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1741

That it will never come again
Is what makes life so sweet.
Believing what we don’t believe
Does not exhilarate.

That if it be, it be at best
An ablative estate—
This instigates an appetite
Precisely opposite.
1744

The joy that has no stem no core,
Nor seed that we can sow,
Is edible to longing.
But ablative to show.

By fundamental palates
Those products are preferred
Impregnable to transit
And patented by pod.
Joshua Brown May 2017
Frequent & repeated lines of questioning,
not limited to frequent and repeated running,

O,
your honor,
how wyd one do in the dog days should so futile an expense be paid.

Often,

though not often enough
(and
entirely too often,)

it seems
to be
repeated

to be
repeated the sayings of the elderly,

but I say,
among others,

RUN!

collapse into the whole of everything else.

Run not in the ablative sense,
but inwardly.

The Dog Days are days in the truest meaning,
Don't Hold Me To That!!!

for this will pass,
as will those and that.

That rustling will never cease
and should it,
I fear the worst.

From this cries a home

A HOME!

for want of all.

Take this, Take me, whole, unbroken, beyond dog days and frequent and repeated sayings & questions. Take me home.
bleh May 2015
Every fire hazard sign points the arrow at 'extreme'.

                      The drought has lasted several months now, clouds form and the world is left encased in midday shadow, but they just watch, never speaking up, never expelling.

                                   Industrial sprinklers produce short burst waves in spinning circles, the grass a crop circle of pale embryonic green within it's radius; brittle fragments of bleached hay and dry dirt outside.

/
          The fly the waiter gases lands on a half deflated bag causing it to buzz incredibly loudly as it chokes, making everyone uncomfortable
         /

---------------------------------------------------------------­--

        #@000000000000091   The town is French themed, a pastiche for the tourists. it's imprinted on the crockery, see. The restaurants are all le Chinese takeaways selling Classic London Style Fish and Chips. Which i mean there's nothing wrong with i guess but it's just kinda funny in the loosely jarring kinda sense, the we-are-all-thrown-into-history,-into-ablative-cultural-efficacy-b­ut-it's-never-quite-something-graspable-or-fixed;-never-quite-s­omething-that-orientates-itself sense,  is all i'm saying.   i
                 mean it's a port town it makes sense they sell fish, but as all the tourists pass by and the Harbour mouth surrounding the 12 million year old magma plug breaths out the ocean ebbs up onto the rugby parks into the downtown area and breaths through all the cobblestone shop windows, It inhales, and the cars slowly waltz away from their anchorage and into the middle of the lake, which is fine because all the pedestrians have floated into the sky, hardly noticing with the sombre and tired paper-deep excitement that the tourist and holiday workers mirror at each other.

                                   -----------------------------------------------------------------­-


-   //
 #AAC00000121.  A local restaurant and hotel owner laments to the newspaper that it's been a slow valentine day season   "it's like   people have forgotten what this is supposed to mean to them."
//   -

....

a faint line remains marking where the magma reached up the cliff faces each time it drowned everything every few thousand millennia, everyone murmurs that it's jolly interesting, but
    make indignant mewling sounds as the bubbling lava dissolves their bones.



                                  |||   |||
                              /  ///

.
  .
     . . . . .


[...ANywqay, yeah sorry. so what i was getting at was this. yeah yeah no i was! a punchline and everything! yeah! yep, ]
                   so
there's this one art museum a few blocks down from the main street,
  that focuses on cups and mugs; beautiful antique drinking vessels uniting every place and class and history.
         they change the theme occasionally, but really most of the itinerary remains the same so there's only so much they can do. currently it's

            "the sublime
                            as manifest
                                               in the functional and inconsequential"

these simple, life supporting tools, at once represent mans departure from nature, whilst functionally reaffirming our dependence on simple essentials. The drive to turn even these basic utensils into a reflective aesthetic process, showcases -even in primitive societies,- this emergent human drive for the sublime. This gallery hosts in equal regard the exquisite geometry of the gemmed goblets of patron kings, alongside the hand-wrought asymmetric terracotta mugs of artisan peasants. In each is the baseness of re-hydration, in each, the transcendental act of creation.



the coffee at the gift shop cafe was served in bleached polyethylene
Ken Pepiton Mar 2020
An after thought.

I know, I had another option. Though, you did not see her weep.

She was sad.
The mother of all living,
she was sad, and I, wounded in my side,

I lacked the knowing. So,  I chose to know, so

I might comfort her, with a touch, ah, I know a place,

I can touch. Tweak, do you feel that? Do you know...

sniff. 's enough, words as nodes, knots, gnosticated subtility, be guiling,

I was be guiled, by golly, and I know you know exactly what I mean... from the fruit,
here, taste
the forbidden fruit, I tasted, chewed and swallowed and shared,

with you, because I love you...

I know, now, I was beguiled; but then beguilement, per se,

was as much a mystery as death. You knew. You tasted life in non-nascent state. You know,

some things stay mysterious.

Now, I know guile, for goodness sake, death remains a mystery.

But if you believe, I know a way, all your worries melt away. It takes a while.

Muse, amuse, mire, admire, go forth and conquer the unknown with knowns. Don't lie.
Gwa, go on.

Mean sedulously all you say you know.

Footnotes:

adventure (n.)
c. 1200, aventure, auenture "that which happens by chance, fortune, luck," from Old French aventure (11c.) "chance, accident, occurrence, event, happening," from Latin adventura (res) "(a thing) about to happen," from fem. of adventurus, future participle of advenire "to come to, reach, arrive at," from ad "to" (see ad-) + venire "to come," from a suffixed form of PIE root *gwa- "to go, come."

sedulous (adj.)1530s, from Latin sedulus "attentive, painstaking, diligent, busy, zealous," probably from sedulo (adv.) "sincerely, diligently," from sedolo "without deception or guile," from se- "without, apart" (see secret (n.)) + dolo, ablative of dolus "deception, guile," cognate with Greek dolos "ruse, snare." Related: Sedulously; sedulousness

secret (n.)
late 14c., from Latin secretus "set apart, withdrawn; hidden, concealed, private," past participle of secernere "to set apart, part, divide; exclude," from se- "without, apart," properly "on one's own" (see se-) + cernere "separate" (from PIE root *krei- "to sieve," thus "discriminate, distinguish").
As an adjective from late 14c., from French secret, adjective use of noun. Open secret is from 1828. Secret agent first recorded 1715; secret service is from 1737; secret weapon is from 1936.

hallow (v.)
Old English halgian "to make holy, sanctify; to honor as holy, consecrate, ordain," related to halig "holy," from Proto-Germanic *hailagon (source also of Old Saxon helagon, Middle Dutch heligen, Old Norse helga), from PIE root *kailo- "whole, uninjured, of good omen" (see health). Used in Christian translations to render Latin sanctificare. Related: Hallowed; hallowing.

health (n.)
Old English hælþ "wholeness, a being whole, sound or well," from Proto-Germanic *hailitho, from PIE *kailo- "whole, uninjured, of good omen" (source also of Old English hal "hale, whole;" Old Norse heill "healthy;" Old English halig, Old Norse helge "holy, sacred;" Old English hælan "to heal"). With Proto-Germanic abstract noun suffix *-itho (see -th (2)).

guile (n.)
mid-12c., from Old French guile "deceit, wile, fraud, ruse, trickery," probably from Frankish *wigila "trick, ruse" or a related Germanic source, from Proto-Germanic *wih-l- (source also of Old Frisian wigila "sorcery, witchcraft," Old English wig "idol," Gothic weihs "holy," German weihen "consecrate"), from PIE root *weik- (2) "consecrated, holy."

beguile (v.)"delude by artifice," early 13c., from be- + guile (v.). Meaning "entertain with passtimes" is by 1580s (compare the sense evolution of amuse). Related: Beguiled; beguiling.

amuse (v.)
late 15c., "to divert the attention, beguile, delude," from Old French amuser "fool, tease, hoax, entrap; make fun of," literally "cause to muse" (as a distraction), from a "at, to" (from Latin ad, but here probably a causal prefix) + muser "ponder, stare fixedly" (see muse (v.)).
Original English senses obsolete; meaning "divert from serious business, tickle the fancy of" is recorded from 1630s, but through 18c. the primary meaning was "deceive, cheat" by first occupying the attention. "The word was not in reg. use bef. 1600, and was not used by Shakespere" [OED]. Bemuse retains more of the original meaning. Greek amousos meant "without Muses," hence "uneducated."

Muse (n.)
late 14c., "one of the nine Muses of classical mythology," daughters of Zeus and Mnemosyne, protectors of the arts; from Old French Muse and directly from Latin Musa, from Greek Mousa, "the Muse," also "music, song," ultimately from PIE root *men- (1) "to think." Meaning "inspiring goddess of a particular poet" (with a lower-case m-) is from late 14c.
The traditional names and specialties of the nine Muses are: Calliope (epic poetry), Clio (history), Erato (love poetry, lyric art), Euterpe (music, especially flute), Melpomene (tragedy), Polymnia (hymns), Terpsichore (dance­), Thalia (comedy), Urania (astronomy).

muse (v.)
"to reflect, ponder, meditate; to be absorbed in thought," mid-14c., from Old French muser (12c.) "to ponder, dream, wonder; loiter, waste time," which is of uncertain origin; the explanation in Diez and Skeat is literally "to stand with one's nose in the air" (or, possibly, "to sniff about" like a dog who has lost the scent), from muse "muzzle," from Gallo-Roman *musa "snout," itself a word of unknown origin. The modern word probably has been influenced in sense by muse (n.). Related: Mused; musing.
Exercise in speaking as true as I can imagine the words that lead me on.

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