It's that usual time of the year again – where everyone’s starting to feel that depression crippling in. The year has just started yet everybody is too concerned with the goals they had in mind since last month, as if they’re running out of time when it clearly just begun.

    In a dull-colored house located in a small town that’s not too known nor too popular – is a man in his 30s, an artist, sitting in the very corner of his room. Beside him was the last bottle of sleeping pills that he have. Every night, you can see him through the small window of his dimmed-light house downing those pills before the twenty-second of the clock hits. Some of his neighbors who sometimes see him buy those pills thought that it was weird for a man in his 30s to regularly drink sleeping pills every night, yet never sleeps.

    Little did they know, the man was clinically depressed, and he was not getting any better but still tries to maintain his medication that was prescribed to him during a free and quick mental check-up from several months ago. The pills were not of help anymore after a month but still he drinks as the idea of doing something for his mind, even if ineffective, comforts his soul. Well, it’s not like an unknown artist would be able to afford medicines that are being sold by the rich capitalists, he thought. The man’s arts were not something that everyone who sees understands. From the lines and strokes down to the colors and spaces he use, their eyebrows strike up as they can’t grasp the concept he’s going for.

    The sun shone and suddenly, the man in his 30s is no longer sitting in the very corner of his small room. He was now sitting in front of an old tree, looking at a lady who seemed to be in her late 20s. The lady was in her all-white uniform smiling gently as she hands the generic medicines to the seniors of that small town. Meanwhile, the man in his 30s was uttering words that only the dead leaves can hear.

    “She looks good in yellow,” he whispered, and the wind blew. The man in his 30s felt cold but did not mind as it’s not like he had any other choice but to endure. Suddenly, the lady in an all-white uniform turned her head and saw the man in his 30s.

    Ever so slowly in his eyes, the lady walks towards the man’s direction. At her soft and gentle hands was a blanket she kept for times like this.

    “It’s cold, have this. Are you going to show me your works again?” she asks gently while she wraps him in that blanket. ‘This feels warm,’ he thought. And that was a new thing for him.

    “Would you look?” in a stammering small voice he asked. The lady in her late 20s nodded and that was when everything has hit him. This gentle yellow lady always feels new to him, and he loves the feeling of this new. The yellow lady has always been gentle and soft and he loves it – it feels new and he loves it. She smiles brightly to him and the feeling of always wanting to see it surprises him every time because ever since he was born, this is the first time that he does not feel anxious or mocked. He finally feels loved, and there was hope; and it feels new.

    The yellow lady learned everything about the artist in his 30s – from his childhood that feels blurry yet clear (to him), how he came to that small town, how he started painting, why he started painting, the meaning of his works, his frantic days, his medications, and many more that the artist in his 30s never thought he would ever share to anybody. The yellow lady even started to learn that she has feelings for the artist in his 30s, and she was very willing to entertain and develop more together with the artist.

    Years gone by and they now live in an averaged-size house – average because it just fits them perfectly and they thought that was more than enough. The couple earns money together and they always feel that their money is perfectly enough for the family they are dreaming of. The husband gets paid by painting buildings located in the city, and every after he finishes his work, he rushes home to see his yellow lady. Yes, the artist who is now in his early 40s still refers to his partner as the yellow lady. No matter what day, occasion, or whoever they are with, she was still his yellow lady and that was so much more than he could ask for.

    Sometimes when the artist watches his wife work in her all-white uniform, he would talk to the children which he enjoys. He thought that children are much better than adults as their curiosity was never with malice. “Children might say mean things, but they will eventually grow up and be apologetic for their innocent mistakes. But grown-ups are never mistaken innocently nor are they sorry about it,” he once said to his wife.

    That day in January came and while he was waiting for his wife, a child came up to him and asked him where he could ask for a cough medicine. He touched the child’s shoulder, and pointed his finger to the yellow lady.

    “Can you see that lady in yellow? Ask her and she will answer you softly.”

    The child was confused; everyone’s either in white or ***** clothes, who is this man talking about?

    The artist in his 40s understood the child’s silent confusion and then said, “My apologies for your puzzlement. Just look for the only lady who smiles softly and lovely, she’ll help you.”

    The child ran towards the group of people who are either in white or ***** clothes, and looked for the only lady who smiles softly and lovely. He kept turning his head in order to look and when he found the lady who was smiling so gently to other children around, he ran to her direction and asked her if she was the lady in yellow.

    The yellow lady nodded her head and then kindly asked the child about what he needs. The child’s feet moved back and forth while patiently waiting for the medicine. He asked the lady why she is being referred to as the yellow lady, to which the latter kindly replied: I can tell you but you won’t be able to understand yet, love.

    That day ended and just like how every day usually happens, the couple walked home together while talking about their day and made plans about their dinner. After dinner, they proceeded to their bed and continued talking until the artist in his 40s fell into sleep while the yellow lady gently caresses his hair.

    Each day for them was always new yet familiar – and that never changed. Even when they had a child, when they had their worst fight and made up a week after, when one of them started losing hair, or even when they found out that the man who was once in his 30s is now being chased by cancer – the feeling of familiarity but different was never gone.

    When the man finally decided to take his rest, his wife started to wear yellow – everyday. And when she was asked by her son why, she answered with her utmost sincerity that she was afraid she might forget who she is and how deeply valued she is just because the one who reminds her every single day has physically left.

    Years after, and the son was now a working adult. He sighs as he sits in front of his late parents’ tombstones. He placed his military bag beside him and looked at the smiling photos of his mother and father. He was once again reminded of how much he missed them and how he wishes they were still there beside him or in their house waiting for his return after every war he fights. And in a small voice he said to his father, that he has now found his lady in blue, and how he wishes they were watching over them for he’s always going to need their guidance.

LEONOAH

THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

From padded window seat inside café
cup of tea warms my hands
cold winds shuffle sidewalk leaves
Two tables away sit two men
one in October years
the other May
Soiled clothes, old scuffed shoes, beat up weathered
faces, bloodshot eyes, ***** hair disheveled
The older begins reading to the younger
from newspaper wrinkled by other hands
“Rain and wind coming in tonight from the west,
tomorrow - clearing, with temps in high 30s
toward evening - dropping to low 30s
Saturday, sunny, high 30s”
The young man’s grizzled chiseled face
seemingly stoic
flinched stiff with the words

“Sunday, low 20s, snow mixed with sleet”

CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l

Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at

Inspired by a vintage ****** postcard from the 1920s - 30s:

The Muse sits resplendent
caressed in sepia tones and pastel cream
gilded with the glaze of a bygone era
her silk Charleston negligee
worn proud like a vintage ornament
perched on an aesthetically pleasing
shapely pert insolent *****
blossomed with tiny beads of sweat
the heat of such anticipation
entices the pearls of the ******
to pamper and pleasure their perversions

etched as if in a radiance of candlelight
the flickering limbs pulse their bloom
nimble fingers of dancing shadows
cupping the feline curves of a chaise longue
the purposefully out of place set piece
the fantasy of a gentleman's reading room
caked in casked sherry
and Nat Sherman cigar infused aromas

her elegant pose sumptuous reclining
elbow length satin gloves
sensually wrapped in wanton desire
******* clasp a Sorbranie Black Russian
smoked like a sultry gypsy
with a fervent demeanour
from a silver opera cigarette holder
beckoning with the cats eyes of mischief
over Pinced nez eyeglasses
with a fascination imbibed
in the praxis of passion

the peach skin of refulgent youth
directs the viewer downwards, slowly
survey each contour of olive skin
and stroke every hidden cleft of fabric
to glimpse the nubile thighs of grace
leading the eye to the arch of an ankle
slipped like a fitted glove
nestled in the cleavage of her calf
and the chastity of future wonderment

the forgotten photograph
captures a period in time
the memories of the muse
now in motionless existence
a demure allure forever frozen
once lost, but now
never forgotten

Forever ago
I looked you in the eye
And made a promise --
A stupid, stupid vow --
That I'd be your Bonnie
If you'd be my Clyde.

You smiled at me --
Crooked, imperfect
Utterly charming --
And asked me to lend you a light.
A lighter passed between our hands
Before a tiny flame illuminated our faces in the dark
A silent 'I do.'

From that night on
I've had things that other girls
Only possess in their wildest dreams
And, even then
Wouldn't dare say they desired.

I ride shotgun by default
In a ******* car
Much too fancy to legally be yours.
Gifts come in the form
Of beat-up leather articles
That you once wore
Though the lingering shadow of smoke
Is hardly enough
To mask the hint of drugstore perfume.
Sometimes
If you're feeling especially charitable
These offerings are accompanied by the more traditional heart shaped box --
Filled with bullets, of course--
Or a single deep red rose.
For some reason
Every flower you pick
Seems to have many more thorns
Than most of the ones I've known before.

What you seem to consider the best gift of all, however
Is your presence.
I suppose you think it works both ways
When you parade around town
Arm slung around my shoulders or waist
Smiling like I'm some pricey badge
Your signature accessory.
Your performance draws attention, of course --
Awe-stricken once-overs
Envious double takes
Lingering looks that make overzealous Average Joes
Trip over their own feet.
As far as my own feelings go
The envious rush I used to get from the lust-filled eyes of other women
Has long since faded
But the crawling feeling of some depraved pervert's eyes flitting from you to me
And your proud smile, devoid of any visible love
Continue to make my stomach twist itself into painful knots.

What all those adventure-hungry good girls don't know
Is that I haven't felt as powerful as they do in their dreams
In a very long time.
What those green-eyed Plain Janes won't understand
Is that I am little more than arm candy
Your passenger-seat second-in-command
Posed like some special edition, leather-donning Barbie doll
Instructed to sit still
Hold the gun
Look pretty.
They don't realize
That the ache that comes with loving you
Feels absolutely nothing like the feeling described
In the lovelorn writings they post to their blogs.
There's nothing beautiful about it
No reward for staying up all night
Chest aching
Sobbing into a limp pillow in some random hotel room
Trying my best to keep you from hearing it.
As much as I hate to admit it
Nothing you do for me
Makes it worth it.

They all seem to forget
That it was Bonnie
Running from one man who didn't love her
Falling into the arms of another
Already broken
Hoping he might be able to mend a piece or two.
They don't realize
That it was Bonnie
Who **** near got her leg burned off
Because Clyde flipped the car.
The fault was completely his
And yet
She was the one who took the brunt of the damage
Being reduced to having Clyde carry her around
For the rest of their numbered days.
They don't stop to think that this is anything other than 'romantic'
How unfair it is that the world allowed him to ruin her
That maybe --
Just maybe --
She didn't want to be a weapon for him to carry
But a self-firing rifle.
Something intimidating
Unpredictable
Never dependent
On some hotshot
That everybody believes that she was in love with.
The idea never occurs to them
That maybe
When the two of them went down in that infamous hail of bullets
Maybe she wasn't enveloped in warm thoughts of going out in a blaze of glory
But anger
That she didn't get away with it this time
And never would again.


I understand now
That
For all intent and purposes
Bonnie and Clyde are a concept that should have been left behind
Way back in the 30s.
There is no passion
In dying --
On the inside or the outside --
Next to someone everyone thinks that you love.
There is no love
In your arm around me
Squeezing the humanity out of me
Like a man-shaped boa constrictor.
There is no glamour
In sitting loyally by your side
Gripping my seat until my knuckles are white
As you drive your own getaway car
Laughing to yourself
Without ever chancing a glance at me.
There is no beauty
In being wrapped in a jacket
That smells like another woman
No satisfaction
In mechanically handing you a brand new lighter
So you can light another cigarette
To prematurely age your beautiful, James Dean number one-million-and-one face.
I feel no affection now
Watching you smoke up like the nicotine glutton burnout that you are
And I will feel only contempt if --
Heaven forbid --
I ever die by your side.
You exhale
And turn to look at me with sleepy, empty eyes
Letting the remains of your cigarette flicker out
Just like the novelty of having you around did.

Why I resent those girls now --
The ones with those eyes, so hungry and green with envy --
Is that, when we first met
I was just another one of them.
So pampered
So inanely bored
Such a 'hopeless romantic'
That I promptly decided to follow you the ends of the Earth
To every grimy hotel
Even to our demise in the desert, if you wanted me to.
It took me forever to realize I deserved better
And, by then
It was all too late.

While I despise those girls who stare at us now
Swooning, like they're so jealous of the position I'm in
My heart also aches for them --
A bit like the way you make it ache.
Though there's passion in this ache
That being the fact
That my heart is screaming
Telling them to run
Run while they still can
Run before someone like you
Finds them.

For all intent and purposes
There absolutely should not be
A 21st century Bonnie and Clyde.
These should be the days
Of girls spitting their own fire
And boys fighting their own battles.
This should be a generation
Of people learning to find solace in themselves
And reliance taking an unceremonious dive
Off a very steep cliff.
There should be no more green-eyed girls
And James Dean boys
Making each other miserable
And calling it beautiful.
This is the point where we should let Bonnie and Clyde rest in peace
Along with Romeo and Juliet
Annabel Lee
Homer Barron
And every other tragic antihero
Who died at the hands of love.

Forever ago
I made a promise --
A stupid, stupid vow --
That I'd be your Bonnie
If you'd be my Clyde.
Now
What seems like centuries later
I close my eyes
And try to fly somewhere else
In my dreams.
My last thought
Before I drift off
Is that --
Maybe someday --
They'll write poems about us.

They enter the café just as some sappy pop song is playing
They order then immediately hug
Embrace
Swaying to one side, together, like the wind
Encircling the leaning tower of Pisa
Then teetering to the other solstice
Foot to foot, smile to smile, hand round skirted waist
Forearm resting on his tall  blazered shoulders

This is forgivable in the young
Those teeny-boppers with defiant hair-cuts and posters
However, he has peppered hair
She, though voluptuous and tanned,
Must be in her 30s.
“Affair.”
My cynical devil snickers, between sips

But I sit mesmerized, and for the first time ever
Envious.
The chairs and the tables somehow seem more distant
The song  now sounds as if it’s funneled through some crackling phonograph
The very light disentangles itself from stones
It’s as if a sky has opened up in my chest
Flying high overhead,  one lone raven,
Its slow shadow
Gliding across my heart

Oh, how I miss you
5 states away

I see your smile on magazine covers
I vaguely sniff your scent on passing women
Yet you remain elusive - immaterial, haunting,  
While this visceral assault

Leaves me bewildered - empty
An echo in a chiaroscuro cavern  
Fading for thee

It was the December of '91,
and Larry asked me to come with
him and some ladies he knew
from Cameron Christian to
some **** yogurt shop on
Dead Dog Ave.

Three brunettes and a blonde;
at the time
I didn't care much for brunettes,
but god, god, god,
the blonde
with the crystal grey eyes,
the wrinkled floral print dress,
an optimistic ***,
and shaky feet
every single time
I made the eyes.

Sarah and Jennifer (two of the brunettes)
smelled of Glade-Feces-Blanket-Spray,
the third was far too young
to undress,
and I nearly strangled my beautiful blonde
when she mouthed, "Eliza."

I kept talking up the
fact my dad had just kicked me out.
I told Eliza I had the most magnificent
apartment
a bachelor could buy,
she kept averting her eyes,
shifting subjects like
playing cards,
my hands kept clinching,
clasping,
aching,
"Be right back, purty ladies."
I headed for the bathroom
leaving Larry to ******
Jennifer Glade.

I looked in the mirror,
I remember giving myself
a pep talk,
but I can't for the life of me
remember anything I said.

I remember pulling a dwindling
bottle of Black Label from my jacket.
I had taken it from my ******* dad,
the night he yelled, yelled, yelled,
until I was in some low-income complex
with a bunch of lowlife, ******
fuckups.

I ****** off the remnants.
Combed, recombed my greasy hair,
went back in,
just in time to hear
Jennifer Glade spout her stupid mouth,
"Larry, I told you I have a boyfriend."
"He's a ******* idiot."
She started to whimper,
said something like he was a regular sweetheart.
The regulars are so boring.

Larry stood up,
accused her of leading him on,
the acne cashier asked us to "pipe down",
I directed my stare into his acne-framed
irises.

I walked quietly toward him,
I could feel Larry and the girls
tracing my every feature.
"Just leave him alone,"
said my blonde little sweetie,
I turned back to her briefly.
Her skin looked like milk,
I wondered if it tasted like milk,
I kept my feet on track,
redirected the gaze,
back to my heavy-breathing cashier.

I got eight inches away from his face,
he fumbled some words,
that left a bad taste.
I could see my reflection in his retinas.
I looked clumsy and circular.
My milky, blonde Eliza would
never go for a circular **** like me.
This conclusion
coursed through my veins with
irrational speed.

I shot the acne cashier.
Right in his stupid, acne-framed iris.
The gun had been my grandfather's.
He had killed a black boy in the '30s with it.
Got to love legacies.

The brunettes were screaming.
I think Larry was trying to reason with me,
or maybe he was throwing up-
somebody threw up,
anyways,
I shot the young one first.
She had annoyed me most.

Then Sarah Glade.
Then Jennifer Glade.
Eliza began to run.

I jogged after her,
she frantically searched for a phone,
and my milky blonde
found one.

I stopped at the doorway,
rested my head on the frame,
listened to her cry into the handset,
begging for the police.
I opened my lids,
silently strolled up behind her,
with my left hand
I grabbed her optimistic ***,
with my right hand
I pulled the trigger.
She splattered onto me.
I felt successful.

I walked outside.
A silent,
still Austin night,
not even a dog on the street.
Larry was crying.
I told him to shut up.
They were *******.
Asked him for his lighter.
He opened his car door,
dug in his center console,
buried under 6-feet of cigarettes
was a lighter,
he popped the trunk,
I grabbed the gas can.

I erased Friday's mistakes,
and found Larry had driven off without me.
I walked to my low-income home.
I had a lazy Saturday.
Read an interesting story in the Guardian on Sunday.
By noon on Monday,
they were pointing cameras at me.

A family is at the dinner table. The son asks the father, “Dad, how many kinds of ***** are there?” The father, surprised, answers, “Well, son, a woman goes through three phases. In her 20s, a woman’s ******* are like melons, round and firm. In her 30s and 40s, they are like pears, still nice, hanging a bit. After 50, they are like onions.” “Onions?” the son asks. “Yes. You see them and they make you cry.” This infuriated his wife and daughter. The daughter asks, “Mom, how many different kinds of ******* are there?” The mother smiles and says, “Well, dear, a man goes through three phases also. In his 20s, his ***** is like an oak tree, mighty and hard. In his 30s and 40s, it’s like a birch, flexible but reliable. After his 50s, it’s like a Christmas tree.” “A Christmas tree?” the daughter asks. “Yes, dead from the root up and the ***** are just for decoration..****

I should've guessed
by the nondescript response
teenagers glazed
by 'proper' use of language;
'old-speak' as some would see it
yet to be blessed by a words prowess
fazed by more than 1 syllable
seems inconceivable
and yet text-speak sits,
or rather, should be, languish,
as a hybrid of our languages
prompts me to write this
out of plain literary anguish.

each year on birthdays
write a small poem or limerick
the momentary excitement of opening the card
is lapsed by reason
(it does not contain a £20 note)
the thought bubble denotes
they express some disdain
the speech bubble that follows
the spark in the brain
just another of Uncles gimmicks
lacking the imagination to invoke
something more personal
than a hardback book:
another 200 recipes
for the aspiring young cook

they implied they enjoyed lunchtimes at school
instead wanted an iPad or something
equally expensive and cool

So I try to embrace it
this thing they call urban
write something poetic in text-speak
the very premise of it
is somewhat disturbing
the infinite curve of learning
LOLs from actual LOLS;
the mobile language equivalent
of online voyeurs,
the posters of nonsense,
noobs and trolls

apparently a ROFL
is more-or-less as potent as ****
I scratch my head in wonder
text-speak is used by millions
to converse on a global scale
some how

Q: does SUM exist
(as in 'shut ur mouth' )
is that acceptable?

A: not yet cordially invited on the list
(its an actual word
doesn't count as an acronym)
Im told

the coal face of the lexicon:
indigestible
the steep learning curve:
unpredictable

by your 30s its automatically
re-classified:
Congratulations
You are now officially 'Old'

we are merely wordsmith pedestrians
lost in the tide of text-speak equestrians
jumping and leaping and rolling in SETE and S2R's
are we binned as an S4L, the Spam For Life?
(perhaps I haven't got that abbreviation quite right)

in the context of text-speak
they are suitably troll-like in their essence
forgive me dear teenager
I am but a
SNAG in your presence:

'Sensitive'
(on occasion)
'New
Age' and
'Grown-up'
(given the right persuasion)

the riposte would be SUYF!!
('Shut Up You Fool' - said like MR. T in A-Team)
STM and Spank The Monkey
apologise, SOZ, SRY and Apls
or something equally short,
snappy and funky

at this juncture
before the brain has a puncture
simply BBFN, lest I
BBS or BBIAB or BBIAF
[thankfully this isn't a test]

like WCA
(Who Cares Anyway)
but you'd remark WAI
(and thats I for Idiot)
let out a long distance sigh
wave the imaginary fist
at the youth of yesteryear

all you'd get back was
Wicked Evil Grin
(WEG) for a
Wild *** Guess
(WAG);
a WEG for a WAG
and a PDQ x 2

would be the sum parts of the conversation
between me and you

if language and words and meaning was lost
if acronyms and abbrieviations
in CAPS
was all that there was

*** smeared in ***
with APLS for the PMJI
TXT SPK has got me PML
when MHBFY and
M8s on a MOB crusade
AWOL and dizzy for the next API
MGB for your MF device
throw in some GALGAL logic
where GIGO will simply suffice
Warning: PAW and GJIAGDV
(where the latter is Volcano)
include your GF for some cuddly GBH
and some GHP if she says so

its T2Go
be positive with the T+
and all of that Text-Speak CUZ
I'll T2UL and T for your time,
I'll TAH on the whole TBC

next year i'll just slip in a £20 note
and simply write:
Happy Birthday
with LV
from me

Burns Creek
Climbing Chimney Rock.
Dad and David Scoville
In their mid 30s,
Two men out to prove
Their bravery,
Their derring-do.

Nervous,
My Mother,
My brother and I,
Five and six,
Necks craning,
Wait and watch;
Dad moves up and up
Clings to the top.

Inept and six,
I stand below,
Admiring my Father's
Fearlessness.

I am nearly blind,
The myopic, thick-lensed gawker,
Peering upward.

The men climb down,
Victorious,
The day’s challenges
Vanquished.

Heading home,
Choking dust.
Old land,
Deep ravines,
Rattle snake domain.

My father's old Ford
Bumps over red scoria,
Billows burning dust.

Ancient land,
Cindered clay,
Open grazing land,
Dry and hot.

Memories churn
From sixty years ago.

An Old Soul, you said. What does that mean? My Soul's not old, it's gently used, like that song that was a hit a couple years ago, you heard it on the radio and you can't remember the title but you can hum the tune. That's me, a hummable tune with no title cruising the electric air for a million miles right to your ears.

An Old Soul, you said, like it was a compliment that my Soul has yet to succumb to the withering humbleness of that great equalizer, The End.

How do you know? You don't know my Soul. Souls have shapes, and shapes don't get old. Mine's shaped like a ******, kind of like an open flower, like that last hour before bedtime when you sneak that sliced orange even though your dad told you NO, but your mama gently scolds, "just one more" as she (soft as the comforter she tucks in around you all
singing that song that drips like molasses in the gathering dew), and she winks at Dad, who's pretending to be mad like the rain that's pouring and flooding the gutter.

It's a kid who stutters who has mastered Bach and has moved straight onto Brahms, while across town it's beer and people singing along.

No one these days to wants to sing to Brahms, but that's okay; she loses herself alone in its sparkling and prefers it that way.

My Soul (well not just mine, it's in heart of the hum, the mirror firmly reflecting our collective soap ****), is a kind of Boo Radley in his broke down joint and his sad soap dolls in the tree, in the knoll. Shut in an old house uncertain of who he was or where he belonged or what he might even one day become, he built a world for those kids the only way he knew how.

Drowning in a lonesome sea, where the only moments of freedom behind the pecan tree were a broken stopwatch full of frozen moments and some hand whittled soap and some gum. Boo Radley, no he was the shut-in son. Better than that inside-out drainage ditch who still walks the streets with the air of a rabid ***** who was shot at and missed by The One and Only One-Shot Finch. In the dusty 30s, in that vast, hot expanse, Poor Old Tom never even had a chance.

Now Scout, that kid is my kind of gal, all smart within and smart without. THOSE are the ones with the curious minds who stay young forever and laugh at time, who find gum in a tree and call it sublime, who worry about freedom and all it implies. Yeah, man. Jean Louise. And she'll never get old.

So don't you dare talk about what you don't know.

I've spent my short life knowing that god isn't the goal.

It's the dead dog in the street, and the man walking free, and a dying old lady who can't help but be mean. It's the girl with her ears and the kid with his orange and his mom singing softly as she closes the door.

It's the song that you heard, you don't know the words, but you sing in the car to the telephone poles.

There are so many roads to the idea of "whole." I have so far to travel, such long way to go, there isn't any certain number for the rest of my days. My Soul is eternity.

I'm still making my way.

YOU SEE I FEEL LIKE I AM BEING TREATED LIKE AN ANIMAL, AND I REMEMBER BACK IN THE 1930s, WHEN I WAS

BARNEY THE DOG, YA SEE I JUMPED AROUND ALL OVER THE PLACE, AND ROLLING AROUND ALL OVER THE

LAWN, IN THE MIDDLE OF THE NIGHT, YA SEE I AM GETTING VISIONS, OF ME AS BARNEY THE DOG, AND

I REMEMBER CHARLIE CHAPLIN PATTED ME ON THE HEAD, AND I BIT HIM SOMETHING FIERCE

AND CHARLIE CHAPLIN WASN’T IMPRESSED ONE LITTLE BIT, SO FROM THAT MOMENT, KRIS KRINGLE

DECIDED TO HAASLE CRONUS’S SPIRIT WHICH IS ME, AND I REMEMBERED JUMPING ALL

OVER EVERYONE, BUT I MAULED LITTLE KIDS AND CATS AND OTHER DOGS, AND I AM HAVING TROUBLE BATTLING

THIS VOICE TONIGHT, AS BUDDHA IS LIFTING BARNEY THE DOG UP, AND THEN DROPPING, YA SEE

MY OWNERS BACK THEN, REALLY HATED MY VIOLENT OUTBURSTS, AND I BARKED VERY FIERCELY BACK

AND I MADE MY OWNER REALLY SCARED OF ME.

I REALLY LOVED RUNNING ON THE BEACH IN MIAMI, YEAH IN THE 30s, MIAMI BEACH WAS BUSIER THAN

TODAY, I RAN DOWN AND I MAULED A KID, ON THIS BEACH AND MY OWNER GOT INTO  TROUBLE

CAUSE, DESPITE THE KID NOT DYING, HE HAD FRACTURES IN HIS HANDS, AND I VISION

OF ME PLAYING OUT ON THE FRONT DOOR, BUT I AM TRYING TO IGNORE THAT VOICE

ONLY BECAUSE, I AM NOT BARNEY THE DOG NO MORE, I REMEMBER GOING TO THE

LITTLE LEAGUE BASEBALL, AND I TRAPPED 3 KIDS IN THE BASEBALL SHED, 2 KIDS GOT OUT

BUT 1 KID WAS MAULED BY ME, BARNEY THE DOG, I FIRST STARTED GROWLING AT THE KID

THEN I KILLED HIM, WHICH MADE ME VERY HUNGRY FOR MORE, BUT AFTER MY OWNER HEARD

DESPITE OF WHAT HE SAID, WANTED TO KEEP ME UNDER LOCK AND KEY, HOPING IT WILL

REFORM THE SAVAGE BEAST IN MYSELF, I REALLY DON’T APPRECIATE BEING TREATED LIKE AN

ANIMAL, I AM A HUMAN BEING, NOW, BUT BRIAN ALLAN, WAS PUT ON THIS EARTH TO EXPLAIN

ABOUT HIS PREVIOUS LIVES, AND TAKE ONE FOR THE TEAM, TO HELP THE POOR PEOPLE

I DON’T APPRECIATE BEING TREATED LIKE MY CAT EITHER, CAUSE I WAS RUBUX THE CAT

AND THAT CAT NEVER SLEPT, AFTER I WAS GREAME THORNE AND PATRICK DUNBAR BOTH

KIDNAPPED AND KILLED AT THE AGE OF 8, THEN I WAS RUBUX THE CAT, BUT I WAS A REALLY LOUD

NON FAMILY LOVING CAT, CAUSE MY COSMIC ENERGY, WAS HELPING CRONUS, DESTROY THE

SPIRIT OF STEVEN BRADLEY AS WELL AS THAT CRAZY WITCH DOCTOR, RUBUX WAS ALSO

A VERY HUNGRY CAT, HE ATE 5 TINS A NIGHT, AND THE OWNERS, WERE POOR AND STRUGGLING,

THEY CAN BARELY LOOK AFTER THEMSELVES LET ALONE A CAT, AND THEN RUBUX WAS RUN OVER BY A GROUP

OF KIDS SAYING, RUN HIM OVER, RUN HIM OVER, RUN HIM OVER, PRETTY MUCH WHERE I GOT THAT

STUPID VOICE, OF KIDS SAYING RUN HIM OVER, I DON’T WANT TO BE AN ANIMAL, I AM A HUMAN BEING

I COULD BE DOG WITH A BLOG, BUT I THINK THERE IS NOTHING WRONG WITH WHAT I DO ON

AAA YOUTUBE TV OR AARON CLAYTON, PLEASE STOP TREATING ME LIKE AN ANIMAL, I KNOW

BARNEY THE DOG WAS BAD, BUT KIDS MADE RUBUX PAY FOR WHAT BARNEY DID, I DON’T WANT TO BE A COOL KID

TO THE BED COVERS YOUNG DUDES, TONIGHT I FEEL LIKE A N ANIMAL, SO I WROTE IT OUT OF ME

CAUSE I AM A PERSON A VERY NICE PERSON

I WANT TO BE HAPPY EVERY DAY

BARNEY DOESN’T REALISE HE RUINED CRONUS’S GOOD NAME

BUT HE WAS A DOG, OH YEAH HE PUT OTHER GERMAN SHEPHERDS TO SHAME

I AM NO ANIMAL, BARNEY AND RUBUX, WERE MY LAST CRACKS, THE KIDS KILLED RUBUX, BRIAN

ALLAN WAS BATTLING WITH DAD SAYING LEAVE MY SON ALONE, BRIAN IS A COOL KID

LIKE ALL KIDS, I THOUGHT, I HATE BEING A COOL KID TO DAD, BUT I LIKE DOING THINGS THOUGH

MY COOL KID, IS WATCHING FOOTY, MY BROTHERS WAS PLAYING COWBOYS AND INDIANS

OK THAT IS THIS LIFE, BUT FOR RUBUX AND BARNEY, THEY HAD STUPID OWNERS

RUBUX’S OWNERS WERE SO DEVASTATED, WHEN RUBUX DIED, THEY TOOK THE KIDS TO COURT

GOT $ 1-000-000 IN COLD HARD CASH

AND BOUGHT A HOUSE IN MIAMI AND WENT TO WOODSTOCK IN 1969

AND BRIAN KNEW THIS, CAUSE I USED MY SPIRIT OF RUBUX THROUGH CRONUS TO WATCH THAT

THEY ENJOY THEMSELVES, IN THEIR NEW HOME IN MIAMI

Things I Can Say About MFA Writing Programs Now That I No Longer Teach in One


"You’re going to need to spend a lot of time alone." - James Yamasaki


I recently left a teaching position in a master of fine arts creative-writing program. I had a handful of students whose work changed my life. The vast majority of my students were hardworking, thoughtful people devoted to improving their craft despite having nothing interesting to express and no interesting way to express it. My hope for them was that they would become better readers. And then there were students whose work was so awful that it literally put me to sleep. Here are some things I learned from these experiences.

Writers are born with talent.

Either you have a propensity for creative expression or you don't. Some people have more talent than others. That's not to say that someone with minimal talent can't work her *** off and maximize it and write something great, or that a writer born with great talent can't squander it. It's simply that writers are not all born equal. The MFA student who is the Real Deal is exceedingly rare, and nothing excites a faculty adviser more than discovering one. I can count my Real Deal students on one hand, with fingers to spare.

If you didn't decide to take writing seriously by the time you were a teenager, you're probably not going to make it.

There are notable exceptions to this rule, Haruki Murakami being one. But for most people, deciding to begin pursuing creative writing in one's 30s or 40s is probably too late. Being a writer means developing a lifelong intimacy with language. You have to be crazy about books as a kid to establish the neural architecture required to write one.

If you complain about not having time to write, please do us both a favor and drop out.

I went to a low-residency MFA program and, years later, taught at a low-residency MFA program. "Low-residency" basically means I met with my students two weeks out of the year and spent the rest of the semester critiquing their work by mail. My experience tells me this: Students who ask a lot of questions about time management, blow deadlines, and whine about how complicated their lives are should just give up and do something else. Their complaints are an insult to the writers who managed to produce great work under far more difficult conditions than the 21st-century MFA student. On a related note: Students who ask if they're "real writers," simply by asking that question, prove that they are not.

If you aren't a serious reader, don't expect anyone to read what you write.

Without exception, my best students were the ones who read the hardest books I could assign and asked for more. One student, having finished his assigned books early, asked me to assign him three big novels for the period between semesters. Infinite Jest, 2666, and Gravity's Rainbow, I told him, almost as a joke. He read all three and submitted an extra-credit essay, too. That guy was the Real Deal.

Conversely, I've had students ask if I could assign shorter books, or—without a trace of embarrassment—say they weren't into "the classics" as if "the classics" was some single, aesthetically consistent genre. Students who claimed to enjoy "all sorts" of books were invariably the ones with the most limited taste. One student, upon reading The Great Gatsby (for the first time! Yes, a graduate student!), told me she preferred to read books "that don't make me work so hard to understand the words." I almost quit my job on the spot.

No one cares about your problems if you're a ****** writer.

I worked with a number of students writing memoirs. One of my Real Deal students wrote a memoir that actually made me cry. He was a rare exception. For the most part, MFA students who choose to write memoirs are narcissists using the genre as therapy. They want someone to feel sorry for them, and they believe that the supposed candor of their reflective essay excuses its technical faults. Just because you were abused as a child does not make your inability to stick with the same verb tense for more than two sentences any more bearable. In fact, having to slog through 500 pages of your error-riddled student memoir makes me wish you had suffered more.

You don't need my help to get published.

When I was working on my MFA between 1997 and 1999, I understood that if I wanted any of the work I was doing to ever be published, I'd better listen to my faculty advisers. MFA programs of that era were useful from a professional development standpoint—I still think about a lecture the poet Jason Shinder gave at Bennington College that was full of tremendously helpful career advice I use to this day. But in today's Kindle/e-book/self-publishing environment, with New York publishing sliding into cultural irrelevance, I find questions about working with agents and editors increasingly old-fashioned. Anyone who claims to have useful information about the publishing industry is lying to you, because nobody knows what the hell is happening. My advice is for writers to reject the old models and take over the production of their own and each other's work as much as possible.

It's not important that people think you're smart.

After eight years of teaching at the graduate level, I grew increasingly intolerant of writing designed to make the writer look smart, clever, or edgy. I know this work when I see it; I've written a fair amount of it myself. But writing that's motivated by the desire to give the reader a pleasurable experience really is best. I told a few students over the years that their only job was to keep me entertained, and the ones who got it started to enjoy themselves, and the work got better. Those who didn't get it were stuck on the notion that their writing was a tool designed to procure my validation. The funny thing is, if you can put your ego on the back burner and focus on giving someone a wonderful reading experience, that's the cleverest writing.

It's important to woodshed.

Occasionally my students asked me about how I got published after I got my MFA, and the answer usually disappointed them. After I received my degree in 1999, I spent seven years writing work that no one has ever read—two novels and a book's worth of stories totaling about 1,500 final draft pages. These unread pages are my most important work because they're where I applied what I'd learned from my workshops and the books I read, one sentence at a time. Those seven years spent in obscurity, with no attempt to share my work with anyone, were my training, and they are what allowed me to eventually write books that got published.

We've been trained to turn to our phones to inform our followers of our somewhat witty observations. I think the instant validation of our apps is an enemy to producing the kind of writing that takes years to complete. That's why I advise anyone serious about writing books to spend at least a few years keeping it secret. If you're able to continue writing while embracing the assumption that no one will ever read your work, it will reward you in ways you never imagined. recommended

Ryan Boudinot is executive director of Seattle City of Literature.

Sea captain who brings with him an air of comfort,
first mate, confetti egg shell,
metal-framed reservoir.
Cradle my head, pull my hand,
Stand.
Solve the equation for me. Don't.
Be my carriage horse. Roam free.
Burn the papers. Lock them away.
Join the feast. Serve us, **** the beast.

Begot, begetter
A stain-glass window, more like a painting
wet with thinner.
Broken calculator, hard-to-getter.
Man the weather--man the ship. Don't, I can do it myself.
Hideous, antique bird-feeder
favoring the magpies above all and doves the least.
Join the feast. Let us leave the little
beast alone, they've done nothing truly bad! because
Just a little cut doesn't hurt.
As long as the blood doesn't spurt.
As long as Sylvia is my dead friend.

As long as you're an indescribable friend,
always there among the bramble
of the old flower field, abandoned long ago.
In the 30s.

Sea captain who brings sun, my
first mate of all singing first mates, of
all operatic dancers.
Dance with me.

Our cafe speaks in vowels and screams in consonants.
Hipsters sing asexual love music, or goodbyes
They claim the sun hurts their eyes

    And so, if chemistry's wet, shampooed hair
Breaks the cold, white-white windows
Musicians slam as if they know-know-know,
and know-it-all, up there, playing their songs.

    Old "Steward", highly-paid employee, on break
for a drink--says, "In the 30s we got none,
needed none."
He wants to mend the windows, send them home,
and get back to work.
But he is caught in sweltering heat

    Their heat.
rosing on every person's cheek
when they turn their heads,

    and observe chemical ties.
These mates speak better syllables

I've always been obsessed with beauty and experimenting with trends. As a little kid, I dug through in my mom's purse to snag swipes of her Revlon lipstick. As a teen, I mixed and created my own colorful nail polish long before Hard Candy came out. In high school, I experimented with Manic Panic, going Angela Chase red. In college, I stockpiled Narsbronzer and baked my fair skin in the sun for glowing cheeks and abs. Finally, in my 20s, I stopped trend hopping and embraced a look that was natural and celebrated the unique attributes I was born with. I also adopted an approach to beauty that was very authentic and low-maintenance — no more heat styling, hair coloring, or tanning. And I felt more confident and comfortable than ever.

Now as a beauty editor in my early 30s, I'm bombarded with samples and pitches to try out new products and treatments on a daily basis. While I opt for makeup and creams that play up my natural appearance, I see many of my peers electing stronger and more permanent solutions. I never thought I'd have friends getting Botox and fillers at any age — but so young? Yes, our society is youth obsessed, and if media is to be believed, I've already passed my prime. But I refuse to spend the next 30, 40, 50, 60 years fixated on looking younger.

You know how people say, "I wouldn't try that if it were free"? That's me when it comes to Botox and plastic surgery. About once a week, I receive an email about trying out the latest treatments — typically no strings attached. I delete them. Am I scared that trying something would potentially ruin my face? You bet I am! These procedures are supposed to make people look younger or "better," but everyone who has work done ends up looking the same. To me, beauty is all about celebrating your differences and your unique features. I don't want to look like a cookie-cutter ideal of beauty. I want to look like me — the way I look right now. These smile lines and crinkles in the corners of my eyes? They show the world that I am happy and I have lived a great life. Why would I want to erase that?

One of my peers recently told me, "Well, I never thought I would try Botox, but I went to an event, and the needles were out, so I thought, Why not?" I've heard similar statements since, and it shocks me that nowadays altering your face can be such a casual afterthought — like getting an impulse candy bar at checkout. Another industry friend confessed, "I'm starting to think I should have work done while I still work in beauty so I don't have to pay for it." Should the free element play a factor in being OK with changing your appearance? Especially at what I consider a particularly young age? For many people, it does. Some naysayers claim I'll change my mind when I'm older, but I just can't imagine it. All the women I feel are most beautiful show the signs of a life well lived on their faces, and I want to be one of them. Not a 34-year-old beauty editor with a tight face full of free Botox.

Sure, beauty can be enhanced on the outside, but true beauty, to me, is what you're born with and what you grow into. Advancing technology in Botox, fillers, and invasive procedures may be a huge part of my industry, but I'll be actively ignoring it. I'd much rather educate myself and others on how we can feel good in our own skin.

read more:formal dress shops

www.marieaustralia.com/long-formal-dresses

1.
You can never go home,
not to the home you left.
When you leave, you get bigger.
Not necessarily in girth, but in consciousness.
When you come back,  everything,
even the walls of your parent's house,
seem to have shrunk.

2.
Look.....
Here comes the parade.
With its paper mache floats
and twirling batons.
Cub scouts and boy scouts,
all in a neat blue and drab green row,
followed by a high school marching band
playing "Stars and Stripes Forever".
From bygone wars, limbless surviving soldiers flinch with every cymbal crash.

3.
I watched billows of cottonwood clouds
swirl down a summer hometown avenue,
they met on the street corner for a song........
"Alley Oop", or "I Like Bread And Butter"
These ghostlike voices will live there forever,
innocent, asleep, numb, waiting.
Soon, the postman will bring your future.
Soon, you will be just a number on a lotery ball.
Soon, you will have to dissect luck or fate.

4.
I took my 87 year old Father to gather his tools
from his long time place of work.
The instruments of his livelihood.
He did not need them anymore, he had retired.
Some tools he had used since World War II,
some he made for a specific job.... never to use again.
All neatly placed in toolboxes built in the 30s and 40s,
yet not a trace of rust.
These were the tools of a tradesman,
a (Tool and Die Man).
He once told me, “Son, if I can’t fix it because I don’t have the right tool, I will make the tool”.
I thought him to be Superman.
But there I was, loading up my Father’s history,
to take home, to be sold to the highest bidder.  
I myself have made my living playing music for audiences.
I also have tools.
Guitars, amplifiers, harmonicas, microphones.
There will come a day, in the not too distant future,
when I will have to “retire” the instruments of my livelihood.
Though I will not be as stoic as my World War II Father,
I will go kicking and screaming to the pawn shop,
remembering every song that fed me,
and every chord that made people dance.

I took time for a walk
And she pulled on the leash
At first, I kept my ground
Heels lifted tip-toeing arm outstretched
Eventually I had to follow my shoulder  

She led me past streets and streets
Of large houses full of large people
Symmetrical windows and faces
Coarse grass reached through my shoes

With a slow jog, we came to a field
My feet landing in every crack in the pavement
The sun sat square in the centre of the sky
As we left the sky turned to ocean

Running now through neon and road signs
Swimming in the dark rain
Puddles splash as we pick up the pace
Diverting onto the road

My 20s were a flurry of leaves
On grey morning ground
I know I have much further to go
But. I'm already halfway

My 30s were a sprint
My 40s a still faster walk
50s, 60s, 70s
We finally slow

I wander now
Between each step is an infinity
But each foot fall
Passes in an instant

I walk closer and closer to the evening sun
A shadow extends behind me forever
And the way reaches in front of me even longer

Only LOVE can save Earth and all living creations upon it.

But to LOVE, one must first be loved. That is why it is imperative that the embryo must be loved. Then the infant, then the toddler, then the child, then the teenager, and so on.

If you have never been loved, or not enough, you will have problems, serious problems. But it is never too late to be loved.

I was not loved by my mom and dad. They had a terribly miserable marriage for 36 years. Neither was emotionally capable of loving me.

But our maid, Maggie Woods, bless her heart, loved me. Did I care that her skin was black? If you have a garden that is drying up, do you care if it rains?

Maggie loved me. She fixed me two poached eggs, grits (she grew up in southern Texas), and two slices of toasted wholewheat bread buttered every morning for years. She washed my clothes. If I needed a spanking, she spanked me. If I needed a hug, she hugged me. I could feel Maggie's LOVE.

My biological mother never entered my bedroom when I was in it. Maggie did.

I remember one incident in particular. I was a kid. I was sick in bed. I distinctly remember Maggie coming into my room with something to eat and a Squirt to drink. I had never drunk a Squirt before, but apparently Maggie loved it. (Maggie and Floyd, her husband, lived in our house in an apartment on the third floor.)  The Squirt unconsciously symbolized her LOVE for me.

In my early 30s, I entered psychotherapy with Dr. Patricia Norris at the famous Menninger Foundation. We used what I was to refer to as "unguided" imagery. (Most refer to this modality as guided imaginary,) I worked with Pat, as I came to call her, a long time.

In short, the way it worked was that as we sat in our chairs, we both closed our eyes and waited for something to come into my mind, which I then would share with Pat. The long story was that Pat became my surrogate mother. We experienced many loving moments in our "unguided" imagery. The LOVE I felt from Pat, though through imagery, was real. I was finally and fully loved, and that made me who I am today.

Hate is not the opposite of love. It is the absence of love. Those who suffer from the paucity of LOVE unconsciously try to compensate for its dearth through becoming wealthy, then mega wealthy;  by garnering fame;  or by accruing power. None works.

But LOVE works. The more of it you share, the more you have to share.

Earth suffers so greatly from the lack of LOVE that it is dying. But even if one human being feels love, that love can spread like wildfire.

Let's hope the wildfire of LOVE spreads over Earth entirely and soon.

It is utterly plausible that it can happen.

TOD HOWARD HAWKS

Yiska rests on her bed,
smoking a cigarette.

The sky is dull,
the room darkened.

She inhales,
watches the smoke,
she's just exhaled,
rise ceiling wards.

Her husband is out,
fishing, *******,
who knows, or cares.

She exhales again,
at times like this
she reflects
on her young days,
her schoolgirl years.

Naaman was a love
back then.

School crush thing
some thought.

But no,
more than that.

She inhales so deeply
that it seems
her whole body
is filled
with nicotine and smoke.

Naaman kissed good.

That time on the field.
Lips and tongue.

She exhales and smiles.

He'd be in his 30s now,
a year older than she.

She can still,
if she shuts her eyes at night,
see him as he was.

Even when her husband
is giving her a quickie,
she thinks on Naaman,
imagines it's him on top,
not her husband's sad efforts.

She inhales
and closes her eyes.

He is there
in her mind still.

Even on the day
she married,
she hoped Naaman
would show
and whisk her away
on the back
of a motorcycle,
her white dress
flapping in the wind,
she giving her groom
to be, an up you sign
of *******.

But he didn't show.

She knew he wouldn't;
she'd not seen
since he left school,
the year before she.

Moved away some place.

She exhales
and smiles out smoke.

When she goes shopping
in other towns,
she wonders
if she'll meet Naaman there,
bump into him
on an aisle,
next to cereals or cheeses.

She recalls that time
in the school between lessons,
seeing him,
and wanting him
to drag her into some room
and kiss her
and do things.

But he just smiled
and walked on
and into a classroom,
leaving her hot
and gagging for it
(a term some girls
used back then).

What if he had?
Some empty room
in the school?
That day would have been
burned into her memory
if he had.

As it was,
she walked on,
to her boring art class,
bubbling
with upset hormones.

She sighs,
opens her eyes,
and moans.