2am is when the wolves call for me and I die slowly.

2am is when I end up sacrificing myself to you, so I can finally be quiet.

2am is when I won't fall asleep because all I have is this window to keep me company.
2am I look and see a tumbleweed in the streets, wandering aimlessly.

"That's my heart now set it free."

2am a song comes on the radio. It isn't familiar,  but it somehow describes everything I'm feeling, even right down to its melody.

2am I don't know who I am but all I know is I need a friend.

At 2am I will play this song until my head can't take it anymore. It's a mantra that won't stop repeating itself, and I love it.

2am I look into my sheets. I peer down and see your face. I reach to touch it but it fades away. Transparent you is very rude.

At 2am I will sing this tune I do not know. Therefore it will sound drunken, but I do not care because it reminds me of you.

2am where did you go? You used to be right next to me. Now all I have is oxygen filling the space where you would look at me and say, "I love you."

2am how did I end up this way?  I open my hands and see my veins. I hate them. I hate them because you used to run your fingers across them.

2am I grab the weapon of death. I can see my reflection even in the darkness. As my heart throbs of pain, my life is over and I am free, at 2am.

My backpack ready for anything, I left for a voyage across the pond. As fellow passengers climb aboard I met a 27 year old traveling musician named Russ carrying his cajòn. He told me of his travels from Massachusetts and pending divorce. We related on this and exchanged CD's. Behind us sitting on the Ferry were two young girls working on a puzzle. Russ imposed himself and tried to impress them with his musical endeavors. These girls were in America from Germany attending college. One was 17 and the other was 18 but I am sure they knew better than to play into his hand. After talk of language and culture we disembarked. Russ invited me to his show that night but I had plans to meet a girl at a board game pub. I walked to the bus stop while smoking my pipe and caught the number 40 from downtown to a trendy neighborhood up north.

After I stepped off I found myself amongst the overgrown players of games and drinkers of fine beer. Brittany arrived and we chatted over IPA's. I explained my recent challenges to get the topic of divorce out of the way before we left for Mexican food. She was very open in saying I should play the field and not have a serious relationship. I agreed with her take but could not read her as well as I had hoped. She said I need to get the rebounding out of the way and explained that she too is struggling with commitment. Being 34 with no marriage or children under her belt she feels that therapy is essential to figuring this out.

We walked to our happy hour destination and shared Nacho's while drinking "Colorado Kool-Aid". Both of us having spent a lot of time in Denver we could relate on much but I felt there was an elephant in the room. Afterwards we walked to a nearby record store and browsed while talking about music and interests. She needed to leave soon having obligations to housesit and watch pets. Dog walking is her profession since her departure from the world of corporate accounting. We walked to her unkempt sedan and she gave me a ride back downtown. We talked of hanging out again but our schedule may not permit for some time. I wonder if she will entertain my company without reservation, only time will tell.

I decided to phone my old friend from Denver who lives near and devise another plan for the evening. The sun was still shining and I had no reason to return home yet. I walked to a nearby brew pub while waiting for him to meet me. I sat at the bar with another traveler named Dave. He is an airline pilot close to retirement from the state of Texas. We talked about my time in the Navy and my pending legal woes. He's been proudly married for 30 years and counts his blessings that he is still in harmony with his wife. My friend decided to meet me at a concert in close proximity to my date with Brittany. Once again I would take the number 40 uptown. Dave bought my IPA and gave me words of encouragement and complimented my persona. It meant a lot and I thanked him as I said goodbye.

While waiting for the bus I asked for information from a woman in her early 50's. She works for a tech company nearby but was happy to help as I had a more pleasant vibe than most of her young, urban, unprofessional colleagues. While unsure of my way she directed my move to get off at the next stop. I walked up the hill another seven blocks to the show. While smoking my pipe along the way another bus rider was two steps ahead named Nate. He was curious about my pipe tobacco and we gave brief anecdotes about ourselves. He offered to buy me a quick beer before my concert. I took him up on this offer as we walked into a nearby market. He purchased several large cans of domestics and afterwards we headed back down the dark boulevard towards the Abbey drinking our brew. As I arrived at the former church venue we parted ways peacefully.

I ventured into the bustling scene concealing my open container while finding my friend. I sat just as the opening act started. We enjoyed three musical performances but the star of the show was the beautiful woman from Denver that we both enjoyed during our time there. Feeling that we should explore the venue where Russ was performing we made our way there. I was sad to discover the brewery was shutting down before 10pm and the band was long gone. We decided to walk to the nearby singles bar playing music so loudly it could be heard from a block away. This strange place was crawling with many folks of the beautiful sort but nothing seemed to be attractive about it. We had a glass of wine and a shot of bourbon. I spoke to the fellow DJ for a moment but there was no dancefloor to be found. We decided to venture on.

We walked up and down the avenue and discovered another Mexican food restaurant, beaming with the young and the foolish. Our community seating was met with overly affectionate couples to our left and valley girls to our right. Our Tequila mules hit the spot with our Nacho's and late night platter. The girls spoke of Denver people which I thought strange. Why so much co(lorado)-incidence in one evening? I injected myself into the discussion and was met with friendly conversation. Unable to finish my Nacho's I knew I had fulfilled my share of fun for the night. This was the fourth time I had eaten nachos this week. We proceeded back to the urban adventure wagon and made our way to the slums of the tech-boom. My 2am slumber was met with an air mattress of great quality and woolen blankets.

I awoke at 7am to the clouded sunlight peering through the sliding glass door. I laid awake with my stomach turning from the many Nachos not yet digested. My housemates called me about needing to move my car for restriping the parking lot. Fortunately I left my keys so they were able to do this for me. I smoked my pipe on the patio while my friend "hit the gym". When he returned we decided to walk through the arboretum by the university and enjoy the sunny autumn day. Afterwards he dropped me off by the ferry where I waited an hour drinking beer at the commuter dive.

During my ferry ride home I walked up and down the passenger compartment looking for a fellow rider to play cribbage. I had no such luck and headed for the observation deck. While the city vanished behind us I struck up a conversation with a young lady from Manchester who had just returned to living in the US. We talked about the nature of selfies and the conflict of living in the moment. As we spoke a man approached me who had overheard my request for a card game. We walked back inside and sat next to an abandoned puzzle with pieces scattered about the deck. Mark introduced himself and we shook hands. It was not until he shuffled and dealt the cards that I realized this 45 year old Asian man only had one arm. His ability to shuffle and deal was impressive. His skill with cribbage was more than rusty, after one game I had a victory so great I felt guilty. He too is going through divorce and seeking a new job. It was a great way to pass the time with a fellow passenger.

As I readied myself for the porting I noticed a familiar face, a young sailor I served with in Mississippi. Our time spent together was met with sorrow as we faced similar career challenges. I had not seen him for several months but he almost did not recognize me. I had lost 50 pounds, left the Navy and become single all in a matter of a few months. I assured him I was on the dawn of newfound joy and wished him luck on his upcoming deployment. I patted him on the head as he seems like such a lovable scamp to me at this point. I exited the terminal to saunter back home. I smoked my pipe while crossing the bridge enjoying the last hour of sunlight.

I settled my belongings at home while serving myself a can of chili and a cold IPA on draft from my housemates tap. I joined him for the end of a baseball game in the den and shared a few moments with my community. I slept for a couple hours and then made my way to work. So much can happen in a day.

the early hours of the morning, when light has yet to show itself, and the streets are quiet.

2am is not for the happy people.

it is not for the lovers.

it is for the shadows that finally feel accepted.

it is for the poets, who are still up because their mind is filled with an unimaginable amount of words about someone they love.

it is for the broken-hearted who have been crying since 9pm.

it is for the people who love but are not loved.

it is for the one who finally feel like they can be whomever they want to be (or need to be) at 2am. and only 2am.

2am are for the lost souls and broken hearts.
2am are for the lovers who became apart.
2am are for the sinners who wanted a new start.
2am is for me to heal the things that left a scar.

Because its 2am
                                
                                                and im sitting in my bedroom alone

    thinking of ways to **** myself
                  thinking of reasons to hate myself  

                                                                  while you're sleeping



because I told you I was fine.

Evert night at 2 AM
Different poems are written
Different words are scribbled
Different papers are crumpled
But only one thought she had
Yet, word can't help her convey the feelings
"Empty" has much more than herself
"Sad" is not sadder than she thought
"Broken" is more whole than her
"Hurting" ain't just bleeding just like her
And when words can't take the role
It's the blade that play with her
Every cuts has meaning
Everything is her unreleased feeling

Maybe, poets write because they have unstable feelings.
Maybe, poets write at 2am, in order to ease it.
Maybe, poets write to contain their feelings in to it.
Maybe, poets write *hopelessly.
Maybe, poets write at 2am hopelessly hoping, that, someone, on the other side of the earth, someone is awake to read the poem.

*And maybe someone awake, maybe, to care.

Whisper the words in my ear
2am and we won't sleep, too bad!

Tell me your worse kinda fear
2am and we won't sleep, too bad!

You can cry if you want to
Make me your refuge
2am and we won't sleep, too bad!

I feel your heart beat on my skin
I feel the energy deep within
I know what you're hiding,
Let me in!!

It 2am and we won't sleep, too bad!

                          2am
deep in the sheets of your bed.

At 2am, you're on my mind.

It’s 2 am
And the walls scare me
Because the shadows don’t look like me
And the moon is a piece of cheese
That is too bright.

It’s 2am
And the ink spills
And my hands are witness to the tragedy
The Dawn helps
But can’t get back what I’ve already lost

It’s 2am
And I close my eyes
Hoping for some peace
From my ravaged thoughts

I get shaken awake
By my mind reminding me of all the words
I haven’t written down yet

And suddenly
It’s 3am
And I write
C
O
C
O
O
N
With shaking hands.

I stared at the letters
That can start life again
Willing them to transform
Transform into some beautiful 2 winged creature.

I begged it to leave
This 4-wall enclosure
Because protection is only an idea

The walls are daring me to knock them down
Like the dominoes I secretly keep under my bed

It’s 4am
And the words are pouring out of my mind
But my pen can’t keep up.
I am drowning.

I want somebody to sit with me on the rooftop at 2am,
talking about the world,
listening to slow songs.
I want someone who I can trust.
I want someone to live through adventures with me and who will love me as much as I love them.

There's something about 2am
It's not quite midnight, but it's not too far into the day just yet
There's something about 2am that makes my brain run wild
Something that makes me unable to get you off my mind
There's something about it that keeps me up longer than I want to be because I can't stop thinking of where I went wrong
What I did to spiral out of control
Unable to retract my tears
There's something about 2am that makes every song seem more sad than it is
That makes every song feel relatable
That this really was a love gone wrong
I should've never gone back to you
I knew all along I'd just get hurt again
But there's something about 2am that makes me feel everything
Feel everything at once

2am Friends

winter has set the boundage, bars of chill, escape-urge killers,
self-imprisoned by our ruthless timidity, that both comforts yet,
worse violates our truthful, unwanted inadmissible-neediness by
purging the touches and the knowing kindage, this then,
this preface, your reminding of-as-of-yet untouched,
half-invitational, half-regret, half-cursed, whole red need for
2am friends
to fill the void that poems can n’ere fill

1/1/18

2 am
Knows all about us-
The love that was once lost
And how we found it
Just to lose it all over again.

I wonder what people think
When they read my poems
Do they think I'm just another
Case of unrequited love?
Oh, I am definitely not.

I just read this story
Of a girl who loved a guy so much
She turned into a bird
And sang such sad songs
The guy's bride heart broke and she died

2am
Knows all about my conspirational plans
I make with the stars
How what should be mine, what I love
I mean to ****** away from this world

This is
Not a poem about unrequited love
But distance
And the society that smirks upon
The lovers sighing in solitude

I just read this story
About this girl
How she loved a guy
Who did not love her back and
how that killed her bit by bit every moment

2m knows
How I wish I was in her situation
I could have loved him
And loved him and loved him
until I did not

But the guy I love
Is right now crying himself to sleep
Because he finally found love
But not where he expected it to be
Miles away, away from his reach

His love is true, her love is ever growing
But like every star crossed lovers
They have an inevitable tragic ending
But there is so much art in
an ending like this

2am
knows how the empty side of my bed whispers his name
"Close your eyes darling, in your dreams
I'll always be yours, forever and more"

It's impossible to know a person
Really, truly know them
Until you have a conversation at 2AM
Right before you fall asleep
The most human you can be,
There's no wrong or right
Just words filling the silence
Let me see your insecurities,
Your dreams,
Tell me things about you
That I wouldn't know
Remind me I'm not the only person
With problems and that
No one's exempt from suffering
I want to hear it all
Your heart and mind
There's no better time
For a lobotomy
No better time
To not be alone
I'm glad we got to philosophize
Because you don't really, truly
Know someone
Until you converse at 2AM
And it was a pleasure to meet
2AM you

Entry ~
I know you're scared. You should be scared. You're taking a huge leap of faith leaving the only "home" you've ever known. But that home you built isn't four walls, and a solid tin roof. It's your soul. It's that thumping in your chest that keeps you awake at 2am. It's the memories you've stored, locked away tight behind steel bars, because god only knows if those bars weren't there those memories would hit you like the eye of a storm. Calm at first, sweet, but then painful, like shards of glass beneath your feet. And I know how much it hurts to leave. To walk away from so many unresolved things. To remove yourself from the lives of people you rely on, that rely on you. But part of living is knowing when to leave. It's knowing when your environment no longer suits the shell you're in. It's easy to tell when that chapter of your life begins. It starts with a slow depression easing its way in, and an unexplained restlessness. I know how much you fight it. The warning signs telling you it's time to go again. You are so afraid of being free, but your curiosity has its own needs. It was never a choice being free. It's always been a part of your destiny. I know you've felt that unexplainable presence easing your anxiety. And it's okay to breathe. It's okay to just be. To not know where you're going to be next spring. It's all a part of the plan. You need to have faith that those guiding you won't lead you astray. You are being protected, and I know you aren't religious, but when you feel like you've lost your way, fall to your knees, and pray. Look for the butterfly, and have faith that one small act of courageousness will set your life in motion. But you have to be willing to take action first. So flap your wings, and don't be afraid of the tornado that follows. You created your fear, and only you can survive in the wake of it.

It's almost 2am.
I'm kind of laying here in the hot, unnatural heat.
I miss you a little bit.
My insomnia has been bad lately.
I guess you're okay.
I'll just write about you for awhile until I drift off into the colourless world of pretend realitys promising to bring you back to me.

Give it up,
relinquish those thousand thoughts,
the thousand hopes,
no one ever wanted to know.
Keep only the things they wanted to read,
the ****, the gossip.
The secrets shared between you and your lovers,
whispered in hushed tones
across mascara scarred pillows at 2am.

Bury the dreams,
that had no meaning.
The happy ones, full of lavender and vanilla,
But keep the nightmares,
the ones that left you screaming at 2am
that will make the hair stand up on the nape of their necks,  
and give them nightmares of their own.

Starve your soul,
till all that's left is the shell of a body
that they will praise, then critique.
Who needs souls anyway?
Without a soul, you remain forever,
undamned, unsaved,
alone, in the dark, at 2am.

It's 2am and she's not asleep
Planning for a life she knows she won't keep
Looking for stars while the sky cries rain,
She wants to let go, but she knows it's in vain.
It looks like she's given up on all of her dreams,
She's both happy and sad, the two extremes.
Picturing someone arriving at her door
A prince in dark armor, prepared for the war.
She gathers her weapons and looks to the sky
She'll fight a great battle, but she wants to die.
It's 3am now and the storm hasn't passed
She closes her eyes, finally, at last.
The last of her blood drips to the floor,
It's over now, her pain is no more.

When I showed up,
Out of breath,
Scared
At 1am
I did not think that taking off my coat could
Ever
Feel so intimate
At 1am,
It was as if I was naked, my arms were the parts of me that no one had seen
At 1am,
My coat was gone and suddenly so were my inhibitions
At 1am,
You pulled me into the bed,
Bliss
At 2am,
The fact that your mom didn't know made every feeling that much stronger
At 2am,
We did things I should be ashamed of
At 2am,
I felt so ******* amazing
At 2am,
We thought your mom was coming in (******* your cat)
At 3am,
My lips were numb
At 3am,
I still wanted more
At 3am,
It seemed you were done
You came,
And then left
At 3am,
I lay in your bed alone, hoping that we weren't
At 3am,
You came back and cuddled with me
At 3am,
You showed me way more than you have ever told me
At 4am,
We decided to stop
At 4am,
I remembered I was supposed to be at home
At 4am,
We talked, and laughed
At 4am,
You told me I was too loud
At 4am,
You kissed me goodnight,
Or,
Was it good morning?
At 4am,
I pulled my coat back on my shoulders,
And walked home alone
At 4am,
I was covered so no one could see me

At 10am,
I woke up thinking:
"wow"

The Ache is leaving. Three years languished by dead end jobs, drugs and friends. Last week above a bagel store, the sun morphs mute amidst travelling clouds, indifferent fluctuations of light on an otherwise featureless day.

You arrive a tight knot of anxieties over a moment in time that could only have arrived after its departure. The Ache welcomes you into their sparse interior. You trace last month’s 21st across the black mould complex; navigate piles of stacked boxes, unsure if anything is inside of them.

“I always make the best friends in departure,” the Ache says, flipping a plushy up and down by the waist.

“Maybe you can only love that which is already lost,” you reply, with an insight a friend will give you a week later.

The acid tastes bitter under your tongue. Small marks your body bursting, a glowing radiance of interconnections you’d always had but only now begun to feel. The Ache follows suit and you sit on the couch together to watch .hack//Legend of the Twilight. The come up entangles you in the spectacle; the screaming boy protagonist, the chipped tooth gag, the moe sister in need of saving from the liminal space of dead code. You take part in it; you revel in it. Bodies morph on the surface of the screen in hyperflat obscenity, their parts interchangeable to the affect of the drama. Faces invert, break and disfigure, before reformation into the self-same identity form.

A month earlier, you’d hosted a house show at your flat. Too anxious to perform you’d dropped a tab as you’ve done now. An overbearing sensation of too-much-ness — of sickening reality — washed through the nexus of your being. You writhed on the ground screaming into a microphone as a cacophony of sounds roiled through you. Everyone cheered.

The floor rose later that night. A damp, disgusting intensity that triggered contractions in your throat and chest. Pulled to the ground, you fought off your bandmate’s advances, too shocked to express your revulsion and horror, to react accordingly, to reconstitute a border of consensual sociality. You broke free and slurred “I’m no one’s! I’m no one’s!” before running out of the room. Hours later, you tried to comfort them. Weeks later, you realised how ******* ******* that had been. Months later, you learnt their friend had committed suicide days before the show.

Back in the lounge, a prince rides onto the screen on a pig. You turn to the Ache and say “This is ******* awful.”

The Ache responds “I know right?”

Outside the world burns blue with lustre. The Ache trails you and falls onto their stomach. “Oh my god,” the Ache blurts, “this is why I love acid. Everything just feels right.” They gaze wistfully at the grasses and flowers before them; catch a whiff of asphalt and nectar, intermingled. “Like, gender isn’t even a thing, you know? Just properties condensed into a legible sign to be disciplined by heteronormative governmentality.”

“Properties! Properties!” You chant, stomping around the Ache with your arms stretched out. You wave them in the air like windmills. You bare your teeth. “Properties! Properties!”

“You know what I mean, right?” The Ache asks, pointedly. “You know what I mean?”

You continue chanting “Properties!” for another minute or two, before spotting a slug on a blade of grass beneath your feet. You fall to your knees and gasp “It’s a slug!”

You and the Ache stare at the tiny referent for an indefinite period of time, absorbed in its glistening moistures. Eventually, the Ache says “I think it’s actually a snail.”

You used to read postmodern novels on acid. You loved their exploration of hyperreality; their dissection of culture as a system of meaning that arises out of our collective, desperate attempts to overcome the indifference of facticity. Read symptomatically, culture does not reveal unseen depths in the world, but rather, constitutes shallow networks of sprawling complexity — truth effects — illusions of mastery over an, otherwise, undifferentiated and senseless becoming.

Then one day, the world overwhelmed you. Down the hall, your flatmates sounded an eternal return. As they spoke in joyous abandon you traced the lines from their mouths — found their origin in idiot artefacts of Hollywood Babylon. The joy of abstraction you once relished in your books took on an all too direct horror. You recoiled. You bound your lips in hysteria, for fear of becoming another repeating machine of an all too present culture industry. Better dumb than banal — better to say nothing at all, than everything that already was and would ever be. You cried and cried until everyone left — until you were alone with your silence and your tears and your nonexistent originality.

Dusk falls in violet streaks. You reach your room on the second floor of the building, open the bedside window and stick your legs out into a cool breeze. The Ache joins you. Danny Burton, the local MP, arrives in his van, his smiling bald face plastered on its side like an uncanny double enclosing its original.

“Hey look, it’s Danny Burton, the local MP.” Danny Burton turns his head. He glares at your dangling feet for a few seconds before entering his house. “You know, this is the first time in three years he’s looked at me and it’s at the peak of my degeneracy.” You turn to the Ache. “One of my favourite past times is watching him wander around the house at night, ******* and unsure of himself. He always goes to check on his BBQ.” You bounce on the bed in mania.

“See this is what people do, right?” the Ache says, mirroring your excitement. “Like, look at that lady walking her dog.” The Ache motions, with a cruel glint in their eyes, to the passerby on the fast dimming street. “What do you think she gets out of that? Doing that every night?” Without waiting for you to respond, the Ache answers, in a low, sarcastic tone “I guess she gets enjoyment. Doing her thing. Like everyone else.” The lady and the dog disappear beyond the curve of the road. Another pair soon arrives, taking the same path as the one before.

A few months back, you’d met an old friend at an exhibition on intersectional feminism. After the perfunctory art, wine and grapes, she drove you home, back to your run down flat in an otherwise bourgeois neighbourhood. She sat silent as the sun set before the dashboard, then asked how anyone could live like this; how anyone could stand driving out of their perfect suburban home, at the same time every morning, to work the same shift every day, for the rest of their stupid life. The dull ache of routine; the slow, boring death. You said nothing. You said nothing because you agreed with her.

“Life began as self-replicating information molecules,” you reply, obliquely. “Catalysis on superheated clay pockets. Repetition out of an attempt to bind the excess of radiant light.”

It is dark now; a formless hollow, pitted with harsh yellow lamps of varying, distant sizes. The Ache flips onto their stomach and scoffs “What’s that? We’re all in this pointless repetition together?”

You respond, cautiously “I just don’t think that being smart is any better than being stupid; that our disavowed repetitions are any worthier than anyone else’s.”

The Ache returns your gaze with an intensity you’ve never seen before. “Did I say being smart was any better? Did I say that? Being smart is part of the issue. There is no trajectory that doesn’t become a habitual refrain. When you can do anything, everything becomes rote, effortless and pointless.

“But don’t act as if there’s no difference between us and these ******* idiots,” the Ache spits, motioning into the blackness beyond your frame. “I knew this one guy, this complete and utter ****. We went to a café, and he wouldn’t stop talking about the waitress, about how hot she was, how he wanted to **** her, while she was in earshot, because, I don’t know, he thought that would get him laid.

“Then we went for a drive and he failed a ******* u-turn. He just drove back and forth, over and again. A dead, automatic weight. A car came from the other lane, towards us, and waited for him to finish, but he stopped in the middle of the street and started yelling, saying **** like, ‘what does this ******* want?’ He got out of his car, out of his idiot u-turn, and tried to start a fight with the other driver — you know, the one who’d waited silently for him to finish.”

You don’t attempt a rebuttal; you don’t want to negate the Ache’s experience. Instead, you ask “Why were you hanging out with this guy in the first place?”

The Ache responds “Because I was alone, and I was lonely, and I had no one else.”

It is 2AM. Moths dance chaotic across the invisible precipice of your bedside window, between the inner and outer spaces of linguistic designation. There is a layering of history here — of affects and functions that have blurred beyond recognition — discoloured, muted, absented.

In the hollow of your bed, the Ache laughs. You don’t dare close the distance. Sometimes you find the edges of their impact and trace your own death. All your worries manifest without content. All form and waver and empty expanse where you drink deeply without a head. Because you have lost so much time already. And nothing keeps.

Months later, after the Ache has left, you will go to the beach. You will see the roiling waves beneath crash into the rocky shore of the esplanade, a violence that merges formlessly into a still, motionless horizon, for they are two and the same. You will be unable to put into words how it feels to know that such a line of calm exists out of the pull and push of endless change, that it has existed long before your birth and will exist long after your death.

The last lingering traces of acid flee your skin. Doused in tomorrow’s stupor, you close your eyes. You catch no sleep.

Isn’t is strange how we notice things when it is too late?
This is probably the last time that all of us will be in the car together. There will be no more midnight drives from hillside theatres. No more 2am dinner plans at kerbey lane.
This is the first time that I have noticed that you twirl your hair when you drive. My eyes have shifted from cityscapes flying across backseat windows to watching you wrap your hair around your finger.
It’s not slow and flirtatious, but quick and desparate, as if you're trying to distract yourself from the fact that we are growing up. It’s making me anxious, but I can’t look away.
This is the first time that I noticed the change in our silence. We are driving down nearly empty highways, and we are leaving behind our time. We are no longer laughing, and this silence doesn’t feel like it usually does. For once, none of us have anything to say. Or maybe, we know that there is not enough time to say all of the things that we should and want to say.
This is when I noticed how much I love driving down empty highways at midnight. Everything is slow, there is no rush, and, for once, there are no expectations of me.
I am finally, truly noticing that there will never be enough time to tell you all that I love you,
to hear you talk about science,
to hear about your travels,
to talk to you about your struggles,
to drive, and laugh, and cry with you,
to watch you twirl you hair.
Now, we have grown up, and our distances will strain our years of friendships,
and there will never be enough time with you.

2am's are colder than overnight waters;
Frail hours manipulated by flames' want of being put out-
The prey is peace tormented by envy,jealousy,greed-haunted Insomniacs.

2am's-a regretting phase
to a drunk caller not returning to
his habitat,for a syndrome.
A shadow he cannot outrun!

2am's determinance of tenacity
remembering her roots,
Theatre of dreams for
an awaited by responsibilities
African first child.

2am's grip blood,sweat and tears
Of night-shoppers' preference
Of used goods;
In carts,even when wet
for its not about taste!

2am's feel for a diasporan's spouse
Once a patient veagan hastily entombed in a game,
Long demolished by poachers.

2am talking to you...
The hum of a neon sign, Emitting light so tranquil
Purple Luminescence on your face. The sparkle in your eye, it brings life to all...
The smile in your words     In comparison everything so small.    

In conversation vocalising the deep within

What can I say, 2am there is no filter Here.

The euphoria so intense
all Existence has so much Distance,
the world fades away...

Quizzed with the words you speak
Everything begins to dull
Everything so quiet and clear

The realisation of how much I hold you dear
I'd hate to think what I'd do  
Without you here

This story is called death of a superhero.

We see the superhero flying at full speed after a getaway vehicle.  A group of armed men just robbed over one million dollars in cash from the bank and are now speeding through the city.  He darts back and forth to dodge the shower of bullets flying at him from the car, which was preventing him from getting any closer.

"I can't let these crooks get away," he grunted to himself as he curved back and forth through the air.

Suddenly he was blind sighted by a large black object coming from the car.  It was a high powered electric tazer.  It hit him in the side and his muscles locked up, he stopped mid air and went crashing down and smacked and bounced on the ground.  This bought the thieves time to escape from his view.  By the time he got out of it and regained control of his muscles enough to fly, the crooks had maneuvered the city like a maze, and he didn't know where to look, they had gotten away.  He looked over several city blocks and couldn't find him, and was forced to give up.

"****" he said to himself.

He flew off to the nearby park and found a secluded spot to meditate and heal.

That was the forth unsuccessful attempt to catch bank robbers this week!



On the news that night

"The Tomerarenai purotto corporation just received over $5 million dollars in donations from an anonymous donor this evening for their new project on Zenchō hill outside city limits.

The project to build a new factory there has been underway for three months now and they've really been moving along thanks to the help of all these private donors that must really believe in their cause, which of coarse is to develop new "greener" technology to help the environment and cut down on pollution.

We have a spokesperson for the organization here with us now how are you?"

"Good and thank you, I'm really honored to be part of this amazing organization and to see such a great turn out of donors for such a good cause.  It's been amazing with over 37 million dollars donated by private, anonymous donors over the last three months, it's amazing..."

About half the city watched that news broadcast stream into their homes on their television sets.



It was about 2am when the superhero came out of his meditative state in the park.  

He got up energized and flew around.

He saw some guy trying to steal some lady's purse, he zipped down and stood right behind the guy without him even noticing.

The guy got the purse turned around and ran right into him and knocked himself down.

"What do you think you're doing?" the superhero said authoritarily.  Then he lunged in grabbed the guy by the shirt at the scruff of the chest.  With his other hand he picked up the lady's purse, handed it to her, and told her to go home and get out of the dangerous night city streets.  Then he flew the criminal to the police station, told them what he had witnessed, and took off.

Suddenly he heard police sirens all over the city they seemed to be closing in on a specific area, the superhero flew to that area to see what was going on.

He found a police sergeant standing next to a cop car, and stopped to ask him what's going on.

"A masked lunatic just killed 19 people and is now trying to escape in a small silver car, we've got every available unit trying to hunt him down."

He wasted no time, taking up in the air leaving a wind in his wake, the superhero started quickly combing the city for a small silver car driving conspicuously.  He found one, and when he flew over it to check it out, all of a sudden he had gunshots being fired at him from inside the car.

"This must be it," he charged the car with full speed but the driver sped up to keep ahead of him.

This isn't going to work, he thought, I should make them think they lost me and follow them secretly and see where they go.

The next time a gunshot was fired the superhero grabbed his chest and purposefully fell down, to make them think he had been shot.  Once their guard was down he followed them in secret.

They drove outside of the city thinking they had lost all tails, down a couple winding roads, then climbed Zenchō hill toward the Tomerarenai purotto corporation's construction spot, then went inside.  

The superhero landed outside the building and contemplated his next plan.  He noticed an open window to an office on the second floor, he carefully peered through the window and saw no one in the office, he flew in and landed on the floor careful not to make a sound above a mouse squeak.  He quietly crept through the empty hallways until he reached the staircase, when he heard voices whispering downstairs, "He's gonna be here any minute/ get everything ready."  

The hero thought he had no time to lose, he took to the air, bolted down stairs and with a loud dramatic voice yelled "Halt!"

"He's here!" they yelled as one of them ran toward a giant device that looked like a satellite dish, and the other one ran and pulled a rope, dropping piles and piles of smoldering coal around the superhero that immediately made him so sick he could barely move.  industrial type smoke was his weakness.  

"We've been planning for you to come here," the guy in the mask said firing up the satellite dish looking weapon and pointing it at him.  

"W-What do you want?" the superhero asked weakened, frail, and short of breath on his hands and knees on the floor.

"To **** you so you won't stand in our way"

The superhero was growing weaker, and weaker, as the giant atomic laser pointed at him started glowing red, I told you this story was called "death of a superhero".

"Death, of a superhero?"  the superhero grunted, "DEATH, of a SUPERHERO!?!" he shouted again, "YOU'VE BEEN ORCHESTRATING MY DEATH!" The superhero yelled at the narrator.  

Yes I have, the narrator said all the people in the room could hear me, I've been planning your death since before you went after that getaway vehicle, I have such omnipotent like power over your world, I'm the reason the taser gave the one's working for these two time to escape, I'm the reason you never checked this place out until everything was ready, and now I get to watch these two **** you, and laugh, knowing that you'll never find me and there's nothing you can do to change events.

Now, the beam was fully charged

"No!" the superhero thought, "up till this point, I thought I had to go along with everything the narrator said, but no!"  He started to slowly manage to get up.

The masked killer hit the button, fired the laser, and killed the superhero instantly.

Wait what?

"You think you can just **** me by saying so," the superhero grunted out louder slowly rising to his feet.  Mentally forcing his body to work even in the presence of his weakness, in reality, contrary to what the narrator said, the beam was still charging.  

"No!" the superhero continued, getting stronger and healthier, "THERE WILL BE NO DEATH OF A SUPER HERO!!!" suddenly the superhero's personal energy was strong enough to clear a bubble around him of fresh air pushing the smoke around it.  He flew through the air at bullet speed and punched the masked killer across the room and out of consciousness.  Then he went for the assistant who was running to the door, in the heat of the moment, the superhero, hitting him up from behind, punched a hole straight through his skull and he fell to the ground head-gored-dead.  The superhero deactivated the laser. and stood and looked around to try and find that supervillian mastermind, the narrator.  

"You will never find me," the narrator said, "I exist in an inexcusable part of your reality."

Then another voice broke through, "I will open up a portal to the narrator for you" the author said, "be wary though, even in his own part of this dimension, he is very frippery and slick, you must not let him break free into you're general reality, lest he end your world."

Suddenly a glowing golden sword appeared in a light before the superhero, he took it and bowed, understanding what he was to do.

A shimmering white and grey portal swirled out of thin air.  He looked at it for a second as it grew outwards until it was big enough for him to walk through.  He slowly marched into it, guard heightened as he did not know what to expect, carrying the glowing golden sword behind his back.

Inside the portal was a large white room where the narrator lived.  there was a large white shelf, four walls and a ceiling, the portal remained open.  

He looked around but didn't see the narrator at first, when he realized the narrator had filled half the room with a thick white fog to mask himself.

"Show yourself you coward!" the hero yelled.  Sudddenly a large fist came out of the fog and punched the superhero right in the face, he stumbled back a few steps, but didn't let it knock him over.  Suddenly a humanoid figure stepped out of the fog, it had a body like a man but a head like a king cobra.

"S--sssss--o" it said, "you found a way to find me," "Hisssssssssssss..."

"I found you and I will destroy you to free my world from your evil," the superhero said.

"Is-s that sssssssssso" the beast said.  "And how do you plan to do that? Hisssssssss".

Then the narrator's eyes widened when he say the glowing gold sword behind his back.

"I will cover myself in armor that that sword can't pierce." He said.

"And an armor appeared around the narrator, except it only appeared to cover his head, and his face was still bare." The narrator said and it happened.

The superhero lunged at the narrator with the sword but the narrator slipped to the right and shot ***** of fire at the superhero, but the superhero dodged.

"And his hand got shaky and it greatly effected his aim," the narrator hissed out.

The superhero swung at the narrator, but missed everytime.

"I've got to steady my aim" the superhero thought to himself, putting most of his energy into his arm to hold it steady.  The narrator backed away from him, hissing and darting back and forth as if antagonizing him, perhaps trying to distract him and his focus.

Suddenly he felt a surge of energy push back from the sword, flow up his arm and flood his body, the sword glowed brighter and he was in control of himself again.

He went after the narrator full force, swinging and jabbing the sword, but the narrator dodged every attack.

"You'll never defeat me!" the narrator hissed.

But while he said that he lost focus, and the superhero swung the sword right into the side of the human part of the body, so deep it hit something metal and stopped.  

"Then he dropped the sword," the narrator said quickly and it happened.  The superhero's hand snapped wide open before his willpower could stop it, and the sword dropped to the ground with a "shink".

Acting super fast, the narrator dropped to the ground and picked up the sword with his teeth, and slithered out of his fake, damaged human body into his true form, a giant king cobra looking snake, covered in a heavy metal armor that was scaly and didn't restrict his movements.  Quickly, he slithered  over to the portal, but the superhero grabbed his lower armor before he got a chance to escape into the hero's world, and used his body to anchor the snake to that spot.

The narrator swung and slithered his body to try to free himself from the hero's hold but he was holding on to well, and the serpent could not escape.  

The hero did not know what to do, he needed to get the sword back and slay the serpent, but he had to keep both hands on him to keep him from getting free.

He had an idea, he used his legs to help anchor the serpent, and climbed him to get to his head to retrieve the sword.  Slowly he worked his way up the snake as he slithered and struggled to get free.  When it seemed inevitable that the hero was gonna get the sword back, the serpent spit it out and it landed next to the door.  Then he shot fireballs out of his mouth at point blank range at the superhero which distracted him enough for him to loose his grasp, and let the serpent break free.  The serpent quickly slithered over to the portal, hissed "goodbye sucker", mouthed the sword once again, and slithered out the portal.

The superhero jumped up and flew after the serpent, and crash landed onto of him on the other side of the now closing portal.  

"The masked murderer woke up and came over to help the narrator," the serpent hissed out.

Suddenly the masked murderer came over and the hero was trying to get him on his side to break the stalemate.

As the snake and the superhero wrestled, the superhero called out to the masked murderer, "Don't help him, if he escapes me now, he'll destroy the world!"

"Don't listen to your enemy," the narrator hissed out, "**** him!"

"Don't listen to him," the superhero tried to reason with him, "he's just manipulating you, everybody, he's the reason you wanted to **** me and do this whole project in the first place, YOU ultimately have free will! and we need to **** him."

The narrator strikes and bit the superhero's arm for telling the masked killer he had free will.  

"What do you need!" the masked ****** shouted when he got over there.  

"**** him" the serpent hissed out!

"The sword!" the hero shouted.

The masked murderer, not knowing what to do, picked up the sword and handed it to the hero.

The superhero used it to pry off a piece of the serpent's armor, poised it into position and struck down.  The narrator shifted his body however so the sword narrowly missed, and curved his tail so the open spot in the armor was underneath him, "Grab him!" the superhero said, hold him steady so I can get a good shot."

The Masked murderer did just that, and the hero drove the sword through the opening and impaled the narrator right there, and actually cut him in two.

"But then the narrator's body sealed at the womb and he slithered free" the serpent said and it happened, and he slithered at full speed toward the same door the masked murderer's assistant tried to escape through, and he was making distance.

"And then a layer of cement formed around the superhero's ankle so he couldn't chase the narrator." and a piece of cement attached to the floor formed around his ankle.

But the superhero made quick work of that, a **** of the leg and it reduced to crumbles and he got up and chased the serpent.

The serpent got outside the door and mumbled something, suddenly the door was a pure steel wall.  Three punches by the superhero weakened the steel and severely dented it, the forth punch and it went flying off and the superhero ran outside and saw the narrator escaping into the brush.  He knew what he had to do, he lunged at him and grabbed him just by the head, and ****** the sword through a hail of fireballs straight into it's mouth, the narrator couldn't speak to reverse that action and he died shortly after.