Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.

It's funny how you apologise for slight and minimal accidents,
but you don't give a **** about creating explosions of Hell.
You're so ironic that your names could be the definition.
I'd rather you'd have accidently nudged me
than destroy my every thought.

Every story has a criminal
The one after the treasure
The one set on destruction
Reaping chaos among the land
If this life was a Fairytale I'd be the villain
Set on making your world incomplete
I'd be the one trying to steal the treasure
Out of your locked down chest
Stripping you of a life of happiness
I'd be the one who failed to overcome
The tragedy of my past
Failed in mastering the art of love
I'm the nobody
Trying to make myself a god
If this was a fairytale I'd be the villain
I'd be the one always losing
I'd be the one to die in the end
I'd be the one you save
As you accidently plunge a blade through my emptying chest
As we lay there realizing the faults
We both made in this not so happy ending fairytale
We both don't get to live happily ever after
The main point of it was to see good and evil side by side
Happily joining forces to finally see the peace of mind
Yet death always is the price a villain must pay
When his goal is ending the world
Bringing new color into a faded world lost in chaos
The villain was the hero
The hero was the villain
Happiness was prevented
By the one they all gave the flag to wave in their name

I'm startin' to run out of nursery rhymes
So, I made up one of my own
It's about a nearsighted plumber
That was accidently glued to his throne

Once upon a time, long, long ago
There was a plumber, who I'll call Dale
Poor old Dale had a hard time plumbing
Cause he really couldn't see very well

He'd gotten a call, "The toilet won't flush!
Please, can you come right away?"
Well, old Dale got in such a hurry
He forgot to take his glasses that day

Well, by the time old Dale had got there
The house was in quite a mess
He realized he'd forgotten his glasses
But he'd give that toilet his best

He'd not seen this since plumbing school
But then, he only saw it on a test
And by the time, he got his tools together
The water was starting to crest

He had spotted the problem right away
But remember now, he can only half see
The water was squirtin' six feet high
And poor Dale was only five foot three

He laid his glue on the toilet seat
While trying his best not to drown
He couldn't see where he put it at
And, of course, that's where he sat down

He didn't even know 'till it was too late
He'd bent over to loosen a nut
And that's when he first noticed that thing
The toilet was glued to his ****

So, if you ever need a real good plumber
He's the man for the job, without fail
And I hope you enjoyed this story
About the nearsighted plumber named Dale

I forgot tell you, there's one more thing
About the nearsighted plumber named Dale
That man still has that toilet seat
For the thing's still glued to his tail


© All Rights Reserved

I use to be like Summer. A burst of brilliant red like when you bite into a perfectly ripe Strawberry. I stained his lips with my sugar-sweet kisses. Like evening’s Cotton Candy sunsets and blushing clouds trimmed with falling golden light, I was your whole sky, morning, evening and night; you marveled at my untouchable beauty, so close but yet so far. I was a Summer storm, rolling thunder and shattering lightning, electricity running through your bones. I was the pitter-pattering rain, tap dancing upon your room, humming you to sleep, every night you saw me in your dreams and always played them back to me. In your sleep you would see me, dancing far away  to somewhere where there was no other-side-of-the-fence, grass was always green wherever my feet touched the earth in between joyful leaps. Where the wind was music in the trees and the grass flowed in fluid motion like dancers caught up in the melody, where the wildflowers bobbed up and down and where the fleeting Robin never left, for there it is always Spring. Yes indeed, I was like wild flowers in mid July, I was the magical meadow tender and warm, hidden away in the pockets of your heart away from the dark, I was a safe haven you happened to stumble upon while fleeing the snapping jaws of the shadow wolves in the Forbidden Forest. Bright and strong like a sunflower, I did not bend in even the most wild wind, and you could lean against me and take in my strength, my untainted, yellow light. Soft and simple but still enough, like a daisy. I made a necklace of my prettiest flowers and hung it around your neck, a most beautiful and delicate daisy chain, my petals kissed and tickled your chest. But I was also vibrant like a Indian Paint Brush, I painted you the prettiest picture, promising passion in streaks of brilliant color, I promised you everything, my roots, my stems, my leaves, my blossoms, everything. And the promise ignited a wildfire within your shivering heart, and spread through your bones, to the black of your eyes, reflecting the fragmented image of me swimming beneath the broken lake’s surface, the white of my skin and the ripple of my hair, you reached into the water blinded, you dug through the sand until you caught me. Oh yes, I was the sunlight dancing on the kaleidoscope forest floor, that you chased trying to catch a handful of light, and I was the fairy circle you wished upon. Yes, I was your Summer.

And as the days grew shorter and the nights became colder I discovered that whenever my mind would wander it would always seem to fall back to you. I remember one night, it must have been in August, the night was pure and honest, and I was caught up in the infinity of the swirling, silver cosmos. My father joined me at my side and pointed up at the sky and showed me the North Star, I had never seen it before. He told me that it was like a compass that would point you home; the lost man’s final hope. Something about that brilliant twinkling star rendered me helpless, I was lost in it’s hypnotizing light. I stared at that star for the rest of the night wonderstruck by it’s beauty and the comforting thought that it knew the way to anywhere you wanted to be. And as the Sun ascended the horizon’s heavenly staircase and peaked in a mirage of smudged pastels for the first time in my life, I felt lost, I felt lost without that star. I all of a sudden had so many questions but no answers, I grasped for sure footing in my jagged thoughts, but was startled to find that you kept popping into my mind, as bright and clear and undeniable as that, stupid, beautiful, bewitching star, and I found myself wondering if somehow, someway, you had become my North Star, the compass that could show my wandering soul the way. And as the world was morphed into view under Daylight’s knowing hands, I realized it was true, you were my last hope, you were going to take me home to a place I didn’t even know, but suddenly was desperately homesick for. And I tried so hard to fall out of alignment with you, to break away from your orbit and run from the galaxy that would soon be us, and the black hole that would **** me up. But I was going up against Gravity, and I was pulled down, down, down.

No matter how I tried, how much I told myself that you were not the only star I could see, that you were not my infinity. But it was futile and somewhere I knew that, I knew that as well as I knew that I wanted you to be my infinity, and I yours. I wanted to create the most beautiful galaxy the Seven Continents had ever seen, so vast and far that no telescope could capture it, and scientists would forever marvel how it came to be. But nowadays, I ask perhaps, If I had known what would happen when the Universe could no longer contain our overpowering glow, what would happen when my North Star exploded? When all I would have left would be memories that would leave a deep scar, but I wouldn’t be able to remember why, leaving me as clueless as I was that first night; when all I would have is whispers that were almost too quiet to hear but would constantly be a murmur in my ear? Have you ever stepped outside and looked up the night sky when the world is asleep and still, but the sky is more alive than you?  Have you ever tried to take a picture to remember the wondrous spectacle Mother Nature and the Heavenly Father have laid out for you? You can try all you want, and use up all the memory on your phone, but no matter what you do, you cannot capture the beauty above you. The pictures if not blurred from your frustrated shaking hands, are simply screens of black, with dots of white that could be dust where stars are supposed to be. And you must walk under those stars, to you they shine so loud and clear, they are right there for God’s sake, but you cannot capture their beauty, you cannot touch them. You must endure the torture of knowing but lacking. And that’s what would happen to me when my North Star exploded into whimsical stardust, when you left me in the pitch black; slowly I am being crushed by the weight of absolute nothingness. And ******, even if I had known this is what would happen to us, that this would happen to me...even if I had known all this to be true, I know I would follow you into that unsure, perilous blue where every man is for himself. Because everything is fair in love and war. And even to this day, over a year later, I would retrace my steps back to that night, and let you destroy my horizon, my faith in 11:11, and belief in shooting stars all over again, if only for a glimpse of you, my darling North Star, Pivoting Axle of my world, my Gravity, my Endless Summer; my Infinity.  

Because soon it became clear that you were my Summer too. You wrapped your loose ends around me and rocked me to sleep in your makeshift cradle like the hammock out back that we used to nap in, do you remember that? You were the pile of books that I whirl through every Summer under the Weeping Willow Tree. You made me smile, you made me laugh, you made me blush and you made me terribly sad. For even then you were my defining phrase and favorite quote that I felt spoke to me the most. You were the birds in the trees singing their fragile hearts out, you told me of Summers past, and how you accidently went backwards and migrated straight into the darkest winter you’d ever seen and couldn’t find your way out of the storm. And that’s why underneath my daisy chain your heart was laced with icy carnations, that’s why your lungs were filled with puffs of smoke that looked like a breath in the biting cold. And that’s why your lips were so ugly, bruised black, purple and blue, proof of what you’ve been through, and every time you tried to explain your torn past, your lips got worse, your skin became terribly chapped, and your voice cracked as you tried to fight back, but the words eventually bled through your lips, so you learned not to speak, because you hated to bleed. But regardless of your cold words and colder shoulder, you were still Summer to me.You were the fireworks on the 4th of July, you lit up the world and were all that I could see, I couldn’t look away, I was afraid to miss a thing. You were the crunch of graham crackers when you bite into a perfect s'more, and you were the laughter when your marshmallow catches on fire.  You were my favorite time of the day, in between night and day, when the sky melts into this glorious turquoise blue, and the silhouette of the pine trees stand out against the fading light. You were quiet and thoughtful, the feeling you get when you sit atop a Ferris Wheel at the the County Fair, you’re a little bit scared, but you can’t help but be blown away by the world below your dangling feet. You were the spike of fear and the adrenaline rush you get when you dive off a cliff into the water, you can’t help but wonder if there are dangerous rocks at the bottom, even though you know it’s too late and there is no stopping your falling body now. But you feel alive, you feel alive and when you survive, you feel unstoppable. That’s the way you made me feel, I was afraid of how much I loved you, how you could tear me apart and push me to the end of the world, and with a brush of your heavy fingertips I would topple over the edge, and I faced the monstrosity of wondering what it would like to be dead, and just before I would let myself go and come to an endless end, you would pull me back up and dust me off, wipe my tears and bandage my bleeding elbows and knees; I was scared that maybe you hurt me just to be the only one who knew what would save me. And I was absolutely terrified of that fact that if that was true, I would still love you. I was scared of you, I was scared of what would happen when Summer came to a end.

I remember I went to California that year for the very first time in my life right before school started. I thought it would be good, to be away from you. I told myself I hoped that you would get bored of waiting for me to come back home and find another girl to give the world, but deep down I knew that I wanted you to wait more than anything. But denial is my thing, as you would soon know all too well, it’s what I do best. So I denied my feelings for you, I denied having any at all. (I still do to this day.) And it was only in California, that I finally realized that I couldn’t keep lying to myself. It happened late at night, as I suppose the most truthful thoughts always do. I couldn’t sleep, I tossed and turned and rolled and stretched but the bed was lumpy and the sheets were suffocating and I found myself slipping away,  tiptoeing across the squeaking floor and squeezing out of the heavy wood door, into the fog and sea salt air. I walked for a very long time. I think when people are near the ocean, and have sins they have to wash from their bloodstained palms, they find a friend in the Ocean, someone to hold their hand and teach them how to stand and walk upon water. And that night, I glided to the ocean like a ghost whose tables had been turned and broken, and now finds itself the the haunted one with blistering splinters that it can not see, left over from a world that could not be; made up of broken promises, what if’s and missed moments they can never get back. The Ocean’s magnitude overwhelmed me and neutralized the quiet chaos bubbling beneath my skin. The rabid froth and spit of crashing waves put out the fire that was eating away at me and the undertow pulled me into the blue. I floated through the undefined blur of the the aqua world. I ran my hands through the rocky sand and felt the urgent weight and staggering cold of the water pulling me under, but risking my life in that current among the frothing foam horses racing against the Moon’s tide made me feel so alive. I am no mermaid, I cannot breathe underwater, but for the first time in seemingly forever I had air in my collapsing lungs, and I didn’t know you could drown on dry land until I was dying in the sea. But it was not my time, and I awoke washed up on the scraping sand with water in my ringing ears, knotted hair and no feeling in my blue fingers. I sat there on the diamond sand for a long time until I was strong enough again to lift my arm and slowly I reached into the sky, and grabbed my North Star and pulled it into my heart and where it glowed, I scrubbed myself clean of my history and orthodox scriptures with the salt of the sea and was born again free of frown lines. Something about the Ocean brings clarity, and yes it is dangerous and chaotic, it could destroy the world and wipe us all away, leaving not a trace of the human race, but the Ocean is a lifeboat, a saviour of many in a way. When you find yourself faced with a whole new infinity, a horizon that only ends when it meets another, you are small, and you are still. You are pinned against your past but then can remember how to breathe again, you exhale the toxic smoke swirling in your lungs and inhale the mist. Exhale the past, inhale the future, breathe child-for you are here, no longer there. You are small and you are still but you are real. And that night I learned two of Life’s endless lessons. First; People love what kills them. Faced with death you are flooded with life, it ignites your brittle bones and breathes music back into the silent calamity of your echoing heart. People love what kills them. Second; the person you think of when you stand in front of the ocean. That’s the person you’re in love with. And I thought of you, you, you. I thought of you and I never stopped. And it’s killing me.  

But I knew something but really nothing of death back then. So when I got home a week before school I asked if we could meet somewhere in between. And we did. Beneath glaring flick of fluorescent lights in the gas station’s parking lot that didn’t stay any open later than ten, surrounded by everything ugly about humans, rusty pennies, tumbling plastic bags, stomped out cigarette butts and smashed beer cans, you held my hands and kissed me for the very first time, and suddenly, the world was beautiful. We walked hand in hand for the longest time, but found ourselves just a block past the lonely parking lot, by the town’s fountain. We sat there and splashed out feet in the ***** water enjoying the feeling of being. You had brought a bag of Skittles and sorted the red ones from the rest, and when I asked why with a laugh you sheepishly admitted you remembered that I thought that the red ones were the best and that the lemons made my face wrinkle and nose tickle. I poked fun at you for remembering something that silly, but truthfully it meant the world to me, because it meant someone out there was listening to even the simplest things I had to say. And in the fluid reflection of those pool lights rippling across your perfect face, I could tell that even though that pitiful fountain was no ocean, that you were thinking only of me. That night we shot ourselves into the dark like shooting stars and fell into each other, that fateful night was the night we became each other’s North Star. But in the end, no one knows where that star is taking them, they call it a lost man’s compass and the last hope, but if he is lost is his compass not broken, or else wouldn’t he be home? Is hope then of no use? Are North Stars just poetry to salvage doomed souls? I often wonder if, regardless of our faith in each other’s sense of direction, if that night was the most we ever knew each other.

You told me you loved Cheezits, and Lucky Charms with Hershey’s Chocolate Syrup. You admitted that you chewed your nails to tiny stubs when you felt to much because all you ever wanted to be was numb. You confessed that you had trouble looking at your dad the same and saying,”I love you,” to your mom and tried to explain why video games were any fun. I pointed out all the scars on my legs and how I got them, whether it was from tearing through my childhood neighborhood on my Barbie tricycle or if it was from running over gravel trying to outrun myself and everything evil that clung to me. I muttered between my  hands and embarrassed giggles why I was terrified of fish and flies, and you laughed so hard you couldn’t breathe. I recalled for the first time the night mom died and everything that followed that night, awful night that never seemed to end, and with a quivering bottom lip counted off everything th

Jack and Jill Remix

Jack and Jill went up the hill
If they didn’t they’d be killed
They had to fulfill a task
On the floor they found two masks

Jack fetched a pail of water
Jill was a naughty daughter
Jill was bad and pushed Jack down
Till this day Jack was never found

With the mask on Jill’s face
The police could not close the case
In fear Jill had to hide
And if they found her, she would lie

She was not very wise
For she had forgotten her disguise
Frantic, she tripped and fell
Accidently into the well

Trapped so there she waited
Boiling all full of hatred
Their mother was full of worry
She stuffed herself with bean curry

The police found out who killed Jack
They had to find Jill at last
After along time they gave up
A man went to the well named, Pup

Jill jumped out, free at last
Hoping people forgot the past
But really she was wanted dead
She just needed to be fed

Mother found her, put her to bed
Next day Jill was off with her head
Mother stayed happily fat
Replacing daughter, got a cat

There once was a man from Liverpool,
he once decided he needed a bigger tool,
so he went to the shop,
he was in a flop,
and accidently bought a new stool.

once, there were two fish, because i needed them to be happy. but because of their happiness i had to make a change, for happiness cannot last forever. perhaps her little child is lost. it is a boy child maybe. she loves him, whomever he is. i love him too and i dont even know who he is or why i have just now accidentally made him. the mother fish swims through the underworld of the sea searching for the fish baby. maybe she will find him or maybe she never will, she has no way of knowing just like no one will ever read these words. it is ok though, because i have written them. maybe. the mother keeps the story going because she misses her lost little fish. there is an anenome, maybe. no, my mistake, it seems there was not. in a forest of kelp waved some fins that reminded the mother fish of her lonely boy: these treasures are important in the cold depths of the sea. maybe a memory is more important than the flesh, she thinks. she is lonely. once there was happiness. the memory of happiness floats aimless in the sea like her. she has made poor choices in her lonely life but it is important to endure these mistakes, for they showed the poor fish mother (not me) who she really was. i only wrote some words distract myself but now it has become an ocean and fish and the fish are sad though i wanted them to be happy. it is difficult being a fish. and then the fish think 'why am i sad,' and that ‘why’ causes even greater grief and that goes on forever, like the ocean. it is good that i am writing about something big enough to be written about. there i go again making poor choices: this story is supposed to be about the poor little mother fish but i have made a big mess of things by talking about my own problems, so let's not get more distracted here. that is the kind of mistake i will have to live with. 'find my fish,' she says now to someone or to me, so let us all return to that. i would not want to be a mother without her fish. she is mad at me because she thinks i have hidden her fish. i am sorry, i did not mean to hide your fish, but you looked so unhappy being happy and i love you. distractions are the nature of the ocean, any thing can shift at a moment’s notice which makes it difficult to find things that may or may not be lost. there was always a small son at the mother's breast, because love is in the heart. but the mother fish swims on right past her own heart for now, because that should remain the last place she looks. the son must be somewhere. the ocean is vast but every sorrow must somehow come to an end. where can her poor fish be, for he is lost (as i would be) and lonely (as i am). the sea hides her dangers with her beauties so that any might meet a beautiful end if they wish. the mother’s madness might drive her to a beautiful end. she thinks i am not helping her fish, and she thinks i have forgotten her. i’ve discovered that it’s not easy making fish who love each other. there is a so much ocean to traverse. you know what the ocean is like. maybe you are even there now. are you now breathing air or water, or had you forgotten? see how easy it is to become lost? did the mother fish have a son? is there meaning in the search for him, or only when he is found? will i just pick and choose my letters until i am dead? here in the ocean i accidently made i have tried to stay honest, and maintain an honest ocean. the mother is the ocean, and she is searching for herself. is something like that considered an important detail? you might ask me ‘will she find herself?’ and i might reply ‘will you?’ it seems i couldn’t control the flood and now we’re surrounded by these waves that are every question, every answer. when will i be you? when will the fish be found? the mother needs some hope if she is to continue her journey. another memory, maybe, compells her behind a blooming reef. but the memory of her son was not her son. she has so many memories, is one of them her son? has she even lost something, or is she wandering these lonely depths insane? are these words i wrote a shipwreck under which she looms? she knows she had a son, for she knows she has something missing, just as i do. maybe the mother will find her thing, and maybe i will too. the thing is temporary but the maybe is forever and gradually permeates so fully that it is no longer possible to perceive. you are the child of my dreams, if ever you live to read this shallow tidepool. if it has helped you i will be happy, or try. the mother should find her fish, i think. that would make me happy. i have not forgotten that once, long before memory, the mother and her son were one. you and i are one, if you even exist. the ocean is wide to search so at least the mother is keeping busy, but when she has explored it all where else can she look? what else can she try that she has not tried? perhaps she found the answer once and had not recognized it. maybe she will try everything again. or maybe i have lost my way and she has not. she understands her task; what do i know? i only made them. you saw how easy it was. should i never have made them? would they be happier unmade? ‘maybe some fish are happier somewhere, than this lost mother.’ my sister said that and i like to think she is right: far away there are happy fish. i like to think that where they are the notion of hardship is laughable. some of these things that i am making happen to you are not even happening, that is why this is so hard to read, but such are the tribulations of being at the mercy of the tide. it helps me to be a mother fish searching for her fish because i am searching for something to search for. have i found it? curse you neptune for being so perilous! jk though because we are friends. i feel bad when i procrastinate, as if i am keeping the mother from her son. i hope she finds him. am i even able to help her? if i were to say '****, here is your son,' would she be happy? if i prolong her misery, perhaps i can prolong her joy. it's the fricton she craves, i think, for that is what i crave. would it be terrible if i got carried away by my own universe? would the fish find happiness if existence did not exist? i could be evil and take it all away if they would enjoy that nonexistence. i nearly typed their destruction just now, but deleted because the mother fish might have liked it less. would she be happy if i finish this story, or is she happier now with something to search for? when i began i did not know the depths to which my fish might suffer. i am sorry i am not working to find your fish. maybe she thinks i have found him already and i am hiding him from her. maybe she thinks i am unable, even, to complete the simple task of returning her beloved son. just because she went and lost him it is as if i have stolen him from her. her confusion is as wide as the ocean. i’ll trade ‘should the mother find her son’ for a better riddle: should i care if she does? because i do, if only because by making those fish i doomed them to unhappiness. but does the mother care how to spell unhappiness? will extra letters help her understand my meaning? i think i’ll allow her son to be discovered somewhere foolish where she should sooner have thought to look, because if i were to withhold my mother’s son from her she might hate me, i imagine, as i too might hate my author from the reverse position.

The Hour Glass represents us. Confused how.. Let me elaborate it to you.
You do see the sand that is seeping slowly off the orifice between the two bowls..
That sand shows the flow of love from ur heart to mine. But wen the flow stops. U just have to revert the glass and u vl see that Ur love is not just taken in, it is adored, processed, felt. Its warmth and the care that is hidden in it is scrutinized. And then it flows back into u.
This is the way we are. Due to this our love always wins from our fights.
U widout any selfishness and greed give me all that u ve got inside u, planting banyan trees of love to make it live for years.
And here, Its me, trying to provide the carbon dioxide and water for helping the tree to grow and feel the fresh oxygen, extracting each amount and inhaling it wid full greed. This greed, Which Comes like a reflex only fr u, is not a devil's one but a Loving one. How can it be possible to share u wid anyone else in the whole world. I cant help it. I cant share u. And I am proud of being greedy fr u.

This sand which keeps on seeping consists of all memories stored in it about us.
All of them, Staring wild eyes with the rays of Innocent Infatuation, Then the seed of frndship that we planted (Actually u planted), And then My extravagant feelings converting that seed of frndship directly into a plant of love, Then the rains and the hot sun that the plant faced between these paceful yrs we were together, Then the Era of wisdom that attacked me and made me construct a good shelter to protect this plant from heavy rains and hot burning rays of rageful sun..
All these memories. That we lived together. Which we now remember and smile, sometyms cry and sometyms even laugh after crying. And I promise to give u more, good, to be confident, fresh and best memories in this lyf ahead so that while taking our last breath these wud give u the best smile u ever had in ur lyf.
And if this hourglass, ever, accidently or unfortunately breaks, dont be sad. cuz these memories are stored in every pinch of the sand it contains not the outer body that consists it.
Love You

taste
like the feeling of walking out the door
and taking in that clean, bright air
slightly scented with chlorine
by the hot poolside
deep, sky blue water
so cool
wade in

green beans snapping in your mouth

sound
like that last step
meant to be stealthy
touching down on a landmine of twigs,
the falling
of a thousand miniature trees, in sequence
with an axe.
almost,
the juicy crackling of a
campfire, after it's consumed
that accidently drooping marshmallow.
forgive it
as it blackens, warps, and crumbles
it tried to hold on.

green beans snapping in your mouth

smell like dry
ice vapors, that float, free
as a spirit, undefined,
like glass shard cuts
of freshly mowed grass,
breathe in that vibrant green,
discarded and scattered
like an answer blowing in the wind
through the waves of a spring
field, full of thin whistling reeds,
hanging wind bells
on the eave,
dripping with rain.
Listen to the
sweet, nothing-tang tones
delicious
silent-music

can't quite describe
the sensation--
green beans snapping in your mouth

I accidently bumped
My hand against yours
You pulled away discreetly. It
must have been my fault

My condolences on
your sexuality

Sitting at a café
Over the smell of coffee
Scents of car fumes, ***** and ****
Worm their way into your nose.

The men, women, children
Pass you by without a glance
Each one on their own way
As uncaring feet pound pavement.

Indifferent people in expensive suits
Walk by tourists objectifying with cameras
Who accidently capture in their frames
The cold and the old slouching through the streets.

Even relaxing at the table
You feel caught up in the streaming crowds
As if you were being swept away
By these forces fighting for control.

As you sit as idle observer
To the worried pace of the city streets
You can sense the blind and frantic power
Of those who feed off our illusion.

(This illusion lies in each of us
When we close our eyes to the waking world
And believe that we could be happy
In our isolation from reality)

You can see it in the passers-by
Whose eyes focus intently ahead:
Afraid to look at other faces
As if they feared the connection.

Many imprison themselves in aesthetics
Of glass steel towers looking down on the earth
And drive isolation’s grim repetition
In a hopeless effort to make their own world.

Our illusion puts them there
When we do not question the surrounding order
Whose existence allows us to live in comfort
Insulating our delusions.

Our ignorance demands their ignorance
Which caters to our selfishness
And divides the passing days
With the rhythm of their control.

Their thoughts structure steel geography
That dreams that it could scrape the sky
And make its mark on the heavens
By countermanding nature’s will.

But nature stands indifferent to
Man’s attempt to supersede
Its will that gives to him his arrogance
That leads him towards his own destruction.

But I call you from this nature now
To return with me to where I stand:
On this mountain with the trees
Who beckon with their open branches:

Do not fight against nature’s rhythm
That springs the flowers from the ground
As it wills the sun to set upon us
And gives us the food to carry on.

I see myself as this reality
As feet take care to tread on soil
To avoid crushing the delicate petals
That smile upward towards the sun.

Time provides the future harvest,
But of its success, time will tell.
So I stand here with my garden ***
In loving silence, tilling the land.

To breath the air the sky provides
Takes me from my restlessness:
Watching the ground provide the future,
Submitting myself to nature’s pulse.

But the scenery of planned geometry
Which covers soil with concrete slabs,
As if embarrassed by earthly origins,
Tries to move to a different rhythm:

The glare of halogen eyes that stare
In unquiet nights in impatient lines
Find their way towards distant houses
That protect their owners from working lives.

This world screams out from its distortion
Of nature’s will that lies ignored:
It lays the path of its own destruction
As it claims its own power to endure.

But nature’s spirit will always triumph,
Whether through man’s self-inflicted end
At the hands of his selfish illusion,
Or through his careful heeding of the truth:

This world that’s lost its quite places  Demands we become its place of quiet;
To silence the thoughts that construct man’s world,
So that we absorb ourselves in nature’s will:

The heart that beats inside you now
Beats not for the one in whom it dwells,
But allows nature a fleeting glimpse
Of itself through conscious human eyes.

This truth whispers even now
From the deafening world of the city streets
That hurries towards its ignorant end
As it attempts to escape its fate.

Do not forsake the earth in waking life,
And wait for death to pull you into the soil
To meld with nature’s majestic cadence
And be one with your reality.