes
some time to unravel
so I travel on blindly
much the same as the beggar.

Euphoria
I'm passing Victoria and she passed
away many a long day ago.

and
I am heading to Kew but Richmond may do
a walk in the gardens or a stroll by the Thames
all caught quite neatly by the camera's lens.

In a day filled with happy
I have to ask her to
slap me
just in case I am dreaming.

........................ ................,.

(part 2)

Back I thought to Barons court
alas 'twas not to be
I took the platform on the other side to find myself beside a sea
which pleased me absolutely,

going home is such a chore
I'd sooner watch the comings of the tide but what I actually saw
was building sites by seaside huts,

this nuts and bolts society has once again undoubtedly
******* me up completely.

Short platforms are the norm for me
in this shrunken underground
where I can see
that insanity
Is the next stop.
It's all ******* and everyone knows it's
a ***** hawk that hovers, but nobody bothers to say.

I am worn down by the West End and tired,
Eros has ******* me.

But it's ******* and I knew that it would be,
there is **** all for free and you pay through the nose,
some days it seems to me, that that's how it goes.

At any rate, I'm on a bus full of drunkards and we're passing through Aldgate and that's ******* too,
Who needs the night hawk when I have the ***** hawk hovering over my head.
Monday
and I'm shuffling in to work
so
let the week begin.

Do you remember when it used to feel real?
and when back then it was no big deal
to
be a man and earn your keep,
now
I wonder if it's better just to stay in bed and sleep.


The mirror looks the same
but
it's a different face I see,
what's going on outside
reflects inside and
poisons me.

Bow Road is a slow road
the way I go to work road.
that is coming from the East
and going to the West.

and the end smokes cigarettes
quite calmly so as not to disturb
me.

Thinking it's all about
the cues we use.
are you in a queue?
do they use you too?

There's still time,
hidden between the
decaying buildings
and
clogged in the cracks
I buy
two more packs
of
lucky strikes,
nails
to seal the coffin lid.


At Aldgate
I wait
for
Thomas
who tells me tales
of Canterbury
and speaks
of Henry in
hushed tones.

Did you hear the pad
of footsteps on the sidewalk?

history come talk to me
but
there's only the future here
to walk with me and
presently
I join in,
let the week begin.


My time nears me
and I weary,
clearly
something is not right

written out of the script
popped in by being
pipped at the post
and that's the most
we can all look forward to

step out of line or
stay in the queue?
it's up to you
isn't it?
Inner city limits.


I did get on the bus
no fuss
eschewed the tube
and
got the bus.

No point being early today
even if I was there'd be no
one there
anyway
the
caretaker's got the day
off and not taking care
of anyone,

but it's Friday
and why you may ask
does that make a difference?
all I know
is that as days go
Friday's are one of the best.

Standing room
and on tte
lower deck thoughts
drift silently in the quiet
faces of passengers.

Passing the Boorh memorial
a man of god dressed in
sartorial elegance,

Whitechapel
smells of ether and rain.

The Royal London
looks regal
a
palace for tte sick.


Into the city
past Aldgate East
no one at home
but
at least
the lights are on
and now this bus is jammed
spread so thickly with people
that drip like thick treacle
down the aisle,
in a while I beleive
they'll leave
they always do.

On through the Bank
and down to
St. Paul's,
behind me
a solitary
muezzin calls
the
faithful to prayer.

I'm getting there
albeit
slowly
but
the getting is part
of the process
and progression is
just a bonus.
Bromley by-Bow,
it
is as well to know
not the same as
Bow road where it is
still advisable to
'Mind the gap'

Have you ever seen
Stepney Green on
Saturday?
Ha
no way you'll see it from
the underground
as I've just found.

On to Aldgate East
don't expect to meet
that
'turbulent priest'
he's long gone.

I'm going on
passing Tower Hill,
the monument
a monument to
the great fire

Cannon street
no cannons
Mansion house where
they really need *****
(of the cannon variety)
Blackfriars in a blackfriary,
must remember that and put
It in my diary
Temple
Embankment
Westminster
at James's park
and it's dark but still
underground so quite
reasonable

Victoria
amused?
I'm confused
it looks so new.

Glass and steel
all go to make me
feel cold and
unwanted
which is probably true
in the new
continuum.

— The End —