Submit your work, meet writers and drop the ads. Become a member
 
 May 2014 Issa
Camellia-Japonica
I went into this with
eyes and thighs
wide open.

I cannot sanitise my position
My legs astride
Your waist.

I cannot analyse our predicament
I sympathise truly
With her.

But, this affair started together
both to blame
no shame.

I'm beautified by your attention
Call it love
I'm mystified.

I only know I cannot
I will not
Give up.

I'm sorry that you're married
as am I
that's life.

Or is it oversimplified lust?
just never leave
I'd vaporise.

But, before we go back
to our partners
glide inside.

Again.
© JLB
 May 2014 Issa
Camellia-Japonica
Rain patters on the window
hurricane winds whistle round about
my mind.
I hear the rain, amazed that the sun's rays
still fall to earth, warming and nurturing

Cocooned in a throw, I look at the room
I've lain in for three days in a pain of my making.
I've become a cliche, the madwoman in the attic
lamenting lost love, lost life.
Cruelty knows no bounds, yet it binds.

Rhythmically the rain batters at the panes.
I don't want praise, I like my malaise
I feel real when I feel pain
I lie slain on the floor, amidst the wreckage
of a marriage.

I've died over and over these last three days
I want to get up and comfort you
To tell you that your life will go on
Mine had to end. I'm sorry you found me
on the floor, tablets strewn everywhere.

Baby steps now my love
you knew I was broken,
there's only so many matryoshka dolls in the original
I'm still here my love, it's just better that
you don't see me, but I can watch over you.

Your heart is broken, filling with rain and tears
my heart and soul was broken when the ink was dry
on the paper declaring us over.
When I get up from the floor, I want you to listen to the rain and
know it's me, my ghost knocking at your door.
© JLB
 May 2014 Issa
Martin Narrod
hello.
 May 2014 Issa
Martin Narrod
Can I show you how beautiful you are? Can I take out the old photo albums and push my index finger into the faces, the places, and seas? I want to peel back the plastic and remove the square photographs from their sticky setting. I'm alluding to ideas that exist more formidably on the internet- there are no paper photographs, no sticky settings, there aren't even faces in the numbers; it's only ever been you or me.

Some of my things are crooked. The strings don't work, the wires are twisted and make the sounds all come out funny. There's a strange buzzing everywhere, it's like Mickey's gray cloud, a cloud Koopa throwing spiked shells from Park Avenue beach to Montrose street. Everything is quiet, consuming, unassuming and still recalcitrant. I'm showing nothing to nobody. Coaxing storm systems and netting foul play and ***** tricks, with my pants around my ankles or my fly unzipped.

I'm stinking of this stuff. These sudorific crevices on the insides of my thighs. I'm more or less always pacing. Rocking. Rolling. Small room I'm living room, cadavers I stuff my skinny fingers inside of- cold, wet hollow places I'm seeking skin covered gods in. I'm craving tastes and flavors. I'm looking at these pictures of me, of my face and the clothes I wore, the people that knew me. Where have I disappeared to? Every place that I went, every condition of my humanness has gone. Five minutes past my certainty, squirting hot molten magma from my ****, my lips, and my fingertips. Hysterical thoughts and homily. I want just a hello. I want just a hello.
 May 2014 Issa
Martin Narrod
angry men who do not know I do not have a dollar or a cig to spare. Ugly irrefutable contagion-handed howlers. Angry mischievous heathens that pantomime on 6:00a.m. sidewalk, Wicker Park gallow stop-sign, choreographed gutter-punk drunk walk. And of all he wants and could ever want splits down his gooey membrane brain in the outline of a noun shaped fragment of a clause, "Couldja spare 80¢ for the train," but of course I don't spare on the ellipsis or the period. Semi-colons I won't! My rubber-bottomed leather boots lash out, heavy scraping sounds trail this mirrored shadow half an angle behind me.

*****!! Blonde framed sunglasses from American Apparel, a gift from my sister in a folded Ray-Ban case is scattered on last nights bedroom floor, my girlfriend has certainly not noticed, the gloom-coated morning sun spray has not noticed; but I have unzipped a fissure in the ocular lens. My heart skips a beat. Her bedroom might as well have swallowed them whole. Now the house can halt and have the shade, swaying in Spring air in 10:22a.m. shadows. The aviator himself Howard Hughes would strike me with his 488 aircraft. Edwin Starr in his invincible sinister calypso of War would turn me round. I was sturdy as a rock until I began to forget my forgottens. These unknown unknowns I knew I needed. I'm over a quarter-century on to noon going nowhere- and quite blindly.

But then, still she could stand upright and find me. Her neck crooked, looking onward through the East, the gristly roots of rhubarb buried in her searching fingernails. She's threaded worse, and of course if I could just tell her- this is the kind of nursing which requires acute temperament and flexibility. I am thus on a journey to strike nonsense and fear from the idiotic vocabulary that put this nonsense in my head. Split through me like a butter knife into my apotropaic. Perhaps tar water could cure my ails. If not, certainly a sliver of vanilla would set me straight. Or if could just rain rain rain all day, then I'd make do without, but she is at school. My pistons are racked and nervous, and I'm not going anywhere but my rucksack stoop. I am camped in midwestern Spring soup. Fog, rain, and shade. The nightmare of day.
Inspired by William Butler Yeats 'Beautiful Lofty Things'

— The End —