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~
Sun drips
on leaves

not the backyard variety
but the trembling kind

the kind
that weld night-time
intermissions to
the roof of the mouth

sonnet-filled
evaporation
reveals
the timely concealment of
a very, weary
inanimate object
at the brink

just enough hip
to be woman

just enough wild
to be frontier

~
~
I felt a funeral
between the timid breaths
of ruination, we plucked
to death the melancholic florals
called time flowers,
translucent growths
with crystal hearts,
gifted them to someone else's children,
placed them around the waist
of everyone else's wives.

When plucked,
that crystal core dissolves,
emitting the light trapped within.
perpetual splendor or
the endless cycles of death?
do the normal rules
of chronology apply?

Look now! here comes
the great unwashed riot,
we live in an age of visual saturation,
where tragedy and beautiful
distractions crowd in on all sides,
clamoring for our attention.

Perhaps the dystopian premise
is part of a fiendish plan,
becoming the backdrop
to a fluttering cornucopia
of florals, each outfit paraded
in the beginning of May,
a blooming display of finery
hiding a complex
network of roots –
sponsorship deals,
brand calculations,
dedicated craftsmanship,
exposure opportunities
– beneath its pretty skirts.

~
“the voice of poetry in the conversation of mankind.”

<>
            
“Even nowadays, most of us have speeches from plays and films jangling around our heads, alongside things that have actually been said. Both contribute to what Michael Oakeshott called “the voice of poetry in the conversation of mankind.” Whether in verse or prose, there are some fictional speeches that, once heard, cannot be unheard. You find that you live with them.”
~from~
Things Worth Remembering: Nothing Is Lost Forever
By Douglas Murray 9/8/24
<>

the quote grabs the throat, a two handed grip,
but gentling, to ensure it does not go forgot,
or to the bottom the pile, or just another
never truly born, or premature to die,
guised as a drafty passing breeze,
a tickle too fickle, impersistent,
to be a poem unto itself

my thots impure, for I see, I believe,
that poetry is the conversation in all
we do have,
those that lyric wax when
one of the five big guys,
jive, sensory excited, the whiff, taste,
licks the visionary
of the need to be a completed
exegesis, a work to be telling
told

but I am old, my powers weaken daily,
the resistance training recommended,
by brain muscle, fiercer resisted

so reach for the quill,
blue lined sheet,
a cute puppy looking paper,
up for the “surprise” treat
just for extending a paw,
these humans so ease pleased,
you see,
here comes a poem
bout
poetry being bout every any,
even, the great creator struggling
to put out fresh daily,
new &  improved work,
after a six day historic period,
that demanded a poem-alll-day entity,
entitled as a sabbatical day
of rest.

Here I too rest as well,
too many conversations need starting,
fires requiring verbal refueling,
and my own voice hearing a,
“get up, get out of bed,
drag a comb across your head,”
talk, and plant those newly fallen acorns,
and let the conversations produce
giant oak trees,
and
a plenitude of poems


9/9/24
douglas murray voice of poetry lipstadt
i know a guy
he lives nearby
on absolutist street
the other day
he was going away
the street had two directions
it went either always or never
from his drive way he pondered
he always went the always way
and never went the never
........never to return
I close my eyes
A feeble attempt to get back to a dream
I realize
It's ridiculous to chase one particular theme
Too many tries
With no mind paid to what it could mean
I fantasize
But fantasies have a misleading gleam
The crystal ball lies
It's all a regurgitated, outdated scheme
My reality cries
But it's better than when it use to scream

©2024
Die hard the poet's heart
Dashed with great fury against the wall.

Cursing to the heavens,
for sense of it all.

To see the beauty in the blood
 as it drips thick droplets from the blade.

To see, same said beauty, 
from a child's tears upon the grave.

Curse to the heavens.
Dash my heart against the wall.

And **** my poet eyes,
for the beauties seen in all.
Sometimes it feels we see things we shouldn't
or write things we shouldn't write
but would we still be poets if we did that?
Should we still be poets if we did that?
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